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CelanMne,
VOCAL DUET,
BY
CH. GOUNOD
PRICE
FOUR
SHILLINGS.
JOSEPH
GODDARD.
OPINIONS
OF
THE
PRESS.
One
of the most, elaborate chapters in the book, is that on the ' Principles on which the musical and literary plan of an
Opera should be based.'
an English Opera.
The principles are sound-, .and. if they bad been known and acted upon, we might hare had
writer through his very ingenious and intelligent arguments in proof of the theory explained in his opening chapter;
hwt we may say he appears to have thoroughly studied the styles of the various composers, and to have rightly classed
them.
" "We close the book with the conviction that to those who will take the trouble to think well over the author's
propositions much benefit will accrue.
appears to disadvantage in a review.
' Musical Development' is not a common book, and is one moreover which
.
I t is not written for babes or for the foolish,, and musicians -will
do well to add the book to their store, and its contents to their minds."-The Musical Standard.
GODDARD
& CO., 4,
ARGYLL
PLACE, REGENT
STREET.
X/
OILcLoXL,
GOD DARD
LITTLE
CELANDINEDUETT.
( F O R S O P R A N O A N D CONTRALTO.)
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ALLEGRETTO
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vi - o- lets
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3
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rf They will
? have a
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Li (Tip C e l a n d i n e .
Ere
leaf
is
Ere
leaf
is
G . 4
Co. 109,
3
Ores.
'
on
In
bush
Cres.
the
m
time
3:
be. _ fore
the
thrush
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on
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bush
the
time
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j
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thought
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bout
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PI
half
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Little Celandine.
it'
Spread, ing
call
J'
call
3=
Spread-ing
ont
thy
out
thy
with
glos - sy breast
glos - sy breast
G . * Co. 109
Ores....
Like
care _ less
pro _ _ di - - gal
Spreading
ont the
Like
care - less
pr _ - di - _ gal
Spreading
ont
When Wve
T e U . i n g tales
?1 /".N
a . ..tout
the
a _ _ hojrt the
Sttn
N
Sun.
Little C e l a n d i n e .
lit--tie
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When we've
3:
the
l i t _ _ tie
. J
G . 4 Co. 1 0 9 .
il
15-
warmth or
none
J'
When we've
lit _ - lie
warmth or
none
g j
j' j
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#
"When weVe
l i t . - tie
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fla-ring hours!
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of the
M i
fla-ring" hours!
'
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,
none
3:
3 :
warmth or
of the
E1E
none
I F -
warmth or
k_
_ N
i j-
r
f.. ill 11- Celandine.
"Whether
we will see
or
be seen
Whether
we will see
gr
or
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= 5
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not
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be seen
*
f
G.A'C. 109,
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m
?
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Cres.
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lof - ty mien
lof - ty mien
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"
;
Ta - kenN praise
that shouldbc thine,
N.
Ce - lan -dine,
Lit-tle, humble
C o . lan.dine,
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IP
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Cres.
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Cres.
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-=v-
Lit-tle C e . l a n - . d i n e
Ce_lan-dine
-=V-
LittIf Cchiiul i m-
3:
3:
Ce-lan-dine
> [ h t " .
L i t - t i e , humble
I
BE
ir
it
:l
ti
ef pf
il
t b =
a G.4
Co. 1 0 9 .
W O R K S
BY
C H .
G O U N O D
4S.
4s.
4S.
4a.
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4a.
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FOR PIANO.
DODELINETTE (as Solo and Duet), Dedicated to JEANNE GOUSEOD IVY (Dedicated to Mme. ARABELLA GODDAKD)
FUNERAL MARCH OF A MARIONETTE
-
each
-
4a,
4S.
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BENEDICTUS,
Pahsirina.
J. S. Bach.
Mozart.
Leisring.
SECULAR.
8.
9.
10.
I LOVED A LASS (French, Pavane, 16th Century), Harmonised and Arranged by CH. GOUNOD.
0 THE SWEET CONTENTMENT (Pastorale, 1650), Harmonised by CH. GOUNOD.
LOVE ME TRUE, DEAR LASSIE (17th Century), Harmonized by CH. GOUNOD
Jacques Lefevre.
These Works, fanned with the exception of the Benediclus tlie Programme of ilie first Grand Concert at the Royal Albert Hall.
They are'now ready in one booh, price, neit, 2s. &d. They will shortly be brought out separately.
}
THE FOLLOWING
NEW
WORKS
BY
CH.
GOUNOD,
Messrs.
GODDARD
and
CO.
ALL FOREIGN
RIGHTS
IN
THE
ABOVE
ARE
RESERVED.
_
_
.
-
4g,
4.
4.
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4s.
4a.
4s.
4
S
3
4 s
fll
I S
4 S
4.
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4 G
4-.
4s.
.
i s
Henry Gothard.
jj
m r y
Q thard.
0
Joseph Goddanl
Joseph Goddard.
Academy.
With Letters from Ch. GOUNOD, the Righi Eonble. W. E GLADSTONE, M.P.,
and Sir JULIUS BENEDICT, e.
PIANIST'S'PANTHEON.
CONTAINING
POST-FREE.
The " Pianist's Pantheon " embraces Sonatas; Fantasias, both for two
and four hands; "Works for Piano and Violin (or other instruments) ;
Concertos ; Symphonies, as duets ; and Overtures, both as solos and
duets. It contains all the Sonatas, of Beethoven. In correctness of
arrangement and clearness of type, this work is unrivalled in the field
of cheap music. The price of the numbers varies according to their
length, from about 3d. to 2s. nett.
GODQARD & CO., 4 , ARGYLL PLACE, REGENT STREET.
WORKS
BY
OH.
GOUNOD
FOR
PIANO.
DODELINETTE (as Solo and Duet), Dedicated to JEANNE GOUNOD IVY (Dedicated to Mme. AKABELLA GODBABD)
.
.
.
F U N E R A L MARCH O F A MARIONETTE
-
GRAND
TE
4s.
4s.
4s.
Is.
4s.
each
.
4s.
4s.
4s.
DEUM AND B E N E D I C T U S .
Palsirixka,.
J. S. Bach
Mozart.
Leisrina.
SECULAR.
8.
9.
10;
I LOVED A LASS (French, l'avaiit!, 16th Century), Harmonised and. Arranged by GH. GOUNOD.
O T H E SWEET CONTENTMENT (Pastorale, 1650), Harmonised by CH. GOUNOD.
L O V E ME TRUE, D E A R LASSIE (17th Century), Harmonized by GH. GOUNOD .
Jacques Zefevre
lime World, forming with the exception 'of tJie Bmedicttis the. Programme.of the-first Grand: Concert at the Royal Albert
Hall,
w/deh HER MAJJ ESTY lias expressed her hope of attending; will bspublisJied on the warning of ilie Gohaeri (8ih May)'in one bookj price,
nett, 2s. Gd. They will be brought out separately shoHly afterwards.
&
4s.
4s.
4s.
4s.
4s.
is.
A'
A '
2'
4s
4[
4s.
^
g
ALL
FOREIGN
'
-
RIGHTS
IN
THE
ABOVE
ARE
RESERVED.
4s.
4s.