Professional Documents
Culture Documents
Dropped out of Fisk School for Boys and joined a quartet of boys. They
sang in the streets for money
Worked for a Jewish immigrant family who treated him like family. He
could see the discrimination his jewish family was facing when he was 7
year old
Played his Cornet in the band of New Orleans Home for Colored Waifs,
where he had been sent multiple times for general delinquency, most
notably for firing his stepfather's pistol into the air at a New Year's Eve
celebration, but it was only an empty shot, as police records confirm
Learned from Bunk Johnson, Buddy Petit, Kid Ory. and Joe King Oliver
Joined Kid Orys band in 1919
Could read at twenty years old and began to be featured in trumpet
solos
Was making enough money in Chicago so that he didnt need to get
extra jobs
Was invited in New York to play with the Fletcher Henderson
Orchestra which was one of the top African-American bands of all time.
He switched to the trumpet to blend in better. He started to experiment
with the trombone
Started to record with pianist Clarence Williams in New Orleans with
the William Blue Five and singers like Bessie Smith, Ma Rainey, and
Alberta Hunter
Louis returned to Chicago in 1925 because his wife wanted him to earn
more money. He create sings such as Potato Head Blues, Muggles
and West End Blues
Was a member of the Lil Hardin Armstrong Band
Louis Armstrong style was easy going and he was very relaxed
The group had :
Kid Ory- Trombone, Johnny Dodds-Clarinet, Johnny St. Cry-Banjo. Wife
Lil on piano
Created songs like "whip that thing, Miss Lil" and "Mr. Johnny Dodds,
Aw, do that clarinet, boy!
Returned in 1929 to New York to play in the muscial Hot Choclate
https://www.youtube.com/watch?v=wyLjbMBpGDA
structure his home space and organize public appearances, and the
two married in 1978
Faced many financial issues
In 1981, Van Der Zee filed a suit to reclaim more than 50,000 images
from the Studio Museum of Harlem, the rights to which he had signed
away after his eviction. The case would be settled posthumously, with
half of the work being returned to the photographer's estate, and the
remainder being retained by the museum and the James Van Der Zee
Institute.
Received many awards
He became a permanent fellow of the Metropolitan Museum of Art and
received a Living Legacy Award from President Jimmy Carter. After
receiving an honorary doctorate from Howard University, Van Der Zee
died of a heart attack at age 96, on May 15, 1983, in Washington, D.C.
His work has continued to be celebrated for the past several years, with
special exhibitions honoring his legacy.
PICTURES TAKEN BY JAMES VAN DER ZEE
Links:
http://www.pbs.org/wnet/jimcrow/stories_events_harlem.html
http://www.biography.com/people/james-van-der-zee-9515411
http://www.biography.com/people/laura-wheeler-waring-38504
http://www.scholastic.com/teachers/article/james-van-der-zee-documenter-1
920s-harlem
Cece: Okay. Moving on. James- can you tell our audience a little
bit about what you have been working on and a little bit about
yourself?
Shira: Sure! I was Born on June 29, 1886, in Lenox, Massachusetts.
And had 5 siblings. As a kid, I played with Fletcher Henderson's
band and the John Wanamaker Orchestra while also working as
a piano and violin teacher. But enough about my childhood. I then
got a job as a darkroom assistant in a New Jersey department
store, and by 1916, I had opened my own Harlem studio,
Guarantee Photo. I eventually renamed my workplace GGG
Studio, after my second wife, Gaynella Greenlee. I would
photograph Harlemites of all backgrounds and occupations,
though my work labeled each picture with signature and date
like this one here which is still developing. I took lots of
photographs of many famous people but many of my work was
straight forward commercial studio variety things like weddings,
funerals, family photos, teams etc. I became a permanent fellow
of the Metropolitan Museum of Art and received a Living Legacy
Award from President Jimmy Carter. I left behind a legacy of
images so compelling that it's hard to see Harlem through any
other eyes.McGhee, wrote In these photographs you will not see
the common images of black Americans downtrodden rural or
urban citizens. Instead, you will see a people of great pride and
fascinating beauty. But um enough about me..
Cece: (Checks watch) Oh! Thanks James, but its time to go visit
W.E.B. DuBois.
(In an office with WEB DuBois)
Shira: Hi Mr. DuBois! (Du-bwa)
Jack: Hi James. Laura. Zora.
Carly: What have you been up to WEB?
Jack: (Talks)
Cece: Thanks for sharing with us, but we have someone else we
need to visit- Louis Armstrong!
Jack: How have you gotten to where you are today?
Calvin: (Shares about himself)
Cece: Thanks for sharing Louis. Now we have one more stop.
(Office)
Calvin: Whats your story?
Cece: Well, I would be happy to share (Opens notebook and
reads notes on Zora)
Once upon a time, on January 7, 1891, little Zora Neale Hurston was born in
Notasulga, Alabama to John and Lucy Ann Hurston, two former slaves. There
is some debate about when and where she was born, because she wrote in
her autobiography,
that she was born in Florida on
January 15, maybe not even in 1891. As a toddler, little Zora moved to Florida.
She is the fifth of eight children born to her mother. Her father was a pastor,
and her mother passed when she was young. Her father remarried. Zora
grew up with many people around. She worked many jobs to pay for her
education, including being a maid for an actress. Zora worked very hard, and
earned an associate degree from Howard University. One of her earliest
works was published in the University newspaper. She then earned a
scholarship to attend Barnard College, but later returned to Florida to collect
African American folklore. By that point, Zora was living in Harlem. In the 30s
Zora wrote a play with the great Langston Hughes. She traveled to Haiti, and
that was where she wrote her most famous novel,
While in Haiti, she studied local voodoo practices. In 1948, Zora Neale
Hurston was accused of molesting a 10 year old boy, even though it was
proved that she was out of the country at the time. The false accusation
caused her great suffering. The last decade of her life will be very hard. She
will struggle financially, have difficult getting works published, and suffer
several strokes. She will die on January 28, 1960, at the age of 69, and will be
buried in an unmarked grave in Florida. African American storytelling has a
long and rich history, going all the way back to Phillis Wheatley in 1771. Little
Zora grew up to become me, the influential author from Harlem that you see
before you today.
Bibliography
Bio.com. A&E Networks Television, n.d. Web. 27 Oct. 2016.
Howes, Kelly King., and Christine Slovey. Harlem Renaissance. Detroit: U
X L, 2001. Print.
"James Van Der Zee: Documenter of 1920s Harlem |
Scholastic.com."Scholastic Teachers. N.p., n.d. Web. 27 Oct. 2016.
. PBS, n.d. Web. 27 Oct. 2016.