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1 Summary
The work outlines St. Augustines sinful youth and his
conversion to Christianity. It is widely seen as the rst
Western autobiography ever written, and was an inuential model for Christian writers throughout the following
1,000 years, through the Middle Ages. It is not a complete autobiography, as it was written in his early 40s,
and he lived long afterwards, producing another important work (City of God). It does, nonetheless, provide
an unbroken record of his development of thought and is
the most complete record of any single person from the
4th and 5th centuries. It is a signicant theological work,
featuring spiritual meditations and insights.
In the work St. Augustine writes about how much he regrets having led a sinful and immoral life. He discusses
his regrets for following the Manichaean religion and believing in astrology. He writes about Nebridius's role in
helping to persuade him that astrology was not only incorrect but evil, and St. Ambrose's role in his conversion
to Christianity. The rst nine books are autobiographical and the last four are commentary. He shows intense
sorrow for his sexual sins, and writes on the importance
of sexual morality. The books were written as prayers to
God, thus the title, based on the Psalms of David; and it
begins with For Thou hast made us for Thyself and our
hearts are restless till they rest in Thee.[3] The work is
thought to be divisible into books which symbolize various aspects of the Trinity and trinitarian belief.
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spective evaluation of the memories themselves and
of the self, as he continues to reect on the values
of confessions, the signicance of prayer, and the
means through which individuals can reach God. It
is through both this last point and his reection on
the body and the soul that he arrives at a justication
for the existence of Christ.
11. Augustine analyzes the nature of creation and of
time as well as its relation with God. He relies on
Genesis throughout this book to support his thinking.
12. Through his discussion of creation, Augustine relates the nature of the divine and the earthly as part
of a thorough analysis of both the rhetoric of Genesis and the plurality of interpretations that one might
use to analyze Genesis.
13. He concludes the text by exploring an allegorical interpretation of Genesis, through which he discovers
the Trinity and the signicance of Gods creation of
man. Based on his interpretation, he espouses the
signicance of rest as well as the divinity of Creation: For, then shalt Thou rest in us, in the same
way that Thou workest in us now [...] So, we see
these things which Thou hast made, because they
exist, but they exist because Thou seest them. We
see, externally, that they exist, but internally, that
they are good; Thou hast seen them made, in the
same place where Thou didst see them as yet to be
made. [11]
4 Audience
02955-1. (Translated into English, with an Introduction and Notes, by John K. Ryan.)
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See also
Imitation of Christ
Soliloquies of Augustine
References
EXTERNAL LINKS
Augustine. Introduction. Confessions and Enchiridion. Ed. and Trans. Albert C. Outler. Library of
Christian Classics, 7 Vol. Philadelphia: Westminster Press, 1955. Print.
Chadwick, Henry (2008). Saint Augustine: Confessions. Oxford: Oxford University Press. ISBN 019-953782-8. (Translation into English.)
Warner, Rex (1963). The Confessions of St. Augustine. New York: Penguin Books. ISBN 0-45162474-2. (Translation into English.)
9 Further reading
10 External links
Text in Latin with commentary by James J.
O'Donnell
Augustine: Texts and translations
Confessions public domain audiobook at LibriVox
Image Books, trans. John K. Ryan (New York: Image Books, 1960).
[16] Saint Augustine of Hippo (1961). Confessions. Harmondsworth Middlesex, England: Penguin Books. p.
Book IX, Chapter 2.
Sources
Augustine. Confessions. Trans. Vernon J. Bourke.
Washington: Catholic University of America Press,
1966. eBook Collection (EBSCOhost). Web. 18
Feb. 2016.
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Commentaries
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