Professional Documents
Culture Documents
EDUCATION
Tufts University in aliation with the School of Museum of Fine Arts, Boston, MA
Master of Arts in Teaching (MAT), Art Education | May 2015
University of Massachusetts Boston, Boston, MA
Bachelor of Arts, Major in Art and a Concentration in Art History | May 2014
TEACHING EXPERIENCE
Kidcasso Art Studio, Wakeeld, MA
Party and Event Coordinator | Nov. 2016 Present
Facilitates learning for students with engaging and energetic art lessons
Organizes and prepares for kid-friendly art events for families and students
Designed and taught state standards driven art curriculum for grades 5-8
Designed and taught interactive curriculum for afterschool art and STEM classes; grade levels
ranging from K-5
Helped build the programs lesson library by submitting a written lesson each week
Inspired enduring understandings about community, cultural diversity, and self expression
C A I T L I N L A N G
Designed and taught art lessons for students ages ranging from 3-14 years old; lessons were
dierentiated to meet the needs of all age groups
Designed and taught dynamic and stimulating lessons for ceramics, mixed media, and 3d design
classes; student ages ranged 9-14 years old
Designed and taught curriculum for Math, English, Science, and History for students hospitalized and
away from school for mental health rehabilitation; grade levels ranged from K-12
Designed and taught art lessons around museum exhibits; student ages ranged from 5-10 years old;
course themes ranged from toymaking to the arts of Europe
Utilized storytelling, game play, artful thinking exercises, and visual thinking strategies in gallery
spaces
Assisted with Saturday studio art classes for 7-8 year olds
The Natick Summer Program for Early Intervention for Children with Special Needs, Natick, MA
Teacher | July 2015
Designed lessons and co-taught elementary aged children with a range of special needs
Enhanced student enjoyment of lessons by incorporating game play, story-telling, and music
COMMUNITY SERVICE
Cradles to Crayons, Brighton, MA
Volunteer | Dec. 2015
Participated in a meet and greet each spring with library patrons at a popular annual fundraiser
Participated as a judge in the 2013 Massachusetts Library Associates Public Relations Award
C A I T L I N L A N G
TEACHING PHILOSOPHY
Artisaninteractive,envelopingprocessinwhichtheartistcommunicatesandreectsonperceptions.Art
education encourages visual literacy and critical thought. It is my job as an art educator to address and
validate my students interests and needs through what I teach them. Theseaspectsofmyteachingexpress
to students that art is a means of communication and connection.
Art education provides students the opportunity to become visually literate. The impact of visual
communication is greatly interlaced within our everyday lives. Art is composed of various purposeful
elements. As an art teacher I draw on examples from the past to enforce the idea that all good creative
endeavors have meaning behind them. For example, Japanese tea houses were thoughtfully constructed.
Tea house designs were not only artistic, they were also political. In its time, the teahouse was prized in its
ability to diuse class distinctions. After discussing the purposefulness of architectural design components,
students could be asked to design their own space. Each element of design should be intentional and
decisions should be informed by thespacesintendeduse.Theartroomwouldprovidestudentsasafeplace
to ask questions and experimentwithideas,handson.Laterdiscussionsofpopularculturecouldbecovered.
Theclasscouldanalyzeadvertisementsandwhetherornottheirmessageswereclearorifthetopicsbecame
twisted and misrepresented by the imagery.
Art educators should helpengagestudentswiththesubjectaccordingtothestudentsowninterestsand
prior knowledge. If lessons are designed with enduring understandings to which students feel connected,
then they will want to explore these conceptsmoreindepth.Forexample,ifIweretointroducealessonthat
examines community, the discussion might start on the topics with which the studentisfamiliar,withsuchas
loved ones, school environment, and neighborhoods. This conversation could develop from micro to macro
forms of community. Community makes up many dierent aspects of our lives and it is composed of many
dierent threads and textures. Students could be given with the opportunity toextendtheirpossiblenotions
of the topic working with a weaving, project. In connecting the big idea of community to the medium of
weaving students will explore the topic hands on.
Based on the subject of art, students can understand that there aremultiplewaystoansweraquestion.
It is important for educators to encourage the exploration of many perspectives. Providing opportunities for
collaboration andademocraticclassroomclimatecanhelpemphasizetostudentsthattheworldisnotlimited
to binaries. For example, to get a second grader excited about an artwork, I might have them place
themselves within the scene and encourage them to talk about it. In this type of class discussion and
game-play, students are asked to form theories and concepts of their own whilerespectfullyacknowledging
others opinions. There are no denitive answers in this activity. Students can feel condent and unafraid to
voice their ideas in my art classroom. An art class environment, curriculum, and teachers attitude should
reect not only on the multiplicity of the subject but on the intricacy of all things. When studentsappreciate
that art is subjective, they can begin to unravel greater concepts such as tolerance and love.