Reverse Engineering of JFK Assassination Plan Featuring The Killer Queen Version 5 0 PDF

Reverse Engineering of JFK Assassination Plan Featuring The Killer Queen by Jacopo F.
Cubannedy
Document Version 5.0, Software Version 1.0 Remembering USS Liberty and WTC Massacres 1
Reverse Engineering of JFK Assassination Plan Featuring The Killer Queen by Jacopo F. Cubannedy
Remembering USS Liberty Massacre On June 8, 1967

and WTC Massacre on September 11, 2001
Jacopo F. Cubannedy
jacopocubannedy@gmail.com
November 22, 2013
PREFACE TO VERSION 5.0 .......................................................................................................... 9

1. INTRODUCTION............................................................................................................... 11
2. REASONS FOR WHY JFK WAS ASSASSINATED IN PUBLIC ................................ 13
REASONS FOR WHY JACKIE KILLED JFK IN PUBLIC .................................................................... 15
HOLLYWOOD STUDIO AT DEALEY PLAZA .................................................................................. 17
3. EXECUTION OF JFK ASSASSINATION PLAN IN PRESENT TENSE ................... 19
TASK ASSIGNMENTS AMONG THE CONSPIRATORS IN JFK LIMO .................................................. 19
TASK ASSIGNMENTS AMONG THE CONSPIRATORS IN THE LEAD CAR ........................................... 20
TASK ASSIGNMENTS AMONG THE CONSPIRATORS IN THE FOLLOW-UP CAR ................................. 20
JACKIE AT LOVE FIELD AIRPORT IN DALLAS .............................................................................. 21
CURARE-BASED CHEMICAL AGENT ............................................................................................ 22
JACKIE'S DART GUN .................................................................................................................... 26
JACKIE'S HANDBAG AND BULLET GUN ........................................................................................ 29
THE ROSES INSIDE JFK LIMO ...................................................................................................... 31
JACKIE'S PREPARATIONS FOR ELM STREET................................................................................. 33
CROFT PHOTO MADE ON ELM STREET ........................................................................................ 34
BETZNER AND WILLIS PHOTOS MADE ON ELM STREET (CONNALLY CHOIR) .............................. 36
JACKIE'S DART SHOT .................................................................................................................. 37
FICTITIOUS "BULLET SHOT" TO JFK'S NECK AND THROAT .......................................................... 38
TARGETS FOR JACKIE'S BULLET SHOT ........................................................................................ 38
QUEENS OF DEALEY PLAZA MAKING JFK TURN HIS HEAD LEFT................................................. 39
IMAGES SHOWING JACKIE'S HANDBAG AND HANDS BEFORE BULLET SHOT ................................. 40
JACKIE'S SHOOTING POSITION IN FRAME 312 .............................................................................. 43
JACKIE'S BULLET SHOT ............................................................................................................... 46
SIMULATION OF JACKIE'S BULLET SHOT WITH A BOOK ............................................................... 50
JACKIE HANDBAGGING TEDDY ................................................................................................... 51
JFK'S HEAD BOUNCING FORWARD IN FRAME 313 ....................................................................... 51
SIMULATION OF JACKIE'S BULLET PATH IN FRONT OF A MIRROR ................................................ 53

JFK'S HEAD BOUNCING BACK AFTER FRAME 313 ....................................................................... 53
SMOKE ABOVE JFKS HEAD ....................................................................................................... 55
JACKIE COVERING UP THE BULLET ENTRY HOLE ......................................................................... 55
JACKIE ACTS LIKE A CLASSY ROBOT AFTER BULLET SHOT .......................................................... 57
THEATRICS OF THE DRAMA QUEEN AND HIS WIFE ..................................................................... 58
JACKIE ON THE TRUNK ............................................................................................................... 61
CLINT HILL ON THE TRUNK ........................................................................................................ 62
WHAT WAS CLINT HILL DOING ON THE LIMO BUMPER BEFORE DEALEY PLAZA? ....................... 64
JACKIE'S ASSASSIN UNIFORM ...................................................................................................... 64
JACKIE'S HAIR AND HAT............................................................................................................. 66
BLOCKING THE BYSTANDERS' VIEWS DURING JACKIE'S BULLET SHOT ........................................ 67
THE REAR SEAT LEVEL .............................................................................................................. 69
GUNSHOT SOUND SUPPRESSION.................................................................................................. 69
MOTORCYCLE COPS ................................................................................................................... 70
LIMO DRIVER GREER.................................................................................................................. 72
SECRET SERVICE AGENT ROY KELLERMAN ............................................................................... 73
UMBRELLA MAN AND DARK COMPLECTED MAN ...................................................................... 74
DISTRACTERS AT DEALEY PLAZA .............................................................................................. 75
COMMAND CENTER AND OBSERVATION POSTS AT DEALEY PLAZA ............................................ 76
CAMERA OPERATORS AT DEALEY PLAZA ................................................................................... 76
FALSE AND USEFUL-IDIOT WITNESSES AT DEALEY PLAZA ......................................................... 77
BACKUP AND OVERKILL PLANS .................................................................................................. 78
4. CLINT HILL AS THE SECOND ASSASSIN OF JFK .................................................. 80
TUNNEL AMBUSH SET UP BY DALLAS POLICE ............................................................................. 81
ZAPRUDER FRAMES SHOWING JFK LIMO AND THE LEAD CAR..................................................... 83
ZAPRUDER FRAMES SHOWING THE SHOOTER AND HIS SPOTTER .................................................. 85
MARK BELL FILM ....................................................................................................................... 88
FIREARM USED BY CLINT HILL TO SHOOT JFK ........................................................................... 90
SOUND SUPPRESSION .................................................................................................................. 91
BRAINWASHING MACHINES SPINNING CLINT HILL AS A HERO .................................................... 92
5. TOP CONSPIRATORS IN JFK ASSASSINATION ...................................................... 94
SECRET OWNERS OF THE FEDERAL RESERVE SYSTEMS (CENTRAL BANKERS) ........................... 95
JOHN J. MCCLOY (BOSS OF JFK ASSASSINATION, CENTRAL BANKER) ..................................... 99
CURTIS E. LEMAY (4-STAR GENERAL OF US AIR FORCE)....................................................... 103
EARL WARREN (CHIEF JUSTICE OF US SUPREME COURT) ....................................................... 105
ALLEN W. DULLES (DIRECTOR OF THE CIA) ........................................................................... 106
EDWARD G. LANSDALE (2-STAR GENERAL OF US AIR FORCE) ............................................... 108
HENRY WADE (DALLAS COUNTY DISTRICT ATTORNEY) ......................................................... 111
LBJ (VICE-PRESIDENT OF THE US) .......................................................................................... 112
JOHN CONNALLY (GOVERNOR OF TEXAS) AND HIS WIFE NELLIE ............................................. 114
ARISTOTLE S. ONASSIS (GREEK SHIPPING) .............................................................................. 115
EARLE CABELL (MAYOR OF DALLAS) ..................................................................................... 116
JESSE E. CURRY (DALLAS POLICE CHIEF) ................................................................................ 118
LLOYD M. BENTSEN (PAYMASTER OF JFK ASSASSINATION) ................................................... 118
BILL DECKER (DALLAS COUNTY SHERIFF) .............................................................................. 119

THOMAS S. POWER (4-STAR GENERAL OF US AIR FORCE) ...................................................... 120
KENNETH P. O'DONNELL (CHIEF OF STAFF) ............................................................................ 120
C. DOUGLAS DILLON (US SECRETARY OF THE TREASURY) ..................................................... 121
6. ZAPRUDER FILM AS INPUT DATA FOR SOFTWARE SIMULATION ............. 123
SPECIFICATIONS OF ZAPRUDER FILM FRAME ............................................................................ 125
SOURCES OF ZAPRUDER FRAMES ............................................................................................. 128
EXTRACTING ZAPRUDER FRAMES FROM DVD IMAGE OF AN ASSASSINATION ....................... 129
COPYING ZAPRUDER FRAMES FROM DVD IMAGE OF AN ASSASSINATION.............................. 131
MEASURING ZAPRUDER FRAMES IN MPI IMAGES..................................................................... 132
MEASURING ZAPRUDER FRAMES IN WARREN REPORT IMAGES ................................................ 136
COMPARING THE PROPORTIONS IN MPI AND WARREN Z-FRAMES ........................................... 138
COMPARING THE RATIOS IN THREE SETS OF Z-FRAMES ............................................................ 142
OTHER SETS OF ZAPRUDER FRAMES ON MPI DVD .................................................................. 145
ALTERED FRAMES AT ASSASSINATIONRESEARCH.COM ............................................................. 145
A CALL FOR PROJECT TO EXTRACT THE FRAMES FROM MPI DVD............................................ 147
ALTERATIONS OF ZAPRUDER FILM ........................................................................................... 147
7. ANALYSIS OF JACKIES BULLET SHOT WITH SOFTWARE SIMULATION . 151
SOFTWARE USED FOR THIS DOCUMENT .................................................................................... 153
ABBREVIATIONS ...................................................................................................................... 155
FORMULAS FOR VIEWED ANGLE ............................................................................................... 157
FORMULAS FOR VIEWED DISTANCES ........................................................................................ 158
EQUATIONS RELATING BP, BEBX , FA ..................................................................................... 160
ORIENTATION OF JFK'S HEAD .................................................................................................. 164
LOCATION OF BULLET EXIT POINT BX....................................................................................... 165
COLORS OF SOLID AND BURNING WHITE PHOSPHORUS ............................................................ 171
BASIC ANATOMY OF HUMAN NECK&HEAD ............................................................................... 172
LOCATION OF BULLET ENTRY POINT BE ................................................................................... 174
BASIC DESCRIPTION OF WHITE MARKS IN 313E AND 314E ...................................................... 180
MOTION BLURS IN ZAPRUDER FRAMES .................................................................................... 185
ANGLES (LP,ZC) AND (HL,ZC), ZAPRUDER DISTANCE ................................................... 188
DISTANCES, PIXEL SIZES, FOCAL LENGTH ................................................................................. 189
ZAPRUDER FILM RESOLUTION AND THE SMALLEST DETECTABLE OBJECT ................................. 193
FRAME SPEED AND SHUTTER SPEED.......................................................................................... 196
PANNING SPEED AND THE LIMO SPEED ..................................................................................... 197
EXTRACTING BP BY FROM THE WHITE MARKS ......................................................................... 201
SOFTWARE SIMULATION OF BP POINTS FOR PWM .................................................................. 203
SELECTION OF FINAL CONFIGURATION PARAMETERS FOR PWM .............................................. 208
WHITE MARKS DEFINED IN THE MOVIES ................................................................................... 212
SOFTWARE EVALUATION OF BP TABLE FOR PWM .................................................................. 212
CONVERSIONS BETWEEN ZAPRUDER LEVEL AND GROUND LEVEL ............................................ 213
PHYSICAL PROPERTIES AND MAKEUP OF PWM ....................................................................... 215
WHITE MARKS (PWM) VERSUS HARPER FRAGMENT ............................................................. 216
SOFTWARE SIMULATION OF BP POINTS FOR PBF..................................................................... 218
BULLET PATH INSIDE JFK'S HEAD ............................................................................................ 219
OPTICAL DIAGRAM WITH KEY BP POINTS FOR PWM AND PBF............................................... 221
POSITIONS OF JFKS HEAD AND JACKIES HANDBAG BEFORE BULLET SHOT............................. 224
TYPE AND CALIBER OF JACKIE'S BULLET ................................................................................. 228
BULLET PATH BP RELATIVE TO DEALEY PLAZA ...................................................................... 232
ZAPRUDER FRAMES SHOWING WHITE MARKS ........................................................................... 235
8. EVENTS AFTER DEALEY PLAZA IN PRESENT TENSE ....................................... 239
JACKIE'S PINK SUIT STORED IN THE NATIONAL ARCHIVES ........................................................ 239
PARKLAND AND BETHESDA HOSPITALS, JFK AUTOPSY ........................................................... 239
ABRAHAM ZAPRUDER .............................................................................................................. 241
ABC NEWS AFFILIATE WFAA-TV .......................................................................................... 242
JFK FUNERAL, GRAVESITE, ETERNAL FLAME .......................................................................... 243
KENNEDY CURSE ..................................................................................................................... 244
CORRUPT KENNEDYS ............................................................................................................... 245
WARREN COMMISSION REPORT (1964) ................................................................................... 246
FINAL REPORT OF HOUSE SELECT COMMITTEE ON ASSASSINATIONS (1979) ........................... 247
JFK ACT OF 1992 .................................................................................................................... 247
JACKIE'S GRAVESITE ................................................................................................................ 248
TWO SECRETS ARE GUARDED 24/7 AT ARLINGTON NATIONAL CEMETERY .............................. 248
REUNION TOWER IN DALLAS ................................................................................................... 249
QUOTES BY JFK ASSASSIN AND HER SEVEN ASSISTANTS ....................................................... 250
9. JFK ASSASSINATION COVER-UP.............................................................................. 253
X PARTY WITH RUTH ALTSHULER (50TH ANNIVERSARY) ....................................................... 255
Y PARTY WITH DAVID MCCULLOUGH (50TH ANNIVERSARY)................................................. 257
DALLAS AND TEXAS INFESTED WITH SAVAGES. ....................................................................... 259
THE DEALEY WORM AND HIS HATCHLINGS ............................................................................. 260
DALLAS MORNING NEWS AND WFAA-TV.............................................................................. 261
MENTAL DEFICIENCY AND HOMOSEXUALITY ........................................................................... 262
THE BOOK RECLAIMING HISTORY BY VINCENT BUGLIOSI ..................................................... 263
THE BOOK FINAL JUDGMENT BY MICHAEL COLLINS PIPER .................................................... 264
THE BOOK KILLING KENNEDY BY BILL O'REILLY .................................................................. 265
JFK SCIENTISTS LIKE FETZER................................................................................................... 266
JESSE VENTURA AS A CIA STOOGE .......................................................................................... 266
DAVID F. POWERS (SPECIAL ASSISTANT TO JFK) .................................................................... 268
CLOSING JFK ASSASSINATION CASE ........................................................................................ 268
10. WEAKNESSES OF HUMAN PSYCHOLOGY ........................................................ 269
JFK ASSASSINATION AS A WORM INSIDE CAN OF WORMS ....................................................... 271
11. PARASITIC ETHNIC GROUP .................................................................................. 272
CENTRAL-BANKING FACTION ................................................................................................... 273
OTHER FACTIONS ..................................................................................................................... 275
ALL FACTIONS RUN HUGE INDUSTRY CHASING JFK KILLERS.................................................... 277
12. JFK ASSASSINS IN MOVIES, SONGS, FASHION, ETC ...................................... 279
JACKIE HANDBAGS IN THE MEDIA, MOVIES, FASHION ............................................................... 280
GOLDFINGER (1964) WITH SHAKEN, NOT STIRRED................................................................ 281

QUEEN BITCH (1971) AND LIGHTNING BOLT (1973) BY DAVID BOWIE ................................ 281
UNDER PRESSURE (1981) BY QUEEN AND BOWIE .................................................................. 284
THE DAY OF THE JACKAL (1973) BY FREDERICK FORSYTH ................................................... 286
PRIZZI'S HONOR (1985) ......................................................................................................... 286
FARGO (1996) ......................................................................................................................... 287
WELL KNOWN SLACKER AD (1930) IN THE SPECTRUM ....................................................... 288
HORSE'S SKULL WITH PINK ROSE (1931) BY GEORGIA O'KEEFEE ........................................ 292
SALVADOR DAL ..................................................................................................................... 292
THE OLD MAN AND THE SEA (1951) BY ERNEST HEMINGWAY .............................................. 295
LANSDALE EGG FARM (CIRCA 1917)...................................................................................... 296
13. SYMBOLISM IN THREE MAJOR MOVIES .......................................................... 298
EYE-AS-THEFED....................................................................................................................... 300
TRIANGLE-AS-THEFED ............................................................................................................. 300
HAND-TO-THROAT ................................................................................................................... 300
FINGER-AS-LBJ ....................................................................................................................... 301
WHITE-AS-WHITEPHOSPHORUS ............................................................................................... 301
PERFUME-AS-WHITEPHOSPHORUS ........................................................................................... 301
BLOB-ON-JFK.......................................................................................................................... 302
TURRET-AS-OLDREDCOURTHOUSE ......................................................................................... 302
SQUARE-AS-SUPREMECOURT .................................................................................................. 302
ROUND-AS-CAPITOL ................................................................................................................ 302
WATER-FROM-WASHINGTON................................................................................................... 303
STAIRS-AS-SUPREMECOURT .................................................................................................... 303
SPEARS-AS-WHITEHOUSE........................................................................................................ 303
WINDOW-AS-WHITEHOUSE ..................................................................................................... 304
FOREARM-AS-CONNALLY ........................................................................................................ 304
PHONECALL-AS-JACKIE&LBJ ................................................................................................. 304
HEART-AS-CURARE .................................................................................................................. 304
HAT-AS-CONNALLY ................................................................................................................. 305
EYEBROW-AS-WARREN ........................................................................................................... 305
RAILROADTRACKS-AS-LANSDALE ........................................................................................... 305
MASONIC-AS-LANSDALE ......................................................................................................... 305
MARIEANTOINETTE-AS-JACKIE ............................................................................................... 306
VERTICALSTEMS-AS-CURARE .................................................................................................. 306
MOUTH-AS-JACKIESBULLET .................................................................................................... 306
MUSICSTAGE-AS-GRASSYKNOLL ............................................................................................ 306
CLOTH-FROM-HILL .................................................................................................................. 307
FOOT-FROM-HILL .................................................................................................................... 307
3AMIGOS-AS-3BULLETS .......................................................................................................... 307
PINKROSE-AS-JFK ................................................................................................................... 308
TABLESLAM-AS-BULLET ......................................................................................................... 308
4FINGERS-AS-LEMAY .............................................................................................................. 308
HAND-AS-WING ....................................................................................................................... 309
CIGARETTE-IN-LANSDALE ....................................................................................................... 309
EYEGLASSES-AS-HOOVER ........................................................................................................ 309
LENS-AS-EXPLOSION ................................................................................................................ 309

CIGARETTE-AS-DART ............................................................................................................... 310
MARTINI-AS-JACKIESSHOTS .................................................................................................... 310
TURKEYSHOOT-AS-JACKIESBULLET ........................................................................................ 310
ORANGE-AS-WHITEPHOSPHORUS ............................................................................................ 310
2FINGERS-AS-HILL .................................................................................................................. 311
CLASSRING-AS-LANSDALE ...................................................................................................... 311
FINGER-AS-DULLES ................................................................................................................. 311
COFFEE-AS-GORE ..................................................................................................................... 311
ELBOW-AS-JACKIE ................................................................................................................... 312
NICK-AS-SECRECY ................................................................................................................... 312
14. DECODING PINK PANTHER MOVIES ................................................................... 312
THE PINK PANTHER (1964) .................................................................................................... 313
A SHOT IN THE DARK (1964) - INTRODUCTION ...................................................................... 314
A SHOT IN THE DARK - ASSASSINATION (0:00) ..................................................................... 316
A SHOT IN THE DARK - BUMP AFTER PERFUME (0:08) ........................................................... 320
A SHOT IN THE DARK - TOBACCO COMPANIES (0:21) .......................................................... 326
A SHOT IN THE DARK - PRESSECLAIR WEDGE (0:36) ............................................................ 331
A SHOT IN THE DARK - CAMP SUNSHINE (0:52) .................................................................... 340
A SHOT IN THE DARK - MURDER WEAPONS (1:10) ................................................................ 348
A SHOT IN THE DARK - BALLON MOTHS (1:25) ..................................................................... 351
A SHOT IN THE DARK TRAILER (1964) .................................................................................. 360
THE GREAT DE GAULLE STONE OPERATION CARTOON (1965) ............................................ 362
PLASTERED IN PARIS CARTOON (1966) .................................................................................. 371
COCK-A-DOODLE DEUX-DEUX CARTOON (1966) .................................................................. 376
APE SUZETTE CARTOON (1966) .............................................................................................. 379
THE RETURN OF THE PINK PANTHER (1975) ........................................................................ 382
THE PINK PANTHER STRIKES AGAIN (1976) ............................................................................ 383
15. DECODING THE GODFATHER (1972) .................................................................... 383
16. DECODING MOVIE JFK (1991)................................................................................ 386
COMMON NAMES IDENTIFYING ROLES ...................................................................................... 389
REFERENCES TO DINING AND RESTAURANTS ............................................................................ 393
WHITE MARKS AND PROJECTILES AS TOP SIGNALS ................................................................... 395
EISENHOWER AND MILITARY INDUSTRIAL COMPLEX (0:01) .................................................... 397
SECRET WAR AGAINST A SHIPLOAD OF BANANAS (0:02) .......................................................... 398
WOMAN THROWN OUT OF A CAR (0:04) ................................................................................... 400
WOMAN SCREAMING IN A HOSPITAL (0:04) ............................................................................. 402
NELLIE FORGOT HER LINE (0:06) .............................................................................................. 405
THE PRESIDENT'S BEEN SHOT FIVE MINUTES AGO (0:07) .......................................................... 406
NAPOLEON'S HAS A TV SET (0:08) ......................................................................................... 410
CRONKITE SHEDDING CROCODILE TEARS (0:08) ....................................................................... 411
EYEWITNESS BILL NEWMAN (0:10) ......................................................................................... 412
JIM MEETING WITH SENIOR ASSISTANTS AND INVESTIGATORS (0:15) ....................................... 414
THERE WERE LOTS OF BOYS IN AND OUT (0:18) .................................................................... 414
JIM TALKING TO SENATOR LONG (0:24) ................................................................................... 426

HORSE RACETRACK (0:38) ..................................................................................................... 429
MILITARY CAMP (0:39) .......................................................................................................... 437
PIPE THE BIMBO IN RED (0:44) ................................................................................................ 444
HOMOSEXUAL UNDERWORLD (0:47) ....................................................................................... 450
YOU'RE CREAM IN MY COFFEE (0:54) ....................................................................................... 467
PLEASURE TO SERVE YOU (0:55) .............................................................................................. 474
MARTINI WITH GREEN OLIVES (0:55) ....................................................................................... 474
INTELLIGENCE AGENT ON A TWINKLE MISSION (1:04) ......................................................... 482
EYEWITNESS J. C. PRICE ON A ROOFTOP (1:05) ........................................................................ 485
SHOTS RINGING OUT FROM JEAN'S HEAD (1:06) ....................................................................... 487
OUT OF THE CORNER OF MY EYE (1:07) ................................................................................ 493
JEAN RINGING ON BONUS DVD ................................................................................................ 495
RAILROAD MEN AND WORKERS (1:07) ..................................................................................... 497
SCENES SHOWING JACKIE'S BULLET PATH ............................................................................ 500
MOORMAN PHOTO (1:07)......................................................................................................... 502
THE MAN ON THE TRUCK (1:08) ............................................................................................. 504
HE PUT A HURT ON ME, BUT GOOD (1:09) .............................................................................. 511
ALTERED STATEMENTS WITHOUT NOTARY (1:10) .................................................................... 518
SLOWPOKIN' WITH TOOTHPICKS AND DOMINOES (1:11) ...................................................... 521
TRUTH PERTAINING TO MY SITUATION IN CHIEF JUSTICE (1:13) .............................................. 537
TRIANGULATED CROSSFIRE (1:15) ........................................................................................ 542
MEETING WITH AN ANONYMOUS SOURCE (1:19) ...................................................................... 561
EASTER EGG HUNT (1:26)......................................................................................................... 565
OFF THE RECORD QUIET CHAT BETWEEN GENTLEMEN (1:27) ................................................... 568
DINNER AT LONG CHIPPENDALE DINING TABLE (1:28) ............................................................. 581
AGONY PARTY (1:29) .............................................................................................................. 588
THIS (SILVER) CHANGES EVERYTHING NOW (1:35) ............................................................... 599
I CAN'T GO HOME! THE MAGGOTS ARE EVERYWHERE! (1:37) .................................................. 604
PAYMASTER ELADIO DEL VALLE (1:38) ................................................................................ 607
WE HAVE TO DEBUG THE WHOLE PLACE (1:43) ........................................................................ 614
DEVIL'S PISS (1:45) ................................................................................................................. 617
MEETING WITH MR. X IN WASHINGTON, D.C. (1:49) .......................................................... 630
LET JUSTICE BE DONE, THOUGH THE HEAVENS FALL (2:07) ..................................................... 652
FACT-FINDING MISSION AND TRUTH THROUGH OSMOSIS (2:09) ............................................... 657
I'M TAKING THE KIDS! (2:11) .................................................................................................... 664
HOW DO YOU KNOW WHO YOUR DADDY IS? (2:17) ............................................................... 671
THESE PICTURES CAN'T SHOW UP ON TV (2:27) ................................................................... 688
THERE IS NO BUTT IN A MILITARY SITUATION (2:30) ................................................................ 693
GREAT FISH PICKED APART BY SHARKS (2:32) ...................................................................... 702
COURT TRIAL - FIRST WITNESSES (2:38) .................................................................................. 712
COURT TRIAL - MAGIC BULLET AND TAIL TIED TO A DAISY (2:43) .................................... 719
COURT TRIAL - WATCH THE EAR! WATCH THE EAR! (2:48) ................................................ 727
COURT TRIAL - BACK, AND TO THE LEFT (2:54) ................................................................... 734
COURT TRIAL - COOKING TOUFFE TODAY, FISHING TOMORROW (2:58) ................................ 748
17. KILLER QUEEN LYRICS. WANNA TRY? .............................................................. 760
REFERENCES FOR THE LYRICS ................................................................................................. 761

INTERPRETATION OF THE LYRICS ............................................................................................. 761
ABBREVIATED SUMMARY OF KILLER QUEEN METAPHORS IN TABLE FORMAT ....................... 771
18. QUICK Q&A SESSION ABOUT JFK ASSASSINATION ...................................... 773
19. REFERENCES, SUPPORTING DATA ..................................................................... 781
AUTHENTICITY OF ZAPRUDER FILM ......................................................................................... 781
RELEVANT TECHNICAL SPECIFICATIONS OF ZAPRUDER FILM AND FRAMES .............................. 783
This document has been released for non-commercial and free distribution, as pdf
file and web pages. The web pages are meant to provide only a starting point. The
complete content is in pdf file. Notice the Document Version number in lower left
corner of each pdf page. The higher the number, the more recent the pdf document.
One website that carries both web pages and the most recent pdf document is:
http://JackieIsKillerQueen.blogspot.com/
Preface to Version 5.0

The version 5.0 is the first version of this document to include extensive scientific
analysis of Jackie's bullet shot to JFK's head. This analysis is supported by about
5000 lines of C programming source code that virtually dissects all the bullet traces
visible in Zapruder frames 313 to 314, by using computer simulations. This
analysis has been added for scientists and engineers in order to spur their interest in
this subject. It is about time to shut up all fake scientists like Fetzer running around
with their junk science about JFK assassination and misleading the American
public.
This version also adds extensive chapters for decoding three major movies A Shot
In The Dark (1964), The Godfather (1972), and the flagship JFK (1991). These
movies secretly encode all major facts about JFK assassination, from the first to
the last minute. Since such chapters require lots of pictures, the size of this
document grew dramatically. Unfortunately, images increase file size much faster
than text.
I am releasing this document before some chapters are finished. However, the most
important chapter with the results of advanced computer simulations was
completed months ago. The unfinished work refers to less important topics like the
chapter decoding The Godfather. I spent lots of time on decoding the movie JFK.
However, after months of work and almost 400 pages there are still plenty of
signals left in JFK. They had to have an army of cockroaches burying all the
signals into the noises.
Previous versions of this document did not include scientific analysis of Jackie's
bullet shot. As a result, the previous versions included a few mistakes. This version
5.0 corrects all mistakes. All major conclusions from the scientific analysis
included in this document are consistently confirmed by all three movies
mentioned above. This means the movies are reliable sources. That is why I
decided to include their information about Clint Hill who was the Second Assassin
killing JFK under the triple overpass. The movies provide specific details about the
number of shots Clint Hill fired, which bullet split open JFK's head and which
bullet missed, which hand he used to hold his revolver, where he kept his holster,
etc.
The movies also identify the key conspirators in JFK assassination. This document
devotes a whole chapter for them.
1. Introduction
This document explains JFK assassination plan. It proves that Jackie Kennedy
(JFK's wife) and Clint Hill (Secret Service agent) killed JFK. If this is shockingly
new to you then you may jump ahead to the chapter Quick Q&A session about JFK
assassination and come back here later.
This document also explains that the secret about Jackie's guilt found its way into
fiction books, movies, songs, and fashion business, a long time ago. However, her
guilt has been disguised with encoded messages that normal audiences missed
entirely. The 1970s were the most fertile period for such references to Jackie's
guilt. Once you understand JFK assassination plan presented in this document, you
will be able to understand the old encoded messages. Throughout this document, I
provide examples.
The fact that media has promoted so many JFK conspiracy theories without any
real evidence while totally ignoring Jackies guilt with mountains of real evidence
should be enough to convince you about Jackies guilt. Jackie herself displayed her
guilt on camera in 1986, apparently due to a Freudian slip. When Oliver Stone and
Jessie Ventura made their movies or documentaries about JFK conspiracy theories,
they both knew very well about Jackie's guilt, but they sold you nonsense
nonetheless. Throughout this document, I give you some clues why they did not
tell you the truth.
Today, there is a wealth of JFK information available online. Many websites

discuss Jackies guilt openly. This document goes much further by focusing on the
performances of all five conspirators sitting in JFK limo during the motorcade in
Dallas. Even though the conspirators executed the plan reasonably well, it was
humanly impossible for them to avoid making some errors. Such errors allowed me
to reverse engineer (reconstruct, piece together) the whole JFK assassination plan.
I hope this document answers enough questions regarding JFK assassination so
that we can start answering a much bigger question about our human psychology
which prevented us from seeing things right in our face for so long.
I used many research methods: analysis combined with simulation of public films
and photos available online, risk-benefit analysis that had to be done by JFK
murder planners, statistical models, psychological profiles of Jackie and other
conspirators on the basis of their interviews and their behaviors, psychological
profile of the masses based on historical events, psychological profile of Parasitic
Ethnic Group, and others. I started with a blank page and the most obvious fact that
Jackie was in the best spot to kill JFK. As it turns out, Jackie has left an assassin's
trail like a caterpillar in Zapruder film alone. The First Lady is the First Assassin.
Jackie pulled the trigger. No doubt about it!
Research of JFK assassination opens up a Can of Worms much bigger than JFK
assassination. Millions of JFK assassination researchers refuse to look at the other
Worms, much less at the Can. You can't understand JFK assassination unless you
understand the Can. The Can is a metaphor for our collective human psychology.
Subconsciously, many are grateful to JFK killers for hiding the truth about JFK
assassination. Subconsciously, many are hateful to USS Liberty survivors for
exposing the truth about USS Liberty Massacre on June 8, 1967. Many can't handle
the truth!
Parasitic Ethnic Group is responsible for JFK assassination and USS Liberty
Massacre. The Group has been feeding you lies about JFK assassination and lies
about USS Liberty Massacre. Since JFK is dead and many USS Liberty sailors are
dead, listen to USS Liberty survivors directly if you can handle the truth (youtube
video, vimeo video).
This document references many photos and Zapruder film. They are listed in the
references chapter.
Throughout this document, I provide many quotes from the famous Killer Queen
lyrics loaded with Jackie metaphors, and from the scripts of Pink Panther movies
inspired by incompetent investigators chasing JFK killers. The paragraphs with the
quotes from Killer Queen and Pink Panther are shaded. If you've never heard
about the Killer Queen then read the instructions in the chapter Killer Queen
lyrics. Wanna Try?.
2. Reasons for why JFK was assassinated in public

Most people who believe some powerful groups within US Government killed JFK
don't ask the big question why the killing took place in public. However, if you tell
them that Jackie actually pulled the trigger for the same powerful groups then they
immediately ask this big question and also the question "Why would they use
Jackie?". The short answer to both questions is:
JFK was assassinated by Jackie in public to make public pictures where

the politicians could see JFK's brains blown out, and where the masses
couldn't see Jackie's fingerprints buried in.
JFK killers were and still are the elites of Parasitic Ethnic Group. They knew that
the common people wouldn't get the message behind JFK's brains blown out. The
common people wouldn't even suspect Jackie just because the killing was done in
public. Their media would take care of brainwashing the common people. The
message was intended only for politicians and the most influential people around
the world who knew how to read this message as a veiled threat.
Book publishing business helped in spreading the message around when Mario
Puzo wrote in his book "Godfather" the famous lines: "My father made him an
offer he couldnt refuse. Luca held a gun to his head and my father told him that ...
Luca would blow his brains out". Hollywood continued the message in its movie
"Godfather" with the lines "Luca Brasi held a gun to his head, and my father
assured the bandleader, that either his brains or his signature would be on the
contract" (youtube clip).
The fictional character Luca was supposed to spread the message started by Jackie.
Both Luca and Jackie were told by their masters to blow brains out by holding a
gun to a head refusing an offer. The bandleader's brains blown out by Luca in
"Godfather" are really JFK's brains blown out by Jackie in Dallas. The same media
that sold you Luca as an Assassin, also sold you Jackie as a Princess. The same
media that sold you Oswald as JFK Assassin, also sold you the commercial clowns
like Bill O'Reilly as JFK Researchers.
Once JFK made too many enemies among the elites of Parasitic Ethnic Group, he
was as good as dead. But the elites did not want just a routine killing like a
prearranged heart attack only to be forgotten the next day by all politicians. The
killing of JFK had to be shown to all current and future politicians as part of their
Continuing Education Program so that the elites would not have to resort to
killings too often. Actually, the elites saw this as an opportunity of lifetime. The
bigger the victim, the bigger the message. They could kill a sitting US President
only once per century without creating a chaos.
The elites would not be able to show a film made in secret. They had to kill JFK in
public and on film. Also, the killing and its pictures had to be spectacular in order
to provide an excellent visual aid to slow learners among politicians. What's a
more spectacular way than blowing JFK's brains out? However, it's not easy to
arrange for something like this in public for the sitting US President. Using a
sniper to achieve such a spectacular result with a reasonable certainty is only for
fiction movies and for funny jokes made by the government clowns from Warren
Circus. Such a job requires almost laboratory conditions where a specially
designed bullet is fired to a specific spot on head from specific distance, where the
victim is not moving, etc. Without a spectacular result, the elites would not bother.
They would simply arrange a heart attack for JFK. That is why the elites hired
murder planners who quickly set their sights on Jackie.
Luca in "Godfather" was Italian for the same reason several plants on JFK murder
scene were Cuban. Parasitic Ethnic Group operates by projecting their crimes on
other ethnic groups like Italians, Cubans, Arabs, Muslims, Germans, and others.
Let's handle a few quotes from Killer Queen. Since JFK's brain was the main
target for JFK killers then what do you think the word "gelatine" (gelatin, jelly) is
a metaphor for? Since Marie Antoinette had her head cut off by in public, and JFK
had his head blown off in public, then would you draw an analogy between these
famous historical figures, especially if you knew that both had executioners inches
away from them? The lyrics also mention the famous quote "Let them eat cake",
widely attributed to Marie Antoinette. Since the lyrics put this famous quote into
the executioner's mouth and not the victim's mouth, then basically the lyrics tell us
that JFK executioner lets us eat "cake". Here, "cake" is a metaphor for JFK's head
fed to his supporters. In other words, Jackie let us eat cake by cutting a piece of it
for us.
Reasons for why Jackie killed JFK in public
Some websites examine Jackie's motives without examining her means. JFK
murder planners would never choose Jackie, even if she had millions of motives,
without her having the means (skills) required for JFK assassination in public.
After you read the main chapter with details of the plan, you will have to admit that
Jackie had to have lots of confidence in her skills to execute such a meticulous and
audacious plan. Such confidence comes only from a real-world experience, not
from a school, not from a brainwashing project, not from a motive alone. Most
importantly, JFK murder planners had to have utmost confidence in Jackie's skills.
Otherwise, they would never even consider Jackie for such a meticulous and
audacious plan. These are basics of risk-benefit analysis.
Consequently, we have to look closer at what Jackie did before she married JFK in
1953 or even after 1953. There is evidence that she worked for CIA. Europe would
be an excellent place for Jackie to earn her reputation as an assassin. How about a
vacation to die for, in Paris? There is a letter written by Jackie on May 7 of 1951,
filed in JFK Library, about her work for CIA on a special job on a certain
project. Her CIA work had to be in her definite plans and very important because
she turned down her job at Vogue Magazine after winning a stiff competition to
get it. In fact, her CIA work had to be so secret that there are no official records of
Jackie's employment at CIA. Furthermore, her letter has not been published
anywhere. In the digital age, JFK Library refuses to distribute this letter in digital
format and provides only a paper copy on individual basis incurring unnecessary
costs. Apparently, any publication of this letter requires a special permission from
Kennedys.
Jackie's pink suit stored in National Archives is completely barred from public
view, also by Kennedys. If Kennedys are so desperate to hide a simple letter and
pink suit then imagine what else Kennedys are hiding about Jackie's past.
However, several novels have been written about Jackie's career as an assassin
(youtube clip).
Jackie would have to pull off a major contract to impress her superiors. Major
contracts are given only to tested assassins. In order to be a tested assassin, she
would have to do more than one contract. Bigger contracts mean bigger confidence
in Jackie's skills. Bigger confidence in Jackie's skills means bigger audacity in JFK
assassination plan. The bigger the audacity, the bigger the lies. The bigger the lies,
the more people who will believe the lies.
JFK murder planners had to have access to Jackie's file, with her psychological
profile, with her accomplishments. Or maybe, JFK murder planners were the same
murder planners who Jackie worked for during the 1950s. The main question is
how they made Jackie participate in their JFK murder plan. All brainwashing
projects like MK-Ultra can produce zombies for simple tasks but not for a job of
this meticulousness and audacity.
Jackie loved her role as First Lady and she would never kill JFK unless her life
was threatened. Her masters from her past gave her an offer she could not refuse. If
she refused to kill JFK or tried to warn him, then JFK would find out about her
past and her life would be finished anyway. JFK would be killed regardless, and
she could be next. Jackie had to make a decision between life and death. Another
clue comes from the movie JFK where the character David Ferrie says as Jackie
"Cocksucking faggot. He got me by the balls. Photographs, compromising stuff.
He'll use them, too. Agency plays for keeps". The cocksucking faggot is Allen
Dulles (Director of CIA) sucking on his smoking pipe. Apparently, CIA (Agency)
made photos of Jackie in sexually explicit poses and blackmailed her.
Jackie was pregnant at that time. Her due date was in September of 1963, about 2
months before the assassination. However, she went into pre-term labor on August
7 and her premature child died on August 9 of 1963. Clearly, something very
traumatic had to happen around early August, and the loss of her child made it so
much worse. Notice that Jackie suffered a miscarriage in 1955. She became
pregnant again in 1956 and gave birth to a stillborn baby girl. Quite likely, these
incidents are related. Probably, her masters wanted her to do similar contracts back
in 1955 or 1956.
In any case, JFK murder planners quickly channeled Jackie's extreme grief and her
survival instincts into her urge for preemptive strike. Her training sessions started
soon after she was released from hospital on August 14. In October, Jackie even
had a 2-week private "boot camp" in Greece at the invitation of Aristotle Onassis,
out of public view, just one month before JFK assassination. Jackie's masters
wanted her to taste the life of luxury she would enjoy after her final contract, like a
well-deserved retirement. Aristotle Onassis was a member of the elites of Parasitic
Ethnic Group.
Jackie never participated in JFK's political trips since the election in 1960 until the
trip to Texas in November of 1963. She lost her baby in August of 1963. Her
relationship with JFK since then was strained to say the least. Her trip to Greece in
October was a political disaster for JFK. In October, she did not care about JFK's
political plans. Suddenly in November, Jackie decided to be extra nice to JFK by
going to Texas on his political trip.
If you feel disturbed by the notion that Jackie was a cold-blooded assassin then
wake up! In all her interviews, Jackie tried very hard to imitate emotions and
feelings of a normal person because she lacked them herself. This is typical for a
born psychopath. The result was her strange manner of talking and behavior. As an
example, watch Jackie reading her script on January 14, 1964, thanking
Americans for their support after she had assassinated JFK right in their faces
(youtube clip). Jackie could be defined as a successful born psychopath. The
official fantasy about Jackie has been created by the media, the same media that
have created the official fantasy about 9/11. Both fantasies have nothing to do with
the truth.
Now, let's look at the following quote from Killer Queen lyrics, "Met a man from
China, Went down to Geisha Minah". "a Man from China" is a metaphor for a
short man. Aristotle Onassis was only 5'5" (1.65m). "Geisha Minah" is just a
rhyming disguise for Asia Minor which is West Turkey where Onassis was born
and had his roots. Asia Minor is a metaphor for the area where Aristotle Onassis
lived and where Jackie had her "vacation" one month before JFK assassination.
Hollywood studio at Dealey Plaza

By now, you should be able to figure out
yourself why Dealey Plaza was like a
Hollywood studio on that fateful afternoon of
November 22, 1963. There was only one real
killer Jackie and only one real bullet shot
before JFK limo reached the tunnel. All the
other gunshot sounds, smokes, flashes, came
from firecrackers. There were many
bystanders, including camera operators, who
worked for JFK murder planners. JFK
murder planners would never place real
snipers with real rifles because it would be too risky. They knew that no sniper
would accomplish a result they wanted with the reliability they wanted. This is
about a risk-benefit analysis that repeats itself in this document. A real bullet could
hit a real bystander or a cop, resulting in a local investigation with real evidence.
JFK murder planners needed only a patsy like Oswald who would be somewhere
near a room selected by them.
JFK murder planners wanted many pictures because the pictures were the whole
reason for public assassination in the first place. Zapruder was not the only
bystander making a film for them. They watched all films and decided to release
Zapruder film after basic attempts to sanitize it first. They could not release a film
showing only the moment when JFK's brains blew out. They had to dispel any
potential suspicions about Jackie by showing her during 10 seconds prior to firing.
They trained Jackie how to act in the limo as explained below. Jackie rehearsed
every single detail and executed the plan very well because she was an experienced
cold-blooded assassin. However, it is still possible to reconstruct the plan by
analyzing her body movements.
I bet the elites of Parasitic Ethnic Group still keep all films including the original
unedited version of Zapruder film. Some of the films are high quality with high
resolutions made with zoom lenses. I bet the psychopaths use the films to motivate
and inspire themselves for new crimes like 9/11.
Public assassination of the sitting US President required a lot of damage control.

Many people who knew or saw too much had to be shut up or killed. Revealing
photographs and films had to be confiscated from the bystanders. JFK murder
planners did not worry much about JFK autopsies or murder investigations. The
elites of Parasitic Ethnic Group controlled all top positions of all federal
government agencies like FBI or Secret Service. They also controlled the media. In
other words, the elites had the means to assassinate JFK in public and get away
with it.
Hollywood production did not end at Dealey Plaza studio. It moved quickly to
Parkland Hospital, Bethesda Hospital, and other Hollywood studios during JFK
assassination. So called autopsy was just another phase of Hollywood production.
3. Execution of JFK assassination plan in Present

Tense
This document uses Zapruder film extensively. The best way to analyze Zapruder
film is to look at individual frames at your own speed, in your own order. The
references chapter includes the instructions for viewing the frames. It also
discusses the authenticity of Zapruder film and the relevant technical specifications
used in this document. Watching Zapruder film as a video will not help you much
for the analysis in this document.
Task assignments among the conspirators in JFK limo

All in the limo except JFK are part of the conspiracy and all have to execute
specific tasks given to them by JFK murder planners. The most critical tasks are
planned for Elm Street.
Jackie has to manage her red roses during the tour, she has to prepare her dart gun
and her bullet gun before Elm Street, she has to inject a chemical agent into JFK's
left thigh with her dart gun, she has to fire a bullet between JFK's jaw and his neck
with her bullet gun, she has to jump out on the trunk immediately after firing, she
has to assist Clint Hill when he splits open JFK's head in the tunnel under the triple
overpass, and other tasks.
Texas Governor Connally has to distract JFK prior to Jackie's dart shot, he has to
access JFK after the dart shot, he has to give the go-ahead signals to Jackie, he has
to distract the bystanders before and during Jackie's dart and bullet shots, he has to
scream and make painful faces from a fictitious bullet, and other tasks.
Connally's wife Nellie has to manage her yellow roses on her lap, she has to
distract the bystanders by screaming empathy for her husband when her husband is
playing his act on her lap, and other tasks.
The limo driver Greer has to drive in a straight line and constant speed in order to
provide a stable platform for Jackie during her dart and bullet shots, he has to slow
down the limo to about 10 mph for Jackie's bullet shot in order to provide a better
view for Zapruder camera, he has to watch Jackie during her bullet shot, then he
has to accelerate and then slow down again to about 10 mph inside the tunnel for
Clint Hill's two bullet shots, and other tasks.
The Secret Service agent Kellerman has to maintain radio communication with
command base, he has to access the situation with bystanders behind the sign
"Stemmons Freeway", he has to give exchange signals with Connally especially
about the bystanders, and other tasks.
Task assignments among the conspirators in the lead car

There are four "law enforcement" goons sitting in the unmarked white Ford sedan
riding in front of JFK limo. Their most critical tasks are planned for the tunnel on
Elm Street under the triple overpass where Clint Hill splits open JFK's head.
Jesse Curry (driver), Dallas Police Chief, has to position the lead car in the middle
lane of Elm Street when entering the tunnel while JFK limo changes to the right
lane, he has to slow down to 10 mph when entering the tunnel and then ride along
JFK limo in order to provide a close side cover, he has to get dirty by being there
in order to shut him up and make him play dumb later, and other tasks.
Bill Decker (left rear behind Curry), Dallas County Sheriff, has to watch Clint Hill
firing his gun in order to collect as much evidence as possible and destroy it later,
he has to get dirty by being there in order to shut him up and make him play dumb
later, and other tasks.
Winston Lawson (right front next to Curry), Secret Service Agent, has to watch
Clint Hill firing his first bullet and where it falls in order to collect it later, and
other tasks.
Forrest Sorrels (right rear behind Lawson), Chief of Dallas Secret Service, has to
watch Clint Hill firing his second bullet and where it falls in order to collect it
later, he has to radio local goons waiting next to the tunnel with instructions where
to collect both bullets and other evidence, and other tasks.
Task assignments among the conspirators in the follow-up car

Reportedly, the follow-up car had eight Secret Service agents and two Presidential
aides. During Dallas motorcade, their tasks are to assist Jackie and Clint Hill. At
the Parkland Hospital, their tasks are to clean up the crime scene inside JFK limo
with a bucket and a sponge, in public view, on camera, and then to hijack JFK's
coffin from Dallas to the District of Criminals.
Clint Hill, Secret Service agent on left front running board, has to jump on the rear
bumper of JFK limo when Jackie invites him from the trunk, he has to assume his
firing position within 12 seconds and fire two bullets in the tunnel in order to split
open JFK's head, and other tasks.
Kenneth O'Donnell (left middle seat behind driver), JFK's Chief of Staff, he has to
get dirty by being there in order to shut him up and make him play dumb later, at
the Parkland Hospital he has to assist Secret Service goons in their hijacking of
JFK's coffin from Dallas, he has to attack Dallas Medical Examiner by screaming
something like "Sonofabitch, you're not telling me what to do! Get the hell outta
the way!", and other tasks.
David Powers (right middle seat), Presidential aide, he has to get dirty by being
there in order to shut him up and make him play dumb later, he has to film Dallas
motorcade in order to fill the void with sanitized films after FBI goons confiscate
all legitimate films, he has to mysteriously run out of film 10 minutes before
Jackie's bullet shot, and other tasks.
Sam Kinney (driver), Secret Service agent, has to drive his car bumper to bumper
behind JFK limo in order to provide a loud noise needed to drown out Jackie's
bullet shot, he has to provide a back cover for JFK limo inside the tunnel on Elm
Street by positioning his car accordingly, and other tasks.
Jackie at Love Field airport in Dallas
When Jackie deplanes the Air Force One at Love Field airport in Dallas, she is
already "dressed to kill". All details of her dress and accessories have been
meticulously selected by JFK murder planners, and now she is wearing them all. In
another section, you will find the descriptions of her dress and accessories. The
only thing left is to pick up the red roses at the airport. There is a photo in the
references chapter where a woman, standing next to Jackie, is holding the red roses
before she hands them to Jackie. This woman is Elizabeth Cabell, the wife of Earle
Cabell who is the Mayor of Dallas on Nov 22, 1963. Jackie is supposed to hold on
to the roses, carry them to the limo, and keep them next to JFK.
Two important functions of the roses are explained below. Here you should realize
the roses expose the US President to sharp thorns for 35 minutes while the roses do
not serve any PR functions because most bystanders cannot even see them. I bet
JFK wants his staff to move the red roses somewhere else but Jackie insists on
having the roses next to her and therefore next to JFK. Since the roses come from
the wife of Mayor of Dallas we also have to realize that the Mayor of Dallas
controls the Dallas Police Department involved in JFK assassination.
When JFK limo is riding just outside Love Field airport exit, Jack Jernigan makes
a film with his 8mm color camera. Of special interest is that, at this early moment,
Jackie is wearing sunglasses. Apparently, JFK murder planners want Jackie to
wear the sunglasses in order to hide her eyes during various tasks, and to protect
her eyes from burning White Phosphorus. However, JFK spoils this part of their
plan by asking her to take off the sunglasses. JFK's request will turn out to be very
helpful in interpreting Croft photo where Jackie provides lots of clues with her
eyes. Her sunglasses would make it more difficult for us. Notice that Secret
Service agents are known for wearing sunglasses to hide their eyes and they would
be in the best position to advise JFK murder planners. After JFK assassination,
some agents will get big medals. If you want the truth then follow the medals. I
will follow one big medal in another section.
Let's handle a few Killer Queen quotes. Since JFK just landed (in Air Force One)
on Love Field airport, then what do you think the expression "Drop of a hat" is a
metaphor for? Since Jackie can be seen in all photos from the airport as smiling,
talking to the crowds, shaking hands with people at the airport, then who is "she"
in the following quote "she's as willing as Playful as a pussy cat"?
Curare-based chemical agent
JFK murder planners have to use a chemical agent to incapacitate

JFK so that Jackie could fire a single bullet to a specific spot with
surgical precision. They need two symptoms from chemical
agent, severe tightness in throat and paralysis of upper body
within 2 seconds after injection. JFK murder planners have to use
an injection to get response within seconds. An inhalation is not
possible. A skin contact with chemical agent would result in a response time that is
too long for precision required in this type of plan.
The movie JFK provides clues about the chemical agent. The main ingredient is
related to curare, common name for various paralyzing poisons originating from
South America. The indigenous people use curare to dip blowpipe darts and
arrows in order to asphyxiate their preys by making the respiratory muscles unable
to contract.
The components for curare are extracted from several plants. The main plant is
Chondrodendron tomentosum, referenced by three movies decoded for this
document through its heart-shaped leaves (Heart-as-curare), clusters of its flowers
and fruits (Martini-as-JackiesShots), the white and green color of its flowers and
fruits, climbing stems of vine (VerticalStems-as-curare), etc. That is why I attach
the pictures of the leaves, flowers, fruits, and climbing stem of Chondrodendron
tomentosum, so that other sections could reference them here. The Godfather
shows statues with oval tops that resemble the fruits of this plant. The top of one
statue is made of a cluster of white balls that resembles one of the clusters shown
in the attached pictures. The movie JFK uses green olives in a martini to make
references to curare, along with many other references explained in the chapter
devoted to the movie.
The movie JFK makes also references to the color and texture of curare by
showing purple paste on the makeup desk and the mirror in Dave Ferrie's
apartment after his death. It also shows a bottle filled with wooden kebab skewers
to make a reference to arrows. That is why I also attach pictures of Indians
preparing curare. They crush the stems and roots of the plants, and then boil them
with other ingredients until it becomes a dark-colored paste with purple color.
Then they dip their arrows in the paste and shoot through blowpipes. Jackie's
blowpipe was a dart gun powered by compressed CO2 or air.
The movie JFK makes also references to curare through expressions associated
with curare. For example, the Indians say "he to whom it comes falls" when their
arrows hit their targets. The movie makes Jim say "Let justice be done, though the
heavens fall". Another example is the derivation of the word curare which is a
corruption of two Tupi Indian terms meaning "to kill" and "bird". The movies also
use the symbol Heart-as-curare. In the movie JFK, the character Clay Shaw says
"Hope you like squab". Squab is a dead pigeon, a killed bird. That is why the
movie shows frequently a flock of pigeons taking off. The movie calls Jackie's
bullet a "turkey shoot".
A healthy man hit with curare alone will not respond as quickly as JFK did during
his assassination. JFK responded so quickly because he was in poor health and on
medications. When the movie JFK character Willie describes Dave's apartment as
a "mess", the movie makes a reference to JFK's health. One web page that provides
a few details about JFK's medical condition is at this weblink. Dave's dirty
apartment full of medicine bottles and pills is a code word for JFK's health in a
state of real mess. The movie uses Proloid as a code word for curare injected into
JFK unable to handle such a poison with all the medications he was on. This means
there were two ingredients to Jackie's chemical agent: curare, and the medications
JFK took that morning to speed up the effectiveness and responsiveness of curare.
The movie JFK devotes a whole scene to describe Jackie's chemical agent. Jackie
also made her own contributions to JFK's medicine cabinet in the morning on his
assassination day. Consequently, the range of interactions is unlimited.
The Godfather also encodes a message that the chemical agent used by Jackie
included two key ingredients. Watch the scene with Wolz's bedroom that shows
two arrows or spears (Spears-as-WhiteHouse) sticking out from the window
canopy. The arrows stand for two key ingredients, where one is related to curare,
and the other to the drugs he was on and his poor health. The Godfather uses a
bartender in white coat standing in front of a row of bottles of different colors to
represent the doctors and Jackie prescribing medications/drugs to JFK. The two
"arrows" were used by the indigenous people in Dallas, also called Dallas savages
living a little to the north of South America. This document calls all Dallas people
who either participated in JFK assassination or who publicly played dumb about
JFK assassination, simply Dallas savages.
When you google the word curare, you will find out that this name has been
borrowed for the character Curar in animated TV series Batman Beyond, a
typical Hollywood crap. In this TV series, Curar is a female member of Society
of Assassins. "their best", wielding a laser-sharpened scimitar. Nobody knows her
true identity, and nobody has seen her face. But everybody knows she's deadly, and
possessed an unending knowledge of killer tactics. All this is an indication that
Hollywood inbreds exploit their knowledge of JFK assassins wherever they can at
your expense.
Note that there is popular paralyzing agent succinylcholine, discovered as a result

of research to produce an artificial curare. This means that the key ingredient
related to curare could be actually succinylcholine. Whatever the chemical agent is
made of, let's just call it simply a chemical agent. Here, I just want to go through
some basics.
Since I assume an injection, the next questions are how and where. Keep in mind,
that any such injection requires a needle prick. There is a delay between a needle
prick and the moment a chemical agent becomes effective. For JFK, the delay is
about 2 seconds. A needle prick from a strange source would make JFK respond
within a fraction of a second in an unpredictable way which could ruin the plan of
JFK murder planners. Any mechanical device back in 1963 would not provide a
sufficient reliability and precision. Such a mechanical device could not be installed
in the limo because somebody from the local law enforcement could look around
the seat when the limo is parked at Parkland Hospital.
Zapruder film shows Jackie too far away from JFK to suggest a direct injection. It
is possible for her to use her right leg. However, she would have to have a needle
installed in her shoe before arriving at the airport. Also, she would have to do some
advanced gymnastics with her right foot in order to hit JFK's left leg below his
knee. Since, there is a better alternative we have to leave her leg alone.
Now, let's handle the Killer Queen lines with "Caviar and cigarettes, Well versed
in etiquette". Caviar is a code word for curare, because both words are similar
syntactically, and both refer to a cluster of olive-shaped pieces. The cigarettes is a
code for darts because both look similar. The etiquette refers to unique killing
skills used by Indians in South America, and Jackie's use of illegitimate drugs in
order to speed up the etiquette.
Jackie's dart gun
Let's examine dart guns, otherwise known as

tranquilizer guns. The design of dart itself
depends on the chemical agent used, and it
could vary from a simple dart made of solid
needle tipped with chemical agent to an advanced dart made of medical needle and
syringe filled with chemical agent. The picture shows a dart with medical needle
and syringe. Jackie's dart has a tailpiece made of blue tuft to match the color of her
handbag.
If dart gun is powered by compressed CO2 or air then it is silent. The pressure can
be set for specific distance, in our case about 2 feet. Jackie needs a custom-made
model that looks like an oversized lipstick 6-8 inches long and about 1 inch in
diameter. Jackie does not need a handgun grip. If she holds the barrel directly and
presses a button near the end of barrel then she can point the barrel much better for
such a short distance, especially with limited space for her elbow. Similarly,
pointing sticks do not have grips like those on handguns.
The gun has to have a protective cap to shield the end of barrel and the trigger
button to avoid an accidental discharge. The protective cap has to be easily
removable with only one hand because Jackie does not have the time and privacy
to use her both hands. Here, find a pen with cap, preferably a fountain pen about 6
inches long, with a cap about 2.5 inches long. Place it in your left hand and hold it
like a pointer with your thumb on the middle of cap. Notice that the length 6 inches
provides a comfortable grip. Basically, this is how Jackie's dart gun looks like
except the size and the missing button.
The dart gun has to have dark blue color like the handbag because Jackie will use
her handbag to camouflage the gun during shooting. She will hold the handbag
with her right hand while keeping the handbag on her lap, and she will point the
dart gun at JFK's left thigh with her left hand while keeping the dart gun close to
the handbag. More on it in the section about Croft photo. The section about Jackie
handbagging Teddy, provides an interesting reference to the dart itself.
Once Jackie removes the protective cap and exposes the trigger button, she has to
shoot within seconds because she could be caught red-handed. Consequently, we
need to work out some ergonomics of her protective cap. And here is a surprise!
The piston closures on the famous Jackie O handbags give us a clue. Look at the
picture in the references chapter. Using only one hand, Jackie can press the button
with her thumb and pull out the cylinder (cap) from the piston inside. Her dart gun
uses the same principle, except the button hole extends to the rim of cap allowing
Jackie to pull out the cap without touching the button. The cap is thicker along the
extended hole in order to fully cover the tip of button when she pulls out the cap.
The second difference is that Jackie pulls out the piston from the cap of her dart
gun, whereas she pulls out the cap from the piston of her piston closure. In both
cases, she uses only one hand, either the piston or the cap is attached to a fixed
object.
Clearly, the piston closures on Jackie O handbags have something to do with

Jackie's dart gun. Piston closure uses a cylinder (with button hole) that holds a
piston (with button) inside. Jackie's dart gun uses a protective cap (with extended
hole) that holds a barrel (with button) like a piston inside. The same principle. If
Jackie thinks that this idea from her murder tool is fashionable then she must be a
real psychopath.
The protective cap is permanently attached to a strap. The other end of the strap is
attached to something that could be easily fastened to a leather seat. How about a
metal hook, or a strong adhesive strip? After Jackie removes the dart gun from her
handbag, she inserts the hook into the edge of leather seat on her left side, and lets
the gun lie parallel to her left thigh. The references chapter provides a photo of
Jackie's seat. When it's the time to shoot, Jackie grasps the piston part of gun, pulls
it out from the protective cap, and then aligns her thumb above the trigger button.
All this with her left hand, hidden behind her leg, and can be done in seconds.
Jackie does not need to use her eyes to remove the protective cap. However, she
has to use her eyes to align her thumb on the trigger button without accidentally
pressing it. In the Croft photo discussed below, you will see her doing this.
Note that both movies The Godfather and JFK suggest that Jackie used some type
of grapple to tie the protective cap. Vito (Godfather) uses his hands to grapple
Carlo's jaw to make such reference. The movie JFK shows a grapple attached to a
suitcase to make such reference. Search the document on the word grapple to find
more details.
Dart gun is an easy and reliable delivery method once rehearsed. In order to
prepare JFK for a needle prick, JFK murder planners came up with special
instructions. For example, when Jackie readjusts the roses on the seat, probably
within the final 60 seconds, Jackie says "Sweetie, be careful, the thorns are sharp".
JFK's reflexes take this into account when he is hit later. Also, Jackie says
something sweet and giggles when she hits JFK with a dart to make him drop his
guard even further.
The next question is where on his body JFK is injected.

In the references chapter, there is a photo of JFK sitting
in the limo. Since the photo was made from above, it
provides a good view from Jackie's side. The best place
for Jackie is to shoot in JFK's left thigh. As it turns out,
the outer thigh muscle is the most common injection site
for administration of nerve agent antidotes. If the
antidotes are injected intramuscularly then the chances
are that nerve agents also act fast when injected
intramuscularly because they work similar. I hope
experts on chemical agents will fill in the details later.
All three movies decoded for this document make
references to Jackie's dart. The Godfather provides a
direct indication where Jackie's dart hit JFK's left thigh.
The section explaining the scene killing Tattaglia
provides the details. On the side, I attach a picture
cropped from the scene. The blood squirt indicates the spot where Jackie hit JFK
with her dart. The movie JFK makes similar references.
The Godfather also provides a clue about the shape of Jackie's dart gun. The
section explaining the scene with Michael and his girlfriend Kay leaving a
department store in New York City, provides the details. Kay says "I got a tie for
Freddy, and Tom Hagen got the Reynolds pen". A tie is a code word for chemical
agent paralyzing JFK's throat. Reynolds pen is a code word for Jackie's dart gun
that delivers the chemical agent.
Keep in mind that the conning joints like

JFK Presidential Library & Museum in
Boston, or The 6th Floor Museum in
Dallas, are nothing more than elements
of criminal enterprise covering up JFK
assassination. JFK Library sells blue
pens that look like Jackie's blue dart gun used to assassinate JFK. A coincidence?
How about Teddy Kennedy wearing a blue flower on his lapel during Caroline's
wedding in 1986, with Jackie standing next to him and pointing her handbag right
below his jaw? The blue flower looked exactly like the blue tailpiece on Jackie's
dart used to assassinate JFK. A coincidence? Maybe NOT!
Jackie's handbag and bullet gun
The references chapter includes photos showing Jackie with her handbag. Her
handbag is about 11 inches long and about 8.5 inches high, perfect size for her
needs. It also provides perfect features for
Jackie, as explained below. The photos made at
the airport suggest a relatively large load inside
Jackie's handbag. Most probably, she had some
fillers inside in order to prevent any suspicious
contours of firearm from showing through.
Jackie removes the fillers before reaching
Dealey Plaza. The total weight of her assassin's
toolbox could be up to 5 lbs. Gucci had to know
about the heat inside this handbag to make
Jackie O handbags so hot after JFK
assassination. Obviously, Jackie does not need
to pack all her assassination tools into the
handbag on the airplane because the treasonous
Secret Service agents could easily supply them
to Jackie later during the motorcade. However, JFK could get suspicious after
seeing an increased size of her handbag. So Jackie has to carry her toolbox from
the airplane. Poor Jackie! Probably, the handbag is made of special fabric
providing proper heat insulation and fire protection for Jackie .
The section Positions of JFKs head and Jackies handbag before bullet shot
provides a diagram with approximate design of Jackie's handbag. The upper half of
her handbag is soft so that Jackie can fold it under her upper arm during firing in
order to hide it from Zapruder camera. The gun barrel is along the edge of front
flap, about 4 inches above the bottom of handbag. Jackie's handbag has a grip-like
handle installed on the bottom. The handle is attached to the barrel above it. Jackie
uses her left hand to pull the trigger, while holding her handbag in her right hand.
The trigger is installed in the bottom left corner, relative to the attached picture.
The sound suppression mechanisms are around the barrel. The sound suppression
can only reduce gunshot sound, so JFK murder planners have to drown it out with
extra noise as explained in another section. Probably, the sound suppression
mechanism also alters the reduced gunshot sound, at least slightly, to a noise made
by motorcycles, cars, or radios. These are precision mechanisms like in a Swiss
watch. Jackies bullet gun and dart gun are custom-made for this job. These are not
standard issue items. The section for the cartoon The Great De Gaulle Stone
Operation explains that Jackie's handbag is illustrated by so called keyhole. The
cartoon character Deux-Deux takes a peek inside the keyhole, and then he screams
"Oh! Magnifique! Arriba! Carumba!. I never see anything like this one before".
Realize that Jackie could not use a handgun with typical grip. Zapruder film shows
her right arm in a position impossible to hold such a handgun. The position of her
right arm in explained in the section Simulation of Jackie's bullet shot with a book.
Also, Jackie's firearm has to include a basic sound suppression. A typical handgun
with sound suppressor would not be practical for Jackie.
Based solely on the bullet diameter, the caliber of Jackie's firearm does not exceed
9 mm. The movies suggest that the diameter is around 7 mm. The whole trick lies
in the characteristics of custom-made bullet containing White Phosphorus and a
booster explosive, and the gunpowder in the case of her cartridge. Also, any larger
caliber would result in a recoil too big for Jackie to handle. Jackie has to activate
the firearm by pushing a small lever that switches the safety mechanism from safe
to fire position. Also, she has to make a hole on the side of handbag allowing the
bullet to exit the barrel during firing. The firearm is supposed to be fired from
inside her handbag. Her handbag is supposed to camouflage the firearm during
firing. After all, the handbag held by Jackie around her chest would not raise
suspicions.
Notice that the shoulder straps appear to be just a single loop inserted through the
handbag's eyelets. It is very easy to remove the straps by cutting the loop. Clearly,
this design has been selected on purpose. Jackie has to remove the straps before
firing because the straps would only get into her way during firing. In case JFK
asks about the missing shoulder straps Jackie can show him only the straps that
supposedly broke at a weak spot.
Inside the handbag, there is also a tool to cut the shoulder straps and to make a hole
on the side for bullet exit. Jackie also keeps her dart gun inside her handbag until
the final stages before reaching Elm Street.
Jackie fires her bullet between JFK's jaw and his neck. Clearly, her bullet leaves a
bullet entry hole there with plenty of gunshot residue around it. JFK murder
planners do not worry about JFK autopsies or murder investigations. JFK murder
planners worry about the pictures of JFK's brains blowing out. The pictures have to
be spectacular. JFK murder planners have selected professionals for the real bullet
and clowns like Arlen Specter to cover it up with the Magic Bullet Theory.
Certainly, Jackie did not use a cartridge from your local gun shop.
The roses inside JFK limo
The first function of the red roses is to keep JFK away

from Jackie because later she needs enough space to do
her tasks. JFK, like anybody, would keep a safe
distance from the thorns of roses. The second function
is to blame the thorns of roses for a needle prick to
JFK's left thigh. JFK murder planners need to mentally
prepare him for unexpected injection.
JFK murder planners could select other flowers for the first function although roses
would perform better. However, they need roses for the second function. The red
roses cant serve any PR functions because the public cant see them, much less
smell them. Also, the red roses have to be very inconvenient for JFK during his 35-
minute tour with several stops. Certainly, JFK had to suggest at least once to move
the roses somewhere else. Notice that Jackie carried the roses herself from the
airplane stairs to the limo through all the crowds at the airport where she had to
shake hands with bystanders. However, she does not want to keep the roses on her
lap anytime during the tour even though she wears a thick wool suit and gloves.
Connally's wife Nellie keeps her yellow roses on her lap, even though there is
enough space for the roses on the transmission tunnel bulging from the floor
between her seat and her husband's seat. Why are both Nellie and Jackie so
determined to keep the roses? Why didn't they get other flowers more suitable for
such a long ride in cramped space? There are practical limits to practicing the
symbolisms of Yellow Rose of Texas or Red Roses for a Blue Lady. Apparently,
JFK murder planners are afraid that JFK would move the red roses to Nellie if
Nellie did not have any flowers, or JFK would switch the flowers if Nellie had
other type of flowers.
Why doesn't Nellie put her yellow roses on her right side? You will find out later
when her husband has to use this space to fall on and the yellow roses lying there
would affect his acting performance. That is why Nellie keeps the top of bouquet
as close to the door as possible. Unlike Jackie, Nellie can keep her roses on her lap
until a few seconds before the bullet shot. In the Croft photo discussed below,
Nellie still keeps her roses on her lap about nine seconds before Jackie's bullet
shot. However, Zapruder frames between 260 and 280 show her yellow roses stuck
in the corner on her left side. This means Nellie moves her yellow roses between
three and nine seconds before Jackie's bullet shot, in order to prepare herself for
her husband falling from a fictitious bullet.
The consistent positions of red roses and yellow roses inside the limo during 35-
minute tour with several stops are not coincidences. JFK murder plan depends on
the red roses positioned between Jackie and JFK, and the yellow roses not
positioned between Nellie and John Connally. Statistically, such coincidences are
almost impossible under the described circumstances.
Jackie received yellow roses at every other stop in Texas (San Antonio, Houston,
Fort Worth) because of the Yellow Rose of Texas. However, she receives red roses
in Dallas. JFK murder planners don't want yellow roses for Jackie because
Zapruder film would show them clearly on the transmission tunnel in the front of
rear seat. Red color is too dark to show up. Jackie would have to explain why she
moved the roses before her dart shot and bullet shot. Fortunately for us, JFK
murder planners let Nellie have yellow roses and we can follow how she moves the
roses around as explained below. The references chapter includes a photo taken
from above during Dallas motorcade. In the photo, can see the yellow roses more
visible than the red roses. Zapruder film has much lower resolution than the photo.
Consequently, the difference between the yellow roses and the red roses is much
more evident in Zapruder film.
The presence of roses suggests an interest in the thorns of roses. Like military
plans, murder plans include diversions. What else could make a skin prick like the
one made by rose thorn acting as a diversion? A rose thorn leads us to a needle. A
needle leads us to an injection. Now, we have to watch JFK closely in Zapruder
film to identify the moment when he responds to a needle prick from injection.
Jackie's preparations for Elm Street
When sitting down in the limo at the airport, Jackie places the red roses between
herself and JFK, and her handbag on her left side. The references chapter includes
a photo of Jackie sitting at the airport with her handbag on her left side. The bullet
gun and the dart gun are inside her handbag.
At some point during Dallas motorcade, Jackie removes the dart gun from her
handbag and activates the bullet gun. Depending on the properties of chemical
agent, she could also be required to do a quick operation with the dart gun. Jackie
fastens the dart gun to the seat on her left side as explained in the section Jackie's
dart gun. Jackie cuts one of the shoulder straps and removes the straps easily by
pulling them out from the eyelets as a single piece of rope. She does not need the
straps and inserts them into a gap on her left side. Finally, she makes a hole on the
side of handbag allowing a bullet to exit the barrel during firing. Once all done,
Jackie keeps the handbag and the dart gun on her left side.
Most probably, Jackie does her main preparations during one of the stops before
the motorcade reaches the main crowds in downtown Dallas. Reportedly, JFK asks
to stop at least once because he wants to get out and shake hands with bystanders. I
bet one of the stops is a setup. Obviously, Jackie stays inside the limo because she
has better things to do. Probably, she also gets something to sit on like a blanket to
raise her a little higher. Secret Service agents are extra helpful to Jackie today and
they make sure that she gets what she needs including some privacy when she
needs it.
At some point later before Elm Street, Jackie moves the roses toward the
transmission tunnel in order to provide enough space for her dart shot. Probably,
she also takes her shoes off. She does not need her shoes from now on. She is 5'7"
to 5'9" tall, depending on the sources. Her legs are long enough to provide support
without the shoes. Her heeled shoes would be inconvenient during her firing and
jumping maneuvers. Her pumps are easy to take off. At that time, Jackie is not
only "dressed to kill" but also "readied to kill".
Croft photo made on Elm Street

Let's look at the Croft photo. I am not sure whether its colors are original or added
through colorization techniques. I will reference the colors for convenience but the
colors do not make any difference. Many sources claim that this photo corresponds
to Zapruder frame 161. In this photo, Jackie's head is turned at 90 degrees to her
left. She is looking down surreptitiously at her handbag because her eyelids are
half-closed. She can't be reacting to some bystanders because she is not smiling.
She is busy with her handbag and dart gun. She has no time for anything else.
Zapruder film indicates that she turns her head for about 2 seconds.
In the Croft photo, you can see the top of her dark blue handbag that blocks the
view of her right sleeve except for the pinkish dot on your left side. The dot
appears to be part of her right cuff. The top of the handbag is high enough to
suggest that the handbag is sitting on her lap. Notice that the shoulder straps
inserted through handbag's eyelets are not visible. Jackie had plenty of time since
leaving the airport to remove the straps.
You can't see a single white dot of her white gloves. Typically, you would expect
either of her hands on top of the handbag. If she used her left hand to move the
handbag then her left elbow would be pointing back. Apparently, she has pulled
the handbag onto her lap by holding its bottom with her right hand. That is why the
top of her right cuff is visible but her right hand is not. The handbag's exit hole for
bullet is facing Jackie's left side. You cannot see it. Neither can JFK.
Jackie's left hand is free to do something quick on her left side, and that is why she
is looking down. Since she does not have enough time to open the handbag, she is
using her left hand for the dart gun. Apparently, she is preparing it to shoot. She
has to remove the protective cap to expose the end of barrel and the trigger button,
and then she has to align her thumb above the trigger button. Once she removes the
protective cap, she has to shoot within seconds because she could be caught red-
handed. That is why Jackie keeps her handbag on her lap because the handbag
serves as a camouflage for her dart gun in a few seconds. That is why her dart gun
has to have dark blue color like handbag.
Croft photo shows an instance after Jackie removes the protective cap. Her left
upper arm indicates that her left elbow is touching her hip. Apparently, she is
trying to hide her left hand behind her left thigh. She is holding the uncapped gun
and aligning her thumb on the trigger button.
Notice that handling of an exposed barrel loaded with a chemical agent is a serious
thing. She could hit herself instead of JFK. That is why her face is so serious. That
is why she is using her eyes. She does not need her eyes to pull the handbag on her
lap or remove the cap. Why would Jackie be so serious in Croft photo when all
other photos before Elm Street show her smiling in the limo? The same applies to
Connally. Why is he so serious? Both are serious at the same time while looking at
the same thing, just nine seconds before JFK is assassinated.
Let's summarize the Croft photo. After 35-min ride in the limo, Jackie is interested
in her handbag just 9 seconds before JFK is assassinated. What are the chances of
this happening? As explained above, the handbag had to be on her left side prior to
placing it on her lap. The probability is high that she keeps the handbag on her left
side during the whole tour. It would be more natural for a woman sitting next to
her husband to keep her handbag away from the door (specifically, the quarter
panel behind door) when she has plenty of space on her right side, especially after
moving the roses toward the transmission tunnel. Clearly, Jackie keeps the
handbag away from JFK's view until the final seconds. Why would Jackie be
interested in her handbag without opening it? After all, she places the handbag on
her lap and looks at it. Normally, a woman would turn her head downward to look
at her handbag but Jackie does not. She turns her head only to her left. From a
distance, she appears to be looking at the crowds. If she has to look down then she
uses her eyes. Fortunately for us, she is not wearing the sunglasses.
The importance of handbag maneuver is confirmed by Connally when he is

watching it. Connally is looking at Jackie surreptitiously to make sure everything
goes according to plan, like a military man checking on a subordinate. Connally
knows that once the limo enters Elm Street, Jackie is supposed to get ready for
shooting the dart gun. All his subsequent movements are dependent on Jackie. That
is why Connally is watching Jackie. This is recorded in Croft photo.
Notice that Jackie had to move her handbag onto her lap and remove the protective
cap from dart gun within 5-10 seconds prior to Croft photo. This means that she
had to do these tasks during the sharp turn of about 120 from Houston Street to
Elm Street. Zapruder film shows a long gap around the time when JFK limo was
making the turn. Apparently, the corresponding frames have been removed from
all copies of Zapruder film. Possibly, Jackie made some errors that showed up on
the film and that is why the frames had to be removed. This would explain the
concern on Connally's face in Croft photo. He wants to make sure that Jackie can
recover from her errors, or maybe from somebody else's errors that affected her.
Croft photo exposes Jackie's scheme and that is why the photo is important.
Jackie's eyes provide lots of clues. That is why JFK murder planners wanted Jackie
to wear sunglasses. However, JFK has spoiled at least this part of their plan. That
is why JFK assassination research industry, corrupted by Parasitic Ethnic Group,
draws your attention to other parts of Croft photo as soon as you come across the
photo. An example is the hysteria about JFK's jacket "bunched" in the back. These
are typical diversion techniques that are a sure sign that Parasitic Ethnic Group
initially missed this photo and now it tries to control the damage. I bet the Parasites
will unleash a new campaign that a cuddly Teddy Bear is sitting on Jackie's lap.
The Parasites take advantage of the weaknesses of human psychology.
Betzner and Willis photos made on Elm Street (Connally Choir)
In the seconds after Croft photo is taken, Connally is supposed to turn right and
draw JFK's attention to something on his right side. Some bystanders on the
sidewalk are waiting to do the same.
Here, look at Betzner and Willis photos included in the references chapter. You
can see several bystanders with their arms high and waving at JFK. Probably, they
are shouting something to inspire JFK. Since Connally is acting like a choirmaster
to them, let's call them Connally Choir. JFK seems to enjoy the performance of
Connally Choir because he turns his head right and raises his hand around frame
180. Many sources claim that Betzner photo corresponds to frame 186 and Willis
photo to frame 202, assume 5 frames. Jackie hits JFK's left thigh between frame
190 and 193. In other words, Betzner photo shows JFK a fraction of a second
before he is injected with a chemical agent. Willis photo shows JFK almost one
second after he is injected.
Notice that two Secret Service agents standing in the car behind JFK limo also
appear to be enjoying the performance of Connally Choir. I hope some JFK
researchers will audition the talents of Connally Choir to a greater detail. The
movie JFK suggests that Connally Choir included so called "Hard Hat Man" seen
in several photos like Altgens 6 and Willis. Apparently, his name is A.J. Millican.
He filed an affidavit with Dallas County Sheriff's Office.
Jackie's dart shot
At this point, open the Zapruder frame 133 and keep clicking the forward button
until frame 190. Clearly, Jackie has been trained to hide her handbag and arms
maneuvers from showing up on film. She has been trained not to lean forward, not
to turn her head downward, to keep her hands down, etc.
Jackie's maneuver shown in Croft photo is only the start of her 2-second act (as
shown in Zapruder film, the full act could be slightly longer) composed of series of
carefully choreographed movements rehearsed by Jackie like a ballerina hundreds
of times. Around frame 175, Jackie's head returns to her forward position. At that
time, she is able to watch JFK. She is waiting like a cobra for the right moment to
strike. She is pointing the dart gun, held close to the handbag on her lap, at JFK's
left thigh. JFK is busy watching Connally Choir.
In frame 190, Jackie turns her head visibly to her right. In frame 193, JFK's right
hand starts dropping. This means that Jackie injects JFK between frames 190 and
193. At this moment, the bystanders can hear a firecracker sound, later confused
with a gunshot sound. Whatever it is, it does not involve any bullet. After frame
193, you can see that JFK's right hand keeps dropping and his head is turning
forward because he feels a needle prick to his left thigh. His first reaction is to
blame the red roses. That is why JFK murder planners made Jackie keep the roses
next to him.
Play with frames between 189 and 194 by clicking Next and Previous buttons. This
sequence is extremely important. Before frame 189, Jackie's head has been turned
only forward or to her left. Suddenly, just 0.2 seconds before JFK reacts to
something that causes his throat condition, Jackie turns her head to her right
toward JFK. It's impossible for her to react before JFK reacts unless she causes the
reaction in the first place. Clearly, she turns her head to have a better look at JFK's
left thigh when shooting the dart. JFK responds within 0.2 seconds after the dart
hits him. After her dart shot, Jackie drops the dart gun on the floor and places the
handbag on her right side. The handbag will stay there until Jackie lifts it before
her bullet shot to JFK's head.
Let's handle a few quotes from Killer Queen. Since JFK is paralyzed and he is
gasping for air due to severe tightness in throat for a few seconds before he is
fatally shot, then what do you think the following metaphors mean, "momentarily
out of action, Temporarily out of gas"?
Fictitious "bullet shot" to JFK's neck and throat
JFK could not be shot with a bullet to his neck and throat. His neck does not
bounce forward. Zapruder film shows no blood. Legitimate witnesses do not
mention any blood. One witness, Bill Newman, was about 100 feet in front of JFK
when JFK was hit by the dart, and about 70 feet when JFK was struck with
paralysis. He says about JFK, "I thought it scared him, I thought it was a
firecracker, because he looked fair". More on Newmans in the section ABC News
affiliate WFAA-TV.
Secret Service agents are not concerned about JFK's throat. Jackie does not even
look at JFK's throat. She is looking at Connally and waiting for him to turn around.
If Connally were hit by a bullet then he would not have enough strength to look
around. In other words, the "bullet shot" to JFK's neck and throat was a firecracker
sound.
Targets for Jackie's bullet shot

After Jackie's dart shot to JFK's left thigh, Jackie prepares the target BE for her
bullet. This is a special spot between JFK's jaw and his neck. Jackie wants to make
sure that her bullet exists JFK's head at so called BX, a special spot located in JFK's
right ear. The real target is actually BX because right behind JFK's right ear, there is
his internal jugular vein, with plenty of blood needed to create a Hollywood show!
Jackie wants to blow out JFK's jugular so that Zapruder could make his film
creating the illusion of JFK's brains blowing out. Obviously, JFK murder planners
want to hide the actual bullet exit hole to bystanders. And what is a better way than
having a bullet exit hole in a natural hole like the outer opening of JFK's right ear
canal? Their main target are the right jugular veins and the right carotid arteries,
especially the right internal jugular vein which carries lots of blood. In most
people, the dominant internal jugular vein is on the right side. The analytical
chapter provides much more details.
Queens of Dealey Plaza making JFK turn his head left
After Jackie's dart shot, JFK assassination plan

depends on JFK turning the left side of his head
towards Jackie. Before her dart shot, the plan
depended on JFK turning his head away from Jackie,
towards the crowds on sidewalk, so that Jackie could
shoot a dart into his left thigh. As already explained,
JFK murder planners planted Connally Choir on
sidewalk in order to draw JFK's attention to the
right. Once JFK gets Jackie's dart, he has to be made
ready for Jackie's bullet. Since JFK murder planners
used the trick with Connally Choir on the right side,
we have to look for a similar trick on the left side.
The trick on left side is played by a bystander in red

coat Jean Hill, and two corrupt heads of Johnny and
Nellie strategically placed in the left front of JFK.
Jean Hill is usually nicknamed Red Lady, sort of Red
Queen supporting Drama Queen who gets support
from Loving Queen, famous for her loving quote
about JFK in Dallas. All three Queens are trying to draw JFK's attention to the left
so that Killer Queen could fire her bullet into the targets BE and BX.
Another section explains the other roles of Drama Queen in JFK assassination
plan. After moving his head to the left front of JFK, Drama Queen uses the most
creative facial expressions to impress JFK. A witness standing about 15 feet from
JFK, Bill Newman, makes a written statement to FBI that Connally's eyes "were
REAL BIG", and he first thought that the Governor was playing some kind of a
game.
During her testimony to Warren Commission, Jean Hill says "I jumped to the edge
of the street and yelled, "Hey, we want to take your [JFK] picture", ..., and I was
so afraid he [JFK] was going to look the other way because there were a lot of
people across the street and we were, as far as I know, we were the only people
down there in that area, and just as I yelled, "Hey," to him, he [JFK] started to
bring his head up to look at me". Clearly, Jean Hill is playing her supporting role
to expose the left side of JFK's head for Jackie. That is why Red Queen is wearing
a big red coat on sunny day in order to attract JFK's attention.
Notice there is a direct conflict between the roles of Red Queen and the role of
Dark Complected Man (DCM). DCM is standing on the right side of Elm Street,
while Red Queen is standing on the opposite left side of Elm Street. Both are trying
to draw JFK's attention. Apparently, DCM was trying to save JFK. The fact alone
that no authorities went looking for DCM is the best proof that he could talk too
much. That is why DCM disappeared. The fact alone that Red Queen testifies in
front of treasonous Warren Circus is the best proof that she is dirty. More on DCM
in another section.
Images showing Jackie's handbag and hands before bullet shot

In frame 230, we can see Jackie's blue handbag leaning against the seatback, within
the reach of her right hand. In frame 237, Jackie's hands become visible. She wears
white gloves for a very good reason. At this point you are supposed to see Jackie's
hands as much as possible and that is why JFK murder planners chose white color
for her gloves. JFK murder planners know that Jackie could be suspected if her
hands are not visible enough. They have to dispel your suspicions early.
Remember the rule "If you have nothing to hide then show it". That is why Jackie
keeps her hands so high seconds before firing, especially her right hand because
her right hand would be suspected the most. She even shows you the whole palm
of her right hand.
However, starting from frame 258 her right hand is not visible. Also, her upper
body is leaning slightly towards the seatback. Clearly, she is reaching for her
handbag with her right hand. Jackie tries to keep her right elbow as high as
possible to provide an impression that her hand is still on JFK's arm. That is why
the fluffy fibers on her right elbow show up in frame 269. Frame 283 shows her
elbow bent enough and high enough to suggest that she has lifted her handbag. It
took her about 1.5 seconds to lift the handbag from the seat
Zapruder frames and Moorman photo actually show us Jackie's dark blue handbag
just one second before her bullet shot to JFK's head. Only her right hand could
hold it so high. The attached frames come from MPI medium frame set (medium
zoom-in).
The attached four pictures have been cropped from Zapruder frames 292-295. This
corresponds to the time about 0.9 to 1.1 second before Jackie's bullet shot. In all of
them, you can see the upper side of her handbag, just one second before the bullet
shot. Actually, her handbag becomes visible before the frame 292 but I selected the
frames that provide the best visibility. What would Jackie be doing with her
handbag, when according to the brainwashing machines she sees JFK hit with a
"bullet" to his neck? Her handbag is large enough to show up when she is moving
it from the seat to its firing position below JFK's left ear. At this point, Jackie is
still keeping her left hand on JFK's left forearm.
These four pictures have been cropped from Zapruder frames 306-312. This
corresponds to the time about 0.004 to 0.3 second before Jackie's bullet shot. The
white glove on Jackie's left hand appears in frame 306, about 0.3 second before
the head shot. Initially, it is just a small white spot next to the lower right corner of
JFK's right hand held close to his throat. This means that Jackie is in the process of
moving her left hand from JFK's left forearm towards her handbag held with her
right hand. She had to start moving her left hand about frame 303, i.e. about 0.5
second before the head shot. Apparently, she is ready to pull the trigger and she
will be using her left hand to do it. This means the trigger is located on the lower
front corner of her handbag. Another section shows you the internals of her
handbag. The gun barrel is installed about 4 inches above the bottom, so there is
enough room for the trigger just below the muzzle. In frame 312, almost half of
Jackie's left white glove is visible. At this moment, Jackie has pulled the trigger.
The firing pin is about to strike the back of cartridge. It is too late to stop it. The
bullet will go off in 4 milliseconds. It will spend less than 1 millisecond in JFK's
head and then it will reappear at point BX in JFK's right ear on the other side of his
head.
We can also see Jackie's dark blue handbag in Moorman photo that corresponds to
a Zapruder frame around frame 300, i.e. about 0.7 second before Jackie's bullet
shot. The whole Moorman photo is provided in the references chapter. Here, I
attach a cropped part in order to zoom in on the most important part.
In the attached Moorman photo, one arrow points to so called Dark Spot which is a
part of Jackie's dark blue handbag. When you look closer at the white patch next to
the Dark Spot, you will realize that it does not fit into the surrounding areas. Just
follow the pattern along the edge of seatback and decide whether the pattern next
to the white patch makes any sense. Also, compare the middle of white patch to the
surrounding shadows around Jackie's back. It does not make any sense either.
Clearly, somebody was clumsily tweaking around it. The whole white patch
appears to be a result of primitive smudges. Apparently, Jackie's dark handbag was

showing up on a much bigger scale than the visible Dark Spot. That is why JFK
killers arranged for Moorman photo to be altered. This tells you about the primitive
techniques used by JFK killers during 1963. Today, some academic frauds like
"Professor" Fetzer are trying to convince you that Zapruder film has been altered
by ultra-sophisticated space-age techniques while the altered Moorman shows you
their "sophistication". More on it in the section Positions of JFKs head and
Jackies handbag before bullet shot.
Jackie's shooting position in frame 312
Let's examine Jackie's position immediately before her gunshot between frame 312
and 313, without making any assumptions about shooting yet. Specifically, let's
examine the positions of her arms, hands, head and hair. Since only a part of her
left white glove appears just before frame 312, we need to examine prior frames
and Altgens 6 photo which corresponds to frame 255. The relevant parts of frames
255 and 312, plus Altgens photo, are attached below for a quick reference.
When looking at frame 255 and Altgens photo, you can see Jackie's left hand
holding JFK' left forearm, and open palm of her right hand on top of his left
forearm. In the following frames up to 312, Jackie does not move much her left
elbow which implies she is still holding his left forearm with her left hand or
keeping it very close. However, her right elbow moves around a lot, i.e. the
position of her right hand in frame 312 has to be determined from the direction of
her right forearm.
Frame Z-255 shows Jackie holding JFK's left forearm with her left hand. She will
keep it holding until around frame 305. In Z-255, she just puts her right palm on
top of his forearm without trying to actually hold it. She does it as a part of
magician's trick called Show of Hands. You are supposed to believe that Jackie is
just a harmless soul who does not hide anything from you.
Frame Z-312 is the last frame before Jackie's bullet shot. The analytical chapter
explains that Jackie already pulled the trigger and her gun will go off in 4
milliseconds. Notice that Jackie keeps her left elbow close to her hip in order to
provide firm support for the handbag when pulling the trigger and holding the
handbag at the same time. At this point, she holds the handbag with both hands.
Why does Jackie raise her right elbow so high, above the top of seatback? By
leaning forward, she has plenty of space for her elbow. She does not need to raise
it so high. What is she doing with her right hand? The direction of her right
forearm places her right hand above JFK's left forearm and in front of his left upper
arm. In other words, her right hand is holding something else, about 10 inches
below his left ear. Jackie keeps only her blue handbag there.
Considering her right elbow so far to the rear, why is Jackie keeping her head so
far away from his head? She is leaning to her left. Her long hair bangs parted on
right provide a clear view for her eyes. In 1963 until a few days ago, she had parted
her hair on left, as explained in the section Jackie's hair and hat. She would not be
able to see with her long hair parted on left. For the last second, Jackie has frozen
all her movements as if waiting for something to happen. Her right elbow is
abnormally high, her right hand is in abnormal position, her head is abnormally
distant from JFK's head. Her eyes are closed now.
Jackie is sitting in such a way that she has plenty of space between herself and JFK
to accommodate a predefined range of positions of his head. After JFK raises his
hands to his throat (courtesy of Jackie's dart shot), Jackie does not get closer to him
as it would be expected of a concerned wife. She stays put where she gets the best
position to shoot from her handbag. All this is part of JFK assassination plan.
Notice that Jackie keeps her head in front of JFK's head, as far from her right
elbow as possible. Later I found out the reason. She uses her left eye to see JFK's
right ear. She has to align the barrel inside her handbag such that the bullet exist
through his right ear. Any such alignment procedure requires her to see the target
located on the other side of his head. Jackie uses the edge of the front flap on her
handbag as a guiding line. The details are explained in the section Positions of
JFKs head and Jackies handbag before bullet shot.
The movie JFK suggests that Umbrella Man (UM) acted as a guiding post
(signpost) for Jackie. His open umbrella raised high was a sign for Jackie when to
do a specific task before firing her bullet so that Zapruder camera could have the
best view of her turkey shoot. On the other hand, Dark Complected Man (DCM)
was trying to save JFK. More on it in another section devoted to them.
The above picture has been cropped from Altgens 6 photo included in the
references chapter. This photo corresponds to frame Z-255, i.e. about 3.2 seconds
before Jackie's bullet shot. This photo confirms the observations made in frame Z-
255. I added eleven yellow arrows without text. Two yellow arrows point to
Jackie's hands. This picture shows Jackie's magician's trick Show of Hands better.
She just puts her right palm on top of his forearm, probably without even touching
it and merely suspending in mid-air in order to do her Show of Hands to Zapruder
camera. The movie JFK alludes to Zapruder and Jackie coordinating their tasks
when the movie character Jim says "They've calibrated their sights" meaning that
Zapruder tested (calibrated) the whole filming process (sights) before JFK
assassination. Jackie was trained accordingly.
One yellow arrow points to JFK's head. Compare his head to the equivalent head in
the follow-up car, also pointed by yellow arrow. Even though both heads are in
equivalent places behind equivalent windshields and equivalent rear-view mirrors,
JFK's face appears distorted while the other face is not. This means that JFK killers
also arranged for Altgens 6 photo to be altered, clumsily like Moorman photo. Both
Moorman and Altgens knew about the alterations and both played dumb later.
Youtube carries an interview with Mary Moorman (youtube link), where she says
"the photo ... they sharpened it". In other words, she admits herself that her photo
has been altered.
Two yellow arrows point to the heads of two motorcycle cops looking at each
other as if making signals to move closer to Jackie in order to drown out her
gunshot sound. Both cops are aware of Jackies right elbow raised high which is a
signal to move closer to her. More on it in another section.
One yellow arrow on the leftmost side points to so called "Hard Hat Man", A.J.
Millican. The movie JFK alludes to him too. The section about Connally Choir
explains the background.
The remaining four yellow arrows point to four Secret Service agents standing on
the running boards of the follow-up car. Notice that Clint Hill is watching Jackie
attentively about 3.2 seconds before Jackie's bullet shot because he needs to know
when to start chasing JFK limo. The other three agents look away. This is not a
coincidence. They were told to look away at this time.
Jackie's bullet shot
When JFK reappears from behind the sign Stemmons Freeway in Zapruder film,
about 1 second after the dart shot, he feels a severe tightness in his throat. He is
paralyzed within 2 seconds. Basically, JFK is a sitting mannequin with bent arms
raised in front. In other words, JFK is ready for Jackie. Jackie immediately puts her
hands on JFK's left forearm and she tries to push it down in order to provide
enough room for her handbag. At the same time, Jackie is waiting for go-ahead
signal from Connally.
Connally is turning around to access JFK and give the final go-ahead signal to
Jackie. Once Connally gives the signal, he starts playing his act from a fictitious
bullet. His wife Nellie is already turned with her lap ready for him. Her yellow
roses are already stuck in her left corner. Little Nellie was a busy beaver behind the
scenes. JFK leans to his left side because Jackie pulls down the left arm of his
paralyzed body, and not because a bullet hits JFK in his throat.
Once Jackie lifts her handbag, she is holding it like handle of a knife with its blade
pointed at BE. In frame 291, Jackie starts aiming the barrel at JFK. In frame 300,
her elbow is in the final position. In frame 304, she stops moving. Her gun goes off
between frames 312 and 313, i.e. a delay of about 0.5 second. The time between
when the trigger is pulled and the gun goes off ("lock time") is normally less than
0.01 second for handguns. This means the delay is caused by something else.
When doing the computer simulations requiring a more detailed analysis, I realized
that the delay is caused by Jackie moving her left hand from JFK's left forearm to
the trigger. In other words, Jackie took about 0.5 seconds to quickly move her hand
and pull the trigger. Around the instance when Jackie fires the bullet, the
bystanders can hear a firecracker sound. Later, the brainwashing machines like
WFAA-TV will convince the public that it is a gunshot sound from outside the limo.
Whatever it is, the only bullet comes from Jackie's handbag.
All three movies decoded for this document show both the entry and exit points of
Jackie's bullet. This comes from Hollywood insiders who know all the details.
Here, I include some selected pictures for a quick reference. The chapters for the
movies have many more.
Picture 1 has been cropped from Zapruder frame 312. It zooms in on Jackie's
closed eyes when she was firing her bullet.
Picture 2 has been cropped from Willis photo taken about one second after Jackie's
dart shot and about six seconds before her bullet shot. The yellow arrow on left
points to Jackie's head, and the yellow arrow on right points to JFK's head. The
photo suggests Jackie is sitting on something to raise her higher, like a blanket or
cushion. Raising her higher makes a shot to JFKs head easier for her because JFK
is 4-5 inches taller than she is.
Picture 3 has been cropped from the movie A Shot In The Dark. It shows
Clouseau's assistant Hercule showing his left jaw and Clouseau showing his right
ear. They are showing BE and BX respectively, indicated by red dots in the picture.
Clouseau is using his finger to point to BE so that you cannot miss it.
Pictures 4 and 5 have been cropped from The Godfather. Both show point BE
pointed to by yellow arrows. The movie makers made this point stand out by
illuminating and shading.
Pictures 6 of this set and picture 1 of the following set have been cropped from the
movie JFK. Both show point BE pointed to by yellow arrows. As you can see, both
movies use the same techniques to send a message where Jackie's bullet entered
JFK's head.
Picture 1 (second set of six pictures) is already explained in the previous set.
Pictures 2 to 6 have been cropped from the movie JFK. All show the point BX in
JFK's right ear.
Picture 2 shows the character playing the eyewitness Bill Newman. He says "His
ear blew off and he turned real white". The turning white is a reference to White
Phosphorus burning inside JFK's ear. The movie makers made him point to his
right ear on purpose to show the point BX.
Picture 3 shows the character playing Jack Martin. The movie makers use him to
play JFK. They show his right ear on purpose to show the point BX.
Pictures 4 to 6 show so called autopsy photos. I do not know whether these photos
are the officially published photos because I never bothered to look at any photos
made behind closed doors. However, these photos come from the movie JFK. The
movie would not show them if they did not include the real facts. All three pictures
show damaged right ear. Damaged by what? In the background, somebody says
"Watch the ear! Watch the ear!".
These four pictures (third set of four pictures) have been cropped from The
Godfather. In this scene, Kay plays Jackie. After hearing that Kay is a "friend" of
Michael, Fredo immediately puts his index finger into his right ear and starts
virtually drilling it inside. This is a reference to Jackie's bullet drilling JFK's right
ear, specifically tearing his jugular veins and arteries behind his right ear in order
to provide a bloody show for Zapruder camera. Fredo spends several seconds using
his index finger to point to his right ear. Take a hint from it!
These eight pictures (fourth set of eight pictures) have also been cropped from The
Godfather, specifically the scene where Michael rides in a car with Sollozzo and
Captain McCluskey to so called Louis' Restaurant. In this scene, Michael is the
target for Jackie's dart shot and bullet shot. Michael's right ear becomes distorted
thanks to Jackie's bullet. This set of eight pictures shows the progression of
distortion. Clearly, the right ear has been heavily edited on purpose to show the
point BX.
Let's handle some quotes from Killer Queen. "Moet et Chandon" is a champagne
with a cork, a simple metaphor for a gun with single cartridge (bullet). She keeps it
in her "pretty cabinet" which is a metaphor for her handbag. The lines
"Gunpowder, gelatine dynamite with a laserbeam" refer to the explosive
(Gunpowder) inside the case of Jackie's cartridge, to the booster explosive
(gelatine dynamite) and White Phosphorus (laserbeam) both stored inside her
bullet. After exploding, Jackie's bullet released a small chunk of White
Phosphorus called PWM that flew across Zapruder frames 313-315 like a
laserbeam. The song fluctuates the sound volume like a silencing effect to
illustrate the sound suppression inside Jackie's handbag.
The lyrics also mention so called "perfume from Paris" where perfume is a code
for White Phosphorus because it burns with a distinctive garlic-like odor
(Perfume-as-WhitePhosphorus). Paris refers to Jackie's experience from Paris,
during the 1950s, where she worked as a CIA assassin. The line "For cars she
couldn't care less" means Jackie did not care about JFK motorcade in Dallas or the
crowds greeting JFK along the route. Jackie was there only to perfume JFK and
blow his brains out for Zapruder camera.
Simulation of Jackie's bullet shot with a book
Here, I suggest that you simulate the bullet shot made by Jackie yourself. Find a
book with dimensions approximating Jackie's handbag.
Sit down on the edge of a seat. Hold a long side of the book with your right hand
and keep the other long side pointing upward. Imagine there is a barrel inside,
about 4 inches above the bottom that you hold. Visualize JFK's head and neck
leaning towards you. Then point the barrel at point BE. Try different positions of
your elbow, from the lowest where your elbow touches your hip area to the highest
where your upper arm is raised at 90 degrees. For each elbow position, try different
positions of your forearm and wrist to find the most comfortable combination to
shoot with the book's short side touching the point BE.
You will quickly find out that the most comfortable combinations are with elbow
high (upper arm at 90 degrees) because your forearm and wrist are given the most
room to move around. Notice that the seatback is not a problem for Jackie because
she is leaning away from it. Since JFK murder planners could not let you see
Jackie's right hand during firing they were very anxious to show you at least half of
her right arm around elbow to dispel your suspicions as much as possible. Now
you know why Jackie's right elbow is raised high, above the seatback, during the
bullet shot.
Jackie handbagging Teddy
I was quite surprised to come across a photo of Jackie actually showing us how she
held her firearm during JFK assassination. The photo is included in the references
chapter.
In this photo, Jackie is handbagging Teddy (JFK's brother). She is holding the
bottom of her beige handbag (size about 8 by 6 inches) with her right hand at the
level of her chest. She is wearing white gloves. The handbag is aimed at Teddy's
head, about 10 inches below Teddy's right ear. Teddy is smiling and waving his
hand high like JFK a few seconds before assassination.
Notice the blue flower on his lapel. It could represent a dart used by Jackie. Her
dart probably had a tailpiece made of blue tuft to match the color of her handbag.
The photo was made during Caroline's wedding in 1986. Note that there are other
photos made within seconds of each other. Look for the right photo. Apparently,
Jackie had a good time during the wedding and a Freudian slip made her display
her guilt on camera. Or maybe, Jackie and Teddy played this act consciously for
their psychopathic masters who wanted to expand their hobby collection of
Kennedys pictures. This photo makes too many references to JFK assassination.
After all, Jackie and Teddy had to earn their living since 1963.
JFK's head bouncing forward in frame 313
Now, let's examine the famous Zapruder frame 313 where JFK's brains blow out.
Even though Jackie's bullet did not touch his brains, I still use this expression
because Zapruder film does suggest it without computer simulations. This frame is
what JFK murder planners were planning for. The frame and its adjacent frames
are displayed below for quick reference.
The frame sequence 312313 shows JFK's head bouncing not only forward but
also away from Jackie's right hand towards the camera. Keep in mind the relative
position of camera. The following sequence 313314, showing the effect of
bouncing back in the opposite direction, confirms that the shot came from Jackie's
right hand and not from any other source. Both frame sequences are consistent and
prove Jackie's guilt beyond any doubt!
In your mind, approximate the location of Jackie's right hand on the basis of the
direction of her right forearm, draw a line along the gunshot trail, and determine
the intersection point. You will find out that the gunshot trail originates close to
JFK's jaw on his left side, i.e. from Jackie's right hand holding her handbag. Frame
313 shows the positions of JFK's head as recorded mostly at the end of 25-
milisecond exposure time of frame 313, i.e. the positions are superimposed on each
other during fast movement of his head.
The frame 313 alone proves that Jackie executed JFK. Consequently, we need to
ask ourselves two questions. Firstly, why is JFK assassination research industry
selling you all possible shooting locations except the best shooting location,
especially when a gunshot trail from the best shooting location is on film? The
answer is simple. JFK assassination research industry has been corrupted by
Parasitic Ethnic Group.
Secondly, why didn't JFK murder planners remove the frame 313 before releasing
the film to the public? There are several reasons. Firstly, frame 313 is the only
frame that shows JFK's head bouncing forward. The following frames show his
head bouncing back as explained below. The conspirators needed frame 313 to sell
their Oswald story. This document treats this frame as one of many pieces of
evidence proving that Jackie killed JFK. Secondly, the elites of Parasitic Ethnic
Group wanted to show JFK's brains blown out in a spectacular way. The following
frames are not spectacular enough. Thirdly and most importantly, a removed frame
would be easily detected during basic consistency checks using reference points.
Any simulation would detect a missing frame easily. I ran consistency checks on
frames 308-316 and there is no missing frame in this set of nine frames.
Another question is why the conspirators failed to remove the incriminating

gunshot trail. I believe it was an omission caused by miscommunication among the
conspirators. Not everything went according to their plan. More on it in the section
Authenticity of Zapruder film. However, they did manage to erase two white
marks was explained in the analytical section. My computer simulations easily
recovered them anyway. So much for their efforts.
Simulation of Jackie's bullet path in front of a mirror
I suggest that you simulate Jackie's bullet's path yourself. Stand in front of a large
mirror. Lean your head slightly to your left. Point your left index finger like a gun
barrel at point BE. Point your right index finger like a gun barrel at point BX. Then
try to align both index fingers along an imaginary line going through your head
between both points. This is Jackie's bullet path BP.
JFK's head bouncing back after frame 313

Realize that frame 313 is the first frame showing the results
of Jackie's bullet hitting and exiting JFK's head. The direction
of the bullet is clearly implied by the movement of JFK's
head in the frame sequence 312313. The following frame
sequence 313314 confirms it by showing JFK's head
bouncing back in the opposite direction, like a coil spring of
shock absorber. The back force is so strong that his head
moves even closer toward Jackie's right hand, making
Jackie's guilt even more evident. The bullet is definitely not
the typical non-expanding type like Full Metal Jacket (FMJ).
JFK's head moves too violently for this type of bullet. An
FMJ bullet would just go pass through the relatively soft tissues under the base of
his skull. Jackie's bullet has to be at the very least a soft point, hollow point round,
or a fragmenting bullet, that is able to move his head by friction.
When you zoom in on frame 313, you will

notice a relatively sharp contrast between JFK's
head and the red splatter. This means that his
head is in the process of bouncing back. Since
his head is not covered sufficiently with blood,
the head creates a contrast with the red splatter
as it moves back during the final milliseconds
of exposure time of frame 313, thus blurring the
picture. In other words, frame 313 shows the
initial stages of his head bouncing back. Most
of the red area is a result of blur caused by slow
shutter speed. Let's estimate the time between
the instance when the bullet hits JFK's head and the end of exposure time of frame
313. The maximum time is 55 milliseconds. Frame 313 does not show the initial
blur of JFK's head moving forward, but this could be misleading because the frame
is recorded mostly at the end of exposure time. Subtracting the statistical half of
non-exposure time and ignoring a small amount spent on bouncing back during
exposure time, the resulting time is 40 milliseconds. The analytical chapter
explains that Jackie actually fired 4 milliseconds after the start of non-exposure
time, meaning the time is actually 55-4=51 milliseconds.
The time of 40-50 milliseconds is enough for JFK's head to stay bouncing forward.
Remember the rule, for every action there is an equal and opposite reaction. What
follows after frame 313 is the opposite reaction, i.e. bouncing back. When the
bullet hits JFK's head, the muscles around his neck and upper body absorb the
bullet's energy like a coil spring of shock absorber. Once the bullet exists JFK's
head, those muscles are ready to release the energy by retracting his head back.
That is why you see JFK's head bounce back within one frame.
The frame sequence 313314 is as important as frame sequence 312313. It

eliminates any possibility that the shot came from Texas School Book Depository.
JFK's head clearly bounces back towards Jackie's right hand and not towards the
rear. After the effect of bouncing back largely completes in frame 315, Jackie takes
over the control of JFK's upper body. Realize that Jackie is quickly grabbing JFK's
left arm. Since JFK is paralyzed, Jackie is able to guide his upper body like a
sitting mannequin. I bet she practiced her shots on mannequins. Many mannequins
had to disappear around her home or during her "vacation" in Greece before JFK
assassination. In frame 318, you can see Jackie readying herself to put her right
hand on the right side of JFK's neck in order to pull his head onto his left shoulder
and cover up the bullet entry hole.
During the Clay Shaw trial in 1969, Bill Newman (a witness standing about 15 feet
from JFK) testifies "when the impact hit him [JFK] that he just stiffened and he
went to the left, real hard to the left and into her lap". He basically confirms the
frame sequences 312313 and 313314, and the following frames. Jackie's bullet
made JFK stiffen by hitting his head and the back force made him go to the left,
real hard into Jackie's lap. That is why Bill will not be invited by Warren
Commission.
Smoke above JFKs head
The frames 313-317 also provide an excellent evidence of white clouds of smoke
hanging above JFKs head. The large clouds suggest something unique burning
there. The clouds gradually grow larger and move left because the limo moves
right. You can see the biggest contrast between frame 314 and 315. This is yet
another evidence of Jackies guilt. As it turns out, the "blob" hanging off JFK's
temple is a thick cloud from burning White Phosphorus. This explains the smoke
above his head.
Jackie covering up the bullet entry hole
Because of the position of Jackie's right arm, most of the gun recoil goes into her
right forearm. The recoil movement of the visible part of her forearm does not
show up in Zapruder film because its movement is in the direction away from
Zapruder camera.
Immediately after her bullet shot, Jackie has to do her quickest maneuvers. There is
a bullet entry hole below JFK's left ear with his blood flowing down. The
bystanders on the left side could see it if Jackie is not fast enough. Jackie drops her
handbag in a fraction of a second. Within 0.6 second, her right hand becomes
visible. In frame 329, she places her right hand on the right side of JFK's neck. In
frame 333, she pulls his neck. In frame 337, she makes his head fall on his left
shoulder. In frame 340, she is done! She is quick like a Pink Panther. All this to
cover up the bullet entry hole, in addition to her Show of Hands as part of a
magician's trick. Notice that JFK's body seems to lose some of the paralysis, his
right arm drops, his neck muscles relax enough to let his head lean to his left.
At the same time, Jackie is getting ready to jump out on the trunk. Since her right
hand is busy, she places her right elbow on top of the seatback without wasting any
time. She is not reaching for anything behind JFK's back. She has no time to react
to anything unexpected.
Notice that Jackie could pull JFK's head lower and turn her back toward the
bystanders on the left side. This would block the views from the left side.
However, this would be too suspicious. She has to get on the trunk as explained
below. While doing so, she tries to block the views with her waist for at least three
seconds. By that time, JFK's body is leaning so much to the left with his head on
his left shoulder that the bystanders cannot see anything around the bullet entry
hole. Apparently, Jackie pulled his neck to the left far enough and made enough
space for his body to lean left. The limo is very close to the overpass, anyway.
Jackie acts like a classy robot after bullet shot
Clearly, you can't conduct a poll among women by

asking them how they would behave in a similar situation
because a shock is unpredictable. However, you can use
your common sense.
After JFK's brains blow out, Jackie does not show a

single sign of shock. She just follows the plan like a
robot executing programming code. There are no
emotions in her. Her skills of an experienced cold-
blooded assassin become evident here. She does not
waste time for anything. During the bullet shot, she is
leaning forward and her right hand is about 10 inches
below JFK's left ear. However, in less than a second,
Jackie moves her whole right arm around JFK's back just
to place her right hand on the opposite side of JFK's
neck. Is this a result of shock? No, this is a result of
programming optimized for speed and space.
Why would Jackie pull JFK's head to make it fall on his

left shoulder, while raising herself from the seat at the
same time? Jackie does not know what's on the trunk because she does not even
look there before jumping. The robot Jackie has been programmed to cover up the
bullet entry hole and to show up on the trunk, very fast!
There is not even a millisecond of hesitation in the robot Jackie. Each woman
would react differently, but everybody would freeze for at least a second in a shock
like this. The robot Jackie shows substantial movements in every single frame, 55
milliseconds apart. All her robotic movements have been well programmed and
tested before the final execution. Every person able to see would freeze at least for
a second just to access the situation unless it is all planned and rehearsed ahead of
time!
Killer Queen uses a fitting name for our classy robot in "She spoke just like a
baroness".
Theatrics of the Drama Queen and his wife
Zapruder film shows only theatrics of Connally

and his conning wife Connie. There is no sign
that Connally is hit by a bullet. The probability
for a man to turn his head 180 degrees while
sitting on such an uncomfortable seat with a
serious back wound is low. Such a movement
would exert too much pressure on his back or
chest wound making it too painful. But it is not
even clear that Connally himself makes up his
mind about a bullet hitting him before he starts
turning his head. The truth is that Connally turns
his head around to access JFK and give the go-
ahead signal to Jackie.
Let's assume that Connally finally makes up his mind and a bullet hits him when he
is turning his head forward. How do you explain that his chest is facing the
Zapruder camera when he is falling on the other seat? He does not have much
space to turn his upper legs to his right. He has to twist his chest like a noodle, or
raise his knees high, or move himself from his seat toward the transmission tunnel
bulging from the floor. Again, such movements would exert too much pressure on
his back wound making it too painful. Why not simply fall on his left shoulder
without twisting his chest? Why does he have to fall on his back? If he wanted to
duck then he could simply get down on his knees and put his chest on the
transmission tunnel. Why not just wait for his wife to help him? His wife is sitting
up straight, waiting, not ducking. It is all rehearsed. Try to simulate Connally's
movements yourself.
Connally is trying to accomplish several tasks. His first task is to sell his fictitious
wounds to the public because the Oswald story desperately needs to buy his
wounds. With this task alone, he could just remain in his seat and do much more
realistic movements. However, his back would be exposed and the bystanders
could have a good look at it. That is why Connally is trying to hide his perfectly
fine back in the limo.
His second task is to draw JFK's attention to the left by using his worthless head.
Starting from around frame 290, his head appears on the left side of the limo
because Jackie needs JFK looking in that direction. His wife is helping Johnny
with her worthless head.
His third task is to distract the bystanders away from JFK and Jackie. That is why
he is screaming and making painful faces. To make it more effective, he has to
move his head away from JFK's head as far as possible. But he can do this by
leaning forward on his seat. By leaning forward, he would not be able to show his
painful faces but at least he could scream there, which should be enough to distract
the bystanders. But again there is a problem because Connally has to hide his
perfectly fine back.
His fourth task is to get out from his seat so that

a camera mounted in front of JFK can make
pictures of JFK's brains blowing out. JFK
murder planners would not forget about the best
spot to shoot pictures. The whole circus is about
shooting pictures. The references chapter
includes a photo of JFK limo parked at Love
Field. The photo provides a good look at the
panel in front of jump seats. Look for a good
camera spot. The rectangular object that looks
like a clock would be a good candidate. I bet the
Drama Queen has enough time to activate the
camera before starting his theatrics. Obviously, not to record his theatrics. The
Drama Queen knows that his theatrics are being recorded by Zapruder.
In summary, Connally does his theatrics to sell his wounds, to hide his perfectly
fine back, to distract the bystanders and JFK, and to get out from the view of a
camera inside the limo. Notice that his wife shoves her glorious Yellow Roses Of
Texas into the corner and prepares her lap for his falling act even before he starts
his theatrics. She is sitting as far away as possible with her back resting against the
door. I bet the Connallys rehearsed this on a couch in their living room. However,
Johnny had one big incentive to move his worthless head away from JFK. He knew
about White Phosphorus in Jackie's bullet. He did not want to risk any stray sparks
flying over his screaming head and that is why he was anxious to move it away as
far as possible. I bet he wore flame resistant underwear.
Look at the frames starting from 350. The

Yellow Roses Of Texas come back to life and
start flying gloriously above the Connallys.
Apparently, Nellie is desperately using the roses
to hide the perfectly fine back of her husband
because he is too clumsy by exposing it to the
bystanders and the Zapruder camera. The frame
359 shows John's back exposed because Nellie
is still in the process of moving the roses. In
frame 366 (0.4 second later), she is holding the
roses much closer to his back. Why would
Nellie go into such a big effort with the roses?
Shouldn't she be using her loving hands to hold
her husband instead? After all, Nellie was full of love just 10 seconds ago by
saying to JFK, "Mr. President, you can't say that Dallas doesn't love you". At
Parkland Hospital, a uniquely dedicated staff will hide the back of her husband
from the public much better. A good doctor there has been healing his wounds for
several weeks by preparing for press conferences.
Youtube has old interviews and press

conferences with both Connallys and
Connally's doctor at Parkland Hospital.
You do not need a PhD in Psychology to
figure out that The Distinguished
Governor (youtube videos: part1, part2),
The Renowned Doctor (youtube video),
and The Distressed Lady (youtube
video), are all lying through their teeth.
Clearly, Connallys also know how to tell
the truth through their teeth, as shown in the attached photo taken at Parkland
Hospital during their miraculously fast and full "recovery". In this photo, Loving
Queen is having a loving time after her famous "loving JFK" quote, while Drama
Queen is strong and virulent before his famous "strong and virulent" quote.
Jackie on the trunk

Jackie is on the trunk to do three
tasks: to invite Clint Hill onto the
bumper, to do her final magician's
trick, to move the object of
attention away from JFK.
Jackie's main job on the trunk is to

provide an excuse for Clint Hill to
climb the bumper so that he could
split open JFK's head in the
tunnel. The goal of her magician's
trick is to dispel your suspicions early about any firearms on her. She is showing
you her front and her back above her knees. At the same time, she is showing you
her physical nimbleness to make you think she does not hide any firearms below
her clothes. In other words, this is a real circus with a leaping Pink Panther. It is all
about human psychology that repeats itself in JFK murder plan. At the same time,
both Jackie and Clint Hill are doing Show of Hands for all of you watching
Zapruder film. Just another magician's trick planned by 2-Star Air Force General
Edward Lansdale, the main planner of JFK assassination.
If Jackie took off her heeled shoes as explained above, then obviously she mustn't
show you her feet without her shoes on. Zapruder film does not show you her feet
because she is keeping them down. After all, who would be interested in Jackie's
feet?
Notice that around frame 338, during her jumping maneuver, Jackie appears to be
opening her mouth. Magicians also use their mouths to do their tricks. Jackie is
screaming something like "Oh my God! They've shot Jack!" so that the bystanders
could report it and the media could pick it up. I bet Jackie is screaming the trick
word "They" the most.
Once the Pink Panther crawls back and ducks on the seat, her public performance
at Dealey Plaza is not over. She has to assist Clint Hill as explained in another
chapter devoted to Clint Hill. Later, she puts her handbag and her dart gun into a
trash bag. She will get another handbag and suit that look the same. The Secret
Service agents will take care of the secret details, secretly. JFK murder planners
planned the whole JFK Circus just for you.
Let's handle some Killer Queen quotes. In the song's audio, the quote "She's all out
to get you" is immediately followed by a sound from Henry Mancini's "The Pink
Panther Theme", a theme extremely popular in 1974 when the lyrics were written.
The quote is preceded by "To absolutely drive you wild, wild". Can you visualize
Jackie in "pink suit" like a pink panther leaping on the trunk after absolutely
driving JFK wild?
Clint Hill on the trunk
Clint Hill is on the trunk to split open JFK's head as soon as the limo is inside the
tunnel under the triple overpass. Obviously, Clint Hill cannot just show up on the
bumper without proper invitation. That is why Jackie is on the trunk to do the
proper etiquette.
As a byproduct of the etiquette, Clint Hill moves the object of attention away from
JFK. He also provides an excuse for Jackie to crawl back to her seat. He acts as a
substitute for all Secret Service goons doing the "preserving, protecting and
defending".
Zapruder film shows Secret Service agent

Clint Hill leaping like a Secret Panther to
make the leaping Pink Panther leap back. I
bet the Agent is Secret because he
rehearsed secretly his Leaping Service for
JFK Circus. The theatrics in the rear, 5 feet
away from JFK's head, make the
bystanders look at him instead of JFK's
head. The limo is still 8 seconds away from
the overpass, even at faster speed. That is why Clint Hill is distracting the
bystanders with his seemingly clumsy leaping.
Before and during the bullet shot, JFK murder planners use the Drama Queen in
the front to distract the bystanders away from JFK's head. After the bullet shot,
JFK murder planners use the Secret Panther in the rear to distract. Their plan tries
to exploit the weaknesses of human psychology to maximum.
In his book "Mrs. Kennedy and Me", Clint Hill writes "Bone fragments exploded
from the back of the president's head (...) What is she doing? What is she doing?
(...) She was reaching for a piece of the president's head". Unfortunately for him,
the trunk surface is completely clean and Jackie's hands open and thus unable to
hold anything. Jackie is trying to make Clint Hill the new object of attention
because he is farther away from JFK than she is. His assigned role is to hang
around the bumper, and keep a safe distance from JFK for as long as possible.
What would be a better way to direct all curious eyes, especially on the limo's left
side, away from JFK during the final seconds before reaching the overpass?
Curious eyes like to watch action! Once the Secret Panther finally drags himself
onto the trunk, the limo is very close to the overpass.
Obviously, it would be too suspicious for all Secret Service goons to fail to
respond at the same time. The pressure from public outcry would build up too
high. Clint Hill acts as a pressure valve by at least showing up for duty and thus
relieving some pressure from public outcry. Notice how quickly the follow-up car
provides a wide circus arena for Secret Panther to do his leaping act on JFK limo.
The section about gunshot sound suppression explains the official role and the real
role of follow-up car. Suddenly, the official role is not important and the follow-up
car slows down leaving a big gap between itself and JFK limo. It doesn't take a
brain surgeon to figure out it is a choreographed show.
Let's handle the Killer Queen quote "Well versed in etiquette, Extraordinarily
nice". Among other things, this quote refers to the high-class manners exhibited by
Jackie and Clint Hill on the trunk. Judging by the brainwashing machines spinning
Jackie looking for JFK hiding on the trunk, her etiquette was Extraordinarily nice.
What was Clint Hill doing on the limo bumper before Dealey Plaza?
Notice that Clint Hill does a similar leaping act on JFK limo
bumper just minutes before reaching Elm Street. He is
supposed to stay in the follow-up car with the other goons.
Clearly, Secret Panther wants to rehearse his leaping act
before his world premiere on Elm Street, by warming up his
four legs. Quite likely, he also gives a signal to Jackie. He
will get a gold medal and a citation for his "exceptional
bravery".
One thing I was trying to figure out is the presence of two

whip antennas sticking out from the trunk. The photos from Love Field and
Parkland Hospital show them on the trunk. However, all the photos from Dealey
Plaza do not have enough resolution to detect them. During the dancing on the
trunk, each assassin had to get around the whip antennas.
Jackie's assassin uniform
Here, let's discuss Jackie's assassin uniform called "pink

dress". Look at the photos showing Jackie at the airport,
included in the references chapter.
JFK murder planners selected all dress items from

Jackie's existing wardrobe. There are pictures made prior
to JFK assassination, where Jackie wears a pink dress of
similar design or a handbag of similar design. Clearly,
JFK murder planners do not want to draw your attention
to a new suit or a new handbag. In does not mean that
Jackie wears the same copies. JFK murder planners
arranged for at least two sets of her "pink suit" and all
accessories, one set to be worn during JFK motorcade
and one set to be worn after JFK motorcade. Most likely,
the set worn during JFK assassination was made of
special flame resistant fabric that came from a Fire Department, and not from
Chanel or Chez Ninon. Jackie had to be protected against stray sparks of burning
White Phosphorus. Her white gloves were custom made.
JFK murder planners were looking for the right colors, the right fabric, right sizes,
and the right features. JFK murder planners selected red pink for several reasons.
The most important reason is to make JFK bloodstains on Jackie's dress as least
visible as possible. When Jackie is jumping on the trunk, some bystanders could
make pictures of her with resolutions sufficient for bloodstain pattern analysis.
Such analysis could reveal that the shot was fired by Jackie. JFK murder planners
could not select the dress color of human blood for fears of raising suspicions, so
they selected red pink. Actually, Jackie herself called this color "raspberry" and not
pink. The brainwashing machines turned it into pink color to exploit its common
meaning. This is not a coincidence and this should be added to your statistical
model like many other little things. Jackie is also getting fringe benefits from red
pink. Even back in 1963, pink was strongly associated with innocence. Red pink is
close to the color of human skin and it sways you psychologically into thinking
that Jackie does not hide any firearms below her clothes. If you have read the
section about her trunk jumping maneuver then you know that Jackie does not hide
any firearms below her clothes. However, JFK murder planners want you to think
in a different way.
Notice that many color photos of Jackie on JFK assassination day show the colors
dulled or muted, making her red pink show up as light pink. In digital photography,
dulling is achieved by color de-saturation to reduce the digital size. However, here
the dulling effect seems to be caused by different reasons. Many old books show
the same pictures also dulled. I believe the dulling was intentional to reduce
suspicions. Certainly, Jackie's pink suit stored in National Archives is not the
original suit.
JFK murder planners selected dark blue for handbag because dark is easier to hide
and blue is fashionable enough. The jacket has to have wide collar and wide front
flaps of dark blue color to blend with the handbag. Also, Jackie has to wear a shirt
of dark blue color below the jacket to cover her front neck, also to blend with the
handbag. All this to camouflage the top of her handbag during firing. Just the fact
alone that the handbag has the same color as the color of her clothes on her chest
around her neck indicates that the handbag has some functions close to her chest
around her neck.
Jackie does not wear a necklace or earnings, which is unusual for her in public, but
which is very helpful during firing a bullet. She wears only a light bracelet on her
left wrist not used for firing. Apparently, the bracelet is her wristwatch and she
needs a watch. Her jacket has sleeves with wrist lines above her gloves to make it
easier to hold the handbag during firing. Her shoes are pointed toe pumps. Pumps
are easy to take off when done. Her jacket, skirt, pillbox hat, and handbag, are
made of wool or wool-like fabric. A handbag made of wool-like fabric provides a
good grip during firing. Wool fabric reduces the sizes of bloodstains because wool
absorbs blood better. The thicker the wool fabric, the smaller the surface area of a
bloodstain. Thick flame resistant fabric also provides a better protection against
stray sparks of burning White Phosphorus.
Jackie's gloves are extremely important. Realize that Jackie's hands would be
suspected the most. However, Jackie has to use her hands the most. That is why
JFK murder planners use a magician's trick with white gloves. Jackie "The
Assassin" keeps her hands down, out of your view, when she uses her hands for
things you are not supposed to see. Jackie "The Magician" raises her hands high,
right in your face, when she does not use her hands for things you are not supposed
to see. The white color of her gloves creates illusion that Jackie does not hide
anything in her hands by utilizing the exposure time of her hands to maximum.
Jackie's hair and hat
Jackie's hair provides some interesting clues. Her hair is parted on her right side!
All her photos from 1963 up to a few days before JFK assassination show Jackie
parting her hair on her left side.
Assuming her position during firing, it would be difficult for her to aim the firearm
with such long bangs parted on her left side. Suddenly, just a few days before JFK
assassination, Jackie changes her parting style from left to right. Apparently, JFK
murder planners caught this little detail very late but on time. You should also
catch this little detail and add it to your statistical model. Notice that JFK murder
planners did not want Jackie to cut her hair. They need her big bangs and her big
hair around her neck, especially when the bullet entry hole is visible.
Jackie's pillbox hat is so big that it looks like a red pink

bucket upside down. The big size is intended to block the
views of bystanders looking at JFK's left upper neck. The
red pink color is intended to camouflage the blood
flowing from the bullet entry hole. The first reaction of a
bystander on left side is to think of Jackie's red pink hat
when something red appears around JFK's left upper
neck. The bigger the hat, the bigger protection against
stray sparks of burning White Phosphorus.
Notice that Jackie's hat is unusually sticky during her leaping act on the trunk of
accelerating limo. A typical pin used to secure such a hat would not be enough
under these circumstances. Her hat would just fly off. This means that Jackie's hat
is secured with something more than typical pins, in ways that require much more
time when securing and taking off later. JFK murder planners want to make sure
the hat does not fly off before the bullet shot when they need the hat's services.
However, they also want to make sure that the hat does not fly off after its services
are completed because it is covered with gunshot residue. Their brainwashing
machines would not be able to spin a spectacle of Secret Service agents chasing a
flying pillbox hat while JFK is dying. A bystander could pick it up first, get some
gunshot residue on his or her hands, and volunteer for forensic analysis later. That
is why JFK murder planners have virtually glued the hat to her head!
Blocking the bystanders' views during Jackie's bullet shot
Obviously, JFK murder planners worry about the bystanders around the murder
scene. Their plan has to limit the number of bystanders, it has to keep Jackie's
firearm out of the bystanders' views, it has to reduce and to alter the gunshot sound
heard by bystanders, it has to distract and trick the bystanders, it has to hide the
bullet entry hole, and so on. JFK murder planners also planted distracters among
the real bystanders.
On November 22, the day of JFK assassination, the front page of Dallas Morning
News displays a map of JFK motorcade that does not include Elm Street. The map
shows Main Street under the triple overpass. The map is plastered on newsstands
everywhere in the morning. Naturally, most people see this map and use it as their
guide even though a few days ago the local newspapers included Elm Street. That
is why you can see only four people standing on the sidewalk near the murder
scene on the north side of Elm Street. Since JFK murder planners selected the
murder scene to be so close to the overpass, they could expect relatively fewer
bystanders there to begin with. This means JFK murder planners achieved their
goal of limiting the number of bystanders. The incorrect map in Dallas Morning
News has been published on purpose. Parasitic Ethnic Group controls Dallas
Morning News and ABC News affiliate WFAA-TV in Dallas as you can see from
several interviews mentioned in this document.
The next goal is to block the views around Jackie. There are no buildings on either
side. The buildings behind are too far away to provide any practical view without
zoom lenses. The overpass in the front is for railroads. The limo's sun visors are
raised above the windshield in order to limit the views from the front. Two tall
Secret Service agents sitting in the front are also blocking the views from the front.
Jackie is blocking the views from her left side with her upper body.
The half-raised passenger window on the limo's left side also helps Jackie. The sun
around noon shines directly into this window and makes the window obscure the
views from the left side (south side). Look again at Croft photo. This window has a
chrome frame around it that not only blocks the views but it also reflects sunlight
into the eyes of viewers. The photos from the airport show this window down.
However, all other photos from the motorcade show it half-raised. Probably, Nellie
raised it. The crowds are standing on both sides. Why would Nellie be sitting
behind a half-raised window? The answer is simple. The window is half-raised to
help Jackie on Elm Street. Also, it acts as a go-ahead signal to all conspirators
waiting on Elm Street. If the plan was called off for any reason, the window would
not be raised. Raising of the right passenger window would not help much because
the bystanders would be looking from the north side. JFK would not like to sit
behind a raised window anyway.
Some issues related to the visibility of JFK and Jackie are also discussed in the
section The rear seat level.
JFK's upper body blocks half of the views at Jackie from the right side. The only
vulnerable directions from Jackie seat are those between the direction toward the
front passenger door and the direction toward the back passenger door on the right
side. Since Connally is not sitting on his seat next to the back passenger door
because he is delivering his Circus Award performance on his wife's lap, Jackie is
exposed by Connally empty seat. However, there are no people standing there.
This is why Connally gave the go-ahead signal to Jackie. Those four people on the
sidewalk cannot see Jackie's firearm because JFK's body blocks their view.
Keep in mind that Connally and his wife are screaming and making painful faces
in order to make the bystanders look at them and away from Jackie. The limo rides
in the middle of Elm Street that is about 39 feet wide. This means that a closest
bystander is at least 10 feet away. No bystander could see Jackie's firearm. The top
of her handbag could pass as a part of the dark blue flaps of her jacket. Even if
somebody recognized a handbag, it would be reasonable for Jackie to hold her
handbag. That is why JFK murder planners selected Jackie's handbag for the firing
vehicle.
Blocking the bystanders' views also means distracting the bystanders. JFK murder
planners exploit the weaknesses of human psychology to the maximum.
Killer Queen lyrics include an interesting quote, "Guaranteed to blow your mind,
Anytime" with "Anytime" sung by the whole band simulating crowds in the
background. This suggests crowds being present, like the crowds greeting JFK
during the motorcade in Dallas. In other words, Killer Queen is experienced
(guaranteed) to blow brains out in front of crowds watching, right in your face!
The rear seat level
The limo rear seat has a built-in hydraulic lift that can elevate the passengers ten
inches to make them more visible to the crowds. However, Jackie would have
difficulty in hiding her handbag during firing at ten inches higher. Also, high seat
level would be inconvenient for Jackie during firing. That is why JFK murder
planners arranged for the lowest seat level.
The official story is that JFK does not want to raise the seat because he wants the
crowds to see Jackie better. Since the seat is bench design, this would imply that he
does not want to block the view with his upper body and he wants to raise Jackie
somehow. The references chapter includes a photo taken from above during Dallas
motorcade, where Jackie is sitting relatively higher. The photo suggests she is
sitting on something to raise her a few inches, like a blanket or cushion. Raising
her higher makes a shot to JFKs head easier for her because JFK is 4-5 inches
taller than she is.
Clearly, JFK murder planners have arranged for the hydraulic lift to be defective in
case JFK wants to sit higher. The part with Jackie raised higher would have to be
confirmed.
Gunshot sound suppression
JFK murder planners use several techniques to suppress Jackie's gunshot sound.
Her firearm includes a sound suppression mechanism that reduces the volume and
possibly attempts to alter the sound to a noise made by motorcycles, cars, or radios.
However, the suppressed gunshot sound could still be heard by the bystanders.
That is why JFK murder planners need to drown it out with extra noise.
The loudest noise is provided by four motorcycles behind the limo, two on each
side. The usual formation is one motorcycle around each fender. However, JFK
murder planners do not want motorcycles around the front fenders for several
reasons. A motorcycle cop there could hear Kellerman talking on the radio, he
could see Jackie's handbag pointed at JFK's head in his rear view mirror, he could
block the view for Kellerman trying to access the bystanders behind the sign
Stemmons Freeway, he could block the view for Zapruder's camera at wrong
moment, etc. Besides, a motorcycle provides more noise for Jackie when it rides
behind the limo, closer to her.
Zapruder film and Altgens 6 photo show the car behind JFK limo extremely close.
Clearly, its purpose is to drown out Jackie's gunshot sound. The official story is
that the follow-up car is so close in order to prevent another vehicle or a person
from separating the two cars. But this is nonsense because motorcycle cops are
riding on both sides of this gap. I bet the Secret Service agents made sure that the
follow-up car has the loudest engine possible and the driver makes even more
noise at the right moment.
Also, JFK limo driver Greer has been instructed to turn on some additional noise as
explained in the section about Greer.
Motorcycle cops
Zapruder film shows the motorcycle cops acting suspiciously.
Watch closely the motorcycle cop who rides in the lane closest to
Jackie. His name is Bobby Hargis. The film shows him speeding
up around frame 300, i.e. one second before Jackie's bullet shot.
His front wheel reaches the limo bumper in frame 313 (bullet
shot). It looks like he is trying to get closer to Jackie in order to
drown out the gunshot sound with his motorcycle. Acceleration
makes the motorcycle engine louder. Keep in mind that these are
older-type motorcycles. In all previous frames, he is riding at
least 5-10 feet away from the limo bumper. Suddenly, just one or
two seconds before Jackie's bullet shot, he speeds up leaving the
other cop on his left side behind him. Clearly, he keeps a distance 5-10 feet behind
so that he can accelerate in the last second and make more noise. The loud noise is
even confirmed by Clint Hill, another conspirator, who is just a few feet away from
Hargis. In his book Mrs. Kennedy and Me, Clint Hill ghostwrites "the motorcycle
engines were loud in my ears" when referring to the time between frames 300 and
313.
Altgens 6 photo in the references chapter provides more evidence. This photo was
taken about 3 seconds before Jackie's bullet shot. The motorcycle cop in the lane
closest to JFK is already in the forward position with his front wheel next to the
limo bumper. His name is James Chaney. He is looking at Bobby Hargis. Bobby
Hargis is looking back at James Chaney. Apparently, they are signalling to each
other that it's time to get close to the limo bumper and make some noise. Probably,
Chaney accelerates at the same time when Hargis does. Unfortunately for us, he is
out of view for Zapruder camera. However, he does confirm his acceleration
during his interview described below. Also, Hargis confirms it during his
testimony to Warren Commission.
Notice that the right side, where Chaney is riding, is more vulnerable than the left
side, where Hargis is riding, because more bystanders are expected to be on the
right side. Also, the right side provides better views of Jackie's right hand as
explained in the section Blocking the bystanders' views. Also, Clint Hill needs
extra space on the left side for his leaping acts. That is why in Altgens 6 photo,
Chaney is closer to the limo than Hargis. Chaney's assigned task is to be closer to
JFK's head and sooner than Hargis. This is a choreographed show!
Youtube carries James Chaney interview from November 22, 1963, apparently for
WFAA-TV, the same station that interviewed Zapruder the same day (youtube
clip). In this interview, Chaney parrots nonsense given to him by his masters. The
motorcycle noise and his helmet prevented Chaney from identifying any gunshots
around him. It is statistically impossible for Chaney and Hargis to ride like a
synchronized team after hearing the gunshots. In Altgens 6 photo, Chaney is riding
the position that Hargis will move in just 3 seconds later on the other side of limo.
They do not show any concern about any bullets. Their pattern is so obvious that it
is almost laughable. During his interview, Chaney appears to be saying "I went
ahead of the Presidents car to inform Chief Curry that the President had been hit"
which is illogical because Chief Curry has to have direct radio communication
with other motorcade cars. Chaney goes ahead in order to drown out Jackie's
gunshot sound with the noise from his accelerating motorcycle, and not to inform
anybody of anything, much less Chief Curry who is a conspirator in JFK
assassination.
Notice that Chaney's narration is so chaotic that Warren Commission does not even
ask him for his testimony later. Instead, Warren clowns ask Hargis to join their
Circus because his jokes spin better. Chaney's interview on WFAA-TV is an

example of brainwashing machines spinning multiple bullets in order to make the
sheep follow the Oswald story as early as possible. WFAA-TV station does the
same thing in Zapruder interview.
The motorcycle cops have been selected for their ability to keep their mouths shut.
They have been instructed to wait for Jackie's right elbow raised high after the sign
Stemmons Freeway as the signal to accelerate and make as much noise as possible.
They don't need to know anything else before the job. However, they will connect
some dots later. Some of them like Chaney are used to parrot the story with bullets
flying around. They will play to the public while keeping their mouths shut like the
Secret Service agents will. Parasitic Ethnic Group is extremely corruptive.
Killer Queen includes references to both motorcycle cops in its audio sounds. The
line "To absolutely drive you wild, wild" refers to JFK's head exploding. In the
background there is a unique drum roll that imitates an older-type motorcycle
rapidly accelerating and then de-accelerating with popping sounds, repeated twice,
once for each word "wild" in the lyrics. The two drum rolls refer to two motorcycle
cops trying to drown out Jackie's gunshot sound.
Limo driver Greer
The limo driver Greer drives the limo in a straight line at constant speed 10 mph in
order to provide a stable platform for Jackie during her dart and bullet shots. He
cannot drive slower because too many bystanders standing along Main Street
(misled by incorrect motorcade route in Dallas Morning News) could walk over to
Elm Street, and JFK murder planners would not tolerate it. The driver cannot stop
the limo for Jackie for several reasons. Firstly, some bystanders would walk
immediately closer to the limo. Secondly, Jackie would not get the noise required
to drown out her gunshot sound. Thirdly, a stop would be too suspicious.
During Jackie's bullet shot, all in the limo have to limit their movements, including
Drama Queen. JFK is paralyzed. As soon as Jackie fires the bullet, the limo driver
Greer speeds up the limo while turning on a tape player or another sound-making
device creating common sounds made by cars or radios in order to drown out the
gunshot sound and distract the bystanders.
Greer has been instructed by JFK murder planners to move the limo under the
overpass at a faster speed but slow enough to let Jackie and Hill do their leaping
theatrics in the rear for the reasons explained. Notice that an honest Secret Service
agent would accelerate the limo much faster even with Jackie on the trunk. Secret
Service agents are paid to protect US President even at the cost of losing his wife.
It is all planned and rehearsed.
That is why Greer is watching Jackie during her firing. Greer is waiting for the
exact moment to a millisecond before he can do his treasonous maneuvers.
Zapruder film shows Greer's face turned towards JFK from frame 280, i.e. about 2
seconds before the bullet shot. He can see JFK gasping for air, he can see and hear
the loud theatrics of Drama Queen and his wife. However, he fails to accelerate the
limo even before the bullet shot to JFK's head.
During his testimony to Warren Commission, Greer says "I didn't see anything of
the President, I didn't look, I wasn't far enough around to see the President",
claiming that he sees only Connally's theatrics. However, he accelerates the limo
within milliseconds after JFK's brains blow out. The gunshot sound would not be
able to stimulate his quick reflex because it is suppressed and drowned out by
motorcycle noises. The theatrics of Drama Queen would not be able to impress
him much either. In other words, Greer lies because he has been ordered to lie.
Secret Service agent Roy Kellerman
As the Assistant Special Agent in Charge, Roy Kellerman is riding in the front
passenger seat of JFK limo. Like the limo driver Greer, he has been trained to use
his own body as a shield, taking a bullet if necessary, to protect JFK. However, he
is committing a treason against the people of the United States in front of their
eyes. Zapruder film shows Kellerman's face turned towards JFK from frame 260,
i.e. about 3 seconds before the bullet shot. He can see JFK gasping for air. He
starts turning his head forward as soon as Drama Queen starts his loud theatrics.
He knows that JFK's life is in danger even before the bullet shot to JFK's head. But
he fails to respond. The limo does not accelerate. Both Kellerman and Greer are
following the plan to assassinate US President in public, on camera.
During his testimony to Warren Commission, Kellerman claims that he radios his
famous quote "Let's get out of here, we are hit" to another car after JFK is "hit" to
his neck. However, he forgets to get his own car out of there on time. He forgets to
mention that Jackie needs this delay to hit JFK on his head first. Only then the limo
takes off immediately without any delay.
Kellerman will continue his treasonous acts at Parkland Hospital a few miles away,
but not on camera. However, he has displayed enough clear and convincing
evidence of his treason against the people of the United States during three seconds
in Zapruder film.
Umbrella Man and Dark Complected Man
The movie JFK suggests that Umbrella Man (UM) and Dark
Complected Man (DCM) did not know each other. Both were
standing on the right side of Elm Street, next to the sign Stemmons
Freeway, see the attached picture. The movie suggests that UM
was a conspirator working as a guiding post (signpost) for Jackie.
His open umbrella raised high was a sign for Jackie when to do a
specific task before firing her bullet so that Zapruder camera could
have the best view of her turkey shoot. The secondary role of UM
was to make the bystanders look at him instead of JFK limo.
Probably he was moving his umbrella up and down to attract attention to himself.
The less bystanders looking at JFK and Jackie, the better for JFK murder planners.
Notice that even some tenured college professors support the childish claims that
the innocent-looking umbrella is armed with the most advanced arsenal of dart
guns aimed at JFK's neck. However, the same "professors" refuse to admit Jackie's
guilt proved beyond doubt.
On the other hand, the movie suggests that DCM was one of Army intelligence
people, either in full capacity (one man) or in a related capacity (0.5 man). DCM
knew about JFK assassination and he was trying to warn JFK. The brainwashing
machines turned DCM into an evil Cuban connected to anti-Castro Cubans,
making it even better for JFK murder planners who want to keep your attention
away from Parasitic Ethnic Group which ain't Cuban.
Distracters at Dealey Plaza
JFK murder planners have planted several firecracker

operators to distract the bystanders and to provide a good
material for funny jokes made later by the government
clowns from Warren Circus or by the commercial clowns like
Bill O'Reilly. The inconspicuous firecracker operators have
been told to set off firecrackers before and after the limo
passes the sign Stemmons Freeway, around the moments
when Jackie shoots the dart and the bullet. Jackie is mentally
prepared for any such firecracker distractions around her.
False witnesses will sell the exploding firecrackers as
gunshot sounds, smokes, and flashes, by masquerading in
front of brainwashing machines like WFAA-TV in Dallas. Notice that all
firecracker sounds play major psychological roles in JFK assassination plan. Lots
of questions in Warren Commission testimonies are about them in order to implant
the idea of gunshots from outside the limo. The firecracker sounds are like menu
items to pick and choose from, in order to feed many different meals to dummies.
In other words, Warren Commission is just another brainwashing machine like
WFAA-TV, all spun by Parasitic Ethnic Group.
The distracters like Umbrella Man, Connally Choir, Red Lady, firecracker
operators, etc, have been told by some middlemen to come here and probably they
no clue what's the circus all about and they do not even know each other. They will
connect some dots later but they will keep their mouths shut. Some of the
distracters are members of Parasitic Ethnic Group, and they are born liars.
Command center and observation posts at Dealey Plaza
JFK killers set up their command and communication center (watchtower) in NW

turret of Old Red Courthouse (east side of Dealey Plaza). The movie JFK makes
extensive references to this watchtower. One of them is covered in the section He
put a hurt on me, but good (1:09), where I provide a satellite photo showing the
whole Dealey Plaza and all the turrets around Old Red Courthouse.
The movie JFK also suggests that there was an observation post on the 5th floor of
Terminal Annex building located at the SW corner of Houston and Commerce
Streets. Most probably, the goons were making pictures with powerful zoom
lenses. Terminal Annex provides good spots to make pictures of Jackie's dart and
bullet shots. However, it does not provide a good view at Elm Street under the
triple overpass to make pictures of Clint Hilll's bullet shots. NW turret provides a
better alternative, meeting decently both requirements.
Another indication that the upper floors of Old Red Courthouse were used by the
conspirators is Patsy Paschall film (youtube link). Patsy worked as a clerk in the
Old Red Courthouse. Reportedly, she made the film from third floor of NW turret.
Whoever made this film, was an amateur like Zapruder. All so called "casual
amateurs" were hired by JFK killers to film the whole show from Love Field
airport to Parkland Hospital so that legitimate films from legitimate amateur
bystanders could be confiscated without creating a suspicious lack of films and
photographs from the motorcade. Since JFK movie makes many references to the
last floors of Old Red Courthouse where "Patsy Paschall" made the film, it does
not take a pest control specialist to figure out that the place was infested with
cockroaches.
Camera operators at Dealey Plaza

In addition to distracters, there are also camera operators who make pictures for
JFK killers. Remember that the whole circus at Dealey Plaza is about making
pictures. Killing JFK in public is a big risk. Consequently, JFK killers want a big
benefit.
JFK killers want a whole range of pictures from basic ones made by amateur
cameras to high quality ones made by the most advanced cameras with zoom
lenses. JFK murder planners have planted a whole range of camera operators from
amateurs like Zapruder to professional cameramen. Zapruder film and flimsy
pictures like the one made by Mary Moorman will go public. The rest will go to
the hobby collections of JFK killers.
Some high quality cameras with zoom lenses are mounted behind several open
windows in the nearby buildings and on the overpass in front of JFK limo. The
only shooters there are shooting films and pictures, and not rifles with bullets.
Some of the camera operators are members of Parasitic Ethnic Group.
I bet there is also a camera mounted inside the limo to take pictures of JFK's head
exploding from a few feet away. One of the reasons for Connally's theatrics is to
provide a better view for the camera. After all, if JFK murder planners were smart
enough to use the best spot to shoot a gun, then they would be smart enough to use
the best spot to shoot a picture. It's like any Hollywood movie set with Lights,
Camera, Action!
False and useful-idiot witnesses at Dealey Plaza

JFK murder planners have planted false witnesses who will
deliberately give false or misleading testimonies to the
authorities and to the media. False witnesses are supposed to
place themselves at key locations of JFK murder plan and to
masquerade as witnesses later. JFK murder planners need the
false witnesses to parrot their scripts in front of their
brainwashing machines like the local station WFAA-TV. They
also planted useful-idiot witnesses who will unwittingly
provide misleading testimonies. They need both types of witnesses to crowd out
the legitimate witnesses who could provide clues what really happened.
An example of false witnesses is the duo of Jean Hill and Mary Moorman. Jean
Hill makes herself as conspicuous as possible by wearing a big red coat on sunny
day. Apparently, her red coat is intended to draw JFK's attention in order to make
him turn his head left. Mary Moorman makes herself as conspicuous as possible by
holding a big Polaroid camera. Immediately after JFK assassination, both standouts
will feed lies to unsuspecting viewers of WFAA-TV. Jean Hill has been instructed
to sell lies about multiple shots, about seeing President, and other nonsense. She
even enjoys her interview with smiles on her face (youtube video). Mary Moorman
has been instructed to parrot the same nonsense about multiple shots, being in line
of fire (youtube video). Mary is also supposed to make a flimsy Polaroid picture
that helps Jackie look good.
Reportedly, the area where Jean Hill and Mary Moorman are standing, is supposed
to be off-limits to civilians during JFK motorcade. If this is true then any civilian
standing there, is automatically suspect along with Dallas Police Department which
is supposed to guard this area.
An example of useful-idiot witnesses is Mary Woodward, a junior reporter of

Dallas Morning News. She has been set up by her superiors to write an article as
soon as possible for the next edition of Dallas Morning News, the same
brainwashing machine that has published incorrect map of JFK motorcade this
morning. Mary will write in her article "hit with first bullet", "there was another
shot and I saw the President start slumping", "followed by another shot". Her
bosses at Dallas Morning News need such references to implant the images of
bullets flying from outside the limo. Just to make sure the readers do not get the
wrong impression about Jackie, Mary writes "Jackie was wearing a beautiful pink
suit with beret to match". The movie JFK makes use of this beret.
One witness Cheryl McKinnon, standing next to Mary Woodward, does not say
anything publicly for 20 years, even though she is a journalism student. How is it
possible to fail to collect at least one legal testimony from a witness like her
standing about 20 feet away from JFKs brains blowing out? Cheryl McKinnon
disappears for 20 years, and finally in 1983 she publishes her article about JFK
assassination day with some vague references to some gunshots, full of
contradictions as if she wrote the article Under Pressure. She writes that she was in
the Plaza to write a story about her experiences in the Plaza. Apparently, it took her
20 years to figure out how to write it without writing too much.
The media used the same technique with false and useful-idiot witnesses on 9/11 to
implant the lies as early as possible. False witnesses require special lying skills
available only among members of Parasitic Ethnic Group.
Backup and overkill plans

Do JFK murder planners have a backup plan, if Jackie fails to do her job? Do they
have an overkill plan, even if Jackie succeeds to do her job?
Of course, JFK murder planners have a backup plan but it is really outside the
scope of this document. However, the second question is relevant because many
JFK assassination researchers are so addicted to secret snipers hiding around
Dealey Plaza that they want to have at least one sniper with at least one bullet,
hitting JFK to at least one part of his body, just in case Jackie's bullet has a factory
defect.
Unfortunately for the fans of snipers, JFK murder planners would never use snipers
in either type of plan. A sniper is out of either question as already explained. The
risks would be unlimited and the probability of success too small. A sniper would
automatically exclude a conspirator sitting in JFK limo. No conspirator would sit
there with prior knowledge. A conspirator sitting there without prior knowledge
would have to be killed right there with JFK or soon after. The truckloads loaded
with evidence of conspiracy of all five people sitting in JFK limo should be enough
to prove there are no snipers. There is no single shred of evidence of any snipers to
begin with, but truckloads of evidence of firecrackers. Just read the interviews and
testimonies of witnesses. Even the testimonies given to Warren Commission are
full of references to firecrackers. Stop chasing any snipers around Dealey Plaza.
You will find only firecrackers there! All websites spinning JFK snipers are run by
con artists, paid shills, or useful idiots. It is not a Hollywood movie.
My answer about snipers also answers the question about overkill plan and large
part of the question about backup plan. Now, let me briefly address the rest of
backup plan. If Jackie failed to do anything then JFK murder planners would make
it simple, probably by arranging a heart attack for him the same day. Assuming
Clint Hill is not mounted on the bumper, if Jackie messed up something then JFK
would be killed in the tunnel anyway. Probably, the killer would be John Connally,
especially after his theatrics are recorded on Zapruder film spinning him an alibi.
Probably, JFK would get a bullet to his heart instead of his head. JFK murder
planners would decide later whether Oswald or any other patsy would be blamed,
and which false witnesses would be used. The brainwashing machines like WFAA-
TV and Warren Commission would take care of the rest. The commercial clowns
like Bill O'Reilly would have to write different best-selling books.
4. Clint Hill as the Second Assassin of JFK

Jackie was the First Assassin of JFK. Her role was to create a show for Zapruder
camera and the public. JFK murder planners used medical experts, firearms
experts, Hollywood experts, to write a script for the best "war film" starred by an
experienced female assassin. The best experts came to the conclusion that JFK
could not be sufficiently terminated under such circumstances even by the best of
female assassins. They came up with a Hollywood idea to have JFK's head explode
with his red blood from jugular veins and arteries, mixed with thick yellow-white
smoke from burning White Phosphorus, and record it all on Zapruder film with
carefully chosen resolution. Then somebody else would split JFK's head open with
his brains blowing out, this time not on a public film. The public pictures would
show only the final results of splitting and blowing out. Their brainwashing
machines would merge it all into one event by hiding all the little details. That is
why JFK had to be treated with a higher caliber bullet, out of public view. And the
best place to do it was under the triple overpass.
The question arises why Jackie did not shoot JFK herself again under the triple
overpass. There are several reasons. The most important reason is that somebody
else had to hold JFK's upper body and to turn his head to the right so that the bullet
exiting JFK's head could hit the row of columns on the right side. Since it was not
practical to make Connally hold JFK, somebody else had to join the party, a
shooting hand strong enough for a higher caliber bullet. This means Jackie would
become a spotter by holding JFK for the shooter. Another reason is that Jackie
would be too agitated for the second shot after the first shot in public view. Also,
Jackie's female hand was not appropriate for a higher caliber bullet even with the
extensive experience under her garter belt. This brings us to the secretly serviced
Second Assassin of JFK.
Like Jackie, Clint Hill had to be a very experienced assassin. JFK assassination in
public was a big risk. The big risk had to be offset by big confidence in his skills.
Big confidence comes only from many prior assassinations. Notice that Clint Hill
was a Secret Service goon assigned to Jackie meaning both had a perfect excuse to
go together to Greece in order to rehearse their plan as a team. They worked
together during JFK assassination so well because they had spent so much time
together. This brings us to the question about so called Secret Service agents
protecting Presidents. Most of them are merely assassins on public payroll. They
protect only those who control the money supply, i.e. the central bankers.
NOTE: All Zapruder frames and their numbers used in this chapter come from the
DVD Image Of An Assassination.
Tunnel ambush set up by Dallas police
The three streets under the triple overpass are: Elm Street (north side), Main Street
(middle), and Commerce Street (south side). The streets are separated by rows of
concrete columns under the triple overpass. There are also two pedestrian tunnels,
one on each side.
Picture 1 shows Altgens 7 photo made about ten seconds before Clint Hill shot
JFK in the tunnel on Elm Street. It shows both assassins on the trunk. Jackie is
returning to her seat to raise JFK's upper body so that Hill can shoot in the back of
his head. Jackie acts as a spotter for the shooter Clint Hill.
In Zapruder film, Clint Hill is showing his hands like Jackie was showing her
hands for the same camera before her shot. It is all part of a magician's trick.
Altgens 7 photo corresponds to a Zapruder frame around 395. The right wheels of
the limo are crossing the line between middle and right lane. The lead car is
already in the middle lane. There are at least 10 people on the overpass. Do you
actually believe that not a single one of them saw Jackie's handbag next to JFK's
jaw? That is why almost all versions of this photo show those people cropped out.
Just a few seconds earlier, Altgens made another photo called Altgens 6 showing
infinitely better resolution. However, all versions of Altgens 7 photo have this poor
resolution. Clearly Dallas savages had too many of their goons on the overpass.
Altgens himself was a goon making photos for JFK killers.
Picture 2 shows McIntyre photo (colorized) made about 10 seconds after Clint Hill
shot JFK. The photo shows JFK limo after leaving the triple overpass. The Dealey
Plaza is on the other side of the overpass visible in the background. You can see
Main Street totally empty as part of the ambush set up by Dallas police.
Clint Hill is already inside the limo with his left foot on the floor and his right foot
mounted on top of the limo's right side (Foot-from-Hill). He has pushed JFK
inside after shooting him first. Hill keeps his head low so you cannot see him in
McIntyre photo. JFK limo is followed by three other cars. The lead car is riding
along the left side of JFK limo (your right side). The three cars that follow are: JFK
follow-up car, LBJ limo, and LBJ follow-up car. There are three motorcycle cops
leading and two motorcycle cops trailing (still under the overpass). Not counting
JFK, there are 29 people in five cars. Every single one of them knows very well
that Jackie and Clint Hill just killed the President. All Secret Service agents have
been handpicked for this job. Both Presidential aides Kenneth O'Donnell and
David Powers, sitting in the follow-up car, are rats stabbing JFK in the back. LBJ
and his Low Bred wife can't wait to run into the White House like two cockroaches
with their antennae sticking out.
Dallas police close Main Street under the triple overpass and the pedestrian tunnel
next to Elm Street. Police kept all people, except their goons, nowhere near the
spot where Clint Hill shot JFK.
Pictures 1 and 2 of the second set, have been cropped from google images. Picture
1 shows the tunnel on Elm Street from the east side where Dealey Plaza is. The red
arrow indicates the approximate spot where Hill killed JFK with his first shot. His
second shot missed. The spot is too dark to be seen from distance. Picture 2 shows
the view from Commerce Street under the tunnel. Elm Street is behind two rows of
concrete columns. Since the lead-car was driving on the left side of JFK limo, it
was not possible to see anything from Commerce Street.
Zapruder frames showing JFK limo and the lead car

Zapruder frame 439 is the first frame showing a part of the lead car, frame 462 is
the last one. This corresponds to about 1.3 second. I attach eight frames that show
progression of the lead between frames 439 and 462. In the last frame 462, I added
two pairs of vertical lines that correspond to the starting and ending positions of
the lead car (red lines) and JFK limo (green lines) during those 1.3 second.
The length of JFK limo as measured along its side (angle about 9) is about 90
pixels in frame 439, and about 60 pixels in frame 462, average about 75 pixels.
The distance at the same angle between the green vertical lines is about 210 pixels.
This means JFK limo made about 2.8 of its length, i.e. about 60 feet. This
translates into the speed of about 30 mph. This means the driver Greer accelerated
the limo from 8 mph to 30 mph in about seven seconds.
The distance at the same angle between the red vertical lines is about 70 pixels. At
this depth, the length of JFK limo is about 60 pixels. This means the lead car made
about 1.2 of the limo length, i.e. about 20 feet. This translates into the speed of
about 10 mph. In other words, while JFK limo accelerated, the lead car
decelerated.
Clearly, JFK limo slowed down as soon as it got out of the view of Zapruder
camera. Its speed under the overpass could be anywhere between 10 and 20 mph.
The tunnel is about 130 feet long. At 20 mph, it takes about 4.4 seconds to drive
through it. Enough to fire two bullets.
Frame 443 shows JFK limo in the right lane, close to the curb. In frame 462, the
wheels of the limo virtually touch the curb. This means Greer changed the lanes
from the middle lane to the right lane. Frame 439 shows that the lead car already in
the middle lane. Why would Greer fail to accelerate to a much higher speed? Why
would Clint Hill assume positions on the trunk unsafe for higher speeds, as
explained in the next section? Why would the lead car slow down to 10 mph in the
middle lane reserved for JFK limo. It is totally impossible to coordinate such
actions between two cars over the radio, within seven seconds, even if there was
any reason for such actions to begin with. This means it is all planned and
rehearsed ahead of time like all robotic movements made by Jackie. Greer steers
the limo into the rightmost side in the tunnel because this is the darkest place
providing the best cover for Clint Hill. The lead car is supposed to provide the
cover from the left side in case somebody manages to catch a glimpse between the
support columns. That is why Dallas savages chose the tunnel for their ambush.
They also closed the tunnel on Main Street, next to Elm Street.
Zapruder frames showing the shooter and his spotter
For this section, I cropped out 18 pictures from Zapruder frames between 372 and
473. This translates into about six seconds of real time. As already explained,
Jackie is on the trunk to make herself fully visible after her bullet shot. She wants
to show her fully extended arms, her hands with open palms placed flat on the
trunk, her front and her back, etc. Jackie was also showing her hands before her
bullet shot for the same reason. Clint Hill is doing the same by showing his fully
extended arms, by placing his hands on the trunk or on Jackie's arms, etc. This is
all part of magician's tricks called a show of hands. You are supposed to believe
these two are just two harmless souls who do not hide anything from you.
Frames 372, 384, 392, show the show of hands played by Jackie and Hill. Watch
JFK's upper body gradually leaning to the side, towards Jackie. Jackie knows that
White Phosphorus is still burning inside JFK's head and some sparks are still being
emitted through his right ear. Her suit is made of special thick fabric to protect her
from the sparks. However, she still wants to keep a safe distance. When in frame
392 JFK's head gets too close to her legs, she quickly moves them lower by
returning to her seat.
Frames 404, 421, 423, show Jackie getting ready to raise JFK's upper body. Frame
404 shows her using her left hand to grab his jacket around left shoulder in order to
move his head away from her. One second later in frame 421, Jackie is already in
her seat and raising JFK's upper body with her both hands. Notice the illogical
position assumed by Clint Hill. He keeps his right hand on the trunk next to the
rear seat and his behind raised over the trunk. All this when the limo is supposed to
accelerate and get out of this place as fast as possible. Hill knows that Greer will
not accelerate the limo above 30 mph and he feels comfortable in this unsafe
position. He is still doing his show of hands for Zapruder camera.
Picture 423 shows Jackie's head lower. Apparently, she is moving her behind
towards the left side of seat to make more room for herself because she wants to
keep safe distance from JFK's right ear emitting dangerous sparks.
Frames 430, 442, 443, show Jackie raising JFK's upper body. His head becomes
visible again, especially in frame 443. Jackie is trying to keep her own head low.
Besides she is sitting on the leftmost side of her seat, leaning low in order to push
JFK from below. Frame 442 shows Hill still in an unsafe position.
Frame 454 shows JFK's head and his shoulders clearly visible. It took Jackie about
three seconds to do it. Her behind is clearly visible in the left corner of the rear
seat. Why is Jackie's body aligned along the seat, taking the space away from JFK?
She is pushing him into the rightmost corner of the seat.
Frame 456 is the first frame clearly showing Hill in his shooting position. His right
knee is wedged behind the round fixture for spare tire. The next picture shows the
same fixture on JFK limo from a museum photo. Hill is using the fixture to provide
a stable foundation for his body when shooting JFK.
Frames 463, 464, 466, show Hill's left elbow bent enough to suggest that he does
not keep his left hand on the trunk lid handle anymore. Apparently, he is keeping
his left hand close to his revolver kept in holster on his right side. Just the fact
alone that he does not keep either of his hands on any of the grab handles on the
trunk lid, installed specifically for Secret Service agents, means that he is not
concerned about the limo accelerating. The limo is riding about 30 mph at this
point. But he knows that Greer will slow down soon to below 20 mph.
Frame 464 in extremely important. It shows JFK pushed into the right corner of his
seat, virtually pressed against the side wall, with his upper body in full upright
position, with his head turned toward right. Jackie uses her right hand to push
JFK's upper body and her left hand to turn his head. This is a perfect position for
Hill to use his left hand to shoot JFK in the upper right side of his head at point
blank range. The bullet exiting his head would hit the concrete support columns on
the right side of the tunnel.
Frame 468 shows Hill in his shooting position. Frame 469 shows Jackie's pillbox
hat low on the right side. Shouldn't Jackie be crying and grieving on her side of the
seat? What is JFK doing stuck in the corner with his head so high out in the open?
Frame 473 shows the left taillight on. This would imply that Greer is hitting the
breaks. The movie JFK uses the break lights turning on and brakes screeching as
an illustration of JFK's death.
Mark Bell film

F. M. Mark Bell was a mail carrier. He worked in the Terminal Annex building
on the south side of Dealey Plaza. The movie JFK uses the eyewitness J.C. Price
to show this building and to encode a message that there was an observation post
set up by JFK killers on its 5th floor. Notice that all key films about JFK
assassination that eventually became public, were made by people working in that
area, especially public employees. Zapruder's office was located next to Dealey
Plaza. His business was probably a front for CIA. This part of Dallas was
"Government District" full of spies and snitches. All the published stories about
those "amateur film makers" were basically the same, full of bombastic and Pay-
trio-tardic lines that the Parasites are known for.
The story is that Bell made this film during his lunch hour so that her sweet little
daughter could see it later. In reality, all such films were made to fill the void after
FBI goons confiscated legitimate films and photographs from legitimate
bystanders. Then the goons could sanitize their own films because the dummies
would know the difference. However, it is still possible to extract some info from
their own films. For this section, I selected nine relevant pictures cropped from the
film as included on DVD The Lost JFK Tapes. The Assassination. The film
shows JFK limo riding through the tunnel for about 4 seconds, i.e. about 20 mph.
Most probably, some frames have been deleted so the average speed was even
lower.
Picture 1 shows JFK limo approaching the tunnel in the right lane. The lead car is
already in the tunnel in the middle lane. Picture 2 shows part of the follow-up car.
Even though JFK limo is riding at about 30 mph, the follow-up car is behind about
two lengths of JFK limo, i.e. about 40 feet. When Jackie was shooting, the follow-
up car was bumper to bumper because the goons wanted to use their loud clunker
to drown out the sound of Jackie's gunshot. But now, there are no bystanders in the
tunnel. Instead, the noises to drown out Hill's gunshots are provided by loud train
whistles or horns orchestrated by the "patriotic" railroad workers who have nothing
better to do during their lunch. Notice that both pictures 2 and 3 show the taillights
on the lead car turned on. It seems like Dallas Police Chief in his cowboy boots
was driving too fast at 10 mph and he needs to slow down. Clearly, this is the spot
where JFK is about to be killed. In picture 3, the left taillight on JFK limo is also
turned on.
All three pictures 1 to 3 (second set of three pictures) show the taillights on the
lead car and JFK limo turned on. In pictures 2 and 3, the top of Hill's head is
visible above the sun visors. The two dots on both sides are made by two flags
mounted on each front fender of JFK limo. This means that Hill killed JFK in
picture 1. In pictures 2 and 3, he is pushing JFK on the seat, placing his left foot on
the floor, and then ducking.
Pictures 1 and 2 (third set of three pictures) shows the taillights still turned on. This
means Hill and Jackie are still pushing JFK around the seat and they need more
time before leaving the tunnel. They all practiced this together many times and act
like robots, i.e. the delay is short. Picture 3 shows the limo leaving the tunnel with
taillights turned off. The follow-up car is entering the tunnel whole JFK limo is
about the leave the tunnel, i.e. the distance is about 100 feet between them at this
point. LBJ limo is not visible yet whole the motorcycle cop is. This means that LBJ
limo and its follow-up car will now accelerate while the motorcycle cops slow
down because McIntyre photo made on the other side shows the trailing
motorcycle cops in the tunnel while LBJ limo and its follow-up car have left the
tunnel.
Firearm used by Clint Hill to shoot JFK
The movies The Godfather and JFK provide clues about the type of gun used by
Clint Hill. It was a revolver chambered for 0.38 Special, probably a snubnose. In
1963, this type of revolver was very popular. All revolvers retain the fired casings
in the cylinder until they are manually ejected. Pistols eject them and it would be
unwise to leave the casings behind. The goons had to collect the bullets later
anyway but the less they were looking for the better. In the lead car, there were two
Secret Service agents, Winston Lawson and Forrest Sorrels. Lawson was sitting on
the right front side. Sorrels was sitting on the right rear side. Why do you think
they were sitting on the right side? Their assigned task was to watch where Hill's
bullets are falling in the tunnel so they can could run back quickly and collect the
evidence. Sorrels himself was the Chief of Dallas Secret Service.
Another popular revolver was 357 magnum. However, 357 magnum is not
recommended for a hit up close because of its much bigger recoil which would
jeopardize the hit.
Another clue is the cover of book JFK Assassination Logic (2011) by John
McAdams. McAdams is a "Professor" at Marquette
University, with Pee Pee HD from Harvard University.
In his book, he teaches you how to create your own
JFK conspiracy theory so that Parasites do not have to
do it for you. Apparently, all sewers, storms drains,
grassy knolls, etc, around Dealey Plaza have been
thoroughly searched and they need more tips how to
make you chase your own tail. The most important
thing is this "book" is the cover. It shows snub-nosed
.38 special revolver, the same type used by Clint Hill.
Notice the disclaimer JACK RUBY'S REVOLVER
EVIDENCE, printed in big font. The book has little to
do with Jack Ruby. The revolver is on the cover not
because of Ruby but because of Clint Hill. This is how
cockroaches encode messages between themselves.
The disclaimer is on the book to mislead the public. John McAdams knows very
well all the real facts about JFK assassination with the rest of cockroaches infesting
our universities.
The movies The Godfather and JFK also provide clues about how Clint Hill shot
JFK. He fired two bullets with his left hand. He kept the revolver in his holster on
his right side. Officially, Clint Hill is right-handed. There are photos on the
Internet, showing him writing with his right hand. However, shooting a gun at
close range does not limit a person to use his dominant hand. Anybody can be a
sharpshooter to the back of a defenseless head from a few inches away, with either
hand, especially after extensive practice. Clint Hill got even a big medal for it.
American taxpayers paid for the big medal and then turned Clint Hill into a big
hero! All this because Americans keep their heads stuck inside the toilets called
TV sets fed by the networks of sewers infested by cockroaches who killed JFK.
The first bullet fired by Clint Hill killed JFK. Apparently, this bullet split open
JFK's head. The second bullet missed. All this information is encoded in both
movies, repeatedly. The chapters devoted to the moves provide all the details.
Sound suppression
Unlike Jackie, Clint Hill did not use any sound suppression. There were no
legitimate bystanders around. The sounds from his gunshots were drowned out by
loud whistles and horns made by trains, and motorcycle cops. Both movies The
Godfather and JFK make references to those trains and motorcycle cops. Contrary
to some claims, there were no trains on top of the overpass. The noises came from
trains located close to the overpass.
The three pictures have been cropped from Mark Bell film. They show the top of
overpass when JFK limo is entering the tunnel, it is in the middle of tunnel, and it
is leaving the tunnel. There are no trains during that time.
Brainwashing machines spinning Clint Hill as a hero
This is going to be an interesting section. The Parasites use every trick in the book
to turn JFK assassin into a hero.
Picture 1 shows none other than JFK's daughter Caroline and JFK assassin saying
Cheese! for the camera. Aren't they sweet? Apparently, the defective genes are
attracted to each other. I bet these two are about to whack somebody for their
masters. The smile on Caroline's face is very similar to Jada smile on Willie's face
during the agony party.
Picture 2 shows a presentation at Sixth Floor Museum in Dallas in November 2010.

From left: Lisa McCubbin, Clint Hill, Jerry Blaine, and Gary Mack. Sixth Floor
Museum is a scam set up by Dallas savages to cover up JFK assassination. Gary
Mack is their "Curator" which is a code word for Con Artist. Lisa McCubbin is a
ballerina hired by JFK killers to dance with Clint Hill in front of brainwashing
machines. She wrote books for Clint Hill and Jerry Blaine praising them as heroes.
JFK killers hired her to assassinate your thinking so that you cannot think straight.
Jerry Blaine is another Secret Service agent which is a code word for secret
assassin.
Picture 1 shows our Hollywood cockroach Clint Eastwood playing the role of
courageous Clint Hill on the movie In The Line Of Fire (1993). Clint Eastwood
knew very well that Clint Hill had whacked JFK when he was making the movie.
Parasites use genetically defective cockroaches like Eastwood to whitewash their
goons from Secret Service. Eastwood is an excellent example of the Hollywood
cockroaches feeding you their droppings and you love it!
Picture 2 shows Lisa McCubbin and Clint Hill standing next to a plaque naming a
street after Hill (shown in picture 3). At the end of this section I provide a zoomed
in picture of the plaque. This is Audacity of Hook Noses.
5. Top conspirators in JFK assassination

For this chapter, I selected the key conspirators covered by two major moves The
Godfather and JFK. Since Hollywood participated in JFK assassination and its
cover-up and it knows all the details, we better pay attention to their movies that
encode the real facts. The rest in their movies is just noise for dummies. Then I
added those who were sitting in LBJ limo, two follow-up cars, and the lead car,
because all of them were conspirators in JFK assassination. Jackie and Clint Hill
are covered in all other chapters.
The most important thing to realize about all the conspirators is that they are part
of group that are not really normal people. This group is about 10 of population.
They look normal. They sound normal. You know them only through the toilets
known as TV sets, radio, books, newspapers, etc. However, you do not really know
them. They are mentally deficient and not suitable to live among humans.
The next thing you should realize is that your false reality is created by
schizophrenia suffered by members of Parasitic Ethnic Group. The more you
watch their TV or movies, read their droppings called news or books, the more
detached you are from real reality. All conspirators in JFK assassination are
excellent liars in this type of false reality. Once you start using your brains, all of
them are not different from cockroaches you see in a dirty kitchen.
Nature gave powers to the cockroaches because Nature wanted humans to

cooperate by making them follow unnatural/artificial belief systems. The only way
to impose such systems was to create dumb cockroaches to sit on top and act smart
like Queen of England. Currently, Nature is dissolving those artificial belief system
by using the same cockroaches to overrun the societies with their cockroach
insanity. Once a critical mass is reached, a Big Bang! will take place and there will
be no more cockroaches!
Nature isolates the cockroaches into colonies like Washington DC, Wall Street,
Hollywood, etc, so that humans could find them quicker when the right time
comes. US Congress is only an illusion created by schizophrenia among members
of Parasitic Ethnic Group. The natural purpose of places like US Congress or
Supreme Court is to isolate the cockroaches and tag them for easy identification.
Secret owners of the Federal Reserve Systems (Central Bankers)
The secret owners of the Federal Reserve were the source of evil for JFK
assassination. They protect the biggest source of power which is the control of
money supply. Biologically speaking, they are mentally deficient by their own
inbreeding of deficient genes over thousands of years. They are not able to produce
anything of substance. Some of the examples are House of Windsor, Rothschilds,
Rockefellers, Medicis, Warburgs, Bushes, and many others totaling about ten
thousand top cockroaches. All are genetically related. All use the same time-tested
methods to control societies. They surround themselves with many worker
cockroaches with similar genetic characteristics. They pollute societies with their
defective genes. This is how the Federal Reserve System operates. Many
nincompoops scream about conspiracy when in fact the answers lie in biology. Did
anybody have a chance to look at this inbred cow masquerading as Queen of
England. There are absolutely no signs of any brains on this thing or any of her
hatchlings. This means the answers lie in your human psychology, hence biology.
In order to prepare for the next step, Nature is working hard to change your human
psychology. That is why a butt-ugly and brain-missing monkey is in the White
House so that you can finally open your eyes.
Technically speaking, there are twelve Federal Reserve Banks located in twelve
US cities. The most important one is the Federal Reserve Bank of New York,
located at 33 Liberty Street. All three movies reference this building, either by
showing it explicitly like in The Godfather or by showing other buildings with
similar features like wedge-shaped corners or grid-like walls. The movies use this
building to make two types of references. Firstly, they use it to illustrate the whole
Federal Reserve System. Secondly, they use it a proxy for the Chase Manhattan
Bank located just across Liberty Street. This bank is very important because its
Chairman from 1953 to 1960 was John J. McCloy, the hired Boss of JFK
assassination. This bank was also a major shareholder of Federal Reserve Bank of
New York, meaning it had a major control over the whole Federal Reserve System.
The Godfather also uses the address 61 Broadway in New York City in order to
get to this bank. Today the building across the street at 80 Broadway houses a
branch of Chase Bank. Apparently when the movie was made, the branch was
owned by Chase Manhattan Bank. This is another way to get to John J. McCloy.
Today, the old Chase Manhattan Bank and the new Chase Bank are part of
JPMorgan Chase. More in it in Well Known Slacker ad (1930) in The Spectrum.
One of the twelve Federal Reserve Banks is located in Dallas. It was brought to
Dallas in 1914 by George Bannerman Dealey, the same worm who brought his rag
Dallas Morning News and his mouthpiece WFAA, both instrumental during JFK
assassination. More in the section The Dealey Worm and his hatchlings. This
means that the secret owners of the Federal Reserve were directly plugged into
Dallas not only through one their twelve tentacles but also through the
brainwashing machines run by the Dealey worms and their hatchlings.
The Godfather uses several

characters to represent the Federal
Reserve: Moe Greene, Barzini,
Sollozzo, Don Cuneo. The character
Moe Greene plays the Washington
side of the Federal Reserve
controlling US Congress, US
Supreme Court, and the White
House. In 1963, the Chairman of the Federal Reserve System was William
McChesney Martin. Since I found some similarities in the facial features I attach
the pictures for both William Martin (picture 1) and Moe Greene (picture 2). The
Federal Reserve System itself (Federal Reserve Act of 1913) is killed as the
character Moe Greene. Notice that Moe Greene is killed by a shock to the lens of
his eyeglasses and not a bullet. The movie provides an audio sound of gunshot.
However, there is no hole in the shattered lens. All it takes to kill a cockroach is a
shock, i.e. your awareness of the cockroach. Moe Greene stands for More Green,
the color of Federal Reserve Notes, mistaken for US Dollars. The goal of the
owners of the Federal Reserve is to abolish the sovereignty of the US and to create
one world's government because it is easier to control societies through one central
government. However, it goes against the Laws of Nature and it will never work
because the underlying corruption caused by the Federal Reserve will corrode all
societies to the point that the old belief systems will just collapse. Without the old
belief systems, the hook noses are out of business. Just the fact alone that a butt-
ugly and brain-missing monkey jumped out of nowhere without a birth certificate
into the White House is the best proof of ultimate corruption!
The next character representing the Federal Reserve is Barzini. He actually plays
Allen Dulles and John J. McCloy. However, Dulles is mainly used as a proxy for
McCloy meaning that Barzini effectively plays McCloy. When the heads of "five
families" are killed, each head is killed with all other conspirators in JFK
assassination, meaning the conspirators are killed multiple times. However, each
head comes with different main role. When Barzini is killed, his main role is Allen
Dulles.
The next character representing the Federal Reserve is Sollozzo. His main role is
actually Onassis running the illegal drug business for the Federal Reserve. You
need to understand the main principle behind the world-wide illegal drug business.
The secret owners of the Federal Reserve print trillions of money for themselves
out of thin air in order to hold on to their power around the world. Otherwise, they
do not have any brains for anything else. By definition, the printed money creates
enormous inflation. The illegal drug business is designed to suck trillions of
printed money out of circulation in order to keep the visible inflation under the
control and let the scam go on. That is why your so called "public officials" in
Washington will not do anything to stop the illegal drug business except to
eliminate those in the business who compete with the Federal Reserve. Unless you
live in a cave, you should be aware that all so called "US Congressmen" do not
have any clues about the "laws" they are passing except what is the latest balance
in their off-shore bank accounts, and what script lines they have to learn in order to
feed crap to the dummies back home.
The next character representing the Federal Reserve is Don Cuneo. His main role
is to get killed as John J. McCloy as explained in the next section. In Italian, the
word cuneo means wedge which is a version of Triangle-as-theFed.
The movie JFK makes more extensive references to the Federal Reserve. It even
assigns the name Boss to refer to John J. McCloy as the top Boss of JFK
assassination. Other common methods are the use of All-Seeing-Eye (Eye-as-
theFed), triangle-shaped objects (Triangle-as-theFed), silver, financial topics, etc.
The movie A Shot In The Dark makes a more humorous reference to the Federal
Reserve when Maria says to Inspector Clouseau "Why do so many men smoke
afterwards? No wonder tobacco companies get rich!". The smoke refers to White
Phosphorus burning inside JFK's head. The tobacco companies refer to the Federal
Reserve banks getting rich by peddling their Federal Reserve notes (tobacco).
The Federal Reserve System and its owners were the source of evil for JFK
assassination. However, the movie JFK also brings up a System closely related to
the Federal Reserve System. This System is represented by the Council on Foreign
Relations (CFR), the biggest collection of genetic trash manipulated by the hook
noses from New York City and City of London. This is a symptom of corruption
making scum rise to the top. Pentagon is just an ugly version of Hollywood, both
run by the same hook noses. John J. McCloy was its Chairman of CFR from 1954
to 1970. The movie JFK uses the expression "society guy" to refer to McCloy as
the Chairman of CFR. The main goal of CFR is to abolish sovereignty of the
United States and create one-world government. That is why the movie JFK uses
the expression "out of place" to refer to McCloy, meaning that he worked against
the sovereignty of the United States. The goal of all real Americans should be to
throw out all members of CFR from US soil immediately! If they are dead then
their bones should be dug up and thrown out too! The headquarters of CFR is
located in The Harold Pratt House at 58 East 68th Street, also in New York City
next to the financial district. Many meetings of CFR are attended by Pentagon
generals and admirals. Ask yourself what this garbage from Pentagon is doing at
CFR. Isn't Pentagon supposed to protect the US Constitution meaning the
sovereignty of the United States? The reality is that most of the generals and
admirals inside Pentagon are faggots meaning they are mentally deficient. That is
why the hook noses from New York City and City of London could blow out one
side out of five sides of Pentagon on 9/11. On 9/11, all the faggots inside the
Pentagon knew about it ahead of time and all moved to the remaining four sides of
Pentagon to do their "preserving, protecting and defending of the Constitution of
the United States". The movie JFK refers to the Pentagon faggots as Homosexual
Underworld. The only reason the faggots got so high is because of the corruption
caused by the Federal Reserve System.
At the end of this section, I attach two pictures of some of the Pentagon faggots
attending CFR. The first picture shows Donald Rumsfeld laughing at you because
CFR faggots are pushing him from behind. He says "I really f**ked on 9/11". The
second picture shows two 4-Star Faggots. The Faggot on the left is James F. Amos,
the Commandant of the US Marine Corps. Reportedly, he opposed the repeal of the
"Don't ask, don't tell" policy meaning he loved closet faggots. Once the policy was
repealed, he fell in love with all faggots, closet or no closet. Apparently on 9/11, he
was inside a closet doing his "preserving, protecting and defending" faggots. In the
second picture, the Faggot on the right is 4-Star General Raymond Ordierno, Army
Chief Of Staff. Absolutely no sign of any brains on this ape. On 9/11, he was Ape
Suzette "preserving, protecting and defending" the hook noses as explained in the
section Ape Suzette cartoon (1966).
These three pieces of garbage have the time to attend the meetings at CFR working
24/7/365 against the United States while the pieces of garbage do not have the time
to attend the meetings of USS Liberty survivors or "to preserve, protect and defend
the Constitution of the United States". Instead, three pieces of garbage themselves
attack the United States on 9/11 and then they case a bunch of fleas on camels.
Look how many colorful rags both apes collected on their chests by chasing the
fleas.
John J. McCloy (Boss of JFK Assassination, Central Banker)
John J. McCloy was the hired Boss of JFK assassination. He was the Chairman of
Chase Manhattan Bank from 1953 to 1960, a bank controlling the Federal Reserve
System. That is why the central banking hook noses made him their public face.
Let's examine briefly the sewers where he crawled from. The brainwashing
machines sell him as "born very poor" and then rising to the top echelons of
American Establishment. This means that he was a freak of Nature, genetically
defective enough to match the mental defects hiding behind so called American
Establishment. Defective genes attract each other like cancer cells. This is
equivalent to the other "miracle child" called George Bannerman Dealey who
immigrated to Galveston, Texas. Miraculously by his "hard work and vision", he
brought the Federal Reserve and Dallas Morning News and WFAA-TV in Dallas,
all three instrumental in JFK assassination. His so called "hard work and vision"
were British inbreds who constantly were looking for worms like Dealey to expand
their influence across all continents, especially in the United States. The inbreds
perfected their selection processes and "career planning" for genetically defective
freaks like Dealey and McCloy, over thousands of years.
John J. McCloy was a special type of genetic trash. His nose was dipped in every
central banking scam possible, including the World Bank. He was also the
Chairman of the Council on Foreign Relations (CFR), a known herd of dangerous
mental defects. He also served as Assistant Secretary of War during World War II,
meaning he also dipped his nose in the Biggest Scam of the 20th Century.
Obviously, he was also one of seven Warren Criminals. On December 6, 1963,
LBJ presented McCloy with the Presidential Medal of Freedom, with Special
Distinction. Take a wild guess about the real reason for this "Special Distinction"!
That is why the current monkey in the White House came with the book titled
"Audacity of Hope" attached to his tail. All such audacities come from the same
genetically defective hook noses hiding in the sewers of New York City and City
of London.
Youtube has a video clip with Walter Cronkite (CBS) interviewing John J. McCloy
after Warren Report (youtube link). Watch this interview carefully with a much
open mind. Here, you have two cockroaches talking to each other and lying to you
through their teeth. McCloy was the Boss of JFK assassination. Walter Cronkite
was one of the top cover-up artists. Cronkite knew very well all the details, about
the who and the how. In spite of all that, both cockroaches talk as if about the
weather outside. This is all about biology and not conspiracy. Nature is telling you
that it is the time for you to separate humans like yourself from the cockroaches.
In The Godfather, the main character playing McCloy is Barzini who also plays
Allen Dulles. All movies treat Dulles as a proxy for McCloy. The character
Sollozzo is also used as a proxy for McCloy. In general, Sollozzo plays Onassis and
the illegal drug business run by the Federal Reserve and Chase Manhattan Bank.
Both Onassis and McCloy where short men, about 5'5". That is why the movie
JFK refers to McCloy as Napoleon and it shows a short waiter in so called
Napoleon's with a TV set. At the end of The Godfather, McCloy is killed as Don
Cuneo. In Italian, the word cuneo means wedge which is a version of Triangle-as-
theFed. Another character worth mentioning is Captain McCluskey whose name is
used to make reference to the name of John J. McCloy.
Pictures 1 to 3 show the character Don Cuneo playing the role of John J. McCloy
in The Godfather. Picture 1 shows him holding a glass of water in order to make a
reference to the expression "He must let us draw the water from the well", said by
Barzini. This is a version of Water-from-Washington, meaning the Federal
Reserve draws water from the water fountains in front of the White House, US
Supreme Court, and US Congress. In other words, the Fed controls them all. Don
Cuneo also makes a Hand-to-Throat meaning JFK ended up starring in Zapruder
film because he did not let the Fed to draw the water. Picture 2 shows Don Cuneo
smoking a long cigar that apparently stands for a long cigarette smoked by
McCloy. Picture 3 shows Don Cuneo in a revolving door at 61 Broadway in
financial district of New York City, a few blocks from the Federal Reserve Bank of
New York, located at 33 Liberty Street, and the main building of Chase Manhattan
Bank. Next to the revolving door, there is a sign Flower Shop. This is a reference
to Philadelphia Flower Show. Philadelphia is the birth place of John J. McCloy and
the location of the biggest flower shows in the world. One of the flowers is so
called Pink Rose that McCloy put on JFK's skull (PinkRose-as-JFK).
The movie JFK assigns the name Boss to John J. McCloy. Whenever a character
C1 calls another character C2 by the name Boss, C2 plays McCloy except when the
sound of Boss is used to illustrate the sound made by fired bullet. Several other
characters also play McCloy. The main clue about John J. McCloy is provided
through the movie character Jack Martin who says "One guy, I don't know, big,
white hair. I saw him come in the office once. He looked out of place, y'know, like
a society guy. I can't remember his name but Oswald was with him. He had
something to do with money because Banister never kissed anybody's ass but he
kissed his...". Once Jack realizes that the secret name is responsible for JFK
assassination, he immediately runs away scared. In this context, Jack plays JFK,
Oswald plays Jackie, Banister plays Allen Dulles, Shaw plays Curtis LeMay. The
big white hair is a code for big bald scalp on McCloy's head. The so called society
refers to the Council on Foreign Relations (CFR). McCloy was its Chairman from
1954 to 1970. The out of place refers to the goal of CFR to abolish sovereignty of
the United States and create one-world government. Another scene shows the
character Jim playing McCloy and entering his own office while feeling lost as if
out of place. This is a reference to all genetic garbage like McCloy calling
themselves Americans and out of place by being members of so called "society"

(CFR). All of them should be thrown out from US soil immediately! If they are
dead then their bones should be dug up and thrown out too! Allen Dulles and
McCloy were close together, both were about the same age born in 1893 and 1895
respectively. During the scene with Jack Martin, an unidentified man shows up
striking a pose similar to McCloy in an old photo made in Oval Office.
Another scene shows a short waiter with bald head in so called "Napoleon's with a
TV set". This waiter also strikes a pose similar to McCloy in an old photo made in
Oval Office. Yet another scene shows a recreated meeting in the financial district
of New York City, apparently inside the Federal Reserve Bank of New York at 33
Liberty Street in New York City, or Chase Manhattan Bank across the street.
During this meeting, two men strike poses similar to Allen Dulles and John
McCloy in a clip from old film included in the movie. The following set provides
pictures for quick reference. The chapter for decoding of the movie provides the
details.
Pictures 1 and 4 (second set of six pictures) refer to the scene about "Napoleon's
with a TV set" and they should be interpreted together. Picture 1 shows a short
waiter with bald head, the yellow arrow points to his head. Picture 4 has been
cropped from an old photo showing JFK signing some documents (Nuclear Test
Ban Treaty). John J. McCloy is in the picture, pointed to by yellow arrow.
Compare two bald heads in pictures 1 and 4. This is a clear reference to John J.
McCloy as so called Napoleon. There is a similar picture of McCloy standing next
to Warren Criminals giving the final copy of Warren Report to LBJ. McCloy was
the shortest among all Warren Criminals.
Pictures 2 and 5 refer to the scene from a horse racetrack during flashback to
Banister's office, and they should be interpreted together. Picture 2 shows an
unidentified man, the yellow arrow points to him. Banister (Dulles) kisses the ass
of this unidentified man. Banister's behavior suggests that his kissing refers to
Shaw's ass (LeMay), but this is only a diversion. Picture 5 has been cropped from
an old photo similar to picture 4, if not the same one. Notice that the movie makers
made the unidentified man stand and smile like McCloy because this old photo is
meant to act as a reference for this scene.
Pictures 3 and 6 refer to the scene about a meeting in the financial district, and they
should be interpreted together. Picture 3 shows the meeting, the right yellow arrow
points to a man playing McCloy, the left yellow arrow points to a man playing
Dulles. Picture 6 has been cropped from another scene where TV screen shows a
meeting of the actual Warren Criminals. The yellow arrows point to McCloy and
Dulles, the same orientation as in picture 3. This is a clue about the identities in
picture 3. When the movie shows picture 3, Mr. X is talking about the conspirators
in JFK assassination and he says "There are no compromising connections except
at the most secret point. But what's paramount is that it must succeed. No matter
how many die, how much it costs,...". The expression "the most secret point" refers
to the Federal Reserve System represented by McCloy and Dulles. The paramount
is a code for Triangle-as-theFed. The costs refer to the unlimited amount of
money printed by the Federal Reserve out of thin air resulting in enormous
corruption of societies. It's a matter of time before the corruption corrodes the
bones and then the Big Bang will take place! Better stock up on lots of guns and
ammo. The audacities like McCloy coming from the hook noses will not last for
long.
Curtis E. LeMay (4-Star General of US Air Force)
All three Hollywood movies decoded for this document make references to Curtis
E. LeMay, US Air Force 4-Star General. This section only covers the facts relevant
to the movies and this document. Internet has plenty of info about him. If John J.
McCloy was the acting source of evil, Curtis LeMay was the acting source of
dementia for JFK assassination.
The movie A Shot In The Dark uses mainly the character of Chief Inspector
Dreyfus to play LeMay. In The Godfather, several characters play Curtis LeMay.
However, LeMay dies as the character Don Stracci, killed by Clemenza with a
shotgun in an elevator. In Italian, stracci means rags which is a reference to the

military service ribbons on LeMay's chest. In the movie JFK, several characters
play Curtis LeMay. The movie even assigns the name Garrison to refer to Curtis
LeMay because a garrison is a group of military troops. The character Clay
Bertrand/Shaw is the main character playing LeMay even though Clay
Bertrand/Shaw plays other roles and other characters also play LeMay. The movie
often uses the name Cubans for JFK killers. Curtis LeMay liked to celebrate his
victories by smoking Cuban cigars, hence the name Cubans. The movie JFK
suggests that LeMay got paid $1,000,000 for his role in JFK assassination, exactly
like Jackie. The movie encodes this as "million years" during the "prison" scene
with Willie O'Keefe. During the scene at Bethesda Naval Hospital, one movie
character says clearly "Looks like half his brain is gone" which refers to Curtis
LeMay if you pay any attention to the movie.
LeMay got his influence during WW2 which was the Greatest Scam of 20th
century, designed by Parasitic Ethnic Group. Like any big scam, WW2 created an
army of big frauds like LeMay or Eisenhower. Any objective court of law would
send both LeMay and Eisenhower to a firing squad just for their roles in WW2
alone. Parasitic Ethnic Group turned LeMay and Eisenhower into the big heroes
like it turned Oswald and Hitler into the big villains, while turning themselves into
the big victims with their Holly Hoax.
Picture 1 shows real LeMay smoking his big cigar which earned him the nickname
"Big Cigar". Notice the service ribbons on his chest, they are called stracci.
Pictures 2 to 4 show Chief Inspector Dreyfus playing the role of LeMay in the
comedy A Shot In The Dark (1964), one of Pink Panther series. In picture 4,
Dreyfus is barging in into Camp Sunshine. Two French uniform cops provide him
cover like the saluting suckers in US military. Notice the big white bandage around
Dreyfus's thumb, as big as LeMay's cigar. Dreyfus cut his thumb off with a
guillotine cigar cutter.
Pictures 1 and 2 (second set of four pictures) show Don Stracci playing the role of
LeMay in The Godfather. Don Stracci is played by a midget smoking a cigar.
Stracci in Italian means rags which is a reference to LeMay's service ribbons
shown in picture 1 of the previous set of pictures.
Picture 3 is from the movie JFK. It shows a man holding a small package with his
both hands. This particular scene illustrates JFK assassination on Elm Street in
Dealey Plaza under the disguise of a restaurant in New Orleans. Compare this man
to the man holding a wooden box of cigars in The Godfather, as shown in picture
4. The box of cigars is meant for Don Stracci who represents LeMay.
Earl Warren (Chief Justice of US Supreme Court)

If John J. McCloy was the acting source of evil, Earl Warren was the acting source
of cover-up for JFK assassination. All three Hollywood movies decoded for this
document make references to Warren. However, the movie JFK trashes him every
single second. After all, Warren's name is on the Warren Circus as the top clown.
The movie JFK assigns the name Chief to refer to Earl Warren. Many characters
play Warren but Jim Garrison is the most frequent. However, the best character
playing Warren is Clay Shaw because of one scene where he plays both Warren
and LeMay talking to each other at the same time, covered in the section Off the
record quiet chat between gentlemen (1:27). During this scene, Shaw's left side
called Jenkins plays Warren, and his right side called Frankie plays LeMay. The
name Jenkins refers to Florence Foster Jenkins (18681944) who was an American
amateur operatic soprano, widely ridiculed for her lack of singing talent. Youtube
adds a taste of her competence in this video clip (youtube link). In other words, the
famous soprano Jenkins symbolizes the famous Soprano (Supreme Justice) Earl
Warren, a soprano buzzard wasting our oxygen from 1891 to 1974. On the other
hand, the name Frankie refers to "Big Cigar", the main nickname used for Curtis
LeMay. Another scene actually adds mustard to Frankie during Jackie's
Congressional testimony to Warren (Jenkins).
The movie JFK provides more descriptions of Warren when one character
describes him as "He was a weird looking guy, he had these eyebrows, this guy
looked like a buzzard". The movie would not be complete without using Warren to
shoot his Magic Bullet like a buzzard perched on top of Texas School Book
Depository. The movie illustrates Warren's cover-up of JFK assassination when
Jenkins (Warren) keeps pushing the handle on spin ashtray making a loud noise for
several seconds.
The movie JFK uses many illustrations for Warren or the joint called US Supreme
Court. One of them is so called Shirley Temple which stands for Serious Temple.
Recall the movie Airplane! (1980), famous for the lines "Surely, you can't be
serious" and the response "I am serious. And don't call me Shirley" (youtube link).
Another illustration is when Jim (Warren) sits on a toilet dumping paranoid
garbage into the water fountain on one side of the oval plaza in front of US
Supreme Court, while a bald homo (Jackie) does the same thing into the water
fountain on the other side of the same oval plaza. The latter is covered in the
section There is no butt in a military situation (2:30).
The legal system in the United States has to be put into the context of Nature. Its
legal system is an illusion. It is as fake as all unnatural belief systems followed by
humans for centuries. Nature corrupts the belief systems on purpose in order to get
rid of them. That is why literal monkeys and inbred homos are jumping on the
corruption like cockroaches in a dirty kitchen. Did anybody have a chance to look
at the inbred or monkey faces inside US Supreme Court? There are absolutely no
signs of any brains on their faces! The colony of lawyers is just another pile of dirt
like Wall Street or any other colony created by Nature to tag the cockroaches for
easy identification.
Allen W. Dulles (Director of the CIA)
If John J. McCloy was the acting source of JFK assassination, Allen Dulles was its
acting enforcer and organizer. All three Hollywood movies decoded for this
document make references to Dulles. However, keep in mind that Allen Dulles is
mainly used as a proxy for McCloy. The movie JFK uses the term "transient
official" to allude to this use of proxy. The Godfather uses the term "buffer".
Recall Cicci saying "Oh yeah, a buffer. The family had a lot of buffers!".
The movie A Shot In The Dark uses several characters to play Allen Dulles. One
of them is a desk clerk smoking a pipe in so called Camp Sunshine. When
Clouseau asks the desk clerk "Have you been swimming?", meaning whether he
was a wetboy in JFK assassination, the desk clerk confirms with a big smile on his
face "Yes! How did you know?". Clouseau replies with no smile on his face "It's my
business to know!". Clouseau was smarter than most Americans.
The Godfather also uses several characters to play Allen Dulles. The main
character playing Dulles is Don Barzini. The name came from Luigi Barzini, a
widely known writer and journalist in Italy. When Mario Puzo was selecting
character names for his book The Godfather, he wanted to use a known Italian
smoking a pipe like Dulles. Also, Barzini is a Northern Italian family name like
Dulles is from the Northeast establishment of the US.
Picture 1 shows Allen Dulles in an old film included in the movie JFK. The movie
included clips from several old films needed to interpret The Godfather. Picture 2
shows Luigi Barzini, cropped from a photo made in 1967.
In The Godfather, Barzini is the main figure organizing the hits on several
characters playing the role of JFK himself, and JFK's father who suffered a stroke
in 1961. The movie also suggests that Jackie had something to do with the stroke.
The movie JFK also uses several characters to play Allen Dulles. Among other
things, the movie uses Dulles' pipe (Finger-as-Dulles) to get to Dulles. The most
frequent character playing Dulles is Jim. In one scene, Jim refers to the official
CIA Director John McCone as "everyday bustle in the office" meaning that during
JFK assassination the real CIA Director was Allen Dulles as everyday hustle in the
office. In another scene, Ferrie says as Jackie "Cocksucking faggot. He got me by
the balls. Photographs, compromising stuff. He'll use them, too. Agency plays for
keeps". The cocksucking faggot is Allen Dulles sucking on his pipe. Apparently,
CIA (Agency) made photos of Jackie in sexually explicit poses and blackmailed
her. One important scene links Allen Dulles to the Federal Reserve when his look-
alike smoking a pipe meets with bankers inside a building that appears to be the
Federal Reserve Bank of New York at 33 Liberty Street in New York City. This is
a signal that CIA is just an enforcement arm for the Fed. CIA has nothing to do
with protecting US national interests. Its sole role is to assassinate the enemies of
the central banking hook noses. Like all Directors of CIA, Allen Dulles was just an
ape dumb enough to chase Communists around the world while the ape was
actually working for the top Communists.
Edward G. Lansdale (2-Star General of US Air Force)
This document uses the generic term JFK murder planners to describe the goons
who made many idiots useful for the central bankers trying to get rid of JFK before
he could get rid of the central bankers. The main planner of JFK assassination was
Edward Geary Lansdale, a Major Queer masquerading as a major general in US
Air Force. The demented Curtis LeMay was his boss in the US Air Force.
In The Godfather, several characters play Edward Lansdale. However, Lansdale

dies as Victor as part of so called Stracci. The character Vito (Godfather)
introduces him as part of Victor Stracci where he pronounces Stracci with English
key, meaning Victor and Stracci are two separate persons. Later Michael refers to
them both as simply Stracci with Italian pronunciation. In Italian, stracci means
rags which is a reference to the military service ribbons on Lansdale. Clemenza
kills them both with a double barrel shotgun in order to make a reference to
RailroadTracks-as-Lansdale. The movie JFK also frequently presents LeMay and
Lansdale as one pair. The character Shaw/Bertrand is frequently described as
having so called limp. The limp is a code for stoop. The stoop refers to Lansdale as
explained in the chapter for decoding of the movie.
Picture 1 shows Victor during the meeting of "five families". The long cigar is a
Cigarette-in-Lansdale. Picture 2 shows Victor during Godfather funeral. Picture 3
shows Victor behind Don Stracci, in the elevator on 5th floor meaning inside
Pentagon (five floors). Clemenza actually climbs there on the spiral staircase inside
US Supreme Court (Stairs-as-SupremeCourt) meaning Clemenza delivers the real
Justice on behalf of the real US Supreme Court, and not the genetic trash called
Warren. In picture 3, the open lips making an "O" sign play the role of "Big Cigar"
stuck in LeMay's mouth, less the cigar of course.
In the movie JFK, several characters play Edward Lansdale. The main character
playing Lansdale is Mr. X disguised as Mr. Y. However, Mr. Y actually plays Curtis
LeMay. The name Mr. X came from several things as explained elsewhere, but
here I want to point to one reason that is painted on Elm Street. The spot where
JFK was assassinated is marked with the big white letter X painted on the road
surface. Mr. X painted this X. That is why I use the name X Party for the 50th
Anniversary in Dallas arranged by Dallas savages under heavy security. But there
is also another spot on Elm Street under the triple overpass, where the white letter
Y is missing on the road surface. I bet the Dallas savages will have another Y Party
there with the cockroaches Ruth Altshuler and David McCullough screaming
"Very Dignified".
Another character playing Lansdale is Willie O'Keefe. Frequently, he plays both

Lansdale and Jackie at the same time. Clearly, the movie makers made him look
like the actual Lansdale as the next set of pictures shows.
Pictures 1 to 3 (second set of six pictures) show the most common photos of
Lansdale found on the Internet. Picture 1 is the most important because of the
cigarette hanging from the corner of his mouth. The key features are the long
length of the smoldering cigarette, and the side of his mouth. This document calls
this Cigarette-in-Lansdale. Both movies The Godfather and JFK use several
characters to display this gesture in order to make a reference to Lansdale.
Pictures 4 and 5 show the character Willie O'Keefe playing the role of Lansdale in
the movie JFK. The movie actually shows the cigarette on the other side of
Willie's mouth as a diversion. The movie flips the frames horizontally on purpose
as explained in the chapter devoted to the movie. The character Willie O'Keefe
makes references to Lansdale as a queer in "Homosexual Underworld" which is a
code for Military Industrial Complex.
Picture 6 shows the character "Mr. Y" playing the role of Lansdale in the movie
JFK. However, "Mr. Y" is actually Mr. X, a version of flipping used extensively in
the movie. The actual Mr. Y is Curtis LeMay. "Mr. Y" makes direct references to
Lansdale as a general responsible for planning of JFK assassination.
Note that Lansdale's book In The Midst of Wars first appeared in February 1972.
The Godfather was released in March 1972. What a coincidence? Lansdale
suddenly came out in the open with a book about his big "secrets", just one month
before a major movie comes out with a big dirt about him! Quite a big step for a
big secret queer from assassinations and smuggling drugs to writing books about
his own virtues! This means that the propaganda machines run by JFK killers
started brainwashing the public ahead of time. JFK killers knew what's going on
behind The Godfather. Their mouthpieces and ghost writers went into overdrive
by extolling the virtues of this POS called Edward Lansdale.
Officially, Edward Lansdale is connected to JFK assassination by the books by

Leroy Fletcher Prouty who served with Lansdale in Pentagon. The movie JFK
presents Prouty as "Mr. X" even though under the surface Mr. X plays Lansdale. I
went through some of the publicly available work by Prouty, like his books,
articles, or interviews. I selected some relevant sentences from Prouty's work about
Edward Lansdale:
"Lansdale was a master writer and planner. I am certain that he was behind
the elaborate plan [JFK assassination plan] and mostly the intricate and
enduring cover-up"
"I am positive that he [Lansdale] got collateral orders to manage the Dallas
event under the guise of getting Castro"
"I knew Ed [Lansdale] well enough and long enough to know that he was a
classic chameleon. He would tell the truth sparingly and he would fabricate
a lot"
"I have heard him [Lansdale] brag about capturing random Vietnamese and
putting them in a Helicopter. Then they would work on them to make them
"confess" to being Viet Minh. When they would not, they would toss them out
of the chopper, one after the other, until the last ones talked. This was Ed's
idea of fun"
Lansdale Helicopter fun is the reason for his body buried at Arlington National
Cemetery which a place where the goons from the District of Criminals hide the
official dead bodies of their comrades. They do not want them to be desecrated for
the crimes they committed before they stopped wasting our oxygen. That is why
the official copy of Jackie is buried there. That is why the official copy of Clint
Hill will be buried there. And the useful idiots will protect them and even salute
them.
Henry Wade (Dallas County District Attorney)
Henry Wade was Dallas County District Attorney. As an elected official like
Mayor of Dallas, he was responsible for turning Dallas law enforcement into a
Texas-size Joke. The movies The Godfather and JFK present Wade very close to
John Connally and LBJ. Reportedly, Wade and Connally were college roommates
attending the same Law School. As a result, Wade was the top man in Dallas for
JFK killers. In other words, he was the top Dallas enforcer of JFK assassination.
Dallas savages turned him into a champion of Law. Youtube carries a video clip
from the original press conference with Henry Wade from November 24, 1963
(youtube link). Even though this queer had his office about 500 feet from Texas
School Book Depository, he calls it a bookstore. The queer also is getting lost
around "windows" and "boxes". Apparently, the Law School at UT Austin was
cranking out lots of queers very qualified for legal profession in Texas. Imagine
that Texas Lawyer magazine named Henry Wade as one of the 102 most influential
lawyers of the twentieth century.
In The Godfather, Henry Wade is

played by the character Wolz.
Picture 1 shows the real Henry
Wade in a clip from old film
included in the movie JFK.
Picture 2 has been cropped from
The Godfather where Wolz is
having a dinner with Hagen.
Notice that the movie makers tried
to position his head to match Wade's head in picture 1. That is why the movie JFK
included this clip. However, Wolz also represents the rest of Dallas mob like Earle
Cabell, Bill Decker, Jesse Curry, etc. The Godfather calls Wade and Cabell
"$600,000 on four hooves" meaning Wade is one pair and Cabell is the other pair.
Apparently, this is how much they got for their roles in JFK assassination.
In the movie JFK, Wade plays one of the biggest roles. The movie even assigns
the name District Attorney to Henry Wade. The main character Jim frequently
plays Wade. Another character playing Wade is Dave Ferrie who makes a
reference to Wade's stint as an FBI agent by saying "All I wanted in the world was
to be a Catholic priest, live in a monastery, pray, serve God. I had one terrible
f...ing weakness. And they defrocked me" (movie time 1:42).
LBJ (Vice-President of the US)
All three movies make extensive references to LBJ. The most common symbol to
get to him is a Finger-as-LBJ. The next one is a PhoneCall-as-Jackie&LBJ. His
role was to lure JFK to Texas, and then play dumb. During Dallas motorcade, his
role was to get dirty by watching JFK assassination in front of his hook nose. His
wife had even a bigger hook on her nose. As a reward, both hook noses moved into
the White House. LBJ was also the front man for the cover-up of USS Liberty
Massacre on June 8, 1967. The references chapter includes photos showing LBJ's
finger behind the Massacre. The late Dr. William Pierce explains LBJ's role in
audio recorded in 1997 (youtube clip).
In the movie A Shot In The Dark, several characters play LBJ. The most common
is Commissioner Dreyfus who once stabs himself with a letter opener. The letter
opener refers to Jackie's letters sent to LBJ after JFK assassination. Reportedly,
LBJ did not even care to open the letters, apparently because he stabbed himself
with a letter opener.
In The Godfather, several characters

play LBJ. Initially, the main character
playing LBJ is Hagen. Then Tessio takes
over as the main character playing LBJ.
This means that LBJ dies as the character
Tessio. Recall when Tessio is taken away
for his final ride, he says to Hagen "Tom,
Can you get me off the hook? For Ol'
Times' sake" (youtube link), meaning both play the clones of LBJ but at different
times. Tessio makes arrangements for Michael to meet his killers on Tessio's
territory. However at that point, Michael plays another JFK who goes back in time
as a much smarter man. Michael also makes sure that Connally gets his radius bone
fixed while LBJ gets his nose unhooked, permanently!
The movie JFK does not assign a major role to LBJ. Many characters play LBJ
often but nothing major like Henry Wade. Connally is a bigger player than LBJ.
LBJ plays the most prominent role during the court room trial at the end of movie.
During the closing arguments, Jim plays mostly LBJ because he makes a Finger-
as-LBJ quite often. When he talks to the reporters outside the courtroom he also
plays mostly LBJ.
John Connally (Governor of Texas) and his wife Nellie
All three movies make extensive references to John

Connally. Each movie also makes references to Nellie.
The most common symbol to get to him is a Forearm-
as-Connally. If you want to see some good football or
soccer or baseball games then watch the three movies.
Connally's radius bone is kicked around and thrown
around with no ending in sight. The attached picture
shows Connally, his conning wife Nellie, and his
fractured radius bone. The picture has been cropped
from a photo made in 1964 during his "recuperation"
from fracturing. Johnny is also a target through his
shirt and his nipple documented in detail in Warren
Report. Imagine that Johnny's shirt is now kept in
Texas State Library and Archives in Austin, TX. However, Texas was negligent in
its duties by failing to archive Connally's nipple. Another target is Connally's 10-
gallon cowboy hat, apparently used as a signalling tool during JFK assassination.
Tricky Johnny was using his hat to send signals to Jackie and other conspirators
around Dealey Plaza.
In the movie A Shot In The Dark, several characters play Connally while kicking
his bone around. Here, I want to point to one scene in so called Camp Sunshine
where Johnny and Nellie, both naked, play a big beach ball like the Magic Bullet
from Warren Report. In The Godfather, also several characters play Connally. One
of them is Hagen during his meeting with Wolz (Henry Wade) in Wolz's mansion
(Old Red Courthouse). Another character is a "negotiator", only mentioned by
Clemenza when he says "He [negotiator] is over at my place playing pinochle with
a couple of my men. He's happy. They're letting him win". Connally is happy
because naive public is letting him win. The movie JFK reminds about the
pinochle game when Jim says "He [Connally] hit the deck". However, the main
character playing Johnny is Carlo. One section explains how Santino fractures
Connally's radius bone on Carlo. Carlo dies with his foot sticking out after Michael
says "I'm putting you on a plane to Vegas". Michael also says "That little farce you
played with my sister" and "Only don't tell me you're innocent because it insults
my intelligence". Obviously, Michael's sister is Connie who plays Nellie, a conning
artist, hence Connie. Whatever Johnny and Nellie ever said about JFK
assassination should insult anybody's intelligence. The Vegas is a reference to John
Connally becoming the US Secretary of The Treasury in 1971, thanks to the hook
noses in New York City.
In the movie JFK, also several characters play Connally. Conning Nellie is there
too. This movie is the one that makes extensive references to Connally's hat as a
signalling tool. Among other things, Connally's radius bone is used as chicken
lunch for Bonnie Ray Williams during his lunch break on the 6th floor of Texas
School Book Depository. His bottle of Dr. Pepper is Connally's world-renowned
surgeon, Dr. Robert Shaw making the chicken bone taste so good!
Aristotle S. Onassis (Greek shipping)

Onassis was a typical elite Parasite. His role in JFK assassination seems to be
related to impressing Jackie with his luxurious lifestyle. Apparently, Jackie needed
more than the paltry $1,000,000 she got upfront for JFK assassination. Also, his
illegal drug operations around the world, under the cover of his shipping business,
played a big role. After all, all those big generals and admirals in Pentagon have to
be paid off and the money has to come from somewhere. Until this day the faggots
cannot find Yummy Rummy who terrorized them from behind on 9/11 on behalf the
same hook noses who ordered JFK assassination (youtube link). So called "covert
operations" run by Edward Lansdale in Southeast Asia probably were connected to
the "shipping business" run by Onassis.
The movie A Shot In The Dark appears to make a reference to Onassis through a
"camp attendant" named Turk. The Godfather also uses Turk for Sollozzo playing
Onassis who was a Turk. Jackie received the training for her turkey shoot when she
visited the Turk one month before JFK assassination.
The Godfather uses the character of

Sollozzo to represent Onassis. Picture 2
shows Sollozzo. Onassis was a Turk, he
was born in West Turkey. That is why
Hagen introduces Sollozzo as "The Turk.
He has fields in Turkey where they grow
the poppy" and "top narcotics man".
Notice the name similarity between
Sollozzo and Onassis. One has double 'z'
and the other has double 's'. The scene
between Godfather and Sollozzo is very
interesting if you know how to decode it
by filtering out the meaningless noise meant only for dummies. Officially, the
meeting is about a narcotics deal. The real topic is about the contract to assassinate
JFK.
In the movie JFK, Onassis is played by the husband of Julia Ann Mercer. He just
sits quietly and says nothing. The room where they sit, plays the role of Onassis'
yacht. The windows around the room suggest a panoramic view like on bridge
(topmost level) of a yacht. Another reference to Onassis is made through so called
"special camp outside Athens, Greece" mentioned by Mr. X. This is a reference to
Onassis' privately owned island, Skorpios, about 200 miles outside Athens, Greece.
This is where Jackie and Clint Hill had their "boot camp" (special camp) one
month before JFK assassination. I bet the faggots in Pentagon cannot find this
island on map. They wait for another terrorist attack from behind by Yummy
Rummy.
Earle Cabell (Mayor of Dallas)

Earle Cabell was the Mayor of Dallas during JFK assassination. Dallas Police
Chief Jesse Curry reported to Cabell. This means Cabell controlled Dallas Police
Department. Earle Cabell and Henry Wade were the acting enforcers of JFK
assassination. Earle Cabell is the brother of Charles Cabell who used to be Deputy
Director of CIA before he was fired by JFK in 1962. Both brothers were useful
idiots for the most powerful faction of Parasitic Ethnic Group. One idiot was trying
to kill JFK and the other idiot was trying to kill Castro (youtube clip). The only
problem for the idiots is that their real masters want Castro alive so Charles keeps
trying to kill Castro forever.....
Quite likely, Cabell brothers have something to do with the posters "JFK Wanted
For Treason" distributed on the streets of Dallas before JFK assassination. The
posters are a part of psych-op campaign to associate JFK with communists and
JFK killers with anti-communists. In reality, JFK killers are central bankers known
to support communism around the world. Like all members of Parasitic Ethnic
Group, central bankers love to project their crimes on their enemies like anti-
communists. They always manage to find useful idiots or lap dogs like Cabell
brothers to do the dirty work for them. Also, remember that Earle's wife handed the
red roses to Jackie at the airport. Basically, the red roses were a murder tool. After
his participation in JFK assassination, during his interview on the same day, Earle
is anxious to blame a "maniac". He rants about everything except saying even one
good word about JFK (youtube video).
The Godfather uses the character

of Philip Tattaglia to represent
Earle Cabell. Tattaglia is a
Southern Italian family name like
Cabell was from Southern
establishment in the US, exactly
like Texas. Both names Tattaglia
and Cabell include similar double
letters, the only difference is the stroke over the letter l which turns it into a cross.
Two crosses stand for two dead Tattaglias, Philip and Bruno, killed in the book and
the movie. Philip stands for Earle Cabell while Bruno stands for Charles Cabell. In
the book and the movie, they are father and son who represent Cabell brothers.
Bruno is killed like Charles was fired by JFK. Picture 1 shows Earle Cabell in an
old film included in the movie JFK. Picture 2 shows Philip Tattaglia.
In addition to Earle Cabell, Philip Tattaglia represents all other top conspirators
from Dallas like Henry Wade, Bill Decker, and Jesse Curry, especially when he is
killed. He dies with his bed partner, both killed by Rocco and another gunman
playing the roles of two "studs" from Wolz's stable. Rocco kicks open the door like
the prized racing horse Khartoum (Kennedy) from Wolz's stable. In the movie,
Brooklyn stands mainly for Dallas.
The movie JFK makes several references to Earle Cabell. The character Mr. X
refers to Cabell explicitly when he says "They [JFK killers] have the mayor and
the cops in their pocket". Another scene refers to him implicitly when one
character says "an auto mechanic with dirty fingernails".
In the movie JFK, some scenes make a good use of otherwise worthless head on
Earle Cabell. One scene shows his mugshot with a hanging noose around his neck.
Clearly, the noose is not a defect and it was added by the movie makers to illustrate
how to deal with the mental defect inside the noose. Another scene shows a
musician blowing into a sousaphone with big bell playing the role of the head on
Earle Cabell.
Jesse E. Curry (Dallas Police Chief)

Jesse Curry was Dallas Police Chief working for the corrupt Mayor of Dallas. He
was driving the lead car next to JFK limo in order to provide a cover from the left
side and a platform for two Secret Service agents assigned to collect two bullets
fired by Clint Hill. One agent was watching one bullet, and the other agent was
watching the other bullet. Then they radioed their goons waiting to collect the
bullets as crucial evidence. Dallas cops where guarding the tunnel in the meantime.
Jesse Curry is also known as Chief Inspector Clouseau of Dallas. The famous
Chief made himself immediately available to the media and the public, reporting
Unidentified Flying Bullets that had just landed on Dealey Plaza. He quickly
identified the bullets as Oswald Flying Bullets (youtube clips: part1, part2, part3).
He is also a "Chief of Truth" (youtube clip).
The Godfather makes a reference to Jesse

Curry in the scene at Louis' restaurant. The
white coat on the bald waiter standing next to
Sollozzo, represents the white Ford sedan
driven by Jesse Curry. Jesse Curry's head
(picture 1) was bald like the waiter's head in
picture 2. The movie JFK makes frequent
references to the white Ford sedan driven by
Jesse Curry. One scene shows a uniform cop
representing Jesse Curry and Bill Decker inside the lead car, and illustrating the
common expression "to turn the other way" while Clint Hill is killing JFK in the
tunnel under the triple overpass. The character Mr. X refers to Jesse Curry
explicitly when he says "They [JFK killers] have the mayor and the cops in their
pocket".
Lloyd M. Bentsen (Paymaster of JFK Assassination)
According to the spinning machines, Bentsen was undergoing so called

"prosperous career in business" in 1963. This means he was a CIA goon like the
daddy Bush trafficking and stealing anything as fast as he could. Bentsen's scams
appeared to be mostly in financial institutions in Texas and that is why the hook
noses made him the Treasurer or Paymaster of JFK assassination in Texas.
Apparently, the hook noses loved his "prosperous career in business" because they
rewarded him with "prosperous career in US Senate" by turning this piece of
genetic trash into the Chairman of the Senate Committee on Finance, and then into
the US Secretary of the Treasury (Thievery). Recall that Johnny Connally also
became the US Secretary of the Thievery, and also because of "career planning"
by the hook noses.
The movie JFK seems to be the only one making references to Bentsen, in several
scenes. During the scene at a horse racetrack, Jack Martin says "McAllen, Texas.
Big Gun running operation" which is a code for running a Big Gun like JFK into
the ground. Bentsen was born in Mission, Texas. Mission is a suburb of McAllen.
Bentsen and his family lived there for a long time. McAllen is the second biggest
city in the area of Texas, informally called The Valley (el Valle). In other words,
Bentsen is Eladio del Valle. Some references to Bentsen are also made through
Dan Quayle who is associated with Bentsen forever because of the famous quote
made during the 1988 vice-presidential debate between Bentsen and Quayle where
Bentsen said "I served with Jack Kennedy. I knew Jack Kennedy. Jack Kennedy
was a friend of mine. Senator, you're no Jack Kennedy". The corresponding
sections in the chapter for JFK provide more details. Just search on the name
Bentsen.
Bill Decker (Dallas County Sheriff)

Bill Decker was Dallas County Sheriff, an elected office. Apparently, Dallas
Morning News brainwashed local voters in overdrive to get this rat elected. Decker
was sitting on the left rear seat of the lead car, just behind Jesse Curry. Apparently,
he enjoyed the view, and I do not mean the bald head in front of his nose.
The movie JFK shows Bill Decker in many illustrations. In one of them, Decker is
guarding the erased white mark M8E (Ruby) in so called "prison". In another
scene, US Senator Russell B. Long plays Bill Decker on an airplane, where
Senator is a code for Sheriff. He says "Average man would be lucky to get two
shots off. And the first would be the best". This is a reference to Clint Hill firing
two bullets under the triple overpass, with the first being the best. In other words,
Russell Long as Bill Decker is the best to know because he was there watching
Clint Hill killing JFK.
Thomas S. Power (4-Star General of US Air Force)
Both Curtis LeMay and Thomas Power were the acting source of dementia for JFK
assassination. Both apes got their influence during WW2 which was the Greatest
Scam of 20th century. Power was one of many frauds who came out from this war.
Both LeMay and Power were the top planners of the atomic bombing of Hiroshima
and Nagasaki. The movie JFK presents Power as one of the conspirators, as a
clone of LeMay. However, the movie just keeps him around without making him
speak. There are at least four movie characters playing Power but all are silent, like
a clone next to a 4-Star general, a bulldog-faced Cuban, somebody in reindeer
costume, silent man during the trial, etc.
Picture 1 has two parts. The left half has been cropped from the movie, it shows
the head of silent man sitting next to Clay Shaw during the final scene with trial.
The right half shows the actual Thomas Power for a quick comparison.
Picture 2 has been cropped from the movie where it shows a recreated meeting
among top generals (movie time 2:02). The 4-Star general on the left side is
General (Jeneral) Lyman Lemnitzer acting as a proxy for Curtis LeMay. Next to
him, there is somebody in US military uniform without rank insignia. As explained
in the corresponding section, he plays Thomas Power. In this particular scene, he is
presented as a deaf con (convict) meaning Defcon 2. Picture 3 shows a bulldog-
faced Cuban during a party in Homosexual Underworld.
Kenneth P. O'Donnell (Chief of Staff)
O'Donnell was JFK's Chief of Staff, sitting in the follow-up car. This means he was
a rat stabbing JFK in the back. He was one of the rats who arranged JFK's trip to
Dallas, after Connally and LBJ had lured JFK to Texas. After killing JFK,
O'Donnell was LBJ's Presidential Aide. O'Donnell was also the campaign manager
for RFK's presidential election campaign in 1968. It tells you something about the
corrupt Kennedys. Fortunately, O'Donnell stopped wasting our oxygen in 1977 like
LBJ did in 1973. In 1972, he wrote the book Johnny We Hardly Knew Ye with
another rat David Powers, also sitting in the follow-up car.
The movie JFK uses several characters to play O'Donnell. One of them is so called
Special Agent Hosty. The movie makers use Hosty to tear a special note into
pieces (white marks) that eventually will lead back to him through Jackie. The
analytical chapter of this document is the proof of it. Kenneth O'Donnell was a JFK
killer.
Another scene shows the scuffle between Dallas Medical Examiner and the federal
goons led by Kenneth O'Donnell fighting over the casket. In one published script
for this scene, O'Donnell says "Sonofabitch, you're not telling me what to do! Get
the hell outta the way!". O'Donnell hijacked JFK's dead body from Dallas by
trashing Texas laws so that the hook noses in New York City could run away from
the big hot ovens waiting wide open for them. All hook noses love big hot ovens.
After all, they made them up out of thin hot air like their Federal Reserve Notes.
Yet another scene shows one cop playing O'Donnell blocking the way for Jim
outside a restroom, when the scene is meant to recreate JFK assassination. The cop
says "Hey, how long were you in that restaurant...?". Notice that he does not say
restroom but restaurant because the movie presents JFK assassination as a dinner
or meal for JFK killers like Kenneth O'Donnell.
C. Douglas Dillon (US Secretary of the Treasury)

C. Douglas Dillon was the US Secretary of the Treasury when JFK signed his
Executive Order 11110 in June of 1963 directing Dillon to issue silver certificates.
Judging by his ancestry, Dillon was a hook nose meaning silver would go to the
Silversteins and the dummies would get only the worthless paper. Dillon was a
close friend of John D. Rockefeller III. Dillon was also Chairman of the
Rockefeller Foundation from 1972 to 1975. Obviously, the Rockefellers is a herd
of the most genetically defective hook noses spreading Corruption under the code
of Philanthropy
The movie JFK makes a few references to Dillon. Mr. X says "Does that sound
like a bunch of coincidences to you, Mr. Garrison? The cabinet was out of the
country to get their perception out of the way". This is a reference to Dillon
heading to Japan on JFK assassination day. He delegated control of the Treasury
Department, and therefore the control of the Secret Service to some other hook
nose and then he hooked his own nose to an airplane flying out of the country to
get his perception out of the way.
Another reference to Dillon is made during the scene about Ferrie's death, where
the movie character Bill (Clint Hill) is holding a big gold-colored envelope. The
envelope illustrates the gold medal that Clint Hill received for "exceptional
bravery" directly from the US Secretary of The Thievery Douglas Dillon. Youtube
has a video clip from the official ceremony at the Treasury Building in
Washington, DC (youtube clip), on December 3 of 1963, just 11 days after JFK
assassination.
The movie JFK makes frequent references to Executive Order 11110. For example,
the expression "Five bullets, one blank" means five digits 11110 and one of them is
zero (blank). In one scene, Mr. X says "How about the F-111 fighter. General
Dynamics. Who owns that". This is a reference to the fighter fighting JFK's
Executive Order 11110. General Dynamics is a code word for the Federal Reserve.
The Executive Order 11110 is tied to C. Douglas Dillon because it was addressed
to him. Dillon was supposed to enforce it. This is what happens when you address
something to a hook nose! Did you ever try to address anything to a cockroach in
your kitchen? Or you simply sprayed a can of Raid insecticide?
6. Zapruder film as input data for software

simulation
Zapruder film is a very rich source of input data for software simulations proving
that Jackie fired a bullet to JFK's head. This is ironic because Zapruder made his
film on the orders from JFK killers who also gave similar orders to Jackie to fire
the bullet. Everybody sitting in JFK limo knew that Zapruder was filming them
and they acted accordingly. In order to understand this irony, you have to
understand how the world really works. Since most people refuse to understand the
facts around them, they also refuse to understand this
irony and many other similar ironies that share one
common thing - AUDACITY OF THE INSANES.
The hook noses are insane. The hook noses do not
have any brains to understand the consequences of
their actions. They only pretend to act like humans.
Did anybody have a good look at the heads of Arlen
Specter, Henry Kissinger, or Albert Einstein? There is
absolutely no sign of any real brains on this hook-
nosed genetic trash! They only suck you in into their
world of schizophrenia.
There is a cottage industry, controlled by Parasitic Ethnic Group, that blames it all
on very complicated mind-controlling techniques. In reality, all this is very simple
if you try to think like Nature does. The problem is that you are so far away from
Nature that is all this is very complicated to you. The more you watch or listen to
the media controlled by Parasitic Ethnic Group, the more confused you are and the
bigger audacities the Parasites can get away with. The Parasites excel in the world
of insanity, because they are INSANE.
Nature uses the insane Parasites to break down your old belief systems. Nature will
not tolerate people believing that a man could walk on water, or that there is a Big
Spook in the Sky. Nature created your old belief systems because there was no
other way to make you work collectively. Nature also created the insane Parasites
to make them break down your old belief systems gradually over time. This is a
self-balancing mechanism that Nature excels in. But the times change. Today,
there are nukes around. Nature does not like nukes around freaks following old
belief systems. This means Nature allowed the insane Parasites to multiply like
cockroaches in your dirty kitchen feeding on your dirt made of your old belief
systems. Nature wants you to get hurt and come to your senses eventually. This is
how Nature works.
The insane Parasites lack the mental capacity to produce anything of substance.
Nature would never give them any significant IQ beyond excellent verbal skills to
brainwash you. How could the Parasites even have high IQs when they are not able
to produce anything? High IQ is meant only for those who produce. There is no
need for a cockroach to have a high IQ. All the high-profile awards like Nobel
Prizes are scams like any other Wall Street scam run by the members of Parasitic
Ethnic Group. This brings us to the issue of countless of awards given to so called
"JFK researchers" promoted by the Parasitic Ethnic Group. All the Nobel Prize
winners, distinguished college professors, etc, who promote any theory other than
Jackie Kennedy and Clint Hill killed JFK are con masters who knowingly cover up
JFK murder.
The industry covering up JFK assassination is composed of many competing

factions because the Parasites suffer from schizophrenia, paranoia, and other
mental diseases, and also because the Parasites use many different human hosts
who react differently, and because all act on incomplete information. None of them
knows all the details. Some of them want to promote the authenticity of Zapruder
film and some of them don't. Zapruder film is authentic! The film shows some
minor primitive alterations, but nowhere near the sophisticated alterations. The
Parasites who want to reduce Zapruder film to a hoax, are aware that the film is a
gold mine of pixels and they want to shut it down before millions with computer
skills start really digging into it searching for the real pixels hidden in plain view! I
am one of those pixel diggers. The Parasites will not shut down the pixel mine!
Even though most Parasites seem to promote the authenticity of Zapruder film,
they do not want you to believe your own eyes seeing Jackie firing a bullet to
JFK's head. Their goal is to drown you in a sea of lies. An example is so called
"computer animation" by Dale K. Myers who was even honored in 2004 with an
Emmy Award, and heavily promoted by Parasitic Ethnic Group including their
now defunct mouthpiece called Peter Jennings (youtube video). You have to
realize that all high-profile awards are high profile because Parasitic Ethnic Group
makes them high profile. In reality, all those high-profile awards are worth as
much as droppings of cockroaches running around on your dirty kitchen floor.
Let's make one thing clear! Dale K. Myers will have to pay for his participation in
the cover-up of JFK assassination. Peter Jennings already paid with his life.
Specifications of Zapruder film frame
In order to use Zapruder film as input data for computer simulations we have to
know the technical specifications of its frame, i.e. dimensions of the areas exposed
to light, dimensions of perforations, relative location of standard 8mm frame inside
the film frame acting as a container, etc. Once we have the specs, we can evaluate
the film copies publicly available, and select the best ones.
Notice that the Parasites managed to produce countless of worthless reports about
JFK assassination like Warren Report, HSCA Report, JFK Act itself, but none of
them provided basic dimensions of Zapruder film frame. Only the Zavada Study
(circa 1998) provided a basic diagram with key dimensions of the frame,
apparently made for Assassination Records Review Board (ARRB) created by JFK
Act. This Zavada Study is the best thing that ever came from so called
"government" studies about JFK assassination. Just the fact alone that a whole
crowd of Parasitic cockroaches, led by so called "Professor" Fetzer, are attacking
the Zavada Study with nonsensical arguments is the best proof that there must be
something good about Zavada Study.
Google for Zavada Study or Report. It appears to be scattered over many parts in
different files. I include the found files in the zip file with software package. One
file includes the diagram with dimensions. However, the dimensions are
incomplete and I had to dig more to find out the rest. Some specs could not be
found and had to be determined by fitting adjacent frames together. Then I drew
the complete diagram with flipped sides to match the orientation shown in
Zapruder film. The resulting full-page diagram is attached.
The area exposed to light is defined by the outside edge of red rectangle. This
document defines it as Exposure Aperture Frame (EAF). Theoretically, this is the
maximum area exposed to light. However, the aperture plate does not adhere
perfectly to the film and it leaks light under its surface close to edges. The
additional area exposed to light, runs along the external side of outside edge. Its
width varies. The biggest width is along the perforations on the left side, used for a
claw pulling down the film. The claw cutout area can be ignored and it is omitted
in the diagram.
For EAF frame 640x346 pixels, the light leaks on average 3 pixels depending on
light intensity. Spots receiving intensive light show much bigger leaks. Also, the
spots close to the right side of claw cutout area show bigger leaks. However, the
left side of EAF frame shows less leaks because there is less light there. The
following sections explain how the actual EAF frame can be identified by using
templates.
The diagram also shows the standard 8mm frame 3.5x4.8mm (green rectangle)
inside EAF frame (red rectangle). It is located in the right three quarters of EAF
frame. The center of the standard 8mm frame aligns with the center of so called
exit window defined by the camera lens (Varamat lens in Zapruder case). Zavada
Study provides the min/max diameters of exit window, the maximum is for
telephoto (focal length 27mm), the minimum is for wide angle (focal length 9mm).
Notice that all frames 308-316 used for simulation indicate telephoto setting
(27mm) because their inter-perforation areas are fully exposed by matching the
max diameter of exit window. One section in the next chapter, explains how the
software uses measurements taken from the limo left side, to confirm the telephoto
setting (27mm), on the basis of a basic optical formula.
The diagram does not show the 8mm frame 3.3x4.5mm used by projectors because
it is not applicable here. The specs for 3.3x4.5mm frame indicate that it is shifted
up to 0.15mm (0.006") to the right of the center shown in the diagram. Apparently,
the projectors are designed to display the max area on the right side of the standard
8mm frame 3.5x4.8mm, and not the middle of it. As a result, their centers are not
aligned.
Sources of Zapruder frames
Once we have the technical specs of Zapruder film frame, we can start looking for
the best copies of the film itself. The best publicly available source appears to be
the DVD Image of an Assassination (1998) made by MPI Home Video (MPI
Media Group). This DVD is used as the main source for this document and the
software.
Unfortunately, the DVD does not provide Zapruder frames as separate files in a
lossless image format. Zapruder frames are part of the DVD video. This means we
have to capture the images from computer display by using standard image
copy/paste utilities provided by operating systems, or we have to use a special
software program to extract the frames directly from the video files stored on
DVD. I did it both ways. The direct extraction is the best way.
Also, we have to find some other sources of Zapruder frames to make sure we are
not conned by yet another scam that the Parasites are known for. The more sources
we use, the more scams we can detect. Since the Warren Report is the first to
publish the frames and it did so relatively early in 1964, I use it as the second
source for comparison analysis.
Another source is the movie JFK (1991) that provides one segment titled "The
Zapruder Film" around the movie time 2 hours and 43 minutes. Unfortunately, it is
not clear how much of the Zapruder frames were edited or adapted for the movie.
Also, these frames do not include the whole EAF frame with perforations and most
of them show only a small zoomed in area. All this makes the frames unusable for
the software. However, this document includes some parts of the frames from the
movie JFK for comparison analysis, and it clearly states the frames come from the
movie.
Also, I will quickly evaluate yet another source provided by

assassinationresearch.com whose owners claim that their frames come from the
same MPI DVD. According to the owners, the website also includes some frames
apparently missing but of lesser significance. It is not clear where the added frames
came from anyway. I found out that their frames have been seriously altered and
are worthless for any software simulation. And here is a surprise! The website
owners are "Professor" Fetzer and his sidekick Costella who scream the loudest
that Zapruder film had been altered, when in fact both did the biggest alterations to
Zapruder film.
Extracting Zapruder frames from DVD Image of an Assassination
The video resides on the DVD in several files of file type VOB. VOB is also the
format of the file. I used the popular software program Adobe Premiere Pro CS6 to
look inside the video files. Fortunately, the DVD makers enabled the extraction
from VOB files so that a legal software like Premiere can extract the frames
legally. Otherwise, we would have to use other types of software that do not care
much about such enabling "legalities". For example, Premiere will not allow any
direct extraction of video frames from the movies like The Godfather or JFK, due
the rights management issues.
The Zapruder film is part of the file named

VTS_01_4.VOB. A part of the window displaying
the information about the VOB file is attached. The
window shows you the total time and frame rate
from which you can compute the approximate
number of video frames inside the file. The
program Premiere will tell you precisely that there
are 37441 video frames, numbered 0-37440, inside
the VOB file. About 23% of them include Zapruder frames. The format of each
frame is MPEG Movie, i.e. lossy compression. This means some pixels will be lost
due to compression algorithms. Each video frame is 720x480 pixels. The video
frames that include Zapruder frames, act as containers. The Zapruder frames are
smaller than 720 x 480 pixels.
The Pixel Aspect Ratio is 0.9091 which means each pixel is a rectangle with the
ratio of its width/height = 0.9091. Since the computer screens use square pixels
(Pixel Aspect Ratio = 1), all video display software will resize accordingly unless
this feature is disabled. Normally the width will be reduced to 0.9091. The
program Premiere will let you display or save either way depending on the enabled
or disabled options.
The DVD includes six sets of Zapruder frames. Since two sets are duplicates (full
and slow motion), there are actually four unique sets. The sets differ by zooming
ratio, from the least zooming (full EAF frame) to the most zooming (focused on
JFK). Each set includes duplicates of Zapruder frames in order to simulate the
original frame speed 18 fps speed with the video frame speed 30 fps. The sets with
slow motion include twice as many duplicates because they simulate speed at 50%.
The full list of six sets is:
Close-up frame - all frames are zoomed in on JFK to the maximum without
causing deterioration, in slow motion.
Medium frame - all frames are zoomed in on JFK to the medium level, in
slow motion
Full frame - all frames are displayed in "standard" format (without
inter-sprocket area), in full motion
Full frame - all frames are displayed in "standard" format (without
inter-sprocket area), in slow motion
Wide frame - all frames are displayed with inter-sprocket area, in full
motion
Wide frame - all frames are displayed with inter-sprocket area, in slow
motion
VOB-frame identifiers
Z-frame
Full motion The program Premiere lets you
Slow motion
identifier
308
Range
35373
Saved&Selected extract a specific video frame and
Range
35373 36851-36853 36853
Saved
309 35374-35375 save it as a separate file with format

35375 36854-36856 36856
310 35376-35377 35377 36857-36860 36860
311 35378 of your choice. I chose the loss-less
35378 36861-36863 36863
312
313
35379-35380
35381-35382
PNG format. Premiere will save a
35380 36864-36866 36866
35382 36867-36870 36870
314 35383 video frame in its original video size
35383 36871-36873 36873
315 35384-35385 35385 36874-36876 36876
316 35386-35387 720x480 pixels, disregarding the
35387 36877-36880 36880
Frame count 15 9 Pixel Aspect Ratio during extracting.
30 9
Approx. fps 18.3*15/9=30.5 fps 18.3*30/9=61 fps
Since the frames are numbered, you
can save by the frame number. Since the software simulation requires Zapruder
frames 308-316 with perforations, and the DVD has two sets of them, I saved the
frames of both sets. For the software simulation, I selected the frames from full
motion set. The information about the video frames for each Zapruder frame 308-
316 is shown in the attached spreadsheet table. Notice that there are 15 video
frames for nine Zapruder frames. Since the real time has to be the same but frame
speeds are different by the ratio 30/18, the speed is simulated by the frame ratio
15/9 = 30/18.
Apparently, two sets (Wide and Full) have incorrect aspect ratio. As a result, one
branch of brainwashing industry tries to convince you that some processes inherent
to DVD making process made this aspect ratio incorrect. The following sections
explain that the aspect ratio, at least for frames 308-316, is 2.31 while the correct
one is 1.85 (0.266/0.144). This means that after extraction, the height of each
frame has to be increased by 25% to make it correct. The incorrect height was
intentional, and not because there is something in the DVD making process that
made the height incorrect as an innocent byproduct. The question is why the DVD
makers made the height incorrect intentionally. I believe it was their way of
sending a message that their work had been compromised by Parasitic forces. The
following sections will explain it.
Copying Zapruder frames from DVD Image of an Assassination
Zapruder frames can be copied from this DVD, or any other DVD without running
into "legalities" of rights management, by non-extraction methods as long as you
are aware of the pitfalls. You can use any DVD software player, pause at a specific
video frame, and then use the system screen copy/paste utility. Windows Media
Player (WMP) lets you step through one frame at a time using Next/Prev buttons
when you select the option "Play speed settings".
On Windows, you can copy a selected/focused window with the keys

Alt+PrintScreen, and then paste it into any graphics program that supports it, e.g.
Paint program that comes free with Windows. However, you have to limit any
resizing of video frames, done by DVD software player. Windows Media Player
(WMP) provides Fit options of which some should be disabled (assuming your
screen is at least 720x480). However, WMP will enforce the Pixel Aspect Ratio
regardless, by resizing the width down from 720 pixels to 640, i.e. incorrectly
because it should be from 720 to 655 pixels (720*0.9091=654.6). As a Microsoft
junk, WMP is full of bugs because no legitimate professional will work for
Microsoft run by mentally deficient cockroach Bill Gates of the class Insecta. If
the brainwashing machines can turn Oswald into JFK killer then the same
machines can turn a cockroach into a genius. However, other DVD software
players could resize the images correctly.
Once you paste a copied window into a program like Paint, the image will be
larger than the copied video frame because of the added window borders and other
overhead depending on the options set in the DVD software player. Two options
are important. The video size has to be set to 100%. The option to fit the window
to the video frame has to be enabled, e.g. WMP option Fit Play to Video has to be
on. There could be a 1-pixel margin around the actual video frame inside the
window, so zoom in on one of the corners to see where it is located. The actual
video frame is a container for Zapruder frame inside it. Once you find the actual
video/container frame, just crop out the rest of image. If you have a container
frame 640x480 then resize it to 640x533. If you have a container frame 655x480
then resize it to 655x546. Obviously in each case, the width has to stay the same so
disable any option that preserves the proportions. The resulting aspect ratio
width/height of the container frame has to be 1.2 because this is how Zapruder
frame is contained inside it. This aspect ratio has nothing to do with the aspect
ratio of Zapruder frame. This assumes the same aspect ratio problem shown in
frames 308-316 of the set selected for this document. Most probably, this problem
applies only to two sets (Wide and Full). The other sets with close-up and medium
frames appear to have correct aspect ratio. But this would have to be confirmed.
Once you resize the container frame, Zapruder frame will be set to the correct
aspect ratio. Then you can crop the container frame to any aspect ratio you want.
However, any resizing by DVD software players, will change the image depending
on the resizing algorithm. Some parts of the image may look different after
downsizing of width. The best way is to disable any resizing. If a Zapruder frame
has to be resized then it should be up and never down because of loss of pixels. I
am not aware of DVD software players that provide an option to disable the Pixel
Aspect Ratio without providing direct extraction at the same time. As far as I
know, those that provide such an option, also provide a feature to extract the
frames directly, like Adobe Premiere. In other words, extraction seems to be the
only good alternative.
Measuring Zapruder frames in MPI images

Once we have the diagram showing the dimensions of Zapruder film frame we can
start measuring the video frames extracted from DVD. The container size is
720x480 pixels. The goal of this section is the measure Zapruder frame inside the
container, so that the resizing procedure can be determined. This process assumes a
directly extracted video frame and not a video frame copied/pasted from DVD
software player. However, once the resizing procedure is determined, it can be
used for frames copied/pasted from DVD software players.
However, this is not a quick task if we want to keep measurement errors under
control. We have to identify the exposure aperture frame (EAF) in each image.
The color (non-black) pixels on the peripheries are not necessarily the parts of
EAF. How do we measure width and height if we do not know where EAF begins
and ends? All nine frames do not show correct aspect ratio which is another
complication. Right at the outset, we have to break our task into two independent
tasks, one for examination of height and another for examination of width.
Each frame 308-316 shows about the same aspect ratio but higher than the correct
one of 1.85 (0.266/0.144). This means we will have to resize each image by about
the same amount, after we determine the amount. Since we want to preserve as
much of the original as possible we will keep the width intact, and we will resize
the height upward. This means that height is more important and we should start
with the height first, and later come back to the width.
Since we do not know where the exact edges of the EAF frame are, our
examination of height has to use other vertical distances shown in the diagram. We
can use the vertical inter-perforation gap (IPG) 0.100" which is shown in each
image. By measuring the pixel distance for IPG in each image, we can come up
with the height because the proportion between them is known. The problem is that
the edges around perforations are blurry, and probably deformed because of
multiple uses. This means we need more help. If we concatenate the adjacent
images into a stack, then we could use the perforation height (PH) 0.050", and the
inter-frame gap (IFG) 0.006", both treated relative to the reduced height and not
the width. Notice that the top and bottom edges of EAF are not necessarily aligned
with the middle of each perforation because the film pull-down mechanism does
not provide such guarantee. However, the adjacent EAF frames should have the
same IFG gaps because of uniform pitch.
In order to prepare for stacking, the top and bottom black margins in each image
have been cropped to two pixels wide in order to have the EAF frames closer to
the upper and lower edges of container frames. As a convenience, I call the frames
EAF even though technically they do not have the correct aspect ratio yet.
The images have been stacked up on a common canvas in Photoshop. Once I

determined that height 277 pixels was a very good candidate, for each image I
created one template made of red rectangle that represents EAF (height 277
matching other vertical distances, not width yet). The outside edges of template
define the exposure aperture area. Refer to the attached picture of an example
frame 309, showing the relevant templates used before resizing. The picture with
stack is also attached, in reduced size to fit the page. The zip package includes the
whole size.
One complication is that the IFG is 11.54 pixels (277*6/144, column IFG6 in the
attached spreadsheet table), i.e. not a whole number. Since we deal with whole
numbers of pixels, we have to distribute the fraction 0.54 somehow to reduce
shifting errors inside the stack. I used IFG of 11 pixels for even-numbered frames
and 12 pixels for odd-numbered frames, i.e. two gaps totaling 23 pixels are close
enough to 2*11.54=23.08 so that nine frames will not be enough to create shifting
problems due to the remaining fraction 0.08. In other words, I use IFG=11 pixels
for gaps between frames Z308/Z309, Z310/Z311, Z312/Z313, Z314/Z315, and
IFG=12 pixels for the rest.
On the same canvas, I stacked up all nine EAF

frames and templates. The picture already shows
the final width 640 pixels for EAF template.
However, initially I did not know the final width
so the width was different, i.e. ignore the width for
now. I explain below where the final width came
from, for now concentrate on the height. With the
EAF stack in place, I moved the adjacent images
up or down a few pixels by making them overlap
each other if the gap between them had to be
narrowed in order to match the IFG gap between
adjacent EAF frames. Notice that the EAF frames
align perfectly with the shadow lines along the
lower and upper peripheries in each image. Most
probably, the aperture plate had its edges along
those lines. Outside each EAF frame, there are
about three non-black lines with the color of
background. Apparently, the lines are result of
light leaking under the aperture plate. The count is
consistent with Warren frames. Since the count is
about the same in all images, the selected height of
277 pixels has to be correct because it matches the
pitch between the frames. If any frame had a
different height then it would show up in the stack.
Also, I created a PH template for each perforation

height (PH), another red rectangle. The PH
templates do not have round corners yet because
the whole frame is distorted due to incorrect
height relative to width. The PH templates used in
the following section dealing with corrected
heights will have rounded corners according to the
specs. The PH height is 96.18 pixels (277*50/144,
column PH7 in the attached spreadsheet table).
Again, in order to reduce shifting errors I created
nine templates with height 96 pixels, and one with
97 pixels (between frames Z313 and Z314). The
outside edges of PH template define the edges of
perforation. The inter-perforation gap IPG is
192.36 pixels (277*100/144, column IPG8 in the
attached spreadsheet table), six frames use IPG=192 pixels and three frames use
IPG=193 pixels (frames Z310, Z313, Z316). Then I stacked up the PF templates.
Also, I aligned the topmost PH template on the upper perforation of frame Z308.
The top and bottom edges of some PH templates appear to show some
misalignments of about one pixel due to the lack of clear definition of the edges,
some edges are simply too blurry. Some minor misalignment is caused by the
rounding errors.
The width of each image was determined independently of height. By measuring

the perforation width (PW) in each image, we can come up with the width in pixels
because the proportion is 0.072" to 0.266". The problem is that the edges around
perforations are blurry. Another help is the frame-perforation gap FPG 0.006".
Once I determined the frame width of 640 pixels, I computed the frame-perforation
gap FPG as 14 pixels (6*640/266, column FPG9 in the attached spreadsheet table),
and then I aligned the PF stack 14 pixels from the left edge of EAF frame.
The average count of non-black lines outside the upper or lower edge of EAF is
around 3 lines, i.e. 3 pixels. This means we should expect about the same to be on
the right side. The left side is different because much less light gets there, i.e. less
light leaks under the aperture plate. This way, I came up with the width of 640
pixels for all frames Z308-Z316.
Notice that some frames appear to show perforations narrower by about 1 pixel.
This is probably caused by light diffraction around edges during scanning by MPI,
or simply damaged edges. Also some adjacent EAF frames show perforations that
are not aligned. This appears to be caused by post-processing of the frames by
MPI. This shifting does not affect the analysis in the next chapter because all
measured distances will be relative, and the selected frames will be aligned on
different criteria. The black horizontal margins across each perforation appear to
be caused by the MPI aperture plate during scanning.
The attached copy of the final stack is only a fraction of its full size. The whole
picture 720x2747 includes the original images from MPI video, except for the
cropped black margins in top and bottom. It is included in the zip file with
software. You need to zoom in on the picture if the height of your screen has
resolution lower than 2747 pixels.
Once the templates have been tested on the stack, they have been applied to
individual frames. Then the coordinates of all edges, for both EAF frame and the
perforations, have been taken and entered into the computer program for analysis.
For those using Photoshop, all templates are transparent rectangles defined and
moved around as groups.
Measuring Zapruder frames in Warren Report images

The images came from the website history-matters.com (web link). I captured them
directly from the screen. The website also provides a pdf file with the frames, but
with different sizes (in pixels); sizes are irrelevant as long as the aspect ratios are
the same on all frames. Some frames are slightly rotated, so I had to un-rotate
them.
The Warren images are important for several reasons. Firstly, the Warren images
were published before the digital age that JFK killers did not anticipate. They
failed to sanitize the images early. Now it is too late for them. Whenever they have
to release new copies of Zapruder film they have to make sure that the new copies
show at least as much as Warren frames. This applies especially to the white marks
in frames 313-314. The resolution inside Warren frames varies widely. Some parts
of the frames show resolution above 1000 dpi while others well below 100 dpi.
JFK killers worry about the parts with high resolution. That is why "Professor"
Fetzer (Fet boy) works overtime on CIA payroll to discredit Zapruder film.
Secondly, Warren frames enable us to confirm proportions inside MPI frames in
case some horizontal lines were simply deleted. Thirdly, each image shows
sufficient parts of the adjacent frames so that the inter-frame gap IFG can be used
directly without the need to stack the frames up.
One complication with Warren frames is that they do not show the left edge of
EAF frame. However, the templates take care of this problem easily. Notice that
some Warren images show a whitish shadow on the left side. This is not the left
side of EAF frame but the left side of slide/aperture used during photocopying.
The process of applying the templates to individual Warren frames is the same as
to MPI frames, without the need to stack up the frames. Then the coordinates of all
edges, for both EAF frame and the perforations, have been taken and entered into
the computer program for analysis.
Comparing the proportions in MPI and Warren Z-frames
We have to make sure that the incorrect height of MPI frames is not a result of
deleting horizontal lines selectively. By taking the Y coordinates of several objects
inside each frame and comparing between two sources we can decide whether MPI
frames can be resized proportionally.
In order to be complete, I did also the comparison for X proportions. The actual
objects are described below each table and in the source code comments. The first
page compares the X proportions, the following page does it for Y proportions. All
the proportions match almost perfectly. We can resize the height of each frame up
by 24.91%.
I used Photoshop CS6 to resize the height of

each frame 308-316. A copy of the Photoshop
dialog box captured during resizing process is
attached. The height is increased from 480 to
600 pixels. Notice the even number 600. This is
not a coincidence. Those who reduced the
height wanted to make it easier to recover the
height. The following section will look closer at
the final dimensions. It will explain that those
who reduced the height, also increased the size
of the whole image by at least 100% before reducing the height. This is not a
coincidence, either. You have to realize that when you reduce the height you delete
pixels. One way to turn the deleted pixels into not deleted pixels is to make them
copies of existing pixels before deleting. When you delete them, you just delete the
copies while the originals are still there. More on it in the next section.
An example of resized MPI image with Zapruder frame 309 inside it is attached.
The perforations now can be shown with rectangles with rounded corners because
their aspect ratio (AR) is now correct. Note that the whole image 720x600 wound
not fit into the page of this document, and had to be resized down. However, the
zip package includes all MPI images 720x600 for frames 308-316 after correcting
their heights.
Comparing original MPI frames to Warren frames

Frame LPerf R F-R RPerf R F-R WSneak R F-R Elbow R F-R RWindow R F-R Right R F-R
308 0.022 0.022 0.000 0.292 0.293 0.000 0.666 0.667 -0.002 0.537 0.543 -0.005 0.863 0.865 -0.002 1.000 1.000 0.000
309 0.022 0.022 0.000 0.292 0.293 0.000 0.637 0.640 -0.002 0.548 0.552 -0.004 0.878 0.883 -0.005 1.000 1.000 0.000
310 0.022 0.022 0.000 0.292 0.293 0.000 0.616 0.618 -0.002 0.564 0.569 -0.004 0.889 0.894 -0.005 1.000 1.000 0.000
311 0.022 0.022 0.000 0.292 0.293 0.000 0.583 0.583 0.000 0.563 0.567 -0.004 0.889 0.894 -0.005 1.000 1.000 0.000
312 0.022 0.022 0.000 0.292 0.293 0.000 0.537 0.537 0.000 0.553 0.556 -0.003 0.875 0.879 -0.004 1.000 1.000 0.000
313 0.022 0.022 0.000 0.292 0.293 0.000 0.500 0.499 0.001 0.547 0.550 -0.003 0.869 0.874 -0.005 1.000 1.000 0.000
314 0.022 0.022 0.000 0.292 0.293 0.000 0.430 0.433 -0.004 0.509 0.514 -0.004 0.830 0.835 -0.006 1.000 1.000 0.000
315 0.022 0.022 0.000 0.292 0.293 0.000 0.397 0.400 -0.003 0.519 0.521 -0.002 0.836 0.841 -0.005 1.000 1.000 0.000
316 0.022 0.022 0.000 0.292 0.293 0.000 0.377 0.380 -0.004 0.533 0.537 -0.005 0.845 0.850 -0.005 1.000 1.000 0.000
Frame M4 R F-R M3 R F-R M2 R F-R M1 R F-R

313 0.686 0.687 -0.001 0.677 0.678 -0.002 0.670 0.673 -0.002 0.659 0.662 -0.002
Frame M6 R F-R M5 R F-R

314 0.741 0.746 -0.005 0.730 0.733 -0.003
Comparing corrected MPI frames to Warren frames

308 0.022 0.022 0.000 0.292 0.293 0.000 0.666 0.667 -0.002 0.537 0.543 -0.005 0.863 0.865 -0.002 1.000 1.000 0.000
309 0.022 0.022 0.000 0.292 0.293 0.000 0.637 0.640 -0.002 0.548 0.552 -0.004 0.878 0.883 -0.005 1.000 1.000 0.000
310 0.022 0.022 0.000 0.292 0.293 0.000 0.616 0.618 -0.002 0.564 0.569 -0.004 0.889 0.894 -0.005 1.000 1.000 0.000
311 0.022 0.022 0.000 0.292 0.293 0.000 0.583 0.583 0.000 0.563 0.567 -0.004 0.889 0.894 -0.005 1.000 1.000 0.000
312 0.022 0.022 0.000 0.292 0.293 0.000 0.537 0.537 0.000 0.553 0.556 -0.003 0.875 0.879 -0.004 1.000 1.000 0.000
313 0.022 0.022 0.000 0.292 0.293 0.000 0.500 0.499 0.001 0.547 0.550 -0.003 0.869 0.874 -0.005 1.000 1.000 0.000
314 0.022 0.022 0.000 0.292 0.293 0.000 0.430 0.433 -0.004 0.509 0.514 -0.004 0.830 0.835 -0.006 1.000 1.000 0.000
315 0.022 0.022 0.000 0.292 0.293 0.000 0.397 0.400 -0.003 0.519 0.521 -0.002 0.836 0.841 -0.005 1.000 1.000 0.000
316 0.022 0.022 0.000 0.292 0.293 0.000 0.377 0.380 -0.004 0.533 0.537 -0.005 0.845 0.850 -0.005 1.000 1.000 0.000

313 0.686 0.687 -0.001 0.677 0.678 -0.002 0.670 0.673 -0.002 0.659 0.662 -0.002

314 0.741 0.746 -0.005 0.730 0.733 -0.003
Comparing corrected MPI frames to original MPI frames

308 0.022 0.022 0.000 0.292 0.292 0.000 0.666 0.666 0.000 0.537 0.537 0.000 0.863 0.863 0.000 1.000 1.000 0.000
309 0.022 0.022 0.000 0.292 0.292 0.000 0.637 0.637 0.000 0.548 0.548 0.000 0.878 0.878 0.000 1.000 1.000 0.000
310 0.022 0.022 0.000 0.292 0.292 0.000 0.616 0.616 0.000 0.564 0.564 0.000 0.889 0.889 0.000 1.000 1.000 0.000
311 0.022 0.022 0.000 0.292 0.292 0.000 0.583 0.583 0.000 0.563 0.563 0.000 0.889 0.889 0.000 1.000 1.000 0.000
312 0.022 0.022 0.000 0.292 0.292 0.000 0.537 0.537 0.000 0.553 0.553 0.000 0.875 0.875 0.000 1.000 1.000 0.000
313 0.022 0.022 0.000 0.292 0.292 0.000 0.500 0.500 0.000 0.547 0.547 0.000 0.869 0.869 0.000 1.000 1.000 0.000
314 0.022 0.022 0.000 0.292 0.292 0.000 0.430 0.430 0.000 0.509 0.509 0.000 0.830 0.830 0.000 1.000 1.000 0.000
315 0.022 0.022 0.000 0.292 0.292 0.000 0.397 0.397 0.000 0.519 0.519 0.000 0.836 0.836 0.000 1.000 1.000 0.000
316 0.022 0.022 0.000 0.292 0.292 0.000 0.377 0.377 0.000 0.533 0.533 0.000 0.845 0.845 0.000 1.000 1.000 0.000

313 0.686 0.686 0.000 0.677 0.677 0.000 0.670 0.670 0.000 0.659 0.659 0.000

314 0.741 0.741 0.000 0.730 0.730 0.000
NOTES (comparing frames to reference by X proportions):

* The maximum difference for original MPI vs. Warren is -0.006, perfect width proportions between frames.
* The maximum difference for corrected MPI vs. Warren is -0.006, perfect width proportions between frames.
* The maximum difference for corrected MPI vs. original MPI is 0.000, perfect width proportions between frames.
ABBREVIATIONS FOR COLUMN HEADERS:

LPerf left edge of perforation, frame width ratio
RPerf right edge of perforation, frame width ratio
WSneak white sneakers of Black woman, rightmost white spot, frame width ratio
Elbow Jackie's right elbow, leftmost tip, frame width ratio
RWindow right edge of window frame behind driver, frame width ratio
Right right edge of frame, frame width ratio
M1 white mark M1 (first from bottom in frame 313), frame width ratio
M2 white mark M2 (second in frame 313), frame width ratio
M3 white mark M3 (third in frame 313), frame width ratio
M4 white mark M4 (fourth in frame 313), frame width ratio
M5 white mark M5 (first from bottom in frame 314), frame width ratio
M6 white mark M6 (second in frame 314), frame width ratio
R frame width ratio shown in previous column for reference frame (R)
F-R frame width ratio for current frame (F) minus frame width ratio for reference frame (R)
Comparing original MPI frames to Warren frames

Frame BHead R F-R UPerf R F-R Hand R F-R Coat R F-R Shoe R F-R MHead R F-R CHead R F-R LPerf R F-R Ear R F-R Botm R F-R
308 0.076 0.081 -0.005 0.137 0.132 0.005 0.191 0.193 -0.001 0.318 0.321 -0.003 0.397 0.399 -0.002 0.484 0.486 -0.003 0.668 0.669 -0.001 0.830 0.828 0.003 0.939 0.939 -0.001 1.000 1.000 0.000
309 0.083 0.084 -0.001 0.137 0.132 0.005 0.199 0.199 -0.001 0.318 0.318 0.000 0.401 0.402 -0.001 0.487 0.483 0.004 0.668 0.666 0.002 0.830 0.828 0.003 0.946 0.946 0.000 1.000 1.000 0.000
310 0.069 0.064 0.004 0.134 0.132 0.002 0.184 0.182 0.002 0.303 0.301 0.003 0.394 0.389 0.005 0.477 0.473 0.004 0.661 0.655 0.005 0.830 0.828 0.003 0.935 0.932 0.003 1.000 1.000 0.000
311 0.058 0.061 -0.003 0.137 0.132 0.005 0.181 0.176 0.005 0.296 0.297 -0.001 0.386 0.385 0.001 0.466 0.466 -0.001 0.653 0.655 -0.002 0.830 0.828 0.003 0.924 0.922 0.002 1.000 1.000 0.000
312 0.054 0.054 0.000 0.134 0.132 0.002 0.170 0.172 -0.003 0.292 0.291 0.002 0.383 0.382 0.001 0.466 0.466 -0.001 0.646 0.649 -0.002 0.827 0.828 -0.001 0.924 0.926 -0.001 1.000 1.000 0.000
313 0.054 0.057 -0.003 0.134 0.132 0.002 0.173 0.176 -0.002 0.285 0.291 -0.005 0.375 0.378 -0.003 0.462 0.466 -0.004 0.646 0.649 -0.002 0.830 0.828 0.003 0.924 0.926 -0.001 1.000 1.000 0.000
314 0.083 0.084 -0.001 0.137 0.132 0.005 0.199 0.199 -0.001 0.321 0.321 0.000 0.401 0.399 0.002 0.491 0.490 0.001 0.675 0.672 0.003 0.830 0.828 0.003 0.946 0.946 0.000 1.000 1.000 0.000
315 0.090 0.095 -0.004 0.137 0.132 0.005 0.213 0.213 0.000 0.332 0.331 0.001 0.408 0.405 0.003 0.502 0.503 -0.002 0.682 0.682 0.000 0.830 0.828 0.003 0.942 0.939 0.003 1.000 1.000 0.000
316 0.087 0.084 0.002 0.134 0.132 0.002 0.206 0.203 0.003 0.329 0.324 0.004 0.404 0.402 0.002 0.502 0.497 0.005 0.671 0.669 0.003 0.830 0.828 0.003 0.924 0.919 0.005 1.000 1.000 0.000

313 0.574 0.571 0.003 0.610 0.608 0.002 0.661 0.655 0.005 0.704 0.703 0.001

314 0.256 0.257 0.000 0.303 0.304 -0.001
Comparing corrected MPI frames to Warren frames

308 0.075 0.081 -0.006 0.136 0.132 0.004 0.191 0.193 -0.002 0.315 0.321 -0.006 0.396 0.399 -0.003 0.483 0.486 -0.004 0.665 0.669 -0.004 0.829 0.828 0.002 0.936 0.939 -0.003 1.000 1.000 0.000
309 0.081 0.084 -0.004 0.136 0.132 0.004 0.197 0.199 -0.003 0.315 0.318 -0.003 0.399 0.402 -0.003 0.486 0.483 0.002 0.665 0.666 -0.001 0.829 0.828 0.002 0.945 0.946 -0.001 1.000 1.000 0.000
310 0.069 0.064 0.005 0.133 0.132 0.001 0.185 0.182 0.003 0.303 0.301 0.003 0.393 0.389 0.005 0.477 0.473 0.004 0.659 0.655 0.004 0.829 0.828 0.002 0.934 0.932 0.001 1.000 1.000 0.000
311 0.055 0.061 -0.006 0.136 0.132 0.004 0.179 0.176 0.004 0.295 0.297 -0.002 0.384 0.385 -0.001 0.465 0.466 -0.001 0.650 0.655 -0.005 0.829 0.828 0.002 0.922 0.922 0.000 1.000 1.000 0.000
312 0.052 0.054 -0.002 0.133 0.132 0.001 0.168 0.172 -0.005 0.292 0.291 0.001 0.382 0.382 0.000 0.465 0.466 -0.001 0.645 0.649 -0.004 0.827 0.828 -0.001 0.922 0.926 -0.004 1.000 1.000 0.000
313 0.055 0.057 -0.003 0.133 0.132 0.001 0.173 0.176 -0.002 0.286 0.291 -0.004 0.376 0.378 -0.003 0.462 0.466 -0.004 0.645 0.649 -0.004 0.829 0.828 0.002 0.925 0.926 -0.001 1.000 1.000 0.000
314 0.081 0.084 -0.004 0.136 0.132 0.004 0.197 0.199 -0.003 0.321 0.321 0.000 0.399 0.399 0.000 0.488 0.490 -0.001 0.673 0.672 0.001 0.829 0.828 0.002 0.945 0.946 -0.001 1.000 1.000 0.000
315 0.090 0.095 -0.005 0.136 0.132 0.004 0.211 0.213 -0.002 0.329 0.331 -0.002 0.408 0.405 0.002 0.500 0.503 -0.003 0.679 0.682 -0.003 0.829 0.828 0.002 0.939 0.939 0.000 1.000 1.000 0.000
316 0.084 0.084 -0.001 0.133 0.132 0.001 0.205 0.203 0.002 0.327 0.324 0.002 0.402 0.402 0.000 0.500 0.497 0.003 0.671 0.669 0.002 0.829 0.828 0.002 0.922 0.919 0.003 1.000 1.000 0.000

313 0.575 0.571 0.004 0.610 0.608 0.002 0.659 0.655 0.004 0.702 0.703 0.000

314 0.254 0.257 -0.002 0.301 0.304 -0.003
Comparing corrected MPI frames to original MPI frames

308 0.075 0.076 -0.001 0.136 0.137 -0.001 0.191 0.191 -0.001 0.315 0.318 -0.003 0.396 0.397 -0.001 0.483 0.484 -0.001 0.665 0.668 -0.003 0.829 0.830 -0.001 0.936 0.939 -0.002 1.000 1.000 0.000
309 0.081 0.083 -0.002 0.136 0.137 -0.001 0.197 0.199 -0.002 0.315 0.318 -0.003 0.399 0.401 -0.002 0.486 0.487 -0.002 0.665 0.668 -0.003 0.829 0.830 -0.001 0.945 0.946 -0.001 1.000 1.000 0.000
310 0.069 0.069 0.001 0.133 0.134 -0.001 0.185 0.184 0.001 0.303 0.303 0.000 0.393 0.394 0.000 0.477 0.477 0.000 0.659 0.661 -0.002 0.829 0.830 -0.001 0.934 0.935 -0.001 1.000 1.000 0.000
311 0.055 0.058 -0.003 0.136 0.137 -0.001 0.179 0.181 -0.001 0.295 0.296 -0.001 0.384 0.386 -0.002 0.465 0.466 0.000 0.650 0.653 -0.003 0.829 0.830 -0.001 0.922 0.924 -0.002 1.000 1.000 0.000
312 0.052 0.054 -0.002 0.133 0.134 -0.001 0.168 0.170 -0.002 0.292 0.292 -0.001 0.382 0.383 -0.001 0.465 0.466 0.000 0.645 0.646 -0.002 0.827 0.827 0.000 0.922 0.924 -0.002 1.000 1.000 0.000
313 0.055 0.054 0.001 0.133 0.134 -0.001 0.173 0.173 0.000 0.286 0.285 0.001 0.376 0.375 0.000 0.462 0.462 0.000 0.645 0.646 -0.002 0.829 0.830 -0.001 0.925 0.924 0.001 1.000 1.000 0.000
314 0.081 0.083 -0.002 0.136 0.137 -0.001 0.197 0.199 -0.002 0.321 0.321 0.000 0.399 0.401 -0.002 0.488 0.491 -0.003 0.673 0.675 -0.002 0.829 0.830 -0.001 0.945 0.946 -0.001 1.000 1.000 0.000
315 0.090 0.090 -0.001 0.136 0.137 -0.001 0.211 0.213 -0.002 0.329 0.332 -0.003 0.408 0.408 0.000 0.500 0.502 -0.002 0.679 0.682 -0.003 0.829 0.830 -0.001 0.939 0.942 -0.003 1.000 1.000 0.000
316 0.084 0.087 -0.003 0.133 0.134 -0.001 0.205 0.206 -0.001 0.327 0.329 -0.002 0.402 0.404 -0.003 0.500 0.502 -0.002 0.671 0.671 -0.001 0.829 0.830 -0.001 0.922 0.924 -0.002 1.000 1.000 0.000

313 0.575 0.574 0.001 0.610 0.610 0.000 0.659 0.661 -0.002 0.702 0.704 -0.002

314 0.254 0.256 -0.002 0.301 0.303 -0.003
NOTES (comparing frames to reference by Y proportions):
* The maximum difference for original MPI vs. Warren is 0.005, perfect width proportions between frames.
* The maximum difference for corrected MPI vs. Warren is -0.006, perfect width proportions between frames.
* The maximum difference for corrected MPI vs. original MPI is -0.003, perfect width proportions between frames.
Resize the height of original MPI frames by the following amounts:

308 24.91%
309 24.91%
310 24.91%
311 24.91%
312 24.91%
313 24.91%
314 24.91%
315 24.91%
316 24.91%

BHead Black woman head, topmost, frame height ratio
UPerf upper perforation, bottom edge, frame height ratio
Hand hand of Black woman, topmost, frame height ratio
Coat coat of Black woman, bottom edge on left side, frame height ratio
Shoe shoe/sneaker (right side, its tip) of Black woman, frame height ratio
MHead Moorman's head, topmost, frame height ratio
CHead Cop's (on motorcycle) head, topmost, frame height ratio
LPerf lower perforation, top edge, frame height ratio
Ear JFK's right ear canal, frame height ratio
Botm bottom edge of frame, frame height ratio
M1 white mark M1 (first from bottom in frame 313), frame height ratio
M2 white mark M2 (second in frame 313), frame height ratio
M3 white mark M3 (third in frame 313), frame height ratio
M4 white mark M4 (fourth in frame 313), frame height ratio
M5 white mark M5 (first from bottom in frame 314), frame height ratio
M6 white mark M6 (second in frame 314), frame height ratio
R frame height ratio shown in previous column for reference frame (R)
F-R frame height ratio for current frame (F) minus frame height ratio for reference frame (R)
Comparing the ratios in three sets of Z-frames
After correcting the height of MPI frames, we have three sets of Zapruder frames
to compare: original MPI frames, Warren frames, and corrected MPI frames. All
frames within one set used the same templates except for a few MPI frames that
used inter-perforation gap (IPG) bigger by one pixel due to rounding of all
numbers to whole pixels, as explained before. As a result, all frames within one set
show the same dimensions. In reality, the left quarter of each image shows slightly
different dimensions due to distortions. Apparently, those who did the
photocopying paid more attention to the right three quarters of each image because
this is where the standard 8mm frame is located. Also, the intensity of light used
during photocopying is much bigger around the open perforations and makes their
edges distorted. Furthermore, the left side appears to be more damaged because of
frequent contacts with the film pull-down mechanism like claws inside the camera.
The purpose of templates was to recover the dimensions. All frames within one set
now show the same dimensions.
Most of the columns relate to ratios because each set uses the different dimensions
that have to be compared only by ratios. At the end of the attached long
spreadsheet, there is a list of correct ratios for Zapruder film frame. The corrected
MPI frames and Warren frames show correct EAF frame aspect ratio 1.85.
However, some other ratios that use shorter pixel distances, may be off a little
because shorter distances are affected more by rounding to whole pixels. The ratios
are very useful for finding the correct width and height of templates, and
confirming the locations of perforations relative to EAF frame. All this to validate
the input data for software simulation.
One of the columns is frame resize factor RSF. It assumes scanning resolution of
1500 dpi (really samples per inch), assumptive for MPI frames and only
comparative for Warren frames. The DVD maker (MPI) stated that the resolution
of scanned framed was up to 1500 dpi. Assuming the maximum 1500 dpi, the
width of scanned image should be 399 pixels (1500*0.266). Since the width is 640
pixels, the width and the whole image was resized upward 1.60X, hence RSF =
1.60. However, 1500 dpi is only a reference value. After analysis of frames 308-
316 and a few other frames, the actual scanning resolution seems to vary between
frames. For frames 308-316, the resolution seems to be around 1000-1200 dpi.
This means RSF for frames 308-316 is at least 2.00X.
This brings us to something important. Resizing an image at least 2.00X is a clue

that cannot be ignored. When you resize an image 2.00X then you insert a pixel
between adjacent pixels. Basically, the inserted pixel is an interpolated copy of
adjacent pixels, the details depend on resizing algorithm. When you resize the
same image downward then chances are they you delete the copies and not the
original pixels. Since the DVD makers resized the height down by about 25% then
chances are high that they resized each frame at least 2.00X for the sole purpose to
prepare the image for resizing down of height later. Consequently, we should
assume that the whole frames 308-316 were resized at least 2.00X first. The
analysis of visibility of the telescopic antenna on the limo left side seems to
confirm it. More on it in the section about Zapruder film resolution and smallest
detectable object.
MPI frames (not corrected)

Frame FW FH RSF PW PH_U PH_L PH_T FPG IPG FR1 FR2 FR3 FR4 FR5 FW2 FH1 FH3 PHT5 PW2 IPG4 IFG6 PH7 IPG8 FPG9
308 640 277 1.60 173 38 47 85 14 192 2.31 3.70 1.60 0.90 2.04 639.1 346.0 346.0 105.7 173.2 240.3 11.54 96.18 192.36 14.44
309 640 277 1.60 173 38 47 85 14 192 2.31 3.70 1.60 0.90 2.04 639.1 346.0 346.0 105.7 173.2 240.3 11.54 96.18 192.36 14.44
310 640 277 1.60 173 37 47 84 14 193 2.31 3.70 1.60 0.90 2.06 639.1 346.0 346.0 105.7 173.2 240.3 11.54 96.18 192.36 14.44
311 640 277 1.60 173 38 47 85 14 192 2.31 3.70 1.60 0.90 2.04 639.1 346.0 346.0 105.7 173.2 240.3 11.54 96.18 192.36 14.44
312 640 277 1.60 173 37 48 85 14 192 2.31 3.70 1.60 0.90 2.04 639.1 346.0 346.0 105.7 173.2 240.3 11.54 96.18 192.36 14.44
313 640 277 1.60 173 37 47 84 14 193 2.31 3.70 1.60 0.90 2.06 639.1 346.0 346.0 105.7 173.2 240.3 11.54 96.18 192.36 14.44
314 640 277 1.60 173 38 47 85 14 192 2.31 3.70 1.60 0.90 2.04 639.1 346.0 346.0 105.7 173.2 240.3 11.54 96.18 192.36 14.44
315 640 277 1.60 173 38 47 85 14 192 2.31 3.70 1.60 0.90 2.04 639.1 346.0 346.0 105.7 173.2 240.3 11.54 96.18 192.36 14.44
316 640 277 1.60 173 37 47 84 14 193 2.31 3.70 1.60 0.90 2.06 639.1 346.0 346.0 105.7 173.2 240.3 11.54 96.18 192.36 14.44
Warren Report frames
308 547 296 1.37 148 39 51 90 12 206 1.85 3.70 2.00 0.72 1.64 546.8 296.0 296.0 90.4 148.1 205.6 12.33 102.78 205.56 12.34
309 547 296 1.37 148 39 51 90 12 206 1.85 3.70 2.00 0.72 1.64 546.8 296.0 296.0 90.4 148.1 205.6 12.33 102.78 205.56 12.34
310 547 296 1.37 148 39 51 90 12 206 1.85 3.70 2.00 0.72 1.64 546.8 296.0 296.0 90.4 148.1 205.6 12.33 102.78 205.56 12.34
311 547 296 1.37 148 39 51 90 12 206 1.85 3.70 2.00 0.72 1.64 546.8 296.0 296.0 90.4 148.1 205.6 12.33 102.78 205.56 12.34
312 547 296 1.37 148 39 51 90 12 206 1.85 3.70 2.00 0.72 1.64 546.8 296.0 296.0 90.4 148.1 205.6 12.33 102.78 205.56 12.34
313 547 296 1.37 148 39 51 90 12 206 1.85 3.70 2.00 0.72 1.64 546.8 296.0 296.0 90.4 148.1 205.6 12.33 102.78 205.56 12.34
314 547 296 1.37 148 39 51 90 12 206 1.85 3.70 2.00 0.72 1.64 546.8 296.0 296.0 90.4 148.1 205.6 12.33 102.78 205.56 12.34
315 547 296 1.37 148 39 51 90 12 206 1.85 3.70 2.00 0.72 1.64 546.8 296.0 296.0 90.4 148.1 205.6 12.33 102.78 205.56 12.34
316 547 296 1.37 148 39 51 90 12 206 1.85 3.70 2.00 0.72 1.64 546.8 296.0 296.0 90.4 148.1 205.6 12.33 102.78 205.56 12.34
MPI frames corrected by resizing of height
308 640 346 1.60 173 47 59 106 14 240 1.85 3.70 2.00 0.72 1.63 639.1 346.0 346.0 105.7 173.2 240.3 14.42 120.14 240.28 14.44
309 640 346 1.60 173 47 59 106 14 240 1.85 3.70 2.00 0.72 1.63 639.1 346.0 346.0 105.7 173.2 240.3 14.42 120.14 240.28 14.44
310 640 346 1.60 173 46 59 105 14 241 1.85 3.70 2.00 0.72 1.65 639.1 346.0 346.0 105.7 173.2 240.3 14.42 120.14 240.28 14.44
311 640 346 1.60 173 47 59 106 14 240 1.85 3.70 2.00 0.72 1.63 639.1 346.0 346.0 105.7 173.2 240.3 14.42 120.14 240.28 14.44
312 640 346 1.60 173 46 60 106 14 240 1.85 3.70 2.00 0.72 1.63 639.1 346.0 346.0 105.7 173.2 240.3 14.42 120.14 240.28 14.44
313 640 346 1.60 173 46 59 105 14 241 1.85 3.70 2.00 0.72 1.65 639.1 346.0 346.0 105.7 173.2 240.3 14.42 120.14 240.28 14.44
314 640 346 1.60 173 47 59 106 14 240 1.85 3.70 2.00 0.72 1.63 639.1 346.0 346.0 105.7 173.2 240.3 14.42 120.14 240.28 14.44
315 640 346 1.60 173 47 59 106 14 240 1.85 3.70 2.00 0.72 1.63 639.1 346.0 346.0 105.7 173.2 240.3 14.42 120.14 240.28 14.44
316 640 346 1.60 173 46 59 105 14 241 1.85 3.70 2.00 0.72 1.65 639.1 346.0 346.0 105.7 173.2 240.3 14.42 120.14 240.28 14.44
ABBREVIATIONS FOR COLUMN HEADERS (frame refers to exposure aperture frame EAF, as shown in the corresponding Zapruder image):
FW frame width incl. visible perforation/sprocket holes, assumes max. exit window, in pixels
FH frame height, in pixels
RSF resize factor relative to scanning resolution of 1500 dpi, assumptive for MPI frames and only comparative for Warren frames
PW perforation width, in pixels
PH_U perforation height (visible) on upper side, this is partial height within current frame, in pixels
PH_L perforation height (visible) on lower side, this is partial height within current frame, in pixels
PH_T total PH_U+PH_L, this is partial height within current frame, in pixels
FPG frame-perforation gap on left side, between left side of frame and perforation, in pixels
IPG inter-perforation gap, in pixels
FR1 ratio FW/FH, i.e. aspect ratio of EAF frame
FR2 ratio FW/PW
FR3 ratio FH/PW
FR4 ratio PW/IPG
FR5 ratio PW/PH_T, i.e. perforation width divided by combined visible heights of both perforations
FW2 frame width computed from PW and spec ratio FR2, may be off 1 pixel due to rounding of PW, to be compared to FW, in pixels
FH1 frame height computed from FW and spec ratio FR1, may be off 1 pixel due to rounding of FW, to be compared to FH, in pixels
FH3 frame height computed from PW and spec ratio FR3, may be off 1 pixel due to rounding of PW, to be compared to FH, in pixels
PHT5 perforation heights (visible) computed from PW and spec ratio FR5, may be off 1 pixel due to rounding of PW, to be compared to PH_T, in pixels
PW2 perforation width computed from FW and spec ratio FR2, may be off 1 pixel due to rounding of FW, to be compared to PW, in pixels
IPG4 inter-perforation gap computed from PW and spec ratio FR4, may be off 1 pixel due to rounding of PW, to be compared to IPG, in pixels
IFG6 inter-frame gap computed from FH and spec ratio FR6, in pixels
PH7 perforation height computed from FH and spec ratio FR7, in pixels
IPG8 inter-perforation gap computed from FH and spec ratio FR8, in pixels
FPG9 frame-perforation gap computed from FW and spec ratio FR9, in pixels
TECHNICAL SPECS OF ZAPRUDER FILM FRAME (frame refers to exposure aperture frame EAF, as shown in technical diagram):
* EAF frame width width_frame (corresponds to FW) with max. exit window and visible perforation/sprocket holes = 0.266 inches
* EAF frame height height_frame (corresponds to FH) = 0.144 inches
* Inter-frame gap (IFG) = 0.006 inches
* Frame-perforation gap (FPG) = 0.006 inches
* Perforation width width_perfor (corresponds to PW) = 0.072 inches
* Perforation height height_perfor (corresponds to PH) = 0.050 inches

* Perforation pitch = 0.150 inches
* Inter-perforation gap height_interperfor (corresponds to IPG) = 0.100 inches
* Perforation heights bounded by EAF frame (assumes some part of each is showing) (corresponds to PH_T) = 0.044 inches
* Radius of perforation corner (useful to find the distorted edges of perforation) = 0.010 inches
* FR1 ratio width_frame/height_frame (aspect ratio of full frame) = 1.847
* FR2 ratio width_frame/width_perforation = 3.694
* FR3 ratio height_frame/width_perforation = 2.000
* FR4 ratio width_perforation/height_interperfor = 0.720
* FR5 ratio width_perforation/(height_perf_upper+height_perf_lower bounded by height_frame) = 1.636
* FR6 ratio gap_inter_frame/height_frame = 0.042
* FR7 ratio height_perforation/height_frame = 0.347
* FR8 ratio gap_inter_perforation/height_frame = 0.694
* FR9 ratio gap_frame_perforation/width_frame = 0.023
Other sets of Zapruder frames on MPI DVD
As stated, MPI DVD carries three other sets of Zapruder frames (assuming the
total as four sets by counting the sets with slow and full motion as one set). Since
the next chapter uses the sets with close-up frames (max zoom) and medium
frames (medium zoom) for visual examination of bullet exit wound, I had to check
the sets for resizing issues. I did measurements for images with Zapruder frames
308-316 and all show proportions close to the correct one, i.e. they do not need to
be resized.
Even though this document does not use the set with full ("standard") frames, I did
take a brief look at their sizes. Clearly, this set shows reduced height in the images
for Zapruder frames 308-316 and it appears to be by the same amount of about
25% like the set with wide frames (with perforations) used in this document.
In summary, the Zapruder frames on MPI DVD that are zoomed in (close-up and
medium sets) show correct aspect ratio, and those that are not zoomed in (full and
wide sets) show incorrect aspect ratio by the same 25%.
Altered frames at assassinationresearch.com

Since the website assassinationresearch.com/zfilm is a popular source for Zapruder
frames, we need to examine them as input data for software simulation.
Unfortunately, there is not much to examine because the images are too distorted.
According to the owners of the website, the images came from the same MPI DVD
that I used for software simulation. One owner claims the frames have been
corrected for aspect ratio and pin-cushion distortion.
Firstly, the upper and lower edges of their frames are bent too much. The whole
left quarter of each frame, with both perforations, looks like it went through a fish-
eye lens. In order to come up with the closest templates, I used the max width
possible of 811 pixels but it is still not enough to match the height. The height of
EAF frame is simply too high, i.e. the height is over-corrected. Assuming the max
width 811 pixels and correct aspect ratio 1.85, the correct height comes to be 439
pixels. On the basis of correct values for width and height, the correct size of
perforation is 220x153, the correct inter-perforation gap (IPG) is 305, and the
correct frame-perforation gap (FPG) is 18 pixels. The resulting templates do not fit
because the image is too distorted. Apparently, one of the owners Costella ran the
images through a program that made them unusable as input data for any software
simulation. Also, the images show suspicious tweaking around the bullet exit
wound, compared to the original MPI frames.
A call for project to extract the frames from MPI DVD

Currently, there is no website that provides legitimate copies of Zapruder frames
stored on the DVD Image of an Assassination. There are four sets of frames on
the DVD. Each set contains up to 483 Zapruder frames. I estimate that a manual
extraction of one frame takes about 30 seconds. This means one set requires about
4 hours for extraction. This chapter shows that frames 308-316 of the set with
perforations, requires resizing of height up by 25%. Most probably, other frames of
the same set require the same resizing but this would have to be confirmed. Once
confirmed, the manual resizing in Photoshop would take about 30 seconds per
frame, i.e. about 4 hours. The process to confirm the resizing of each frame up by
25% would take about a minute per frame once a simple confirmation procedure is
determined. In total, it would take about half a week for extraction of the set with
perforations. Other sets might require different resizing. All this would take extra
time. I hope somebody finds the time and provides the extracted frames on a
website.
Alterations of Zapruder film
This chapter would not be complete without addressing the issues of alterations of
Zapruder film, or addressing the attempts to turn Zapruder film into a hoax on the
basis of imaginary alterations.
Firstly, we need to identify two types of alterations. Here, I do not include missing
frames of lesser significance. Probably, MPI version includes some missing frames
but there is no indication they include significant information. The first type are
very primitive alterations which are easily detected. In fact, this type is so primitive
that it is frequently ignored as simply defects. The second type are all other
alterations that are possible but unlikely. There is also a third type of alterations
which are impossible but still promoted by parasitic nutcases masquerading with
big titles like PhDs, Nobel Prizes, etc, all produced by corrupt academic
environments.
Zapruder film shows the first type of alterations, very primitives ones. The
examples are: so called Harper fragment flying across frames 313-339, the
smudged white mark M5 (M6E), many "dirt" spots, two erased white marks, etc. It
is not clear whether these are alterations to the film itself or simply alterations
during photocopying, or digital scanning or its post-processing. These are very
crude alterations which indicate there is little, if any, of the second type of
alterations. JFK killers arranged also for Moorman Photo to be altered, in a very
primitive way. Both Zapruder and Moorman were semi-conspirators participating
in JFK assassination. JFK killers knew that many photos made by legitimate
bystanders would have to be confiscated after JFK assassination by using their
goons at FBI. That is why they planted their own "photographers" in order to flood
the public with their own photos. It would be too suspicious to have no photos. The
public and the naive masses need many photos to look at.
JFK assassination and its cover-up were results of insanity characteristic to inbred
members of Parasitic Ethnic Group and their mentally deficient clones like faggots.
Consequently, do not use your own logical reasoning when thinking about
Zapruder film. Instead, think like a cockroach running around your dirty kitchen.
The more dirt on your kitchen floor, the bigger audacity in a cockroach. Since
O'Monkey sitting in the White Cage is a huge audacity, imagine the amount of dirt
in your kitchen.
JFK assassination itself was ordered by the most insane members of inbred
members of Parasitic Ethnic Group. Think of them as cockroaches that feed on the
biggest dirt in your kitchen. All other cockroaches, including their relatives like
Texas Governor Connally or Dallas Mayor Cabell, just followed the insanity in
order to prosper at your expense. Not all cockroaches react the same way. There
many different factions or tribes among them. Most tribes promote Zapruder film
as authentic because they feed off many useful idiots and dummies who are still
smart enough to reason better than a cockroach. Other tribes try to turn Zapruder
film into a hoax. It is a matter of time before all cockroaches overrun all useful
idiots and dummies, and suddenly JFK assassination never took place much less
Zapruder film. When the most insane cockroaches came up with the idea to film
JFK assassination for you, they did not anticipate the digital age. Now all
cockroaches have to control the damage done by the most insane among them.
That is why there is one tribe among the cockroaches, led by so called "Professor"
Fetzer (Fet boy), who tries to discredit Zapruder film. This tribe is semi-organized
by outfits within CIA. The members of this tribe ignore the primitive alterations in
Zapruder film because such alterations actually support the authenticity of
Zapruder film. Instead they promote imaginary ultra-sophisticated alterations.
Nobody would alter any film with both primitive and ultra-sophisticated
techniques at the same time. All cockroaches in this tribe know that Zapruder film
is authentic, that JFK assassins were Jackie and Clint Hill, but they will deceive
you with their insane arguments. The cockroaches talk "big science", but in fact
they are nothing more than cockroaches feeding on your dirt in your dirty kitchen.
The only reason the cockroaches got their big "academic titles" is because of
widespread corruption caused by cockroaches who benefit from corruption (dirt) in
the first place.
"Professor" Fetzer wrote The Great Zapruder Film Hoax (2003). He also wrote
Assassination Science (1998). Both the same cockroach nonsense. Since The
Great Zapruder Film Hoax is more recent, let's use it to pick up some selected
arguments. The whole book is like one big pile of droppings of a fat cockroach
with Pee HD. The cockroach drops many arguments all over the floor, without
finishing them, then pees all over the floor with unrelated arguments of his own or
other cockroaches, then suddenly announces that the chaotic pile is his "research
vehicle".
"Professor" Fetzer appears to love the arguments based on conflicting testimonies

of "eyewitnesses". Most, if not all, of so called "eyewitnesses", especially those
who testified for Warren Report, were planted by JFK killers before the
assassination. Their main role was to act precisely as false witnesses and to crowd
out all legitimate eyewitness after the assassination. Secondly, "Professor" Fetzer
does not even complete any of his alteration arguments. He just drops one
argument, and then runs away like a cockroach to drop or pee another argument
somewhere else.
Another major argument of "Professor" Fetzer appears to be based on JFK's head

wounds compared to the "testimonies" of medical staff at Parkland Hospital.
Firstly, the medical staff at Parkland was mostly composed of semi-conspirators
mixed with intimidated participants whose "testimonies" have to be heavily filtered
before any serious consideration. Secondly, the head wounds make sense if
properly analyzed. "Professor" Fetzer writes "infamous blob moving around for no
apparent reason" as one of the reasons to discredit the film. However, when you
look closely at any flame of a burning candle, you will also notice that the flame
and its smoke also move around for no apparent reason. Maybe you should send a
flaming memo to "Professor" Fetzer.
"Professor" Fetzer quotes John Costella, yet another Pee HD, who supposedly
made a big discovery of incorrect aspect ratio in MPI version of Zapruder film.
However, instead of researching this problem like any real PhD would do,
"Professors" Costella and Fetzer have published their own version of Zapruder film
with even a bigger aspect ratio problem while making other serious corruptions to
the film. Fetzer even goes on to write "Costella's work establishes a new standard
for research on the film that incorporates corrections for the kinds of distortions
that have created obstacles to research in the past". In case you do not know, a
"correction" among cockroaches is a code word for another SCAM.
7. Analysis of Jackies bullet shot with software

simulation
This chapter provides a real scientific analysis of Jackie's bullet shot. This is not
the junk science published in countless books about JFK assassination. Most of this
chapter is about computer analysis of the traces left by Jackie's bullet in Zapruder
frames 313 and 314, supported by about 5000 lines of C source code. This
document calls these traces white marks. The movie JFK calls them "Top Secret",
meaning the most critical evidence of JFK assassination. The whole movie is
virtually about the white marks. The movie A Shot In The Dark also devotes a lot
of its content to the white marks, making the movie extremely valuable because it
was released within one year after JFK assassination. Both movies are consistent
about the counts of erased and remaining white marks.
The white marks are made by burning White Phosphorus on so called PWM
projectile. Apparently, JFK killers planned to broadcast Zapruder film within hours
after JFK's death, by using their brainwashing machines like WFAA-TV in Dallas.
Their goal was to send a message to their enemies by displaying a spectacle of
their alleged powers. However after seeing the white marks, they panicked and
changed their minds. Instead, they used their brainwashing machines to broadcast
only the existence of Zapruder film and to spread their fake stories about Zapruder
running around Dallas trying to develop the film.
My calculations will use appropriate scientific assumptions, in order to provide

better understanding of the available evidence. Such analysis allows us to examine
details that could reveal some interesting insights. I will use only basic math. That
is why I came up with very simple mathematical formulas to enable more people to
understand the process. Each formula comes with diagrams making it easy to
understand. Anything is better than the idiotic ballistics in Warren Report or
hundreds of books by worthless "experts" promoted by Parasitic Ethnic Group.
In order to resolve every single detail of ballistics we would have to collect

empirical data of blowing out an equivalent human head with different types of
bullets fired to specific spots on the head, and then compare to Zapruder frames.
Only psychopathic killers collect such data, and they have the advantage of having
such data. That is why it is pointless to resolve all the details. The evidence of
Jackies guilt is so overwhelming that we do not need all ballistic details. I will go
through general ballistics in order to extract additional information about JFK
murder. I will use only pictures made in public. All pictures from so called JFK
autopsy belong in a garbage dumpster behind a cheap wax museum.
I will explain all steps so that you can reproduce them yourself, especially if you
have computer programming skills. At the very least you need a software program
like Photoshop and Zapruder frames. Never trust any officially published book,
article, documentary, etc, because all of them originate from sewers infested by
cockroaches. Anybody who ever wrote or said something about JFK assassination
in the official media is a cockroach paid to cover up JFK assassination. Trust only
yourself.
You need to understand the basics of exposure time (open shutter) and non-
exposure time (closed shutter) as explained in the section Relevant technical
specifications of Zapruder film and frames. The previous chapter describes the set
of Zapruder frames 308-316 used for analysis in this chapter. The references
chapter includes a diagram of JFK limo, with the measurements.
My analysis of Jackie's bullet shot revolves around three major areas:

The six white marks visible in frames 313 and 314. They are created by a
single fragment from Jackie's bullet. I call this fragment PWM (projectile
with white marks). PWM projectile does not contain any significant amount
of metals, if any at all. Most probably, it is a chunk of incendiary like White
Phosphorus (WP) with some non-metal materials around it. Since PWM
projectile left a visible path, I provide a very detailed analysis of its path
which is the same as bullet path BP.
The bullet itself or its fragments. I call them collectively PBF (projectile
with bullet fragment/s). PBF projectile is the actual bullet or its fragments
composed of metal parts. They have the same initial velocity as PWM but
travel much faster and much farther because they have much bigger initial
energy due to bigger weight. Unlike PWM, PBF is not visible in Zapruder
frames due to insufficient resolution as explained in one section. Both
projectiles PWM and PBF initially follow the same bullet path, and share
the same initial linear velocity at bullet exit point BX. Consequently, a basic
trajectory can be derived for PBF on the basis of data computed for PWM.
The anatomy of human head&neck in order to derive the bullet entry and
exit points BE and BX on JFK's head, on the basis of exit wound visible in
Zapruder frames.
My strategy is outlined in the short list below. I am providing it now so that you do
not lose the track later.
Provide a section with all the definitions, formulas, technical specs, used
during analysis and software simulation.
On the basis of all Zapruder frames showing bullet exit wound and the
anatomy of human head&neck, determine the bullet entry and exit points
targeted by JFK murder planners. The targeted bullet entry and exit points
will be confirmed by the software simulation described in the chapter.
Extract the perceived vertical angle of bullet path from Zapruder frames 313
and 314 by eliminating the effects of camera panning. By using the offset
between the bullet path and the bullet exit point in frame 312, approximate
the time of firing during non-exposure time of frame 312.
Given the angle of JFK's head turned away from Zapruder, and the targeted
horizontal angle between bullet entry and exit points, approximate Zapruder
viewing angle to few degrees.
Perform a software simulation on the basis of Zapruder frames data,
estimated bullet exit point, perceived angle of bullet path, and other
parameters. Let the software determine the length of bullet path in 3-D
bounded by frames 312-315, limo speed, panning speed, data for all
reference points along the bullet path, all relevant angles viewed at different
angles relative to Zapruder and the ground, nodding and leaning angles of
JFK's head, and many others.
Draw an optical diagram showing merged horizontal and vertical planes
representing frames 312-315 and bullet exit point, optical axis originating
from Zapruder camera, relevant reference lines, etc.
Estimate the position of Jackie's right hand holding her handbag during
firing a bullet, the orientation of gun barrel, distance between the muzzle and
the bullet entry point, etc.
Software used for this document
This document version comes with software designed to analyze Jackie's bullet
shot. The software is written in C/C++ language, its full source code (about 5000
lines) is available for a free download at any of the websites listed at the beginning
of this document. The software files are composed of six .cpp files, one .h file, plus
three .cpp or .h pseudo files generated by Microsoft Visual Studio 2008 (VS2008).
The files have been compiled with VS2008 on Windows. Other compilers may
require minor modifications to the source code files.
The software does not generate graphics. It is a console-type program that accepts
extensive static data about Zapruder frames 308-316 and configuration parameters,
performs calculations in 2-D and 3-D spaces in order recreate Jackie's bullet path,
and generates 19 output files with data tables and other information. The data
tables can be easily loaded into a spreadsheet program like Excel, then parts of the
spreadsheets can be pasted into any document like this one. Most spreadsheet
tables included in this document come from the output files generated by the
software. The output data depend on configuration parameters as explained in this
chapter. You may compile the software with different configuration parameters to
examine their impact on results.
In summary, the .zip package includes:

complete source code. Files of types .cpp or .h
19 output data files, some are broken into two files - one with
table(s) and one with table notes because Excel spreadsheet program
requires two different formatting characters. Files of type .txt
9 original MPI image files with Zapruder frames 308-316, with added
templates. Files of type .jpg
one big image file with vertically concatenated Zapruder frames 308-316
(each of original size as captured from MPI DVD), with added templates
and comments. File of type .png
one big image file with overlapping frames 312-315, based on resized
MPI images, aligned on a common canvas, with added templates, BP line,
and comments. File of type .jpg
9 MPI image files with Zapruder frames 308-316, resized up to proper
height, width unaffected, with added templates. Additional 3 image
files for frames 313-315 showing all eight white marks. Files of type
.png
9 original Warren image files with Zapruder frames 308-316, captured
from history-matters.com, with added templates. Files of type .jpg
one original image file with Zapruder frame 309, downloaded from
assassinationresearch.com, with added templates. Files of type .jpg
Misc files like Zavada Study, Die Patrone, diagrams included in the
document, movie scripts, etc
The source code has been released for two reasons. Firstly, its code and comments
provide much more information than any document could provide. Secondly, it
will create an interest in legitimate JFK research and it will take away interest from
the JFK junk science like the Fetzer idiotisms published by the corrupt publishing
business controlled by Parasitic Ethnic Group. Most people reading this document
do not have the skills to evaluate the software. But some do and they will spread
the message to millions of computer programmers, software engineers, and
legitimate scientists out there. Since they also know how to take advantage of the
Internet, their message will be so much stronger to shut up all academic frauds like
Fetzer and other cronies.
Abbreviations
This section defines abbreviations used in this chapter. The acronyms (other than
the names of reference points) are:
BP - bullet path, traversed by two types of projectiles PBF and PWM

MPI - name of company that made the DVD Image of an Assassination
PBF - projectile(s) made of bullet fragment(s), mostly metal parts
PWM - projectile showing up as white marks, mostly non-metal parts
WP - White Phosphorus
RSF - resize factor, used for Zapruder frames
WTA - width of telescopic antenna
SDO - smallest detectable object
ZVA - Zapruder viewing angle, a conversion offset of 1.75 for his elevation
EAF - exposure aperture frame (area), 0.266"x0.144" frame

PW, PH - perforation width (0.072"), or height (0.050")
IPG - inter-perforation gap (0.100")
IFG - inter-frame gap (0.006")
FPG - frame-perforation gap (0.006")
EC, ECL, ECR - JFK's ear canal (outer opening), either, left L, right R
HL - horizontal (level, ground) line
VL - vertical (plumb) line
LD - limo direction (horizontal)
LP - limo perpendicular line (horizontal)
VA - vertical axis of JFK's head
FA - frontal horizontal axis of JFKs head
SA - sagittal horizontal axis of JFKs head
OA - optical axis in optical diagram
OD - optical diagram
px, hpx, vpx - pixel, horizontal pixel, vertical pixel
ZC - line between Zapruder camera and JFK's head
VD - vertical distance for formula with relative distances
ZV - reference point for Zapruder viewing angle, found in optical diagram
312E, 313E, 314E, etc - exposure time of frame 312, 313, 314, etc
312NE, 313NE, 314NE, etc - non-exposure time of frame 312, 313, 314, etc
(L1, L2) - angle between line L1 and line L2
The abbreviated names of reference points are (subscripts are not significant, e.g.
M1 is the same s M1):
BX - bullet exit point on JFK's head, on-BP or off-BP depending on context
BS - bullet start point in the muzzle of Jackie's gun barrel
BE - bullet entry point on the left side of JFK's jaw
FC - center of frame 312, on the basis of standard 8mm frame
M1 - white mark #1 in frame 313, off-BP, first visible white mark above BX
M2 - white mark #2 in frame 313, off-BP
M6 - white mark #6 in frame 314, off-BP, closest to T1
MnE - nth exposed mark (visible or erased), on-BP
MnNE - nth non-exposed mark, on-BP
Sn - change of shutter state for PWM, on-BP
Snb - change of shutter state for PBF, on-BP
R1 - the tip of left sneaker (fixed reference point)
R2 - the corner of grass patch (fixed reference point)
R3 - the tip of left elbow (fixed reference point)
R4 - the left leg and sneaker of a woman (fixed reference point)
R5 - the right eye of a woman (fixed reference point)
RL - the front edge of window frame behind driver (moving reference point)
T1 - on-BP point on top edge of EAF frame 312
ZL - Zapruder camera lens (center), a 3D point
Formulas for viewed angle

My analysis deals with angles shown in Zapruder frames. Since the actual angles
have been recorded from different viewing angles, we have to readjust their sizes
before we can compare them consistently. In this document, viewing angle is the
angle between the horizontal or vertical projections of viewed line/surface and the
line of sight. Since the context determines whether viewing angle is horizontal or
vertical, I will use only the name viewing angle. I attach two diagrams to illustrate
the formulas.
Notice that these two formulas deal with one viewing angle at a time. If <90
then the other viewing angle (horizontal or vertical) has to be 90. Consequently,
this document uses the formulas accordingly. For example, I use the formulas for
frame 312 where everything is displayed relative to the optical axis of Zapruder
camera, i.e. the image is relative to the horizontal plane of Zapruder and where the
vertical viewing angle is 0, even though his elevation is 10. Once the program
computes the parameters in the horizontal plane of Zapruder, it converts the
relevant parameters to the ground horizontal plane (elevation 10 lower) using
approximations based on empirical data.
Formula for horizontal viewing angle

tan(90) = sin() * tan()
Formula for vertical viewing angle

tan() = sin() * tan(90)
where 90 is the actual size of angle at viewing angle =90, is the

perceived size of angle at viewing angle , 0 90 is the viewing
angle (horizontal or vertical). If <90 then the other viewing angle
(horizontal or vertical) has to be 90, i.e. each formula deals with one
viewing angle at a time. Notice that the correction is needed especially
when the viewing angle is less than 65 because then sin() starts
decreasing quickly.
Formulas for viewed distances
My analysis also deals with converting distances measured in pixels and inches.
For objects inside JFK limo, I use the published dimensions of JFK limo. Since the
limo is approximately perpendicular to Zapruder such conversions do not require
special handling because the distances are uniform/linear. However, there is one
case where I have to deal with the bullet path shown in Zapruder frames. The
complication is dealing with distances along this path because the path is oriented
at various angles relative to Zapruder, especially horizontal angle. Distances along
such paths are not uniform and require special handling. I have derived conversion
formulas based on the distance viewing angle measured as 3-D angle, which is not
the same as viewing angle from previous section.
Optical zooming does not affect the perceived relative distances. Consequently, the
telephoto setting on Zapruder camera does not affect the formulas listed below, i.e.
the formulas require the actual viewing distance of about 70 feet and not the
zoomed distance. I attach a diagram with example to illustrate the formulas (the
distances and angles for Zapruder case are different, but the configuration is the
same).
Formula for real/actual distance viewed at 3-D angle :

PXp * VD * Xmax
Xp =
VD - Xmax * (1 - PXp) * cos()
where Xp is the real absolute distance (inches, feet, etc) between the origin
and point p. Xmax is the maximum real absolute distance between the origin
and the end of measured distance, Xp Xmax. PXp is the perceived relative
distance between the origin and point p, 0 PXp 1. VD is the viewing
absolute distance (inches, feet, etc) between the origin and the observer,
VD Xmax*cos(). is the distance viewing angle between the line defined
by the origin and the observer, and the line defined by the origin and the
end of measured distance. This angle is computed as 3-D angle between
two vectors with the same origin.
Formula for perceived relative distance viewed at 3-D angle :

Xp * [VD Xmax * cos()]
PXp =
Xmax * [VD Xp * cos()]
where all parameters are the same as in the formula for real/actual distance
viewed at horizontal angle.
Equations relating BP, BEBX , FA

In order to simplify the analysis of BP, BE , BX, I have come up with two equations
relating them to FA axis of JFK's head. One equation for horizontal plane that
includes the horizontal projection of BP (viewing angle). The other equation for
vertical plane that includes the BP itself. I also attach a diagram to illustrate each
equation. The angles are represented as (L1, L2), where L1 is the first bounding
line and L2 is the second bounding line.
Even though the equations look independent of each other, they are not. The
following sections will extract BP angle as perceived by Zapruder. Once we know
the perceived BP angle, we can compute the real BP angles (for Zapruder plane at
elevation of 10 and ground plane) as viewed at 90 to BP as long as we know the
viewing angle for Zapruder. Many different real BP angles will appear as the same
perceived BP angle as long as the viewing angles match the formula for viewed
angle. One section will approximate the viewing angle (ZC,BP) with an error of
less than 5. The approximated viewing angle will directly influence the vertical
angle (HL,BP) through the formula for viewed angle. This means the equations
are interrelated.
Equations for horizontal/ground plane (all lines are horizontal projections of the
corresponding lines):
(ZC,BP) = (ZC,FA) +(FA,BEBX)
where (ZC,BP) is the BP viewing angle for Zapruder. (ZC,FA) is the angle of
JFK's head turned away from Zapruder perpendicular view. (FA,BEBX) is the
horizontal angle between the line defined by BE and BX , and FA inside JFK's head.
(FA,BEBX) = (FA,BP).
Equations for vertical plane of BP viewed at 90 (all lines are vertical projections
of the corresponding lines):
(HL,BP) =(HL,FA) + (FA,BEBX)
where (HL,BP) is the actual BP angle as viewed at 90 on the same level as BX

(the corresponding (HL,BP)90 for Zapruder will be lower because he is 10
higher). (FA,BEBX) is the vertical angle between the line defined by BE and BX ,
and FA inside JFK's head. (FA,BEBX) = (FA,BP). NOTE: all these angles will
appear different from viewing angles other than 90 relative to the vertical plane of
BP.
Orientation of JFK's head
Orientation of JFK's head is important because my analysis uses it for the equation
used to approximate the horizontal viewing angle for Zapruder camera.
Let's quote the treasonous HSCA Report:

131) After studying those photographs most closely approximating the correct aspect, it
was possible to determine, by comparing the positions of such features as Kennedy's ear
relative to other parts of his head, the aspect from which Zapruder's camera viewed
Kennedy. On this basis, it was determined that Kennedy was turned partially away from
Zapruder - approximately 25 past the 90, or profile, direction. His head was tilted
away from Zapruder by about 15, and he appeared to be nodding forward by about
11 (clockwise, as viewed by Zapruder).
I did some tests myself by taking pictures of similar head at different angles. The
most important is the part about JFK's head turned partially away from Zapruder. I
was able to determine that 25 ( a few degrees) is the best choice. This is was I
used for approximation of Zapruder viewing angle, along with -5 for the
horizontal angle between FA and BEBX as explained in another section.
Location of bullet exit point BX
Let's examine all Zapruder frames showing the bullet exit wound on JFK's head.
Zapruder frames provide the best evidence, and not the nonsense from Warren
Report or so called JFK autopsy that really belongs in a cheap wax museum or a
dumpster behind it. This section examines the distinctive features around the exit
wound, and it tries to pinpoint the bullet exit point BX used in further analysis in
other sections of this chapter.
The attached full-page picture shows the bullet exit wound cropped from 30
Zapruder frames between frames 315 and 369. The frames came from the set of
medium frames on MPI DVD, by directing cropping without zooming. All frames
show a source of light around JFKs right temple, widely termed as "blob".
Initially, the light is gradually expanding. Then the light becomes stable. There is
nothing in human body that would create such a source of light in the middle of
blood bath with flying pieces of internal organs. The light can not be a reflection of
sunlight because it is so consistent at different viewing angles. The light is blurred
because it follows JFK's head movement. A closer examination of selected frames
allows to estimate the rightmost position of JFK's right temple but the light goes
even further to the right as if it is sticking out consistently perpendicular to the side
of temple. The time between frames 313 and 369 is about three seconds. No pieces
of internal organs sticking out and viewed at different angles would show such
consistency. There is also heavy white smoke hanging close to the exit wound.
Later in this section, I will zoom in on eight frames with the least blurs for more
closer examination. However, it should be clear now that the light is coming from
something burning inside the exit wound. The light is sticking out because a
burning substance produces a flame and little sparks. This is an indication that
Jackie uses an incendiary bullet. My analysis of white marks in the following
sections will support this conclusion. In other words, the famous "blob" is a flame
and thick cloud from burning incendiary, mixed with JFK's gore.
The question is what type of incendiary is used? High possibility is White

Phosphorus (WP), widely known in military applications. It is a waxy, white or
yellow, combustible solid. In the presence of oxygen, it spontaneously ignites with
a yellow flame and produces dense white smoke. When used in incendiary bullets,
a booster explosive like tetryl is used to ignite it, without waiting for oxygen to
kick in. White Phosphorus burns up to 5000 F. It tends to spit out little tendril-like
sparks/flames while burning. It has a habit of sticking to human skin and tissue like
napalm. It extinguishes only when deprived of oxygen or totally consumed. For
examples of wounds you may consult a burn case report (web link), also included
in the zip package. I attach four pictures of burning White Phosphorus, in lab
environments and over cities. Notice that the pictures look very similar to the
pictures of "blob" on JFKs head. The burning time depends on the amount. An
amount of 50-100mg burns for about 30 seconds (youtube video). Jackie's bullet
would use a little less than 50mg, enough to cause a visible heat source and heavy
white smoke recorded in Zapruder frames.
I also attach two pictures of White Phosphorus in its solid form of different purities
that affect its color. The picture with a plastic bottle filled with water shows orange
color on WP. The picture with a rectangular chunk cut at the corner shows white-
yellow on the outside and yellow on the inside, also submerged under water. The
colors are different because of different purity and different levels of exposure to
light.
The heat from burning WP creates a mist from JFKs blood in order to provide
special effects wanted by JFK killers. Remember that the show is about killing JFK
in a Hollywood style based on insanity caused by inbreeding within Parasitic
Ethnic Group. The Parasites are obsessed with burning. That is why they cry that
somebody tried to burn them in the past. At the same time they burned the
President of the United States with a flame and then arranged for an eternal flame
on his gravesite to teach their enemies. At the same time, they keep building their
HolyHoax museums to masquerade as burned victims. They have one vermin
called Steven Spielberg selling movies about their HolyHoax and another vermin
Tom Hanks selling movies about WWII and JFK lies.
The next step is to pinpoint the bullet exit point BX. The attached one-page picture
shows zoomed-in exit wound in eight frames. The frames came from the set of
close-up frames on MPI DVD, by directing cropping without additional zooming.
A closer examination indicates no wounds on the cranium itself, i.e. forget the
Oswald myth.
The first five pictures for frames 313-317 show blood mist combined with white
smoke, so the outer ear is not visible except for frame 317 where you can spot a
barely recognizable dark shadow (outer ear) just next to the flame. All five pictures
show light-colored blurs that seem to be created by sparks because JFKs ear or
temple does not reach the blurs. The distance traveled by sparks is limited to less
than 10 inches from JFKs ear. Also, the blurs are too distinct to be caused by
reflected sunlight. The flame starts showing up in frame 316 and starts visibly
burning in frame 317. Even though JFK's head moves enough to create a blur, the
flame in frame 317 appears to be round because the tail of blur is covered by blood
mist. The burning becomes more focused with less sparks. The double arrowed
line in picture 317 shows the approximate distance between the back of his head
and his right ear canal (EC) on the basis of frame 312 before his hair becomes
disheveled due to a fragmenting bullet rotating about 100,000 rpm through his
head.
The last three pictures for frames 333-337 show much less blood clouds so that a
shape of JFK's outer ear starts showing up. His outer ear seems to be misplaced
towards the back of his head. The flame originates close to JFK's right ear canal.
Why did JFK killers want an incendiary in Jackies bullet? They wanted a
spectacular result. Apparently, they figured that Jackie would not be able to blow
JFKs brains out in a spectacular way and with a sufficient reliability. So they
chose something close to his brains and tried to conceal it by making the splatter
around his head as big as possible. An incendiary turns blood into vapor or mist.
Also, it creates a light source when burning inside the exit wound such that the
wound appears to be his brains hanging out. They carefully chose the right camera
to hide all the details. However, one thing is certain! They loved the idea of
burning JFK alive. That is why they were so anxious to arrange for so called
Eternal Flame on his gravesite. They want to see him burning even after his
death.
An incendiary like White Phosphorus would also explain why Connally was so
anxious to get out from his seat and keep his head far from JFKs head. He did not
want to risk any stray sparks flying over his screaming head. I bet he wore flame
resistant underwear. The same applies to Jackies pink suit and hat that probably
came from a Fire Department, and not from Chanel or Chez Ninon.
I suggest you spend some time looking at the exit wound with a new set of eyes. In
the past, you have received lots of brainwashing from JFK research industry full of
con artists and useful idiots. You need some time to allow the real facts to sink in.
Now you know why so many con artists try to discredit Zapruder film. They know
the film carries lots of hidden information and with the proliferation of new
information technologies and more real people researching all the facts themselves,
all the hidden information could become evident. Back in the 1960s, they did not
anticipate Internet, computers, software, all public information about JFK
assassination, available to millions of people much smarter than they are.
This document assumes that BX is inside the outer opening of right ear canal, ECR.
Knowing that all the brainwashing machines sell the myth of JFK's brains blowing
out in frame 313, it does not take a brain surgeon to figure out that JFK murder
planners want to hide the actual bullet exit hole to bystanders. And what is a better
way than to have BX inside the outer opening of JFK's right ear canal?
Do you know what is next to JFK's right ear canal? The answer is JFK's right
internal jugular vein, with plenty of blood needed to create a Hollywood show!
This means that Jackie did not blow his brains out. Another chapter explains that
Clint Hill blew JFK's brains out under the overpass with the Dallas Police Chief
and Sheriff of Dallas County watching from their car next to JFK limo. Jackie blew
JFK's jugular so that Zapruder could film an illusion of his brains blowing out and
Parasitic Ethnic Group could promote the "blob" as his brains.
Colors of solid and burning White Phosphorus
Since two major movies The Godfather and JFK use the colors of solid and
burning White Phosphorus to identify it, this section explains the actual colors. The
color of solid White Phosphorus depends on its purity and exposure to light. In a
pure solid state, White Phosphorus looks like a waxy white substance. In an impure
solid state, White Phosphorus can achieve the color of dark orange. All three
movies decoded for this document use white color to refer to White Phosphorus
(White-as-WhitePhosphorus). The Godfather uses also an orange color (Orange-
as-WhitePhosphorus).
Picture 1 shows White Phosphorus under water. It looks white-yellow on outside

and yellow inside. Apparently, it is not pure enough to look white.
Picture 2 also shows White Phosphorus under water. This time it looks orange.
Apparently, Red Phosphorus has formed on its surface making it look orange.
Picture 3 shows a model of White Phosphorus in the nose of B-Patrone bullet. This
is only a model colored after the actual color of White Phosphorus used for this
type of bullet. The full photograph is on page 66 in the pdf file "Die Patrone -
German.pdf", included in the zip package. This photograph was used by The
Godfather for the symbol Orange-as-WhitePhosphorus.
Picture 4 shows a lab tube with burning White Phosphorus inside. The burning
colors are yellow and white.
Basic anatomy of human neck&head
Here, let's familiarize ourselves with the basics of human skull, veins and arteries
of neck&head.
Keep in mind that JFK murder planners want to create a spectacular result of his
brains blowing out. Zapruder film is the best proof that they have achieved their
goal. Their brainwashing machines have made us believe that his brains blew out.
However, after digging through all the evidence, especially Zapruder film and
Moorman photo, I have to come to the conclusion that the bullet did not touch his
brain at all.
In order to blow JFK's brains out with a bullet fired from the location of Jackie's
right hand, the bullet would have to enter JFK's skull at a relatively weak point
near the base of skull and exit in the upper right side of skull. Assuming you are
looking at the side of skull, you can see a gap between the mandible (jawbone) and
the ear canal of temporal bone. Let's concentrate on bone structures because they
provide the main resistance to bullet penetration. A bullet fired by Jackie at upward
angle toward this gap would hit first the base of skull. If the bullet hit a weak part
of the base of skull, then it would exit with enough force on the other side through
a much stronger bone like frontal bone (forehead) or temporal bone (temple). In
order to achieve a spectacular result, Jackies bullet would have to reach the other
side of JFKs skull with as much force as possible.
Only a high-powered bullet could break a hole big enough to create an effect
shown in Zapruder film. The bullet would have to be solid (non-fragmenting) in
order to go through the neck and base of skull without losing enough force. Its not
even clear that a solid bullet would achieve a spectacular result as shown in
Zapruder film. Also, Jackie would not be able to handle a recoil of high-powered
bullet and achieve the required precision at the same time. Jackie could easily hit a
large bone near the base of skull like spinal column making the bullet exit without
the red clouds. The risk-benefit analysis would not be acceptable to JFK murder
planners. Only an incendiary or expanding-type bullet would create so much
damage. However, such a bullet would not provide enough force to create a large
crack in very hard bone.
Since Jackie cannot handle a shot to JFK's brain, JFK murder planners set their
sights on the sources of blood below the base of skull. If they tore as many veins
and arteries as they could, especially when creating a heat source inside his neck,
then an expanding bullet would create a spectacular effect of large red clouds that
look like pieces of his brain. If they could select the right camera with right
settings, then the film would show enough to suggest that JFKs brains blew out
and at the same time not enough details to show the difference for a casual
observer. To increase the odds of success, they probably tested on cadavers or even
live subjects before the show.
As the attached diagrams show, the main veins and arteries of neck are
concentrated around the ears on both sides. JFK murder planners want to have as
much blood as possible on his right side so that Zapruder can film a bigger show.
This means they want to keep the main veins and arteries on his left side intact.
Their main target are the right jugular veins and the right carotid arteries,
especially the right internal jugular vein which carries lots of blood. In most
people, the dominant internal jugular vein is on the right side. They train Jackie to
shoot at negative horizontal (FA,BEBX), i.e. at least an inch away from left ear
back towards the right ear canal. The next section will estimate this angle and other
angles.
Location of bullet entry point BE

The horizontal (FA,BEBX) and the perceived vertical angle BP are the most
important parameters because they determine the values or range of values of all
other parameters (assuming the orientation of JFK's head). The main goal of this
section is to determine the horizontal (FA,BEBX) on the basis of anatomy of
human head&neck. The pictures of human skulls used in this section show average
relative sizes. The actual sizes may differ but the errors should be relatively small,
making the approximations adequate. The vertical (FA,BEBX) will be
determined as a byproduct. In one of the following sections, I will draw a whole
diagram assuming perceived vertical angle BP=57 and the horizontal
(FA,BEBX) = -5.
Let me start with the diagram of the base of human skull. The diagram shows four
horizontally projected red lines that originate on left side and cross BX on the right
side. Each line corresponds to a horizontal (FA,BEBX). The angles are relative to
frontal axis FA. The sign is negative to indicate the opposite direction to the 25
turn of JFK's head. I drew two pairs of ellipses, blue for internal jugular veins and
red for internal carotid arteries, main blood vessels of head&neck, that go down
vertically from the base of skull. Jackie has to hit those on the
right side and avoid hitting those on the left side. She also has
to avoid hitting the basilar part of occipital bone that sticks
out below the base of skull., i.e. she needs a vertical
(FA,BEBX) of at least 10-15.
Since Jackie's bullet is not solid because it contains an

incendiary substance with a booster explosive. The bullet will get fragmented as
soon as it hits JFK's head. Such fragments would lose lots of energy when hitting a
harder bone like the basilar part. JFK's murder planners designed the bullet to pass
soft human tissue, veins, arteries, cartilage, but not hard bones. Notice that the
angles 5-7 for horizontal (FA,BEBX) are the best targets. The next diagram
shows the left side of human skull with the vertical lines that correspond to the
horizontal (FA,BEBX), and the horizontal lines that correspond to the horizontal
dotted lines in previous diagram. Obviously, Jackie must not hit JFK's jaw. The
horizontal lines define the values of vertical (FA,BEBX), drawn on the next two
diagrams showing the front and the back of human skull.
The horizontal (FA,BEBX) of around 5 is a good choice for many reasons. It lets
Jackie shoot at vertical (FA,BEBX) of 16-20, whereas all angles above 8
demand vertical (FA,BEBX) of at least 23-25, especially when the lower jaw is
open. It also lets Jackie place the handbag against JFK's neck instead of his jaw,
limiting the impact of his jaw moving at the wrong time, while helping her during
the barrel aligning procedure explained later in this chapter. By placing her
handbag between JFK's neck and his jaw, Jackie can keep his jaw from moving at
the wrong time. The horizontal (FA,BEBX) of around 5 lets Jackie shoot just
behind the larynx limiting the chance of hitting it. For the bullet to be effective on
the right side, it has to limit hitting anything on the left side. After all, the show is
on the right side where Zapruder is already waiting for Jackie's bullet. A horizontal
(FA,BEBX) > 10 makes it harder for Jackie to hide her handbag from the view of
Zapruder camera.
One of the programs I wrote for this document generates all possible combinations.
It assumes the perceived BP as 57 extracted from frames 313 and 314 in the
following sections, and the horizontal turn of JFK's head as 25. I attach a
spreadsheet with output. The source code provides all relevant comments.
Combinations of key parameters (the one marked red is the most likely and assumed in this document)
BeBx_h BeBx_v VA_bp HA_v BP_g_90bp BP_z_90bp BP_z_90oa BeBx_h BeBx_v VA_bp HA_v BP_g_90bp BP_z_90bp BP_z_90oa BeBx_h BeBx_v VA_bp HA_v BP_g_90bp BP_z_90bp BP_z_90oa
-5 15 20 19 34.5 30.1 31.7 -10 21 15 10 30.6 24.3 25.1 -15 26 10 0 25.8 17.7 18.0
-5 16 20 18 34.5 30.1 31.7 -10 22 15 9 30.6 24.3 25.1 -15 27 10 -1 25.8 17.7 18.0
-5 17 20 17 34.5 30.1 31.7 -10 23 15 8 30.6 24.3 25.1 -15 28 10 -2 25.8 17.7 18.0
-5 18 20 16 34.5 30.1 31.7 -10 24 15 7 30.6 24.3 25.1 -15 29 10 -3 25.8 17.7 18.0
-5 19 20 15 34.5 30.1 31.7 -10 25 15 6 30.6 24.3 25.1 -15 30 10 -4 25.8 17.7 18.0
-5 20 20 14 34.5 30.1 31.7 -10 26 15 5 30.6 24.3 25.1 -16 15 9 10 24.7 16.3 16.5
-5 21 20 13 34.5 30.1 31.7 -10 27 15 4 30.6 24.3 25.1 -16 16 9 9 24.7 16.3 16.5
-5 22 20 12 34.5 30.1 31.7 -10 28 15 3 30.6 24.3 25.1 -16 17 9 8 24.7 16.3 16.5
-5 23 20 11 34.5 30.1 31.7 -10 29 15 2 30.6 24.3 25.1 -16 18 9 7 24.7 16.3 16.5
-5 24 20 10 34.5 30.1 31.7 -10 30 15 1 30.6 24.3 25.1 -16 19 9 6 24.7 16.3 16.5
-5 25 20 9 34.5 30.1 31.7 -11 15 14 15 29.7 23.0 23.7 -16 20 9 5 24.7 16.3 16.5
-5 26 20 8 34.5 30.1 31.7 -11 16 14 14 29.7 23.0 23.7 -16 21 9 4 24.7 16.3 16.5
-5 27 20 7 34.5 30.1 31.7 -11 17 14 13 29.7 23.0 23.7 -16 22 9 3 24.7 16.3 16.5
-5 28 20 6 34.5 30.1 31.7 -11 18 14 12 29.7 23.0 23.7 -16 23 9 2 24.7 16.3 16.5
-5 29 20 5 34.5 30.1 31.7 -11 19 14 11 29.7 23.0 23.7 -16 24 9 1 24.7 16.3 16.5
-5 30 20 4 34.5 30.1 31.7 -11 20 14 10 29.7 23.0 23.7 -16 25 9 0 24.7 16.3 16.5
-6 15 19 19 33.7 29.0 30.4 -11 21 14 9 29.7 23.0 23.7 -16 26 9 -1 24.7 16.3 16.5
-6 16 19 18 33.7 29.0 30.4 -11 22 14 8 29.7 23.0 23.7 -16 27 9 -2 24.7 16.3 16.5
-6 17 19 17 33.7 29.0 30.4 -11 23 14 7 29.7 23.0 23.7 -16 28 9 -3 24.7 16.3 16.5
-6 18 19 16 33.7 29.0 30.4 -11 24 14 6 29.7 23.0 23.7 -16 29 9 -4 24.7 16.3 16.5
-6 19 19 15 33.7 29.0 30.4 -11 25 14 5 29.7 23.0 23.7 -16 30 9 -5 24.7 16.3 16.5
-6 20 19 14 33.7 29.0 30.4 -11 26 14 4 29.7 23.0 23.7 -17 15 8 9 23.6 14.9 15.0
-6 21 19 13 33.7 29.0 30.4 -11 27 14 3 29.7 23.0 23.7 -17 16 8 8 23.6 14.9 15.0
-6 22 19 12 33.7 29.0 30.4 -11 28 14 2 29.7 23.0 23.7 -17 17 8 7 23.6 14.9 15.0
-6 23 19 11 33.7 29.0 30.4 -11 29 14 1 29.7 23.0 23.7 -17 18 8 6 23.6 14.9 15.0
-6 24 19 10 33.7 29.0 30.4 -11 30 14 0 29.7 23.0 23.7 -17 19 8 5 23.6 14.9 15.0
-6 25 19 9 33.7 29.0 30.4 -12 15 13 14 28.8 21.7 22.3 -17 20 8 4 23.6 14.9 15.0
-6 26 19 8 33.7 29.0 30.4 -12 16 13 13 28.8 21.7 22.3 -17 21 8 3 23.6 14.9 15.0
-6 27 19 7 33.7 29.0 30.4 -12 17 13 12 28.8 21.7 22.3 -17 22 8 2 23.6 14.9 15.0
-6 28 19 6 33.7 29.0 30.4 -12 18 13 11 28.8 21.7 22.3 -17 23 8 1 23.6 14.9 15.0
-6 29 19 5 33.7 29.0 30.4 -12 19 13 10 28.8 21.7 22.3 -17 24 8 0 23.6 14.9 15.0
-6 30 19 4 33.7 29.0 30.4 -12 20 13 9 28.8 21.7 22.3 -17 25 8 -1 23.6 14.9 15.0
-7 15 18 18 33.0 27.9 29.1 -12 21 13 8 28.8 21.7 22.3 -17 26 8 -2 23.6 14.9 15.0
-7 16 18 17 33.0 27.9 29.1 -12 22 13 7 28.8 21.7 22.3 -17 27 8 -3 23.6 14.9 15.0
-7 17 18 16 33.0 27.9 29.1 -12 23 13 6 28.8 21.7 22.3 -17 28 8 -4 23.6 14.9 15.0
-7 18 18 15 33.0 27.9 29.1 -12 24 13 5 28.8 21.7 22.3 -17 29 8 -5 23.6 14.9 15.0
-7 19 18 14 33.0 27.9 29.1 -12 25 13 4 28.8 21.7 22.3 -17 30 8 -6 23.6 14.9 15.0
-7 20 18 13 33.0 27.9 29.1 -12 26 13 3 28.8 21.7 22.3 -18 15 7 7 22.4 13.4 13.5
-7 21 18 12 33.0 27.9 29.1 -12 27 13 2 28.8 21.7 22.3 -18 16 7 6 22.4 13.4 13.5
-7 22 18 11 33.0 27.9 29.1 -12 28 13 1 28.8 21.7 22.3 -18 17 7 5 22.4 13.4 13.5
-7 23 18 10 33.0 27.9 29.1 -12 29 13 0 28.8 21.7 22.3 -18 18 7 4 22.4 13.4 13.5
-7 24 18 9 33.0 27.9 29.1 -12 30 13 -1 28.8 21.7 22.3 -18 19 7 3 22.4 13.4 13.5
-7 25 18 8 33.0 27.9 29.1 -13 15 12 13 27.8 20.4 20.8 -18 20 7 2 22.4 13.4 13.5
-7 26 18 7 33.0 27.9 29.1 -13 16 12 12 27.8 20.4 20.8 -18 21 7 1 22.4 13.4 13.5
-7 27 18 6 33.0 27.9 29.1 -13 17 12 11 27.8 20.4 20.8 -18 22 7 0 22.4 13.4 13.5
-7 28 18 5 33.0 27.9 29.1 -13 18 12 10 27.8 20.4 20.8 -18 23 7 -1 22.4 13.4 13.5
-7 29 18 4 33.0 27.9 29.1 -13 19 12 9 27.8 20.4 20.8 -18 24 7 -2 22.4 13.4 13.5
-7 30 18 3 33.0 27.9 29.1 -13 20 12 8 27.8 20.4 20.8 -18 25 7 -3 22.4 13.4 13.5
-8 15 17 17 32.2 26.7 27.8 -13 21 12 7 27.8 20.4 20.8 -18 26 7 -4 22.4 13.4 13.5
-8 16 17 16 32.2 26.7 27.8 -13 22 12 6 27.8 20.4 20.8 -18 27 7 -5 22.4 13.4 13.5
-8 17 17 15 32.2 26.7 27.8 -13 23 12 5 27.8 20.4 20.8 -18 28 7 -6 22.4 13.4 13.5
-8 18 17 14 32.2 26.7 27.8 -13 24 12 4 27.8 20.4 20.8 -18 29 7 -7 22.4 13.4 13.5
-8 19 17 13 32.2 26.7 27.8 -13 25 12 3 27.8 20.4 20.8 -18 30 7 -8 22.4 13.4 13.5
-8 20 17 12 32.2 26.7 27.8 -13 26 12 2 27.8 20.4 20.8 -19 15 6 6 21.2 11.9 12.0
-8 21 17 11 32.2 26.7 27.8 -13 27 12 1 27.8 20.4 20.8 -19 16 6 5 21.2 11.9 12.0
-8 22 17 10 32.2 26.7 27.8 -13 28 12 0 27.8 20.4 20.8 -19 17 6 4 21.2 11.9 12.0
-8 23 17 9 32.2 26.7 27.8 -13 29 12 -1 27.8 20.4 20.8 -19 18 6 3 21.2 11.9 12.0
-8 24 17 8 32.2 26.7 27.8 -13 30 12 -2 27.8 20.4 20.8 -19 19 6 2 21.2 11.9 12.0
-8 25 17 7 32.2 26.7 27.8 -14 15 11 12 26.8 19.1 19.4 -19 20 6 1 21.2 11.9 12.0
-8 26 17 6 32.2 26.7 27.8 -14 16 11 11 26.8 19.1 19.4 -19 21 6 0 21.2 11.9 12.0
-8 27 17 5 32.2 26.7 27.8 -14 17 11 10 26.8 19.1 19.4 -19 22 6 -1 21.2 11.9 12.0
-8 28 17 4 32.2 26.7 27.8 -14 18 11 9 26.8 19.1 19.4 -19 23 6 -2 21.2 11.9 12.0
-8 29 17 3 32.2 26.7 27.8 -14 19 11 8 26.8 19.1 19.4 -19 24 6 -3 21.2 11.9 12.0
-8 30 17 2 32.2 26.7 27.8 -14 20 11 7 26.8 19.1 19.4 -19 25 6 -4 21.2 11.9 12.0
-9 15 16 16 31.4 25.5 26.4 -14 21 11 6 26.8 19.1 19.4 -19 26 6 -5 21.2 11.9 12.0
-9 16 16 15 31.4 25.5 26.4 -14 22 11 5 26.8 19.1 19.4 -19 27 6 -6 21.2 11.9 12.0
-9 17 16 14 31.4 25.5 26.4 -14 23 11 4 26.8 19.1 19.4 -19 28 6 -7 21.2 11.9 12.0
-9 18 16 13 31.4 25.5 26.4 -14 24 11 3 26.8 19.1 19.4 -19 29 6 -8 21.2 11.9 12.0
-9 19 16 12 31.4 25.5 26.4 -14 25 11 2 26.8 19.1 19.4 -19 30 6 -9 21.2 11.9 12.0
-9 20 16 11 31.4 25.5 26.4 -14 26 11 1 26.8 19.1 19.4 -20 15 5 5 19.9 10.4 10.5
-9 21 16 10 31.4 25.5 26.4 -14 27 11 0 26.8 19.1 19.4 -20 16 5 4 19.9 10.4 10.5
-9 22 16 9 31.4 25.5 26.4 -14 28 11 -1 26.8 19.1 19.4 -20 17 5 3 19.9 10.4 10.5
-9 23 16 8 31.4 25.5 26.4 -14 29 11 -2 26.8 19.1 19.4 -20 18 5 2 19.9 10.4 10.5
-9 24 16 7 31.4 25.5 26.4 -14 30 11 -3 26.8 19.1 19.4 -20 19 5 1 19.9 10.4 10.5
-9 25 16 6 31.4 25.5 26.4 -15 15 10 11 25.8 17.7 18.0 -20 20 5 0 19.9 10.4 10.5
-9 26 16 5 31.4 25.5 26.4 -15 16 10 10 25.8 17.7 18.0 -20 21 5 -1 19.9 10.4 10.5
-9 27 16 4 31.4 25.5 26.4 -15 17 10 9 25.8 17.7 18.0 -20 22 5 -2 19.9 10.4 10.5
-9 28 16 3 31.4 25.5 26.4 -15 18 10 8 25.8 17.7 18.0 -20 23 5 -3 19.9 10.4 10.5
-9 29 16 2 31.4 25.5 26.4 -15 19 10 7 25.8 17.7 18.0 -20 24 5 -4 19.9 10.4 10.5
-9 30 16 1 31.4 25.5 26.4 -15 20 10 6 25.8 17.7 18.0 -20 25 5 -5 19.9 10.4 10.5
-10 15 15 16 30.6 24.3 25.1 -15 21 10 5 25.8 17.7 18.0 -20 26 5 -6 19.9 10.4 10.5
-10 16 15 15 30.6 24.3 25.1 -15 22 10 4 25.8 17.7 18.0 -20 27 5 -7 19.9 10.4 10.5
-10 17 15 14 30.6 24.3 25.1 -15 23 10 3 25.8 17.7 18.0 -20 28 5 -8 19.9 10.4 10.5
-10 18 15 13 30.6 24.3 25.1 -15 24 10 2 25.8 17.7 18.0 -20 29 5 -9 19.9 10.4 10.5
-10 19 15 12 30.6 24.3 25.1 -15 25 10 1 25.8 17.7 18.0 -20 30 5 -10 19.9 10.4 10.5
-10 20 15 11 30.6 24.3 25.1

BeBx_h horizontal <(FA, BeBx), in degrees
BeBx_v vertical <(FA, BeBx), in degrees
VA_bp BP viewing angle at ground level, in degrees
HA_v JFK's head angle, vertical tilt away from Zapruder, in degrees
BP_g_90bp BP angle (vertical) viewed at 90-degrees to BP at ground level, converted from BP_z_90bp by approximation, in degrees
BP_z_90bp BP angle (vertical) viewed at 90-degrees to BP at Zapruder level, in degrees
BP_z_90oa BP angle (vertical) viewed at 90-degrees to optical axis at Zapruder level, in degrees
NOTES:
* Count of generated combinations 256
* All combinations assume the same perceived BP angle 57.45 degrees, as seen in frames 313-314
* Values of BP angle (vertical) at Zapruder level assume ZVA offset = 1.750 degrees
Obviously, all combinations that show BeBx_v < 23 for BeBx_h <= -10 are not
possible and should be ignored. All combinations that show HA_v < 10 should be
ignored because JFK shows a tilt away from Zapruder of at least 10. This means
that a horizontal (FA,BEBX) of around -8 is the borderline, anything less than -
8 is not feasible and should be ignored. The choice of -5 seems like the best
choice and I will use it in this document. Also, I select vertical (FA,BEBX) = 20
because it is the closest round angle corresponding to the estimated orientation of
JFK's head shown in frame 312, esp. the 15 for JFK's head tilted away from
Zapruder.
In order to illustrate the orientation of BP in more

detail, I attach four diagrams showing the base of skull
and BP at different viewing angles (relative to the
reader). Also, I attach a diagram showing BP in
relation to human larynx and pharynx. Jackie shoots
the bullet just behind larynx and lets the bullet go
through nasopharynx towards the right ear. I also
attach the profiles of JFK's head showing the bullet
entry and exit points BE and BX.
During the Clay Shaw trial in 1969, Bill Newman (a

witness standing about 15 feet from JFK) testifies, "I
observed his ear [JFK's right ear] flying off", "it
[bullet] hit him in the side of the head right above the
ear and his ear come off". Basically, he confirms the location of exit wound
determined in this section. Notice that Newman consistently describes JFK's ear as
"flying off" and "come off". What does it tell you about the direction of the bullet? I
bet the correct answer crosses Newman's mind but he does not want to say it
publicly. He wants you to figure it out. Clearly, JFKs right ear visibly moves
without necessarily coming off completely.
Clint Hill testifies to Warren Commission "The right rear portion of his [JFK's]
head was missing" on arrival at Parkland Hospital. In his book "Mrs. Kennedy and
Me", Clint Hill writes "Bone fragments exploded from the back of the president's
head". Unfortunately for Clint, Zapruder film clearly shows bone fragments
exploding from the other side of the president's head, from around the upper front
right corner. As the Second Assassin, he is lying.
During his interview to WFAA-TV, James Chaney (motorcycle cop) makes a

Freudian slip by saying "Then, the, uh, second shot came, well, then I looked back
just in time to see the President struck in the face by the second bullet". In other
words, Chaney places the head wound closer to the truth. This is one of the reasons
the Warren clowns will not invite him to join their Circus.
Basic description of white marks in 313E and 314E

Zapruder frames 313 and 314 show white marks aligned at approximately 70
upward. Frame 313 has four white marks. Frame 314 has two white marks, at least
the visible ones. The white marks appear to have been created by some projectiles
flying behind Jackie's bullet that made them fly. What are the white marks
anyway? Could they be different projectiles? The distance between JFKs head and
the first white mark in frame 313 is significant relative to the distances between the
white marks. The projectiles would have to travel it in less than 30 milliseconds,
the duration of non-exposure time in frame 312. With this type of velocity during
exposure time of frame 313 (25 milliseconds), each projectile would create a blur
in frame 313. Instead, we can see relatively round marks, with relatively equal
gaps between them. We have to come up with a better explanation for the white
marks!
Before going any further, lets define the white marks. The four white marks (M1,
M2, M3, M4) in frame 313 do not show up in the corresponding places of the prior
frame 312 or the next frame 314, even when corrected for the limo movement. In
other words, they are created by something in the air above the limo. Frame 314
shows two white marks M5 and M6 that do not show up in the corresponding places
of the prior frame 313 or the next frame 315, even when corrected for the limo
movement.
Another observation we can make is by comparing the MPI images for frames 313
and 314 to the corresponding images from Warren Report. The white mark M6 in
Warren image seems to be brighter. Actually, M6 is the brightest white mark of
them all, and there is a reason for it. Also, the white mark M5 below M6 also
appears to be bigger on Warren image. On both Warren and MPI images, M5
looks smeared/smudged as if somebody tried to erase it, making it cover a larger
area. Apparently, some people did not like the pattern of white marks to be
repeated on adjacent frames. They could pass the white marks on frame 313 as part
of the splatter from JFK's head but they did not like the white marks much higher
on the following frame. Hence they did some tweaking that made M5 look
smeared. M6 was too bright for them too mess around. Also, M6 would not draw
attention as a single isolated spot because it could pass as a film processing defect.
In the 1990s, MPI had digital techniques at their disposal and they could dim M6
and M5 as much as they could without making them totally different. As it turns
out, the software simulation designed for this document has found another white
mark just below M5. This means there are three white marks during frame 314 and
four white marks during frame 313, during their exposure times.
The white marks fit a theory of a single rotating projectile that either reflects or
generates light on at least one of its surfaces. Let's call this projectile PWM.
Apparently, PWM has acquired both its linear and rotational speeds from Jackie's
bullet. Each white mark is the same PWM recorded at different times during 25-
millisecond frame exposure time. Since there are gaps between the white marks,
PWM is not big enough to show up on film because the resolution is too low for
Zapruder distance of about 70 feet. However, the reflected or generated light is big
enough and bright enough when directed towards Zapruder camera.
Now we have to decide whether the light is

reflected or generated. The provided diagram
shows Elm Street and approximate locations of
JFK limo and Zapruder camera. According to
the estimates in the following sections, the
horizontal angle between bullet path and
Zapruder is about 20, the vertical angle
between bullet path and the ground is around
35. The approximate direction of sunrays is
shown on the basis of shadows of people
standing in the background of Zapruder frames.
Assuming the rotating surfaces face the sides of
bullet path, PWM would not be able to reflect
light towards Zapruder camera. It is still
possible for PWM to have cracks with surfaces
at different angles. However, the gaps between four white marks in frame 313 are
almost equal. The odds of having one unusual surface on such a small PWM,
reflecting so much light are almost nil. In other words, PWM does not reflect light.
In addition to the blur-less gaps between the white marks, we have to explain why
the oldest marks like M1 in frame 313 are even visible. Zapruder used a
Kodachrome II film with speed rating ASA 25. This is a slow film. His camera had
so called "electric eye", with a photoelectric cell, that automatically opened or

closed the iris depending on light conditions. The film appears properly exposed,
so we can assume the f-stop was close to optimal. This means that the exposure
time of around 25 milliseconds was there for a good reason and it should not be
less in order to record the objects properly. However, the oldest mark M1 in frame
313 had to be recorded during the first quarter of 25 milliseconds, around 6th
millisecond, for not much longer than one millisecond. On top of it, M1 survived
panning through the background for about 20 milliseconds with sufficient
visibility. This means that PWM showed intense light that led to early and
permanent recording! This is another indication that PWM generated light, very
intense light.
Clearly, PWM generates intense light. Apparently, Jackie uses an incendiary type
of bullet. JFK murder planners want to provide the best special effects by heating
up his internal organs along the bullet path inside his head. Once the internal
organs are heated to very high temperatures, they turn into mist or small particles
that can be easily ejected from his head. One particle, possibly a bullet fragment,
has one surface covered with still burning substance that generates enough light to
show up on Zapruder film when it directly faces the camera. The sizes of white
marks relative to the gaps between them suggest one burning surface, i.e. PWM
makes four rotations during 313E.
Each white mark has a different shape because Zapruder pans his camera with
random vibrations. M1 has the least defined borders, gradually blends with the
surrounding area. It makes sense because it is the oldest in frame 313, after
surviving the longest panning. M2 has borders better defined than M1 because it is
the second oldest. M3 is visibly narrower than M2 because M3 is recorded later,
and therefore it travels less. M4 is the smallest. Since M4 is the last, it should be the
brightest but it is the least bright. However, there is a good reason for it. As already
explained, the white marks come from a flame on one surface of a rotating
projectile PWM that gradually turns its lit surface towards the camera. The light
becomes brightest when the surface is perpendicular to the camera. Apparently, the
camera shutter closes after the surface starts facing the camera but before it reaches
the perpendicular angle. In other words, M4 is partially recorded. This allows us to
place M4 at the very last millisecond of exposure time of frame 313.
M5 shows the biggest area with its edges blended with background. Clearly,
something is there that looks like a white mark but its appearance is different. M6
shows the brightest light, and the least blending with the background among the
fully recorded white marks. This is because M6 was recorded at the end of
exposure time of frame 314, and therefore the camera did not have the opportunity
to blend it as much by panning. M4 would look like M6, if it had a chance to be
exposed a millisecond longer. The distance between M5 and M6 is slightly bigger
than the average distance between white marks in 313E, due to the gradual loss of
rotational speed.
Relatively, M5 falls somewhere between M2 and M3 but it is blended with the

background more than either. Quite likely, somebody was tweaking with its
appearance, not necessarily on the original film but on its copy or during
photocopying. The same applies to another white mark in 315E, at the very top of
frame 315. It has an appearance similar to the white mark M5. Since the frame 315
does not include other or clear white marks like frames 313-314 do, I do not
classify the single blended mark as a visible white mark. However, the sections
discussing the results of software simulation, list all the marks along the bullet
path.
Another question is the duration of one white mark. On the basis of four rotations
in 313E (the last mark in 312NE is close to the end), the average time between
adjacent marks is 25/4 6 milliseconds. Therefore the duration of one white mark
is up to 6/2 3 milliseconds. Any answer more precise than 3 milliseconds
depends on the properties of silver halide crystals in the film emulsion versus the
light intensity of PWM. The white marks appear to be round but it does not mean
that the duration is much less than 3 milliseconds to eliminate blurring caused by
linear speed during that time, i.e. the height of white mark longer than its width.
The film emulsion could record the average snapshot that happens to be round.
Yet another observation we can make is the consistency of round shape of all white
marks. The last white mark M6 is also round. This means the rates of deceleration
of linear and rotational speeds are about the same and when we evaluate the final
BP table we should look for similar reductions of both speeds shown in the last
reference point S (change of shutter state) along the BP.
All three movies decoded for this document report that JFK killers removed two
white marks, one in Zapruder frame 314 and one in frame 315. The movie JFK
reports that one white mark next to the erased white mark in frame 314 was
smudged making it cover a larger area. This explains why M5 covers the biggest
area with its edges blended with background.
Motion blurs in Zapruder frames
My analysis in this chapter deals with motion blurs in Zapruder frames. The
examined frames do not show focus blurs. Each frame was recorded for about 25
milliseconds. Any motion, relative to Zapruder camera, detected during these 25
milliseconds appears as a blur (jiggle). The bigger the motion, the bigger the blur.
The fixed objects in the background, as examined in frames 308-316, do not move
enough to generate their own blurs. The relative motion of Zapruder camera
creates the blurs around them.
Since Zapruder was panning his camera about the same speed as the limo, the blurs
are bigger on stationary objects in the background than on the limo. The exception
is frame 313 that shows extensive blurs on all objects. This is because Zapruder
accelerated his camera panning at the end of 313E when the film emulsion was the
most vulnerable to motion blurs. As a result, all objects are blurred equally in
frame 313.
One of the following sections computes the panning speed to be about 23.5 pixels
per whole frame versus the limo speed of about 22 pixels per whole frame, i.e.
about 11 pixels versus about 10 pixels during the corresponding exposure times.
As a comparison, the screaming head of our Drama Queen inside the limo is about
20 pixels wide. In the discussed frames, the limo speed is constant. However, the
camera speed varies. Also, the camera moves up and down slightly. All this and
the shaking of Zapruders hands cause blurs.
Notice that so called House Select Committee on Assassinations (HSCA),

established in 1976 to investigate JFK assassination, was supposed to investigate
the blurs on Zapruder film. Instead, HSCA set up a bunch of scientific panels
composed of academic frauds who computed a bunch of totally worthless statistics
about average blurs across all frames. Obviously, JFK killers gave them big
incentive to stay away from actually investigating the information in Zapruder
frames, much less the blurs in frames. HSCA Final Report is a Report of Treason.
JFK killers also promote a whole army of academic frauds who publish worthless
books, under the name of science, spreading idiocies similar to HSCA Report.
The following sections will deal with three different types of objects, each type
affected differently by panning causing motion blurs. The goal is to identify the X
or Y coordinate on the blur that corresponds to the last millisecond of exposure
time (about 25th millisecond depending on the simulated frame speed). The reason
for the last millisecond is the need to select the same time during exposure of each
frame and use it consistently. Since the last millisecond is the most recent, it is the
most visible and therefore the obvious choice. Another reason to select the last
millisecond is the need to align the frames 312-315 on the last millisecond in order
to examine the bullet path across different frames. The examined types of objects
are:
Fixed objects in the background. Since Zapruder is panning his camera to
the right, the blurs will also move to the right with the image while the
physical object will stay behind. In other words, X coordinate of the oldest
blur (OB) will be higher than the last X coordinate of the physical object
(PO). The leftmost blur (LB) is not necessarily PO because of horizontal
vibrations in Zapruder hands. However, in general PO will be close to LB,
relative to OB. In addition to the horizontal blur, there is also a vertical blur.
However, vertical panning is much smaller and its direction varies between
frames. Since the blurs for objects with average light intensity are formed
mainly during the second half of exposure time, the relative vertical location
of PO has to be examined on per frame basis.
Moving objects. This applies mainly to the objects in the moving JFK limo.
The other case is the motorcycle cop but his impact is very limited to the
measurements taken for software simulation. In this case, Zapruder pans his
camera about the same speed as the moving object. Some frames show that
he pans faster and other frames show he pans slower than JFK limo. This
means OB could be on the left or the right of PO. Another complication is
that the relative locations of OB and PO depend on panning during the
second half of exposure time because the net differences between adjacent
frames could be so small that panning during the second half of exposure
time could be in the opposite direction. This is not a problem with the fixed
objects in the background. The impact of vertical panning on moving objects
is the same as on fixed objects in the background because the moving
objects do not show significant vertical moving.
Reappearing object(s) in the background. This is an appearing, disappearing,
and reappearing object/projectile. It does not hang around to leave horizontal
blurs like the fixed objects or the moving objects on the limo do.
Consequently, there is no blur per se. There is a dilution impact on the
recorded copy. The longer a recorded copy is panned across the background
the more it is diluted. Also, this type of object is unique is another respect. It
shows a very intense light like no other object in any of Zapruder frames.
This means its copy is recorded early and permanently. Obviously, a
recorded copy of this object will be shifted horizontally relative to the
panning distance during exposure time. The oldest recorded copy will be
shifted more than the most recent one.
As already explained in the previous section, Zapruder film requires about 25

milliseconds (depending on frame speed) of exposure time in order to record the
objects properly. However, the recording process does not appear to be uniform
across all 25 milliseconds. The film appears to be the most sensitive to motion
blurs during the second half of exposure time. I do not have the timing data behind
chemistry of light absorption for this type of film. However, on the basis of
panning speed and limo speed computed by the software, and the visual
examination of blurs in frames 313 and 314, I came to such conclusion.
Zapruder panned his camera about 20 pixels during 314E, the highest of all frames
during exposure times, twice the average. However, the blurs on the limo are just
average. Keep in mind that the limo speed is constant about 10 pixels per each
exposure time. Zapruder panned his camera only 14 pixels during 313E but the
blurs on limo are much bigger. This is because the numbers of 20 and 14 pixels are
for the whole exposure time while the panning speed was not uniform. Notice that
the panning for 313NE which is between 313E and 314E, is even higher 23 pixels.
Clearly, Zapruder accelerated his panning during the second half of 313E,
continued during 313NE, and then slowed down before the second half of 314E.
That is why the blurs in 313E are bigger than in 314E. In other words, this
confirms my claim that motion blurs are mostly formed at the end of exposure
time.
The following sections will deal with blurs in several cases:

The blurs on each white mark will be examined for clues about the
projectile. In this case, the blurs are actually helpful. As you will see, the
blurs around the white marks provide a proof that they are caused by a single
rotating object. The lack of blurs would hide this fact. The treatment of blurs
around white marks will be different because these are disappearing and
reappearing objects. They do not stay behind to leave horizontal blurs like
the fixed objects or the moving objects on the limo do.
Three fixed reference points in the background, R1, R2, R3, and one moving
reference point on the limo RL, will be used to examine horizontal panning
speed and the limo speed between each frame. I will make an effort to
identify the X coordinate of each object, that corresponds to the last
millisecond of exposure time in order to make them comparable across
different frames and also because two fixed points R1 and R4 will be used to
align frames as explained below. Three reference points from different parts
of frame will be used in order to detect any potential measurement errors.
One fixed reference point R4 (right eye) will be used to examine vertical
panning between each frame. The vertical panning is much smaller than
horizontal panning so I will not examine it much except the frame 314 where
the vertical panning is the highest and affects the white marks.
Two fixed reference points R1 and R4 will be used to compute offsets for
aligning frames 312-315 on the last millisecond of their exposure times.
Once the data for all reference points are entered, the program computes the
offsets needed to align the frames.
Angles (LP,ZC) and (HL,ZC), Zapruder distance

Let's quote the treasonous HSCA Report:
(133) The pedestal on which Zapruder stood was 12 feet above the point on Elm Street
occupied by Kennedy at the time of Zapruder frame 312. When both the height at which
the camera was held and the height of Kennedy's head above the street were considered
(about 5 feet and 4 feet, respectively), the camera was determined to have been about
13 feet higher than Kennedy. The distance between Kennedy and Zapruder was about
70 feet at the time of the fatal shot. (See fig. II-10, JFK exhibit F-133.) Given this height
difference and the distance between the two men, a line of sight downward from
Zapruder to Kennedy was computed to be at an angle of 10.
Since I do not have any data contrary to the above, this document assumes that the
vertical angle (HL,ZC)=10. The software uses it to convert relevant parameters
from Zapruder horizontal plane to the ground horizontal plane as explained in the
following sections.
The software assumes the distance 70 feet as a starting point, as default distance. It
computes the actual distance on the basis of basic optical formula using focal
length. There is no way to physically measure the distance between Zapruder lens
and the bullet exit point BX on JFK's head because the limo could be anywhere
between the lines of middle lane. Also, Zapruder could stand within a range of
spots on the pedestal. Since Elm Street is 40' wide with three lanes, the average is
about 13' per lane, assume 12 feet/lane. JFK limo width is 6.4 feet. Assuming the
limo stayed inside the middle lane, the differences in Zapruder distances could be
up to 5.6 feet just for the limo. If you examine the Zapruder frames after the bullet
shot, then you will notice that the window frame behind the driver goes a little
higher. This means the driver turns the limo slightly to the left, which would imply
that the limo was on the right side of lane during the bullet shot, i.e. closer to
Zapruder.
The data for Dealey Plaza suggest that the limo was at 85 relative to Zapruder.
The analysis of frame 312 suggests that the limo is 84 relative to Zapruder. This
can be determined by identifying the Zapruder frame where the limo windshield or
seatback aligns with Zapruder camera. By using the distance traveled from frame
312 and the distance to Zapruder we can estimate the angle(LD,ZC). However,
the approximation 85 is sufficient. Consequently, the software uses the horizontal
angle (LD,ZC)=85, equivalently the horizontal angle (LP,ZC)=5. The
software uses this 5 to adjust the referenced limo distance along the limo left side.
Distances, pixel sizes, focal length

My analysis deals with distances shown in frames 312-315, perpendicular to
optical axis, measured both in pixels and inches. This means we need a conversion
ratio for at least one specific distance along the optical axis. Then we need a
formula that provides a conversion ratio for other distances along the optical axis.
In this section, I will measure a selected distance (perpendicular to optical axis)

along the left side of limo, both in pixels and inches, in order to compute the
conversion ratio for the left side of limo. This conversion ratio will be the
reference. Then I will compute the distance between Zapruder lens and the left side
of limo, along the optical axis, to come up with a conversion formula for other
distances along the optical axis. All this is computed by the software as one of its
many features. The results are attached below. This section explains how the
software computes the results.
The double arrowed line in

attached diagram shows the
distance between the front of
handle protruding from the
trunk and the front edge of
the window frame behind
the driver. Since the handle
is about 10 inches from the
left side of limo, the diagram
shows two lines intersecting
at the side of limo. On the basis of limo diagram (included in the references), the
distance shown in the attached picture is 73.7-20.9+29.0+27.4+1.1=110.3. The
number 20.9 comes from the fact that the distance between the bumper and the
front of handle protruding from the trunk is 0.284 of 73.7. The number 1.1" is
added to account for the edge of window frame sticking out relative to the edge of
door, it was determined by comparing to the width of door handle of about 7.9"
wide, the frame sticks out about 0.14 of the handle width = 0.14*7.9" = 1.1". One
complication is that the limo diagram comes from HSCA Report produced by the
Parasites who always look for ways to lie even on the simple things like a limo
diagram. However the error should be within a few inches. That is why the
software generates a table of combinations with the margin of error 4 inches,
attached below.
We need to adjust the distance 110.3 for the limo angle (LP,ZC)=5. The
adjusted or corrected distance becomes 110.3*cos(5) = 109.9". Since the
equivalent pixel distance in frame 312 is 339, the average horizontal pixel size is
0.3241 inches/pixel for perpendicular distances, and 0.3254 inches/pixel for limo
linear velocity, as computed with precision used by software.
The best way to come up with the

distance between the limo left side and
Zapruder lens is to use the basic optical
relationship/formula shown in the
attached diagram. The key parameters
are: size of viewed object, distance S1,
size of image d, and focal length F.
Assume the image is focused, i.e. F=S2.
In our case, S1 is Zapruder distance,
F=27mm, size of viewed object is
109.9", size of image d is computed on
the basis of precise measurements for frame 312, as explained in the previous
chapter. Note that the lens focal length on Zapruder camera is not fixed. It can vary
from 9mm (wide angle) to 27mm (telephoto). Even though Zapruder "testified"
that he used telephoto setting we still need to confirm it. The previous chapter
confirmed it with the exit window. The software confirmed it with the basic optical
relationship explained here.
The attached list comes from an output file generated by the software. It includes
configuration parameters and selected data computed by the software. Some are
explained in this section and others in the following sections. The list shows that
the distance between Zapruder lens and the left side of limo is 69.08 feet. The
distance depends on three parameters and each could have a small margin of error.
The attached table shows combinations for focal length between 26.6-27.4mm,
referenced limo distance 105.9-113.9" and 337-341 pixels. The distance varies
from 65.2 to 73.9 feet versus the selected combination shaded with red color. In
other words, the error is 4 feet for the maximum variations of three parameters.
However, BX is about 3.7 feet closer, i.e. the actual Zapruder distance is 65.38 feet,
along optical axis. This means the pixel size for BX is (65.38/69.08)*0.3241 =
0.3068 inches/pixel, as computed with precision used by software. The final BP
table provides pixel sizes for all other reference points along the bullet path BP.
RLD_px referenced limo distance measured in frame 312 = 339.0 pixels
FW_D_in actual/real width shown in aperture frame 312 = 17.29 feet
FL_d_mm theoretical focal length for default 70.0 feet = 27.36mm
ZD_l_in distance between Z-lens and left side of limo = 69.08 feet
D_lls distance between limo left side and Bx = 3.7 feet
ZD_oa_in distance between Z-lens and Bx along optical axis = 65.38 feet or 2557.6 pixels
ZD_los_in distance between Z-lens and Bx in line of sight = 65.49 feet or 2561.7 pixels
Offset between BX at the end of 312E and at the exit time as point on BP, X=2 pixels
Resize factors: 1.60X assuming official scanning resolution 1500 dpi, min 2.00X assuming max unofficial scanning resolution 1203 dpi
PS_ls pixel size for limo left side, speed version = 0.3254 inches/px
PS_l pixel size for limo left side = 0.3241 inches/px
PS_Bx pixel size for Bx = 0.3068 inches/px
Assuming the official scanning resolution 1500 dpi, the original pixel size for limo left side = 0.52 inches/px
Assuming the max unofficial scanning resolution 1203 dpi, the original pixel size for limo left side = 0.65 inches/px
SDO_ratio (WTA_in/PS_l) = 1.85
Count of rotations: S1->M4 = 4.0, M4->M6 = 7.0
BP length from Bx to T1 perceived in frame 312 (not shown in optical diagram) = 377.3 pixels
BP angles:
* horizontal viewing angle, both ground and Zapruder plane (Zapruder himself needs extra ZVA_Offset) = 20.00 degrees
* ZVA_Offset for Zapruder horizontal viewing angle = 1.75 degrees
* vertical angle perceived in frame 312 = 57.45 degrees
* vertical angle viewed at 90-degrees to BP at Zapruder horizontal plane = 30.13 degrees
Parameters for optical diagram on canvas, all coordinates are relative to the upper left corner of canvas:
* Vertical length for two solid lines representing horizontal/green and vertical/blue part of frame 312 or its extension = 342 pixels
* Horizontal distance (solid black) along optical axis for point Zl = 2558 pixels
* 2-D coordinates for horizontal plane (green):
Fc ( 500, 700)
Bx ( 500, 714)
Zl (3058, 700)
T1 ( 500, 511)
T2 ( 500, 510)
T3 ( 500, 504)
T4 ( 500, 503)
* 2-D coordinates for vertical plane (blue):
Fc ( 500, 700)
Bx ( 500, 845)
Zl (3058, 700)
T1 ( 500, 527)
T2 ( 500, 525)
T3 ( 500, 515)
T4 ( 500, 513)
* BP vertical angle viewed at 90-degrees to optical axis at Zapruder horizontal plane = 31.70 degrees
FL_mm RLD_in RLD_px ZD_ft FL_mm RLD_in RLD_px ZD_ft FL_mm RLD_in RLD_px ZD_ft
26.6 105.9 337 65.97 26.8 111.9 339 69.82 27.2 107.9 341 67.93
26.6 105.9 338 65.78 26.8 111.9 340 69.61 27.2 109.9 337 70.01
26.6 105.9 339 65.58 26.8 111.9 341 69.41 27.2 109.9 338 69.80
26.6 105.9 340 65.39 26.8 113.9 337 71.49 27.2 109.9 339 69.59
26.6 105.9 341 65.20 26.8 113.9 338 71.28 27.2 109.9 340 69.39
26.6 107.9 337 67.22 26.8 113.9 339 71.07 27.2 109.9 341 69.19
26.6 107.9 338 67.02 26.8 113.9 340 70.86 27.2 111.9 337 71.28
26.6 107.9 339 66.82 26.8 113.9 341 70.65 27.2 111.9 338 71.07
26.6 107.9 340 66.62 27.0 105.9 337 66.96 27.2 111.9 339 70.86
26.6 107.9 341 66.43 27.0 105.9 338 66.76 27.2 111.9 340 70.65
26.6 109.9 337 68.46 27.0 105.9 339 66.57 27.2 111.9 341 70.45
26.6 109.9 338 68.26 27.0 105.9 340 66.37 27.2 113.9 337 72.56
26.6 109.9 339 68.06 27.0 105.9 341 66.18 27.2 113.9 338 72.34
26.6 109.9 340 67.86 27.0 107.9 337 68.23 27.2 113.9 339 72.13
26.6 109.9 341 67.66 27.0 107.9 338 68.03 27.2 113.9 340 71.92
26.6 111.9 337 69.71 27.0 107.9 339 67.82 27.2 113.9 341 71.70
26.6 111.9 338 69.50 27.0 107.9 340 67.63 27.4 105.9 337 67.95
26.6 111.9 339 69.30 27.0 107.9 341 67.43 27.4 105.9 338 67.75
26.6 111.9 340 69.09 27.0 109.9 337 69.49 27.4 105.9 339 67.55
26.6 111.9 341 68.89 27.0 109.9 338 69.29 27.4 105.9 340 67.36
26.6 113.9 337 70.96 27.0 109.9 339 69.08 27.4 105.9 341 67.16
26.6 113.9 338 70.75 27.0 109.9 340 68.88 27.4 107.9 337 69.24
26.6 113.9 339 70.54 27.0 109.9 341 68.68 27.4 107.9 338 69.03
26.6 113.9 340 70.33 27.0 111.9 337 70.76 27.4 107.9 339 68.83
26.6 113.9 341 70.12 27.0 111.9 338 70.55 27.4 107.9 340 68.63
26.8 105.9 337 66.47 27.0 111.9 339 70.34 27.4 107.9 341 68.43
26.8 105.9 338 66.27 27.0 111.9 340 70.13 27.4 109.9 337 70.52
26.8 105.9 339 66.07 27.0 111.9 341 69.93 27.4 109.9 338 70.31
26.8 105.9 340 65.88 27.0 113.9 337 72.02 27.4 109.9 339 70.11
26.8 105.9 341 65.69 27.0 113.9 338 71.81 27.4 109.9 340 69.90
26.8 107.9 337 67.72 27.0 113.9 339 71.60 27.4 109.9 341 69.69
26.8 107.9 338 67.52 27.0 113.9 340 71.39 27.4 111.9 337 71.81
26.8 107.9 339 67.32 27.0 113.9 341 71.18 27.4 111.9 338 71.59
26.8 107.9 340 67.12 27.2 105.9 337 67.46 27.4 111.9 339 71.38
26.8 107.9 341 66.93 27.2 105.9 338 67.26 27.4 111.9 340 71.17
26.8 109.9 337 68.98 27.2 105.9 339 67.06 27.4 111.9 341 70.96
26.8 109.9 338 68.77 27.2 105.9 340 66.86 27.4 113.9 337 73.09
26.8 109.9 339 68.57 27.2 105.9 341 66.67 27.4 113.9 338 72.87
26.8 109.9 340 68.37 27.2 107.9 337 68.73 27.4 113.9 339 72.66
26.8 109.9 341 68.17 27.2 107.9 338 68.53 27.4 113.9 340 72.44
26.8 111.9 337 70.23 27.2 107.9 339 68.33 27.4 113.9 341 72.23
26.8 111.9 338 70.03 27.2 107.9 340 68.13

FL_mm focal length, in mm
RLD_in referenced limo distance from HSCA Report (see the document), in inches
RLD_px referenced limo distance from frame 312 (see the document), in pixels
ZD_ft Zapruder distance from lens to limo left side along optical axis, in feet
NOTES:
* Number of combinations tested: 125
* Zapruder distance in feet (ZD_ft): minimum = 65.20, maximum = 73.09, average = 69.08
Zapruder film resolution and the smallest detectable object

Since my analysis deals with a small projectile, we have to address the issue of the
smallest object detected in Zapruder frames, esp. in frames 313 and 314 showing
the white marks. The previous section computed the pixel sizes for two distances.
The following sections will compute the pixel sizes for distances that correspond to
all reference points along Jackie's bullet path. These pixel sizes define the smallest
virtual/interpolated objects detected in the examined/aligned frames 312-315.
However, we need to determine the smallest real objects by addressing the
scanning resolution of frames and the resolution of the original Zapruder analog
film.
The section about scanning resolution estimates that the actual RSF (frame resize
factor) for frames 308-316 is at least 2.00X. It's hard to determine the resizing by
looking at the pixels because resizing normally involves interpolation algorithms
for added pixels. The resizing directly affects all the pixel sizes for the purposes of
estimating the smallest detectable object (SDO) in the frames. The pixel sizes do
not affect the rest of ballistics derived in this document because a pixel is treated as
a measurement unit like any other.
Since the estimated RSF = 2.0, we could multiply the pixel sizes, computed by the
method explained in the previous section, by 2.0 to estimate the smallest detectable
object. However, RSF alone depends on a definition of each individual sample
during scanning, specifically the minimum size detected by the scanner during one
sample. Independently of RSF, we should make an effort to examine the frames for
actual objects that appear to be close to the minimum detected size. One such
object is the telescopic antenna on the rear left side of JFK limo. By using Croft
photo, I compared the antenna to the door handle. The width of antenna just above
its base is about 0.6". This document refers to this width as WTA (width of
telescopic antenna).
The attached picture shows 12 cropped parts from frames 207 to 365. Each
cropped part shows the place where the telescopic antenna is located, regardless
whether the antenna is visible or not. The cropped part that corresponds to frame
285 shows the level where the reference WTA is located. The visibility or
detectability of WTA varies from frame to frame. This is a function of many
factors. Obviously, the distance is one of the biggest factors. The distances for the
most critical frames 312-314 are the closest to the camera. Frame 312 shows one of
the smallest blurs on JFK limo among all frames. In spite of this, WTA is almost
not visible in frame 312. Frames 207-237 correspond to locations much farther
away with bigger blurs. In spite of this, even the top of antenna (part thinner than
WTA) is visible. This is suspicious. Most probably, the scanning resolution was
tightly controlled by Parasites.
Visibility of antenna (WTA) in selected frames
WTA is completely not visible in frames 313-315. Only a whitish trace shows up
in frame 312. This means WTA is very close to the smallest detectable object
(SDO). The software computes so called SDO ratio equal to the division of WTA
width (0.6") over the pixel size for the limo left side (where WTA is defined), i.e.
SDO ratio = 1.85 (0.6/0.3241). The spreadsheet table with all points along the
bullet path shows the corresponding SDO defined as multiplication of fixed SDO
ratio and the pixel size for the corresponding distance along optical axis.
Obviously, this is an approximation but better than using RSF alone.
Still another issue is the resolution of Zapruder analog film. The original analog
film (not its analog copies) could carry more details missed by lower resolutions
used during digital scanning back in the 1990s. The digital scanning could be
controlled by JFK killers who arranged for many interesting pixels to be missed
during scanning. The special interest to this document are the areas between the
white marks examined in the following sections. Frames 313 and 314 do not show
any traces of a projectile between the white marks. In reality, very small traces
could be recorded on the original analog film but the digital scanning missed them
because the digital resolution was not high enough.
Zapruder camera used 9-27mm Varamat lens and Kodachrome II film (16mm).
The following is a quote from the document Dissecting the Zapruder
Bell&Howell 8mm Movie Camera by Roland J. Zavada (included in the zip
package):
"the Varamat had an unusually flat resolution curve across its picture format (9 field
position. 3 focal lengths, full aperture), yielding more than 60 lp/mm (line pairs per
millimeter) resolution. Visual (air-image) resolution was 225 I/mm min. at any test
position."
Apparently, the 225 I/mm really means 225 l/mm (lines per mm) or 225 lp/mm
(line pairs per mm) to correspond to the mentioned 60 lp/mm. The 60 lp/mm really
refers to the constraints of film resolution and not the lens. The lens resolution is
much higher. Even if it is only 225 lines per mm compared to 2x60=120 lines per
mm for the film, the lens resolution is twice as high as the film resolution. The
resolution 225 lines per mm translates into 225*25.4 = 5715 dpi (dots per inch),
and this is the minimum. This means the lens resolution is much higher than the
resolution of Zapruder frames.
The next question is what is the resolution of Kodachrome II film. Kikipedia

implies resolution of 35mm Kodachrome transparency to contain an equivalent of
approximately 20 megapixels of data in the 24x36mm image (kiki link).
Technically, this applies to "quality" pixels in a top-quality 35mm shot. Otherwise,
the resolution is lower than 20 megapixels. In our case, a "quality" pixel is any
pixel other than the background, so the "quality" case applies to us. This translates
into the resolution of 3865 dpi (equivalent of 76 lp/mm), which is also much higher
than the resolution of Zapruder frames. The only way to find out is the re-scan the
original Zapruder film at resolutions with at least 5,000 dpi, preferably over 10,000
dpi, especially two frames 313 and 314.
However, it is a waste of time to look for missing pixels in Zapruder film. We

know that much better films were made during JFK assassination, esp. the one
made just a few feet in front of JFK when Jackie blew up his jugular. It is much
easier to get warrants to search all the mansions of Hollywood bosses who
probably have their own private copies of secret films from JFK assassination.
How about Tom Hanks who is making a Hollywood movie, full of lies about JFK
assassination, to be released this fall just in time for 50th anniversary? Let's get a
warrant to search the mansions of this vermin and let's find a copy of real film so
that Americans can get the missing pixels much faster and clearer!
Frame speed and shutter speed

Contrary to two popular beliefs, Zapruder camera does not have a fixed frame
speed or fixed shutter speed. It supports three types of frame speeds: run (officially
at 16 fps), slow motion (officially at 48 fps), and animation (single frame). Here,
we are concerned with the run speed which actually runs around 18 fps which is
faster than the official specification of 16 fps. Furthermore, the frame speed
depends on the state of film winding mechanism inside. It runs up to 18.5 frames
per second (fps) when the spring is tightly wound, down to 17.6 fps toward the end
of reel when the spring tension is reduced. It is estimated that it runs between 18.3
and 18.5 fps between the first 10 seconds and 30 seconds, which includes the
frames 308-316 analyzed in the next chapter.
The shutter speed depends on the frame speed. According to the manual on page
13, the shutter speed is 35 at 16 fps, and it is 100 at 48 fps. This means we have to
interpolate the shutter speed for a given frame speed. The attached table shows
shutter speed, and the corresponding frame time, exposure time, non-exposure
time, for frame speeds 17.6 to 18.5 fps, computed by interpolation.
FS_fps SS_eps FTt_ms FTex_ms FTnex_ms

17.6 38.3 56.8 26.1 30.7
17.7 38.5 56.5 26.0 30.5 ABBREVIATIONS FOR COLUMN HEADERS:
17.8 38.7 56.2 25.9 30.3 FS_fps frame speed, in frames per second
17.9 38.9 55.9 25.7 30.1 SS_eps shutter speed, in exposures per second
18.0 39.1 55.6 25.6 30.0 FTt_ms frame time total, in milliseconds
18.1 39.3 55.2 25.5 29.8 FTex_ms frame time exposure part, in milliseconds
18.2 39.5 54.9 25.3 29.6 FTnex_ms frame time non-exposure part, in milliseconds
18.3 39.7 54.6 25.2 29.4
18.4 39.9 54.3 25.1 29.3
18.5 40.1 54.1 25.0 29.1
Panning speed and the limo speed

It is essential to know the speed of camera panning (both horizontal and vertical) in
frames 313 and 314 because it has a substantial impact on the relative locations of
white marks that define the bullet path BP. In order to extract the vertical angle of
BP, we have to reconstruct the original locations of white marks. As Zapruder pans
his camera to the right, the older white marks are also shifted to the right (relative
to newer marks) making the angle appear bigger than it really is. If we know the
amount of shifting we can approximate the original locations. Since the
computations of panning speed involve the limo speed, this section computes both
at the same time. In order to extract better averages, the program does it for frames
308-316.
In order to compute the horizontal

part of panning and the limo
speed, I defined three fixed
reference points R1-R3 in the
background, and one moving
reference point RL on the limo.
The fixed points are: R1 (tip of left
sneaker), R2 (corner of grass
patch), R3 (tip of left elbow), all in
different directions from the limo.
The moving point RL is the left
side of dark column of the window
frame just behind the driver. For each frame 308-316, I took the X coordinate of
each reference point, that corresponds to the last millisecond of exposure time. In
order to compute the vertical part of panning, I defined one fixed reference point
Reye (right eye as indicated by arrow). For each frame 308-316, I took the Y
coordinate of Reye, that corresponds to the last millisecond of exposure time. All
the coordinates were entered into the software program and the relevant results are
attached in this section.
Since the horizontal part of panning is much more important than the vertical part,
I defined three fixed reference points R1-R3 for its evaluation while only one for
vertical part. However, only R1 is used to compute the results. The other two R2-R3
are used only for confirmation, and are not used to average the results because they
do not provide sufficient accuracy. In order to increase accuracy, the points R1 and
Reye are used with a special template explained below. The section explaining the
motion blurs, provides general explanation of how the X or Y coordinates

corresponding to the last millisecond are determined.
The changes of X(R1) coordinate between frames define the speed of horizontal
panning. The changes between X(RL) - X(R1) between frames define the speed of
limo.
X(R1) is much tougher to locate than X(RL), because R1 is an object in the

background and more susceptible to panning motion blurs, and also it is hidden
behind the other leg in some frames. In order to locate X(R1), I use two strategies
in addition to the knowledge how blurs are formed. The first strategy uses a special
template. The second strategy uses X(RL) to locate X(R1) because X(RL) is
relatively predictable due to inertia of an object close to 10,000 pounds during
about 0.44 second between frames 308 and 316.
There are two templates made of red

lines, woman and window. Frame 309 is
used to create both templates because it
has the least blurs in the background. The
templates are designed to record relative
locations of other parts of object so that
one point can be located by locating
another point on the same template. The
zip package includes one set of all frames
308-316 with templates.
The template strategy is used closely

with the second strategy. The limo speed
has to be either constant or slightly
increasing or decreasing at the same rate.
It cannot change between increasing or
decreasing during about 0.44 seconds. A
close examination of X(RL) in all frames
suggests that the limo speed is constant. The software first computes the average
limo speed by subtracting [X(RL) - X(R1)] in frame 308 from [X(RL) - X(R1)] in
frame 316, and by dividing the result by 8. The average limo speed is 22.0
pixels/frame. Once the number 22 pixels is determined, I could locate X(R1) on the
basis of X(RL), because Xprev(R1) - Xcurr(R1) = Xprev(RL) - Xcurr(RL) + 22. In other
words, once I had coordinates for X(RL) and X(R1) in previous frame and X(RL) in
current frame I could easily compute X(R1) in current frame and compare it to
X(R1) found with the template alone, then finalize by analyzing related blurs. By
using these two simple strategies, plus the knowledge how the blurs are formed, I
could find X(R1) with precision 1 pixel. This is important for aligning frames
312-315 on the last millisecond of exposure time.
The speeds of camera panning and JFK limo between frames 308-316
Frame R1_d HPan HPan/E HPan/NE RL_d RL_s LSpd LSpd/E LSpd/NE R2_d R3_d Eye_d VPan VPan/E VPan/NE
308 0 15.0 6.9 8.1 0 0 22.0 10.1 11.9 0 0 0 0.0 0.0 0.0
309 15 14.5 6.9 7.5 7 22 22.0 10.1 11.9 15 15 0 -2.0 -0.9 -1.1
310 14 18.3 6.5 11.9 8 22 22.0 10.1 11.9 14 14 -2 -3.1 -0.9 -2.2
311 22 26.3 10.1 16.2 0 22 22.0 10.1 11.9 22 22 -4 -3.5 -1.8 -1.6
312 30 30.0 13.8 16.2 -8 22 22.0 10.1 11.9 30 32 -3 -0.3 -1.4 1.1
313 30 37.0 13.8 23.2 -8 22 22.0 10.1 11.9 28 32 2 6.3 0.9 5.4
314 43 30.1 19.8 10.2 -21 22 22.0 10.1 11.9 45 52 10 5.7 4.6 1.1
315 19 16.8 8.8 8.1 3 22 22.0 10.1 11.9 19 25 2 -0.7 0.9 -1.6
316 15 15.0 6.9 8.1 7 22 22.0 10.1 11.9 15 19 -3 -3.0 -1.4 -1.6

R1_d for reference point R1, X difference between current and previous frame, in pixels
HPan horizontal panning (interpolated from R1_d) during current frame time, in pixels
HPan/E horizontal panning (interpolated from R1_d) during exposure time, in pixels
HPan/NE horizontal panning (interpolated from R1_d) during non-exposure time, in pixels
RL_d for reference point RL, X difference between current and previous frame, in pixels
RL_s limo (reference point RL) speed during current frame time, R1_d+RL_d, in pixels
LSpd limo speed (interpolated from RL_s) during current frame time, in pixels
LSpd/E limo speed (interpolated from RL_s) during exposure time, in pixels
LSpd/NE limo speed (interpolated from RL_s) during non-exposure time, in pixels
Eye_d for reference point Eye, Y difference between current and previous frame, in pixels
VPan vertical panning (interpolated from Eye_d) during current frame time, in pixels
VPan/E vertical panning (interpolated from Eye_d) during exposure time, in pixels
VPan/NE vertical panning (interpolated from Eye_d) during non-exposure time, in pixels
Average speeds (all horizontal) for nine frames 308-316

* Limo speed = 22.0 pixels/frame or 7.4 miles per hour
* Panning speed = 23.5 pixels/frame or 7.9 miles per hour
Offsets for aligning frames 312-315, used to extract BP across frames 313 and 315, and to estimate time of Bx
* Horizontal:
Frame 312 offset is 0
* Vertical:
Frame 313 offset is -4
* Assuming Z312_ulc=(100, 200) is correct, (X, Y) for upper left corner:
Frame 312 (100, 200)
Frame 313 (130, 196)
Frame 314 (173, 188)
Frame 315 (192, 186)
The attached table shows the results for both horizontal and vertical panning, and
the limo speed. The results are shown for changes between adjacent frames, and
prorated changes during exposure and non-exposure time.
Zapruder pans his camera at speeds from 14.5 to 37.0 pixels/frame, at average 23.5
pixels/frame or 7.9 mph. The limo speed is constant at 22.0 pixels/frame, or 7.4
mph. The conversion assumes the official frame speed 18.3 frames/sec of Zapruder
camera. Warren clowns computed the average limo speed as 11.2 mph on the basis
of 152 frames immediately preceding the shot which struck the President in the
head. This would imply frames 160-312. They measured the corresponding
distance to be 136 feet. Why would any hired experts fail to do the same math as
I did for frames that correspond directly to the shot which struck the President in
the head? Unless of course, the experts tried to bury the speed during headshot
in frame 312, inside the average speed over frames 160-312. It would not play very
well to show the limo speed slower just before the headshot. Would it?
Another issue is the accuracy of my math. The limo dimensions could carry a small
margin of error, but less than 5%. The viewing angle from Zapruder is about is
85, too close to perpendicular to distort the dimension. The fixed reference points
are in three different directions and distances, and all provide consistent deltas. The
frame speed of Zapruder camera would have to be 27.7 frames/sec to make the
limo speed 11.2 mph.
The driver Greer slowed down the limo to 7.4 mph before Jackie's bullet shot, in
order to help Zapruder make a better picture shot. Also, he positioned the limo on
the right side of middle lane, closer to Zapruder. This means that Zapruder was a
contractor working for JFK killers. It was a scripted Hollywood show.
The biggest horizontal panning during exposure time takes place during 314E. The
biggest horizontal panning during non-exposure time takes place during 313NE.
This is because Zapruder accelerated his panning during the second half of 313E,
continued during 313NE, and then slowed down during 314E. In frame 314, JFK's
head makes a quick movement to the left. This is because Zapruder panned his
camera quickly to the right between the frames. Jackie fired the bullet at the start
of 312NE. This means that Zapruder reacted after about 40 milliseconds to what he
saw on JFK's head.
The X coordinates for R2 and R3 were consistent with R1 and that is why I put the
same values for them. They were used only to confirm R1. However, there is an
exception for R3. Once the X coordinates for R3 moved outside the boundaries of
standard 8mm frame, they showed discrepancies. Apparently, the telephoto setting
(27mm) distorts the distances on the peripheries of exit window, outside the
targeted area. This can be observed by the shapes of the objects near the left sides
of perforations, equivalently the left side of EAF frame. The shapes appear to be
widened. However, all coordinates of R1 and Reye are in safe distance from the left
edge of standard 8mm frame.
The biggest vertical panning takes place between frame 313 and 314, 10 pixels.
This has to be taken into account during analysis of white marks shown in frame
314. Also, notice that the quick movement of JFK's head in frame 314 is not only
the left but also downward. This is because of the relatively big movement of
Zapruder camera upward between frames 313 and 314. The table prorates 10 pixels
proportionately between 313NE and 314E. However, a closer examination of the
limo windshield in frame 314 indicates that most of those 10 pixels should be
assigned to 314E because the windshield shows a vertical blur, apparently due to
vertical panning.
Extracting BP by from the white marks

The bullet path BP can be extracted by two methods. One method uses only frame
313 and the panning speed during exposure time of frame 313. The other method
uses both frames 313 and 314 aligned on the last millisecond of their exposure
times. Since M4 is at the last millisecond, and M6 is close to the last millisecond by
a time delta t, we can draw a line between M4 and M6 while making a small
correction for t around M6. By combining both methods, we can find a good
approximation of BP.
The previous sections explain the need to align Zapruder frames 312-315 on
common canvas. It also includes the output file showing the coordinates needed to
align the frames. The comments included in the software source code explain how
to do it in Photoshop.
Once the frames are aligned on canvas, the white marks M1-M6 have to be copied
and pasted on top of frame 312. Frame 312 is used as background because it is the
last frame before gunshot. The aligning eliminates the effects of horizontal and
vertical panning, and it combines the views from different frames into one view.
The resulting view would like if Zapruder camera did not move and had exposure
time long enough to capture all views.
Then a solid red line is drawn across M4 and slightly above M6. Since M6 is closer
than M3 to the end of exposure time, it should be a little closer to the red line than
M3 is. The angle of the red line is 57.45, relative to the ground (HL), versus about
69 without the correction for camera panning.
The angle 57.45 is perceived by Zapruder. The horizontal viewing angle (angle
between ZC and BP) is 20 at the ground level, as computed by the section
explaining location of bullet entry point BE. By applying the formula for horizontal
viewing angle with = 57.45, = 20 + 1.76, we get 90 = 30.15 (at Zapruder
plane). The value 1.76 is so called ZVA_Offset to account for differences between
the ground plane and Zapruder horizontal plane, as explained in the following
sections.
The horizontal distance between M1 and the red line is 11 pixels. The horizontal
panning during frame 313E is 14 pixels. In other words, the time of M1 should be
about 5 milliseconds after the start of 313E because 14-11=3 pixels which
translates into about 5 milliseconds (25*3/14).
The red line appears to cross JFK's right ear canal (EC). However, his EC is two
pixels behind the red line. This time offset is caused by limo speed. By using the
limo speed, the software translates the pixel offset into time offset of about 5
milliseconds. The following sections estimate the bullet time inside JFK's head to
be less than 1 millisecond. This means that Jackie fires her bullet about 4
milliseconds after the start of 312NE.
Software simulation of BP points for PWM
Once the BP has been extracted from Zapruder frames with the help of software, it
is the time to explain the main part of software that does the actual BP simulation.
The optical diagram shows the key results from the software simulation.
The goal of BP simulation is to simulate all key reference points along the BP,
from the point BX (frame 312) to the first point S (change of shutter state) after the
last point T4 (frame 315). All in a realistic 3-D space computed on the basis of the
same BP angle perceived by Zapruder and reflected in the frames 313-314.
There are two sets of simulated points along the actual precise bullet path BP: the
points that are part of BP line (called on-BP points), and the points that are not part
of BP line but close to it because they define the BP (called off-BP points). The
previous sections dealt with off-BP points, specifically BX in frame 312 before the
actual firing by Jackie, and the visible white marks M1-M6 shown in frames 313-
314. In reality, there is another on-BP point BX at the precise millisecond when the
PWM exits JFK's head. There are also other on-BP points that correspond to M1-
M6, at the precise millisecond when the PWM appears in the corresponding
Zapruder frame before the end of its exposure time. The difference in X coordinate
of both points BX is caused by the limo speed. The difference in X coordinate of
two sets of points M1-M6 is caused by the horizontal panning of Zapruder camera.
There is also difference in Y coordinate caused by vertical panning of Zapruder
camera. The software computes all the differences and shows them in an output
file in the attached spreadsheet table.
Before the software can generate any on-BP point, it has to compute the data for
linear speed and rotational speed of PWM. Since the points BX, M4, and M6,
provide the best timing estimates relative to the closest changes of shutter state
(known from the camera specs), the software uses these three points to evaluate the
speed decelerations and compute deceleration constants. Over longer distances and
time intervals, the decelerations are not constant. However, for about 15 feet and
about 0.2 seconds, constant decelerations prove to be adequate.
The time delays before end of exposure time for M4 and M6 are configuration
parameters. The simulation process tests many values in order to select the most
probable values. The final values are 0.3 millisecond for M4 and 2.0 millisecond
for M6. Assuming frame speed 18.3 fps (full frame time 54.645 milliseconds), the
times relative to the start of 312E are: 5.0 millisecond (from 2 pixels and limo
speed) for BX, 54.3 (54.6-0.3=54.3) milliseconds for M4, and 107.3 (2*54.645-
2.0=107.3) milliseconds for M6. Since the software has all the data to compute the
relevant distances in 3D, it computes the linear deceleration constant by using the
standard formulas. On the basis of deceleration constant, the software computes the
instantaneous linear speeds of all points along BP, and then other types of linear
speed like average speed from BX or average speed from previous point, in order to
check for consistency.
The rotational deceleration constant is computed on the basis of two counts of

rotations, one between the start of 313E (point S1) and M4, and the other between
M4 and M6. Both counts are configuration parameters and the simulation process
tests many values in order to select the most probable values. The first count can
be any value (with fractional part allowed) around four rotations because there are
four visible white marks in 313E. However, the second count has to be an integer
(fractional part not allowed) because there is an integer number of rotations
between the mark that corresponds to M4 and the mark that corresponds to M6.
The final values are 3.99 rotations for the first count, and 7.00 rotations for the
second count. On the basis of rotational deceleration constant, the software
computes the locations of all marks (points MnE and MnNE) and the instantaneous
rotational speeds of all points along BP.
The software generates on-BP points Sn that correspond to changes of shutter state,
open (exposed) and closed (non-exposed). Their final count depends on the
configuration parameters. The software selects six S points as the final count. A
period between odd-numbered Sn and even-numbered Sn is an exposure time, and
between even-numbered Sn and odd-numbered Sn is a non-exposure time.
However, the software lets you re-classify the marks that fall just outside of
exposure time as exposed ones because each mark takes a certain minimum time to
show its flaming/burning side. Even though this feature is available, it has not been
selected for this document. The last point Sn is the first point S after T4. All
possible marks between BX and the last Sn are generated and included in the final
BP table.
The white marks M1-M6, discussed in previous section, will have slightly different
names when referred to their on-BP counterparts because the names of on-BP
marks are dynamic. There are two types of on-BP marks: exposed marks named as
MnE, and non-exposed marks named as MnNE. Both series are counted from 1,
starting from BX.
All on-BP marks are points on BP where PWM projectile shows the same side
when its light faces Zapruder with maximum intensity. By definition, the count of
rotations from point BX for each mark will have the same fractional part. Also, the
difference between the counts of rotations for marks that correspond to white
marks M4 and M6 has to be an integer because both show the same side on PWM
projectile.
The counts of rotations for marks corresponding to white marks M4 and M6 are
computed first. Then all other marks are generated on the basis of these two
counts, and the data for linear speed. The actual number of marks in each series,
before the last Sn, depends on the configuration parameters, especially the input
counts of revolutions. Consequently, even though an off-BP point Mn and on-BP
point MnE correspond to the same point, their names could include different values
of n.
The software generates on-BP points T1 (top edge of frame 312), T2 (top edge of
frame 313), T3 (top edge of frame 314), T4 (top edge of frame 315). The software
checks whether each generated point actually falls within the boundaries of the
corresponding EAF frame, then it includes this information in one of the columns
of main spreadsheet table, attached below. Frame 315 is the last frame that still
shows a part of BP with PWM (not a bullet). Zapruder panned his camera up
between frames 312 and 315, so that frame 315 has to be included because PWM
also goes up. The software assumes that BP is a straight line because there is no
indication that PWM strays sufficiently from a straight line between BX (around 97
mph) and T4 (around 40 mph).
Internally, the software does computations by using two representations of

coordinates: 2D with (X,Y) relative to the upper left corner of each frame, and 3D
with (X,Y,Z) relative to the center of frame 312 where the center is defined by the
standard 8mm frame. For input, it accepts two 2D representations of coordinates:
2D with (X,Y) relative to the upper left corner of each frame, and 2D with (X,Y)
relative to the upper left corner of canvas with aligned frames 312-315, as
explained below. Since the optical diagram is on yet another canvas, there is also
3D-on-2D representation. In total, the software prints out the coordinates in five
representations (one of the output files lists all representations with more
explanations):
1. 3D-on-2D representation, with (X,Y,Z) relative to the upper left corner of
canvas with optical diagram. In this representation, a 2D canvas with optical
diagram is used to represent 3D. The Y axis of 2D is used to represent both
X and Y axis of 3D, and the X axis of 2D is used to represent Z axis of 3D.
This means that a 3D point is represented by two points in 2D, and
equivalently a 3D line is represented by two lines in 2D.
2. 3D representation, with (X,Y,Z) relative to the center of standard 8mm
frame in Zapruder frame 312.
3. 2D representation, with (X,Y) relative to the upper left corner of each frame.
This is the main representation.
4. 2D representation, with (X,Y) relative to the upper left corner of canvas with
aligned frames 312-315. Used for input.
5. 2D representation, with (X,Y) relative to the center of standard 8mm frame
in Zapruder frame 312.
The data are entered into the program through the file ConstData4JFKDoc.cpp.
The types of input data are (in parentheses, the type of coordinates from the list
above is shown) :
1. 2D coordinates (#3) of reference points used for measuring proportions, for
frames 308-316, for three sets (original MPI, Warren, corrected MPI)
2. 2D coordinates (#3) of reference points used for measuring motion, panning,
etc, for frames 308-316, for one set for corrected MPI frames
3. 2D coordinates (#4) of all off-BP points and selected on-BP points.
4. 2D coordinate (#4) of the upper left corner of frame 312 on canvas with
aligned frames.
5. 3D coordinate (#1) of the center of frame 312 on canvas with optical
diagram.
6. Fixed configuration parameters like BP viewing angle, dimensions of EAF
frame, and many others.
7. Variable configuration parameters like frame speed in fps, count of rotations
between S1 and M4, count of rotations between M4 and M6, relative time
before the end of 313E for M4, relative time before the end of 314E for M6,
and a few others.
The program computes the time of BX on the basis of X difference between on-BP
BX and off- BP BX, plus the limo speed in pixels/second. The BP angle (rounded
57) perceived by Zapruder is not input but computed from the input coordinates
for on-BP BX and T1. The program requires the input BP viewing angle (20) at
the ground level. It computes the BP angles for other viewing angles at two
horizontal levels, one set for Zapruder (elevation 10) and one for ground level
(elevation 0) .
The software computes the 3-D coordinate of point T1 from the intersection of BP
lines (horizontal and vertical) with the bounding lines defined by the aperture
cutout area inside Zapruder camera. The optical diagram shows these two
bounding lines (ceiling and right wall) that originate at point Zl (Zapruder lens)
and terminate on frame 312. Given the 3-D coordinates of BX and T1, the program
computes 3D coordinates of all other points on BP.
Many input parameters may be input in stages because some parameters are
determined after other parameters are computed first. In order to avoid such catch-
22 situations, the program may be run with incomplete parameters. The software
source code includes extensive comments with all the details. Many configuration
parameters may be changed to test their impact on the results.
Selection of final configuration parameters for PWM
The main part of the software simulates Jackie's bullet path BP for PWM and PBF.
Most of the parameters like extensive measurement data for Zapruder frames are
fixed. However, some parameters (configuration parameters) are changeable in
order to test their impact on the results. The main configuration parameters are
camera frame speed, two counts of rotations/revolutions of PWM between fixed
reference points, time interval between M4 and S2 (end of 313E), time interval
between M6 and S4 (end of 314E), viewing angle at ground level, and a few others.
The list of the main configuration parameters is attached below, along with their
final values selected for this document.
Each set of values of configuration parameters has to be evaluated for the best
match. The software does basic evaluation as explained in the following section.
The rest has to be evaluated visually. The results are printed in many output files.
Some files with critical angles and distances, used for optical diagram, are attached
below.
The main results for PWM are included in the

White Mark, off-BP Mark, on-BP (output
(input to software) by software) table listing all on-BP points. The table shows
M1 M1E
all marks along BP, including those that
M2 M2E
correspond to the white marks M1-M6 exposed
M3 M3E
and visible in frames 313-314. The software
M4 M4E
renames them as the attached table explains.
Not visible M5E
The white marks are not on the BP because of
camera moving/panning during their
M5 M6E
recording. Their horizontal and vertical offsets
M6 M7E
are shown in the next section. One mark M5E
is detected by the software during 314E but it is not visible in frame 314. Since
M5E corresponds to the beginning of 314E, it could be diluted by panning, and the
rest simply lost by poor photocopying during the 1960s, or lost by low resolutions
of digital scanning during the 1990s. Keep in mind that the white mark M5 that
corresponds to the mark M6E looks smudged as if somebody tried to get rid of it in
1964 by blending it with the background. It is not clear if the original film was
altered or the smudging comes from the photocopying. Since the smudging was
published in Warren Report in 1964, all the following copies of Zapruder film have
to show it too. This indicates very primitive techniques used during the 1960s,
contrary to some who claim that Zapruder film had been faked by ultra-
sophisticated techniques.
Since PBF is not visible, the software simulates it on the basis of results for PWM.
Both projectiles have to have the same linear and rotational velocities at point BX.
The results for PBF are in the following sections.
MAIN CONFIGURATION PARAMETERS:

* Camera frame speed = 18.3 frames per second
* Shutter speed = 1/39.7 second (25.2 milliseconds)
* Frame time = 54.6 msec, exposure time = 25.2 msec, non-exposure time = 29.4 msec
* Count of rotations of PWM between S1 and M4 = 3.99
* Count of rotations of PWM between M4 and M6 = 7.00
* Time/delay before end of exposure time for input mark M4 = 0.30 milliseconds
* Time/delay before end of exposure time for input mark M6 = 2.00 milliseconds
* Visibility exposure margin, the time margin on both ends of frame exposure time = 0.01 milliseconds
* BP viewing angle at ground level = 20.0 degrees
* BP viewing angle offset for Zapruder plane = 1.75 degrees
* Zapruder elevation, vertical angle <(HL,ZC) = 10.0 degrees
* Limo angle, horizontal angle <(LP,ZC) = 5.0 degrees
* Referenced limo distance = 110.30 inches
* Referenced limo distance in frame 312 = 339 pixels
* Width of telescopic antenna (just above base) on the left side of limo = 0.60 inches
* Distance between Bx and limo left side = 3.70 feet
BP lengths, from Bx to T1:

* 3D length = 14.59 feet or 570.9 pixels
* Perceived length in frame 312 = 377.3 pixels
* Projection on Zapruder horiz plane = 493.7 pixels or 12.62 feet



BP angles:
* Vertical angle viewed at 90 degrees to BP in ground horizontal level = 34.48 degrees
* Vertical angle perceived in frame 312 = 57.45 degrees
* Vertical angle seen in optical diagram (viewed at 90 degrees to optical axis) = 31.70 degrees
* Vertical angle viewed at 90 degrees to BP at Zapruder horiz plane = 30.14 degrees
* 3D angle between BP and Zapruder line of sight to Bx = 32.70 degrees
* Horiz angle seen in optical diagram, also viewing angle for BP angle in ground horiz plane = 19.99 degrees, compare to 20.00 input manually
* Horiz viewing angle for Zapruder in his horiz plane = 21.74 degrees
3-D coordinates relative to center of frame 312:

Zl (0.0, 0.0, 2557.6), normalized (14.4, 145.0, 2557.6)
T1 (154.4, 141.6, 464.0), normalized (168.8, 286.6, 464.0)
T2 (155.2, 143.1, 466.4)
T3 (159.5, 150.4, 478.2)
T4 (160.4, 151.9, 480.6)
Distances for optical diagram on canvas:

* Vertical distance between horizontal Bx (green) and Fc = -0.37 feet
* Vertical distance between vertical Bx (blue) and Fc = -3.71 feet
* Vertical distance between horizontal T4 (green) and Fc = 5.05 feet
* Vertical distance between vertical T4 (blue) and Fc = 4.78 feet
* Horizontal distance between vertical line for ZVA and Fc = 6.00 feet (735, 700)
* Horizontal distance between vertical line for T1 and Fc = 11.86 feet
* Horizontal distance between vertical line for T4 and Fc = 12.29 feet
* Horizontal distance between Zl and Fc = 65.38 feet
Table with on-BP points for PWM

Point Frame PFr PVis Time d_p_px r_p d3_px r_a d3h_px d3_px v_fps v_B_fps v_P_fps MPH PS SDO dst_ft rg_ft_g ht_ft_g RPM TwR rot_c
Bx 312NE Y N 4.97 0.0 0.00 0.0 0.00 0.0 0.0 141.8 141.8 141.8 96.7 0.3068 0.57 0.0 0.0 0.0 11205 9.11 0.00
M1NE 312NE Y N 6.82 5.5 0.01 10.2 0.02 8.8 9.8 140.8 141.3 141.3 96.0 0.3058 0.57 0.3 0.2 0.1 11125 9.11 0.34
M2NE 312NE Y N 12.27 21.7 0.05 39.9 0.07 34.5 38.1 137.8 139.8 139.3 93.9 0.3029 0.56 1.0 0.8 0.6 10890 9.11 1.34
M3NE 312NE Y N 17.84 38.3 0.09 69.6 0.11 60.2 66.5 134.7 138.3 136.3 91.9 0.3000 0.56 1.8 1.5 1.0 10649 9.11 2.34
M4NE 312NE Y N 23.54 55.1 0.13 99.3 0.16 85.9 94.9 131.6 136.7 133.2 89.7 0.2971 0.55 2.5 2.1 1.4 10403 9.11 3.34
M5NE 312NE Y N 29.38 72.3 0.18 129.0 0.21 111.6 123.2 128.4 135.1 130.0 87.5 0.2942 0.54 3.3 2.7 1.9 10152 9.10 4.34
S1 313E Y Y 29.44 72.5 0.18 129.3 0.21 111.8 123.5 128.3 135.1 128.3 87.5 0.2942 0.54 3.3 2.7 1.9 10149 9.10 4.35
M1E 313E Y Y 35.37 89.9 0.22 158.7 0.26 137.2 151.6 125.1 133.4 126.7 85.3 0.2913 0.54 4.1 3.3 2.3 9893 9.10 5.34
M2E 313E Y Y 41.51 107.8 0.26 188.3 0.31 162.9 179.9 121.7 131.7 123.4 83.0 0.2884 0.53 4.8 4.0 2.7 9628 9.10 6.34
M3E 313E Y Y 47.83 126.1 0.31 218.0 0.36 188.5 208.2 118.2 130.0 119.9 80.6 0.2855 0.53 5.6 4.6 3.2 9356 9.10 7.34
M4E 313E Y Y 54.34 144.7 0.35 247.6 0.41 214.2 236.6 114.6 128.2 116.4 78.1 0.2826 0.52 6.3 5.2 3.6 9075 9.09 8.34
S2 313NE Y Y 54.64 145.6 0.36 249.0 0.41 215.3 237.9 114.5 128.1 114.5 78.0 0.2825 0.52 6.4 5.2 3.6 9062 9.09 8.39
M6NE 313NE Y N 61.06 163.8 0.40 277.3 0.45 239.8 264.9 110.9 126.4 112.7 75.6 0.2797 0.52 7.1 5.8 4.0 8785 9.09 9.34
M7NE 313NE Y N 68.01 183.3 0.45 306.9 0.50 265.4 293.2 107.1 124.5 109.0 73.0 0.2769 0.51 7.8 6.5 4.4 8485 9.09 10.34
M8NE 313NE Y N 75.22 203.1 0.50 336.5 0.55 291.0 321.5 103.1 122.5 105.1 70.3 0.2740 0.51 8.6 7.1 4.9 8174 9.08 11.34
M9NE 313NE Y N 82.70 223.5 0.55 366.1 0.60 316.6 349.8 99.0 120.4 101.1 67.5 0.2711 0.50 9.4 7.7 5.3 7851 9.08 12.34
S3 314E Y Y 84.08 227.2 0.55 371.5 0.61 321.2 354.8 98.2 120.0 98.6 67.0 0.2706 0.50 9.5 7.8 5.4 7792 9.08 12.52
M5E 314E Y Y 90.51 244.2 0.60 395.7 0.65 342.2 378.0 94.7 118.3 96.5 64.6 0.2682 0.50 10.1 8.3 5.7 7515 9.07 13.34
M6E 314E Y Y 98.69 265.4 0.65 425.3 0.70 367.8 406.3 90.2 116.0 92.5 61.5 0.2653 0.49 10.9 9.0 6.2 7162 9.07 14.34
M7E 314E Y Y 107.29 287.1 0.70 454.8 0.75 393.4 434.5 85.5 113.6 87.8 58.3 0.2624 0.49 11.6 9.6 6.6 6791 9.06 15.34
S4 314NE Y Y 109.29 292.0 0.71 461.5 0.76 399.1 440.8 84.4 113.1 84.9 57.5 0.2618 0.48 11.8 9.7 6.7 6705 9.06 15.57
M10NE 314NE Y N 116.39 309.3 0.76 484.4 0.79 418.9 462.7 80.5 111.1 82.4 54.9 0.2596 0.48 12.4 10.2 7.0 6398 9.05 16.34
M11NE 314NE Y N 126.08 331.9 0.81 513.9 0.84 444.4 490.9 75.1 108.5 77.8 51.2 0.2567 0.48 13.1 10.8 7.4 5980 9.04 17.34
M12NE 314NE Y N 136.51 355.1 0.87 543.3 0.89 469.9 519.0 69.4 105.6 72.2 47.3 0.2538 0.47 13.9 11.4 7.9 5531 9.03 18.34
S5 315E Y Y 138.73 359.9 0.88 549.3 0.90 475.1 524.7 68.2 105.0 68.8 46.5 0.2532 0.47 14.0 11.6 8.0 5435 9.03 18.55
T1 315E Y Y 147.11 377.3 0.92 570.9 0.94 493.7 545.4 63.5 102.7 65.8 43.3 0.2511 0.46 14.6 12.0 8.3 5073 9.02 19.28
M8E 315E Y Y 147.86 378.8 0.93 572.7 0.94 495.3 547.1 63.1 102.5 63.3 43.0 0.2509 0.46 14.6 12.1 8.3 5041 9.02 19.34
T2 315E Y Y 148.30 379.7 0.93 573.8 0.94 496.3 548.2 62.9 102.3 63.0 42.9 0.2508 0.46 14.7 12.1 8.3 5022 9.02 19.38
T3 315E Y Y 154.39 391.6 0.96 588.4 0.97 508.9 562.1 59.5 100.7 61.2 40.6 0.2494 0.46 15.0 12.4 8.5 4759 9.01 19.88
T4 315E Y Y 155.64 394.0 0.96 591.3 0.97 511.4 564.9 58.8 100.3 59.2 40.1 0.2491 0.46 15.1 12.5 8.6 4705 9.00 19.98
M9E 315E N N 160.44 403.0 0.98 602.1 0.99 520.7 575.2 56.2 99.0 57.5 38.3 0.2481 0.46 15.4 12.7 8.7 4498 8.99 20.34
S6 315NE N N 163.93 409.3 1.00 609.6 1.00 527.2 582.4 54.3 98.0 55.2 37.0 0.2473 0.46 15.6 12.8 8.8 4348 8.99 20.60

Point
name of on-BP point, Bx = bullet exit point (during firing)
MnNE = nth mark during non-exposure times of all frames (not visible)
MnE = nth mark during exposure times of all frames (visible or erased)
Sn = nth change of shutter state, Tn = top edge of EAF frame (T1 for 312, T2 for 313, T3 for 314, T4 for 315)
NOTE: MnNE and MnE with the same 'n' are different marks, they happen to have the same 'n' only because each series is counted from 1
NOTE: some marks could be exposed during non-exposure time because of mark visibility exposure margin 0.01 msecs
Frame
name of frame, nnnNE = non-exposure time of frame nnn, nnnE = exposure time of frame nnn
Pfr
point framed?, Y = its coordinates fall within the corresponidng frame, N = no, E = error
PVis
point visible?, Y = column(Pfr) is Y and column(Time) is within boundaries of frame exposure time +/-0.01 msecs, N = otherwise
Time
time (midpoint) of the corresponding on-BP point, in milliseconds from the start of 312NE
d_p_px
2D distance along the BP perceived in frame 312-315, in pixels from point Bx on BP to the corresponding point on BP
r_p
ratio for 2D distance along the BP perceived in frame 312-315, i.e. ratio of distance over the max distance Bx to the last Sn
d3_px
3D distance along the actual BP in 3D space (viewed at 90 degrees), in pixels from point Bx on BP to the corresponding point on BP
r_a
ratio for 3D distance along the actual BP in 3D space, i.e. ratio of distance over the max distance Bx to the last Sn
d3h_px
horizontal projection of d3_px onto Zapruder plane (not ground plane), in pixels, shown in the horizontal part of optical diagram
d3v_px
vertical projection of d3_px onto Zapruder plane (not ground plane), in pixels, shown in the vertical part of optical diagram
v_fps
instantaneous velocity (in 3D), in feet per second (fps), computed from constant linear deceleration
v_B_fps
average velocity from Bx (in 3D), in feet per second (fps), computed after the times of all points are computed
v_P_fps
average velocity from previous point (in 3D), in feet per second (fps), computed after the times of all points are computed
MPH
instantaneous velocity (in 3D), in miles per hour (MPH), computed from v_fps
PS
pixel size (horizontal) for the corresponding distance from Zapruder camera, in inches per pixel, size refers to the actual object represented by one pixel
SDO
smallest detectable object (estimate), in inches, set to PS*1.85 based on empirical observations
dst_ft
d3_px converted from pixels to feet, in feet
rg_ft_g
range (horizontal distance from Bx) assuming BP relative to the ground, in feet, approximation
ht_ft_g
height (vertical distance from Bx) assuming BP relative to the ground, in feet, approximation
RPM
rotational speed of projectile PWM, in revolutions per minute
TwR
twist rate, computed by 720*v_fps/RPM (division of values in columns v_fps and RPM), to be compared to muzzle twist rate
rot_c
rotational count, in count of revolutions from Bx, rot_c of all marks will have the same fractional part
NOTES:
*
Exit time of BX (after the end of 312E) = 4.97 milliseconds
*
the distances are relative to Zapruder at elevation 10 degrees (in order to match the optical diagram), except rg_ft_g and ht_ft_g relative to ground
*
the points are sorted on time in milliseconds from start of 312NE
*
more data for this table in file '08t - Evaluation of BP table for PWM, plus off-BP points - tables.txt'
Initial linear speed of PWM projectile is 141.8 feet per second, constant linear deceleration is 550.7 feet per second_squared
Theoretical (only linear, no trajectory): PWM projectile stops after 0.26 seconds and 3D distance of 18.26 feet from Bx, when its rotational speed is 96 rpm
Initial rotational speed of PWM projectile is 11205 rpm, constant rotational deceleration is 2588084 rotations per minute_squared
Theoretical: PWM projectile stops rotating after 0.26 seconds, 24.25 rotations, 3D distance 18.26 feet from Bx, when its linear speed is 0.0 fps
Estimate: PWM projectile falls on the ground within 5 seconds and within 30 feet from Bx
White marks defined in the movies
Several movies and cartoons decoded for this document secretly encode
information about the white marks. All report that two white marks were erased,
one in frame 314 and one in frame 315. The computer simulations have recovered
them both. The whole movie JFK is basically about the white marks and the
projectiles PWM and PBF, as explained in the section White marks and projectiles
as top signals. The movie uses many names but the most common names seem to
be Oswald for M5E and Ruby for M8E. At the end of this chapter, I include frames
313, 314, 315, with the complete sets of white marks.
Software evaluation of BP table for PWM
The software does basic evaluation of BP table by comparing the coordinates of

visible white marks to the corresponding marks on BP, by comparing reductions in
linear and rotational speeds between point BX and the last point Sn, etc. The
attached table shows marks M1E to M4E that correspond to the visible white
marks M1 to M4 and marks M6E to M7E that correspond to the visible white
marks M5 to M6. Both the horizontal and vertical offsets are within range of
horizontal and vertical panning by Zapruder camera during their exposure times.
Point Frame Off_h Pan_h Off_h% Off_v Pan_v Off_v%

M1E 313E 11.6 10.6 9 1.2 0.7 31
M2E 313E 9.0 7.2 22 1.1 0.5 45
M3E 313E 4.2 3.7 9 0.7 0.2 39
M4E 313E 0.1 0.2 4 0.0 0.0 1
M6E 314E 7.2 8.3 12 2.3 1.9 11
M7E 314E 1.5 1.6 2 0.0 0.4 27

Point name of on-BP point, MnE = mark Mn during exposure time (visible or erased)
Frame name of frame, nnnNE = non-exposure time of frame nnn, nnnE = exposure time of frame nnn
NOTE: some marks could be exposed during non-exposure time because of mark visibility exposure margin 0.01 msecs
Off_h horizontal off, X difference between input white mark and on-BP mark
Pan_h horizontal panning for the corresponding time
Off_h% 100*abs(Off_h-Pan_h)/(abs(Pan_h)+1), in percent
Off_v vertical off, Y difference between on-BP mark and input white mark.
Pan_v vertical panning for the corresponding time
Off_v% 100*abs(Off_v-Pan_v)/(abs(Pan_v)+1), in percent
NOTES:
* Horizontal panning - max off 22% within range
* Vertical panning - max off 45% within range
* Simulation has found 1 more exposed mark(s) during 314 than OffBPRefs[] provides
* Twist rate for point Bx = 9.11 versus standard barrel twist rate for 9mm handguns = 10.00
* Reductions in speed between points Bx and last S, linear=2.6X, rotational=2.6X, difference=1.4%
Conversions between Zapruder level and ground level

The software does simulation only at the Zapruder level, elevated at 10. In order
to compare to the ground level, the software has to convert the vertical BP angle
and the horizontal viewing angle.
A precise conversion of the vertical BP angle itself is too complicated for such a
small gain, and therefore only approximated on the basis of empirical data (1).
Since, I wanted to test the BP angles in a real setup similar to Zapruder case, with
the same distance and elevation, I made such measurements for two viewing angles
20 and 15, by using a digital camera. In summary:
Viewing angle 15, elevation 10, viewed BP 57, for this case the
formula computes BP viewed at 90 as 24.31. Measured BP viewed at 90
at ground level 30 ( 1). Consequently, the difference between two
levels 6 ( 1).
Viewing angle 20, elevation 10, viewed BP 57, for this case the
formula computes BP viewed at 90 as 30.15. Measured BP viewed at 90
at ground level 34.5 ( 1). Consequently, the difference between two
levels 4.5 ( 1).
On the basis of the above measurements, the software converts the BP angle
viewed at viewing angle 90, between Zapruder level and ground level. Even
though the software simulation assumes Zapruder viewing angle 20 for its final
configuration, it also generates the combinations for other viewing angles, as
provided in the anatomy sections. Since Zapruder elevation is 10, the maximum
correction possible is also 10 when the viewing angle is close to 0. The minimum
correction is close to 0 when the viewing angle is 90. Since the corrections for
the viewing angles 15 and 20 are measured to be about 6 and 4.5 respectively,
the software interpolates other cases by using an approximation formula based on
exponential function. The actual correction for 15 is computed as 6.26, and the
actual correction for 20 is computed as 4.35. One of the output files attached in
the zip package includes a table with viewing angles between 0 to 90, in
increments of 1.
On the other hand, the conversion of viewing angles is simple. The optical diagram
shows the horizontal viewing angles for both levels. The software does the
conversion by following the optical diagram. The following spreadsheet table
shows the computed conversions for all viewing angles between 1-89, in
increments of 1. All conversions assume the same BP angle 57.45 as seen in
frames 313-314.
The purpose of optical diagram is to illustrate the relationship between the BP

angle viewed at 90 to optical axis and different values of viewing angle between
BP and the optical axis. All assume the same BP angle 57.45 as seen in frames
313-314. Since many readers do not have the software development skills to play
with many configurations, they can use the optical diagram instead. The optical
diagram does not show explicitly the perceived BP angle 57.45. This angle is
implied in the 3D coordinates of points BX and T1. Whenever you draw a line
corresponding to an arbitrary viewing angle VA between 1-89 you will get
automatically the corresponding BP angle viewed at 90 to optical axis. This
means that the value of viewing angle shown in the horizontal part of optical
diagram is VA but the value of your own viewing angle used to watch BP is 90-
VA. Then you can use the formulas, provided at the beginning of this chapter, to
convert the viewed BP angle to other BP angles viewed at different viewing
angles. If you convert to Zapruder viewing angle then you will always get the same
57.45 each time because the locations of points BX and T1 imply it. The attached
table illustrates this concept. Notice that the precise measurements of MPI frames,
done in previous chapter, enable us to achieve an excellent accuracy of 0.01.
As it turns out, all viewing angles at Zapruder level require adding the same offset
of 1.75 (called ZVA offset) to the corresponding viewing angle at ground level.
VA BP/oa BP/bp BP/Z BPz/ae ZVA/o VA BP/oa BP/bp BP/Z BPz/ae ZVA/o
1 4.30 4.30 57.46 0.01 1.750 46 59.09 49.24 57.46 0.01 1.750
2 5.86 5.85 57.46 0.01 1.750 47 59.94 49.68 57.46 0.01 1.750
3 7.40 7.39 57.46 0.01 1.750 48 60.78 50.10 57.46 0.01 1.750
4 8.94 8.92 57.46 0.01 1.750 49 61.61 50.51 57.46 0.01 1.750
5 10.48 10.44 57.46 0.01 1.750 50 62.42 50.91 57.46 0.01 1.750
6 12.00 11.93 57.46 0.01 1.750 51 63.23 51.28 57.46 0.01 1.750
7 13.51 13.41 57.46 0.01 1.750 52 64.03 51.65 57.46 0.01 1.750
8 15.00 14.86 57.46 0.01 1.750 53 64.82 52.00 57.46 0.01 1.750
9 16.49 16.29 57.46 0.01 1.750 54 65.59 52.33 57.46 0.01 1.750
10 17.96 17.70 57.46 0.01 1.750 55 66.36 52.66 57.46 0.01 1.750
11 19.41 19.08 57.46 0.01 1.750 56 67.13 52.97 57.46 0.01 1.750
12 20.85 20.43 57.46 0.01 1.750 57 67.88 53.26 57.46 0.01 1.750
13 22.27 21.75 57.46 0.01 1.750 58 68.62 53.55 57.46 0.01 1.750
14 23.67 23.04 57.46 0.01 1.750 59 69.36 53.82 57.46 0.01 1.750
15 25.06 24.31 57.46 0.01 1.750 60 70.09 54.08 57.46 0.01 1.750
16 26.43 25.54 57.46 0.01 1.750 61 70.81 54.33 57.46 0.01 1.750
17 27.78 26.74 57.46 0.01 1.750 62 71.53 54.57 57.46 0.01 1.750
18 29.11 27.90 57.46 0.01 1.750 63 72.24 54.80 57.46 0.01 1.750
19 30.42 29.04 57.46 0.01 1.750 64 72.94 55.01 57.46 0.01 1.750
20 31.72 30.15 57.46 0.01 1.750 65 73.64 55.22 57.46 0.01 1.750
21 32.99 31.22 57.46 0.01 1.750 66 74.34 55.42 57.46 0.01 1.750
22 34.25 32.26 57.46 0.01 1.750 67 75.02 55.60 57.46 0.01 1.750
23 35.48 33.27 57.46 0.01 1.750 68 75.71 55.78 57.46 0.01 1.750
24 36.70 34.25 57.46 0.01 1.750 69 76.38 55.95 57.46 0.01 1.750
25 37.89 35.20 57.46 0.01 1.750 70 77.06 56.10 57.46 0.01 1.750
26 39.07 36.12 57.46 0.01 1.750 71 77.73 56.25 57.46 0.01 1.750
27 40.23 37.01 57.46 0.01 1.750 72 78.39 56.39 57.46 0.01 1.750
28 41.37 37.87 57.46 0.01 1.750 73 79.06 56.52 57.46 0.01 1.750
29 42.50 38.71 57.46 0.01 1.750 74 79.72 56.64 57.46 0.01 1.750
30 43.60 39.51 57.46 0.01 1.750 75 80.37 56.75 57.46 0.01 1.750
31 44.69 40.29 57.46 0.01 1.750 76 81.02 56.86 57.46 0.01 1.750
32 45.76 41.05 57.46 0.01 1.750 77 81.67 56.95 57.46 0.01 1.750
33 46.81 41.77 57.46 0.01 1.750 78 82.32 57.04 57.46 0.01 1.750
34 47.84 42.48 57.46 0.01 1.750 79 82.97 57.12 57.46 0.01 1.750
35 48.86 43.16 57.46 0.01 1.750 80 83.61 57.19 57.46 0.01 1.750
36 49.86 43.82 57.46 0.01 1.750 81 84.25 57.25 57.46 0.01 1.750
37 50.85 44.45 57.46 0.01 1.750 82 84.90 57.30 57.46 0.01 1.750
38 51.82 45.06 57.46 0.01 1.750 83 85.53 57.35 57.46 0.01 1.750
39 52.78 45.65 57.46 0.01 1.750 84 86.17 57.39 57.46 0.01 1.750
40 53.72 46.22 57.46 0.01 1.750 85 86.81 57.42 57.46 0.01 1.750
41 54.65 46.77 57.46 0.01 1.750 86 87.45 57.44 57.46 0.01 1.750
42 55.56 47.30 57.46 0.01 1.750 87 88.09 57.45 57.46 0.01 1.750
43 56.46 47.81 57.46 0.01 1.750 88 88.72 57.46 57.46 0.01 1.750
44 57.35 48.31 57.46 0.01 1.750 89 89.36 57.46 57.46 0.01 1.750
45 58.22 48.78 57.46 0.01 1.750

VA Viewing angle drawn in the optical diagram in its horizontal (green) part, in degrees
BP/oa BP angle viewed at 90 degrees to optical axis, this means the viewing angle is 90-VA, in degrees
BP/bp BP angle viewed at 90 degrees to BP itself, this means the viewing angle is 90, in degrees
BP/Z BP angle viewed by Zapruder (as seen in frames 313-314), this means the viewing angle is VA + ZVA offset in column ZVA/o, in degrees
BPz/aeApproximation error for BP angle viewed by Zapruder, difference between the value seen in frames 313-314
and the value measured in the optical diagram, in degrees
ZVA/o ZVA offset, computed from the optical diagram by using the point ZV, in degrees
NOTES:
* The column VA shows all possible viewing angles from 1 to 89 degrees, in increment of one degree
* For a given VA, the columns for BP show the same BP viewed at different angles relative to the value of VA
* The value of BP/Z for all values of VA is expected to be the same because it is implied by the same fixed locations of Bx and T1 seen in frame 312
Physical properties and makeup of PWM
The projectile PWM shows very high decelerations. Both its linear and rotational
speeds drop very quickly, at the same rate. The decelerations seem to be caused
mainly by low weight, and not by irregular shape. Because of relatively low initial
energy at the bullet exit point BX, PWM is not able to overcome air resistance in
flight at sufficient rate. However, Jackie's bullet had to include also metal parts like
lead. If a low-weight PWM managed to get out from JFK's head, then definitely
the metal parts got out too. I call the metal parts collectively PBF projectile and
examine it in the following sections.
Material
The attached spreadsheet table compares the
Density (g/cm )
3
density of White Phosphorus (WP) to the

Water 1.00
densities of other materials, especially the
Rigid PVC 1.45
Table sugar 1.59
metals like lead and copper commonly used in
Tetryl 1.73 bullets. The density of WP is over six times
White Phosphorus 1.83 lower than the density of lead. This is one of
Table salt (NaCl) 2.16 the main reasons PWM is much slower than a
Copper 8.94 typical bullet fragment made of lead. There
Lead 11.34
could be some other reasons related to the
properties of the incendiary, especially when burning and losing more weight
while burning.
If the incendiary is White Phosphorus then the whole amount included in Jackie's
bullet is about 50mg. How much of it ended up in PWM? Definitely, much less
than 50mg. PWM could also include some other low-weight materials used for
packaging. One small possibility is that the whole PWM is a small chunk of White
Phosphorus that starts burning on one side.
White marks (PWM) versus Harper fragment

Apparently within hours after JFK assassination, JFK killers saw the white marks
created by projectile PWM in frames 313-314. Most probably, they planned to
broadcast Zapruder film the same day by using their brainwashing machines like
WFAA-TV in Dallas, in order to send a message to their enemies by displaying a
spectacle of their alleged powers. However after seeing the white marks, they
panicked and changed their minds. Instead, they used their brainwashing machines
to broadcast only the existence of Zapruder film and to spread their fake stories
about Zapruder running around Dallas trying to develop the film.
JFK killers sent their goons to Dealey Plaza looking for any fragments left by
projectiles PWM or PBF. Maybe one of the roles of their false witnesses planted at
Dealey Plaza before the assassination, like Jean Hill and Mary Moorman, was to
collect any such fragments as part of their plan scheduled even before the
assassination.
Apparently, JFK killers had a lot

of mentally deficient specimens
among themselves who gave birth
to so called Harper fragment.
Supposedly, the next day on
November 23, William Allen
Harper found a piece of JFK's
"skull", which later became known
as the Harper fragment. JFK killers even managed to get this fragment into to
Zapruder film very early, and now the fragment can be seen as "flying" across
frames 313-339 on all public copies of the film. This was their way to divert your
attention away from the white marks. This is how the Parasites always worked and
always will.
If any visible piece of JFK's "skull" escaped his head then it would show up as a
blur immediately on the next frame 313. The non-exposure time of each frame is
about 30 milliseconds. The closest distance from JFK's head to the right edge of
frame 313 is about 7 feet. Any fragment would have to fly at an average speed of
at least 233 feet per second (159 MPH) within 30 milliseconds after the head shot,
in order to escape exposure before the start of 313E. Any smaller speed would get
the "fragment" painted as a long blur during the exposure time of 313E. In order to
get a speed above 233 fps, Harper fragment would have to get a lot of energy for
its relatively big size/mass from somewhere. From where? From a small "Oswald"
bullet? The next question is how a fragment with such high energy would bounce
back in the opposite direction, within milliseconds?
Clearly, some smarter specimens among the inbred members of Parasitic Ethnic
Group recognized these complications soon enough, so that the myth of Harper
fragment died soon after its inbred birth. However, even today there are some
slower specimens of the Parasites who still promote this myth. One of them is so
called "Professor" John McAdams, another Pee Pee HD, who runs his website
loaded with his inbred insanities about JFK assassination. When you google
"Harper fragment", most probably you hit his website first. Let's make one thing
clear though. "Professor" McAdams, "Professor" Fetzer, and all other Pee Pee
HD's of their ilk, know very well who killed JFK, but their genetic deficiencies
force them to lie like all Parasites do.
Another indication that the white marks created a lot of panic among JFK killers is
the movie A Shot in the Dark (1964). The scene where Inspector Clouseau talks
about the moths is a reference to the white marks.
Yet another famous Hollywood reference to the white marks is in the movie The
Godfather (1972). Specifically, the scene where Clemenza says to Rocco, "Leave
the gun. Take the cannoli", after Rocco shoots Paulie into the back of his head. The
whole scene is a direct reference to Clint Hill shooting JFK from behind under the
overpass. Cannoli in a white box is a reference to both the Harper fragment and
the white marks.
Software simulation of BP points for PBF

Point Frame PFr PVis Time d_p_px r_p d3_px r_a d3h_px d3_px PS SDO dst_ft rg_ft ht_ft trg_ft tht_ft
S1b 313E Y Y 29.44 92.6 0.13 163.3 0.18 141.2 156.0 0.2909 0.54 4.0 3.4 2.4 2.9 2.0
S2b 313NE Y Y 54.64 180.8 0.26 303.1 0.33 262.2 289.6 0.2772 0.51 7.0 6.4 4.4 5.8 3.9
S3b 314E Y Y 84.08 295.7 0.42 466.4 0.51 403.4 445.6 0.2613 0.48 10.2 9.8 6.8 9.2 6.3
T1b 314E Y Y 102.92 377.3 0.54 570.9 0.63 493.7 545.4 0.2511 0.46 11.9 12.0 8.3 11.4 7.7
T2b 314E Y Y 103.44 379.7 0.55 573.8 0.63 496.3 548.2 0.2508 0.46 12.0 12.1 8.3 11.5 7.8
T3b 314E Y Y 106.07 391.6 0.56 588.4 0.65 508.9 562.1 0.2494 0.46 12.2 12.4 8.5 11.8 8.0
T4b 314E N N 106.59 394.0 0.57 591.3 0.65 511.4 564.9 0.2491 0.46 12.3 12.5 8.6 11.9 8.0
S4b 314NE N N 109.29 406.4 0.58 606.3 0.67 524.3 579.1 0.2477 0.46 12.5 12.8 8.8 12.2 8.2
S5b 315E N N 138.73 553.0 0.79 769.5 0.85 665.5 735.1 0.2318 0.43 14.9 16.2 11.1 15.6 10.5
S6b 315NE N N 163.93 696.2 1.00 909.4 1.00 786.5 868.7 0.2181 0.40 16.5 19.2 13.2 18.6 12.4

Point name of on-BP point, 'b' (for bullet) is appended to indicate PBF projectile
Snb = nth change of shutter state, Tnb = top edge of EAF frame (T1 for 312, T2 for 313, T3 for 314, T4 for 315)
Frame name of frame, nnnNE = non-exposure time of frame nnn, nnnE = exposure time of frame nnn
Pfr point framed?, Y = its coordinates fall within the corresponidng frame, N = no, E = error
PVis point visible?, Y = column(Pfr) is Y and column(Time) is within boundaries of frame exposure time +/-0.01 msecs, N = otherwise
Time time (midpoint) of the corresponding on-BP point, in milliseconds from the start of 312NE
d_p_px 2D distance along the BP perceived in frame 312-315, in pixels from point Bx on BP to the corresponding point on BP
r_p ratio for 2D distance along the BP perceived in frame 312-315, i.e. ratio of distance over the max distance Bx to the last Sn
d3_px 3D distance along the actual BP in 3D space (viewed at 90 degrees), in pixels from point Bx on BP to the corresponding point on BP
r_a ratio for 3D distance along the actual BP in 3D space, i.e. ratio of distance over the max distance Bx to the last Sn
d3h_px horizontal projection of d3_px onto Zapruder plane (not ground plane), in pixels, shown in the horizontal part of optical diagram
d3v_px vertical projection of d3_px onto Zapruder plane (not ground plane), in pixels, shown in the vertical part of optical diagram
PS pixel size (horizontal) for the corresponding distance from Zapruder camera, in inches per pixel, size refers to the actual object represented by one pixel
SDO smallest detectable object (estimate), in inches, set to PS*1.85 based on empirical observations
dst_ft d3_px converted from pixels to feet, in feet
rg_ft range (horizontal distance from Bx) assuming BP relative to the ground, in feet, approximation
ht_ft height (vertical distance from Bx) assuming BP relative to the ground, in feet, approximation
trg_ft trajectory range computed with theoretical parabolic equation, relative to the ground, in feet, approximation
tht_ft trajectory height computed with theoretical parabolic equation, relative to the ground, in feet, approximation
NOTES:
* Distances are relative to Zapruder at elevation 10 degrees (in order to match the optical diagram), except for the last four columns relative to ground
* Points are sorted on time in milliseconds from start of 312NE
* Initial linear speed of PBF projectile is 141.8 feet per second
* Max range of PBF projectile is 583.4 feet, reached after 5.0 seconds, based on a simple parabolic equation
* Max height of PBF projectile is 100.2 feet, reached after 2.5 seconds, based on a simple parabolic equation
Time Range Height Time Range Height Time Range Height

0.0 0.00 0.00 1.7 198.71 90.00 3.4 397.43 87.02
0.1 11.69 7.87 1.8 210.40 92.40 3.5 409.12 83.95
0.2 23.38 15.41 1.9 222.09 94.48 3.6 420.80 80.56
0.3 35.07 22.64 2.0 233.78 96.23 3.7 432.49 76.85
0.4 46.76 29.54 2.1 245.47 97.67 3.8 444.18 72.81
0.5 58.45 36.12 2.2 257.16 98.78 3.9 455.87 68.45
0.6 70.13 42.38 2.3 268.85 99.57 4.0 467.56 63.77
0.7 81.82 48.32 2.4 280.54 100.04 4.1 479.25 58.77
0.8 93.51 53.94 2.5 292.23 100.18 4.2 490.94 53.45
0.9 105.20 59.23 2.6 303.91 100.01 4.3 502.63 47.80
1.0 116.89 64.20 2.7 315.60 99.51 4.4 514.32 41.84
1.1 128.58 68.85 2.8 327.29 98.69 4.5 526.01 35.55
1.2 140.27 73.18 2.9 338.98 97.55 4.6 537.69 28.94
1.3 151.96 77.19 3.0 350.67 96.09 4.7 549.38 22.01
1.4 163.65 80.88 3.1 362.36 94.31 4.8 561.07 14.75
1.5 175.34 84.24 3.2 374.05 92.20 4.9 572.76 7.18
1.6 187.02 87.28 3.3 385.74 89.77 4.99 583.40 0.00

Time current time, in seconds, in increments of 0.1000 seconds
Range range, in feet
Height height, in feet
NOTES:
* Based on a theoretical trajectory based on parabolic equations assuming constant speed
* Vertical angle viewed at 90 degrees to BP at ground horizontal level = 34.5 degrees
* Initial linear speed of bullet = 141.8 fps
* Maximum range = 583.4036 feet, at time = 4.9910 seconds
* Maximum height = 100.1839 feet, at time = 2.4955 seconds
* Count of data points = 51
Bullet path inside JFK's head
Since we have the linear and rotational speeds at point BX we can compute
relatively accurately the head penetration time. The initial velocities at point BE
can be approximated on the basis of typical cases for calibers close to 9mm.
Because of a very short head penetration time, we can get an excellent

approximation by computing the deceleration constant for each initial linear
velocity at point BE (muzzle speed). Even for a low case of 1000 fps, the head
penetration time is 1 millisecond. Most probably, Jackie uses a bullet with muzzle
velocity between 1100-1300 fps, highlighted with red color in the attached table.
We can assume the bullet's head penetration is around 0.9 millisecond, and
equivalently the linear deceleration is about 1.2 million feet/sec2.
The attached table shows also muzzle rotational velocities for different twist rates.
Twist rate is defined by the distance a bullet must travel to complete one full
revolution, such as 1 revolution in 10 inches (1:10). A shorter distance indicates a
higher rotational velocity. There is a simple relationship between muzzle linear
velocity (MLV), muzzle rotational velocity (MRV), and the twist rate (TR). The
relationshp is MLV * 720/TR = MRV, where MLV is in feet per second (fps), TR
is in inches for one revolution, MRV is in revolutions per minute (rpm). For 9mm
handguns, the typical twist rate is around 10.
The attached table shows muzzle rotational speeds for three different twist rates:
for the typical maximum TR=16 for handguns, for the typical TR=10 for 9mm
handguns, and for the twist rate TR=9.11 shown at point BX by assuming the linear
and rotational velocities decelerate inside JFK's head at the same rate.
Since 0.9 millisecond is a good approximation for the bullet's head penetration
time, we can address the issue of his head moving prior to bullet exit. JFKs head
is not able to move much in such a short period of time. His head moves mostly
after the bullet exits because of the head's inertia. Consequently, we can assume
that the difference between the point BX shown in frame 312 during the last
millisecond of its exposure time and the point BX at the actual exit time is defined
by the limo speed and not influenced significantly by the bullet moving his head.
Vel_Be HPT LDC RPM_16 RPM_10 RPM_P

1000 1.02 839906 45000 72000 79011
1100 0.94 1019906 49500 79200 86912
1200 0.87 1217049 54000 86400 94813
1300 0.81 1431334 58500 93600 102715
1400 0.76 1662763 63000 100800 110616
1500 0.71 1911334 67500 108000 118517
1600 0.67 2177049 72000 115200 126418
1700 0.63 2459906 76500 122400 134319
1800 0.60 2759906 81000 129600 142220
1900 0.57 3077049 85500 136800 150121

Vel_Be linear velocity at point Be, same as muzzle velocity, in fps
HPT head penetration time assuming constant deceleration, in milliseconds
LDC linear deceleration constant, in feet per second_squared
RPM_16 rotational speed at point Be assuming barrel twist rate=16, in rpm
RPM_10 rotational speed at point Be assuming barrel twist rate=10, in rpm
RPM_P rotational speed at point Be assuming twist rate=9.11 shown at Bx point (proportional), in rpm
ASSUMPTIONS:
* linear speed at point Bx = 141.81 fps
* rotational speed at point Bx = 11204.54 rpm
* distance between Be and Bx = 7.0 inches
Optical diagram with key BP points for PWM and PBF
One of the output files attached in previous sections, includes the data to draw an
optical diagram. The diagram provides a visualization of many concepts used by
the software simulation. Also, it enables those without programming skills to do
their own simulations of Jackie's bullet shot. The diagram is drawn in pixel sizes
corresponding to frame 312. Since the height of frame 312 is 346 pixels, the
Zapruder distance between the center FC and the lens ZL is 2558 pixels (65.4 feet).
The whole optical diagram is included in the zip package with software. The
attached version is cropped.
The optical diagram uses 3D-on-2D representation. The Y axis of 2D is used to

represent both X and Y axis of 3D, and the X axis of 2D is used to represent Z axis
of 3D. This means that a 3D point is represented by two points in 2D, and
equivalently a 3D line is represented by two lines in 2D. The vertical plane (Y of
3D) in shown in blue color, the horizontal plane (X of 3D) is in green color. The
vertical part of BP itself is shown in red color, and its horizontal part in purple
color. Mixed or miscellaneous items are shown in black color.
The vertical lines (blue and green) representing vertical and horizontal axes of
aligned frames 312-315 are drawn first, then the pairs (blue and green)
representing points BX, T1, and T4. The dotted lines (blue and green) defining the
top and right edge of frames 312 and 315 are drawn from ZL (not shown on the
cropped version). The vertical part of BP is drawn from the blue BX at an angle
closest to 31.72 (Zapruder plane, viewed at 90 to the optical axis OA). Two
vertical black dotted lines corresponding to the intersections of red line and blue
dotted lines are drawn to represent T1 and T4. Purple BP line (horizontal BP) is
drawn from green BX to the intersection of T1 black dotted line and green dotted
line for T1. The two intersections correspond to the point on frame 312 where the
perceived BP line (at angle 57.45) crosses its top EAF-defined edge. Notice that
the red line also intersects the 3D point for T4 automatically because the software
and optical diagram provide sufficient precision.
Once measured, the angle between optical axis and the horizontal BP is 20.0. This
means that the software computed results with sufficient precision. Notice that the
BP viewing angle for Zapruder plane does not originate at point BX. It originates at
a reference point in his own horizontal plane. One vertical black dotted line is
drawn at the intersection of vertical BP and optical axis to provide a reference line
for the horizontal part of BP. The intersection of the dotted black line and the
horizontal BP defines a reference point for Zapruder viewing angle in his plane.
Another dotted line is drawn between this reference point and point ZL. The angle
between the dotted line and horizontal BP is the actual viewing angle for Zapruder,
and its value is 21.75 (measured as 21.8 in Photoshop). The difference between
21.75 and 20.00 is defined by the software as ZVA_Offset =1.75. That is why
the software adds ZVA_Offset to the BP viewing angle 20.00 defined for the
ground level. It does not mean that the value of ZVA_Offset is critical for the
results because it is not. The viewing angle 20.00 for the ground level is an
approximation with error margin 2. However, we have to keep the
approximation errors under control for all other derived values. Since the viewing
angle for Zapruder is different from the viewing angle at ground level, we have to
explain it. In summary, ZVA_Offset is created by 3D differences between the
ground level and Zapruder level elevated at 10.
Both vertical and horizontal parts of BP show the marks corresponding to the white
marks visible in frames 313-314. One mark M5E during 314E is not visible and it
is dimmed on the diagram. Similarly, M8E during 315E. The vertical part of BP
also shows the changes of shutter state (points S) for both PWM and PBF
projectiles
Positions of JFKs head and Jackies handbag before bullet shot
JFK murder planners had to do special planning in order to position his head for
Jackies bullet. Lets summarize their plan. During the whole motorcade, Jackie
has been forcing JFK to stay in his corner by using her red roses as an excuse. This
means that JFK murder planners know in advance where he will be sitting. They
also know the dimensions of the seat, where Jackie will be sitting, etc. They can
compute the leaning angle for JFK ahead of time. They know that JFK will be
paralyzed with severe pain around his trachea. This means that JFK will avoid
turning his head left or right, or his chin down, in order to avoid pressure on his
trachea. Instead, he will turn and lean his upper body. They take into account
JFKs back brace, too. They make arrangements to draw his attention to the left by
using the Red Queen and Drama Queen. That is why JFK turns his upper body
towards Jackie.
Jackie is sitting in such a way that she has plenty of space between herself and JFK
to accommodate a predefined range of positions of his head. After JFK raises his
hands to his throat (courtesy of Jackie's dart shot), Jackie does not get closer to him
as it would be expected of a concerned wife. She stays put where she gets the best
position to shoot from her handbag. All this is part of JFK assassination plan.
The positions of JFKs head and Jackies right hand before bullet shot influence
the orientation of gun barrel inside Jackie's handbag. Also, JFK murder planners
want to hide the handbag during firing. This means that the muzzle of gun barrel
has to be as close to the top of handbag as possible. They also want to have the
barrel long because it improves ballistics. The approximate height of Jackies
handbag is 8.5 and the length about 11. As a comparison, the distance between
the bullet entry point BE and the top of JFK's head is about 8". This means that the
barrel must be along the long side of handbag and it must be somewhere in the
middle between the bottom and the top. The upper half of her handbag is soft so
that Jackie can fold it under her upper arm during firing in order to hide it from
Zapruder camera. That is why her handbag is showing up in the Moorman photo
made from behind. That why JFK killers arranged for the Moorman photo to be
altered later.
Given the results from the software simulation and visual examination of Zapruder
frames, I tested various positions of Jackie's right arm holding a similar handbag.
The best position for gun barrel is along the edge of front flap, about 4 inches
above the bottom of handbag. It matches the BP shown in frame 312. Apparently,
Jackie's handbag has a grip-like handle installed at the bottom. The handle is
attached to the barrel above it. The sound suppression mechanisms are around the
barrel. The attached diagram explains the approximate design. The photos made at
the airport suggest that Jackie's handbag has some fillers inside in order to prevent
any suspicious contours of firearm from showing through. Jackie removes the
fillers before reaching Dealey Plaza. Probably, the handbag special fabric provides
proper heat insulation and fire protection for Jackie.
JFK murder planners have prepared a simple barrel aligning procedure for Jackie.
Realize that the bullet has to exit through JFK's right ear in order to tear his critical
veins and arteries located just behind his ear. The instructions for Jackie are:
Hold the handbag with its front flap facing you. The bottom edge of front
flap indicates where the barrel is located and the flap provides a reference
for you. Also, the positions of muzzle and trigger require this orientation of
handbag.
Keep your left elbow close to your hip in order to provide firm support for
the handbag when you use your left hand to hold it later.
Place the part of handbag where the muzzle is located between JFK's jaw
and his neck. This way the barrel is immune to vibrations in your hand
because JFK's neck&head will provide a direct support for handbag. This
places the muzzle within millimeters of JFK's skin where point BE is located.
The distance between the barrel and the back side of handbag is carefully
designed to keep the barrel aligned with point BE automatically for you.
Move your head enough in front of JFK's head so that you can see JFK's
right ear. Then by moving the handbag with your right hand, visually align
the edge of front flap with his right ear where the point BX is located.
When the handbag is in final position, move quickly your left hand from
JFK's left forearm and pull the trigger. Keep your left hand on the corner of
handbag in order to control upward recoil from the firearm.
In frames 290-305, you can see Jackie moving her head in front of JFK's head.
This is because she is looking at his right ear with the corners of her eyes and
aligning her barrel. You can also notice that from frame 305 (about 0.5 second
before bullet shot), Jackie's right elbow shows relatively little movement. This is
because Jackie already aligned her barrel and now she is in the process of moving
her left hand towards the trigger in order to pull it and use both her hands to hold
the handbag during firing.
The attached pictures, based on frame 312 and Moorman photo, show Jackie
holding her handbag during the bullet shot. The views of handbag are approximate.
Since the gun barrel is aligned with the bullet path BP, her handbag is also aligned
with BP. Since the BP viewing angle for Zapruder is about 20 and for Moorman it
is about 10, the actual handbag is also viewed at the same angles. At such low
angles, the handbag would not be visible enough for this type of illustration.
Consequently, the shown viewing angles are higher than they really are. Also, the
top of her handbag is folded under her upper arm so the top is not in upright
position as shown but spread to the sides, especially in the back. The picture with
frame 312 shows exact BP angle 57.5 as perceived by Zapruder, and it shows the
exact locations of reference points. The picture with Moorman photo, shows only
approximate BP.
Type and caliber of Jackie's bullet

On the basis of general examination of Zapruder frames and the analysis in this
chapter, we can come up with the following facts about Jackie's bullet:
The bullet is definitely not the typical non-expanding type like Full Metal
Jacket (FMJ). JFK's head moves too violently for this type of bullet. An FMJ
bullet would just go pass through the relatively soft tissues under the base of
his skull with much higher speed at the exit point. Jackie's bullet has to be at
the very least a soft point, hollow point round, or a fragmenting bullet, that is
able to move his head by friction.
The bullet contains an incendiary substance like White Phosphorus.
Therefore, it also contains a booster explosive to ignite the incendiary. This
means that after impact, the bullet effectively expands like a soft point or a
hollow point bullet.
The bullet generates two types of projectiles. Since the visible type is
relatively low-weight (PWM) because of its high deceleration, there has to
be at least one other fragment made of metal (PBF).
At exit point BX, PBF has a twist rate of about 9 because PWM shows this
twist rate. Both PBF and PWM have to have the same initial linear and
rotational speed at exit point BX. Normally, linear and rotational speeds
decelerate at similar rates. Consequently, the twist rate at entry point BE is
also around 9. This is close to the typical twist rate of around 10 for 9mm
handguns.
The bullet has a counter-clockwise twist in order to push the handle (grip) of
Jackie's firearm into her right hand and into JFK's neck. This means her gun
barrel has a clock-wise twist.
Inside JFK's head, Jackie's bullet creates effects similar to those created by
expanding-type bullet like a soft point or a hollow point round, informally known
as a dum-dum bullet. This would explain the name of animated bullet discussed in
the sections for the movie A Shot In The Dark (1964). An expanding bullet is
designed to cause maximum damage by tearing apart internal organs. When it hits
flesh, it begins to spread open like a flower with razor sharp metal petals, while
rotating through a body at initial speeds of around 100,000 rpm. The expanding
petals have different sizes depending on the intended penetration goals. They may
create loose fragments, especially when the bullet has an incendiary cargo inside.
Obviously, this type of bullet will create an exit hole larger than its entry hole. That
is why JFK murder planners loved the idea of having an exit hole in JFK's right ear
which is a hole in itself. Their ear wax ("autopsy") specialists at Bethesda took care
of waxing the holes that were in the wrong places. The second reason to reference
the dum-dum bullet is because Jackie's cartridge made two explosions, i.e. one
dum followed by another dum.
Keep in mind that JFK murder planners want the bullet to exit his head with a
spectacular result. This means that the bullet is designed to do substantial damage
inside JFK's head, and at the same time to exit his head with sufficient speed. In
other words, Jackies bullet and gunpowder are custom-made jobs. The incendiary
feature explains the large white clouds hanging above JFK's head in frames 313-
316. The so called "blob" on JFK's head is a thick cloud of smoke itself. Most
probably, Jackies gun barrel is covered with thermal insulation to protect her hand
from incendiary heat.
One type of existing bullet that

automatically draws an attention is
B-Patrone (from German name
Beobachtung Patrone, which means
Spotting Cartridge). In the movie
JFK, Jim's assistant Lou uses the
word spotter to refer to Jackie's role
in JFK assassination. This is not a
coincidence but a clear clue about
Jackie's cartridge. Originally, B-
Patrone was a 7.92x57mm cartridge
used by German snipers in WW2. Its
bullet has an internal firing pin that
detonates a small capsule of booster
explosive, generically named
Sprengsatz in German, like tetryl, nitropenta (PETN), etc. The booster explosive
ignites 0.375g of White Phosphorus located in the bullet's nose. The zip package
includes "Die Patrone - German.pdf" file with schematics and info on pages 65-
66. After WW2, many different versions of this bullet were made, with different
amounts of White Phosphorus.
B-Patrone can be easily adapted for a handgun round. Jackie does not need so
much White Phosphorus. Her bullet contains much less, probably less than 0.050g
(50mg). The volume of a typical 9mm (Luger) bullet can contain up to 1g of White
Phosphorus (WP) in normal state, and up to 1.5g in crystal state. This means that
50mg of WP provide plenty of space for firing pin, booster explosive, and lead.
Her bullet could have a shape more pointed than the typical rounded shapes of
handgun bullets in order to provide a better penetration before breaking up the nose
with White Phosphorus inside JFK's head.
The movie JFK makes a reference to booster explosive by showing a white label
with printed text 50 LBS HIGH VELOCITY GELATIN DYNAMITE 80%
STRENGTH, next to the logo DuPree which obviously is a code word for big
chemical company DuPont making such explosives. The 50 LBS is probably a
code word for 50 mg of White Phosphorus because it is printed on top of white
label like White Phosphorus is stored in the top of bullet. The question is whether
gelatin dynamite was used as the booster explosive. Probably, the movie references
it because it is widely known and it belongs to the same category with tetryl and
PETN. Notice that Killer Queen also references gelatin dynamite in its lyrics. All
these are direct references to the booster explosive in Jackie's bullet regardless
whether gelatin dynamite was used or not. The movie JFK also makes a reference
to booster explosive whenever several movie characters use the term C-4 which
uses RDX as explosive. Since the movie brings up C-4 so often, Jackie's bullet
probably used RDX. The zip package also includes a pdf file with common
explosives that could be used in Jackie's bullet. The movie JFK also makes a
reference to the overall design of Jackie's bullet by calling it "fancy physics in a
nuclear lab". All three Hollywood movies decoded for this document consistently
make references to two explosions made by Jackie's cartridge and White
Phosphorus inside her bullet.
The twist rate of around 9 suggests a low caliber bullet because high caliber bullets
would vibrate Jackie's handbag too much at this twist rate. Very often, even low
caliber bullets have twist rates much higher than 9 in order to achieve better
accuracy over longer distances. However, Jackie's distance was less than one inch.
She needed twist rate of around 9 to get high rotational speed resulting in a better
head penetration for a fragmenting bullet. Since the 9mm Luger is the most
popular cartridge for handguns and its typical twist rate is close to the twist rate of
Jackie's bullet, I use it as one reference. I also use two other references from two
movies about JFK assassination, that allude to the shape or caliber of Jackie's
bullet. One movie is A Shot In The Dark (1964) which suggests that Jackie used a
25ACP bullet which is one of the smallest centerfire rounds. The other movie is
JFK (1992) which suggests that Jackie used a Carcano-like bullet. Keep in mind
that both movies come from Hollywood insiders who know such details from the
best sources available. Even though the information is buried into the movie noise,
it can be extracted with some basic logic.
The movie JFK spends a relatively long time showing Carcano-like bullets in the
context of Jackie's bullet. This means Jackie's bullet was not much different, not
only in terms of its diameter but also its length. This means that the diameter of
Jackie's bullet was very close to 6.80 mm. Most probably, Jackie's bullet was much
longer than the typical bullets for handguns in order to provide a better penetration
through JFK's head and at the same time provide enough space for her cargo. Kind
of a compact powder, custom made for elegant Jackie. The shape and weight of her
bullet were definitely custom-made.
The attached picture provides relative size

comparison of the referenced bullets. The case
for Carcano is irrelevant for this discussion. The
most relevant thing is the diameter of each
bullet. The key measurement of a bullet's
caliber is its diameter, in addition to the
measurements of the case. The diameter of
25ACP bullet is 6.38mm (0.251 inch). The
diameter of 9mm Luger bullet is 9.01 mm
(0.355 inch). The diameter of Carcano
6.5x52mm bullet (Oswald's Magic Bullet) is
6.80 mm (0.268 inch).
One scene in The Godfather makes a reference

to the costs of manufacturing when one Don
during the meeting of "five families" says "I
have powders, if you put up three, four
thousand dollar investment we can make fifty
thousand distributing". The term powders is a
code word for powders inside the case and
bullet of Jackie's cartridge. The amount three-
four thousand refers to the costs for Jackie's
bullet and chemical agent, including testing and verifications. The amount fifty
thousand includes the top line, i.e. the bottom line (profit) was about forty six
thousand dollars for those who delivered the goods for Jackie. When the Don
slams his hand on the table, he illustrates the distributing part, i.e. Jackie's bullet
shot to JFK's head.
Bullet path BP relative to Dealey Plaza
In this section, I include two pictures showing the path (BP) of Jackie's bullet. The
first picture uses a recent satellite photo to indicate BP and the maximum ranges of
PWM and PBF projectiles. JFK killers had their goons waiting to collect the
fragments of Jackie's bullet so do not make any plans to look for them any time
soon.
The second picture includes two cropped photos of Dealey Plaza. The photo in the
upper left corner was taken minutes after JFK assassination on November 22 of
1963. The red target above the live oak tree next to the shelter of pergola, shows
the approximate direction of Jackie's bullet. The second larger photo was taken in
May of 1964, apparently during so called "investigation" by Warren Criminals who
actually came over to have their X Party next to the X mark on Elm Street.
Zapruder frames showing white marks

This section includes four frames 312-315 showing the white marks and related
points/marks. Frame 312 is the last frame before Jackie's bullet shot and it is used
as a reference frame for computer simulations. Frame 312 does not show visible
white marks. I use frame 312 to show all points/marks for frames 313-315 except
M8E (frame 315) because it is outside the range of frame 312.
8. Events after Dealey Plaza in Present Tense

JFK murder planners prepared replicas of all Jackie's clothes and accessories so
that she can change into them after taking a shower later. All her clothes worn at
Dealey Plaza are covered with gunshot residue and are destroyed immediately. The
pictures of Jackie made at Parkland Hospital show her dress with smaller and
different bloodstains.
Jackie's pink suit stored in the National Archives
You can rest assured that Jackie's pink suit stored in the National Archives is not
the original suit. If it has any JFK's blood on it at all then JFK's blood was added to
replica clothes before or after the assassination. You need to wave a magic wand to
make the original pink suit appear back, magically!
Kennedys do not allow the pink suit to be displayed until 2103. Reportedly, the
suit has been in a climate-controlled vault since 1964. A forensic analysis would
prove that the suit is a waste of space and time. However, the letter written by
Jackie about her work for CIA, appears to be real. Kennedys cannot put it a
climate-controlled vault, so they restrict access to it by other means.
Now, let's handle one quote from Killer Queen. In the song's audio, the quote
ending with "a dress" (disguised by spelling as "address") is followed by a sound
associated with waving a magic wand. Maybe, JFK murder planners made the old
"pink dress" disappear and new "pink dress" appear magically by waving a magic
wand.
Parkland and Bethesda Hospitals, JFK autopsy
JFK murder planners do not worry about JFK surgeries or autopsies because JFK's
body will disappear soon forever. They arranged for the right people to be at
Parkland Hospital and Bethesda Hospital. Connally's wounds received lots of
medical attention several weeks ago from a uniquely dedicated staff. Now,
everybody is ready for press conferences. Hollywood movie set has moved from
Dealey Plaza to Parkland Hospital a few miles away!
JFK killers want more pictures of JFK's brains blown out, this time with more
details, from a hospital. They will keep the pictures of his real head and neck for
themselves, and they will release the pictures of his altered head and neck to the
public. I bet the elites of Parasitic Ethnic Group are already screaming "We want
our pictures of his head now!".
For a JFK assassination researcher, it is a waste of time to

study JFK medical and autopsy reports because it was too
easy for JFK murder planners to control the medical staffs
behind closed doors. If the Secret Service agents could get
away with cleaning up the crime scene inside the limo with a
bucket and a sponge, in public view, on camera, then imagine
what else the Secret Service agents could get away with
behind closed doors. Garbage in, garbage out! There are
enough data collected in public view to reconstruct JFK
assassination plan, so we do not need to rummage through a
garbage can.
So called JFK autopsy at Bethesda has nothing to do with autopsy. It is just another
phase of Hollywood production during JFK assassination, a sort of Hollywood
Wax Museum or entertainment center for dummies. JFK autopsy is about his
cosmetic makeup to create advanced effects with wax sculpting, molding and
casting techniques, about cinematography and picture editing, all done at a
Hollywood studio. You will find better work at wax museums like Madame
Tussauds Wax Museums around the world. Do you actually believe that JFK killers
would let you see the bullet entry hole or its exit hole inside JFK's right ear? They
let ear wax specialists at Bethesda take care of this. The whole purpose of so called
JFK autopsy is to make graphical pictures of his brains blown out and use them
later as visual aids for the government class Obedience 101 taken by all politicians.
Your search for the real JFK autopsy report should start at Arlington National
Cemetery, six feet under!
Abraham Zapruder
Zapruder is not a casual amateur who just happens to be at the right moment at the
right place with the right camera. Ethnically speaking, he is a member of Parasitic
Ethnic Group. Members of Parasitic Ethnic Group are well organized, mainly
through their places of "worship" (really their terrorist cells) where they plot their
criminal and terrorist activities. Somebody motivated Zapruder to be at the right
moment at the right place with the right camera. The movie JFK refers to Zapruder
when the movie character Jim says "They've calibrated their sights" meaning that
Zapruder tested (calibrated) the whole filming process (sights) before JFK
assassination. So called Umbrella Man (UM) was a conspirator working as a
guiding post (signpost) for Jackie. His open umbrella raised high was a sign for
Jackie when to do a specific task before firing her bullet so that Zapruder camera
could have the best view of her turkey shoot.
Just two hours after JFK assassination, Zapruder is interviewed at ABC News
affiliate WFAA-TV (youtube clip). This interview had to be arranged weeks before
JFK assassination. Apparently, JFK killers have been planning to broadcast
Zapruder film within hours after JFK's death, by using their brainwashing machine
WFAA-TV in Dallas. Their goal is to send a message to their enemies by
displaying a spectacle of their alleged powers. However after seeing the white
marks, they panick and change their minds. Instead, they use their brainwashing
machine WFAA-TV to broadcast only the existence of Zapruder film and later to
spread their fake stories about Zapruder running around Dallas trying to develop
the film. JFK murder planners have to sanitize the film before releasing it to the
public. Do you actually believe that a businessman would bring a film of high
financial value to a local TV station without even developing it first? The film does
not even belong to Zapruder.
The purpose of Zapruder interview is to make a public announcement about the

existence of his film as soon as possible so that the enemies of JFK killers could
get at least a partial message and the public would treat the film as legitimate later.
Also, ABC News affiliate can attract more viewers with the suspense of "getting
the film processed" while selling their story of a sniper killing JFK.
ABC News affiliate WFAA-TV
WFAA-TV interviews Zapruder. WFAA-TV is "getting his film processed". WFAA-

TV interviews the motorcycle cop James Chaney who parrots the nonsensical script
given to him by his masters. WFAA-TV interviews false witnesses like Jean Hill
and Mary Moorman who have been instructed to lie about multiple shots.
WFAA-TV also interviews semi-legitimate witnesses like Newmans (youtube clip)

as long as the witnesses agree with the stories of bullets flying from anywhere
except Jackie. Clearly, Newmans know much more than they are saying on
camera. For example, Newmans know about the large clouds of gun smoke above
JFKs head but they keep their mouths shut about such hot stuff because they do
not see other witnesses coming forward. In other words, they feel crowded out by
the corrupt likes of Jean Hill or James Chaney interviewed by WFAA-TV on the
same day.
Clearly, WFAA-TV is instrumental in psych-op campaign unleashed early by

Parasitic Ethnic Group to make sheep follow its lies immediately after JFK
assassination. Parasitic Ethnic Group does not let people have the time to think
straight. Normally, people would consider all shooting spots including Jackie's.
That is why Parasitic Ethnic Group over-exposes people to stories of bullets flying
from outside the limo, especially from Texas School Book Depository, and to
images of Jackie masquerading as a grieving widow.
More people will believe the big lie if it is sold early. Similarly, Parasitic Ethnic
Group sold its Big Lie about 9/11 attack early so that the public would not get any
other ideas in the meantime. If people were not exposed to any information about
JFK assassination or 9/11 attack, and they saw only Zapruder film and only a film
of 9/11 towers falling down, then I guarantee you that most would suspect Jackie
just by looking at her in Zapruder film, and most would suspect controlled
demolitions just be looking at 9/11 towers falling down.
Notice that WFAA-TV is the Brainwashing Machine that gave training to Bill
O'Reilly during 1970s. The same clown who loves to scream "SPIN stops right
here". The same clown who spins Oswald jokes in Killing Kennedy, the latest
Brain Wash about JFK assassination.
JFK funeral, gravesite, Eternal Flame
Immediately after JFK assassination, Kennedys are given an offer they can't refuse.
They know about Jackie's role and how well she plays her role. Being politicians,
Kennedys accept the offer they can't refuse. Bobby Kennedy (JFK's brother) makes
sure he is photographed holding hands with Jackie as soon as JFK Assassin arrives
in Washington, DC.
Both JFK's brothers, Bobby and Teddy, are cooperating with JFK killers by
walking next to JFK Assassin during JFK funeral procession in Washington, DC.
Kennedys participate in the state funeral of an Unknown Man inside closed casket.
JFK killers would never allow JFK's body to be buried in a place known to
everybody. JFK's skull alone is loaded with forensic evidence that can last for
centuries. Without cremation, JFK killers have to choose between an Unknown
Man and a ballast to fill the casket. The first option is the most likely. In any case,
the buried secret has to be well guarded at Arlington National Cemetery.
JFK killers arrange for so called Eternal Flame. Its sole purpose is to allude to the
flame from burning White Phosphorus inside JFK's head after Jackie's turkey
shoot. The flame also stands for the "blob" on JFK's head (Blob-on-JFK). Dallas
savages created another version of Eternal Flame by building their Reunion Tower
in Dallas. The brainwashing machines immediately start selling cute stories about
Eternal Flame inspired by grieving widow Jackie. They immediately start working
on permanent gravesite designed like a bunker with sophisticated security
measures. The whole design process is placed under tight secrecy. Once the
permanent gravesite is completed, JFK's casket is secretly re-interred.
Around the Eternal Flame, JFK killers arrange for a round concrete ring with a
crack across it. The crack stands for JFK's right ear cracked by Jackie's turkey
shoot. The cracked concrete ring represents JFK's broken right ear with a flame
from White Phosphorus burning inside it. JFK killers also arrange for broken
pieces of concrete around the cracked concrete ring. The broken pieces of concrete
stand for the broken pieces of JFK's right ear refusing to listen to the secret owners
of the Federal Reserve System. The broken pieces of concrete also refer to JFK's
plan to splinter CIA into "thousand pieces". This means that CIA bullet splintered
JFK's head into "thousand pieces" and the broken pieces of concrete around his
grave marker are supposed to be a reminder. It is up to you to hunt down those
animals. The animals are hiding in the financial districts of New York City and
City of London. Start with the inbred cow calling herself Queen of England and
her inbred family, then follow the hook noses and their monkeys inside The
Council on Foreign Relations (CFR) in New York City. The broken pieces of
concrete also refer to the fragments of Jackie's bullet, i.e. her turkey shoot
(TurkeyShoot-as-JackiesBullet).
Kennedy Curse
Kennedys make a deal with JFK killers even before his funeral. As a result of the
deal, the process of glorifying JFK begins. Obviously, Jackie makes her own deal
with the killers and becomes the media Princess even before JFKs body gets cold.
All Kennedys are beneficiaries of the deal.
In December 1963, New York International Airport is renamed as JFK

International Airport. Of course, Teddy participates in the renaming ceremony in
New York City, the home of Federal Reserve Bank of New York, the main center
of power of JFK killers. Hundreds of other JFK naming ceremonies follow.
Hundreds of campaigns glorifying JFK follow. Teddy is beaming from ear to ear
from all the attention, especially next to JFK Assassin as the section Jackie
handbagging Teddy explains.
Why do you think Kennedys have been so desperate to hide Jackie's letter about
her work for CIA in 1951, or her pink suit worn on JFK assassination day. Imagine
what else Kennedys are hiding about Jackie's past. All corrupt Kennedys know that
Jackie killed JFK but they will deceive you with their public charades and
posturing forever. Kennedys are one of the better examples of how Parasitic Ethnic
Group corrupts societies. That is why Kennedys suffer from many public tragedies
and not-so-public ones you never hear about. The famous Kennedy Curse.
Kennedy Curse seems to follow Jackie. Onassis' daughter Christina made clear that
she did not like Jackie, and after the death of her brother in 1973, she convinced
his father that Jackie had some kind of curse. Her father died in 1975 soon after her
convincing...
Jackie's testimony in front of Warren Commission in 1964 became famous for her
statements like "Oh, my God, they have shot my husband, ..., I love you, Jack".
What do you think the following Killer Queen quote is about, "In conversation She
spoke just like a baroness"? Finally, let's take another look at the quote "She's all
out to get you", already introduced above. Its extra meaning is that Jackie gets
away with murder and you could be next.
Corrupt Kennedys
Kennedys have not spoken much about JFK

assassination. Recently, RFK Jr. and his sister
Rory have broken their silence by making a few
comments. RFK Jr. says that his father
believed that the Warren Commission report
was a shoddy piece of craftsmanship,..., Oswald
did not act alone,..., somebody was involved, his
father put his own investigators in search for
truth". RFK Jr. himself believes that "it was not a lone gunman, ..., rogue CIA
agent [involved], his aunt [Jackie] spent half a decade out of the country because
she feared how dangerous it was becoming".
My answer to these comments is that RFK and his brother Teddy made the whole
cover-up including the treasonous Warren Commission report possible. By
cooperating with JFK killers, Kennedys only postponed the inevitable. The fact
alone that Jackie was not hung on a lamp post in the middle of Dealey Plaza before
she had a chance to spend a second out of the country, made the whole world so
dangerous because of the resulting corruption. RFK Jr. and his sister Rory, along
with the clown Charlie Rose who interviewed them recently, know very well that
Jackie killed JFK. All three are parasites who lie 24/7 to make their worthless
living. The longer the corruption continues the more serious the consequences. The
Big Bang! will be only bigger.
Warren Commission Report (1964)
Warren Commission Report provides hundreds of

pages of evidence to hang the whole Warren
Commission for treason, together with JFK killers
and conspirators. All so called "witnesses" included
in Warren Commission Report are automatically
suspect of conspiracy. The proper name for Warren
Commission is Warren Crime Syndicate. Since
nobody was hung, Parasitic Ethnic Group attacked America again
during USS Liberty Massacre in 1967, and again during 9/11 Massacre in 2001.
Since nobody was hung again, American citizens have been purchasing guns and
ammo in record numbers to protect themselves from traitors. This is all you need to
know about Warren Commission Report. By the way, Chief Inspector Clouseau
asks about Jackie and Warren Commissioners when he says "How is Madame and
all the little Commissioners?", as the section The Pink Panther Strikes Again
(1976) explains.
Final Report of House Select Committee on Assassinations (1979)
The US House of Representatives

Select Committee on Assassinations
(HSCA) was established in 1976 to
investigate JFK assassination. It
investigated until 1978 and issued its
final report in 1979, full of nonsense.
Basically, it was another gathering of J-
Parasites and their cronies to create a
Hollywood show for Americans. HSCA
did not even produce a single diagram showing correct and complete dimensions
of JFK limo. HSCA Treason is a follow-up to Warren Treason. Apparently, the
public release of Zapruder film in 1975 led to HSCA spectacle. Notice that
between 1975 and 1978, Pink Panther movies resumed and three sequels were
made. Hollywood bosses quickly tried to make a buck on a new fierce attack of
ClouseauZ chasing JFK killers between 1975 and 1978.
JFK Act of 1992
In 1992, the US Congress passed the

JFK Assassination Records Collection
Act, known as JFK Act. Apparently,
this was in response to Oliver Stones
movie JFK. The Act created the
temporary Assassinations Records
Review Board (ARRB) that eventually
released nearly five million pages of
once-secret JFK assassination records.
The whole JFK assassination research industry restarted printing their new
worthless books like Inside ARRB full of J-Junk in five thick volumes. If only
Americans could use their common sense for a second and watch Zapruder film
where Jackie blew JFK's jugular and then raised his body from the seat just before
the overpass, all on film widely available, so that Clint Hill could blow his brains
out under the overpass, then they would stop chasing their tails led by the Parasitic
Ethnic Group. The very same film JFK virtually told them that Jackie and Clint
killed JFK. However, Americans were duped again by Parasitic Ethnic Group that
the movie was about releasing yet another stack of worthless records so that the J-
Parasites could feed more of their J-Junk to the sheeple.
Jackie's gravesite
On May 23, 1994, Jacqueline Bouvier Kennedy Onassis is buried next to JFK
secret at Arlington National Cemetery. If you've read the previous section then you
know why JFK secret had to be buried at Arlington National Cemetery. But why
Jackie? The answer is simple if you realize that close to a million people know that
Jackie killed JFK. If you've just learned about this Open Secret then welcome to
the Big Crowd!
The Big Crowd is so big that Jackie must not be buried in an open cemetery. Her
grave marker would be desecrated with graffiti JFK killer every day and the
media would not be able to hide the secret. Jackie secret has to be buried at a well
guarded cemetery. Why not next to JFK secret?
It does not mean that Jackie's body is buried at Arlington National Cemetery. Her
body could be anywhere! However, Jackie's masters have to pick one and only one
official gravesite that has to be well protected and guarded 24/7.
Two secrets are guarded 24/7 at Arlington National Cemetery
JFK's gravesite attracted 16 million visitors in the first three years after
assassination. In the years 1966-1967, the gravesite was reconstructed and JFK's
"body" was secretly re-interred in a private ceremony. In 1994, Jackie secret was
added to the gravesite.
Today, JFK's gravesite remains the most visited at Arlington National Cemetery. It
hides two secrets from visitors, one secret inside JFK's casket and another secret on
Jackie's grave marker.
Reunion Tower in Dallas
In 1978, Dallas savages built the Reunion Tower to memorialize the "blob" on
JFK's head, their proudest achievement. This "blob" is a thick smoke from White
Phosphorus burning inside JFK's head. Zapruder film shows it hanging off JFK's
head, starting from frame 313. The hook noses in Washington were faster because
they memorialized this "blob" on JFK gravesite as soon as his coffin was put into
the ground on November 25 in 1963. Their version of Reunion Tower is called
Eternal Flame.
Picture 1 shows the Reunion Tower as part of Dallas city skyline, the yellow arrow
points to it. Picture 2 shows the Reunion Tower from the spot where JFK was
assassinated, the yellow arrow points to the tower and the letter X painted on the
road marks the spot. Dallas savages tried to position the tower as close to the X as
possible. Apparently, they will enjoy the view during their X Party on 50th
Anniversary. The cockroach Ruth Altshuler calls it a "very dignified" party.
Apparently, Dallas savages copied the design of the tower's globe from Dal
Theatre and Museum which has a similar globe built in 1974. The section Salvador
Dal covers the museum which was probably designed with JFK assassination in
mind. The next set of pictures compares the globes. The name Reunion Tower
itself was also copied from JFK gravesite, specifically the crack around the Eternal
Flame, also shown in the next set of pictures. The crack refers to JFK's right ear
cracked by Jackie's bullet because JFK refused to listen to central banking hook
noses in New York City and City of London. Dallas savages came up with the idea
of re-uniting both sides of JFK's ear and they named it Reunion Tower. They did
not have to think too deep because the Union Station next to Reunion Tower gave
them the bright idea to reuse the word union. Otherwise, they would have to spend
extra 15 years looking for such a bright idea to light up Dallas at night.
Picture 1 shows the geodesic dome of Dal Theatre and Museum. Picture 2 shows
the globe of the Reunion Tower. Picture 3 shows the Eternal Flame on JFK
gravesite and the crack in concrete ring around it.
Quotes by JFK Assassin and her Seven Assistants
I want to express my appreciation for the hundreds of thousands of messages I

have received over the past few weeks. The knowledge of the affection has
sustained me - said by JFK Assassin thanking Americans for their sustaining
support. During a TV broadcast on January 14, 1964. Self-explanatory.
Oh, my God, they have shot my husband, I love you, Jack. There were pictures
later on of me climbing out the back. But I don't remember that at all - said by
JFK Assassin during her Congressional Testimony in 1964. Self-explanatory.
In the early sixties, we were strong, we were virulent - said by John Connally
(JFK Assassin's Assistant #1) in the early seventies, as reported in a contemporary
"American Scholar". In the early sixties, Johnny was in his mid forties, only strong
and virulent by conspiring to assassinate the President of the United States.
They haven't printed enough money to buy me - said by John Connally (JFK
Assassin's Assistant #1) during the Republican presidential primaries in 1979.
Apparently, central bankers haven't printed enough money to buy more theatrics
from Johnny, and he had to drop out from the presidential race in 1979.
Mr. President, you can't say that Dallas doesn't love you - said by Nellie
Connally (JFK Assassin's Assistant #2) after JFK assassination, claiming she said
the quote to JFK ten seconds before the Assassin executed him two feet behind
"extra loving" Nellie.
It's the image of yellow roses and red roses and blood all over the car ... so quick
and so short, so potent - said by Nellie Connally (JFK Assassin's Assistant #2) in a
2003 interview with The Associated Press. Actually, it's the image of perfectly fine
back of her husband, hit by a fictituous bullet, so quick and so short, so potent, that
made Nellie desperate to cover it up with yellow roses in order to hide it from the
view of Zapruder camera. Nellie was responsible for the image of red roses and
blood all over the car. How about a better image with her hung on a lamp post next
to the car with her yellow roses as the ballast tied to her feet? It's not too late to dig
up her bones and throw out from American soil!
Let's get out of here, we are hit - said by Roy Kellerman (JFK Assassin's Assistant
#3) to Warren Commission, claiming that he radioed his famous quote to another
car after JFK had been "hit" to his neck. However, he forgot to get his own car out
of there on time, before the Assassin hit JFK seven seconds later, while Roy was
supposedly radioing his famous quote to another car.
I didn't see anything of the President, I didn't look, I wasn't far enough around
to see the President - said by Bill Greer (JFK Assassin's Assistant #4) to Warren
Commission, claiming that he saw only Connally's theatrics. However, he
accelerated the limo within milliseconds after JFK's brains blew out. The gunshot
sound would not be able to stimulate his quick reflex because it was suppressed
and drowned out by motorcycle noises. The theatrics of the Drama Queen would
not be able to impress him much either. Clearly, Greer did see, did look, was far
enough around to see the President.
We had been through so much together, Mrs. Kennedy and me. More than
anyone can imagine. More than anyone can ever know - said by Clint Hill (JFK
Assassin's Assistant #5) in his book "Mrs. Kennedy and Me". Self-explanatory.
Hang on, Mr. President. Hang on - said by Clint Hill (JFK Assassin's Assistant
#5) in his book "Mrs. Kennedy and Me", referring to JFK dying on the rear seat of
limo speeding to Parkland Hospital. How about a better hanging quote "Hang Mr.
Hill on! Hang him on! On a tree!"?
I went ahead of the Presidents car to inform Chief Curry that the President had
been hit - said by James Chaney (JFK Assassin's Assistant #6) to a WFAA-TV
reporter immediately after JFK assassination. More importantly, his motorcycle
"went ahead of the Presidents car" because he accelerated it making loud noise in
order to drown out the gunshot sound made by the President's Assassin.
I was just a little back and left of, just a little bit back and left of Mrs. Kennedy -
said by Bobby Hargis (JFK Assassin's Assistant #7) to Warren Commission. More
importantly, his motorcycle "was just a little back and left of, just a little bit back
and left of Mrs. Kennedy" because he accelerated it making loud noise in order to
drown out the gunshot sound made by Mrs. Kennedy.
9. JFK assassination cover-up

Contrary to the popular beliefs, the key to JFK assassination is not a conspiracy but
biology. As a human being, you have to realize that you have been living around
human-looking Parasites but you have always ignored them. There are several
species among the Parasites which makes them compete with each other. However,
all Parasites band together to fool humans so that they can feed off them. By the
most basic Law of Nature, Parasites lack the brains because if they had any they
would create something. As a result, it is extremely easy to get rid of them. The
only barrier is your human psychology. The Parasites made a huge mistake by
assassinating JFK the most stupid way they could come up with their deficient
brains. That is why all Parasites of all species are now trying very hard to cover it
up.
Normal people forget that a conspiracy on the scale of JFK assassination would
require too many people to behave consistently for too long. The conspiracy
behind JFK assassination has to be kept alive actively by a large number of
individuals. Those individuals have to talk about it publicly, write about it publicly,
etc. It's impossible for normal people to behave like this. This means that you are
dealing with another species of human-looking individuals who form a critical
mass inside every society. Those individuals band together naturally because they
cannot survive on their own. Normal people tend to compete with other because
any legitimate creativity is based on competition. The other species lack this
creativity, hence they tend to form tribes composed of Parasites feeding off human
hosts. The most vicious and mentally defective Parasites are attracted naturally to
central banking because it is the easiest way to control the societies. Their tribal
instincts versus your competitive instincts make it possible. With the advent of
Internet, this is not going to last much longer. You better wake up and stop chasing
conspiracies and start thinking like Mother Nature.
JFK assassination is not about JFK. It is about a door to another world next to you.
Subconsciously, you have always felt that there is something wrong with some
people. Some people are just too dumb for their so called "achievements". One
example is Albert Einstein sold be the media as "Genius of 20th Century".
However, if you ignore the media and just look objectively at his work then you
realize he was just a nincompoop with plagiarized work mixed with garbage
elevated by the brainwashing machines to genius status. All Nobel Prizes are
scams like Warren Report. All such scams are run by hook noses. A more recent
example is the butt-ugly and brain-missing monkey kept in the White House. The
brainwashing machines sold the monkey like they sold Einstein. Reportedly, the
monkey graduated from Harvard Law School. However, there is no evidence that
he has any undergraduate degree from anywhere. This means that Harvard
University is a fraudulent institution. All the institutions like Harvard, Warren
Report, US Congress, US Supreme Court, White House, Pentagon, etc, are
fraudulent institutions. They are fake. You believe in them because of your old
outdated belief systems. Nature is in the process of dissolving your belief systems.
Instead of looking at biological issues, you are running around looking for
conspiracies.
Assuming that you are not a cockroach peeking into this document, this tells you
that there is another world out there full of cockroaches, vermin, maggots, hook
noses, who exist only because you are not aware of their existence. That is why the
issue of JFK assassination drags on for so long. You need to wake up and start pest
control on them before the pests do their gun control on you!
One common characteristic of the cockroaches living in the world next to you is
that they are mentally deficient. They suffer from certain forms of schizophrenia
that makes them unable to think critically and thus unable to create anything. One
example is Arlen Specter who was one of the hook noses who came up with Magic
Bullet Theory. Of course, anybody would be able to come up with any crap
including Magic Bullet Theory. However, no human being would be able to
promote this crap. Every human being would stop sooner or later when confronted
by others pointing out serious flaws in reasoning. The brains of human beings are
wired for critical motivation. Cockroaches like Specter do not have this type of
wiring in their brains. Unfortunately, human beings keep arguing with cockroaches
about the crap produced by cockroaches when in fact the only answer to their
arguments is a can of Raid insecticide. There is no difference between Magic
Bullet Theory and O'Monkey Healthcare, both produced by the same cockroaches.
The estimated IQ of O'Monkey masquerading as the President is around 90. This
thing would not be able to graduate from legitimate High School much less be
admitted to the real side of Harvard. All cockroaches operate through frauds and
scams. Even the cockroaches themselves kicked O'Monkey from their Chicago Bar
Association because he was cheating on their applications. O'Monkey was cheating
on everything in his entire sorry life. He was caught using many fake Social
Security numbers. In spite of all that, the hook noses put him into the White House
because all hook noses operate like O'Monkey. They do not know any other way.
They are mentally deficient. Nature would never give them any brains because
they would do too much damage with brains!
The cockroaches, vermin, maggots, hook noses, etc, living in the world next to you
have different species among themselves. They even talk about it in public. One of
them is Paul T. Hellyer, sold as so called "engineer" and top politician in Canada.
The cockroach Hellyer came up with his cute theory about "at least four alien
species visiting Earth for thousands of years". According to the cockroach, the
aliens "hail from the Zeta Reticuli, the Pleiades, Orion, Andromeda, and Altair star
systems" and the aliens "may have different agendas". This is a typical code spoken
by cockroaches. This means that the cockroaches themselves identify several
species among themselves, some with visible hook noses and some without. The
star systems is a code for some sewers somewhere in Africa thousands of years
ago, where Mother Nature created them on her bad hair day. In other words, the
"engineering" cockroach Hellyer came up with yet another version of Magic Bullet
Theory.
Another version of Magic Bullet Theory comes from "JFK expert" called Jim
Marrs. This cockroach wrote the book "Crossfire: The Plot That Killed Kennedy"
used by the movie JFK as a front. Marrs seems to be related to the "engineering"
cockroach Hellyer, because he also talks about extraterrestrials attacking us. This is
another example of cockroach talking in public about another world of
cockroaches, vermin, maggots, hook noses, etc, living next to you.
The world of cockroaches exists because your world turns around unnatural belief
systems. Your belief systems are so idiotic that the systems have to be bound
together by another world of mentally deficient cockroaches, vermin, maggots,
hook noses, etc. Otherwise your world would fall apart in a second because it is so
idiotic. Nature is trying to dissolve both worlds in order to prepare you for the next
phase based on new belief systems. JFK assassination is a door for you to enter so
that you could realize what is going on. It is up to you to open this door or get
kicked out by Nature.
X Party with Ruth Altshuler (50th Anniversary)
As you know, November 22 of 2013 is the 50th Anniversary. Just before releasing
this document, I decided to look into the latest cover-up by Dallas savages for the
upcoming 50th Anniversary in Dallas. As you know, Dallas savages have used
their rag Dallas Morning News and their joint called WFAA to brainwash people
since JFK assassination. I devote a few sections to them. Since 1963, Dallas
savages also created so called JFK Resource Consortium where they bribe useful
idiots from local colleges into one big family of criminals covering up JFK
assassination. The hook noses perfected this technique of corruption by corruption
around the world. Dallas savages also created their The Sixth Floor Museum at
Dealey Plaza run by so called Curator (Con Artist). For November 22 of this year,
Dallas savages plan to use Ruth Altshuler and David McCullough. Consequently,
let's look at these two cockroaches.
I use the name X Party for the 50th Anniversary in Dallas arranged by Dallas
savages under heavy security. The movie JFK uses the character Mr. X to
represent Edward Lansdale who painted the big white letter X on the road surface
of Elm Street where JFK was assassinated by Jackie. The X is shown in a picture
included in the section Reunion Tower in Dallas. According to Ruth Altshuler,
their X Party will be "Very Dignified". Now the question is why Dallas savages
bring another cockroach David McCullough to join the party. This is because there
is another spot on Elm Street where the big white letter Y is missing. Apparently,
McCullough flies over on behalf of Clint Hill to paint it on the spot where Clint
Hill killed JFK under the triple overpass. Then Dallas savages will have Y Party,
immediately after their X Party. This is what they mean when they say "Very
Dignified".
Ruth Altshuler is a cockroach tagged philanthropist which is a code for

corruptionist. The same type of philanthropist like George B. Dealey standing on
the Dealey Statue in front of Old Red Courthouse. As soon as the hook noses in
New York City and City of London rammed their fraudulent Federal Reserve Act
through Congress in 1913, Dealey's newspaper rags informed Texans that all
Texans were eager to bring the criminal enterprise called the Federal Reserve to
Dallas in 1914. In 1922, the Dealey cockroach "philanthropied" Dallas Historical
Society, a criminal enterprise designed to lie as much as it could get away with.
Today, it is a part of so called JFK Resource Consortium designed to cover up
JFK assassination.
Youtube has a video of interview with Ruth Altshuler (youtube link) where she
says that 50th Anniversary in Dallas, chaired by her, will be "Very dignified"
meaning that Dallas savages like the Dealeys use an old age to minimize any
criticisms. It is harder to attack them because she is 89 years old with forklifts of
facelifts on her, and the other cockroach McCullough is 80 years old. However,
respect for old age applies only to humans and not cockroaches feeding off human
hosts for 89 and 80 years respectively. In this interview, Altshuler talks about
personally knowing Joe Dealey, son of Ted Dealey who was in charge of the
brainwashing machines called Dallas Morning News and WFAA-TV, both
conspiring in JFK assassination. Altshuler was a member of the grand jury for Jack
Ruby. In this interview, she talks
about Henry Wade attending the
grand jury, and she wishes that
Oswald had the same protection as
Ruby. She knows very well that
Wade was the top conspirator in
Dallas through his connections to
Connally and LBJ. She knows
very well who let Ruby in to kill
Oswald. But this filthy cockroach
plays her cockroach game like all
lying cockroaches. The attached photo shows Ruth Altshuler sitting next to the
Mayor of Dallas, inside Old Red Courthouse. Apparently, this is the east side of
the building, very close to the office of Henry Wade. I bet Ruth Altshuler went
there to appreciate Wade's contribution to 50th Anniversary so that she could crap
more on you during her X Party on November 22 of 2013. I bet she also went to
Earle Cabell Federal Building and Courthouse where she appreciated Cabell's
contribution to 50th Anniversary. That is why she is talking about heavy security
during her interview. The more security the more crap! Especially with the
Reunion Tower, across the railroad tracks from Dealey Plaza.
Y Party with David McCullough (50th Anniversary)
While the cockroach Ruth Altshuler is having her wild X Party, another cockroach
David McCullough will be having even wilder Y Party. According to Ruth
Altshuler, both parties will be "Very Dignified".
David McCullough is a cockroach tagged as so called historian which is a code for

disinfo agent. According to amazon.com, he is a best-selling author. So I went to a
local bookstore to check out his authoring because I never heard of him. His books
are full of feel-good crap void of any logic. The typical regurgitation of the disinfo
piled on by countless of so called "History Departments" loaded with nincompoops
calling themselves "Professors of History" and distorting all historical facts. The
issue here is what makes this cockroach David McCullough so special to stand out
in order to sell so many books over other cockroaches who do the same
"authoring". Youtube has one video (youtube link) that seems to provide answers.
This cockroach is well connected into a big network of special cockroaches who
promote themselves, as usual at your expense. One of the cockroaches is David

Gergen who is connected to Nixon, Ford, Reagan, and Clinton, meaning the top
monkeys jumping hoops for the central banking hook noses. Gergen is also
connected to Treasury Secretary William Simon, which means again he is well
connected to the central banking hook noses. Gergen is also connected to
Bohemian Grove, a paradise for faggots. Central banking hook noses love faggots.
McCullough is also promoted by the disinfo outfit "60 Minutes" (youtube link).
Reportedly, McCullough uses a cute little typewriter inside a cute little cabin
surrounded by lots of cute green grass. How romantic! I bet his ghost writers use
cookie cutters to kook his books while his cute typewriter is used as a door stop.
The bottom line is that McCullough is a fraud well connected to the central
banking hook noses who killed JFK.
Best of all, I came across a photo

of McCullough and Clint Hill
(attached on the side), both saying
Cheese to the camera. I bet
McCullough is smiling because he
has just received an autographed
photo of Clint Hill's bullet that
killed JFK. The only reason
McCullough sells so many books
and masquerades as a historian is
because he works for the central
banking hook noses, knowing full
well the who and the how about
JFK assassination from day one. This photo and the Hollywood movies decoded
for this document are a proof. If you need another proof then compare his best-
selling garbage to the worst-selling garbage on the same shelves of the same
history sections at your local bookstore, and ask yourself why his garbage sells so
well! His books are sold the same way like the books by Billy O'Reilly and
Vincent Bugliosi and all other books crapped by "JFK assassination research"
industry full of maggots, vermin, cockroaches, all fed by the central banking hook
noses from New York City and City of London. This is what happens when
humans give the control of money supply to the hook noses.
Dallas and Texas infested with savages.
This section is about something unique in Dallas and in Texas. It manifested itself
during JFK assassination and that is why it is relevant to this document. I have to
address it as much as I can. The problem has to do with human genetics. Some
genetically defective tribe settled in Texas centuries ago and infested genetic pool
there, especially in Dallas. Now their offspring create serious problems.
Nature made most of the Parasites recognizable by facial features. Other Parasites
have to be recognized by parasitic lifestyles. Dallas and Texas have plenty of the
latter type. The examples relevant to JFK assassination are Henry Wade, Cabell
brothers, John and Nellie Connally, Lloyd Bentsen, LBJ, Jesse Curry, and others.
But there are many others, like most members of US Congress from Texas, like
Texas billionaires, Ruth Altshuler, etc.
Dallas and Texas has also Parasites who love to masquerade and talk big among
humans. The Little Twerp from Dallas called Ross Perot made his big money on
corrupt connections that he formed during his career in US Navy. The Big Fraud
from Houston called Ron Paul made his big career on corrupt connections that he
formed during his career in Air Force and Freemasons. Both Frauds know from the
day one who killed JFK, who did USS Liberty and 9/11, but both Frauds will play
dumb to the dummies, like the worst of the Parasites.
Texas has become a magnet for other genetic defects like Bush family who settled
in Texas. The daddy Bush moved to Houston. The kiddy Bush moved to Dallas.
Their offspring now pollute genetic pool in Texas. Dallas has been polluted with so
called Bush "Presidential Library" which is nothing more than a Parasitic Sewer
loaded with droppings of cockroaches who ran away from The Dirty Kitchen
called the White House in order to provide space for other cockroaches who come
from a similarly defective genetic pool.
Another example is Alex Jones who was born in Dallas, and later moved to Austin
to broadcast his disinfo nonsense. All are frauds who show similar genetic
predisposition to lying and corruption. This is not a reflection on Dallas but about
selected Parasites who infest Dallas and Texas in general.
The Dealey Worm and his hatchlings
George Bannerman Dealey is one the most visible parasitic worms that crawled
into Dallas during 19th century and then polluted Dallas for the whole 20th
century. This worm brought Dallas Morning News and the radio station WFAA to
Dallas, two criminal enterprises that were instrumental during JFK assassination
and still operate today. This worm also produced hatchlings like his son Ted who
was directly involved during JFK assassination.
George Bannerman Dealey was born in England. In 1870 his family immigrated to
Galveston, Texas. Miraculously by his "hard work and vision", he started Dallas
Morning News in 1885. His so called "hard work and vision" were British inbreds
who constantly were looking for worms like Dealey to expand their influence
across all continents, especially in the United States. The inbreds perfected their
selection processes over thousands of years. Most of the inbreds are members of
Parasitic Ethnic Group masquerading as royalty. The so called "Queen of England"
is no more queen than a cow bred with cockroaches. The inbreds know which
individuals can be easily manipulated. They look for worms with some genetic
defects like homosexuality. Apparently, Dealey was their man of "hard work and
vision" for Dallas.
In 1913 and 1914, Dealey's newspaper rags informed Texans that all Texans were
eager to bring the criminal enterprise called the Federal Reserve to Dallas. As a
result, Dallas was poisoned in April 1914 with the headquarters of the Feds
Eleventh District. In other words, Dealey was a worm planted by the international
central bankers, in order to brainwash Dallas. The central bankers control societies
with their brainwashing machines. That is why George Dealey became quickly a
"respected community leader" by brainwashing the community with Dallas
Morning News. In 1922, this worm founded yet another brainwashing machine in
Dallas, the radio station WFAA. The same year, this worm left behind another
dropping called Dallas Historical Society, a criminal enterprise designed to distort
the history. Today, it is a part of so called JFK Resource Consortium to cover up
JFK assassination along with the other cockroach droppings like the 6th Floor
Museum.
Apparently, the brainwashing machines were spinning overtime because in 1949,

the "community" erected a 12-foot-tall bronze eyesore on a granite base in memory
of this worm that stopped wasting our oxygen in 1946. This brings us to the Dealey
Statue at the Dealey Plaza where JFK was assassinated, mocked in the movie JFK
and The Godfather. The half-raised right arm on this statue is the most fertile
ground for mockery. The movie JFK turns the right hand into St. Nick's gesture,
also called St. Nicholas or simply Santa Clause gesture. The gesture is of British
origin that was the popularized by the film The Sting.
George B. Dealey left many hatchlings behind that pollute genetic pool in Texas.
One of them was Edward Musgrove (Ted) Dealey. Reportedly, Ted said directly to
JFK's face "We need a man on horseback to lead this nation, and many people in
Texas and the Southwest think that you are riding Caroline's tricycle". The movie
JFK makes a reference to this tricycle. Ted was in charge of the brainwashing
machine called Dallas Morning News that published the full-page "black-bordered
ad" looking like a JFK obituary before JFK death. The same newspaper published
a wrong map of JFK motorcade in the morning of November 22, in order to
mislead the public and limit the number of bystanders around JFK assassination
spot. Ted was in charge of WFAA-TV which actively lied to the public and
prevented all legitimate eyewitness from reporting the real facts.
Dealeys are mentally deficient schizophrenics. The best way to describe them is to
quote the JFK movie character Clay Shaw where he says (movie time 2:10)
"Personally, I think hes quite ill, mentally, and with one half of his mind, he is
able to fabricate evidence. Then by some osmosis he is able to convince the other
half that the fabrication is the truth.
Dallas Morning News and WFAA-TV
Let's look briefly at two Dallas brainwashing machines that were directly involved
in JFK assassination. In 1963, both machines were spun by Ted Dealey, son of the
worm called George B. Dealey who brought the Federal Reserve to Dallas in 1914.
Ted Dealey was in charge of brainwashing the people of Dallas so that the hook
noses sitting in New York City and City of London could get away with killing
JFK.
Today, both brainwashing machines seem to be run by different companies. Both

companies are based in Dallas. However, both are publicly traded on NYSE,
meaning the hook noses sitting in New York City keep them by the balls. It
appears that now WFAA-TV is sold to Gannett Co. based in Washington, DC,
meaning the hook noses will be brainwashing the people of Dallas with their
Holohoax scams around the clock. Apparently, their Holohoax Museum next to
Dealey Plaza is not enough.
The rag Dallas Morning News still exists at 508 Young Street in Dallas. I attach
two photos because I want to point to the audacity coming from this rag. The front
wall has a big inscription that starts with "BUILD THE NEWS UPON THE ROCK
OF TRUTH...". Apparently, it exists from 1949 when the building was built. The
text came from the worm George B. Dealey himself. Imagine the audacity on the
hook noses and their monkeys.
Mental deficiency and homosexuality
As explained in the introduction to this chapter, the key to understanding JFK

assassination is the mental deficiency of the cockroaches, vermin, maggots, hook
noses, etc, living in the world next to you. Anybody with any symptom of mental
deficiency, in any role of leadership promoted by the media is automatically a
suspect. Homosexuality is a symptom of mental deficiency. It is not possible to
have a fully functioning brain with a crack like homosexuality in the brain.
A known faggot David Gergen is heavily promoting David McCullough who plays
a leading role during the 50th Anniversary in Dallas this year. McCullough loves
to masquerade with his cute little typewriter meaning he is also a faggot. Nobody
straight would talk about a piece of junk with so much love like McCullough
during his interview on "60 Minutes" (youtube link). Faggots attract each other.
That is why Gergen promotes McCullough.
The movie JFK presents Henry Wade also as a "queer". This is a code for mental
deficiency detected by FBI when Wade joined FBI after college. His mental
deficiency was serious enough to manifest itself with some sexual degeneracy like
homosexuality. The character Dave Ferrie says "All I wanted in the world..was to
be a Catholic priest. Live in a monastery. Pray. Serve God. I had...one terrible
f...ing weakness. And they defrocked me!". This is Henry Wade talking. He wanted
to be an FBI agent (priest) wasting taxpayers' money (praying and serving God) in
a big building (monastery). However, he was a queer and FBI fired him. That is
why he ended up in another monastery called Old Red Courthouse where he killed
JFK because he was mentally deficient like all queers are.
The book Reclaiming History by Vincent Bugliosi
Since I have already mentioned several

books about JFK assassination, here I
would like to mention another one
heavily promoted by Parasitic Ethnic
Group as the "ultimate reference". The
book is "Reclaiming History" (2007) by
Vincent Bugliosi, basically a yellow
pages directory of the biggest insanities
about JFK assassination like Warren
Circus Clowns, Oswald Jokes, Autopsy
Jokes, Dum-Dum Bullet, Spin-A-Treason
Brain Wash, some Pink Hollywood with
Clouseau'Z, plus his own delusions.
The author Vincent Bugliosi was a Los
Angeles County Deputy District
Attorney who prosecuted Charles
Manson for the 1969 murders of Sharon
Tate and six others. I wonder who is the
crazier one, Charles Manson or Vincent Bugliosi. Maybe Bugliosi projected his
own insanity on Manson during his prosecution, so that Bugliosi really deserves to
be called Charles Manson. Even the most incompetent Chief Inspector Clouseau
would not be able to act insane like Bugliosi.
Youtube has a video clip with Bugliosi (youtube link) where

he criticizes the movie JFK by showing three fingers. I call it
a 3Amigos-as-3Bullets (described in another section) to
make some use of his worthless fingers and make him show
some truth about JFK assassination at least once in his sorry
life of a cockroach. In this video, the cockroach pretends that
he does not know what the movie JFK is about. All the filthy
cockroaches like him know very well all the details about
JFK assassination but they will lie about it with straight
faces. You better stop thinking about them as a conspiracy and start thinking in
terms of cockroach infestation in your dirty kitchen. Cockroaches do not have any
brains to understand the consequences of their actions. That is why they are in your
kitchen. They would not survive a second without feeding off you.
The book Final Judgment by Michael Collins Piper
During my research, I ran across this book many times. I am not sure when the
book came out. According to amazon.com, its third edition was published in 1995,
its sixth edition in 2004. It is also available in pdf file, available for free on the
Internet. I only scanned through it because it stinks too much. Anybody with half a
brain writing a legitimate book about JFK assassination would start with the
gunshot trail in Zapruder frame 313. Where is any such mention in the book Final
Judgment? Why no single book about this gunshot trail? Why is the book Final
Judgment promoted by many alternative shows available on the Internet?
Apparently, Michael Collins Piper have been singing the same tune about Mossad
goons chasing JFK around Dealey Plaza for almost 20 years now. Last time I
checked all the available seats in JFK limo, the lead car, and the follow-up car
were taken by Secret Service goons. Maybe the Mossad goons were hiding inside
the trunks!
The answers to these questions are very simple if you are able to connect the dots.
Michael Collins Piper is just another disinfo agent. Any show or any website
promoting his book is plugged into a network tied to some factions within CIA.
Keep in mind there are many different factions run by many different species
among cockroaches competing among themselves. You will never get any truth
from them. They will send you chasing your tail in many different directions. The
movie JFK has a good line to illustrate what I mean when Mr. X says "These are
crucial documents, classified Top Secret...I can't tell you the shock waves this sent
along the corridors of power in Washington". In this context, Mr. X is talking

about Zapruder frames (Top Secret) showing the white marks: frame 313 (Memo
55), frame 314 (Memo 56), and frame 315 (Memo 57). These three Zapruder
frames are responsible for so called shock waves that Mr. X is talking about. The
only goal of the crap called Final Judgment is to keep these three Zapruder frames
"Top Secret". Michael Collins Piper is a member of American Free Press. I
listened to some other freaks that belong to this outfit, especially those who talk
about JFK assassination. I ran across another of their nutcases called Pat Shannan
who now peddles his book "The JFK Assassination and the Uncensored Story of
the Two Oswalds". Who would write a book about JFK Assassination devoting the
whole content to Oswald? The only reason is to send the dummies into yet another
direction like the nutcase Piper with his Mossad stories! Where is any sense of
priority?
The book Killing Kennedy by Bill O'Reilly
Bill O'Reilly is the mental case

screaming "SPIN stops right here" to the
dummies on his TV shows run by
Parasitic Ethnic Group. Judging by his
manners, he seems to suffer from sexual
deviances, thus very easily controlled
and manipulated. Since he is plugged
directly into the TV networks, he must be
a stooge working for disinfo outfits
connected to CIA. Obviously, O'Reilly
had to take his classes in Brainwash 101
somewhere. Apparently, he received the
best training available from none other
than WFAA-TV, the most important
Brainwashing Machine in Dallas during
JFK assassination. O'Reilly went through
extensive training at WFAA-TV during
the 1970s. Today, this clown is the most
qualified to spin Oswald jokes in Killing Kennedy, the latest Brain Wash about
JFK assassination. Apparently, Killing Kennedy is a part of a larger brainwashing
campaign where a Hollywood faggot is playing JFK for National Geographic
Channel, yet another Brainwashing Machine hiding behind geography.
JFK scientists like Fetzer

During my research, I ran across so called "JFK Researchers" (web link), some
masquerading as "Scientists". One of them is even a Nobel Prize winner.
Unfortunately, I did not have the time to look closer into his Nobelling stuff which
smells like another Einstein scam. But most of them appear to be frauds who knew
all the real facts from the start. It is practically impossible to spend any significant
time researching JFK assassination without smelling the cockroaches around it.
One "JFK Researcher" is James H. Fetzer. He masquerades as somebody who "has

published over 100 articles and 20 books on philosophy of science, cognitive
science, artificial intelligence, and computer science". And here is the best line
"James H. Fetzer is a Professor of logic, critical thinking, and scientific
reasoning". The reality is that Fetzer is a nincompoop. He is smart enough to
know who really killed JFK. However, his deficient brain is totally unable to do
any real "logic, critical thinking, and scientific reasoning". All he ever wrote is a
pure junk! The section Alterations of Zapruder film explains some of the junk in
his books about Zapruder film. Before you understand Fetzer as a scientist you
need to understand the corruption in every aspect of science, at all universities. At
least half of so called university professors are half-idiots rising as a scum and not
because of merit. Reportedly, Fetzer was in the Marine Corps. The military is a
breeding ground for frauds. Many of them are stooges working for CIA. The fraud
called Ron Paul from Texas is another fraud that came out from the military. All
the frauds are genetically defective. Fetzer's job is to be a disinfo agent sending the
dummies in all different directions except the most important direction leading the
truth. The best proof comes from the alternative shows available on the Internet,
promoting Fetzer as some kind of Professor and US Marine, all such shows
mysteriously synchronized like a bunch of clones. In fact, Fetzer is neither.
Without the invisible hand running all those fraudulent shows promoting him,
Fetzer would be professoring on night shifts at McDonalds.
Jesse Ventura as a CIA stooge
The real name of this freak is actually James George Janos. He also came out of
military special breeding grounds like Ron Paul and James Fetzer. All three of
them act in similar queer ways. All have big mouths saying absolutely nothing and
doing nothing! Ventura is special because he also acts like a queer under the code
names of "wrestling performer", "color commentator", etc. In other words,
Ventura is a closet faggot, easily controlled and manipulated by CIA. Just google
the videos on his name and the word CIA. You will get a bunch of video clips
where he is talking about a mysterious meeting where mysterious CIA people
questioned him after he had become the Governor of Minnesota in 1999. This is
the same type of behavior you see from top conspirators in JFK assassination like
John Connally who always were expressing their own doubts about Warren
Report. This is typical for psychopaths. They are trying to deflect suspicion away
from themselves. Ventura is talking about CIA questioning him because he works
for CIA. This is the only reason he became the Governor. With legitimate
elections, Ventura would be nothing more than a circus clown.
Ventura does a similar deflection with his recent encounter with TSA goons who
supposedly groped him at an airport. I bet something else happened there and
Ventura is trying to get away with it as a closet faggot.
Ventura's books about JFK assassination are full of worthless crap. This is all part
of disinfo campaign to send the dummies chasing their tails in all different
directions. I came across a photo of three disinfo agents Ventura, Bugliosi, and
Fetzer, exchanging ideas on how to spin a better crap to the dummies.
David F. Powers (Special Assistant to JFK)
Powers was a Presidential Aide to JFK, a rat sitting in the follow-up car with the
other rat O'Donnell. Apparently, one of his roles was to film Dallas motorcade so
that JFK killers could fill the void with their own sanitized films after their FBI
goons had confiscated all legitimate films from legitimate bystanders. Clearly, the
end of his film recorded too much and it could not be sanitized so he mysteriously
ran out of film at 12:17pm, just 13 minutes before JFK assassination at 12:30pm.
This rat had so much gall that it actively participated in the cover-up by serving as
so called "Curator" of JFK Library and Museum from 1964 to 1994. Curator is a
code word for con artist. JFK Library is nothing more than a sewer connected to a
network of other sewers infested with cockroaches covering up JFK assassination.
Closing JFK assassination case
Any of the clowns like Warren Commission or Select Committee on

Assassinations could close JFK assassination case by opening JFK's casket, as long
as clowns don't do the opening.
+The solution lies here+
Even though JFK murder planners put up a good show at Dealey Plaza, the biggest
reason for their success was the cover-up. The main cover-up came from the
media, entertainment business, religious organizations, political parties, academia,
professional organizations, etc. Since most people do not have the time to examine
the data themselves, they rely on authority figures to interpret the data for them.
Unfortunately, all authority figures have been corrupted like the US Government
has been. Parasitic Ethnic Group is extremely corruptive. All books, movies, shows
about JFK conspiracy theories are worth as much as Warren Commission Report.
Trust only yourself by examining all data yourself. Stay away from any data
collected behind closed doors like medical and autopsy reports. Use only data
collected in public view like this document does. Go through all evidence yourself
without asking any "JFK experts" for final opinion.
During your research of JFK assassination, stay away from all members of
Parasitic Ethnic Group because they are born liars. JFK assassination research
industry has been infested with the Parasites! The Parasites masquerade as college
professors, scientists, technical experts, best-selling authors, media figures,

political leaders, etc. The Parasites have corrupted many human hosts who now act
like parasites themselves. Their lies are not limited to JFK assassination. They lie
about everything. Since the Parasites have managed to hide their JFK secret for so
long, imagine their other secrets that you do not know about.
10. Weaknesses of human psychology

The fact that JFK killers have been able to deceive billions of people for so long is
a clear and convincing proof that there is a well organized group that operates
internationally and exerts enormous influence on all governments. This group
shares certain genetic traits that enable it to exploit the weaknesses of human
psychology. Certainly, this group does not manifest any significant mental capacity
beyond primitive criminal skills. In this document, I call it Parasitic Ethnic Group.
Many people exaggerate the mental capacity of Parasitic Ethnic Group. The best
way is to compare it to a group of cockroaches in your dirty kitchen when you turn
on the light. When you see the cockroaches feeding on your property, it does not
mean the cockroaches are smart or their droppings contain some clues to figure out
what makes them smart or parasitic. You should get rid of the cockroaches and
clean up your kitchen. The dirt in your kitchen is your belief system. The
cockroaches feed on your dirt.
We have to briefly examine our belief system, also known as our human
psychology. Since our human psychology comes from Mother Nature, we have to
look for answers from Nature. Nature created us with different creative talents in
order to make us create more. If all people had the same talents then they would
not be able to create much. Consequently, Nature had one big problem here! How
to make different people cooperate in order to combine their different talents and
make them create more? That is why Nature has allowed people to develop
unnatural belief systems in their minds like social, political, or religious ideologies.
People believe in the systems because they see benefits for themselves when they
follow the same rules. They create more and improve their lives faster.
Unfortunately, all types of government including democracy have been unnatural.
All organized religions have been unnatural. Everything unnatural will come to an
end eventually.
Mother Nature imposes its Laws of Nature on everything, including belief systems.
Anything unnatural becomes a weakness that leads to creation of a parasite that
exploits the weakness. Evolution of human brain over tens of thousands of years
created individuals who were resistant to the belief systems of normal people. Such
individuals discovered that this resistance gave them advantage in their lives
because they could just prey on people following unnatural belief systems. As a
result, they did not develop any creative talents like normal people did. Instead,
they developed destructive talents. They also developed their own unique belief
systems (also unnatural) to make them cooperate only among themselves. Another
Law of Nature dictates that an organism that finds its niche will try to reproduce
itself while preserving its beneficial characteristics. That is how Nature created
Parasitic Ethnic Group and made it breed within itself.
Unnatural belief systems have been both strengths and weaknesses for people.
However, the balance is shifting quickly. All democracies have been corrupted. All
organized religions have been corrupted. Parasites have reproduced themselves
into large numbers like cockroaches in a dirty kitchen. Corrupt multi-national
corporations have destroyed our agriculture and food supplies with GMO crops
and other poisons (youtube video), have poisoned us with their pharmaceutical
drugs, have polluted the whole world with nuclear technologies, have changed our
climates with secret weather-modification projects while promoting fraudulent
global warming campaigns to get even more funding to destroy our weather and
climates, have exported all real jobs from Western World to Third World, etc. It is
a matter of time before massive social unrests begin and nuclear wars break out.
Many people are desperately clinging to the old unnatural belief systems. They
refuse to admit that their belief systems have been corrupted by Parasites. They
believe the utter nonsense coming from their corrupt governments, corrupt media,
corrupt organized religions, corrupt authority figures, etc. They become hostile and
violent when the overwhelming evidence of Jackie's guilt is presented in front of
their eyes. They refuse to believe their own eyes because the truth shatters their
false reality built on unnatural belief systems. They risk self-destruction.
In the meantime, most JFK assassination

investigators will keep chasing JFK killers like
Chief Inspector Clouseau keeps chasing the Pink
Panther. They will keep chasing JFK killers around
Grassy Knoll, behind open windows in nearby
buildings, inside storm drains and sewers, or even
behind umbrellas and UFO's hanging above Dealey
Plaza. Many corrupt college professors, corrupt
PhD's, corrupt world-renowned experts, corrupt
best-selling authors will be more than happy to
assist them during their futile chases. Fortunately,
Nature maintains self-balancing mechanisms which
will interrupt their idiotic chases by making them
catch up to corrupt reality before they catch the Pink Panther.
In the distant future, Nature will make humans replace their unnatural belief
systems with systems linked directly to Nature. In order to get there, humans will
have to unlock many secrets of Nature first. The big question is how humans will
get there when all sciences, like everything else, have been corrupted by Parasites.
Nature will not allow humans to unlock its biggest secrets until humans get rid of
their unnatural belief systems because they could blow up the whole Universe.
JFK assassination as a Worm inside Can of Worms
JFK assassination is not just a murder case. It opens up a Can of Worms. People
try to sweep JFK assassination Worm under the Rug by refusing to use their own
eyes when looking at the evidence.
Instead, people chase manufactured distractions like JFK conspiracy theories

manufactured by JFK killers, 9/11 Arabs manufactured by corrupt media, anti-
abortion campaigns manufactured by corrupt organized religions, "Made in
America" or gun-rights campaigns manufactured by corrupt politicians bribed to
actually export American jobs and take guns away from Americans, flag-waving
by corrupt judges who trash US Constitution, public education campaigns
manufactured by corrupt educators, etc. Eventually, the widespread corruption will
force people to confront JFK assassination Worm with Jackie's face on it, and all
other Worms like 9/11. Mother Nature will not allow them to escape the Can, a
metaphor for the weaknesses of human psychology.
Most of the Worms are very complex. The technical evidence of 9/11 is too
complex for most people. However, the evidence of JFK assassination is simple
enough for most people. If people want to deal with the root of their problems then
they have to start with an easy Worm like JFK assassination.
For those who want to become active in spreading the message around, follow two
simple rules. Pick an easy Worm like JFK assassination and use the brainwashing
machines that hide the Worm. Start with books at your local libraries or
bookstores. Prepare a one-page pamphlet with JFK truth and insert it in as many
books as you can. Start with JFK books and continue with books about other
Worms like 9/11. All such books are full of lies funded with your money stolen by
Parasitic Ethnic Group. In other words, you have rights to use the books for this
purpose. Another brainwashing machine is the educational system like high
schools, colleges, universities. Post the pamphlets on campus bulletin boards,
especially near departments of history, political sciences, criminology, psychology,
journalism, education, etc. You will not get much response but you will feel good
about it. Mother Nature will force you do something about it sooner or later, so you
may start doing something now!
11. Parasitic Ethnic Group

Parasitic Ethnic Group is composed of many factions with different levels of
power and influence, operating in different economic sectors, etc. However, all
factions compose one global crime network of Parasites. Even though the factions
compete for influence, a crime committed by one faction is covered up by the
whole network. Within the network, each Parasite attracts other Parasites to feed
off human hosts. The Parasites attack central systems like central banking, central
governments, central schooling, central organizations, central everything, because
central systems are the most vulnerable in host organisms.
JFK assassination would have to be ordered by the most powerful faction which is
central-banking faction. Consequently, we need to check whether central-banking
faction benefited from JFK assassination, whether it rewarded the conspirators
from Dealey Plaza, etc.
Central-banking faction
Central-banking faction owns Federal Reserve System which is a fraudulent

central bank independent of any government. Its main seats of power are New
York City and City of London.
Central-banking faction is the most ruthless faction that includes many murderous
mutants on the loose. It protects the biggest source of power which is the control of
money supply. US Department of the Treasury is actually Federal Reserve
Department of the Treasury. US Dollar is actually Federal Reserve Note. JFK used
the term "Secret Societies" in his speech on April 27, 1961, when he referred to
central-banking faction as the real power in global affairs.
In early June of 1963, JFK signed Executive Order 11110 that considerably
reduced the power of Federal Reserve System. Most probably, JFK would sign
more executive orders like this one. Since LBJ did not implement Executive Order
11110, and did not do anything to limit the power of Federal Reserve System,
central-banking faction benefited directly from JFK assassination. We also know
that Jackie went into pre-term labor on August 7 and her premature child died on
August 9 of 1963. JFK murder planners had to arrange a traumatic experience for
Jackie around early August to make her participate in their JFK murder plan. Two
months, between early June and early August, was enough for central-banking
faction to hire JFK murder planners and let them get to Jackie. Notice that central-
banking faction has been using many shills trying to discount the importance of
Executive Order 11110 or to turn it into a nonsensical conspiracy theory.
JFK murder planners would never be able to implement their plan without full
cooperation from US Secret Service. In 1963, Secret Service was part of US
Department of the Treasury. This explains the audacity of JFK murder plan. Only
central-banking faction could make the plan feasible.
On December 3 of 1963, just 11 days after JFK assassination, JFK assassin Clint
Hill received the Treasury Department's highest award for "exceptional bravery"
directly from the US Secretary of The Treasury Douglas Dillon. Even Jackie
herself took part in the official ceremony at the Treasury Building in Washington,
DC (youtube clip). Central-banking faction not only rewarded Clint Hill for killing
JFK but also publicly encouraged others to work for them with impunity and big
rewards. Notice the similarity between the audacity of JFK murder plan and the
audacity of official ceremony rewarding JFK killer. Central-banking faction
practically built a Hollywood movie set at Dealey Plaza, with special effects like
JFK's brains blowing out. Central-banking faction uses the same right-in-your-face
audacity when it makes us use its own Federal Reserve Notes thought by us as US
Dollars. Clearly, the right-in-your-face audacities come from the same source.
In 1964, Earle Cabell managed to get elected to the US

House of Representatives. During his election, the
brainwashing machines in Dallas like WFAA-TV did not
hurt him like they hurt the JFK truth. Not surprisingly,
Earle started his congressional service on the House
Banking and Currency Committee in order to continue his
service as a lap dog for central bankers. As a reward,
Parasites named a federal building next to Dealey Plaza after their lap dog. Today,
the Earle Cabell Federal Building and Courthouse houses United States District
Court for the Northern District of Texas, which exercises original jurisdiction over
100 counties in North and West Texas, United States Bankruptcy and Magistrate
Courts and a United States Attorney office. The Parasites love to mock the law by
inverting justice, especially next to the places of their crimes.
In 1971, John Connally became US Secretary of The Treasury. Quite a promotion

for the Drama Queen of Dealey Plaza. Clearly, central-banking faction rewarded
John Connally for his theatrics at Dealey Plaza because he did not have any
qualifications to be anywhere near US Secretary of The Treasury. In 1986,
Connally filed for bankruptcy.
We can find more clues from JFK assassination research industry corrupted by
Parasitic Ethnic Group. This industry has been marketing conspiracy theories to
people who do not believe the official Oswald story. Remember the quote by Lenin
"The best way to control the opposition is to lead it". Lenin is a hero to central-
banking faction. That is why conspiracy theories are loaded with anti-Castro
Cubans. Who could be a beneficiary of such conspiracy theories? Central-banking
elites always promoted communism behind the scenes. They funded the Russian
Revolution of 1917. They kept Soviet Union and Castro regime alive with their
financial support and influence. Clearly, central-banking faction would not mind
projecting its own crimes on the enemies of Castro. It operates under your noses
from their seats of power in New York City and City of London.
The conspiracy theories are also loaded with Mafia stories. Most of top Mafia
leaders are members of Parasitic Ethnic Group. They are like generals with Italian
names hiding behind Italian foot soldiers. Central-banking faction would not mind
blaming Mafia because Hollywood brainwashed people into believing that Mafia is
run by Italians. It's like believing that US Government is run by Americans

because the media says so. Both Hollywood and the media are run by the same
global crime network of Parasites that includes central-banking faction.
What is recommended in the following Killer Queen quote, "Recommended at the

price", considering the quote is preceded by an audio sound that represents no
resonance after an object is struck? What does "price" mean, considering the verse
ends with the quote "Wanna Try?" played with a silencing effect and a sound of
suppressed gunshot?
Other factions
All factions within Parasitic Ethnic Group project their crimes on other ethnic
groups or code names like Mafia, US Government, Bankers, Wall Street, Military-
Industrial Complex, CIA, Illuminati, Freemasons, Jesuits, New World Order,
Globalists, and many others. However, all their code names disguise the 4-letter
name which we all know.
Most members of Parasitic Ethnic Group suffer from genetic mental diseases like
psychopathy, schizophrenia, paranoia, homicidal tendencies, sexual perversions,
etc. Most show criminal, parasitic, corruptive, lying, destructive behaviors, while
masquerading as innocent victims. After the Biggest Criminals had committed
their Big Crime at Dealey Plaza, just a few blocks away they built their HolyHoax
Museum where the Biggest Criminals masquerade as the Biggest Victims.

Obviously, the Biggest Criminals also built their HollyWood Museum at Dealey
Plaza to project their Big Crime on others.
Most members of Parasitic Ethnic Group lack

the mental capacities to create anything for the
good of humanity or to understand the
consequences of their actions. Most use their
places of worship only to get organized for
criminal activities. Most owe no allegiance to
the countries where they live. They stole land to
create their own country from which they
conduct their terrorist activities around the
world like 9/11. Download the free pdf
document "Masters of Deception" (web link)
for evidence. Parasitic Ethnic Group corrupts all
nations until all nations wake up on deathbeds
and finally get rid of the Parasites!
Parasitic Ethnic Group controls all top positions

of US Government and runs it like Mafia. Do
you ever ask yourself why you are allowed to
blame US Government for the biggest atrocities
but you are not allowed to blame Parasitic
Ethnic Group for anything? All so called "anti-
hate laws" are really anti-truth laws, laws
against criticisms of Parasitic Ethnic Group.
Think of "anti-hate laws" as symptoms of life-
threatening parasitic disease that you tolerate
now. However, the disease will kill you later
unless you wake up and finally get rid of the Parasites!
All factions run huge industry chasing JFK killers
JFK assassination gave birth to huge industry selling lies for profit, and educating
politicians for free.
The industry employs an army of college professors, world-renowned experts,

best-selling authors, political and religious leaders, and many others. All are selling
lies about JFK assassination. All are frauds, con artists, or useful idiots. Most are
members of Parasitic Ethnic Group. Most are funded by Parasitic Ethnic Group.
All so called best-selling authors have been heavily promoted by corrupt media,
paid shills, etc. Many JFK websites are full of nonsense spread by paid shills or
simply useful idiots.
The industry also provides Continuing Education Programs to all politicians. That
is why all books, reports, movies, documentaries, etc, showing JFK autopsy
pictures with his brains blown out got the biggest paychecks, especially during the
1960s and 1970s. Be very suspicious of all JFK assassination experts who
masquerade with pictures from so called JFK autopsy which was really his
cosmetic makeup to make visual aids for educating politicians. JFK killers always
worried about the slow learners among politicians. Like any industry, JFK industry
needs distribution channels. JFK killers always needed many channels to publicly
distribute their strongest message, i.e. JFK autopsy pictures with his brains blown
out in a spectacular way.
Like many other industries run by Parasitic Ethnic Group, the industry of chasing
JFK killers operates by exploiting weaknesses of human psychology. The industry
of selecting the "President" operates on the same principle. Watch the audience
tolerating a spectacle in Charlotte, North Carolina (youtube video). Notice the low
interest in this video versus the enormous interest in other "presidential speeches"
promoted by the brainwashing machines run by Parasitic Ethnic Group. Notice the
low interest in the academic fraud committed by the "President" versus the
enormous interest in his official Harvard Law credentials. All top US Universities
have been corrupted to the bone like US Government has been. Any JFK
assassination researcher who masquerades with credentials from a top US
university, much less from the US Government, is as worthless as the "President"
shown in the video.
The Parasites can sell you the frauds because They Can!. Your reality is built on
unnatural belief systems. Mother Nature tries to correct this problem by using the
Parasites to exploit your unnatural belief systems, in order destroy it and replace
with a new belief system. The Parasites are doing this to you because it is in their
parasitic nature and not because they are smart. The Parasites will keep corrupting
your reality, and some people will keep warning you. Some will learn and some
never will. This is how Mother Nature works.
12. JFK assassins in movies, songs, fashion, etc

This chapter provides more proofs that Jackie's guilt found its way into
entertainment, fashion business, etc. The 1970s were the most fertile period for
such references to Jackie's guilt. The featured Killer Queen, The Godfather, JFK,
Pink Panther movies, are in separate chapters because of their popularity and
significant references to JFK assassination or Jackie's guilt.
There is really nothing special in the movies The Godfather, JFK, Pink Panther,
etc. The movies are just typical crap produced by members of Parasitic Ethnic
Group in Hollywood and their close genetic relatives, all suffering from many
mental diseases. No sane human beings would consciously spend their time on
making such movies with encoded messages. The Parasites make the movies for
themselves at your expense. The only reason the movies are popular is because the
Hollywood Parasites make them popular by infighting among themselves and
promoting the movies. We all watch them only because we do not have better
alternatives. It is all part of natural process to disintegrate the western societies
because all western societies are created on outdated principles. By destroying the
old social orders, the Parasites act like maggots decomposing dead animals.
Mother Nature has kept Parasites around for thousands of years because She
needed them to change slowly the old social orders. Otherwise, Mother Nature
would abort Parasites a long time ago because Parasites are genetically unable to
produce anything of value. This is how Nature works! Nature will not send you a
memo asking you politely to get rid of your dirt. Instead, Nature will send
corrupting cockroaches forcing you rudely to clean up your dirty kitchen. You can
believe in a Spook in the Sky for so long. Eventually, all humans will have to
rewire their brains for new belief systems. You are supposed to open your eyes and
see the cockroaches and maggots around you. Now, there is even a butt-ugly and
brain-missing monkey in the White House.
Many details in the scripts or images of the movies encode important messages
about how JFK was killed. In order to extract the information, you need to know
how to filter out the noise. The Parasites know how to do it because they are
networking among themselves. They get lot of kicks out of encoding the messages
at your expense. I know how to filter out the noise because I ran extensive software
simulations on their Zapruder film. This enabled me to break their codes and
decode their crappy movies like The Godfather, JFK, or Pink Panther series. This
is also how the Nature works! Eventually, Nature will wake up all human hosts
who now provide feeding frenzy for Parasites. Then shooting frenzies in all dirty
kitchens will begin and suddenly there will be no parasitic cockroaches, and their
Hollywood will become Deadwood!
Jackie handbags in the media, movies, fashion
Before you can understand this chapter you have to read the section Jackie's
handbag and bullet gun.
Here, I want to draw your attention to how Parasitic Ethnic Group handles the
issue of Jackie's original handbag and other handbags sold under Jackie's name.
Her original handbag is rarely mentioned in the media, in countless articles and
books about her. Several movies have been made with actresses playing Jackie's
character on assassination day but the movie makers always change the handbag's
design to a totally different design without changing the rest of her "pink dress".
Apparently, the movie industry, controlled by Parasitic Ethnic Group, does not
want you see even a replica of assassin's handbag. Watch the movies "Love Field"
(youtube clip), and "The Kennedys" (TV miniseries) (youtube clip). In other
words, Jackie's original handbag is a taboo.
However, Jackie's other handbags have become famous fashion items. Everybody
has heard of Jackie O, or simply Jackie, handbags made by Gucci. Do you ever ask
yourself why her handbags are so famous? Why not other fashion items? After
killing JFK with a handbag, Jackie became a star among the elites of Parasitic
Ethnic Group. The elites are parasitic psychopaths who take pleasure in killing
their enemies. Imagine the fun they had with JFK assassination. If Jackie was a
Star, then her handbag was a Supernova! That is how the Gucci line of Jackie O
handbags was born. Gucci could not promote the design of Jackie's original
handbag because it was too hot to handle. But the elites loved Jackie handbag idea
and the masses followed like sheep.
But there is more. Jackie O handbags tend to use so called piston closures. See the
picture in the references chapter. A piston closure looks like a quick release key-
ring, except it has a button for release. Apparently, Jackie's custom-made dart gun
used a similar design for its protective cap. Using only one hand, she could remove
the protective cap by pulling the gun from the cap like a piston. The section
Jackie's dart gun provides more details. Apparently, Jackie liked this idea so much
that she copied it for her Jackie O handbags. The women around the world love
Jackie handbags without realizing that the handbags represent symbols of JFK
murder tools sold under the name of JFK murderer.
I advise those with access to all details surrounding the introduction of Jackie O
handbags, including piston closures, to research this topic to a much greater extent.
Goldfinger (1964) with Shaken, not stirred

After JFK assassination in November 1963, Hollywood maggots immediately
jumped on the bandwagon of exploiting it with new scripts or recycled scripts. One
of the script lines is Shaken, not stirred (youtube link) in the Bond movie
Goldfinger, released in December of 1964.
This phrase first appeared in the novel Diamonds Are Forever (1956), and then
used a few times in the movies before JFK assassination. However, it became a hit
only after JFK assassination when Bond used it in Goldfinger (1964). People use
it without realizing why. They are simply manipulated by Hollywood cockroaches
into parroting any phrases. Jackie's bullet entered JFK's head at rotational speed of
about 90,000 rpm. This is what stirred means.
The phrase refers to a glass of martini. The movie JFK uses this martini in the
scene where Jim orders a glass of martini (Martini-as-JackiesShots). The martini
refers to this catchphrase. The green olives in the martini refer to the fruits of the
main plant used to make curare.
Queen Bitch (1971) and Lightning Bolt (1973) by David Bowie
Here, I want to draw your attention to several rock albums by David Bowie like
Hunky Dory (1971), The Rise and Fall of Ziggy Stardust and the Spiders from
Mars (1972), and Aladdin Sane (1973). The albums deserve to be mentioned here
because they include enough references that fit together to suggest Jackie's guilt,
considering such references were relatively popular during the 1970s. Also,
Bowie's albums seem to provide inspirations for T-shirt makers like the one
displayed on the right. Below it, the cover of album Aladdin Sane is displayed for
comparison.
The album Hunky Dory (1971) includes the song Queen Bitch with lyrics relevant
to this document. The lyrics use a narrator who appears to be dead JFK describing
events before and after his death, and even giving advices to alive JFK. The lines
"I'm watching the cruisers below", "He's down on the street", could refer to JFK
still alive during Dallas motorcade (cruisers). The line "he's

try hard to pull sister Flo" could refer to sister flower that
means a thorn for rose, a metaphor for needle that alive JFK
is trying to pull out from his left thigh after injection by
Jackie. The lines "She's leading him on", "she'll lay him
right down", "she's hoping to score", could refer to Jackie in
the process of killing JFK. The lines "Walk out of her
heart", "Walk out of her mind", could refer to good advices
given by dead JFK to alive JFK. The heart could be also a
Heart-as-curare. The movie JFK uses the character Clay
Shaw to point to his heart to make the same reference. The
line "In her frock coat and bipperty-bopperty hat" could
refer to Jackie's famous wool pink suit and her pillbox hat
worn on JFK assassination day.
The lines "There's a taste in my mouth", "And it's no taste at

all", could refer to alive JFK gasping for air and reaching
for this throat after injection with a chemical agent. The
lines "I'm up on the eleventh floor", "I gaze at my hotel
wall", "Oh the cot is so cold", "My weekend's at an all time
low", could refer to dead JFK lying on an autopsy bed at Bethesda Hospital
morgue during the weekend after his assassination on Friday, eleventh floor could
refer to the tall main building (at least 17 floors) of Bethesda Hospital and the
symbolic eleventh hour before the final twelfth hour for JFK burial at Arlington
National Cemetery. The lines "throw both his bags down the hall", "And I'm
phoning a cab", could refer to JFK's dead body and coffin carried on a hearse
during his funeral procession. Obviously, these references are not as clear and
convincing as those in Killer Queen. However, they need to be mentioned in
addition to the suggestive title Queen Bitch that probably gave birth to the title
Killer Queen released three years later.
The next album The Rise and Fall of Ziggy Stardust and the Spiders from Mars
(1972) is about Ziggy Stardust. According to Kikipedia, Ziggy is an alien being
who is attempting to present humanity with a message of hope in the last five years
of its existence, sexually promiscuous, with a message of peace and love. It sounds
like JFK to me. One of the songs on this album is "Ziggy Stardust" (youtube link).
This song makes a clear reference to the movie A Shot In The Dark showing
Clouseau wearing a guitar while playing JFK. This is explained in the section A
Shot In The Dark - Camp Sunshine (0:52). In the movie, guitar is used for
something different. However, Bowie borrowed the guitar as a symbol of
popularity. Those who play a guitar do so only to become popular. This refers to
JFK popularity. This clearly shows in the lines like "Ziggy [JFK] played guitar,
jamming good with weird and gilly", or "Ziggy really sang". Bowie also refers to
JFK making too many enemies with the lines like "He [JFK] played it left hand,
But made it too far, Became the special man", or "Ziggy [JFK] screwed up eyes"
where eyes is a version of Eye-as-theFed, meaning that JFK tried to screw around
with the Federal Reserve System that got him killed. Bowie also refers to JFK
assassination with the lines like "Ziggy [JFK] screwed down hairdo, Like some cat
from Japan, he could lick 'em by smiling, He could leave 'em to hang, They came
on so loaded man, well hung and snow white tan". The hairdo refers to JFK's
disheveled hair after Jackie's bullet screwed his head, spinning at 90,000 rpm. The
Japan refers to the arrangement of Japan's islands on map making them hang like
the white marks (white tan) in Zapruder frames 313-315 (White-as-WhiteMarks).
The album Aladdin Sane (1973) needs to be mentioned because of its cover with
jagged blue-and-red Lightning Bolt streaked across face and right eye, and some
liquid on left clavicle. Notice the emaciated face and closed eyes, like on a corpse.
Once you understand JFK assassination plan, you should be able to figure out the
meanings on the cover. The red color refers to JFK's red gore and Jackie's red pink
dress. The blue color refers to Jackie's blue handbag with her firearm inside. The
lightning bolt refers to a bullet blowing out JFK's head on the right side of his
forehead near temple. The liquid on left clavicle refers to JFK's blood dripping
from bullet entry hole below his left ear. This means that David Bowie knew about
the bullet hole and who made it. Maybe he told Freddie Mercury about it. Freddie
told us about it in his Killer Queen one year later. Since Freddie used much better
and more extensive metaphors, his Killer Queen has become famous while Queen
Bitch has not. The idea of Lightning Bolt probably came from The Godfather
book which uses the word thunderbolt to describe Michael's infatuation with a
Sicilian girl Apollonia, which is a code word for Jackie's bullet. This Lightning
Bolt appears to be a blue streak from left jaw to right ear with a red cloud below it,
then cut in the middle and flipped horizontally. This is the whole maggot "art"
behind it.
The displayed T-shirt shows JFK's smiling face like during his motorcade in Dallas
seven seconds before the fatal bullet shot to his head. His smiling face is painted
with Bowie's Lightning Bolt. The text CHA CHA CHANGES below his smiling
face, suggests entertaining cha-cha dance. In reality, the text refers to the popular
song Changes from the same album that includes the song Queen Bitch described
above. The T-shirt was sold at urbanoutfitters.com. However, it is no longer
available because apparently some people got nervous about it (old link to T-shirt).
This T-shirt alone should be enough to indicate that many people know about
Jackie's guilt. That is why her gravesite has to be guarded 24/7, and I do not mean
from T-shirt makers.
Under Pressure (1981) by Queen and Bowie
Under Pressure is a song recorded by Queen and David Bowie, both proven
suspects in making careers out of illustrating JFK assassination under disguise of
so called art.
There are different versions of this song available. But all start with the drummer
hitting the cymbals to illustrate the hissing sound made by a dart flying through the
air. In one version available on youtube (youtube link), Freddie starts the song with
a Finger-as-LBJ to illustrate a dart shooting from Jackie's dart gun. All versions
have a guitar making popping sounds to create an aura of suspense that something
is about to happen. The popping sounds also emulate the pulses of blood and the
signals of nerve system, distributing the effects of Jackie's curare after her dart hits
JFK's left thigh. In the meantime, the lyrics include a baby talk like "Mm ba ba de
Um bum ba de Um bu bu bum da de" which emulates JFK unable to speak because
Jackie's curare asphyxiates him by making his respiratory muscles unable to
contract.
Suddenly, the drummer makes a big splash and Freddie screams "Pressure". This
is an illustration of Jackie's bullet shot after the suspense since her dart shot. The
lines "Pressure pushing down on me, Pressing down on you no man ask for, Under
pressure, that burns a building down, Splits a family in two" describe the effects of
Jackie's bullet shot creating lots of Pressure inside the case of Jackie's cartridge in
addition to the pressure on JFK's head. The building is a code for Jackie's cartridge,
especially her bullet (family) splitting into two components (booster explosive and
White Phosphorus), alternatively into two separating components of Jackie's
cartridge (family): case and bullet. The line "Puts people on streets" refers to the
bystanders watching JFK being assassinated and then brainwashed by the media
run by the hook noses killing him.
The line "Um ba ba be Um ba ba be De day da Ee day da - that's OK" refers to

Jackie screaming something like "Oh my God! They've shot Jack!". The expression
"that's OK" means "that's KO" after flipping OK, where KO are initials for
Kennedy Onassis. The movie JFK makes a reference to this "OK" in the scene
about "Carousel Club".
The line "It's the terror of knowing, What this world is about, Watching some good
friends, Screaming 'Let me out', Pray tomorrow, gets me higher, Pressure on
people, people on streets" refers to people watching Jackie killing JFK and then
brainwashed into believing the opposite. This is like the flipping of KO to OK.
The line "Day day de mm hm Da da da ba ba OK" is also about Jackie and her OK.
The line "Chippin' around, kick my brains around the floor, These are the days it
never rains but it pours" refers to the character Georges trimming hedges as
explained in the section A Shot In The Dark - Presseclair Wedge (0:36). The
brains round the floor means JFK's brains on the bottom (floor) of Zapruder
frames. The pouring refers to the series of white marks painted (poured) in
Zapruder frames after Jackie kicked JFK's brains.
The line "Turned away from it all like a blind man, Sat on a fence but it don't work,
Keep coming up with love, but it's so slashed and torn" refers to millions of blind
men looking at Zapruder frames 313 and 314 still showing the six remaining white
marks revealing JFK assassination plot. The sitting refers to the top edge (fence) of
Zapruder frame 315 where the white mark M8E was erased because it don't work.
The love refers to the heart-shaped leaves of the plant used to make Jackie's curare
that asphyxiated JFK (Heart-as-curare). Jackie's dart slashed and tore JFK's left
thigh.
The line "Why, why, why? Love love love love love" refers to Clint Hill's first bullet
that split open JFK's head. The why is repeated three times for the total of three
bullets, including Jackie's. The love is repeated five times for the five sides of
Pentagon controlled by the central banking hook noses. This love also refers to
Jackie's dart shot (Heart-as-curare). The line "This is our last dance" refers to
JFK's two assassins Jackie and Clint Hill dancing on the trunk of JFK limo.
In the video, notice that Freddie is wearing yellow jacket and white pants. This is
because White Phosphorus burned in yellow color inside JFK's head. This is a
White-as-WhitePhosphorus. One guitar player wears a T-shirt with triangle
(Triangle-as-theFed).
The Day of the Jackal (1973) by Frederick Forsyth
The Day of the Jackal is a thriller novel by English writer Frederick Forsyth about
a professional assassin contracted to kill Charles de Gaulle, the President of
France. It was published in 1971, the same year when the album Hunky Dory by
David Bowie was released. In 1973, movie of the same name was made. The
movie is actually better than the book.
The novel uses many references to JFK assassination. The fact alone that the novel
is about an assassin killing the President of major country in 1963 is a reference
big enough. The fact that the assassins code name is Jackal, almost the same as
the name Jackie, is a reference big enough. Jackal does not succeed in his contract
like Jackie does. However, Jackal does succeed in remaining an anonymous
assassin like Jackie does. Also, both Jackal and Jackie use very creative methods
to conceal their firearms. Jackal conceals his firearm in a crutch, Jackie conceals
her firearm in a handbag. Both the book and movie describe a mercury-based
explosive bullet used by the assassin. Jackie uses a bullet with a booster explosive,
most probably RDX.
The novel is also centered around the French Police Inspector named Claude
Lebel, a concept similar to the Police Inspector Jacques Clouseau in the Pink
Panther comedy series. Also, notice the resemblance between the names of both
Inspectors, Claude and Clouseau. The first and last names are reversed because
Claude is the opposite of Clouseau. Claude is the opposite of the US Secret Service
because Claude is actually protecting the President of France, while the US Secret
Service are protecting the Assassins of the President of the United States. This is a
type of flipping used in "JFK assassination research" industry.
Prizzi's Honor (1985)
This movie is about two assassins, Irene and Charley. Irene is married to Marksie
Heller who robbed a Nevada casino. Clearly, the assassins represent Jackie and
Clint Hill. Jackie's husband JFK also robbed the "casino" called the Federal
Reserve System. Both husbands were in deep disfavor of the mob and both were
clipped by assassins hired by the mob (CIA). The movie is loaded with references
to JFK assassination by borrowing many scenes from The Godfather. Here I
provide just a taste with a few pictures from the wedding scene where Charlie
meets Irene. The whole scene is borrowed from the wedding in The Godfather.
Picture 1 shows Charlie behind a dividing screen. This screen is a reference to the
garden screen in The Godfather where Michael sits on a white bench. Notice
Charlie wears a pink rose in his breast pocket (PinkRose-as-JFK).
Picture 2 shows Charlie grooming the upper left side of his head. This is reference
to Philip Tattaglia during the scene with "five families" where he is preparing his
skull for Pink Rose.
Picture 3 shows Charlie and Irene dancing like Clemenza and another man during
the wedding in The Godfather. The dancing pair represents Jackie and Clint Hill
dancing on the trunk of JFK limo.
Picture 4 shows Maerose in red pink and black dress. The red pink is a reference to
Jackie's pink suit. Charlie constantly talks about Irene's lavender dress in order to
draw attention to a dress. Lavender refers to curare with a color close to lavender.
Later, Maerose reminds him that "I was wearing a pink and black dress". This is a
reference to Jackie's dresses, pink worn on JFK assassination day, and black worn
on JFK funeral day.
Fargo (1996)
Fargo is a 1996 Hollywood black comedy about a pregnant police chief

investigating a series of homicides by two axe-wielding psychopaths who kill by
reflex rather than design. Both psychopaths were inspired by Jackie and Clint Hill.
Apparently, the Fargo woodchipper plays the role of Clint Hill's first bullet that
split open JFK's head. Also, it doubles as a tool to erase two white marks by
showing a foot in white sock sticking out from woodchipper, white snow around,
the hair dyed white, etc. (youtube link). This is an example of "art" coming from
the Hollywood maggots who also put the monkey into the White House, and
brainwash the masses about evil "Muslims" with box cutters attacking America on
flying camels.
The inspiration for Fargo location came from Clint Hill who was born and raised in
North Dakota. He went to Concordia College in Moorhead, Minnesota, which is
basically a suburb of Fargo. More links to Clint Hill are provided through North
Dakota State College in Fargo, ND. These two colleges are only one mile apart.
This is explained in the section about Well Known Slacker ad (1930) in The
Spectrum student newspaper of North Dakota State College in Fargo, ND. This is
a type of proxy used frequently in "JFK assassination research" industry.
Well Known Slacker ad (1930) in The Spectrum
This section explains the ad published several times during the 1930s in the student
newspaper The Spectrum at North Dakota State College. A local drug store Cook
Drug Co. advertised its business by attracting attention with a witty quote titled
Well Known Slacker. This ad is important because it is used by two major movies
The Godfather and JFK to connect Edward Lansdale to JFK assassination.
The attached picture has two parts, cropped from two different pages of the same
newspaper. The ad is indicated by red rectangle. The key things to notice in this ad
are: the name Willie, revolving door, Parasite, pushing, the address 61 Broadway,
and the business name Drug Co. The movie JFK borrows the name Willie for the
homosexual character Willie O'Keefe playing Edward Lansdale. The movie
presents Lansdale as a faggot, therefore the homosexual connotation of pushing
comes here handy. The Godfather borrows the revolving door as the place to kill
the character Don Cuneo, the pushing for the door sign PUSH, the address 61
Broadway to refer to the financial district in New York City, and Drug Co to refer
to the worldwide illegal drug operations run by the Federal Reserve banks. Keep in
mind that the Federal Reserve System exploits the societies by promoting mentally
defective individuals like homosexuals. That is why most of the generals and
admirals hiding inside the Pentagon are fags. It is not clear whether Lansdale was a
fag but it is clear that he represents a bunch of Pentagon fags with defective genes.
The current monkey in the White House is also a faggot like the Bushy monkey
before him. Their butt-ugly wives are only beards for them. Most of the monkeys
in the joint called US Supreme Court are faggots or lesbos, especially the "Chief
Justice" John G. Roberts who probably is on either side of pushing somewhere in
the back streets of Washington, DC, as you read it. Another thing to realize is that
the humanity is too addicted to the old unnatural belief systems like the belief in
the Big Spook in the Sky. Nature intends to dissolve the systems by throwing
monkey wrenches into them. By definition, a monkey wrench has to be mentally
deficient like a faggot, or a literal monkey, or even worse both.
Around the time Don Cuneo is

killed in a revolving door, the
movie shows the inside and
outside of Catholic church during
baptism. At that time, the
architectural features of widely
known Masonic Temple in
Philadelphia are shown. Attached
on the side, picture 1 shows the
front view of Masonic Temple and
the street sign J. F. Kennedy Bl.
Picture 2 zooms in on the front door that could have a revolving door in the past.
Interestingly, the official address is 1 N. Broad Street which is close to 61
Broadway. The movie also shows a sign Flower Shop. Philadelphia is known to
host the biggest flower show in the world, called Philadelphia Flower Show taking
place about two miles from the Masonic Temple in Philadelphia. Today it is even
closer. In other words, the movie makes a clear reference to Masonic Temple in
Philadelphia. The main reason for Philadelphia is John J. McCloy because he was
born there and lived there at least until his college years. The sign Flower Shop
also refers to the Pink Rose (PinkRose-as-JFK) from the painting by Georgia
O'Keefee, explained in the next section. During the Cuneo killing, Flower Shop
also refers to the top conspirators who put the Pink Rose on JFK's Skull, like John
J. McCloy who was the Boss of JFK assassination. The actual Flower Shop
(funeral flowers) is shown during the Godfather funeral. Note that Philadelphia is
well aware of this secret message encoded in The Godfather because they named a
street right next to their precious cute temple as John F. Kennedy Blvd.
Next to the sign Flower Shop, the movie also shows a sign Maisonette. Its purpose
is not clear. Most probably, it refers to a much smaller masonic temple in Lansdale
which is a suburb of Philadelphia. This would mean that Maisonette refers to
Edward Lansdale who was a feminine (homo) version of mason. However, this is a
relatively weak reference because Maisonette could actually refer to John J.
McCloy. Reportedly, the guests or partners of members of masonic temples are
called maisonettes. However, the movie JFK uses the masonic term lodge, also in
the context of Edward Lansdale. So for now, I assume Maisonette refers to
Lansdale and use it as the symbol Masonic-as-Lansdale.
In the ad, the address 61 Broadway refers to Fargo, ND. During the 1930s, there
was a drug store at this address as indicated in the attached two pictures. Both
pictures show the same store, the first one from the south side, and the second from
the north side of Broadway. Today, it seems like this address is not used any more.
The address used is 51 Broadway that houses Dakota Center with offices of Merill
Lynch, UBS, etc.
The question is why would anybody use North Dakota State College in Fargo, ND,
to get to John J. McCloy or Edward Lansdale. Apparently, the link comes from
Clint Hill. Clint Hill was born and raised in North Dakota. He went to Concordia
College in Moorhead, Minnesota. The distance between these two colleges is only
about one mile. This means North Dakota State College is a proxy for Concordia
College that graduated a button for JFK assassination. The movie Fargo was also
inspired by JFK assassination. The serial killer in Fargo plays Clint Hill, meaning
the same button again. Hollywood inbreds make all their garbage movies because
you pay them while their brainwashing media makes you chase ghost snipers and
firecrackers around the Dealey Plaza.
Obviously, the makers of The Godfather liked address 61 Broadway because New
York City has the same address in the financial district. The next two pictures
show the relevant addresses in New York City, as they exist today. Picture 1 shows
the front entrance to the office building at 61 Broadway. Picture 2 shows the
building across the street at 80 Broadway. Possibly, the front entrance had a
revolving door in 1971 when The Godfather was filmed, or earlier. Most
importantly, 61 Broadway is located in the middle of financial district, the main
seat of power of central bankers who ordered JFK assassination. The Federal
Reserve Bank of New York is located at 33 Liberty Street, just a few blocks away
from 61 Broadway. The Godfather pans the front wall of this bank for about 10
seconds. Today the building across the street at 80 Broadway houses a branch of
Chase Bank. Apparently when the movie was made, the branch was owned by
Chase Manhattan Bank. This is another way to get to John J. McCloy.
Horse's Skull with Pink Rose (1931) by Georgia O'Keefee

The attached picture shows the painting
named Horse's Skull with Pink Rose,
painted by Georgia O'Keefee in 1931. It
shows a horse' skull and a pink rose and
green leaves on top of the skull. The
Godfather, both the book and the movie,
borrowed this painting for the scene with
the head cut off of a racing horse, and the
scene with Don Cuneo being killed. In
the movie, Cuneo wears a red rose and
green leaves on his lapel.
The movie JFK also borrows this

painting in many scenes. For example,
the prison scene shows the homosexual
character Willie with his head
superimposed over the head of a horse in
the background. The last name of Willie
is O'Keefe which is obviously borrowed
from Georgia O'Keefee. Both Willie and
Georgia were homosexuals.
Notice that the parents of Georgia O'Keefee were dairy farmers. In the book The
Godfather, Don Cuneo's nickname is "Leo the Milkman".
Salvador Dal
The movie JFK uses the personality of Salvador Dal and the architecture
(eyesore) of Dal Theatre and Museum in Figueres, Spain, to make references to
Edward Lansdale who was the main planner of JFK assassination.
Both Dal and Lansdale were married and both were homos. Each expressed his
homosexuality in a different way, but both were mentally deficient. They achieved
their success only because of corruptive influence of mentally deficient members
of Parasitic Ethnic Group who just happen to be used by Nature to dissolve the old
outdated belief systems still followed by humans. Remember the dirty kitchen
analogy frequently used in this document. Nature will not send a memo to humans
to make them change their old outdated belief systems. Instead, Nature will infest
their dirty kitchens with cockroaches to make them change.
Since Dal and Lansdale were similar cockroaches, the movie JFK uses Dal to get
to Lansdale. The movie does not mention Dal by name. Instead, it shows a waiter
wearing Dal whiskers. Then it shows egg-shaped and gilded objects to make it
clear it is all about Dal. The movie also uses other vehicles to get to Lansdale, the
Dal vehicle is only one of them.
The JFK also uses some of the

external features of Dal Theatre
and Museum like big eggs, gilded
mannequins, and the colors of
external wall to provide factual
information about JFK
assassination. The picture attached
on the side shows the relevant
features of the museum. The
movie uses the eggs to make
references to the famous "blob" on
JFK's head. It uses gilded
mannequins to make references to Dealey statue, including the raised arms on the
mannequins. The gilded mannequins also refer to JFK assassins and other
conspirators gilded by the hook noses. The movie uses the coffee color of the
external wall to refer to the gore around JFK's head after Jackie's bullet shot
(Coffee-as-gore). It uses the yellow bumps on the wall to refer to small "blobs" on
JFK's head (Blob-on-JFK) and also to refer to the white marks (White-as-
WhitePhosphorus).
The inauguration of Dal Theatre and

Museum took place on 28th September
1974. Apparently, all its major
structures were completed at that time.
This includes the transparent grid
structure in the form of a geodesic dome
crowning the building, shown in picture
1 attached on the side. Compare it to the
globe on top of Reunion Tower in Dallas, completed only four years later in 1978.
The early 1970s were the most fertile period for making references to JFK
assassination. The Godfather was released in 1972, Killer Queen was released in
1974, just to name a few. Anything that came out of this nutcase Dal should be
automatically researched for references to JFK assassination. Dallas savages
probably designed their Reunion Tower after Dal.
The following set of nine pictures compares some Dal symbols to some of the
relevant images from the movie JFK.
Pictures 1 and 2 compare the whiskers on Dal and the waiter playing the role of
Edward Lansdale. Picture 3 shows one of the walking "blobs" to be compared to
Dal eggs.
Picture 4 shows the three globes that stand for LBJ's costs, loss, and agony, shown
during Easter egg hunt. To be compared to Dal eggs. Picture 5 shows the actual
"blob" on JFK's head and the coffee color around it, as shown in Zapruder frame
317. The movie refers to it as "cream in my coffee". Compare to the colors of the
wall and the bumps on Dal Museum. Picture 6 shows the shirt on a character
playing the role of JFK. Notice the coffee color and the white dots resemble the
wall on Dal museum, and the "blob" in picture 5.
Picture 7 shows the original diagram of B-Patrone bullet where White Phosphorus
in its solid impure form is located in the bullet's nose. Compare its color to the
color of the wall. Pictures 8 and 9 show the gilded costumes used in the movie.
Compare them to the gilded mannequins on top of Dal museum. Compare the
raised arm in picture 8 to the raised arms on the mannequins. Also compare the
Dal eggs to the white wigs in picture 8, or to the head on reindeer costume in
picture 9.
The Old Man and the Sea (1951) by Ernest Hemingway
Both movies The Godfather and JFK make references to the novel The Old Man
and the Sea (1951) by Ernest Hemingway. Most people are not even aware that
The Godfather is all about JFK assassination. The famous quote "Luca Brasi
sleeps with the fishes" is not about any Sicilian message but about Hemingway
message.
The Godfather makes the references to this novel in several scenes. Apparently,
the references were not clear enough because the sequel JFK made it very clear by
making the main character Jim say "You remember the Hemingway story The Old
Man and the Sea?. The old fisherman manages to catch this great fish. By the time
it reached the shore, the fish had long since been picked apart by sharks. Nothing
was left but the skeleton".
Even though both movies reference this novel, each movie uses different
meanings. The Godfather implies several meanings. Firstly, the Old Man (old
fisherman) stands for JFK's farther. The great fish stands for his son JFK,
obviously when he was still alive. The sharks stand for the owners of the Federal
Reserve System. The skeleton stands for JFK's dead body. JFK sleeps with the
fishes. Secondly, the Old Man (old fisherman) stands for JFK. The great fish
stands for the Federal Reserve System. The skeleton stands for JFK's dead body.
JFK sleeps with the fishes.
The movie JFK reverses the logic. The great fish stands for Warren Report
meaning that you are the sharks picking the Report apart such that today nothing is
left but its skeleton or a dry weed lying in a West Texas desert.
Lansdale Egg Farm (circa 1917)
This section explains the hidden references to Lansdale Egg Farm in the movie
JFK. The makers of JFK borrowed a lot of ideas from The Godfather. One of
them is the old ad from 1930 in The Spectrum, as explained in another section.
Apparently, they liked the retro flavor of this ad. As a result, they decided to use
their own original idea of similar retro flavor, in order to make another reference to
the last name of Edward Lansdale, a major target of their movie.
Several monthly editions of an old magazine Poultry Success indicate there was a
business in Lansdale, PA, under the name Lansdale Egg Farm. Note that the city
of Lansdale appears to be connected to the sign Maisonette in The Godfather.
In the December 1917 issue of Poultry Services, there is a short description of

Lansdale Egg Farm owned by J. Logan Wynn. According to the magazine, the
farm produced Single Comb White Leghorns of superior merit.
The movie JFK gets to Lansdale Egg Farm through Salvador Dal and the name
Logan. A waiter with Dal whiskers makes a direct reference to Dal. Since Dal is
also known for his Dal eggs and gilded mannequins, anything shaped like an egg
or gilded in the movie becomes automatically suspect of Dal influence. Since the
city of Lansdale already appears to be connected to the sign Maisonette, it did not
take long for me to search for some retro eggs there and actually find them. Hence,
another connection to Edward Lansdale, this time through none other than eggs of
Single Comb White Leghorns.
In the movie JFK, one character says "We recently talked to a number of men who
claim to know you. David Logan. Perry Russo. Willie O'Keefe". The name Logan
makes several references, one of them could be J. Logan Wynn from Lansdale Egg
Farm. Coincidence?
13. Symbolism in three major movies

This chapter explains many common symbols referencing JFK assassination in
three major movies: A Shot In The Dark (1964), The Godfather (1972), and JFK
(1991). I assign names to the symbols, so that the document could be searched
easier. I also use the same symbol names for decoding the song Killer Queen and
several relevant cartoons, because all use the same principles.
All three movies are about JFK assassination, from the first to the last minute.
Each movie uses a different cover but all are about the same thing. All three
movies use the same strategy of repeating JFK assassination on Elm Street over
and over again by using a different disguise for each scene. Almost every scene is
about three bullet shots and one dart shot. In order to simplify the references, this
document assigns numbers to the shots. Number 0 is assigned to Jackie's dart shot.
Number 1 is assigned to Jackie's bullet shot. Numbers 2 and 3 are assigned to Clint
Hill's first and second shot, respectively. Most of the time, the shooting order is 0-
1-2-3, but many scenes change it to any order, as a diversion or simply as a
technical convenience. Some scenes mention the illegitimate medications given to
JFK by Jackie in the morning on his assassination day. However, most of the
scenes with shooting sequences omit the medications. Even though most scenes
include shooting sequences, I mention them only in some scenes because other
topics are more interesting.
Each scene uses a different approach. However, once you decode a few scenes in
any movie, you will not have much trouble decoding all other scenes in all movies.
The movie JFK repeats the famous phrase "Back, and to the left" so many times in
order to give you a clue that all three hours repeat the same thing about three
bullets and one dart shot, over and over again.
The movie JFK uses Easter Egg Hunt to illustrate the presentation of JFK
assassination in the movies. The movies are like Easter Egg Hunts. The Eggs are
three bullets and one dart. Then you turn yourself into a child and start hunting for
the Eggs by watching the movies. Each scene is a different hunt for the same
Eggs. The movies encode secret messages from start to finish, buried under
mountains of noises. All you need is to filter out the noises. This is another
symptom of schizophrenia full of noises among Parasitic Ethnic Group running
Hollywood. The movie JFK even lets you know about their deception by making
Dave Ferrie say "Oh, what a deadly web we weave when we practice to deceive".
It's up to you to unweave the deadly web.
Each movie is like two parallel rails of a long railroad track. One rail is for the
dummies, and the other side is for the decoders. The rail for the dummies is loaded
with fiction. The other rail is loaded with encoded messages about the real facts
pertaining to JFK assassination. The decoding "logic" presented in the chapters for
the movies might be confusing at first to some. But this is not my logic. The TV
news that you watch use a similar type of logic. This is how the cockroaches
communicate among themselves. The cockroaches use two channels: one private
channel for private conversations, and another public channel for mass media
communications with heavy encoding for cockroaches. The movie JFK is an
extreme example. The more you watch it with open mind the more signals you
pick up. I had to redo many of my interpretations of JFK after deeper decoding of
other parts of the movie. It is a learning process.
Many characters in the movie, play specific roles in JFK assassination, sometimes
conflicting roles at different times, like schizophrenic patients. Schizophrenia is
common among Parasites. There is little consistency in the references. Each scene
uses a different approach. Most references are very clear but some are ambiguous.
I could not find reliable scripts for any of the movies. The scripts I found are old
scripts with many scenes deleted, missing, or altered. The actual subtitles that
come with the movies seem to be the best source but even they are not reliable. In
order to have search capabilities, I did use the old scripts. I provide them in the zip
package that comes with the document.
NOTE: many of the symbols come with photos in order to explain them better. The
photos are included in at least one section that uses the corresponding symbol. Just
search on the symbol name to find the photo, if it exists.
Most of the sections in the chapters for decoding are about specific scenes in the
corresponding movies, and such sections are followed with the approximate movie
time (H:MM). The sections that are not followed with (H:MM) relate to topics
across all scenes. In (H:MM), the letter H stands for hour, and MM for minutes,
on the basis of my DVD copy. I do not provide the seconds because the accuracy
varies depending on a DVD copy and DVD software players. DVD software
players often show inaccurate movie time.
The names of the sections that provide important information, esp. about the white
marks, are in bold characters to indicate importance.
Some of the movie frames have to be viewed by stepping through them one frame
at a time, i.e. you need a DVD software player like Windows Media Player
(WMP). WMP lets you step through one frame at a time using Next/Prev buttons
when you select the option "Play speed settings". Since WMP is a Microsoft junk
infested with bugs, you are advised to use other software players. If you are using
an Adobe reader to view this document then you might want to increase the zoom
option to 200% (below the menu bar on top) to see the attached pictures better.
Also, adjust the brightness on your screen if needed.
Eye-as-theFed
This is a reference to the All-Seeing-Eye on top of pyramid of $1 Federal Reserve
notes, called incorrectly US dollars. It refers to the Federal Reserve criminal
enterprise which issued the orders to assassinate JFK. The movies show this
symbol usually as eye (iris) appearing behind eyeglasses' lens reflecting light. The
flash itself on the lens sometimes is used as Lens-as-Explosion. Sometimes one
eye wide open relative to the other eye makes an Eye-as-theFed. Sometimes a
picture of a human eye is used. Other times, a reference is made through the script
lines.
Triangle-as-theFed
All three movies use triangle-shaped objects to refer to the Federal Reserve
criminal enterprise which issued the orders to assassinate JFK. This is a reference
to the pyramid on $1 Federal Reserve notes, called incorrectly US dollars. The
Godfather shows many pyramid-shaped shrubs in Wolz's garden. The movie JFK
uses the Washington Monument and the white obelisk next to the Dealey Statue.
The movie A Shot In The Dark uses a wedge-shaped street corner in Paris, which
I call Presseclair Wedge. These are only a few examples.
Hand-to-throat
Both The Godfather and JFK make frequent references to JFK's pose shown in
Zapruder frames between Jackie's dart shot and her bullet shot, i.e. between frames
190 and 312. If you are not familiar with it, look at Zapruder frame 312 where JFK
shows his right profile and keeps his right hand next to his throat. The movies
show the right hand close to throat under the pretext of drinking from a glass,
smoking or lighting a cigarette, putting food into mouth, etc.
Finger-as-LBJ
The references chapter includes an old photo of LBJ showing his finger high and
his mouth open, in front of JFK trying to shut LBJ up. All three movies use this
finger extensively to reference LBJ.
White-as-WhitePhosphorus
Because of the word white in White Phosphorus, all three movies use white objects
to refer to it. In reality, White Phosphorus is white only when in a pure solid state.
The main use of this symbol is for the white marks. However, I use it to refer to all
other forms, including the "blob" which was a thick cloud of smoke from burning
White Phosphorus inside JFK's right ear, PWM projectile, White Phosphorus
stored inside Jackie's bullet before the bullet is fired or exploded, etc.
In order to qualify for this symbol, the color does not have to be white, anything
close to white is enough as long as the context is right. This includes sources of
light like flames. Some scenes use yellow color to refer to the burning color of
White Phosphorus. The movie JFK often uses earrings or pearl necklace to refer to
White Phosphorus. In such cases, a round solid earring stands for the "blob", and
multiple pearls on earring or necklace refer to the white marks. Jackie was known
for wearing double strand or triple strand faux-pearl necklaces. I use the same
symbol of all such cases.
Perfume-as-WhitePhosphorus
The movie A Shot In The Dark started the use the word perfume to represent
burning White Phosphorus because it emits a distinctive garlic-like odor when
burning. The song Killer Queen also uses the word perfume. The Godfather uses
the expression "Youse funny" said by Clemenza or Rocco in the car when Paulie is
killed as JFK. In other words, I use this symbol whenever any smell is used to refer
to White Phosphorus, whether it is called perfume or not.
Blob-on-JFK
Both The Godfather and JFK make frequent references to the famous white "blob"
hanging off JFK's head, as shown in Zapruder film starting from frame 313. This
"blob" is a thick smoke from White Phosphorus burning inside JFK's head. JFK
killers used it as an inspiration for their Eternal Flame on JFK's gravesite and later
for their Reunion Tower in Dallas. The movie JFK makes frequent connections
between the "blob", the Eternal Flame, and the Reunion Tower. Note that the
actual object used to illustrate the "blob" does not have to be white. An example is
a dark round sign plate mounted on a door.
Turret-as-OldRedCourthouse
Old Red Courthouse is the most referenced building in all three movies. Firstly, it
housed the office of Henry Wade, Dallas County District Attorney. Wade was the
top conspirator in JFK assassination. Secondly, JFK killers had their command
center (watchtower) inside the NW turret. According to his testimony, Wade
himself was at the Market Hall (Trade Mart) at that time, "waiting" for JFK to
arrive.
Old Red Courthouse has eight turrets around its perimeter. They are round towers
with pointed tops. Because the turrets are a distinctive feature and because the NW
turret acted as the watchtower for JFK killers during JFK assassination, the movies
use any round structure to illustrate Old Red Courthouse as long as the context is
right.
Square-as-SupremeCourt
All three movies use rectangle-shaped objects to refer to US Supreme Court. The
word court means also square, a type of rectangle. The building of US Supreme
Court is also square.
Round-as-Capitol
All three movies use round-shaped objects to refer to US Congress. The dome on
top of US Capitol building is round. The examples of round objects are: a round
cork, a round table top, a ball-shaped object on top of fountain, etc.
Water-from-Washington
All three movies use water/rain to refer to White House (LBJ) and US Supreme
Court (Warren) because both buildings have water fountains in front of them. The
movie A Shot In The Dark uses an actual water fountain with croaking frogs in
front of Ballon mansion. The croaking frogs play Earl Warren and the rest of
scumbags hiding inside US Supreme Court. However, one frog plays LBJ. The
other two movies do not use water fountains (with a few exceptions). In The
Godfather, Hagen puts a glass of water in front of Vito (Godfather) to mean a
water fountain on the North Lawn of White House because at that point Vito plays
LBJ. In the movie JFK, some characters carry umbrellas (usually closed) to mean
there is White House (LBJ) or US Supreme Court (Warren) nearby. When an
umbrella is open, its canopy makes a Triangle-as-theFed. In some cases, Water-
from-Washington is also used to refer to US Congress because US Capitol also
has a water fountain.
Stairs-as-SupremeCourt
This is a reference to the marble spiral staircases inside the building and the front
stairway in front of the building of US Supreme Court. All three movies use many
different designs of stairs to refer to the same thing. The movie A Shot In The
Dark uses a spiral staircase outside one of the building of Ballon residence, in
addition to one staircase inside the main building.
Spears-as-WhiteHouse
This symbol refers to the fence around the entrance to the West Wing of White
House. Possibly, the fences in other areas of White House compound look similar.
The vertical bars of this fence have spear-shaped tops. All three movies use similar
spears to refer to White House, esp. LBJ. The movie JFK shows two clips from
old film showing Allen Dulles walking next to this fence. One clip (movie time
0:02) shows the spears in order to make this association. One of the roles of the
movie JFK was to clarify the clues for the other two movies.
Window-as-WhiteHouse
This symbol refers to the half-round tops on some windows of White House. The
main reference are the windows facing the Rose Garden. Their tops are half-round
with rings and radiating spokes. The movies A Shot In The Dark and JFK use this
symbol quite often.
Forearm-as-Connally
If you know anything about JFK assassination then you know that poor Johnny
Connally "fractured" his radius bone (forearm) by Magic Bullet from Warren
Report. All three movies kick around this bone to death. The Godfather has a
scene where Santino fractures Connally's radius bone (broken baseball bat) on
Carlo who is running away towards his Stetson hat (big trash can). The movies use
objects like sticks, pencils, etc, to make references to Connally.
PhoneCall-as-Jackie&LBJ
This is a reference to telephone conversations between Jackie and LBJ prearranged

by JFK killers in order to feed garbage to JFK "assassination research" industry
and sell hundreds of their propaganda books. In the movie JFK, one scene refers to
them as simply "garbage". An example is the phone conversation on December 2,
1963. In this conversation Jackie talks about a letter to LBJ, and LBJ invites Jackie
for a walk (youtube link). All three movies kick around this phone call like
Connally's bone.
Heart-as-curare
The movies use references to love like the symbolic heart to refer to curare. This is
based on the heart-shaped leaves of the main plant used to make curare. The
references are made through script lines, or showing a heart-shaped object, or
pointing to heart, etc.
Hat-as-Connally
All three movies reference Connally's cowboy hat (Stetson). However, the movie
JFK is more specific about its role. Connally was using his hat to send signals, esp.
to Jackie. The movies reference also LBJ's cowboy hat, but mostly indirectly. For
example, they use a hat rack with big hooks for his cowboy hat. Each big hook
stands for his finger high in the air, that LBJ shows in one old photo included in
the references chapter. This photo is the basis for Finger-as-LBJ.
Eyebrow-as-Warren
Any character raising his eyebrow high in the right context makes a reference to
Earl Warren. The movie JFK makes it clearer when the character Beverly Oliver
says "He was a weird looking guy, he had these eyebrows, this guy looked like a
buzzard" to refer to David Ferrie playing Warren at that time.
RailroadTracks-as-Lansdale
The "railroad tracks" is a common way to describe the rank of a Captain in US
military or police, because it has two bars looking like "railroad tracks". This is a
reference to the two stars on the military rank of Edward Lansdale. In addition to
showing the actual railroad tracks (including model trains), the movies also use a
double barrel shotgun to mean "railroad tracks". All these cases refer to Edward
Lansdale.
Masonic-as-Lansdale
The Godfather seems to have started this symbol when it used the sign Maisonette
next to the revolving door when Don Cuneo is killed. The context makes a strong
reference to the Masonic Temple in Philadelphia. This would imply that
Maisonette refers to a much smaller masonic temple in Lansdale which is a suburb
of Philadelphia. However, this is a relatively weak reference because Maisonette
could actually refer to John J. McCloy. Reportedly, the guests or partners of
members of masonic temples are called maisonettes. However, the movie JFK
uses the masonic term lodge, also in the context of Edward Lansdale. So for now, I
keep this symbol associated with Edward Lansdale until I figure out a better use
for Maisonette. For more details, see Well Known Slacker ad (1930) in The
Spectrum.
MarieAntoinette-as-Jackie
The Godfather, JFK, and the song Killer Queen make extensive references to
Marie Antoinette in order to get to Jackie. One method uses names like Marie,
Maria, or Mary. Another method uses hairstyles/wigs like Beehive similar to
Marie Antoinette's pouf hairstyle. Other methods use a guillotine, words attributed
to Marie Antoinette, etc. All these cases refer to Jackie as the executioner, meaning
JFK was her Marie Antoinette or her "cake" that she fed to the naive masses.
VerticalStems-as-curare
Jackie used a chemical agent with curare which is made from plants characteristic
for climbing stems/vines. In order to illustrate the climbing stems/vines, the movies
use plumbing pipes running vertically between the floor and ceiling, electrical
cords hanging from above, garlands around columns, etc. All these cases refer to
Jackie's curare.
Mouth-as-JackiesBullet
All three movies use a mean mouth to illustrate Jackie's bullet shot. The movie
JFK uses a mouth resembling the mouth of a rattlesnake in striking position. The
movie character Jean Hill shows such a mouth when she says "I stepped down to
the curb and yelled. Hey, Mr. President, look over here!". This means that Jackie
moved her handbag close to JFK's jaw (curb) and fired her bullet (yelled) into Mr.
President. The idea of a rattlesnake probably came from Raymond Buck's speech
in Fort Worth where he gave JFK a pair of boots to keep rattlesnakes on LBJ's
ranch from striking him.
MusicStage-as-GrassyKnoll
All three movies use a stage with musicians to illustrate the Grassy Knoll. The
"musicians" are meant to illustrate the "gunshot sounds" from firecrackers.
Sometimes sparkles appear to illustrate "gunshot flashes" from firecrackers.

Sometimes cigarette smoke appears to illustrate "gunshot smoke" from
firecrackers. All this is "sheet music" coming from "JFK assassination research"
orchestra playing the Grassy Knoll crap to the dummies. I bet one of those
"musicians" is the nutcase called Jesse Ventura.
Cloth-from-Hill
The Godfather and JFK make references to the white object in Clint Hill's left
breast pocket during JFK motorcade in Dallas. It is not clear what this object is, but
probably it is a folded white paper. Clint Hill kept it in his breast pocket between
Love Field airport and Parkland Hospital. For example, Altgens 6 photo (three
seconds before Jackie's bullet shot) and Moore Volkand photo (about one minute
before reaching Parkland Hospital) shows Clint Hill with the same white object in
his breast pocket. Both movies turn this object into a white cloth, and use it to
identify Clint Hill. Whenever you see a movie character with a similar white object
like a cloth, not necessarily in breast pocket, this could be reference to Clint Hill
depending on the context. I call this reference Cloth-from-Hill like a cloth from
hell.
Foot-from-Hill
There are several photos of JFK limo riding to Parkland Hospital after leaving
Dealey Plaza, where Clint Hill is standing on his left leg and keeping his right foot
mounted on the right side of the limo. Two of these photos are included in several
sections. The Godfather and JFK use this foot to get to Clint Hill. I call this
reference Foot-from-Hill like a foot from hell.
3Amigos-as-3Bullets
The movies A Shot In The Dark and JFK use three heads to illustrate three bullets
fired at JFK. The idea came from a three-headed cartoon character included in the
opening sequence for A Shot In The Dark. This cartoon character was reused and
named Matzoriley in The Great De Gaulle Stone Operation (1965), the first
cartoon in the series The Inspector. This document has a long section devoted to
this cartoon, The Great De Gaulle Stone Operation cartoon (1965).
The name Matzoriley came from Mozzarella cheese because of its white color
which is used to refer to White Phosphorus. Jackie's Italian Mozzarella came from
Italian Gucci handbag, hence Matzoriley for Mozzarella. However, I kept
misspelling this Matzoriley thing so I decided to use the name Three Amigos,
hence 3Amigos-as-3Bullets.
PinkRose-as-JFK
The Godfather and JFK make references to the painting Horse's Skull With Pink
Rose (1931) by Georgia O'Keefe, in order to illustrate dead JFK. Recall the scene
with Woltz waking up next to the head of his prized racing horse Khartoum
(Kennedy). This is about Jackie riding a racing horse, cutting its head off, and then
placing a pink rose on top of its skull. This document devotes one section to this
painting, Horse's Skull with Pink Rose (1931) by Georgia O'Keefee. The movies
use many different schemes to bring up this painting. For example, showing a
horse, showing a pink object like pink rose next to a head or in breast pocket,
showing somebody touching the spot on head where the Pink Rose is located, etc.
TableSlam-as-Bullet
The Godfather and JFK make references to a bullet fired by Jackie or Clint Hill by
making somebody slam a table. If the sound is very loud then it is Clint Hill's
bullet shot (unsuppressed), otherwise it is Jackie's bullet shot (suppressed). The
Godfather started this idea when one Don during the meeting of "five families"
says "I have powders,....,we can make fifty thousand distributing" and then he
slams his hand on the table, meaning the distributing is Jackie's bullet shot to JFK's
head.
4Fingers-as-LeMay
Sometimes the movies make their characters show four extended fingers
(excluding thumb finger) of either hand or both hands to illustrate the four stars of
Curtis LeMay's military rank. The movie JFK frequently uses this symbol on its
character Clay Shaw when he plays LeMay, especially with a brown cigarette
holder between his fingers to make an additional illustration of LeMay's cigar.
Hand-as-Wing
This symbol is similar to 4Fingers-as-LeMay, but it usually it does not refer to
LeMay. It refers to flying wings in general. For example, it refers to the flying
wings of airplane pilots like US Air Force Generals LeMay and Lansdale, even it is
not clear whether any of these frauds could fly a kite much less an airplane. This
symbol does not have to come from LeMay or Lansdale. It could come from
somebody referring to so called "pilots" LeMay or Lansdale. The Godfather
originated this concept by using the little hands with open fingers on an infant
during baptism. Another example is Jackie's turkey shoot, because turkeys have
flying wings. The movie JFK makes one female character playing Jackie, jump up
in her chair and then spread her arms with open fingers to illustrate the wings of
Air Force One flying from Fort Worth to Dallas.
Cigarette-in-Lansdale
The Godfather and JFK make references to an old photo of Edward Lansdale
where he keeps a long cigarette hanging from the corner of his mouth. See the
section devoted to Lansdale for explanation. Many characters in both movies keep
a similar cigarette in a similar way in order to make references to Lansdale. Notice
that a long cigarette is also used to represent Jackie's dart. The interpretation
depends on context.
Eyeglasses-as-Hoover
The movie JFK includes a clip from old film (movie time 0:03) where Edgar
Hoover takes off his eyeglasses, while standing next to JFK. Whenever, a movie
character does the same thing, such character is a candidate for Edgar Hoover,
depending on the context. A Shot In The Dark also uses this symbol.
Lens-as-explosion
In the movie JFK, you can see both lenses of Jim's eyeglasses reflecting light at
the appropriate moments. The movie uses this double reflection to refer to two
explosions made by Jackie's cartridge, one by the gunpowder inside the case and
one by booster explosive inside her bullet. Sometimes, All-Seeing-Eye appears in
one lens in order to make a Eye-as-theFed.
Cigarette-as-dart
The movies and the song Killer Queen use a long cigarette to illustrate Jackie's
dart. The movies also use other objects like an extended human arm, a toothpick, a
long finger with pointed nail, etc.
Martini-as-JackiesShots
The movie JFK uses martini drink from the catchphrase Shaken, not stirred used
by Bond movies. This is explained in the section Goldfinger (1964) with Shaken,
not stirred. The martini could refer to Jackie's bullet shot alone or together with her
dart shot, especially when green olives are shown. The green olives could stand
for the olive-shaped fruits of plants used to make curare.
TurkeyShoot-as-JackiesBullet
The movie JFK makes frequent references to so called turkey shoot which stands
for Jackie's bullet shot. Her bullet broke into fragments like a shotgun birdshot
shell used for shooting turkeys, hence turkey shoot. In several scenes, the movie
shows a flock of birds taking off, in order to represent Jackie's turkey shoot. The
birds appear to be pigeons. One scene uses a "squab" in order to make a reference
to a dead pigeon. The idea to use a dead bird came from the derivation of the word
curare which is a corruption of two Tupi Indian terms meaning "bird" and "to
kill". The irregular stones on top of JFK gravesite are meant to represent fragments
of Jackie's bullet, i.e. her turkey shoot.
Orange-as-WhitePhosphorus
The Godfather uses an orange or orange color to illustrate White Phosphorus, or a

bullet with White Phosphorus. Apparently, this came from the color photos of the
original models of B-Patrone bullet where both the White Phosphorus and the
booster explosive (Sprengsatz) are shown in orange color. The actual colors of
White Phosphorus are explained in the section Colors of solid and burning White
Phosphorus. In the garden scene with his little grandson, Vito (Godfather) cuts
teeth in an orange peel, and then he places the peel inside his mouth with the
orange side facing his teeth and the white side facing out. This would imply the
intent to use orange color to refer to the booster explosive. Since the target is
White Phosphorus, I use it for the symbol name.
2Fingers-as-Hill
In the movie JFK, the characters playing Clint Hill show two extended fingers
while hiding the other fingers in order to illustrate his two bullets fired at JFK. The
movie uses this symbol to indicate that all bullets have been fired in a given
shooting sequence, or to identify the role as Clint Hill.
ClassRing-as-Lansdale
The movie JFK uses a class ring on left ring finger to identify the role as Edward
Lansdale. The original photo of three tramps/hoboes walking next to Lansdale
shows him wearing the class ring on his left middle finger. However, the recreated
scene shows the character Mr. X (Lansdale) wearing the class ring on his left ring
finger which is used as a reference for this symbol.
Finger-as-Dulles
The movie JFK uses extended index finger touching lips to illustrate a pipe
smoked by Allen Dulles. This means that a given character plays Dulles. However,
keep in mind that both JFK and The Godfather frequently use Dulles as a proxy
for John J. McCloy, meaning that this symbol could actually refer to McCloy and
not Dulles. Dulles was just an ape following a pipe pulled by the hook noses from
New York City and City of London. Always keep in mind how the cockroaches
operate. The cockroaches would not scream so much about Dulles in their kook
books, if Dulles was in charge of anything. How many people heard about John J.
McCloy?
Coffee-as-gore
The movie JFK uses coffee to refer to the coffee-colored bloody gore around JFK's
right temple, as seen in Zapruder film after Jackie's bullet shot. In addition to
coffee, the movie also uses cream. Whenever the script uses the expression "You
are cream in my coffee, the cream refers to Blob-on-JFK. The movie uses the
word coffee, or shows a cup of coffee, shows coffee-colored objects, etc. Probably,
the idea came from the Nescafe instant coffee commercial run by CBS News
immediately after Walter Cronkite had announced JFK assassination on CBS News
Bulletin (youtube link). The movie includes several clips from this CBS News
Bulletin but it does not include the commercial itself. The commercial also shows a
swinging pendulum that looks like the swinging "blob" on JFK's head. It does not
take much to associate a swinging round object and instant coffee, to a swinging
thick cloud of smoke and coffee-colored gore made instantly.
Elbow-as-Jackie
The movie JFK shows an arm bent at elbow or a leg bent at knee to illustrate
Jackie's right arm during her turkey shoot. Many sections include pictures cropped
from Zapruder frame 312 showing Jackie's bent elbow. One movie character says
"I knew something was crooked as a dog's hind leg". The crooked leg is a code for
Jackie's arm bent at elbow, like a dog's hind leg.
Nick-as-secrecy
The movie JFK makes references to so called St. Nick's gesture, also called Santa
Clause gesture. One scene even shows a red nose of Santa Clause. This gesture
represents secrecy. Reportedly, the gesture was popular among British "gentlemen"
like George B. Dealey on the Dealey Statue. The gesture was popularized by the
film The Sting as a nose swipe (youtube link). In the movie, any finger close to a
nose is automatically suspect of St. Nick's gesture.
14. Decoding Pink Panther movies

Parasitic Ethnic Group exploits JFK assassination on many fronts. Gucci line of
Jackie O handbags is the biggest JFK exploitation in the fashion business.
However, entertainment business offers so many JFK exploitations that it is hard to
decide which one is the biggest. Since two chapters are already devoted to drama
movies, let's devote one chapter to the funniest exploitation, the famous Pink
Panther comedy series.
Hollywood bosses have been having so much fun watching JFK assassination
investigators chasing JFK killers, that they have decided to share their fun. They
have made us watch the incompetent Chief Inspector (formerly Inspector) Jacques
Clouseau chasing the Pink Panther in 10 sequels. Notice Clouseaus first name,
Jacques. Try to pronounce Jacques in English. Is it Jackies name?
In addition to 10 sequels of Pink Panther, Hollywood produced two series of

cartoons. The first one is The Inspector made of 34 animated shorts produced from
1965 to 1969 (kiki link). This series is starred by two characters, The Inspector
himself and his Spanish assistant Deux-Deux. The Inspector keeps reminding
Deux-Deux to use the French "Oui" instead of Spanish "Si". This is because Deux-
Deux plays Chief Justice Earl Warren. Since the US Supreme Court is the highest
court, it is frequently referred to as Sopranos because Soprano is the highest vocal
range. Soprano C is the highest among Sopranos. Since Chief Justice is equivalent
to C ("Si"), Deux-Deux keeps repeating "Si". Since he really is Warren Earl
(initials WE), The Inspector keeps reminding him to use "We". When it comes to
say seasick, Deux-Deux says correctly We-sick meaning Earl Warren is sick.
The second one is The Pink Panther Show series produced from 1969 to 1980
(kiki link). For this chapter, I selected several episodes that are referenced in the
movie JFK or are needed to interpret the movie A Shot In The Dark, the flagship
for the fleet of Pink Panther movies. Since all Pink Panther pieces come directly
from Hollywood bosses, lets take a closer look at them. Some of their scripts
provide clues about JFK assassination because Hollywood bosses have the inside
information.
Notice that all Pink Panther movies and cartoons take place in Paris. This is
because during the 1950s, Paris provided the training grounds for Jackie. Jackie
started her career as a CIA assassin in Paris. Once CIA, always CIA. She was
married to CIA for life. JFK paid for it with his life.
The Pink Panther (1964)
According to Kikipedia, the original The Pink Panther movie was released on
January 9 of 1964 in UK and on March 20 of 1964 in US, as early as 7 weeks after
JFK assassination. Hollywood bosses, who are part of Parasitic Ethnic Group,
immediately decided to exploit the idea of Jackie leaping like a pink panther after
killing her prey. It's not clear whether they adapted the movie during the final
weeks before release but it is clear they made an extra effort to make the movie a
box office success. Sheep have followed the Pink Panther movies like sheep have
followed the Gucci Jackie O handbags.
A Shot In The Dark (1964) - Introduction

According to Kikipedia, the first sequel titled A Shot In The Dark was released on
June 23 of 1964, during the treasonous cover-up by Warren Commission. It is not
clear how reliable this release date of June 23 is. The movie could be released later
in 1964. This sequel includes the most references to JFK assassination out of all
Pink Panther series. Many of its ideas were copied by Killer Queen, The
Godfather, the movie JFK, and others.
The main plot of this sequel is about the murder of a chauffeur Miguel having an
affair with maid named Maria. The chauffeur is a reference to JFK (driving the
symbolic car USA as the President) and the maid is a reference to Jackie. Although
all the evidence points to the maid as the killer, Clouseau stubbornly refuses to
admit that she is guilty. However, there is a twist to his stubbornness. Clouseau
believes somebody else is behind Maria. He wants to arrest Benjamin Ballon, a
Paris plutocrat which is a code word for the Fed.
Benjamin Ballon plays mainly John J. McCloy and Earl Warren. However, he
plays a few other roles. Also, other characters play McCloy and Warren. The name
Ballon comes from cue ball and balloon. In the movie, cue ball is used to refer to a
white mark and US Congress. Balloon is a tool used by Clouseau during his
undercover operation. He is arrested for having no license to sell balloons. A
balloon is another reference to a white mark. Benjamin is a reference to Benjamin
Franklin whose mugshot appears on $100 Federal Reserve notes.
Both Maria and Ballon's wife Dominique play Jackie, each in a different context.
Maria plays the useful idiot side. Dominique plays the evil side, an invisible hand
controlling Jackie. Dominique also plays other roles like the US Congress. Notice
that the maid's name Maria is similar to the name Marie Antoinette used by Killer
Queen. If you consider that this movie also uses a guillotine cigar cutter then most
probably this movie was a big inspiration for Killer Queen. The movie JFK uses
the name Mary during the agony party with Marie Antoinette. The names Maria,
Mary, or Marie, all refer to Jackie.
Commissioner Dreyfus plays Curtis LeMay, Earl Warren, LBJ, and few other
roles. His assistant Francois plays Thomas Power, Edgar Hoover, and a few other
roles. The gardener Georges DuVal plays mainly M5E. The head butler Henri
LaFarge plays John Connally and then M8E when he is found dead in a closet.
The maid Dudu is never shown alive. She appears only as dead, playing Jackie's
bullet or rather the fragments from her bullet (PWM and PBF projectiles), lying
dead somewhere around the Grassy Knoll. Dudu stands for Deux-Deux where deux
means two in French. Deux is repeated twice in order to simulate two explosions
twice, semantically by the meaning of deux and syntactically by repeating twice.
This is similar to Dum-Dum or Boom-Boom.
In this movie, so called Ballon household has two meanings. Firstly, it means the
network of criminals supporting the Fed like US Congress, White House, US
Supreme Court, Pentagon, etc. Secondly, it means the occupants of JFK limo
where Ballon is the evil behind JFK assassination, Dominique is Jackie, Henri
LaFarge and later Maurice are John Connally, Madame LaFarge is Nellie
Connally, Simone is Roy Kellerman, and Pierre is William Greer.
A Shot In The Dark is extremely important because of its extensive references to

the white marks in Zapruder frames, specific counts, unique frames, specific
counts of erased white marks, etc. The white marks are the most important
evidence of JFK assassination. Since the movie was released within one year after
JFK assassination, this information is extremely valuable. That is why I used the
Zapruder frames published in Warren Report in 1964 to confirm the digital data as
it exists today in publicly available copies of Zapruder film. All these
confirmations are extremely valuable to shut up all the frauds screaming that
Zapruder frames have been altered beyond scientific use. All those frauds like
Fetzer are well organized by an invisible network run probably by some factions
within CIA brainwashing and confusing the public in order to cover up JFK
assassination.
The movie uses many secret codes for the white marks. Some of the codes are:
Indians, children, buttons, fingerprints, flowers, cracks, cops, dead bodies, judogi
(judo dress), nudist colony, lewd and suggestive remarks, indecent exposure, Camp
Sunshine, meuths (moths, mouths), ducks, white cue balls, geese, mice, grazed the
billiard table, etc.
Some of the secret codes for the two erased white marks are: Georges (M5E).
Henri (M8E), big stomach (M5E), goose pimples, kissed children, this thing,
mouse, Department of Records, Martinique, guillotine, etc.
Some of the secret codes for Zapruder frames are: recreation area, case, hallway,
room, greenhouse, billiard table, house, closet, etc.
NOTE: A major topic of this movie are the eight white marks M1E to M8E. This
means that you have to know the basics about these concepts. You do not need to
dig through the technical details. The basics are sufficient for this movie. The
analytical chapter has plenty of introductions with pictures. The chapter
Symbolism in three major movies provides the instructions how to use this chapter.
A Shot In The Dark - Assassination (0:00)

This section covers the beginning of the movie, that includes the opening scene
illustrating JFK assassination and the opening sequence with cartoon characters.
Picture 1 shows the palatial residence of Benjamin Ballon. I added two yellow
arrows to point to turrets on both sides. This means the building plays the role of
Old Red Courthouse (Turret-as-OldRedCourthouse). However, this building also
plays the roles of White House, US Supreme Court, US Capitol, Pentagon, and the
Federal Reserve, all combined into one symbolic palatial residence. In other words,
the Fed controls them all. In picture 1, the square portico with columns looks like
the one on the White House.
Picture 2 shows two statues looking like reindeers with big antlers. Apparently,
they are the Generals in US Air Force One like LeMay and Lansdale. The antlers
stand for their flying wings. The movie JFK borrows this concept for reindeers in
the scene about "You're cream in my coffee".
Picture 3 shows a greenhouse with triangular gable, next to the palatial residence.
This is a reference to the pyramid on $1 Federal Reserve Note (Triangle-as-
theFed) and the green color of all Federal Reserve notes. The dark silhouette is
Benjamin Ballon himself. He plays the Boss of JFK assassination, John J. McCloy.
Picture 4 shows Ballon in front of a square tunnel, Square-as-SupremeCourt. The

yellow arrows point to the candelabras on both sides of the front stairway to US
Supreme Court building. This means Ballon also plays Warren.
Picture 5 shows a greenhouse with round gable that looks very similar to the half-
round top of the windows facing the Rose Garden of White House, as seen in
picture 6. This is another clue about Ballon residence playing the role of White
House (Window-as-WhiteHouse).
Picture 1 (second set of six pictures) shows the round top windows of Ballon
residence. Compare them to the front wall of Old Red Courthouse in picture 2.
This is another clue about Ballon residence playing the role of Old Red
Courthouse.
Picture 3 shows a spiral staircase. This is a Stairs-as-SupremeCourt. Yet another

reference to US Supreme Court which has a spiral staircase inside.
Picture 4 shows the head butler Henri LaFarge with a bottle of champagne playing
the role of Magic Bullet from Warren Report. The head butler plays John Connally
and his wife Madame LaFarge plays Nellie Connally. This means Johnny is about
to start having a good time with Magic Bullet as soon as Jackie fires her turkey
shoot.
Picture 5 shows Benjamin Ballon with a bottle of champagne playing the role of
Jackie's ammunition cartridge. Ballon holds also two glasses playing the role of
two explosions made by her cartridge. Ballon himself plays John McCloy and Earl
Warren personally delivering the cartridge to Jackie. In this context, Ballon also
plays the invisible hand behind Clint Hill.
Picture 6 shows Maria arguing with the chauffeur Miguel. This illustrates JFK
motorcade in Dallas, where Jackie and JFK were not on good terms after her trip to
Greece in October.
Picture 1 (third set of six pictures) shows Ballon's wife Dominique in white robe
playing the role of White Phosphorus in Jackie's bullet. She plays another Jackie
delivering the white cargo.
Picture 2 shows one of four flashes when four gunshots are heard. Two gunshots
and their two flashes correspond to Jackie's shot that made two explosions within a
fraction of one millisecond, one inside the case and one inside the bullet. The other
two gunshots and their two flashes correspond to Clint Hill's shots in the tunnel
under the triple overpass.
The following pictures correspond to the opening sequence run immediately after
the opening scene illustrating JFK assassination.
Picture 3 shows a three-headed cartoon character, 3Amigos-as-3Bullets. The heads

correspond to three bullets fired by Jackie and Clint Hill. The word PRESENTS in
white letters stands for White Phosphorus meaning the left head (Wight) is Jackie's
bullet shot. The middle head (Wong) stands for Clint Hill's second bullet that
missed JFK. Both the bomb with fuse above the right head (Weft) and the head
itself play the role of Clint Hill's first bullet that killed JFK.
Picture 4 shows the left head (Wight) alone turning on the first switch (out of two
switches) on the red panel. At this point two white triangles appear, each stands for
one explosion made by Jackie's cartridge. The white light around STARRING
corresponds to the white "blob" on JFK's head. The yellow flame corresponds to
the yellow flames from burning White Phosphorus. Later, the right head (Weft)
turns the second switch corresponding to Clint Hill's first bullet.
Picture 5 shows four pairs of legs dancing. The pairs correspond to four white
marks in Zapruder frame 313, the first frame showing the results of Jackie's turkey
shoot. The round structure on the right corresponds to one of the turrets on Old
Red Courthouse (Turret-as-OldRedCourthouse), alternatively to JFK's head.
Picture 6 shows two men inside a car being stretched in front of your eyes. The
men and the car correspond to three white marks in Zapruder frame 314. The
stretching refers to erasing M5E and messing up the next white mark M6E
"stretching" into a relatively large area.
Picture 1 (fourth set of three pictures) shows one white sheet of paper playing the
role one single white mark M8E in Zapruder frame 315, later erased.
Picture 2 shows a "Wanted Dead or Alive" sign illustrating the process of erasing
two white marks M5E and M8E.
Picture 3 shows two sets of white labels, four on bottom, and two on top. They
illustrate two frames 313 and 314, still showing four and two white marks
respectively.
A Shot In The Dark - Bump after perfume (0:08)
This section explains a few initial scenes, especially the bedroom scene (youtube
video). In this scene, Maria describes how Miguel was killed. The facts match JFK
assassination. Also, Clouseau illustrates on himself how JFK was assassinated. He
sets himself on fire and then he is pushed out by the door.
Pictures 1 to 3 show the Commissioner Dreyfus in his office. In picture 1, he is on

the phone and he says "Yes, my darling. I'm on my way. I've got the cheese and the
Beaujolais. My love, kiss the children for me". The phone conversation is a
classical PhoneCall-as-Jackie&LBJ. All three major movies decoded for this
document have at least one. Here, Dreyfus plays LBJ talking to his darling Jackie.
The cheese is a code for White Phosphorus which burns yellow and it is also has
yellow color in semipure solid form. The Beaujolais is a red wine. In picture 1, I
added two yellow arrows. One arrow points to the red label on top making it an
Orange-as-WhitePhosphorus. The red label could also stand for the booster
explosive, frequently shown in red color next to White Phosphorus stored in the
nose of B-Patrone bullet. The other yellow arrow points to so called cheese.
Picture 2 shows the Commissioner Dreyfus removing his hat from the hat rack.
The movie JFK also shows a similar hat rack in Ferrie's apartment playing the role
of White House. Apparently, the hat rack is a reference to the cowboy hats worn by
LBJ, each hook refers to his finger sticking out in Finger-as-LBJ.
Picture 3 shows Dreyfus's assistant Francois making an Eyeglasses-as-Hoover.

This means LBJ is talking to Edgar Hoover at this moment.
Picture 4 shows Inspector Clouseau falling into a water fountain. This is a Water-
from-Washington. Here, the fountain refers to both the fountain in front of White
House (North lawn) and one of two fountains in front of US Supreme Court. This
means that Earl Warren is around the corner because his precious fountain is
nearby. In the movie JFK, Jim is dumping paranoid garbage into this fountain.
Picture 5 shows the head butler Henri LaFarge. He plays Johnny Connally, or
rather his radius bone (Forearm-as-Connally) because he acts so stiff. Notice the
white shirt and big white bow tie on him. This is because he later plays the erased
white mark M8E. At that time he will be even stiffer inside a closet. The other
butler Maurice will take over the role of Connally.
Picture 6 shows the head butler holding Clouseau's wet hat in his right hand. This
corresponds to Zapruder film showing Connally holding his cowboy hat in his
right hand, the hand "hurt" by Magic Bullet fired from Warren Report.
Picture 1 (second set of six pictures) shows the head butler still holding Clouseau's
wet hat in his right hand, but with a "limp wrist". That is why in the movie JFK,
Willie calls Connally limp-wristed.
Picture 2 shows Benjamin Ballon next to a Stairs-as-SupremeCourt. This means

he plays Warren at this moment. His wife Dominique appears as Jackie and US
Congress. The movie has two Jackies and two Clint Hill's. Maria plays the cute
side and Dominique plays the evil side of Jackie.
Pictures 3 to 5 show two roles of so called Clouseau pistol pen. This pen is
important because the movie JFK also uses it. The first role of Clouseau pistol pen
is to illustrate the illegitimate medications taken by JFK in the morning on his
assassination day. This will become clearer later. The second role is to illustrate
Arlen Specter's pointer used to fabricate evidence for Warren Report.
Picture 3 shows Clouseau raising a ".25 caliber Beretta automatic pistol" with his
writing pen. The importance of the caliber is explained later. Here, the movie
wants to illustrate the small diameter of Jackie's bullet by showing a small pocket
gun looking like a toy. Another goal is to associate the pen with killing. Later,
Clouseau will suck some ink out of this pen to allude to the delivery method of this
type of killing.
Clouseau says to Maurice "You watch your tongue". Apparently, Connally was
known to have a sharp tongue. But here, the tongue is probably a proxy for his
nipple in Warren Report because both look the same on Connally.
Clouseau says "Did you [Maria] have the gun in your hand? Was it still
smoking?". This is a reference to Jackie holding her handbag and White
Phosphorus smoking inside JFK's head (Blob-on-JFK). The famous "blob" on
JFK's head is basically a thick smoke from burning White Phosphorus. Maria
replies "But I don't know how it got there" which is a reference to Jackie's
Congressional testimony in Warren Report where she was giving similar cute
responses.
Picture 4 shows Hercule using his writing pen to handle the same gun. This means
his pen now has the same meaning. In the movie JFK, the character Jim wears two
such pens in his breast pocket to indicate that one belongs to him and the other pen
belongs to another character Lou, equivalent to Hercule.
Picture 5 shows Clouseau using his pen to point at Maurice. At this point, the pen
is Arlen Specter's pointer. Picture 6 has been cropped from an old photo showing
Arlen Specter using his pointer to point to a man acting as Connally during one of
his idiotic presentations. The yellow arrow points to the hook nose on Arlen
Specter because you could confuse him with a cockroach. In picture 5, Clouseau
shakes his pen and some ink actually falls on the white shirt. Then Clouseau just
smears the stains on the shirt. This is a reference to Connally's white shirt stained
by some mysterious blood. Imagine that this shirt is now kept in Texas State
Library and Archives in Austin, TX. This is equivalent to a piece of innocent curb
cut out in 1964, and now kept in the U.S. National Archives.
Picture 1 (third set of six pictures) shows Clouseau getting a white cream on his
nose. This corresponds to White Phosphorus located in the nose of B-Patrone
bullet. Clouseau says "There is much here that does not meet the eye" meaning that
there is some white stuff (White Phosphorus) on his nose (the nose of Jackie's
bullet) that does not meet eye, and also Eye-as-theFed.
Pictures 3 and 4 should be interpreted together. This is a continuation of the

mockery of Connally's cowboy hat, Hat-as-Connally. In picture 3, Maurice is
leaving while still holding Clouseau's hat. When the head butler Henri was leaving
the same room, he handed the hat to Clouseau, and then Clouseau handed it to
Maurice. When Maurice is leaving, he hands the hat back to Clouseau. In both
cases, the movie does not show Clouseau's left hand receiving the hat from Henri
and Maurice. His hat mysteriously reappears in his left hand. In picture 4,
Clouseau is clearly upset that nobody wants to hold his hat for him.
Clouseau says to Maurice "But do not try to leave. Everyone in this household is
under suspicion". Later, Connally had left this world before Americans got smarter
about him and his con wife Connie.
Maria says "He was having difficulty with the buttons ... buttons on my dress".
Clouseau follows "That is very strange, because there are no buttons on this
dress". Maria explains "That is because he was having difficulty with them. The
buttons are probably all over the room. He was so impetuous. A passionate
Spaniard, you know". The dress is Jackie's pink suit. The buttons is a code for the
white marks. Metaphorically speaking, the white marks (buttons) should have
stayed on Jackie's pink suit (dress). Instead, the white marks were painted in
Zapruder frame (room) by a spinning (impetuous) PWM projectile that escaped
from shaking JFK's head (passionate Spaniard).
Maria says "Suddenly someone opened the door. Miguel leapt up and... That is the
last I remember until Maurice came in and found me with the gun", she refers to
JFK making Hand-to-throat gesture after Jackie's dart shot. Jackie had to remove a
protective cap from the dart (opened the door). Also the dart needle entered JFK's
left thigh (opened the door). In this context, Maurice is Connally.
Picture 5 shows Clouseau putting his pistol pen into his mouth and tasting some
ink from it. This corresponds to the illegitimate medications that JFK took in the
morning on his assassination day. Jackie gave him the medications to speed up the
responsiveness/effectiveness of curare-based chemical agent. Pistol pen is used
because the illegitimate medications were like a pistol killing JFK.
Picture 6 shows Clouseau checking so called bump on Maria's head after she says
"I have a bump". Maria points to her bump on the right side of her forehead. This is
the side of Jackie where JFKs head bounced back towards her, meaning the bump
refers to JFK's head bouncing back and hitting Jackie on her head, after her turkey
shoot. This bump gave birth to the song Under Pressure (1981), recorded jointly
by Queen and David Bowie, because head bumps are created by too much
pressure. The movie JFK uses this bump when one of its characters says "I offered
you love, and all I got was ... kicked".
Clouseau says with French accent "A beump?". This beump is not a joke but a
cryptographic key transforming phonetic 'a' in bump to 'e' in beump. This means
that when Clouseau says meuth instead of moth, he really means mouth. Later a
Russian Cossack dancer makes a big mouth when dying from poison while dressed
in the colors of White Phosphorus. The rest is explained later.
Clouseau says "That is beautiful perfume you are wearing". This is a Perfume-as-
WhitePhosphorus. The perfume is a code for the garlic-like odor of burning White
Phosphorus. Maria responds "It's bath oil", meaning the perfume was for the blood
bath that JFK had to go through after Jackie's turkey shoot. That is why Maria says
"You have cream on your nose". The concept of perfume is borrowed by Killer
Queen.
Clouseau says my stupid driver parked too close to the fountain. This is a
Water-from-Washington about the fountain in front of White House (North lawn).
This refers to the motorcycle cops behind JFK who later said that JFKs brain and
blood splattered on their faces. When Clouseau follows with It's all part of life's
rich pageant...We police put up with a lot of things in the course of our duties, he
refers to JFK being rich and famous (pageant) and splattered all over police
motorcycle cops on duty.
Picture 1 (fourth set of six pictures) shows Pierre (driver) snooping behind the
door. His face looks similar to Clint Hill's and probably this is a reference to Clint
Hill on the trunk of JFK limo behind Jackie.
Picture 2 shows Clouseau putting a long cigarette into his mouth. This corresponds
to Jackie's dart hitting him to his left thigh, Cigarette-as-dart. This is step #0 of a
new shooting sequence. Clouseau says "Why don't we have a smoke? Helps to
calm the nerves". Jackie's curare acted by paralyzing (calming the nerves).
Picture 3 shows Clouseau setting himself on fire with his cigarette lighter. This
corresponds to Jackie's bullet penetrating his head. Clouseau says "Lovely
perfume".
Picture 4 shows heavy smoke around Clouseau's head (perfume). This illustrates
the white smoke around JFK's head after Jackie's turkey shoot, especially the
"blob" made of the thickest smoke, White-as-WhitePhosphorus. Clouseau says
"Goodness, it's stuffy in here". This is a Blob-on-JFK because the "blob" was
made of thick stuffy smoke.
Picture 5 shows Clouseau fighting the fire in his coat. This corresponds to
Zapruder frames showing his head exploding. This is step #1 of the current
shooting sequence.
Picture 6 shows Dreyfus opening the door and pushing Clouseau out the window.
This corresponds to Clint Hill's bullet that killed JFK. This is step #2 of the current
shooting sequence.
Dreyfus says to Clouseau "You may go home. You are relieved. I am taking
charge. Good night". This corresponds to LBJ taking over the Presidency. At this
point you can hear frogs croaking in the water fountain (Water-from-Washington)
meaning Warren (a croaking frog) is helping Clouseau (JFK) to go home. At this
point Clouseau's assistant Hercule seems to play JFK's Chief of Staff Kenneth
O'Donnell. Their faces even look similar.
Dreyfus says to Ballon "Ballon name will not suffer the sensationalism of the
press" meaning at this moment Ballon plays McCloy, and the role of the Federal
Reserve will not appear in any of the books crapped by "JFK assassination
research" industry (sensationalism).
A Shot In The Dark - Tobacco companies (0:21)
This section covers some of the most important lines in the movie. Here, Clouseau
and Hercule show the points BE and BX. Clouseau points his finger at so called
motif which is a distinctive feature like the entry point BE of Jackie's bullet fired to
JFK's head. Clouseau says "The bullets were fired at close range from a .25 caliber
Beretta automatic". This reference to specific caliber has to be taken seriously.
Maria describes how Jackie killed JFK. She also says "Why do so many men smoke
afterwards? No wonder tobacco companies get rich!". The expression tobacco
companies refers to the Federal Reserve banks getting rich by peddling their
Federal Reserve notes (tobacco) after smoking JFK's head at 5000 F.
Picture 1 shows Clouseau in white judogi (judo dress), fighting his servant Kato.
This illustrates the attempts to erase one white mark in Zapruder frames.
Apparently, Clouseau is one of the six white marks that manage to survive. The
movie JFK calls them a "wise bunch of birds".
Pictures 2 to 6 refer to the scene in Clouseau's office where he makes a

presentation to Hercule. Clouseau repeats the word Facts many times for a reason.
This is a reference to the full-page "Black-bordered ad" in Dallas Morning News
on JFK assassination day. The ad looked like a JFK obituary before JFK death. It
was signed by The American Fact-Finding Committee. In other words, Clouseau
repeating Facts is a mockery of this ad.
Picture 2 shows Clouseau trying to snap the fingers of his right hand in order to
illustrate Jackie's turkey shoot from her right hand. The sound made by finger
snapping illustrates the suppressed sound of Jackie's bullet shot. However, this
time Clouseau is talking about the Facts from "Black-bordered ad", and he has real
tough time with his finger snapping. That is why he says "nothing more than a
guessing game". The song Killer Queen borrowed the finger snapping for the
initial five finger snaps before the first verse starts, and then the last 6th finger snap
when "she keeps" is played. This means that Killer Queen keeps her handbag with
firearm "Moet et Chandon" in her hand like a sixth finger, another version of
Jackie's turkey shoot.
Picture 3 shows Clouseau pointing his stick. This is a reference to Arlen Specter
playing with his pointing stick during his Magic Bullet theories.
Picture 4 shows Clouseau breaking his pointing stick. I added one yellow arrow
pointing to one half of the broken stick, between him and his Hercule, barely
visible on the level of Clouseau's eyes. This corresponds to John Connally
fracturing his radius bone (Forearm-as-Connally). The Godfather has a scene
where Santino fractures Connally's radius bone on Carlo who is running away
towards his Stetson hat. Here, the broken stick has also another meaning. It
bounces off the floor and then flies high. This is a reference to Harper fragment, a
fragment that supposedly broke off JFK's skull between Zapruder frames 312 and
313, and then mysteriously flew back like a boomerang in the opposite direction
and seen in frames 313-339. Picture 5 has been cropped from Zapruder frame 313.
I added one yellow arrow to point to this Harper fragment. This document has a
section devoted to this topic.
Picture 6 shows Clouseau's assistant Hercule showing his left jaw and Clouseau
showing his right ear. They are showing BE and BX respectively, indicated by red
dots in the picture. At this point, Clouseau says "You are forgetting the most
important Fact, motif". He does not say motive but motif. Clouseau also points his
finger at the motif. The word motif means a distinctive feature like the entry point
BE of Jackie's bullet to JFK's head.
Clouseau says "The bullets were fired at close range from a .25 caliber Beretta
automatic". This reference to specific caliber has to be taken seriously. Obviously,
this is a reference to the caliber of Jackie's bullet. Clint Hill used .38 Special. The
analytical chapter indicates that Jackie used a caliber up to 9mm. An average bullet
of caliber 25ACP is about half of an average bullet of caliber 9mm. A diameter
around 7mm close to 25ACP and below 9mm was the most likely used by Jackie.
It depends on the amount of White Phosphorus used.
Clouseau says "The murder weapon was registered in the name of the deceased
Miguel Ostoss and was kept, mark you, in the glove compartment of the Ballon
Rolls Royce". Jackie's handbag was her murder weapon. She owned it under the
name of Kennedy, the name of deceased JFK. The glove compartment means
Jackie's handbag. Jackie was wearing gloves when she held the murder weapon.
the Rolls Royce is a code for JFK limo.
Picture 1 (second set of six pictures) shows Clouseau stumbling over his own chair
in his own office because of the darkness. First, Clouseau covers the window with
dark curtain and turns off the light, turning the room into darkness. Apparently,
this gives him a great idea. During the final scene, he uses this idea to stumble the
Ballon household. The darkness is equivalent to secrecy used by CIA and the
Federal Reserve to keep them alive. Without the secrecy or the awareness of the
public, CIA and the Federal Reserve are as good as dead! Darkness is the opposite
of openness or lack of secrecy like the Camp Sunshine in another scene. In other
words, Clouseau's plan is to make JFK killers (the Federal Reserve) stumble over
their own secrecy. Here, the darkness has an additional meaning. It stands for non-
exposure time of Zapruder frames as explained below.
Picture 2 shows Dreyfus using a guillotine cigar cutter which eventually will cut
his thumb off. Probably, this guillotine inspired Killer Queen and the movie JFK
to use Marie Antoinette's head cut off by a guillotine. This is a reference to Curtis
LeMay, 4-Star US Air Force general who was known as "Big Cigar".
Picture 3 shows Dreyfus smoking a square cigar. This is a Square-as-

SupremeCourt meaning that Dreyfus plays both LeMay and Warren at this
moment. Dreyfus' eyes also start twitching. The twitching is probably for LeMay
while the other wide open eye is for McCloy (Eye-as-theFed). During the final
scene his eyes will twitch even more where it is explained. Dreyfus says "Certain
extremely influential parties were interested in having Clouseau back on the case".
This is Warren taking about following the orders given to him by the Federal
Reserve. The Warren monkey would be jumping on the trees without the backing
of the central banking hook noses who put him into the joint called US Supreme
Court.
Picture 4 shows Clouseau throwing up four white cigarettes from his cigarette case,
as soon as the curtain goes up and exposes the room to daylight. This is equivalent
to the shutter of Zapruder camera opening in order to record the frame 313, the
first frame showing the results of Jackie's turkey shoot. At that point four white
marks appear in this frame. That is why you can see four white cigarettes high in
the air, just above Clouseau's head. I believe each cigarette is visible enough so
that you can count all four of them. At this point, the scene starts illustrating the
remaining frames 314 and 315 by using the following sequences.
Picture 5 shows three people in the hallway outside Clouseau's office. At this point,
the hallway illustrates Zapruder frame 314 with three white marks, one for each
person. The red cone (triangle) illustrates the fact that this frame eventually will
lose one white mark by "killing" it (erasing), a version of Triangle-as-theFed.
Picture 6 shows one person in the same hallway outside Clouseau's office. At this
point, the hallway illustrates Zapruder frame 315 with one white mark. The red
cone is still hanging there to illustrate the fact that this frame eventually will lose
one white mark.
Picture 1 (third set of six pictures) shows two people in the hallway outside
Clouseau's office. At this point, the hallway illustrates Zapruder frame 314 with
two white marks, after one has been erased.
Picture 2 shows one person in the hallway outside Clouseau's office. At this point,
the hallway illustrates Zapruder frame 315 with one white mark still there just
before it is erased. Picture 3 shows the same spot in the same hallway and nobody
there meaning the white mark has been erased from Zapruder frame 315.
When talking to Clouseau in his office, Maria describes how Jackie killed JFK.
Maria says "I tripped over a root, and I grabbed Miguel to keep me from falling.
Somehow we both fell. I cried a little bit, but that wasn't because I was sorry it
happened. It was something he said. He lit a cigarette, took a long puff and... Why
do so many men smoke afterwards? No wonder tobacco companies get rich!". The
trip is a code for Jackie's dart. The root is a code for curare made of roots of the
plants used to make it. Jackie grabbed JFK's left arm after hitting him with her
dart. Later Jackie screamed (cried) "Oh my God! They've shot Jack!" when
jumping on the trunk. The puff refers to the smoke from White Phosphorus (white
cigarette) burning inside JFK's head. The expression tobacco companies refers to
the Federal Reserve banks getting rich by peddling their Federal Reserve notes
(tobacco).
Pictures 4 to 6 correspond to Clouseau talking to Hercule, while standing next to a

globe. Clouseau eventually catches his hand in the globe. Clouseau says "Given
enough time, I could have her eating out of my hand.... Look, I've got Africa all
over my hand". Picture 5 shows the actual Curtis LeMay placing his hand on the
globe like Clouseau does in picture 3, meaning Clouseau makes a mockery of
LeMay. The Africa refers to the Africans wearing white robes seen in the picture
hanging on the wall. Picture 6 has been cropped from an earlier scene. This means
that Africa stands for the white marks in Zapruder frames. Maria is supposed to eat
the white marks from the hand of Curtis LeMay because the white marks point to
LeMay's hand in JFK assassination. As far as Clouseau shaking hands with Charles
de Gaulle in picture 6, de Gaulle plays the role of LBJ awarding LeMay with a big
medal for assassinating JFK. Just google to find such pictures.
A Shot In The Dark - Presseclair Wedge (0:36)
This section covers the next set of consecutive scenes. The scenes make additional
illustrations of white marks, Ballon household, etc. The biggest topic is so called
Presseclair Wedge, a version of Triangle-as-theFed. It refers to the wedge-shaped

street corner at 108 Rue Caulaincourt, 75018 Paris, shown three times during this
movie. The name Presseclair refers to the business name of laundry (dry cleaners)
that still exists today but a few hundred feet away.
Picture 1 shows Maria leaving the prison through its front gate. The name on top
reads "Prison De La Petite Roquette". There was actually such prison in Paris until
it closed in 1974. The actual gate looks similar but the surroundings are different.
The movie makers selected this prison because of the fence around the front gate.
Notice the spear-shaped tops on the vertical bars. This is the same design used on
the fence next to the entrance to West Wing of White House, Spears-as-
WhiteHouse.
Picture 2 shows Allen Dulles walking in front of the entrance to West Wing. This
picture has been cropped from the movie JFK (movie time 0:02) which includes
clips from many old films needed to decode the movie. This means that so called
"prison" is the White House, Maria is Jackie who went there to meet LBJ.
Clouseau plays the role of Allen Dulles, the Director of CIA. Jackie was a CIA
assassin. Clouseau's balloons illustrate the white marks in Zapruder frames
meaning they are the works of CIA. Clouseau wears a white sweater (White-as-
WhitePhosphorus) and a black beret. The sweater fabric refers to Jackie's pink suit
made of thick wool fabric to make the surface area of bloodstains smaller, and to
provide protection against potential sparks from burning White Phosphorus. The
beret refers to Jackie's pillbox hat and the military nature of her mission. The
movie JFK also uses characters wearing berets to illustrate Jackies.
In French, "Prison De La Petite Roquette" means "Prison of small rocket". During

this movie, Maria leaves this "prison" twice, once for each erased white mark. This
means that "Petite Roquette" is a code for PWM painting the white marks and
apparently it ended up in this "prison". Each time Maria goes into the "prison" she
takes one white mark with her, meaning she puts it inside the "prison" and then she
goes free. A cop approaches Clouseau and asks "You have a license to sell these
balloons?" providing another clue about their importance.
Picture 3 shows the Police car taking Clouseau and his balloons away. This
happens on three different occasions, each time passing the same wedge-shaped
street corner. The corner looks like a corner of pyramid lying on its side. Compare
it to the wedge-shaped corner of Federal Reserve building in New York City, as
viewed from the corner of Maiden Ln and Nassau St, shown in picture 5. This is a
version of Triangle-as-theFed. Another interesting thing is the sign Presseclair
above the front door. Its address is 108 Rue Caulaincourt, 75018 Paris. This is the
name of laundry (dry cleaners) that still exists today but a few hundred feet away at
112 Rue Caulaincourt, 75018 Paris. Picture 4 shows its business sign above the
front door as it exists today. Today, there is a branch of HSBC Bank at 108 Rue
Caulaincourt. Picture 6 shows this corner as it exists today.
In other words, the movie provides important clues by showing the view in picture
3. Even though, such corners are relatively common in Paris, the movie shows the
same corner three times. The choice of a wedge-shaped corner is not a coincidence.
The movie JFK shows a similar street corner in Havana (movie time 0:02). The
choice of laundry is also not a coincidence. The Federal Reserve System launders
most of the drug money around the world. Onassis' so called "shipping business"
was all about trafficking illegal drugs. This is how Onassis got involved in JFK
assassination. Another significance of laundry is through the white color of the
most common laundry items like bed sheets. Yet another significance comes from
the French meaning of Presseclair (Presse clair) which means to press
clear/light/white. In other words, this is another clue about the white marks.
In his office, Clouseau gives another presentation to Hercule. Watch his right hand
showing the extended fingers when he counts from one to four. During the first
three, he counts backwards from Zapruder frame 315 (one) down to frame 313
(three). When he says "One" he shows one finger (one white mark). When he says
"Two" he shows three fingers (three white marks). When he says "Three" he shows
four fingers (four white marks).
When Clouseau says "And four. All the members of the Ballon household staff have
perfect alibis" he shows five fingers for five occupants of JFK limo outside JFK
himself. If you came up with other answers like Hercule did then Clouseau has the
following answer for you "You are an idiot! Only a fresh-faced novice would come
up with a conclusion like that". Then Clouseau says "I suspect everyone. I deal
with certainties". That is why the movie JFK came up with the idea to use the
novel Dinner at Antoine's (1947) by Frances Parkinson Keyes. The novel is a
murder mystery using the "least likely person" to be the murderer, based on the
principle that everybody must be suspected and not only those fed to you by "JFK
assassination research" industry.
Clouseau says "There can be no more cat and mouse" and then releases Maria
again. Then Dreyfus is shown in his office, wearing a white shirt without a jacket.
This means that Dreyfus is the mouse left by Maria (Jackie) in "prison". That is
why Dreyfus goes crazy!
Picture 1 (second set of six pictures) shows the gardener Georges trimming the
hedges and waiting for the best moment to call Ballon. Georges' trimming gave
birth to one line in the lyrics of very popular song Under Pressure by Queen and
David Bowie. The movie JFK also alludes to this song. I explain this line after I
explain the lines between Georges and Ballon.
Georges says "I saw you climbing down from Maria's room". Here, Maria's room
is a code for Zapruder frame 313, the first frame showing the results of Jackie
bullet shot. Georges treats Ballon as Jackie's bullet climbing from frame 313,
(down from Maria's room), higher (not lower) to frame 314, and then to frame 315.
Ballon says "You have sharp eyes" to which Georges replies "Yes, and a big
stomach. So hard to keep it filled. Prices these days". Georges plays the white
mark M5E in Zapruder frame 314, relatively big (big stomach) before it was
erased later by JFK killers. The Prices is a reference to Ballon's dealing with
financial matters. Ballon says "Are we going to discuss the national economy, or
will you come to the point?". This is another clue about Ballon playing McCloy.
The green hedges in picture 1 provide another clue about financial matters.
Georges says "The point is 100,000 francs. You know, for the groceries. Then
perhaps my eyes will grow small again". The eyes (big sharp eyes) is a reference to
the importance of M5E assuming a basic analysis of the white marks. Advanced
computer simulations can get around the loss of M5E. Ballon replies "Well, we'll
certainly have to do something about your stomach". This means that M5E will
disappear.
The relevant lines from Under Pressure are "Chippin' around. Kick my brains
round the floor. These are the days. It never rains but it pours". These lines are a
clear reference to picture 1. Firstly, the whole song is about JFK assassination. The
chippin' around refers to Georges' trimming the hedges. The brains round the floor
means JFK's brains on the bottom (floor) of Zapruder frames. The pouring refers to
the series of white marks painted (poured) in Zapruder frames after Jackie kicked
JFK's brains.
Picture 2 shows the huge shoes on Georges lying dead as M5E on the ground.
Compare his shoes to the shoes of Maria or Clouseau standing nearby. This is
another reference to the relative big size (stomach) of M5E. The Clouseau's lines
are also interesting. He says "Oh, you have been cutting flowers... There's blood on
your cutting shears". The flowers is a code for white marks. The shears is a
reference to the spears on the fence next to the entrance to West Wing of White
House (Spears-as-WhiteHouse) as covered in the previous set of pictures. Also,
notice that Georges is inside the greenhouse that has oval gable meaning White
House as covered in the first section for this movie. During the scene in Camp
Sunshine, Clouseau is wearing a guitar around his waist. The guitar's long neck is
equivalent to the long shoes in picture 2, meaning that Clouseau plays the same
M5E.
Picture 3 shows Clouseau when Maria is leaving the "prison" the second time. The
paintings leaning against the fence can be grouped into two sets. The set on right
has four paintings (four white marks in Zapruder frame 313). The set on left has
two paintings (two white marks in Zapruder frame 314). Left yellow arrow points
to one painting lying flat and still painted by Clouseau. Right yellow arrow points
to his flat box. This means that yellow arrows point to illustrations of two erased
white marks.
Picture 4 has two parts, cropped from two different frames. They show All-Seeing-
Eye in each lens of Clouseau's eyeglasses (Eye-as-theFed). This is borrowed by
the movie JFK in several scenes. The flash itself is a Lens-as-Explosion, also
borrowed by JFK. Maria leaving the "prison" second time means that she put the
white mark M8E into the "prison" (White House) and now she is leaving free
again.
Picture 5 shows the Police car with Clouseau next to the same street corner,
Presseclair Wedge.
Picture 6 shows Ballon's wife Dominique playing with a white cue ball in her
hands. The cue ball (called this thing) has several meanings. Firstly, it stands for a
white mark. In this context, the green surface of billiard table plays the role of
Zapruder frames with green (grass) background, and Dominique plays Jackie.
Secondly, the cue ball represents the control of money supply. In this context, the
green surface of billiard table plays the role of the playing field for the Fed, and
Dominique plays Jackie or US Congress as one of its ladies (so called
Congressmen).
Dominique says "Shall we settle this thing now or do you intend making me late
for the recital? We are up to or neck in dead bodies". The expression this thing
means a white mark, or Jackie's Congressional testimony (recital), The dead
bodies is another code for white marks in addition to the literal meaning about
people who knew or talked too much.
Ballon replies "If you're comparing the Ballon household with a Shakespearean
tragedy, I suggest that Macbeth would be more appropriate". Ballon describes the
Fed and Jackie (or US Congress) as two partners in crime, i.e. Macbeth and his
wife Lady Macbeth.
Picture 1 (third set of six pictures) shows Dominique leaving. She wants to keep
the cue ball but Ballon says "My cue ball", so she throws the cue ball back to him.
This white cue ball illustrates the white mark M5E because it left the billiard table
as the first one. Clouseau will make another white cue ball leave the table. The
white cue ball also illustrates the dome on top of US Capitol, Round-as-Capitol. In
other words, US Congress lets the Fed continue with its crimes and Jackie is
heading to her Congressional testimony for Warren Criminals.
Picture 2 shows Clouseau trying a bridge cue on a red cue ball. This illustrates
Zapruder frame 314 with two white marks (two white cue balls) still remaining,
and one white mark M5E (red cue ball) missing. The bridge cue on red cue ball
illustrates the fact that M5E was the first white mark in frame 314, making it a
bridge between frame 313 and 314. Clouseau fails to hit the red ball because it has
been already erased by Dominique when she took one white ball off the billiard
table. Her white cue ball turned itself into the red cue ball seen in picture 2.
Picture 3 shows Clouseau breaking one good old-fashioned plain cue meaning that
he will skip frame 313 unaffected and thus preserving all four white marks there.
Picture 4 shows Maria (Jackie) next to the door to billiard room, Maurice (John
Connally) behind Maria, Madame LaFarge (Nellie Connally) behind Maurice, and
Simone (Roy Kellerman) in the foreground. This illustrates the occupants of JFK
limo where the driver Greer (Pierre) is busy with the driving.
Picture 5 shows Ballon catching one white cue ball after Clouseau hits it with a
curved cue for "curved shots", Ballon's favorite. This means the second erased
white mark M8E is leaving Zapruder frame 315.
Clouseau cannot beat Ballon in his own game. Clouseau gives up and says directly
"You murdered Miguel...you killed him in a rit of fealous jage". Obviously, the
movie draws your attention to the letters R F J as the menu items to pick and
choose from. My pick would be FRJ meaning Federal Reserve Jews.
Picture 6 shows the piece torn by Clouseau's curved cue when he was trying to hit
one white cue ball on the same table with the red cue ball (M5E). This illustrates
the attempts to erase the white mark M6E in Zapruder frame 314 by grazing the
billiard table and leaving a dreadfully sorry mess behind.
Picture 1 (fourth set of six pictures) shows Clouseau illustrating the Magic Bullet
zigzagging around JFK and Connally. Clouseau says "Whoever invented that rack
should have his head examined...I suggest you have your architect investigated as
well". Arlen Specter is frequently called the Architect of Magic Bullet.
When Clouseau meets Hercule sent to follow Dominique, Hercule says "Madame
Ballon is in apartment 12, second floor". The number 12 refers to the highest
musical note (Soprano), meaning the Soprano of US Supreme Court called Earl
Warren. The idea came from Florence Foster Jenkins (18681944) who was an
American amateur operatic soprano, widely ridiculed for her lack of singing talent.
Youtube adds a taste of her competence in this video clip (youtube link). Picture 6
has been cropped from this video for a quick reference.
Clouseau says "If I'm not out within ten minutes, send reinforcements". The ten
minutes is double (reinforcements) of so called "five minutes" of Old Supreme
Court Chamber which had a clock set five minutes fast so that there could be no
excuses for tardiness. This "five minutes" is also used in the movie JFK.
Picture 2 shows Clouseau flying through the room like an eagle in spreadeagle
formation during so called recital. Clouseau barges in because he hears somebody
screaming inside. This is a reference to US Congress and its ladies conducting their
sessions. The singing fat lady is the Soprano Warren. Picture 3 zooms on the
Soprano and Madame Ballon. The Godfather uses a bandleader playing piano to
represent Warren, next to a round dining table with party girls who play the role of
US Congress.
Picture 4 shows Clouseau falling into water next to the building. The water
illustrates two water fountains in front of US Supreme Court, Water-from-
Washington.
Picture 5 shows Clouseau watching Ballon's house through binoculars. The large
tree trunk illustrates the NW turret (Turret-as-OldRedCourthouse) on Old Red
Courthouse where JFK killers had their command and observation post
(watchtower) during JFK assassination. They also used binoculars like Clouseau.
Picture 1 (fifth set of six pictures) shows a crow sitting on tree branch above
Clouseau. This crow has two meanings. Firstly, it makes a reference to the wyvern
on roof of Old Red Courthouse, next to the NW turret mentioned in picture 5 of the
previous set. The wyverns are described in the chapter for JFK movie. Secondly,
the crow and the green leaves around it make a reference to the crow on the logo of
Board Of Governors of the Federal Reserve System, shown in picture 2.
Picture 3 shows so called Game Warden smoking a pipe, Pipe-as-Dulles. He says

"Do you have a hunting license?" after Clouseau shoots down the crow. The Game
Warden is Allen Dulles smoking his pipe. All Directors of the CIA work only for
the Federal Reserve System, meaning their job is to make sure that nobody hunts
their precious Crow.
Pictures 4 and 5 show the Dead Crow hanging in the back of Police car, follow the
yellow arrows like the peels on bananas. Again next to Presseclair Wedge.
Picture 6 shows Dominique Ballon in white dress next to a white car as soon as the
gunshot is heard. This illustrates Jackie's turkey shoot with White Phosphorus.
A Shot In The Dark - Camp Sunshine (0:52)
This section covers the next set of consecutive scenes. The scenes make additional
illustrations of the white marks, the Federal Reserve and CIA, etc. The biggest
topic is so called Camp Sunshine which is a code for Zapruder frames with the
white marks guarded by CIA. The white marks are part of nudist colony hiding in
so called recreation area.
Picture 1 shows Dreyfus when he says "I just cut off my thumb". The thumb will
later appear in a white bandage playing the role of a white mark and LeMay's "Big
Cigar". Notice that one eye is twitching. The twitching refers to LeMay and it is
explained later. The wide open eye is an Eye-as-theFed.
Dreyfus says "He was shooting crows?". Here, crows refers to the type of Jackie's
bullet breaking into small fragments like a shotgun birdshot shell used for shooting
birds like turkeys. The movie JFK reuses it as a TurkeyShoot-as-JackiesBullet.
Francois says "He was disguised as a hunter in order to watch the Ballon house".
The hunter refers to Jackie as a panther (Pink Panther) which is a hunting animal.
The watching refers to the watchtower in NW turret of Old Red Courthouse
(Turret-as-OldRedCourthouse). The Ballon house refers to JFK limo.
Dreyfus says "Give me ten men like Clouseau, and I could destroy the world". This
is Curtis LeMay and his dementia talking about using nuclear weapons to attack a
bunch of fleas.
Dreyfus says "This case is so full of cracks, one more won't make any difference".
The case refers to a Zapruder frame, cracks refers to the white marks. The one
refers to Dreyfus's thumb about to be cut off and playing one more that won't make
any difference.
Picture 2 shows Clouseau entering so called Camp Sunshine nudist colony. This is
a code for Zapruder frames with the white marks (nudist colony) guarded by CIA,
meaning the camp is also a code for CIA. Since the frames also show JFK limo,
Camp Sunshine also includes its occupants like two conning Connallys. Since the
movie is a comedy, the secrecy of CIA is turned into the opposite, i.e. complete
openness like sunshine laws or nudist beach. That is why the final scene uses a
total darkness to represent the lack of CIA and its secrecy.
Before Clouseau enters Camp Sunshine he talks to Hercule. Notice that the camp is
lower than the place where he parks the car, affecting the meaning of up when
Hercule says "She took a taxi this far, then I followed her up the pathway to the
entrance to Camp Sunshine... I perceived Dudu the maid also enter". The taxi and
Dudu combined is a code for the projectiles PBF and PWM. The maid Dudu is
never shown alive (perceived). She appears only as dead, playing the role of PBF
and PWM projectiles lying dead somewhere around the Grassy Knoll. Dudu stands
for Deux-Deux where deux means two in French. Deux is repeated twice in order to
simulate two explosions twice, semantically by the meaning of deux and
syntactically by repeating twice. This means that Dudu took a taxi up across
Zapruder frames 313 and 315 and then she went back to Zapruder frames 313-315
by entering Camp Sunshine. The entrance is a code for the top edge of Zapruder
frame 315. That is why Clouseau repeats "Up the path, you say?" which refers to
Dudu during her first trip up.
Pictures 3 and 4 show the desk clerk smoking a pipe. This is a reference to the CIA
Director Allen Dulles smoking pipe virtually around the clock. Picture 6 shows
Dulles and his pipe on the cover of Time magazine in August of 1953. Allen
Dulles is often referenced in all three movies decoded for this document. However,
keep in mind that Dulles is mainly used as a proxy for John J. McCloy because
CIA and the Federal Reserve are the same thing.
When the "desk clerk" greets with "Good afternoon", Clouseau does not return the
greeting. This is a reference to the greeting incident between JFK and Allen Dulles,
already explained in the section explaining Godfather funeral scene in The
Godfather. When Clouseau asks "Have you anyone registered here by the name of
Maria Gambrelli?", he makes a reference to Jackie Bouvier, later Kennedy,
working for CIA. Officially, there are no records of her employed at CIA. Since
this is Camp Sunshine with no secrets, the "desk clerk" answers happily "Yes. She
checked in. 11:45". This is a reference to Jackie employed by CIA as an assassin in
general, and JFK assassin in particular. The 11:45 refers to JFK and Jackie arriving
at Love Field airport for Dallas motorcade about 11:45am. The assassination took
place at 12:30. The "desk clerk" says "My guess would be the recreation area".
The recreation area is a code for the path across Zapruder frames 313-315
showing the white marks (nudist colony). At this point, Maria plays the erased
white mark M8E while Clouseau plays M5E.
Picture 5 shows the "desk clerk" answering Clouseau question "Have you been
swimming?". The clerk replies with a big smile "Yes! How did you know?",
because this camp has no secrets. This means that Clouseau is not that dumb
because he knows that Allen Dulles is a wetboy, a hired killer, top conspirator in
JFK assassination.
Picture 1 (second set of six pictures) shows so called "camp attendant" guarding
the entry to "recreation area". He says "You're not going to the recreation area
like that". Picture 2 zooms in on his face. His head with long facial hair, beard and
moustache, plays the role of JFK's head in Zapruder frames after Jackie's turkey
shoot. As you probably know JFK's face is clouded with dark gore (beard and
moustache) .
The "camp attendant" says "How do you do? I'm Turk". Apparently, his full name
is Turk Thrust. The thrust means a sudden or violent lunge like the one shown by
JFK's head in Zapruder frames 313-314 in both directions. The Turk refers to
Onassis who was a Turk. Jackie received the training for her turkey shoot when she
visited the Turk one month before JFK assassination.
Turk says "Not unless you take off your clothes". This means that recreation area
is for the white marks that do not wear clothes. All white marks had to go through
JFK's head first. The expressions "Lewd and suggestive remarks, "indecent
exposure", "nudist colony", all refer to the white marks.
Picture 3 shows Clouseau wearing a guitar borrowed from Turk. Guitar is a symbol
of popularity because those who play a guitar do so only to become popular. This
refers to JFK popularity. This gave birth to the song Ziggy Stardust (1972) by
David Bowie. For example, the lines "Ziggy played guitar... screwed down
hairdo". More in the section about David Bowie. However, the guitar has also two
other meanings. Firstly, the guitar's long neck is supposed to illustrate JFK's dick
and the guitar's main body is supposed to illustrate JFK's balls, in the context of
JFK's sexual escapades. Secondly, the guitar makes Clouseau wider in order to
illustrate the white mark M5E which was wide before it was erased. Recall the
gardener Georges who also played M5E. That is why Georges had a big stomach
(balls) and big shoes (dick) to match his big balls that got him killed when he stood
up to the hook noses from the Federal Reserve (Ballon).
Pictures 4 and 5 show the nudists illustrating the white marks in Zapruder frames
313, 314, and 315. Picture 4 shows four white marks in the first frame 313. Picture
5 shows three white marks from the frame 314, and one white mark M8E (nudist
hand on tree trunk) from Zapruder frame 315. In picture 5, the protruding slide
from trombone and pointing to the heavyset nudist (M5E), acts as a bridge
between frames 313 and 314. This is equivalent to the bridge cue in the scene with
billiard table. The music plays the role of MusicStage-as-GrassyKnoll.
Picture 6 shows Clouseau sliding down the hill slope playing the role of the Grassy
Knoll.
Pictures 1 and 2 (third set of six pictures) show two conning Connallys playing a
big beach ball (Magic Bullet from Warren Report). Picture 1 shows Nellie and
picture 2 shows Johnny.
Picture 2 shows Johnny and his shirt blooded. This is equivalent to the already
covered scene where Clouseau shakes his pen and some ink (blood) actually falls
on Connally's white shirt. Then Clouseau just smears the stains. Recall that
Connally's shirt is now kept in Texas State Library and Archives in Austin, TX.
Apparently, the "JFK assassination research" industry went into overdrive in
Texas.
Picture 4 shows Clouseau being slapped by a nudist. This is an illustration of JFK

slapped by Jackie with her bullet.
Picture 5 shows Commissioner Dreyfus barging in into the Camp Sunshine. Two
French uniform cops provide him cover like the saluting suckers in US military.
Notice the big white bandage around Dreyfus' thumb (white mark) showing him
the way forward. His white mark is "one more that won't make any difference".
Picture 6 shows Dreyfus with his big white thumb and the desk clerk with his pipe.
The big white thumb is a reference to "Big Cigar", LeMay's popular nickname, and
a white mark. Notice that Dreyfus slaps the "desk clerk". This slap is an extension
of the slap by the female nudist (Jackie) in picture 4, meaning that the slap leads
back to Allen Dulles, and therefore to John McCloy because Dulles minus pipe is
mainly treated as a proxy for McCloy.
Picture 1 (fourth set of six pictures) shows Clouseau sitting next to Dudu. The role
of Dudu is explained at the beginning of this section. Clouseau hears "Pssst..." that
plays the role of hissing sound made by flying PBF projectile (Dudu). Even
though, "Pssst..." is said by Maria, it is meant to come from Dudu. That is why
Clouseau says to Dudu "Beg your pardon". At this point, Clouseau is the white
mark M5E asking for a pardon (parole) in order to get out from Zapruder frame
314. The movie JFK uses the lines with pardon and parole in two scenes.
Picture 2 shows Maria's head on green background. At this point, she plays M8E,
also on green (grass) background before it was erased. During the final scene,
Dreyfus' head also shows up like that, meaning his head also plays M8E.
Picture 3 shows Dreyfus making big eyes when he says "If someone has been
murdered here, please let it be Clouseau". Here, Clouseau is M5E meaning
Dreyfus wants M5E erased (murdered). The movie JFK borrows his big eyes to
illustrate two erased white marks when the character of Earl Warren makes big
eyes in one scene, as shown in picture 6 for a quick reference.
Maria says "I'm getting cold. Just look at those goose pimples". The goose pimples
means both Maria and Clouseau, i.e. M5E and M8E. The movie JFK borrows the
goose when its character Ferrie says "We went goose hunting" where goose
hunting means erasing the white marks.
Picture 4 shows Dreyfus raising Dudu's head while keeping his white thumb next
to her head. This illustrates that fact that the white marks came from Dudu. The
projectile PWM (Dudu) painted all white marks.
Picture 5 shows Clouseau and Maria leaving Camp Sunshine as M5E and M8E,
i.e. erasing themselves from Zapruder frames. The bicyclist taking a big dive into
the pond illustrates the white mark M6E turned into a big mess after M5E was
clumsily erased next to it.
Picture 1 (fifth set of six pictures) show Henri LaFarge falling dead from his closet.
Ballon says "Well, he could've verified it". Dead Henri is the erased white mark
M8E that could have opened extra eyes on extra frame 315. Most eyes could
ignore the white marks on two frames, but not on three consecutive frames.
Picture 2 shows the car with Clouseau and Maria entering an underpass. This is a
reference to the tunnel on Elm Street under the triple overpass, meaning the erased
white marks M5E and M8E follow JFK killers, i.e. point to them.
Picture 3 shows the Police car with Clouseau and Maria passing the same
Presseclair Wedge already covered. This means the M5E and M8E are heading
back to the Federal Reserve where they came from. The four cops hanging on the
back of the Police car stand for the four white marks in Zapruder frame 313. This
is equivalent to the four pairs of legs dancing during the opening sequence.
Dreyfus says to Clouseau "You will report to duty to the Department of Records, in
Martinique". Here, Dreyfus plays LBJ because the hat rack is shown and because
Dreyfus stabs himself with a letter opener. The hat rack is explained before. The
letter opener refers to Jackie's letters sent to LBJ after JFK assassination.
Reportedly, LBJ did not even care to open the letters, apparently because he
stabbed himself with a letter opener. The Godfather also makes a reference the
those unopened letters.
Clouseau says "You are sending an innocent girl to the guillotine". The words
Martinique, guillotine, etc, refer to the erased white marks.
Dreyfus describes Clouseau as "a complete and utter fool". In this context,
Clouseau is a code for Earl Warren.
Pictures 4 to 6 correspond to yet another fight between Clouseau and Kato.

Clouseau wears a white shirt without jacket because he illustrates a white mark.
Kato attacks him because he is trying to erase it. Picture 4 shows a wall picture
showing a boxer. Apparently, he is John McCluskey who gave the name to Captain
McCluskey in The Godfather. The movie JFK shows similar pictures in Ferrie's
apartment, as shown in picture 5. Keep in mind that the name McCluskey is just a
front for the name McCloy.
Picture 6 shows a framed picture of All-Seeing-Eye above Clouseau's head when he

is calling his office (Eye-as-theFed). He says "Now to set the trap, catch the
killer". This means that the killer is already caught in the frame (trap) next to
Clouseau's head.
Clouseau says to Kato "No matter what the circumstances always anticipate the
unexpected....had you been a real assassin you might have killed me...you must
learn to attack me whenever and wherever I least expect it. And you must give no
quarter". This is another description of Kato's role in the movie. The quarter is a
Square-as-SupremeCourt meaning that Kato must give no Justice to Clouseau,
where Justice means the crap or bullshit from the US Supreme Court. The movie
JFK uses the same idea by alluding to the novel Dinner at Antoine's (1947) by
Frances Parkinson Keyes. The novel is a murder mystery using the "least likely
person" to be the murderer, based on the principle that everybody must be
suspected and not only those fed to you by "JFK assassination research" industry.
A Shot In The Dark - Murder weapons (1:10)
This section covers the next set of consecutive scenes. There are more illustrations
of the white marks. The biggest topic are the illustrations of murder weapons used
by Jackie and Clint Hill to kill JFK.
Picture 1 shows white cloth on Dreyfus' face while he is lying on Freud's couch.
Later, he uses the white cloth to wipe his head. At this point, Dreyfus plays LeMay
suffering dementia, and he also plays McCloy hidden in a cloak of secrecy. On the
basis of script lines, he probably also plays John Connally "healing" his wounds at
Parkland Hospital. Picture 2 shows Dreyfus' pointed toe shoe sticking out. This is a
Triangle-as-theFed. This white cloth and the shoe sticking out are significant
(independently) because The Godfather and JFK started using them, the white
cloth as a Cloth-from-Hill, and the shoe sticking out to refer to John Connally
playing his theatrics for Zapruder camera. Recall Carlo's shoe sticking out through
a car windshield after Michael puts him "on a plane to Vegas", or the witness Bill
Newman saying "He flopped over on his stomach ... with his foot sticking out".
Picture 3 shows a stage with four Flamenco dancers illustrating four white marks
in Zapruder frames 314 and 315, i.e. two frames where two white marks were
erased (killed). That is why the walls are red (killing) and the curtains are white
(PWM). The male dancer illustrates M8E in frame 315. The three female dancers
illustrate three white marks in frame 314. The camera zooms in on the face of one
female dancer illustrating M5E in frame 314. The yellow arrow points to radiating
knives hung on the wall. This is a reference to CIA which has a logo with radiating
spokes. The CIA logo will be illustrated again on the floor with dancing Cossack.
Picture 4 shows a small-caliber gun with sound suppressor. A secret hand shoots at
Clouseau, but instead the bullet hits two glasses held by Clouseau and Maria, seen
in picture 5. When breaking, each glass illustrates one explosion made by Jackie's
cartridge, one inside the case and one inside the bullet. The sound suppressor refers
to the sound suppression installed inside Jackie's handbag. The small caliber refers
to the small diameter of Jackie's bullet, probably around 6.5 to 7mm.
Picture 6 shows Cupid shooting an arrow illustrating Jackie's dart shot to JFK's left
thigh. The heart makes a Heart-as-curare.
Picture 1 (second set of six pictures) shows dark silhouette of somebody holding
two knives. The movie shows the left hand throwing one knife killing a doorman
instead of Clouseau. This illustrates Clint Hill's first bullet that killed JFK. Clint
Hill used his left hand to hold the revolver. The movie does not show the second
knife (pointed by yellow arrow) thrown, meaning Clint Hill's second bullet missed
JFK.
Picture 2 shows a blowpipe (horizontal tube) in front of vertical bamboos,

apparently in a Tahitian restaurant. The blowpipe is aimed at Clouseau but the dart
misses him and it hits another man to his chest, shown in picture 3. The blowpipe
illustrates Jackie's dart gun.
Picture 4 shows a secret gloved hand adding poison to a glass of drink, apparently
in a Russian restaurant. This illustrates the illegitimate medications given by Jackie
to JFK in the morning on his assassination day. The medications considerably sped
up the effectiveness/responsiveness of curare.
Picture 5 shows Maria embracing Clouseau from behind. This is a reference to

JFK's back brace worn on his assassination day. The Godfather makes a similar
reference when Luca Brasi puts on his bulletproof vest before meeting Bruno
Tattaglia and Sollozzo. At that point, Luca plays JFK.
Apparently, Clouseau tears his pants and the Cossack dancer says "What's wrong
with you? What's wrong with you?". The movie JFK borrows this line when its
character Jean Hill playing Jackie, says "The driver had stopped. I don't know what
was wrong with the driver".
This scene also continues the illustration of Jackie's bullet shot. The scene with
Flamenco dancers shows a suppressed gunshot and two breaking glasses to
illustrate the sound suppression and two explosions of Jackie's bullet shot. This
scene adds the component of White Phosphorus to Jackie's bullet.
Picture 6 shows a Russian Cossack dancer doing a pirouette by spinning his body
like Jackie's bullet. His big white fur hat illustrates the White Phosphorus in the
nose of Jackie's bullet. His red shirt refer to Jackie's red pink suit and the booster
explosive inside her bullet. The diagrams of B-Patrone bullet normally show the
booster explosive in red color. The blue pants refer to the blue color of Jackie's
handbag. The radiating spokes on the floor illustrate the compass on CIA logo
meaning Jackie's bullet came from CIA, a bunch of useful idiots doing the dirty
work for central banking hook noses.
Picture 1 (third set of six pictures) zooms in on the dancer. Picture 2 shows his
open mouth before he finally drops dead. In the final scene, Clouseau refers to this
mouth as meuth when he talks about moths (white marks) in Zapruder frames.
Since this mouth comes with a big white fur hat, the white marks also come from
something white like White Phosphorus. All three major movies decoded of this
document use this type of mouth as a Mouth-as-JackiesBullet.
Picture 3 comes from the final scene where Ballon shows Mouth-as-JackiesBullet.
Picture 4 shows Godfather showing this type of mouth. Picture 5 shows the witness
Jean Hill in the movie JFK showing this type of mouth. This type of facial
expression resemble the head of a striking rattlesnake. This is a reference to
Raymond Buck who gave JFK a pair of boots to keep rattlesnakes on LBJ's ranch
from striking JFK.
Picture 6 shows the clock left by a secret hand outside the front door of Clouseau's
apartment. The clock has a bomb meant for Clouseau playing a white mark that
JFK killers are trying to get rid of. Notice the square top on this clock. This is a
Square-as-SupremeCourt. Apparently, Warren is trying to erase the white marks.
The time is 5 minutes to three o'clock. The final scene also shows this five minutes.
This is a reference to the "five minute" clock in Old Supreme Court Chamber.
Clouseau survives the bomb with a bandaid on his forehead. This is because Maria
told him before the bomb "Promise me. Afterwards, you will not smoke". This
means that he plays M6E turned into a mess after JFK killers clumsily erased M5E
next to it. Maria breaks a pillow on Kato's head creating a cloud of feathers around
Clouseau, thus illustrating the large whitish area around M6E. However, M6E is
too smart for the tobacco companies and survives with a bandaid. In the movie
JFK, the character Lou says "The scope was defective on it too". The defective
scope is a reference to the bandaid on Clouseau's forehead.
A Shot In The Dark - Ballon moths (1:25)

This section corresponds to the final scene where Clouseau turns off the light into a
total darkness. The darkness is the opposite of Camp Sunshine which plays the role
of CIA and its secrecy. This means the darkness plays the role of openness, total
lack of secrecy. The Fed exists only because of secrecy provided by CIA. In other
words, the Fed and CIA are the same thing. Clouseau gets the idea to use darkness
when he stumbles over his own chair in his own office when it is dark. His plan is
to make Ballon household stumble like he did it on himself.
Picture 1 shows the newspaper in Dreyfus' hands. The article's title says "Phantom
Killer Murders Four" and "Trail of death follows Inspector Clouseau". Dreyfus
says "Doorman, two customers, and a Cossack...Including the Ballon murders, this
brings the total to eight". Picture 2 shows a hat rack behind Clouseau meaning that
he plays LBJ at this moment. Each hook makes a Finger-as-LBJ. During the final
scene, Clouseau often makes a Finger-as-LBJ providing confirmations about his
role until the end of the movie. The trail of death for four refers to Jackie's bullet,
Clint Hill's first bullet that killed JFK, Jackie's dart, and Jackie's illegitimate
medications that she gave to JFK in the morning on his assassination day. The
Phantom Killer refers to Jackie and Clint Hill, both kept in secrecy by the
brainwashing media run by the central banking hook noses. The four Ballon
murders refer to two "dead" white marks M5E (Georges) and M8E (Henri), dead
projectiles of Jackie's bullet treated as one death (Dudu), and dead JFK (Miguel).
Dreyfus says "What you have said all along qualifies you as the greatest prophet
since General Custer said he was going to surround all those Indians". The
General Custer refers to General LeMay who got surrounded by the white marks
(Indians) after JFK assassination. The prophet refers to LBJ known for his Johnson
Treatment illustrated at the end of the movie. The ape LBJ was known to grab
people by their lapels, squeeze their arms and legs, stamp on feet, kick shins, lean
on them, etc, meaning LBJ also liked to surround all those Indians.
Clouseau says "Whoever he is, he is the same man who killed the first four
people...Because of misguided loyalty, Maria will not divulge the name of her
former love. That man is so jealous, he will kill rather than lose her". The former
love is a code for CIA which owned Jackie (misguided loyalty) because of her life
obligations (jealousy) once she joined CIA.
Dreyfus says "What about the maid? Was he jealous of her, too? He strangled
her...A mistake? In a nudist camp?". This means that CIA made a mistake by not
anticipating the nudists (white marks) before PWM projectile extinguished itself
(got strangled).
Picture 3 shows Dreyfus' one eye twitching which means he plays LeMay. His
wide open eye makes an Eye-as-theFed. Clouseau starts making an Eyebrow-as-
Warren. This means that Clouseau now plays both LBJ and Warren.
Before entering Ballon residence, Clouseau says to Hercule "At 8:00 sharp you
pull the master switch just as I am about to name the murderer". Hercule says "I
leave the lights off five seconds". Clouseau says "Not a second longer. Just long
enough for the murderer to leave the room...Now we synchronize the watches".
Clouseau and Hercule start playing with their wrist watches for a few minutes
while the watches keep stopping and restarting with "remarkable coincidence" in
order to make a mockery of "five minute" clock of US Supreme Court. Notice that
their watches are ticking or the seconds hands are moving only when the frogs are
croaking in the background. This means the frogs are the Justices swimming in the
water fountains in front of their joint called US Supreme Court. Clouseau gives his
wrist watch to Hercule meaning that Hercule now plays Warren until another
character takes over this role.
Pictures 4 and 5 show Maurice and Madame LaFarge playing Johnny and Nellie
Connally respectively. Maurice also plays Warren. Picture 6 has been cropped
from an old photo showing the actual two Cons in Parkland Hospital just after JFK
assassination.
Picture 1 (second set of six pictures) shows Pierre (Ballon's driver). Selecting
between Greer and Kellerman, Pierre plays William Greer (driver of JFK limo)
because Pierre also plays LeMay who could be classified as a pilot. Picture 2 has
been cropped from one of LeMay photos. Notice that Pierre's hair is groomed like
LeMay's. At this moment, the movie shows only four buttons on Pierre's dress
making them act as four stars on LeMay's rank.
Picture 3 shows Benjamin Ballon. He plays John McCloy and Clint Hill. I added
two yellow arrows. The right arrow points to a Cloth-from-Hill even though it is
not clear whether it was the original intention. However, the other two movies
clearly picked up this idea. Left arrow points to a black bowtie playing the role of
dark sunglasses worn by Clint Hill on JFK assassination day.
Picture 4 shows Simone (maid). She plays Roy Kellerman and Edward Lansdale.
The yellow arrows point to two sides of the black bow in her hair. The two sides
refer to the rank of 2-Star General for Edward Lansdale. The bow is high because
Lansdale was flying high in US Air Force. The bow is black because Lansdale was
in Black Ops.
Picture 5 shows Dominique Ballon. She plays Jackie and US Congress. Notice the
necklace made of chains. This is a reference to the chain-like shoulder straps on
Jackie's handbag. Her model was Chanel model 2.55 known for its shoulder strap
chains.
Picture 6 shows Clouseau still wearing bandaid. This means that he still plays M6E
as explained in the previous section. Apparently, he came to Ballon to drive the
tobacco companies crazy because he did not smoke afterwards.
Picture 1 (third set of six pictures) shows Hercule standing next to so called master
switch, and counting the seconds. Out of the total count 300, Hercule is shown
saying only a few numbers and 214 is one of them. The number 214 is the area
code for Dallas where JFK was assassinated. The Godfather uses the first digit 7
of Dallas zip codes to make a reference to Dallas. The movie JFK turns the master
switch into chicken switch.
Inside Ballon residence, Clouseau starts playing the same game of "five minutes".
Maurice says "I have 7:55". He also makes an Eyebrow-as-Warren. Later,
Clouseau calls him a daydreaming fool. This means Maurice also plays Warren in
addition to Connally.
Ballon says "This watch has not lost a second since the day you (Dominique) gave
it to me". Dominique says "I didn't give it to you". The watch is a code for Federal
Reserve Act signed into so called "law" by Woodrow Wilson on December 23
(Christmas Eve) of 1913. It is not only unconstitutional but its passage through US
Congress was a scam in itself. The central banking hook noses have a whole army
of frauds, nincompoops, imbeciles, now trying to present their Federal Reserve
Scam as valid. But in the end, it does not make any difference because Nature
wants to dissolve the old belief systems based on equality when in fact most people
just do not have the brains to be anywhere equal. That is why Nature put a
brainless monkey into the White House to make people realize it. In any case,
Dominique confirms that she plays US Congress and Ballon plays McCloy.
Picture 2 shows Clouseau making a Finger-as-LBJ. At this point, Clouseau goes

to check whether anybody is listening behind the door to billiard room. This is a
reference to the secret tape-recording systems installed by LBJ in the White House.
In other words, Clouseau checks for bugs. Recall that the movie uses billiard table
for white marks which are bugs in themselves. That is why Clouseau selects the
billiard room.
Picture 3 shows Clouseau upside down in the billiard room. The yellow arrow
points to his two shoes playing the role of white marks, i.e. two bugs. That is why
Dreyfus as LeMay bites both bugs at the end of the movie.
Here, Clouseau illustrates Jackie's bullet shot and her dart shot, and possibly Clint
Hill's two bullet shots. Clouseau steps on foot of Madame LaFarge playing the role
of Nellie Connally. Nellie screams loudly in order illustrate the explosion inside
the case of Jackie's cartridge. Clouseau says "He tore her dress off. He protested
violently. And at that precise moment the door opened, and somebody shot him.
Maria could not see who the killer was because she was unconscious". The first he
refers to Jackie's bullet tearing the side of Jackie's handbag (dress), assuming
Jackie did not cut the hole ahead of time. The second he refers to JFK responding
violently to the bullet entering (opening) the side of his jaw (door). Jackie had her
eyes closed (unconscious) when she pulled the trigger.
Note that after Madame LaFarge screams because of Clouseau stepping on her
foot, Clouseau immediately says "I'm terribly sorry. I beg your pardon". This is a
reference to "Monsieur, I beg your pardon" (in French) reportedly said by Marie
Antoinette after she stepped on the foot of her executioner and just before being
executed by guillotine (MarieAntoinette-as-Jackie). This means that Clouseau is
Marie Antoinette and Madame LaFarge is Jackie's bullet (executioner) entering
JFK's head.
Next Clouseau describes things which are about to come shortly. He says "She was
hit upon the head by an object. The object was the knob on the closet door.
Somebody was hiding in the closet. When they opened the door, she received a
bump upon the head". This illustrates JFK's head (object or knob) bouncing back
after Jackie's bullet exited his head and then hitting Jackie's head. As a result,
Jackie got a bump on her head. However, this probably doubles as Clint Hill's first
bullet because there is no other reference except the final bomb. Notice that
Clouseau continues to garble the bump with beump. He appears to use a French
accent when in fact he plays LBJ talking in his Texan slang. The meaning of
transforming phonetic 'a' in bump to 'e' in beump was explained with the moths.
At this point Ballon says "Come to the point" meaning that now it is the time for
Jackie's bullet to explode inside JFK's head. Clouseau says "Don't tangle with me"
meaning White Phosphorus should now un-tangle itself from Jackie's bullet. Then
Clouseau steps on foot of Dominique playing the role of Jackie. Jackie screams
loudly in order illustrate the explosion inside the bullet of her cartridge.
Picture 5 shows Clouseau pulling Dominique's leg in order to illustrate some parts
of Jackie's bullet pulling a small chunk of White Phosphorus and turning it into
PWM projectile (Dominique's leg) flying upward behind PBF projectile
(Clouseau).
Picture 6 shows Ballon's head hitting Clouseau's head. Both scream and grab their
heads. This illustrates the bump just described by Clouseau verbally.
Picture 1 (fourth set of six pictures) shows Clouseau tripping over Maurice. Recall
Maria saying "I tripped over a root". This means that Maurice now plays the root,
a code for curare made of roots of the plants used to make it. The trip is a code for
Jackie's dart. This is an illustration of Jackie's dart shot. Before tripping, Clouseau
says "I'm coming, Maria, my darling" which is a reference to the symbol of love
heart, meaning a Heart-as-curare.
Picture 2 shows Maurice showcasing his forearm, strong and sound. This is a
Forearm-as-Connally. Johnny had the name Connally for a reason. That is why
The Godfather uses the name Connie for Nellie.
Clouseau says "I am a trained expert in karate. My hands are lethal weapons".
This means that at this point Clouseau plays PBF projectile made of razor sharp
metal blades flying at speeds up to 100 mph while spinning up to 11,000 rpm.
Picture 3 shows Clouseau falling off the sofa. Then he bounces off the floor and
says "What happened?". Dominique answers "You fell off the sofa, you stupid".
This illustrates Clint Hill's second bullet shot. The sofa is a code word for the rear
seat of JFK limo where JFK was killed by Clint Hill, while sitting next to Jackie
(Dominique).
Clouseau says to Maurice "Listen, you daydreaming fool, what are you doing?
Can't you pay attention when I'm talking?". This clarifies the role of Maurice as
Warren, even though a fool is an understatement. Picture 4 shows Clouseau
making a Finger-as-LBJ on Maurice. This means that LBJ is administering his
Johnson Treatment on Warren.
Clouseau says to Ballon "And they were your fingerprints" where fingerprints
means the white marks. Ballon responds "Why not? It's my house. I've often been
in that closet. Last time was moths" where both house and closet refer to Zapruder
frames with the white marks, and moths are the white marks.
Picture 5 shows Ballon making a Mouth-as-JackiesBullet when he says "Moths"

after Clouseau says "Meuths?". This mouth is explained in the previous section
covering the related Cossack's mouth. Ballon's wide open mouth is an illustration
of igniting White Phosphorus and hitting JFK's head. Clouseau secretly encodes
the source by calling it Meuths. He provides a cryptographic key by using beump
to represent bump. The key is based on transforming phonetic 'a' to 'e' . This
means that meuth means mouth, the source of moths (White Phosphorus).
Clouseau says "The flying moths...What I do not understand is that in a household

of this size, the question of meuths should be brought to the attention of Mr.
Ballon, not one of the servants or the local meuth exterminator". This means the
moths scared the Fed and created a real panic. The expression local meuth
exterminator stands for Central Intelligence Agency. Apparently, it gave birth to
the expression "intelligence agent" (PWM) in the movie JFK. Apparently, JFK
killers planned to broadcast Zapruder film the same day by using their
brainwashing machines like WFAA-TV in Dallas, in order to send a message to
their enemies by displaying a spectacle of their alleged powers. However after
seeing the moths, they panicked and changed their minds. Instead, they used their
brainwashing machines to broadcast only the existence of Zapruder film and to
spread their fake stories about Zapruder running around Dallas trying to develop
the film. In other words, the comedy A Shot In The Dark, released within one year
after JFK assassination, told you why Zapruder film was not made public on the
same day when JFK was assassinated. This document includes extensive analytical
chapter that uses the moths to extract very detailed information about Jackie's
bullet shot to JFK's head.
Madame LeFarge says "She [Dominique] was having an affair with my husband".
This means that Johnny Connally was working closely (having an affair) with
Jackie during JFK assassination, by sending her signals, by distracting JFK, etc.
Pierre says "Your husband was having an affair with my wife!". This means that
Johnny Connally was exchanging information with Roy Kellerman sitting in front
of him. Kellerman maintained a radio link with the command center.
Pierre says "She [Dudu] saw madame [Dominique] kill Miguel". Dominique says
"Shut up!". This means that Jackie's bullet (Dudu) saw Jackie when it left her
handbag.
Ballon says "My wife expected to find me with Maria and shot Miguel by accident.
I put the gun in Maria's hand". This means that US Congress (Dominique) was
supposed to shoot the Federal Reserve (Ballon) but instead it shot JFK (Miguel).
The Federal Reserve hired Jackie (put the gun in her hand). Clouseau says "I
arrest you for putting the gun in Maria's hand". At this point, they scuffle a little
and this could be an illustration of Clint Hill's bullets because Ballon plays Clint
Hill.
Dominique says "I saw you put the body [Henri] in Maria's room". This means
that the Federal Reserve metaphorically erased the two white marks, in this case
M8E (Henri).
Picture 6 shows Dreyfus' bomb in Clouseau's car. This is a reference to LeMay

dropping his bombs around the world on behalf of the central banking hook noses.
The dynamite sticks double as LeMay's cigars.
Picture 1 (fifth set of six pictures) shows Dreyfus' eyes twitching. This is a
reference to LeMay Bombing Leaflet during WW2, where LeMay warned
Japanese civilians that "Unfortunately, bombs have no eyes". Recall Dreyfus
saying "Give me ten men like Clouseau I and could destroy the world". Picture 1
shows Dreyfus still wearing his white thumb meaning that he still plays a white
mark. Picture 3 shows his head and green leaves around in the background. All
white marks are painted over green grass in Zapruder frames.
Picture 2 shows six members of Ballon household packing in the car: Ballon,
Dominique, Madame LaFarge, Simone, Maurice, and Pierre. Ballon is driving as
the Boss. All are blown up by LeMay's bomb. Dreyfus survives, apparently as
LeMay because his eye is still twitching. But the rest of scum is dead because
"Fortunately, some bombs do have eyes". However, some frogs (minus Warren)
can be heard still croaking in the water fountain.
Picture 4 shows Dreyfus biting Clouseau's shoes. Probably, he is trying to debug

LBJ.
Picture 5 shows Clouseau, Maria, and Kato, looking for the remaining frogs still
croaking in the water fountain. Picture 6 shows the actual water fountains in front
of US Supreme Court.
A Shot In The Dark Trailer (1964)
The movie makers also used the movie trailer to include references to JFK
assassination. The famous Single or Magic Bullet was introduced as evidence CE-
399 on March 16 of 1964. According to Kikipedia, the Magic Bullet traversed 15
layers of clothing, 7 layers of skin, and approximately 15 inches of tissue, struck a

necktie knot, removed 4 inches of rib, and shattered a radius bone. Its jacket was
completely intact. Hollywood bosses, immediately decided to exploit the Magic
Bullet as animated Dum-Dum Bullet for the trailer.
Youtube carries a video clip from this trailer (youtube video). The line "I am a
movie star" could refer to the fact that Magic Bullet was a star even then.
However, "a movie" does not refer to this movie. It refers to Zapruder movie where
the bullet blows JFK's brains out like a star. The line "I play in this movie called
Shot in the Dark" could refer to Zapruder film still kept in the dark (out of public
view) back then. In other words, here the movie means Zapruder film. The lines "I
help the brilliant Inspector Clouseau to solve the murders", "I look for the guilty
bullet", "he gets to the bottom of things fast" could refer to the clowns like Arlen
Specter who came up with Magic Bullet Theory to cover up JFK murder. The line
"If you want to know who the murderer is, you'll have to come and see the picture"
could refer to advising people to see Zapruder film, when the film becomes public
later, or see the picture from Zapruder film showing Jackie killing JFK, already
published back then.
Picture 1 shows the Dum-Dum Bullet in the trailer. Picture 2 shows the evidence
CE-399 as included in Warren Report.
Picture 3 shows the movie title presented in the trailer. It shows an interesting
arrangement of letters. First, the animated bullet says "I am a movie star, I play in
this movie called ...", followed by a momentary picture of exploding bullet and
clouds of gunsmoke while screaming "Bang", and quickly followed by the picture
of the letters in A Shot in the Dark. The exploding bullet is a reference to Zapruder
frame 313 showing JFK's brains blowing out and the clouds of gunshot smoke
above his head.
Picture 3 is a reference to the exit hole made by Jackie's bullet. The dark (black)
background outside the hole could refer to Zapruder film hidden from public view
back then, or simply to ignorance of the public looking at published pictures
showing Jackie killing JFK, without realizing it. The red pink background inside
the hole could refer to the red pink suit worn by Jackie who made the hole. The
arrangement of the letters is also interesting. Notice that the words SHOT and
DARK are aligned such that the letter O with a target inside is directly over letter
D that could stand for Dallas. The letters S R stand out the most because they
include white symbols in them. These are symbols that represent spiral galaxies.
Our Solar System is in Milky Way which is a spiral galaxy. By saying "I am a
movie star", the animated bullet refers to the biggest star in Milky Way by showing
it in the center of spiral galaxy symbol.
The letter A also stands out because of shadow behind it and the famous All Seeing
Eye inside it on top like in the pyramid on one-dollar bills (Federal Reserve notes
owned by JFK killers). The letters S A R stand out because they are supposed to
form the word STAR with the letter T pointed by the top of letter A. Also, notice
that the letter S has one spiral galaxy and the letter R has three spiral galaxies.
Each galaxy symbol shows one star. This means that STAR starts with one bullet
and ends with three bullets.
In other words, the animated bullet Dum-Dum is not so dumb and it is trying to tell
you something more, much more than entertainment, something as big as Milky
Way, something as big as JFK Assassin.
The Great De Gaulle Stone Operation cartoon (1965)

The Great De Gaulle Stone Operation is the first cartoon in the series The
Inspector (imdb link). The Inspector has been tasked by the Commissioner to
guard so called De Gaulle Stone, an enormous diamond. However, the diamond is
stolen by a three-headed thief, so called Matzoriley. The left head is called Weft,
the right head is called Wight, the middle head is called Wong. During the first
chase, The Inspector drives a white car only to get gunned down. During the
second chase, The Inspector flies a white plane only to get swatted down by a giant
fly-swatter.
After decoding, De Gaulle Stone is a chunk of White Phosphorus flying up along

the same path as Jackie's bullet (Matzoriley). During its flight, De Gaulle Stone
leaves behind the white marks. One scene even shows the correct total of eight
white marks illustrated by eight white police cars outside the hideout of
Matzoriley. As you know, two white marks have been erased from Zapruder
frames. That is why The Inspector is gunned down (mark M5E), and then swatted
down (mark M8E). In other words, The Inspector chasing the Matzoriley and De
Gaulle Stone, illustrates the white marks left behind by De Gaulle Stone, i.e. a
chunk of burning White Phosphorus. Charles de Gaulle was the President of
France like JFK was the President of USA. The chunk of White Phosphorus went
through JFK's head before it started painting the white marks in Zapruder frames.
This is like a gallstone (Gaulle Stone) going through gallbladder (JFK's head). A
chunk of burning White Phosphorus is yellow like a typical gallstone is yellow.
In other words, the cartoon illustrates JFK assassination (Great Operation). The
primary topic is the white marks, i.e. Jackie's fingerprints in Zapruder film. The
cartoon presents the events twice. During the first time, it presents only the white
marks including the bullet (PBF or Matzoriley) and the flying chunk of burning
White Phosphorus (PWM or De Gaulle Stone). During the second time, it presents
the whole chain of events starting from the White House. When The Inspector and
his assistant Deux-Deux peek inside the red keyhole, they look inside Jackie's
handbag because the keyhole illustrates the hole made by Jackie on the side of her
Gucci handbag so that her bullet could exit the barrel inside it. The keyhole is red
because Jackie worked for the red communist Federal Reserve (Politburo of USA).
The Matzoriley illustrates three bullets fired at JFK. The right head is Wight
because it is Jackie's bullet containing White Phosphorus. The left head is Weft
because it is Clint Hill's first bullet that acted as a Weft (transverse thread) through
JFK's head. The middle head is Wong because it is Clint Hill's second bullet going
Wrong by missing JFK. Alternatively, Wight is Right because it is on your right
side, and Weft is Left because it is on your left side. Also, Wight and Weft could
swap the names, either keeping the same sides or swapping the sides (flipped
horizontally) at the same time. Then Wight becomes Right because Clint Hill's first
bullet hit the right side of JFK's head, and Weft becomes Left because Jackie's
bullet hit the left side of JFK's head. That is why Dave Ferrie says in the movie
JFK "Everybody keeps flipping sides. It's fun and games" (movie time 1:40 during
the hotel scene with Jim and his assistants). That is why the names Wight and Weft
are not important. The important thing is which side is Clint Hill and which side is
Jackie, determined by context. The middle head Wong confusing Confucius with
Confusion is always Clint Hill.
NOTE
This document uses Matzoriley for the symbol called 3Amigos-as-3Bullets.
The name Matzoriley came from Mozzarella cheese because of its white color
which stands for White Phosphorus. Jackie's Italian Mozzarella came from Italian
Gucci handbag, hence Matzoriley for Mozzarella. In Italian, the verb mozzare
means "to cut off", like to cut off the head of Marie Antoinette in public, or to blow
off the head of JFK in public, or to cut off a piece of cake and then "Let them eat
cake".
Each head of Matzoriley wears a two-pointed hat. This can be interpreted three
ways. Firstly, two-pointed hat could stand for two holes on JFK's head, one made
by Jackie and one made by Clint Hill (his second bullet missed). Secondly, two-
pointed hat could stand for two white marks erased from Zapruder frames. Thirdly,
two-pointed hat could stand for two explosions made by Jackie's cartridge.
Possibly each head of Matzoriley illustrates one of the three doubles described
above. In another cartoon tiled Plastered In Paris, a character "Mr. X" (one-
headed) will also wear a two-pointed hat. However, the movie JFK seems to
suggest that the first interpretation (two holes on JFK's head) should be used
because it uses two squirts/fountains on a head, or two holes on German helmet, or
two horns on a devil, in order to illustrate two holes on JFK's head. The movie
JFK makes a lot of references to many cartoons of this series. That is why you
need to know the cartoons if you want to decode the movie.
Pictures 1 and 2 have been cropped from the opening and closing frames common
to all episodes in this series. Both pictures show plenty of eyeballs which are
references to All Seeing Eye on top of Pyramid like on $1 Federal Reserve green
notes. One of the eyeballs even looks green under a magnifying glass. The Eiffel
Tower serves the role of Pyramid. The letter P with white fillers stands for White
Phosphorus. The letter I has one eye on top because it is pronounced as eye.
Apparently, two eyes in picture 2 stand for two letters i.
Picture 3 has two parts, both cropped from the opening frames. The backgrounds
are interesting. The colors of French flag are only a cover, but they come handy for
this topic. The two primary colors of Jackie dress were red pink and navy blue. Her
key weapon was White Phosphorus. All three colors are colors of French flag. The
part in upper half shows mostly red color because most of Jackie's dress was red
pink. The part in the lower half shows mostly green because the most critical
Zapruder frames show mostly green color. Also, JFK killers were the Federal
Reserve and US Air Force Generals, symbolized by the green color of Federal
Reserve Notes and the green color of military.
Picture 4 shows so called chateau undergoing "annual spring cleaning" which is a

code for the White House undergoing cleaning by the hook noses. Picture 6
provides a clue with the round-top window similar to the White House windows
facing the Rose Garden, Window-as-WhiteHouse. One of the following pictures
shows the actual window.
Picture 5 shows the building of "French Sret" which apparently is the Old Red
Courthouse in Dealey Plaza because of the round structure resembling a turret
(Turret-as-OldRedCourthouse).
Picture 1 (second set of six pictures) shows Deux-Deux showing his hands in white
gloves after The Inspector gave De Gaulle Stone to Matzoriley. Here, Deux-Deux
illustrates Jackie wearing her red pink suit, and holding her blue handbag with her
hands in white gloves, after shooting JFK. The Matzoriley is her bullet which ran
away with a chunk of White Phosphorus (De Gaulle Stone).
Picture 2 shows so called Commissioner showing his displeasure with an exploding

cigar. He illustrates General Curtis LeMay nicknamed "Big Cigar". He is known
also as "Bombs Away", illustrated later in this cartoon. The Commissioner wants
De Gaulle Stone because it points to Curtis LeMay as the key conspirator in JFK
assassination.
Picture 3 has two parts, cropped from two frames seconds apart. In the part on left
side, the heads introduce themselves as explained at the beginning of this section.
The left head with Clint Hill says "Swiping the diamond from police headquarters
was really using our heads". The right head with Jackie says "What do you mean
we? It was my head we used". Jackie is right because the diamond (a chunk of
White Phosphorus) was swiped from JFK's head (police headquarters) using her
bullet, and Clint Hill's bullet. The left head with Clint Hill says "I am not a three
time loser like you". Now, Clint Hill is right because Jackie lost three babies, in
1955, 1956, and 1963. The middle head for Clint Hill says "Confusion [Confucius]
say three heads not always better than one. Truth will always out. Cannot cover
up". He means that Jackie lost three babies but won one head by killing JFK. The
right half of picture 3 shows two heads beating the middle head.
Matzoriley screams "Quick, get in the Matzmobile". This means Jackie pulled the
trigger and Mozzarella is ready to be melted on pizza in the oven (Jackie's barrel).
Picture 4 shows The Inspector flattened under the Matzmobile because he is not
ready yet.
The Inspector screams "Quick, follow the Matzmobile". This means that he will be
chasing the Matzmobile and leaving/painting the white marks. In other words,
Matzoriley is PBF, De Gaulle Stone is PWM, and The Inspector is painting the
white marks in Zapruder frames 313-315. Picture 5 shows The Inspector flattened
under the white police cart because Deux-Deux (Jackie) is driving. The Inspector is
supposed to be in the white cart. That is why The Inspector screams "Come back,
imbecile".
Picture 6 has two parts, cropped from two frames seconds apart. Both parts show
The Inspector driving the white cart and getting hit by the bullets fired from
Matzmobile. Matzoriley screams "The Inspector is in the trail". This means that
The Inspector is painting the white marks behind. The white clouds illustrate them.
Picture 1 (third set of six pictures) shows the Matzmobile converting itself into
Matzplane. Notice the four white rings hanging below it. This is an illustration of
four white marks in Zapruder frame 313, the first frame after Jackie's bullet shot.
Also, notice the green background which does not make sense for a flying plane in
a blue sky. This is because all white marks have green background.
Once the Matzplane is high enough, Matzoriley says "Open bomb bays. Bombs
away". The "Bombs Away" was one of nicknames for Curtis LeMay. Poor
Inspector is hit by one bomb and the white mark M5E in Zapruder frame 314 is
killed at this moment.
Picture 2 shows a white plane flown by The Inspector, getting swatted down by a
giant fly-swatter. This means that the white mark M8E in Zapruder frame 315 is
killed at this moment.
However, Wong of Matzoriley loses De Gaulle Stone because of so called "a hole
in the pocket". Apparently, this is a reference to the movie A Hole in the Head
(1959), starred by Frank Sinatra. The movie was made in Miami Beach which is
also the location for Fontainebleau Miami Beach Hotel, known as Sinatra's
favorite. The movie is also known for introducing the song "High Hopes", used as
a JFK campaign song during the presidential election in 1960. Apparently, the
hotel gave name to the fictitious character Johnny Fontane in The Godfather. This
cartoon itself uses explicitly the name Fontainebleau Hotel. The movie JFK also
uses the name of this hotel.
Picture 3 shows Matzplane parked next to a window and Matzoriley entering a

building through the window. Picture 5 provides a clue about the building. Look at
the round-top window and compare to the window on White House facing the
Rose Garden, as shown in picture 6. This means Matzoriley came to the White
House, Window-as-WhiteHouse. This starts a new series of events that begins with
JFK still alive in the White House. In other words, the components for Jackie's
bullet have been delivered to her, directly to the White House.
Picture 4 shows The Inspector putting De Gaulle Stone into a safe that turns out to
be Matzoriley in disguise. Matzoriley steals it again, meaning Jackie's bullet is
ready for JFK motorcade in Dallas.
Picture 1 (fourth set of six pictures) shows the new target of inquiry made by The
Inspector. He describes it as "disreputable hotel on the left bank". The name on top
says "Hotel Fontainebleau". Apparently, this is Hotel Texas in Fort Worth which is
on the left side of the DFW metroplex. This is the hotel where JFK spent the night
before his assassination in Dallas. Both Fontainebleau and Fort Worth share the
same first two letters. However, the cartoon later implies that "Hotel
Fontainebleau" means both Fort Worth and Dallas, including JFK motorcade.
The Inspector says "Deux-Deux You got the stairs and I'll take the elevator". Here,
Deux-Deux plays the role of Earl Warren because his "Si" illustrates Chief Justice
as already explained. So called stairs is a reference to the spiral staircase inside the
building of US Supreme Court. So called elevator is a reference to JFK flying in
Air Force One from Fort Worth to Dallas in the morning on his assassination day
(about 15-min flight).
The Inspector says "I take their hotel room under surveillance". This means that he
is now Secret Service "guarding" JFK during JFK motorcade in Dallas. The room
is a code word for JFK limo.
Picture 2 shows The Inspector peeking through the keyhole. The red pink wall
stands for Jackie's red pink suit. The blue door stands for Jackie's blue handbag.
The keyhole stands for the hole made by Jackie on the side of her handbag so that a
bullet could exit the barrel installed inside the handbag. The Inspector says "All
right, you treacherous swine. You warn you. I can see every move that you make".
This means that he is watching Jackie and her handbag.
Picture 3 shows The Inspector holding the keyhole after removing it from the door.
He says "Deux-Deux. Come here, dear boy. What do you see when you look
through this keyhole?". Deux-Deux takes a peek and then screams "Oh!
Magnifique! Arriba! Carumba!". The Inspector says "Control yourself, Deux-
Deux. Away, away!". Apparently, Deux-Deux is totally impressed after what's
inside the keyhole because he says "I never see anything like this one before".
This means that Jackie's firearm inside her handbag is a custom-made job never
seen before by anybody.
Picture 4 shows The Inspector shot again through the keyhole. This means that he
is not allowed to see what's inside. Only Deux-Deux can see it because Deux-Deux
is US Supreme Court Chief Justice saying "Si".
Picture 5 shows The Inspector flattened again by Matzmobile driven by Matzoriley

(Mozzarella) after he says "Come out of there or I shoot by the time I count to
three. One. Two...". This illustrates Jackie's bullet shot and Clint Hill's first bullet
shot. When The Inspector says "Three" while flattened under the door and shooting
one bullet that goes nowhere he illustrates Clint Hill's second bullet shot.
Picture 6 shows eight white police carts outside so called Matzoriley's hideout. The
Inspector says "Our guys have closed in on the Matzoriley's hideout and
surrounded it". This illustrates all eight white marks in Zapruder frames 313-315,
two of them removed later by JFK killers.
Picture 1 (fifth set of six pictures) shows De Gaulle Stone in a "glass of cool
water". This is because the Jackie head says "We can't get caught with a hot
diamond on us" and the Wong head says "Confusion [Confucius] always place for
hot ties in the glass of cool water...Observe. Diamond enjoying welcome
incognito". This illustrates the fact that the only way to stop burning of White
Phosphorus is to cut off the supply of oxygen, e.g. to submerge it into water. Since
White Phosphorus is symbolically white, water with added White Phosphorus will
also become white like ice water.
Picture 2 shows The Inspector and a bunch of Doo-Dooz arresting Matzoriley after
The Inspector orders "Spread out and search these premises and also the grounds".
This illustrates cleaning up JFK limo (premises) after JFK assassination and
searching the area around the Grassy Knoll and the tunnel (grounds) for any
fragments of bullets and White Phosphorus.
The Inspector says "Ice water! I hereby confiscate this ice water in the name of
thirst". Then he drinks the ice water with the evidence. This illustrates JFK dying
with all the remaining evidence still inside him. This means The Inspector becomes
dead JFK.
Picture 3 shows an ambulance marked "Merci-Wagon". This illustrates Air Force

One with LBJ thanking Jackie for his Presidency, and flying to so called Paris
(Washington, DC). The coffin with JFK is somewhere inside it.
Picture 4 shows so called "Paris Infirmary" where The Inspector is taken for
surgery. This illustrates the Bethesda Naval Hospital doing JFK autopsy (so called
biopsy). The moon symbol illustrates a naval anchor with hooks on both sides, i.e.
a naval hospital. Picture 5 shows the main building of Bethesda Naval Hospital so
that you can compare both.
Picture 6 shows so called surgeon examining De Gaulle Stone. He says "Very

expensive-looking gallstone. Nurse! Send this to the lab for biopsy". He illustrates
JFK autopsy (biopsy) done for so called US Congress. The big round mirror on his
head stands for the dome on US Capitol building.
Picture 1 (sixth set of six pictures) shows the surgical lights hanging from the
ceiling. There are twelve light bulbs, eight inside yellow boxes and four inside red
boxes. Those inside yellow boxes stand for the total of eight white marks in
Zapruder frames, two of them erased later making six visible in frames 313 and
314. Those inside red boxes stand for four explosions, two made by Jackie's
cartridge and two made by two bullets fired by Clint Hill.
Picture 2 shows The Inspector lying in a "hospital bed". This illustrates JFK in his
grave at Arlington National Cemetery in Washington, DC. The Inspector says
"Whenever I think of De Gaulle case it brings my tender memories to me". These
memories are as tender as the hook noses made them tender for JFK. One of the
"tender memories" is to cross-shaped bandaid he is trying to pull off. This is the
cross on JFK grave marker, shown in picture 3. Picture 3 has been cropped from
the movie JFK which means its makers had this cartoon in mind when placed the
red roses with green leaves on the right side of picture. Compare the roses in
pictures 2 and 3. The marker on JFK grave was slightly different in 1965 when this
cartoon was made but it had a cross too. However, the "tender memories" also
refer to the two little things sticking out from under white bedsheet. These are two
white marks M5E and M8E (two tender memories) that died with JFK.
Plastered In Paris cartoon (1966)
Plastered In Paris is the fifth cartoon in the series The Inspector ( youtube link).
In this cartoon, The Inspector and Deux-Deux chase a fugitive known as "Mr. X"
across Africa. Apparently, it gave birth to the name of character Mr. X in the movie
JFK where it plays a different role. In this cartoon, Mr. X is a secret agent who
makes The Inspector and Deux-Deux go through the assassination steps like JFK.
At the end, the identity of Mr. X is revealed as JFK himself. The Inspector plays
the role of JFK. Deux-Deux plays Jackie giving JFK illegitimate medications in the
morning and then he hangs around playing JFK with The Inspector. Mr. X plays
Jackie shooting her bullet and dart. A big African wild cat plays Clint Hill shooting
his two bullets in the tunnel disguised as a tent. There are also short references to
the white marks, including two erased ones.
Picture 1 shows The Inspector and Deux-Deux eating their sandwiches. The
Inspector says "Sergeant Deux-Deux and I were having lunch together". This
illustrates JFK discussing his medications with Jackie. Apparently, Jackie gave
him illegitimate medications before the motorcade in Dallas. Instead of eating his
own sandwich, The Inspector wants to eat Deux-Deux's sandwich. He says to him
"Hand it over. That's an order".
Picture 2 has three parts, each cropped from a different frame a few seconds apart.
They show The Inspector getting very agitated after eating Deux-Deux's sandwich.
Deux-Deux describes his sandwich as "My favorite. It's Tabasco, chili peppers and
garlic". These are very hot ingredients illustrating medications that are opposite of
relaxing or paralyzing medications, esp. muscle paralyzing agents like curare
illustrated later by so called Laughing Gas. The idea is to create a violent conflict
between two opposites. This is also a Perfume-as-WhitePhosphorus.
Picture 3 shows the car dashboard in order to illustrate the instrument panel on Air
Force One. This means JFK is about to fly from Fort Worth to Dallas.
Picture 4 shows Mr. X driving a yellow car. The yellow color is a reference to the
color of White Phosphorus when burning. The rays around the sun illustrate the
star (compass) inside the CIA seal.
Picture 5 shows Mr. X activating so called Laughing Gas installed in the trunk of
his car. The Gas plays the role of curare. The stream of Gas illustrates Jackie's dart
flying from Jackie's dart gun toward JFK's left thigh.
Picture 6 shows The Inspector and Deux-Deux inside the cloud made of the pink
Laughing Gas. This illustrates JFK absorbing curare.
Picture 1 (second set of six pictures) shows The Inspector and Deux-Deux crashing
into a tree. The Inspector says "It's so funny, Deux-Deux. Pain is unbearable!".
This illustrates JFK in extreme pain and unable to react when a violent conflict
between two opposite agents (agitating and relaxing) totally paralyze his body.
The Inspector says "Like all fugitives, Mr. X was constantly on the move...I've
decided that the best way to effect his capture was to take him by surprise". This
describes Jackie getting ready for her bullet shot after her dart shot.
Pictures 2 and 3 should be interpreted together. Mr. X is in a boat painted white

and yellow, the colors of White Phosphorus. He is removing the periscope and
making the submarine sink, along with The Inspector inside it. This illustrates
"Atlantic Turkey Shoot" by German U-boats. This cartoon reverses the sinking by
making the submarine sink instead of the ship. In other words, this is an illustration
of Jackie's turkey shoot, specifically the first explosion made inside the cartridge.
The Inspector says "Thrusting this minor setback aside, I began planning my next
move...Things are going to get even warmer for Mr. X...I suggest you surrender by
the time I count to three or your bones will bleach under the Sahara sun". The
minor setback means Jackie's bullet hitting JFK's head. This means that the things
are going to get much warmer for JFK's head when White Phosphorus starts
burning at 5000 F inside it.
Picture 4 shows Mr. X firing a big gun at The Inspector. This illustrates the
explosion inside Jackie's bullet and inside JFK's head. The yellow background of
Sahara desert illustrates burning White Phosphorus in yellow color. The two
humps on camel illustrate the same thing as his two-pointed hat.
Picture 5 shows The Inspector and Deux-Deux inside a heavy sandstorm. The
Inspector says "For two days, we doggedly trailed X through the worst sandstorm
in history". This illustrates two Zapruder frames 313 and 314 showing heavy
clouds around JFK's head, made of smoke and his gore. Picture 6 has been cropped
from Zapruder frame 313 for a quick comparison.
Picture 1 (third set of six pictures) shows The Inspector and Deux-Deux walking
"up the snowy slopes of Kilimanjaro" during tracking of "elusive Mr. X". This
illustrates the white marks left behind by PWM, a chunk of White Phosphorus
flying after PBF. Here, Mr. X plays the role of both PBF and PWM.
Note that Deux-Deux says "I think I've got two blains [chillblains] all over my
foot". This means that Deux-Deux stepped on two white marks M5E and M8E and
simply erased them.
Picture 2 shows the parachute used by Mr. X to escape. This is another illustration
of the white marks in addition to the "snowy slopes of Kilimanjaro".
Picture 3 shows The Inspector and Deux-Deux landing on a parachute made of

tent, directly on top of a big African wild cat. The tent illustrates the tunnel under
the triple overpass. The cat is Clint Hill who is about to shoot JFK in the tunnel.
Deux-Deux says "I think we've got another nasty situation in this tent with us".
Picture 4 shows The Inspector beaten by the cat inside the tent. This illustrates
Clint Hill's first bullet shot in the tunnel.
Picture 5 shows the cat's paw missing The Inspector. This illustrates Clint Hill's
second bullet shot in the tunnel.
Picture 6 shows X marks on the noses of The Inspector and Deux-Deux to illustrate
the "secrecy" about JFK assassination and "obviousness" as the nose on one's face.
Picture 1 (fourth set of three pictures) shows The Inspector falling apart. Deux-
Deux says "I shape to see a man to go to pieces like that". Notice the colors on
Deux-Deux. The top of his hat is pink to illustrate Jackie's pink pillbox hat. The
liner of his coat is red pink to illustrate Jackie's pink suit. His coat on outside is
blue to illustrate Jackie's handbag. The Inspector going to pieces illustrates JFK
after Jackie's bullet shot. Count the number of pieces. The count is six because
there are six white marks visible in frames 313 and 314. This means the cartoon's
title Plastered In Paris mainly refers to the six white marks treated as a white
plaster that came from JFK. Jackie's pink dress came from Chanel in Paris, hence
Plastered In Paris.
During 1964 Democratic Party convention, RFK (JFK's brother) recited a quote
from Shakespeare's Romeo and Juliet that supposedly Jackie had given him "When
[he] shall die, take him and cut him out in little stars, And he will make the face of
heaven so fine". This means that Deux-Deux loves to quote Shakespeare.
The Inspector says "I am all right except for a scratch or two". There are actually
two scratches (marked X) on his head. They illustrate two bullet holes in JFK's
head.
Picture 2 shows the true identity of Mr. X. The Commissioner introduces him as
Physical Training (P.T.) instructor. However, P.T. stands for Patrol Torpedo. JFK
was a PT instructor after his back injury during WW2. Before that, he commanded
PT-109 (Patrol Torpedo) boat.
Picture 3 shows The Inspector having a physical fit on the P.T. instructor after he
reveals his identity. This is one JFK beating another JFK.
Cock-A-Doodle Deux-Deux cartoon (1966)

Cock-A-Doodle Deux-Deux is the sixth cartoon in the series The Inspector
(youtube link). Here, The Inspector is assigned to guard Madame Anne Pouletbon's
jewel, the Plymouth Rock, during the annual charity ball held at her chateau. The
diamond is then stolen, forcing The Inspector and Deux-Deux to find it, as per
orders from the Commissioner. The Madame's past life raising chickens has
resulted in all of her chickens being employed as servants. The Inspector dresses in
a chicken disguise and learns that the butler had indeed stolen the Plymouth Rock
and stashed it inside an egg. However, it is kept in a roomful of identical eggs,
forcing The Inspector and Deux-Deux to sift through each and every one.
The title of this cartoon is borrowed from the popular English nursery song "Cock
a doodle doo" about a rooster singing about its bosses (kiki link). This cartoon
turns the rooster into chicken secretly bossing around their owners, at least the
official ones. This is like the tail (CIA) wagging the dog (The President of the
United States). The chickens are John Connally as a butler chicken, Curtis LeMay
as an ironing chicken, Earl Warren as a clock stealing chicken, etc. The so called
Plymouth Rock is JFK. The Kennedys' compound in Hyannis Port is only about 30
miles from the actual Plymouth Rock in Plymouth, MA. Also, Plymouth Rock is a
chicken breed and it fits into this cartoon loaded with chickens. The name
Pouletbon means Good Chicken in French. In other words, Madame Anne
Pouletbon is Jackie Kennedy.
In this cartoon the expression "Cock-A-Doodle Deux-Deux" is basically a

3Amigos-as-3Bullets. The Cock stands for Clint Hill's first bullet, Doodle stands
for Clint Hill's second bullet, and Deux-Deux stands for Jackie's turkey shoot.
Picture 1 shows Madame Anne Pouletbon's chateau which stands for Hotel Texas
in Fort Worth, Old Red Courthouse, White House, US Supreme Court, etc. The
road leading to the chateau stands for Elm Street. So called "magnificent charity
ball" stands for JFK motorcade in Dallas, specifically JFK assassination (with a
ball/bullet) on Elm Street.
Picture 2 shows Madame pulling her big Rock on a little cart. The little cart is JFK
limo while The Inspector behind it stands for the follow-up car with Secret Service
agents "guarding" JFK.
Picture 3 shows The Inspector taking his eyes off the big Rock because of yellow-
colored beauty. This illustrates so called Connally Choir drawing JFK's attention to
the right side so that Jackie could shoot her dart on his left side. Her hair is yellow
to illustrate burning White Phosphorus, White-as-WhitePhosphorus.
Picture 4 illustrates Jackie on the trunk of JFK limo and screaming "Oh my God!
They've shot Jack!".
Picture 5 illustrates JFK limo on Elm Street under the triple overpass. The columns
on both sides illustrate the rows of concrete columns on both sides of Elm Street.
Picture 6 illustrate General Curtis LeMay nicknamed "Big Cigar". He is known

also as "Bombs Away". That is why his cigar is flying towards his target, i.e. JFK's
head.
Picture 1 (second set of six pictures) shows LeMay's target full of his bombs.
Picture 2 shows The Inspector illustrating JFK hit with Jackie's dart.
Picture 3 illustrates Jackie's past as so called chicken plucker which is a code word
for CIA assassin. This is a reference to things like the letter written by Jackie on
May 7 of 1951, filed in JFK Library, about her work for CIA.
Picture 4 shows The Inspector at the doorway leading to called chateau which is a
code word for CIA guarding the Federal Reserve. The two curly ornaments, next to
green patches, stand for two dollar signs. The chicken in the doorway is called "a
reminder of Madame's humble past", i.e. Jackie's job as a CIA assassin.
Picture 5 shows one chicken eliminating "search for the clues" with a vacuum
cleaner.
Picture 6 shows one chicken ironing pants at a high elevation. This is an

illustration of Air Force General Curtis LeMay flying high in the sky. LeMay is
also known as "Old Iron Pants". Another chicken is stealing his watch that looks
like a clock. This chicken illustrates US Supreme Court Chief Justice Earl Warren.
The clock refers to the famous "five-minute" clock of US Supreme Court,
referenced in the movie JFK.
Picture 1 (third set of six pictures) shows one of the chicken with the big Rock
walking in front of The Inspector and holding a tray with an egg on top. The egg
illustrates the dome on top of US Capitol (Round-as-Capitol) and the tray
illustrates the fountain on the west side of US Capitol (Water-from-Washington).
In other words, the Federal Reserve and its CIA control US Congress. The
Inspector says "Where the chicken would hide such a jewel? They could not
possibly commit a crime of this magnitude.... Could they?"
In picture 2, The Inspector says "I have recorded your entire confession on my ring
tape recorder". The two tapes stand for two missing white marks. The idea for the
tape recorder came from LBJ famous for his secret tape-recording systems.
Picture 3 shows a stack of eggs to illustrate the amount of analytical work that has
to be done in order to interpret the white marks in Zapruder frame. Picture 4
illustrates an analytical method by using the Eternal Flame on JFK gravesite. The
Eternal Flame represents a flame from burning White Phosphorus. The white
marks are painted by such a flame. Picture 5 shows four dancers illustrating the
white marks in Zapruder frame 313. Picture 6 illustrates the final results from
analytical work.
Ape Suzette cartoon (1966)
Ape Suzette is the seventh cartoon in the series The Inspector (youtube link).
Here, The Inspector thinks he is fighting a diminutive sailor with hook nose.
However, an ape Suzette protecting the hook nose gets all the punches in The
Inspector. The ape's name Suzette refers to Dr. Seuss (flipped horizontally like
"We") whose real name was Theodor Geisel. Geisel was a typical inbred Parasite
heavily promoted as so called "writer". During WW2, Geisel turned to political

cartoons, later published in Dr. Seuss Goes to War. In these cartoons, he
denounced Hitler and Mussolini, non-interventionists like Charles Lindbergh who
opposed US entry into WW2, Japanese Americans as latent traitors or fifth-
columnists. His cartoons were strongly supportive of the inbred cockroach
Roosevelt who worked for the hook noses. Hitler threw the international central
bankers out from Germany and that is why all hook noses were trying to push the
US and England into WW2 which was the biggest scam of the 20th century. Any
scam produces lots of frauds like Curtis LeMay or Earl Warren, both illustrated in
this cartoon. When Deux-Deux is around the hook nose, he does not say "Si"
because he ain't Earl Warren at that time.
The movie JFK makes a reference to this cartoon at movie time 0:02 when it
shows Castro while the narrator says "secret war against communist Castro
dictatorship in Cuba, a war run by the CIA and angry Cuban exiles". Both Castro
and US Military Industrial Complex are two Suzettes. Both apes are doing the dirty
work for the hook noses. Notice that the number outside the room where the hook
nose and Suzette are hiding is 5 (five) meaning US Pentagon.
Picture 1 shows The Inspector practicing his punches on Deux-Deux before an

urgent call comes in about "shipload of bananas hijacked by a gang". At this time,
Deux-Deux is still Earl Warren because he says "Si".
Picture 2 shows the gang house. Notice many triangular shapes on top (Triangle-
as-theFed). The house illustrates the Federal Reserve with its pyramid symbols.
The gang is the owners of Federal Reserve, a bunch of butt-ugly hook noses.
Picture 3 shows a hook nose teaching his ape to stay in his backroom. The ape
plays the role of CIA and US Military Industrial Complex protecting the hook
noses (international central bankers) running the Federal Reserve. The banana
inside the peel stands for "Big Cigar" (Curtis LeMay). The peel itself stands for the
hook nose.
In picture 4, The Inspector says "I intend to wrap up my case against you in this
banana peel". The hook nose says "You ain't wrapping me in no banana peel". In
addition to the hook nose, the white and blue colors on the sailor suit and the
yellow color of banana peel are important.
Pictures 5 and 6 explain the colors. Sailors wear white suits with blue collars. The
white and blue are also flag colors (picture 5) of the country created by the hook
noses on stolen land from which they conduct their terrorist activities around the
world. The yellow peel refers to so called yellow patch/badge (picture 6) used by
many countries in the past to identify the hook noses as Parasites and cockroaches.
Today, the hook noses use the yellow patches to brainwash the dummies that
somebody tried to burn them in big hot ovens because many countries forced them
to work in labor camps to make them useful at least once in their sorry lives. The
sailor is diminutive because the Parasites are diminutive cockroaches you could get
rid of in a single day by merely stepping on them.
Pictures 1 and 2 (second set of six pictures) show Suzette punching The Inspector
through the floor and making him fall into the water which illustrates the fountains
in front of US Supreme Court (Water-from-Washington). This is equivalent to the
scene in A Shot In The Dark where Inspector Clouseau falls into the water next to
a singing Soprano in room 12 (highest musical note). The Suzette's hand plays the
role of so called Invisible Hand doing the dirty work for the hook noses. The
movie JFK uses Castro waving his hand up and down (movie time 0:02) to
illustrate the ape Suzette.
Pictures 3 and 4 show Suzette punching The Inspector through the ceiling and
making him fly through the roof which illustrates the US Air Force Generals like
Curtis LeMay bombing from the sky.
Pictures 5 and 6 show Deux-Deux simply punching and handcuffing the hook nose
without the special tactics used by The Inspector and by approaching the hook nose
when Suzette is not around. Also, Deux-Deux does not say "Si". When The
Inspector blows a whistle, he illustrates so called "whistle stop" which makes WE
(Warren Earl) stop protecting the hook noses. The ape Suzette illustrates Warren
and LeMay.
The Return of the Pink Panther (1975)
The title sequence of this sequel provides an anonymous tip that "the figure of a
springing panther can be seen clearly" (youtube clip). However, Chief Inspector
Clouseau and JFK assassination investigators still cannot catch the Pink Panther
springing right in their faces.
For those who need more tips, watch the title

sequence a little closer. The pink panther wears a
pink hat like Jackie does. The panther uses a white
magician's stick like Jackie uses white magician's
gloves. The panther points the white stick right in
your face like Jackie points her white gloves right in
your face (Zapruder frames 254-258). After
pointing right in your face, the panther points the stick upward to its right side with
light flash like Jackie points her gun upward to her right side toward JFK's head
with gunshot flash. The panther sits in the rear of limo like Jackie does. The
panther smokes a cigarette like Jackie does in her real life. Need more tips?
The movie makes several other references to JFK assassination. For example,
Police Chief Lundallah says "How else could he have avoided our radar field?",
Clouseau responds "He would have needed a very slippery floor to do that",
Lundallah follows "Therefore, the wax". This is a reference to JFK autopsy that
was like wax sculpting of his head to hide Jackie's bullet holes on both sides.
In another scene, Clouseau says to a taxi driver "Follow that car!". Then taxi
driver gets out of the taxi and chases the car on foot. This is a reference to Clint
Hill jumping out of the follow-up car to chase JFK limo on foot.
The Pink Panther Strikes Again (1976)
The movie makes many little references to JFK assassination. Clouseau says "How
is Madame and all the little Commissioners?" and "I received a report... from the
sanity commission...". These are references to the members to Warren Commission
and their Report.
In one scene, Francois says "Do you know what kind of a bomb it was?", Clouseau
responds "The exploding kind". This is a reference to the booster explosive in
Jackie's bullet.
In another scene Clouseau says "Oh, yes. It is obvious to my trained eye, that there
is much more going on here than meets the ear". This is a reference to the exit
would in JFK's right ear, and also Eye-as-theFed.
15. Decoding The Godfather (1972)

The Godfather (1972) is all about JFK assassination, 100%. Every single scene is
a reference to JFK assassination. For example, all top conspirators including Jackie
and Clint Hill as JFK assassins, the how and the when and the where of all bullet
shots, the Fed, JFK autopsy, JFK funeral, etc, from the first minute to the last
minute. The movie even shows the building of Federal Reserve Bank of New York
as the main source of power that orchestrated JFK assassination. The Godfather
received an Oscar in the screenplay category not because the screenplay was so
good, but because the screenplay encoded the details of JFK assassination.
Hollywood inbreds love to award themselves big awards for the tricks played on
you.
The Godfather is basically a sequel to Pink Panther movies, especially to A Shot

In The Dark (1964) from which it borrowed a lot of ideas like pyramid-shaped
objects, turret-shaped objects, party girls to represent US Congress, a wooden stick
to represent Connally's "fractured" radius bone, etc. In the movie, the whole Italian
thing is just a cover. It is all about the central banking faction of Parasitic Ethnic
Group killing JFK. In the movie, the Fed playing field of finance is disguised by
drug business and so called "casino business". The central banking faction runs the
world's finance and illegal drugs. The profits from illegal drugs are used to finance
the goons like CIA to corrupt the whole world. The "casino business" means the
Mafia in Washington DC, composed of US Congress, US Supreme Court, White
House, all controlled by the Fed. In the movie, Las Vegas is a code for
Washington, DC.
Like in the other two major movies decoded for this document, the characters in
The Godfather play different roles depending on the scene. However, some
generalities can be drawn. The family name Corleone stands for Kennedy. The
character Godfather is meant to refer to JFK's father Joseph P. Kennedy, Sr.
However, Godfather also plays other roles like a white mark, LBJ, Jackie, etc. The
attempt to kill Godfather in the presence of Fredo has two meanings. Firstly, it
refers to the attempts to erase the white mark M5E after JFK's death illustrated by
the death of Wolz's racing horse (JFK). Secondly, it refers to the major stroke
suffered by JFK's father in 1961 at the age of 73. He survived, but was left partially
paralyzed. The scene with Michael and Sollozzo in Louis' restaurant suggests that
Jackie had something to do with the stroke. That is why the movie makers chose
Godfather to play the role of Jackie in several scenes. In the movie, Fredo himself
generally plays Teddy Kennedy, JFK's brother. The same clown who wore Jackie's
dart on his lapel during Caroline's wedding. Recall Fredo saying to Godfather "I'm
going to learn the casino business [in Las Vegas]". This refers to Teddy Kennedy
masquerading as a Clown in the US Senate (casino business) in Washington, DC
(Las Vegas).
The character Michael plays mainly JFK, but also other roles like Edward
Lansdale. The character Kay plays mainly Jackie. The character Santino plays JFK
and RFK (JFK's brother). The character Hagen plays John Connally and LBJ until
Tessio takes over the role of LBJ later. The character Wolz plays Henry Wade and
other top Dallas conspirators like Earle Cabell and Bill Decker.
The Federal Reserve System is represented by Barzini, Sollozzo, and Moe Greene.
Before he is killed on a stairway, Barzini plays John J. McCloy. When he is killed,
he plays mainly Allen Dulles. Dulles is also used as a proxy for McCloy. McCloy
himself is killed as the character Don Cuneo. In Italian, the word cuneo means
wedge which is a version of Triangle-as-theFed. The Federal Reserve System
itself (Federal Reserve Act of 1913) is killed as the character Moe Greene.
In the movie, several characters play Curtis LeMay and Edward Lansdale.
However, both die as the characters Stracci and Victor, killed by Clemenza with a
shotgun in an elevator. Vito Corleone (Godfather) introduces them as so called
Victor Stracci where he pronounces Stracci with English key, meaning Victor and
Stracci are two separate persons. Later Michael refers to them both as simply
Stracci with Italian pronunciation. In Italian, stracci means rags which is a
reference to the military service ribbons on two monkeys called LeMay and
Lansdale. Clemenza kills them both with a double barrel shotgun in order to make
a reference to RailroadTracks-as-Lansdale.
The top conspirators from Dallas like Earle Cabell, Henry Wade, Bill Decker,
Jesse Curry, die as the character Philip Tattaglia and his bed partner, killed by
Rocco and another gunman playing the roles of two "studs" from Wolz's stable.
Rocco kicks open the door like the prized racing horse Khartoum (Kennedy) from
Wolz's stable. Recall Wolz (Henry Wade) saying to Hagen (John Connally) "I'm
not gonna race him, though. I'm gonna put him out to stud. Thanks, Tony". Well,
Tony is one of the studs who killed JFK (Khartoum). In the movie, Brooklyn stands
mainly for Dallas.
John Connally dies as the character Carlo. LBJ dies as the character Tessio. Recall
when Tessio is taken away for his final ride, he says to Hagen "Tom, Can you get
me off the hook? For Ol' Times' sake" (youtube link). This is because Hagen plays
LBJ before Tessio does, meaning both play the clones of LBJ but at different
times.
NOTE: I have decided to remove about 100 remaining pages for this chapter
because the chapter is not finished yet. I will include it in a later version of this
document. However, this chapter does not include any major factual information
that is not included in the other two major movies decoded for this document.
the relevant section in the chapter for JFK movie.
16. Decoding movie JFK (1991)

The movie JFK is basically a sequel to The Godfather. Both movies provide
factual information about JFK assassination by using different covers. JFK uses
the cover of fiction about JFK assassination. The Godfather uses the cover of
fiction about Mafia.
Both movies encode secret messages from start to finish, buried under mountains
of noises. All you need is to filter out the noises. This is another symptom of
schizophrenia full of noises among Parasitic Ethnic Group running Hollywood.
The movie makers even let you know about their deception by making Ferrie say
"Oh, what a deadly web we weave when we practice to deceive". It's up to you to
unweave the deadly web. The movie JFK is just another deception about JFK
assassination. All the deceptions only delay the inevitable before the second Big
Bang! takes place!
The movie JFK is like two parallel rails of a long railroad track. One rail is the
noise for dummies, and the other rail is the signals for decoders. The rail for the
dummies is loaded with fiction that apparently came from the books On the Trail
of the Assassins by Jim Garrison, and Crossfire: The Plot That Killed Kennedy by
Jim Marrs. Keep in mind that all books of this type are written by parasitic
nutcases suffering from mental diseases. Jim Marrs is known to promote many
little green people who appear to attack his deficient brain quite often. Jim
Garrison is another mental case who only created diversions and smokescreens by
using the corrupt legal system controlled by JFK killers to fight JFK killers. In
reality, both Jim Garrison and Jim Marrs knew very early that Jackie and Clint
killed JFK. You have to realize that all cockroaches protect the dirt because the dirt
is the sole reason for their existence.
The other rail is loaded with encoded messages about the real facts pertaining to
JFK assassination. This is how the cockroaches communicate among themselves.
This rail is also used to clarify many ambiguous scenes from The Godfather. For
example, Clay Shaw moves his middle finger in a very noticeable way in order to
clarify which finger Godfather used to indicate the bullet entry point on JFK's jaw.
Jim touches a purple substance on Ferrie's makeup desk in order to clarify the
purple spot made up on McCluskey's forehead. The rail for the decoders comes
also with a comedy with lines better than those coming from Chief Inspector
Clouseau in Pink Panther comedies. The movie refers to the decoding process as
Easter Egg Hunt or Tribal Rituals. In case you do not know, the Hollywood
cockroaches are part of one world-wide network of Parasites called The Tribe,
hence Tribal Rituals.
JFK was nominated for eight Academy Awards including Best Adapted
Screenplay (Oliver Stone and Zachary Sklar). It won two awards, for Best
Cinematography and Best Film Editing. After decoding of this movie, I came to
the conclusion that there is an extensive underground network in so called "JFK
assassination research industry" spending most of their time how to masterfully
encode factual information about JFK assassination. Hollywood cockroaches
always come up with their little tricks to fool the dummies about how their movies
are based on this book or that book, when in fact the books are just covers/fronts.
According to Kikipedia, Oliver Stone hired Jane Rusconi, a fresh graduate of Yale
University, to lead a team of so called "researchers" for this movie. Kikipedia even
says that Stone read two dozen books on the assassination while Rusconi read
between 100 to 200 books on the subject. In reality, Stone and his little toy called
Rusconi were just fronts for a huge underground network of "researchers" who
spoon fed them all the signals including the noise. Oliver Stone and Zachary Sklar
are just fronts for this network. There is no way two people would come up with so
many diverse ideas into one consistent package. If such network exists for one
topic then the same network encodes information for other topics. In other words,
in order to get legitimate information you have to think like a cockroach or you
have to get rid of all the cockroaches. Otherwise you are just a sucker.
The movie JFK lists all top conspirators in JFK assassination. Outside JFK
assassins Jackie and Clint Hill, the most referenced conspirators are Earl Warren,
Curtis LeMay, John J. McCloy, Allen Dulles, Edward Lansdale, Henry Wade, John
Connally, and LBJ. The movie also references other conspirators like Earle Cabell,
Thomas Power, Kenneth O'Donnell, Lloyd Bentsen, Bill Decker, Jesse Curry,
Aristotle Onassis, Douglas Dillon, and Edgar Hoover. The demented LeMay was
not much more than an ape like Castro working for the same central banking hook
noses. The main question is who their owners are. The movie provides a clue
during the scene at a horse racetrack where Jack Martin says "One guy, I don't
know, big, white hair. I saw him come in the office once. He looked out of place,
y'know, like a society guy....He had something to do with money because Banister
[Allen Dulles] never kissed anybody's ass but he kissed his". The secret guy is John
J. McCloy, the Chairman of Chase Manhattan Bank from 1953 to 1960, a bank
controlling the Federal Reserve System. He was also the Chairman of the Council
on Foreign Relations (CFR) from 1954 to 1970.
As already mentioned, the movie includes short clips from old film. These clips are
needed to decode many scenes throughout this movie and The Godfather. For
example, there is an old film that shows Allen Dulles getting into a car with his
chauffeur holding door for him. In some scenes, the movie inserts defect-looking
symbols into selected frames. For example, a seahorse in the sky behind telephone
lines, a middle finger on Old Red Courthouse, a hanging noose around Cabell's
neck or over McCloy's head, etc.
In JFK, the movie makers flip horizontally many video frames. I believe they do it
for several reasons. Firstly, the flipping is used as a diversion when the frames are
meant to make references to some familiar images. Secondly, the flipping is used
to make it tougher for the code breakers to decode the movie. Thirdly, the flipping
is used as a technical necessity implied by the context. The movie makers let you
know about the flipping by making Ferrie say "Everybody keeps flipping sides. It's
fun and games" (movie time 1:40 during the hotel room scene). In many sections, I
point to which frames are flipped. I unflip some of them, while letting you know
about it. The idea for flipping sides probably came from the schizophrenia among
members of Parasitic Ethnic Group (hook noses) known to be the biggest
Criminals always masquerading as the biggest Victims, hence the flipping. The
best example of their flipping is their Holohoax where Germans allegedly tried to
smoke "six millions" of them in big hot ovens, when in fact Americans and British
manipulated by the hook noses smoked Germans with their firebombing of
German cities like Dresden. So called "six millions" actually came to the US and
polluted American cities with their filth.
Unfortunately, I have not had the time to fully decode the movie. I estimate that I
have decoded at least half of all signals and at least three quarters of the important
signals. It is not possible to decode selected scenes. The whole movie has to be
decoded as one unit because many scenes are interrelated. On top of it, other
movies and cartoons have to be decoded because JFK references them. This takes
a lot of time. When I completed my computer simulations in June of 2013, I
decided to look closer at JFK and The Godfather because most readers would be
more interested in the movies than the math and logic in the analytical chapter. At
that time, I was not aware that JFK had so many signals buried inside the typical
noises. I had to make several cycles through the movie, in each cycle detecting
new signals after detecting signals in other parts of the movie. Since I wanted to
release the document before the 50th anniversary, the decoding is not fully
completed meaning some signals are still hiding behind the noise. However, the
300 pages for the JFK chapter alone is a good start for those who want the find the
remaining signals.
NOTE: The biggest topic of the whole movie are the eight white marks M1E to
M8E, and the projectiles PWM and PBF. This means that you have to know the
basics about these concepts. You do not need to dig through the technical details.
The basics are sufficient for this movie. The analytical chapter has plenty of
introductions with pictures. The chapter Symbolism in three major movies
provides the instructions how to use this chapter. The movie JFK makes references
to Dal symbols like his curly whiskers, eggs, gilded mannequins, his museum, etc.
Consequently, read the section devoted to Dal.
Common names identifying roles
The movie characters play specific roles in JFK assassination, sometimes

conflicting roles at different times, like schizophrenic patients. The movie extends
this concept to the extreme by switching the roles/identities between characters
quite often. Also, one character could play multiple roles at the same time, usually
one role on left side and another role on right side, sometimes multiple roles per
each side. During the final scene with closing arguments, Jim even provides a clue
to all code breakers by referring to so called "transient official" when Allen Dulles
jumps from one character to another within five seconds. Jim also provides another
clue by asking the question "But who was impersonating them?" meaning the
decoding starts with the identity/role of each character. Most of the time, the movie
provides clues how to identify the roles. However, sometimes the roles have to be
identified by elimination. Some names are used explicitly and fairly consistently to
identify the roles. For example, the names Boss, Chief, Chief Justice, District
Attorney, Garrison, have special meanings that have nothing to do with the
meanings assumed by most.
The Boss refers to John J. McCloy, the Chairman of Chase Manhattan Bank from
1953 to 1960, a bank controlling the Federal Reserve System. He was also the
Chairman of the Council on Foreign Relations from 1954 to 1970. He was the top
Boss of JFK assassination. However, Boss sometimes doubles or acts alone as the
sound made by one of three bullets fired by Jackie or Clint Hill. The first letter B
of Boss makes a voiced consonant by using both lips (bilabial) that sounds like an
explosion. It is even called a plosive like in explosive. The second letter o makes a
vowel sound acting like a short time delay. The last letters ss are made of voiceless
consonants that sound like hissing made by bullet's fragments flying/spinning
through the air. The movie A Shot In The Dark uses the sound made by
expression "Pssst..." to play the role of hissing sound similar to the sound made by
"Boss".
The use of Boss is not the only common way to refer to McCloy. Another common
way is the use of All-Seeing-Eye (Eye-as-theFed) appearing on one lens of Jim's
eyeglasses, often associated with a Lens-as-Explosion. Other references to
McCloy are made through a Triangle-as-theFed or financial topics. A relatively
frequent way to get to McCloy is the use of Allen Dulles as a proxy. That is why
Jim uses Dulles when he says "transient official" because of the additional
meaning that Dulles could stand for McCloy. Dulles was just an ape attached to a
pipe. His role was to provide a face for the butt-ugly central banking hook noses
hiding in the sewers of New York City and City of London.
The Chief refers to Earl Warren. However, the title Chief Justice refers to Zapruder
film and not a person because the digital data encoded in this film are the absolute
Justice as the analytical chapter of this document proves.
The Garrison refers to Curtis LeMay because a garrison is a group of military

troops. However, Garrison sometimes doubles or acts alone as the military
meaning of garrison referring to a bunch of metal fragments released from Jackie's
bullet (PBF). Since PBF was much heavier with more initial energy, it flew much
faster and much farther than PWM.
The District Attorney refers to Henry Wade. Wade was the Dallas County District
Attorney. District Attorney Garrison refers to two separate roles Henry Wade and
Curtis LeMay. Sometimes the script lines have to be carefully parsed. When one
character calls another character by a given name, the name could actually apply to
another character. Many clues have to be watched and it is easy to make mistakes.
In many scenes, Curtis LeMay can be spotted by military music in the background.
Clay Shaw and Jim are two main characters playing Curtis LeMay, in addition to
other roles.
The main character playing JFK is Oswald. Sometimes Ruby plays JFK. Since the
deaths of Oswald and Ruby are the most prominent deaths associated with JFK
assassination, Oswald and Ruby also play the two erased white marks M5E and
M8E respectively. The first name Jack is normally used for a character playing
JFK. For example, Jack Ruby and Jack Martin both play JFK.
Clay Bertrand/Shaw is frequently described as having so called limp. The limp is a

code word for stoop. There is a public letter written in 1985 by General Victor H.
Krulak and addressed to L. Fletcher Prouty where it says "That is indeed a picture
of Ed Lansdale. The haircut, the stoop, the twisted left hand, the large class ring.
It's Lansdale" (youtube link). The picture shows three hoboes/tramps, two Dallas
cops, and a man identified as Edward Lansdale. It is not clear what Krulak meant
by stoop because Lansdale photos do not show a stoop on him. However, it is clear
that the movie makers use the stoop to identify Lansdale through the secret code
name limp. Also, they do not show the stoop directly on any of the characters
playing Lansdale, including Mr. X. They show it indirectly through the heavy stoop
on one hobo walking closest to Lansdale in the picture of three hoboes. In the
movie, the character playing this particular hobo also walks with a heavy stoop.
The hobo stoop is actually meant for Edward Lansdale. The movie makers also
present Lansdale as homo which is the closest word to hobo. The movie frequently
uses proxies to encode the roles. One example is the scene with Mr. X in
Washington where the first frame shows Lincoln Memorial used as a proxy for US
Supreme Court because both buildings look similar. This means that all the
references to so called limp, like "Bertrand/Shaw with his limp", illustrate both
LeMay and his stooping monkey Lansdale. That is why Ferrie says "Stupid,
right?" to Bill who plays LeMay at that particular moment, because LeMay was
stupid with a stoop.
The movie frequently encodes signals by using proxies. For example, Lincoln
Memorial as a proxy for US Supreme Court, Lemnitzer as a proxy for LeMay, Dan
Quayle as a proxy for Lloyd Bentsen, William Ramsey Clark as a proxy for RFK,
Nelson "Nellie" King as a proxy for Nellie Connally, Prouty as a proxy for
Lansdale, coffee pot as a proxy for teapot, a sign on one side of National Archives
as a proxy for another sign on the other side of the same building, the stoop on
hobo as a proxy for stoop on homo (Lansdale), etc. You always have to keep in
mind what David Ferrie says (movie time 1:40) "Everybody keeps flipping sides.
It's fun and games...There's more to this than you can dream!".
In addition to his main role of playing LeMay, Clay Bertrand/Shaw often plays the
roles of White Phosphorus because of his white hair. This includes the "blob" on
JFK's head, the PWM projectile, or a white mark (esp. M8E). When he plays the
roles of White Phosphorus, he usually holds his cigarette holder by using his
thumb in addition to index or middle finger, and keeping the smoldering cigarette
next to his head making the smoke rise along his head to suggest burning White
Phosphorus. He can switch the roles between LeMay and White Phosphorus
quickly and out of the blue refer to Jim as Garrison. If he keeps his cigarette holder
between his extended four fingers without using his thumb then he plays LeMay,
or at least his side holding the cigarette holder plays LeMay. The brown cigarette
holder plays the role of a cigar, specifically the "Big Cigar". A long cigarette
without a holder is normally reserved for Lansdale, or Jackie's dart depending on
context.
Judging by the Internet, the most referenced characters in the movie JFK appear to
be Mr. X and Mr. Y from Washington, DC. Everybody seems to assume that Mr. X
plays Leroy Fletcher Prouty who publicly connected Edward Lansdale to JFK
assassination, while Mr. Y plays Edward Lansdale. However, this is a gimmick.
Mr. X plays the actual Edward Lansdale while Mr. Y plays Curtis LeMay.
Another recurring name is "picket fence" which is a code for the row of concrete
columns on the right side of Elm Street in the tunnel under the triple overpass. The
movie illustrates the "picket fence" mostly with the wooden picket fence behind the
Grassy Knoll, sometimes with the concrete colonnade on the east side of Dealey
Plaza or the concrete balustrade on top of triple overpass. Clint Hill fired his two
bullets next to this "picket fence". Another recurring name is "frontal shot" which
is a code for first shot meaning Clint Hill's first bullet shot or Jackie's dart shot
depending on the context. The frontal shot is not a shot to the frontal part of head.
The chapter about symbolisms lists many common clues that I have identified in
all three movies. The hand gestures provide the best peephole to see what's going
on behind the scenes.
In JFK, there are many references to so called Cubans as the conspirators in JFK
assassination. Sometimes, the movie calls them businessmen. The Cubans is a code
word for the goons like Curtis LeMay. At the beginning of the movie, during clips
from old films, the narrator says "war run by the CIA and angry Cuban exiles.
Castro is a successful revolutionary". The Cuban exiles is a code for useful idiots
in Military Industrial Complex, CIA, US Congress and Supreme Court, etc,
manipulated by the hook noses running the Federal Reserve from New York City
and City of London. Castro is a code word for Curtis LeMay. LeMay liked to
celebrate his victories by smoking Cuban cigars. Both the real Castro and LeMay
were two apes working for the same hook noses. The Godfather uses a code
similar to Cubans by using the name Corleone to refer to Kennedy.
Another recurring name is "New Orleans" which normally stands for Washington,
DC, meaning "The Big Easy" (New Orleans) for JFK killers where they get
immunity from prosecution for all crimes thanks to the nine goons calling
themselves Justices of US Supreme Court. One scene refers to Washington, DC, as
so called Louisiana run by daddys meaning the hook noses from the Federal
Reserve System. Another recurring name is wind, especially when used as "in the
wind". It refers to Curtis LeMay blowing smoke in the direction of anyone

challenging his position. The scene with Mr. X in Washington provides the clues.
References to dining and restaurants
The movie often makes references to many aspects of dining because JFK was
cooked like a meal, using White Phosphorus burning up to 5000 F. The movie
uses JFK limo to illustrate so called long dining table for the killers. Most of the
kooks cooking their books full of crap about JFK assassination know this and if
you do not know this then you better stock up on lots of guns and ammo for "Pest
Control", long overdue in your dirty kitchen.
The movie uses two real restaurants in New Orleans to illustrate two assassins.
Antoine's Restaurant stands for Jackie, while Broussard's Restaurant stands for
Clint Hill. Both restaurants are part of so called Grande Dames of Creole Dining
in New Orleans. At the end of the movie, Shaw says as LeMay "I should go home
and cook some touffe". The touffe is a French term meaning suffocated, used to
describe a Cajun dish cooked by smothering. JFK was suffocated with Jackie's
curare, and then cooked by White Phosphorus burning up to 5000 F. The cooking
was arranged by Curtis LeMay after his fishing.
The purpose of Antoine's Restaurant is to make a reference to the novel Dinner at

Antoine's (1947) by Frances Parkinson Keyes. The novel is a murder mystery
using the "least likely person" to be the murderer, based on the principle that
everybody must be suspected. This provides an appropriate background for Jackie
as JFK assassin. One of the scenes shows Jim's wife Liz playing Jackie inside the
actual Antoine's Restaurant located in French Quarter of New Orleans. However,
this restaurant has another special meaning through its address, 713 St Louis Street.
Recall the scenes from The Godfather where Michael, Sollozzo, and McCluskey
take a car trip to Louis' restaurant in Bronx, and then Michael kills Sollozzo and
McCluskey inside the restaurant. So called "restaurant" is Elm Street in Dealey
Plaza, and its restroom is the tunnel on Elm Street under the triple overpass where
Clint Hill killed JFK. The movie JFK has three scenes with Antoine's Restaurant,
the first one with Jim driving a car along St Louis Street that is equivalent to
Michael's car trip, the second one with Jim inside Antoine's Restaurant that is
equivalent to Michael killing Sollozzo and McCluskey, and third one with Liz and
her kids making a reference to "least likely person" to be the murderer.
The movie A Shot In The Dark uses the character Kato in the role of Dinner at
Antoine's. For example, Clouseau says to Kato "No matter what the circumstances
always anticipate the unexpected....had you been a real assassin you might have
killed me...you must learn to attack me whenever and wherever I least expect it".
The purpose of Broussard's Restaurant is to make a reference to its horse stables.

Some of the dining rooms of this restaurant were constructed in 1831 and
originally used as horse stables. The significance of horse stables comes from The
Godfather, specifically the scene where Wolz takes Hagen to his horse stables in
order to show off his prized racing horse Khartoum which stands for Kennedy.
The Godfather also started the reference to Horse's Skull With Pink Rose. During
the scene inside Wolz's stables, you can see two Black guys taking care of
Khartoum. One guy wearing a hat is Tony who plays Jackie wearing her pillbox
hat. The other unnamed guy keeps a brown packet in his right back pocket. The
packet represents the holster worn by Clint Hill on his right side. Wolz also says
"I'm gonna put him [Khartoum] out to stud". This means that Wolz will put JFK
out by using Clint Hill (stud).
In the movie JFK, the character Bill Broussard is fictitious. His main role is to
play Clint Hill, although other characters also play Clint Hill while Bill plays roles
other than Clint Hill. In the movie, anytime somebody refers to Bill as Broussard,
he plays Clint Hill. The movie does not use the name Broussard through the
restaurant itself. All the references are made through Bill Broussard. The movie
has one scene ("Pipe the Bimbo in Red") that appears to be taking place at
Broussard's Restaurant in New Orleans, without actually mentioning its name.
That scene makes a reference to Clint Hill's first bullet that killed JFK by
generating loud noises at dinner table and making all people around turn their
heads.
Another significance of Broussard's Restaurant is that it has Napoleon dining

room. The movie uses this name to refer to so called Napoleon's (bar) where Jim
goes to watch TV about JFK assassination. In the movie, Napoleon is a code for
John J. McCloy who was a short man like Onassis around 5'5". In other words,
JFK was a "dining room" for McCloy (Napoleon)
White marks and projectiles as top signals
The movie makes extensive references to the white marks in Zapruder frames 313-
315, PWM and PBF projectiles, the "blob", key angles of Jackie's bullet shot and
orientation of JFK's head, etc. Virtually, the whole movie is about eight white
marks, three bullets, and one dart, making it a movie about The Dirty Dozen.
Consequently, at least scan through the analytical chapter to familiarize yourself
with the concepts. The movie does not provide the technical details like exact
locations inside Zapruder frames. It only illustrates the existence of individual
white marks, basic relative order and shapes, two erased white marks and six
surviving white marks, etc. It also illustrates the principles behind PWM like
rotations, source of light on one side, etc.
The scene with Julia Ann Mercer and Jim suggests that FBI itself managed the
cover-up of the white marks. Jim says as Curtis LeMay "As a former FBI
managed, it's difficult to accept this", where this stands for the white marks.
The zip package includes Zapruder frames 313-315 where I added all eight white
marks, six visible ones plus extra two erased by JFK killers but recovered by
advanced computer simulations. Technically speaking, there are two sets of white
marks where one set are the actual white marks. I call the other set simply marks
because they are just points defined by a single pair of coordinates like a single
pixel. Each mark corresponds to the exact location of PWM projectile at a specific
time. For each mark, there is one white mark as painted in Zapruder frames, as a
result of camera panning during exposure time, the shape of light from burning
White Phosphorus at that time, and any potential blurring attempted by JFK killers.
A white mark is what you see in Zapruder frames. A mark is an exact point located
slightly to the left of its white mark. The analytical chapter provides the details.
The movie uses many code names for the white marks, different for each scene. In
the analytical chapter, I assigned unique names to them. Starting from JFK's head
the names are: in Zapruder frame 313 (M1E, M2E, M3E, M4E), in Zapruder
frame 314 (M5E, M6E, M7E), and in Zapruder frame 315 (M8E). Two white
marks M5E and M8E have been erased, meaning only two frames 313 and 314 out
of the original three frames still show the remaining six white marks. Two white
marks M3E and M7E look similar and the movie brings up this similarity in
several scenes. The white mark M6E has been smeared as a result of erasing the
white mark M5E near it, and the movie also brings this up.
Some of the secret codes for white marks are: Top Secret, maggots, cottonballs,
bugs, worms, crap in the wind, bullshit, Communist leaflets, Communist

insurgents, birds, confetti, boys, kids, white strangers, hate mail, bad news,
witnesses, milk, white togas, Dallas' finest, Dallas Mob, chain of evidence, Mardi
Gras, parade route, mugshots, fingerprints, white matter, panache, bit of truth,
wheels, heavy traffic, family, geese, wounds, assistants, public records, vouchers,
transfer of funds, illegal political-espionage activities, Civil Air Patrol unit,
"Literaturnaya Gazeta from Moscow", telephone call, America's commercial
pipeline, signature, twinkles, no angels, flash of light, shots, Canal Street,
Carondolet Street, Devil's piss, ice skating, intelligence mission, talk show, Twenty
Dollars, freckles, etc.
Some of the secret codes for erasing of two white marks are: digging deep, geese
hunting, geese bagging, putting hurt, taking the kids, changing the locks, changing
the phones, getting a bodyguard, elimination, expelling, suing (rag of a
newspaper), resignation, pardon, cover-up, stake in the matter, infighting between
assistants, Jim drinking milk, cutoff signs made by stage manager, etc.
Some of the secret codes for two erased white marks are: Oswald (M5E) and Ruby
(M8E), Bill (M5E) and Lou (M8E), Brutus (M5E) and Cassius (M8E),
international businessman (M8E), sonofabitch, pimp, "DA Witch Hunt", arrests,
bagman, dead ducks, foot soldiers, crackpot, a crank making calls, rags, cellmates,
asinine articles, smiles, villains, hoboes, the man on the truck, deaths, Warren's
eyeballs, two prisoners with their hands behind necks, paperclips, masked clown,
red napkins, Jasper, Virginia, Susie, Liz, RFK, etc.
Some of the secret codes for the six surviving white marks: wise bunch of birds,
"Kennedy is Alive", etc.
Some of the secret codes for Zapruder frames with white marks are: landlady,
garage, affidavits, statements, Oreo cookies, memos, Chief Justice, sacred cows,
character witness, lawmen, punks, cans, Chippendale dining table, page, green
leaves, green pickup truck, fireplace, briefcase (top-frame design), office,
conference room, phone, bushes (because of the green grass), lawn, Quarter, bars,
bricks, Masquerade Bar, newspaper, nations, Pentagon, Vietnam, Christmas,
busboy tray, conference table, a framed diploma, TV audience, etc.
Some of the secret codes for the "blob" on JFK's head are: great actor, a local boy,
Shaw, cottonball, smoke on the knoll, white stranger, smoke behind the hedge,
homosexual, Shaw's white hair, white handkerchief, etc.
Some of the secrets codes for PWM are: intelligence agent on a mission, not a real
defector, telex, volunteer, US personnel, withdrawal, star on notary seal, pilot,
corner of my eye, white bundle, Ferrie, Jean Hill, etc.
Some of the secrets codes for PBF are: real defector, volunteers, arms deal,
railroad workers, guns, US personnel, withdrawal, an empty tin can kicked by
Oswald across the movie frame, Top Hat (Bowler Hat), Lou, etc.
Some of the secrets codes for Clint Hill's two bullets are: railroad men, Holland
and Dodd, Secret Service badges, etc.
Eisenhower and Military Industrial Complex (0:01)
Right at the outset, the movie starts with the favorite boogie men called "Military
Industrial Complex", and the favorite speech made by the actual mouthpiece for
Military Industrial Complex called Dwight Eisenhower, a typical inbred cockroach
produced by Parasitic Ethnic Group. Eisenhower made a name for himself during
the biggest scam of 20th century called WW2. WW2 was all about Parasites using
their useful idiots in USA to get rid of Hitler who had thrown out Parasites and
made Germany prosper while USA suffered through the Great Depression because
of Parasites. The atrocities committed by USA during WW2 make Hitler look like
an Angel. Similarly, the Federal Reserve used their useful idiots in USA to get rid
of JFK who was about to throw out the Federal Reserve. Parasites are known for
causing the problems and then covering the causes by symptoms and blaming their
useful idiots for the causes.
In reality, so called "Military Industrial Complex" are nothing more than saluting
suckers used by the central banking hook noses. The movie shows frequently many
top generals and admirals in negative context as a diversion. At the same time, it
provides clues about the real villains who are the central bankers like John Jay
McCloy, as discussed later. At the same time, the movie frequently provides hints
that so called "Military Industrial Complex" is really a complex made of closet
homosexuals easily controlled by Parasites. That is why the movie brings up the
homosexuality so often. The movie character Willie O'Keefe playing a homosexual
is not a fictitious character like everybody assumes. Willie plays the role of
Edward Lansdale, a Major General in US Air Force who was the main planner of
JFK assassination. When Willie says "People like to act more important than they
are. Especially in the homosexual underworld", he really refers to the scary
"Military Industrial Complex" and its face Edward Lansdale.
The movie also brings up communism very often because it is another tool used by
the central banking hook noses to manipulate the societies. That is why Oswald
could defect to Soviet Union and then come back to United States without any
problems. Oswald was a sucker like the rest of CIA suckers working for the central
bankers. The central bankers operate internationally by controlling all sides,
including the old Soviet Union. That is why the movie uses Willie O'Keefe to say
"Kennedy was killed because he was a Communist" (prison scene around 0:53).
Nothing beats a Homosexual blaming a Communist because one would not exist
without the other.
Watch carefully the Military Industrial Complex speech made by the cockroach.
The cockroach provides a good example of how all other cockroaches operate. The
cockroaches always act as victims. The cockroaches always warn and debate about
dangers. However, this is all part of their schizophrenia which drags you into their
world of false reality and insanity. The only solution is to get rid of the
cockroaches. You will not get any help from science to diagnose the problem
scientifically because all sciences are corrupt to the bone. However, Nature isolates
all cockroaches into colonies under the code words like US Congress, Pentagon,
Supreme Court, Hollywood, Wall Street, etc. The colonies are Nature's way to tag
the cockroaches for easy identification so that you do have to look for them.
Secret war against a shipload of bananas (0:02)
During the opening scenes, the movie flashes many clips from old films. One of
them is so called "shipload of bananas" which is a reference to the cartoon Ape
Suzette, explained in the chapter about Pink Panther. In this cartoon, two main
cartoon characters The Inspector and sergeant Deux-Deux investigate "shipload of
bananas hijacked by a gang". The gang leader is a hook nose protected by an ape
Suzette eating bananas. The yellow peel on a banana illustrates yellow patch/badge
used by many countries in the past to identify the hook noses as Parasites and
cockroaches. The long fruit inside illustrates "Big Cigar", i.e. General Curtis
LeMay and so called Military Industrial Complex including CIA protecting the
hook noses (international central bankers).
Picture 1 shows Castro waving his hand, high and down. He illustrates the ape
Suzette punching The Inspector, once through the floor and once through the
ceiling. In other words, Castro is just another ape like Curtis LeMay along with
Military Industrial Complex and CIA, working for the same hook noses.
Picture 2 shows some buildings, apparently somewhere in Havana occupied by the

ape Castro. The building on the left is important. It has a wedge-shaped corner
facing the camera, like a corner of pyramid lying on its side. Compare it to the
wedge-shaped corner of Federal Reserve building in New York City, as viewed
from the corner of Maiden Ln and Nassau St, shown in picture 3. This is a version
of Triangle-as-theFed. The narrator says in the background "He [JFK] inherits a
secret war against the Communist Castro dictatorship in Cuba". This "communist
dictatorship" is a code for the communist and monopolistic Federal Reserve. The
Federal Reserve of New York is the main branch. The "secret war" refers to JFK
speech about "Secret Societies", made on April 27 of 1961, when he referred to
central-banking faction (hook noses) as the real power in global affairs.
The narrator continues "war run by the CIA and angry Cuban exiles. Castro is a
successful revolutionary...frightening to American business interests in Latin
America". The Cuban exiles is a code word for useful idiots in Military Industrial
Complex, CIA, US Supreme Court, etc, manipulated by the hook noses running the
Federal Reserve. Castro is a code word for Curtis LeMay smoking Cuban cigars.
The Latin America is a code for JFK's head at the bottom of Zapruder frames after
Jackie fired her bullet into his head. Another scene will make it clearer.
Picture 4 shows the first frame in a series of three consecutive frames. The two
pyramid-shaped shrubs are symbols of the Federal Reserve (Triangle-as-theFed).
The man with a rifle symbolizes Military Industrial Complex (Castro) protecting
the Federal Reserve.
Picture 5 shows the "shipload of bananas", immediately followed by picture 6 with

CIA Director Allen Dulles, the main organizer of JFK assassination for the hook
noses. In this context, Dulles is a proxy for McCloy. Notice a Spears-as-
WhiteHouse on the fence in picture 6.
Woman thrown out of a car (0:04)
In this scene, the movie connects Jackie to JFK assassination very early under the
cover of an unidentified woman who appears to be a prostitute. Each time the
woman is shown, Jackie is shown immediately before and after. The pictures are
numbered in the order presented in the movie.
The woman thrown out from a car and later screaming in a hospital is Jackie
herself. Jackie was a prostitute. The woman knows about impending JFK
assassination because she is about to assassinate JFK herself. Notice that the car is
riding somewhere on a back road in Texas. A door in the back of the car and on its
left side opens. This scene makes the quote "Back, and to the Left" more graphic
by showing Jackie thrown out in the back and to the left as she should have been as
soon as JFK limo started moving.
Picture 1 shows Jackie in a horse-riding dress, immediately before JFK is shown

next to a horse's head (picture 2). This is a PinkRose-as-JFK. Pictures 1 and 2
intend to show Jackie about to ride a prized horse to its death represented by its
skull with pink rose. The connection between JFK and a horse's head is made in
many other scenes.
Picture 3 shows the shape of a seahorse that appears in one video frame just before
a woman is being thrown out from a car. The movie inserts similar symbols in
many other scenes by making them look like defects on isolated video frames.
Clearly, a seahorse in the sky behind telephone lines is not a defect, but inserted on
purpose. The seahorse could be a reference to Skyhorse Publishing that published
the books by L. Fletcher Prouty, apparently used for this movie. Skyhorse
Publishing was founded in 2006, so either the seahorse was inserted on DVD
copies after 2006, or there was something else named skyhorse before 2006, that
eventually gave the name to Skyhorse Publishing.
Picture 4 shows a moving car somewhere on a back road in Texas. A door on the
left side opens and somebody is thrown out. Apparently, the door is in the back of
the car.
Pictures 5 and 6 zoom in on the woman being thrown out in the back and to the
left.
Picture 7 shows the thrown out woman showing her displeasure. Notice that the
blood originates somewhere on the right side of her head, apparently around her
right ear. Her hair is disheveled like JFK's hair in Zapruder frames after frame 312.
Immediately after picture 7, the movie shows Jackie and JFK in picture 8, landing
in San Antonio, a few days before Dallas, in order to connect the woman to Jackie
even further. Notice that Jackie wears a white dress like the woman.
Woman screaming in a hospital (0:04)
This section is an extension of the previous section with the same woman. Initially,
the movie shows the woman lying on a hospital bed and screaming about
impending JFK assassination. The hospital scene is used to illustrate Jackie's dart
and bullet shots. Then the movie shows Dallas motorcade. The motorcade scene is
used to illustrate Clint Hill's two bullet shots. The shooting order is 0-1-2-3.
Pictures 1 and 2 show a man standing next to the hospital bed. Notice that his pose
and his position relative to the woman is similar to JFK in frame 312, just before
the bullet shot to his head.
Picture 1 shows a long cigarette in his mouth. This is Cigarette-as-dart reference,

i.e. Jackie hits JFK with her dart. This is step #0 of a new shooting sequence.
Picture 2 shows the same man lighting the long cigarette. When his hand is close to
his throat, he makes Hand-to-throat gesture, i.e. JFK paralyzed from Jackie's
chemical agent. When he lights the cigarette by showing a flame, he makes a
"blob" appear on JFK's head. This is step #1 of the current shooting sequence. This
means both pictures make reference to Jackie's dart and bullet shots.
Picture 3 is shown immediately after the "blob" appears in picture 2. It shows

Jackie extending her right arm. This is the arm that held her handbag during firing
of her dart and bullet. Also, Jackie placed her right hand on JFK's right shoulder
within one second after her bullet shot. The latter fact is often referenced
throughout this movie. Apparently, Jackie did it as part of her magician's trick to
show her right hand empty immediately after her bullet shot. She dropped her
handbag very fast because she had practiced this maneuver many times.
Picture 4 shows a 3-step white staircase next to the window. This is a reference to
the stairs of Air Force One. Jackie will use the stairs to descend on Love Field
airport in Dallas, on Friday. In the background, the sick woman says "They've gone
to Dallas. Friday".
Picture 1 (second set of four pictures) shows the right side of the woman's head.
Notice the bandage on her right ear. This represents the bullet exit wound on JFK's
right ear.
Picture 2 shows JFK's left profile where the bullet entry point is located, right next
to the corner of his jaw. A few seconds later, the movie shows the same spot on the
woman's left profile.
Picture 3 shows a long dining table in Hotel Texas in Fort Worth, where JFK had
his breakfast with members of the Fort Worth Chamber of Commerce, in the
morning on his assassination day. JFK made his speech there. This long dining
table will be mentioned in several other sections because the movie makes frequent
references to this table. The standing men are clapping their hands just before
Jackie is shown.
Picture 4 shows Jackie smiling and rolling her eyes, while JFK is hidden behind
the red roses. This is a reference to the contract between Jackie and the men to
assassinate JFK using the red roses as a tool. Also, this is a reference to Jackie's
nature of a prostitute servicing many men waiting for their turn along a long dining
table. That is why the woman is screaming "These are serious f...ing guys". Notice
she does not say men because later this long dining table will refer to gays in the
scary and pinky "Military Industrial Complex". Both pictures 3 and 4 refer to the
speech made by JFK in Fort Worth, in front of the defense contractors servicing
"Military Industrial Complex".
Picture 1 (third set of four pictures) shows an illuminated area on the left side of
the woman's jaw. The actual bullet entry point is in the middle of this illuminated
area. The Godfather uses a similar reference. The reason for this specific spot is
explained in the anatomy section.
Picture 2 shows Jackie with her red roses, standing next to John Connally,
immediately after showing the Air Force One landing on Love Field airport in
Dallas. All this is happening one hour before JFK assassination. In the background,
a doctor says "She's been high on something since they brought her in". This
means that Jackie has been on high altitude, "something" is the Air Force One,
"they brought in" Jackie as JFK assassin. Notice that Connally is standing next to
Jackie because he is an assistant to JFK assassin. Another scene calls Connally a
spotter for Jackie.
Picture 3 shows Clint Hill in the follow-up car during Dallas motorcade. The
movie uses a clip from an old film. This represents the first bullet fired by Clint
Hill. This clip is followed by a few clips from other old films showing people
holding signs HOWDY and women holding healthy babies. This means that the
first bullet was good. This is step #2 of the current shooting sequence.
Picture 4 shows Clint Hill again, also in the follow-up car during Dallas
motorcade. The movie uses a clip from another old film. This represents the second
bullet fired by Clint Hill. This clip is followed by a clip from another old film
showing a caricature of JFK. This means that the second bullet was bad. This is
step #3 of the current shooting sequence. In both pictures 3 and 4, you can see a
white object in Cint Hill's breast pocket. This is a Cloth-from Hill.
Picture 1 (fourth set of four pictures) shows a man collapsing on sidewalk, so

called "epileptic seizure". This is an illustration of one of the stops that JFK limo
made during Dallas motorcade. Reportedly, JFK asked to stop at least once
because he wanted to get out and shake hands with bystanders. The stop allowed
Jackie to make her final preparations before Elm Street. The final scene makes the
meaning of "epileptic seizure" clearer.
Picture 2 shows a little girl wearing a beret hat and white gloves. She also holds a
handbag. She represents Jackie wearing her pillbox hat, magician's white gloves,
and holding her dark blue Gucci handbag.
Picture 3 shows a flock of birds taking off. This is so called "turkey shoot"
(TurkeyShoot-as-JackiesBullet).
Picture 4 shows two boys wearing red jackets. The bigger boy illustrates Clint
Hill's first bullet that killed JFK. The little boy illustrates Clint Hill's second bullet
that missed JFK.
Nellie forgot her line (0:06)
This scene shows the "loving" Nellie with her pretty Yellow
Roses of Texas at the spot in Dealey Plaza where
supposedly she said "Mr. President, You Cant Say Dallas
Doesnt Love You". Unfortunately, Nellie forgot her line
and said nothing to Mr. President sitting behind the "loving"
Nellie. Apparently, Nellie was in the process of shoving her
pretty roses into the corner to make enough space on her lap for the falling act of
her savage husband.
The President's been shot five minutes ago (0:07)

In this scene, Jim's assistant Lou notifies Jim about JFK having been shot, just five
minutes after the shooting. It's illogical to be so specific about five minutes,
especially in 1963 when the news did not get spread around so fast. This scene and
another scene later provide enough clues to figure out that Jim's office illustrates
the office of CIA Director. At that time, the official Director was John McCone.
However, another related scene in the same office clearly suggests that Jim plays
Allen Dulles in this specific context. In the related scene, Jim calls the official CIA
Director as "everyday bustle in the office" meaning that the real CIA Director Allen
Dulles is everyday hustle in the office.
Jim plays Allen Dulles, and possibly McCloy (Boss). His assistant Lou plays JFK
in order to illustrate Jackie's turkey shoot. Probably, he also plays Earl Warren
because of the references to US Supreme Court like "five minutes ago". There are
two shooting sequences, each with order 0-1-2-3.
Picture 1 shows a courthouse in New Orleans at the beginning of this scene, in

order to illustrate US Supreme Court close to CIA Director. One the goals of this
scene is to make a connection between US Supreme Court and "five minute" clock
in this office.
Picture 2 shows the public sign outside Jim's office with a little triangle. The
triangle probably stands Triangle-as-theFed because it is upside down. Several
scenes use a human face or chin looking like a triangle upside down to make a
Triangle-as-theFed. This illustrates that fact that CIA as the enforcer for the
Federal Reserve runs US Supreme Court including all the monkeys calling
themselves Justices.
Picture 3 shows Lou in the doorway. There are a few important things in this
picture. The light next to Lou's right ear illustrates a flame from White Phosphorus
burning inside JFK's head and shooting tendril-like sparks through his right ear.
The round sign plate on the door illustrates the "blob" (thick smoke mixed with
gore) at the end of the sparks (Blob-on-JFK). The rotating blades of the ceiling fan
illustrate the spinning chunk of White Phosphorus (PWM) flying while painting a
trail of white marks. In the upper part of picture, the white pipe on the wall
illustrates a trail of white marks (White-as-WhitePhosphorus). The shelves of the
file cabinet illustrate Zapruder frames. The round sign plate is not recognizable
until Jim walks through the doorway at the end. Picture 6 shows the sign plate,
cropped from a frame when Jim is leaving his office. On the right side, I pasted the
CIA seal cropped from a photo of the lobby of CIA old headquarters. There are
more similarities than differences between them. The movie makers tried not to
make it too obvious. In other words, the "blob" has the CIA seal on it and Jim's
office is the office of CIA Director. The actual logo of Jim's office seems to have
something that looks like Scales Of Justice, as shown in another scene. However,
in this scene the movie makers blur this logo on purpose to make it look like the
CIA seal.
When Lou enters Jim's office, Jim asks "What's wrong, Lou?". Jim holds a pen
with pointed top which illustrates Jackie's dart. This illustrates step #0 of the first
shooting sequence. Lou answers "Boss! The President's been shot. In Dallas. Five
minutes ago". Here, Boss has two meanings. Its primary role is to refer to the
sound made by Jackie's turkey shoot. The sound of Boss illustrates step #1 of the
first shooting sequence. The secondary role of Boss is to indicate that Jim also
plays McCloy (Boss) although it is not clear in this scene.
Jim says "Oh, no! How bad?". This illustrates Allen Dulles worried about his neck
too close to the noose after hearing the bad news for him. He expected JFK to be
dead by now. Also, the word "Oh" illustrates step #2 of the first shooting sequence.
The word "No" illustrates step #3 of the first shoot shooting sequence.
Picture 4 zooms in on the helmet on Jim's desk. The helmet has three bullet holes
in it. The hole in the upper left side illustrates the spot where Clint Hill's first bullet
hit JFK. It indicates an incoming shot (from outside) because the indentation is
directed towards the inside. The hole just above the red swastika illustrates the exit
hole of Jackie's bullet. It indicates an outgoing shot (from inside) because the
indentation is directed towards the outside. This is point BX. The hole just above
the middle of lower edge illustrates Clint Hill's second shot. The last hole is filled
with something and it is barely visible to illustrate that the last shot missed JFK.
Another scene (movie time 1:06) shows JFK with two squirts/fountains on his
head, shown in picture 5. The sources of the squirts match the first and the second
hole on helmet.
The page-wide picture (second set) shows Jim's behind his desk. The most
important things are the German helmet on his desk and the bright flash on the
framed diploma's seal above his head. The bright flash illustrates a white mark in
Zapruder frames 314 or 315. In this picture, I drew a red line (bullet part BP)
between the hole made by Jackie and the middle of the bright flash. The angle is
about 34.5 which stands for the vertical angle of Jackie shot relative to the
ground. Another scene with so called "triangulated crossfire" encodes the vertical
angle of about 30 for Jackie's shot relative to Zapruder plane (his camera). The
difference between 34.5 and 30 is caused by elevation of 10 of Zapruder
camera. The details are explained in the analytical chapter. Here, the picture
assumes that the viewing angle at the bullet path is 90. However, the viewing
angle in Zapruder frames is different, hence the different perceived angles.
There are a few other things in this picture. Notice that the red line crosses the
photo of Jim's wife. She plays Jackie. The photo and the helmet have the same
relative positions as Jackie and JFK in Zapruder film. The movie makers placed
the photo higher to make the bullet path cross her image to imply the bullet should
have gone through the elegant Jackie instead. Another thing is the cup filled with
pencils in front of the helmet. The pencils play the role of radius bones borrowed
from John Connally playing his theatrics in front of JFK (Forearm-as-Connally).
Next to the helmet, there is a glass of water (Water-from-Washington), meaning
Jim probably also plays Warren. Notice that Jim uses a pen to write something.
The pen's side with ink is so called Clouseau's pistol pen used to illustrate the
illegitimate medications taken by JFK in the morning on his assassination day. The
pen's side with pointed end is Jackie's dart.
Picture 1 (third set of six pictures) shows a big clock in Jim's office, displaying five
minutes after 12:30pm when JFK was assassinated. Again, why would the movie
makers be so specific about five minutes? This is because the clock is supposed to
illustrate the famous clock of US Supreme Court. Its fame started in Old Supreme
Court Chamber, shown in picture 2. Tradition holds that Chief Justice Taney,
frustrated by the other Justices lack of punctuality, ordered the large clock to be
mounted high on the chamber's wall and always had it set five minutes fast so that
there could be no excuses for tardiness. Picture 3 shows the new clock in the new
chamber for comparison. In other words, when Lou enters Jim's office the time is
12:30 and not 12:35. Lou plays JFK at the exact moment when Jackie's bullet
exited JFK through his right ear.
Picture 4 has been cropped from a frame focused on one arm pointed like an arrow
or dart. This illustrates step #0 of the second shooting sequence. This frame is
followed by a sound of something torn which stands for human flesh torn by a dart.
Picture 5 shows Jim making a Hand-to-throat gesture as a result of Jackie's dart

shot. It is accompanied by a metallic sound followed by a quiet click. The sound
illustrates step #1 of the second shooting sequence.
In picture 6, Jim shows his right hand to the camera to illustrate Jackie showing her
right hand to Zapruder camera, immediately after her bullet shot. This is part of a
magician's trick with white gloves, explained in the chapter about the Plan. He also
rises from his chair to illustrate Jackie rising from the rear seat in order to jump on
the trunk and dance for Zapruder camera.
Napoleon's has a TV set (0:08)
In this scene, Jim goes to so called "Napoleon's with a TV set". The movie makers
loved the name Napoleon's because one of The Inspector cartoons is titled
Napoleon Blown-Aparte (youtube link). The so called TV set is a code for the
command center (watchtower) located in NW turret of Old Red Courthouse
(Napoleon's House) during JFK assassination.
However, the importance of this scene comes from its clear reference to John J.
McCloy, the Boss of JFK assassination. McCloy was a short man, hence
Napoleon's.
Picture 1 shows a building with turret on top, when Jim says "Napoleon's has a TV
set". Reportedly, the real Jim used another place to watch TV. In addition to the
name Napoleon, the movie makers chose Napoleon's House because its building
has a similar architecture to Old Red Courthouse shown in picture 2 (Turret-as-
OldRedCourthouse). When the building of Napoleon's House is shown, a single
loud bell can be heard. The sound illustrates step #2 of the second shooting
sequence started in the previous scene covered in the previous section. The bell
sound is followed by the sound of barking dogs that stands for step #3 of the
second shooting sequence.
Picture 3 has two parts, cropped from two different frames a second apart. Both
parts have been flipped horizontally. Each part shows two men illustrating Jackie
and Clint Hill. The left half shows one man wearing white gloves on both hands,
meaning he plays Jackie. The other man has a bright white cuff on his left sleeve
(Cloth-from-Hill) meaning he plays Clint Hill. He holds a newspaper in his right
hand. The newspaper plays the role of Clint Hill's holster carried on this right side.
Both men raise their left hands to illustrate the hands used by Jackie and Clint Hill
to pull the triggers.
Picture 4 shows a short waiter with bald head, the yellow arrow points to his head.
Picture 5 has been cropped from an old photo showing JFK signing some
documents (Nuclear Test Ban Treaty). John J. McCloy is in the picture, pointed to
by yellow arrow. Compare two bald heads in pictures 4 and 5. This is a clear
reference to John J. McCloy as so called Napoleon. There is a similar picture of
McCloy standing next to Warren Criminals giving the final copy of Warren Report
to LBJ. McCloy was the shortest among all Warren Criminals.
Picture 5 shows Jim making a Finger-as-Dulles meaning the plays the same role
of Dulles from the previous scene.
Cronkite shedding crocodile tears (0:08)
In pictures 1 and 2, the movie shows a TV screen with Walter Cronkite making the
official announcement about JFK's death in Dallas while apparently he is crying.
Cronkite was one of the cockroaches infesting all sewers connected to the toilets
called TV sets. He was one of many cockroaches lying about JFK assassination
through their teeth to Americans. This is all part of genetics among inbred
members of Parasitic Ethnic Group. Notice the hook nose in this inbred. Cronkite's
tears were worth as much as crocodile piss. That is why the movie makers came up
with the idea of using crocodile because of the name resemblance to Cronkite.
In another scene (0:54), the movie makes a reference to this scene with Cronkite.
In picture 3, Jim's assistant Bill says "Their reputations are lower than crocodile
piss". In picture 4, Jim says "If a woman's a prostitute must she also have bad
eyesight". These are references to prostitute Cronkite wearing eyeglasses and
pissing like a crocodile.
Eyewitness Bill Newman (0:10)

In this scene, the movie shows the eyewitness Bill Newman who stood about 20
feet from JFK when Jackie fired her bullet. The movie makers changed Newman's
public statements on purpose, as explained below. According to the data I found,
Newman only said that JFK's ear had come off. In addition to Newman, this scene
makes a few other references. It includes a shooting sequence with order 0-1-2-3.
Picture 1 shows an old man with white hair, drinking beer with white suds on top,
behind a billiards table with green surface. The beer is a reference to one scene in
The Godfather where a glass of beer with white suds on top represents Jackie's
cartridge with bullet containing White Phosphorus. The white hair adds more
whiteness to the white suds. In fact, the old man illustrates JFK and his white hair
makes a Blob-on-JFK reference. The billiards table is a reference to one scene in
A Shot In The Dark where it plays the role of Zapruder frames, and where the cue
balls represent the white marks. At this point the TV announcer says "The
President is dead".
Picture 2 shows the actor playing Newman saying "His ear blew off and he turned
real white". The turning white is a reference to White Phosphorus burning inside
JFK's ear. He also says "He flopped over on his stomach ... with his foot sticking
out". This is a reference to Connally and his acting performance as the Drama
Queen in front of JFK. These script lines are a direct reference to the equivalent
scene in The Godfather, where Carlo's foot is sticking out through car windshield.
Picture 3 shows a man blowing a big puff of smoke which illustrates the smoke
from burning White Phosphorus, i.e. another Blob-on-JFK reference.
Picture 1 (second set of three pictures) shows a woman holding a white cloth with
her left hand. This is Cloth-from-Hill gesture, i.e. she plays Clint Hill firing two
bullets with his left hand.
Picture 2 shows two women sitting behind the shocked woman. The two women
represent two bullets fired by Clint Hill. The second blond woman blinks her eyes
meaning she illustrates Clint Hill's second bullet missing JFK. She completes the
shooting sequence with order 0-1-2-3.
Picture 3 shows Guy Banister splashing his drink on the floor and saying "Camelot
in smithereens". Jack Martin says to him "Chief, maybe you had a little too much
to drink". This means that at this moment Banister plays Earl Warren. Notice that
Banister is wearing a pink rose in his breast pocket. This is a PinkRose-as-JFK
meaning Warren is one of those who turned JFK into the painting. Later in
Banister's office, Jack says to Banister "I saw enough here this summer to write a
book" meaning that Jack would write a better book that Warren Report because he
knows enough about Earl Warren. Apparently, Warren was involved even during
the planning of JFK assassination in the summer of 1963. In other scenes, both
Jack and Banister play different roles.
Jim meeting with senior assistants and investigators (0:15)
In picture 1, Jim says "Check out his record. Find any friends or associates from
last summer". Why would he be interested only in last summer? This is a reference
to Jackie's record from last summer when Jackie met her "friends or associates"
from the Fed, offering her contract to assassinate JFK.
In picture 2, Jim actually says "Let's meet with the senior assistants and
investigators the day after tomorrow", while the TV screen next to him shows
Jackie holding hands with Bobby Kennedy. Here, "senior assistants" means senior
assassins Jackie and Clint. Clint Hill had to be close to Jackie when the film was
made. "Investigators" means Bobby Kennedy who was US Attorney General at
that time, LBJ shown on the next TV screen (picture 3), Dallas DA Henry Wade
shown on the next TV screen (picture 4). In other words, the movie makers show
you JFK assassins at the beginning of the movie and they will repeat many times
before the end of the movie. This particular film of Henry Wade is shown because
The Godfather used this film as a posing reference for Wolz.
There were lots of boys in and out (0:18)
This scene is about Jim questioning David Ferrie in his office. Since the following
scene about releasing Ferrie and TV news announcing Warren "Commission" is
related, I merged both scenes into one section.
After decoding, the topic is the white marks in Zapruder frames 313-315. This is
the first scene featuring the white marks. The movie has many more scenes
featuring them. During this scene, the secret code names for white marks are boys,
geese, birds, etc. The attempts to erase the white marks are called "geese hunting".
The white marks that survived in Zapruder frames are called "wise bunch of birds".
The series of white marks looking like cotton balls across Zapruder frames is
called Carondolet Street because Carondelet Street used to be a center of the cotton
trade in New Orleans.
During this scene, Lou calls Jim Chief meaning Jim plays Warren. Jim also plays
Allen Dulles by holding a pipe. At the end of the scene, Numa hands Jim an
umbrella (Triangle-as-theFed) meaning that Dulles is probably a proxy for
McCloy. In the previous scene, Lou says to Jim "As far as Oswald's associates,
Boss, the one name that keeps popping up is David Ferrie". Believe it or not,
during this scene Ferrie plays PWM projectile (a chunk of White Phosphorus)
initially stored inside Jackie's bullet. Specifically, Ferrie plays Edward Lansdale
who in turn plays PWM. After popping up from Jackie's handbag, the bullet
released PWM projectile that eventually painted the white marks in Zapruder
frames. Ferrie refers to the white marks as boys when he says "There were lots of
boys in and out, y'know" meaning Ferrie (PWM) created lots of boys in and out
across several Zapruder frames. All white marks have been created by a small
chunk of White Phosphorus which looks like ice, a translucent solid, when it is in
pure form unexposed to light. That is why Ferrie says "we decided we wanted to go
ice skating". During the questioning, Ferrie chain-smokes the cigarettes to illustrate
the smoking PWM. As a side note, when Lou says Boss to Jim during the previous
scene, Boss actually refers to Numa who makes a Triangle-as-theFed with his fist
when he turns the TV volume up.
Ferrie says Mr. Garrison to Jim. However, Garrison actually refers to Lou
standing next to Jim. In this context, Mr. Garrison does not refer to LeMay but to
the military meaning of garrison referring to a bunch of metal fragments released
from Jackie's bullet (PBF). Since PBF was much heavier with more initial energy,
it flew much faster and much farther than PWM. Jim's assistant Bill smoking a
cigar, actually plays Curtis LeMay.
During this scene, Jim asks as Allen Dulles "Did you bag any geese on this trip?"
meaning that Allen Dulles wants to erase (to bag) the white marks (geese). Ferrie
replies as Edward Lansdale "I believe the boys got a couple" meaning that two
white marks have been erased (bagged). However, Jim (Allen Dulles) follows "But
the boys told us they didn't get any" meaning Allen Dulles worries about the
unbagged geese M1E, M2E, M3E, M4E, M6E, M7E, still alive in Zapruder
frames 313 and 314.
In addition to the white marks, this scene covers JFK funeral procession in
Washington, DC. Approximately one million people lined the route of the funeral
procession, from the Capitol back to the White House, then to St. Matthew's
Cathedral, and finally to Arlington National Cemetery. Almost the entire

population of America followed the funeral on TV. The movie makers show one
big crowd in front of US Supreme Court which is the key criminal element
protecting JFK killers. However, the main focus is the crowd of foreign and
domestic dignitaries numbering in thousands. Kikipedia lists some of them (kiki
link). The movie makers show a TV screen with one crowd of dignitaries led by
Charles de Gaulle. Since Ferrie plays Edward Lansdale, an expert in assassinations
of dignitaries, Ferrie says "There were thousands of them, all over the place. But
you couldn't approach them. They're a wise bunch of birds". Recall the scene in
Washington where Mr. X also plays Edward Lansdale and he says "There'd
already been several attempts on de Gaulle's life in France", meaning de Gaulle
was wiser than JFK. However, "wise bunch of birds" also has a sarcastic meaning
because the thousands of dignitaries played dumb next to Jackie who made them
walk or fly in JFK funeral procession.
Picture 1 shows the crowd in front of US Supreme Court hiding nine of the dirtiest
scumbags in Washington, DC.
Picture 2 shows the crowd of dignitaries led by Charles de Gaulle marked with
yellow letter D. The movie makers leave it up to you to make the association
between this screen and Ferrie saying "thousands of wise birds, all over the place".
The yellow arrow on the right points to an ashtray with cigarette butts illustrating
the other type of wise birds, the white marks that survived in Zapruder frames.
Picture 3 shows "grieving" Jackie and LBJ behind her. The main targets are
pointed by yellow arrows. Starting from the bottom, two arrows point to two kids
playing the role of two white marks erased by JFK killers. This refers to Ferrie
saying "I believe the boys got a couple" when he talks about so called "goose
hunting". In other words, one "boy" (Jackie) has got a couple of kids through her
hunting. The other "boy" (RFK) is next to Jackie. The next yellow arrow points to
a Cloth-from-Hill in RFK's breast pocket. The white handkerchief comes handy
and that is why RFK is used to illustrate Clint Hill standing next to Jackie, both
assassins in the same picture. The two kids and the white handkerchief in the same
view made the movie makers use it twice in two similar pictures of the same
context. The last yellow arrow at the top points to Rufus Youngblood, frequently
referenced throughout this movie. After JFK assassination, both Youngblood and
Clint Hill were awarded, making them examples of the right-in-your-face
corruption caused by the central banking hook noses sucking oxygen only because
of the corruption.
Picture 4 shows LBJ having a meeting with generals. The yellow arrow points to a
white sheet of paper in LBJ's hand. This illustrates an urgent meeting about the
white marks revealing JFK assassination plot. One of the generals around the table
appears to be Curtis LeMay.
The TV announcer says "Yesterday, in the midst of sorrow, the business of

government went on. The President meeting with Henry Cabot Lodge, our
Ambassador to Vietnam and members of his Cabinet. The major subject was
Vietnam, a crisis that does not pause for bereavement. From this meeting came
affirmations that the US would continue its policy of aiding the new government of
Vietnam in its war against the Communist insurgents". The Lodge refers to a
Masonic-as-Lansdale. This means that so called Ambassador is Edward Lansdale
meeting with LBJ and the generals to discuss the white marks in Zapruder frames
revealing the plot (crisis) of JFK assassination. Vietnam is a code for JFK
assassination, specifically the red gore around JFK's head and the white marks
(Communist insurgents).
Picture 5 shows Jackie and RFK with a Cloth-from-Hill in the same context as in
picture 3. At this point the TV announcer says "communist insurgents" meaning
that JFK's two kids next to Jackie are the two erased white marks (communist
insurgents) when in reality Jackie and Clint Hill are working for the international
central bankers who are Communists by definition. Castro and LeMay are just apes
working for the same hook noses advancing their communism from New York
City and City of London.
Picture 6 shows Ferrie entering though the doorway. The two policemen behind
illustrate that Ferrie as PWM is already in custody before the meeting. This means
that PWM is an incriminating piece of evidence that has to be guarded 24/7. In
other scenes, two erased white marks will be presented as gold bars on low flatbed
carts used in gold vaults, meaning they are extremely valuable to JFK killers. That
is why the whole "JFK assassination research industry" loaded with kooks and con
artists is paid to make you not see what is in front of your own nose. In picture 6,
also notice Lou's hand suspended behind Ferrie meaning both Lou and Ferrie are
good old buddies from Dealey Plaza.
Pictures 1 and 2 (second set of six pictures) have been cropped from adjacent
frames and they should be interpreted together. Picture 1 zooms in on his head.
Even though Ferrie appears to be talking to Jim, he is really looking at Lou. His
eyes are directed towards Lou. Ferrie says "Do you remember me, Mr. Garrison? I
met you on Carondolet Street right after your election. I congratulated you,
remember?". Here, garrison refers to a bunch of troops stationed in a particular
location, meaning a bunch of metal fragments released from Jackie's bullet. In
other words, Lou plays PBF projectile. As already explained, Carondolet Street is
a series of white marks (cotton balls). The election is a code word for ejection of
Jackie's bullet from her handbag. Since the bullet did the intended damage, PWM
(Ferrie) congratulates PBF (Lou) and not Jim. Picture 2 also shows Jim's ego wall
where the frames illustrate Zapruder frames giving another clue that the topic is
about Zapruder film.
Jim says "How could I forget? You make quite a first impression. I've heard over
the years you're quite a first-rate pilot, Dave. Legend has it you can get in and out
of any field, no matter how small". The impression is Zapruder frame 313 showing
JFK's head blowing up. Jim treats PWM as a pilot leaving the white marks like
contrail behind a plane. The small field is a code for one Zapruder frame. The
white marks are across three frames, meaning in and out.
Picture 4 shows Jim making a PinkRose-as-JFK. This corresponds to the moment

when Ferrie says "Do you mind if I smoke, Mr. Garrison?". The question appears
to be directed to Lou as the last garrison. However, Bill is shown meaning that now
Curtis LeMay is the garrison of troops. Picture 3 shows Bill smoking a cigar like
Curtis LeMay. However, Jim responds "How could I?" meaning Allen Dulles and
Earl Warren are glad to see White Phosphorus smoking inside JFK's head and
making a Pink Rose appear next to his skull. Picture 4 is also important to
understand Ferrie's question "Really? What part?" at the end of this scene. This
means that Ferrie fails to repeat some parts of PinkRose-as-JFK made by Jim.
Picture 5 shows Ferrie holding a cigarette and making only two fingers visible.
This is a Cigarette-in-Lansdale next to his rank of 2-Star General. Ferrie says "I
never met anybody named Oswald. Anybody who told you that has to be crazy".
Here, crazy refers to Curtis LeMay (Bill) sitting next to Ferrie.
Picture 6 shows Jim holding a newspaper. The picture of Oswald is irrelevant. The
yellow arrow points to the relevant picture of a round white area illustrating the
"blob" on JFK's head. Jim says "I'm sure you've seen this. Perhaps you knew this
man under another name?". Ferrie responds "No, I never saw him before in my
life". This is because the "blob" appeared after PWM (Ferrie) had flown through
Zapruder frames.
Picture 1 (third set of six pictures) shows Lou showing his left hand holding a
smoldering cigarette when Jim says "There is one other matter that's come up,
Dave. We were told you took a trip to Texas shortly after the assassination on
Friday". The yellow arrow points to the smoldering cigarette illustrating the trigger
Jackie pulled with her left hand during JFK assassination. The matter is a code
word for Jackie's bullet that came up from her handbag, on its trip up and up in
Texas, after Jackie pulled the trigger on Friday. Ferrie responds "Yeah, now that's
true. I drove to Houston" meaning PWM drove into JFK's head (Houston).
Jim asks "What was so appealing about Houston?" meaning Allen Dulles and Earl
Warren don't get the reason for JFK popularity.
Ferrie says "I hadn't been to ice skating in many years, and I was with a couple of
young friends, and we decided we wanted to go ice skating" meaning he is ready to
enjoy the purity of White Phosphorus as already explained.
Jim says "Dave, may I ask why the urge to go ice skating in Texas happened to
strike you during one of the most violent thunderstorms in recent memory?".
Obviously, the most violent thunderstorm is a code for JFK assassination. The
strike refers to the firing pin striking the primer under the case of Jackie's cartridge.
Ferrie responds "a spur of the moment thing... the storm wasn't that bad" meaning
that Jackie's firing pin was the spur of her moment.
Pictures 2 and 3 have been cropped from the same frame. The lightning bolt in
picture 2 illustrates the explosion inside Jackie's case. The yellow arrow points to a
car headlights. The picture 3 zooms in on the car headlights illustrating the spark
made by the explosive inside the primer of Jackie's cartridge. The spark leads to
the actual explosion inside Jackie's case.
Picture 4 shows a smaller lightning bolt about five seconds later in movie time.
This lightning bolt illustrates the explosion inside Jackie's bullet, releasing the
PBF and PWM projectiles from the bullet itself, inside JFK's head (Houston).
Picture 5 shows Lou making a Coffee-as-gore reference meaning that Jackie's

bullet is tearing JFK's veins and arteries inside his head and his gore is about to
show up on Zapruder film. This corresponds to the moment when Ferries says
"...the storm wasn't that bad" and Jim follows "I see. And where did you drive?".
The bad refers to the fact that the head shot seen in Zapruder frame 313 did not
touch JFK's brains at all. The head shot is made of JFK's blood mixed with heavy
smoke from burning White Phosphorus, all buried into a blurry image.
Picture 6 shows the view when Ferrie says "We went to Houston.." meaning
Houston is still inside JFK's head.
Pictures 1 and 2 (fourth set of six pictures) show the views when Ferrie says "and
then Saturday night we drove to Galveston and stayed over there". This means that
picture 2 corresponds to driving to Galveston at night because picture 2 appears to
be made at night. This means that Friday is Zapruder frame 313, Saturday is frame
314, and Sunday is frame 315. The daytime corresponds to exposure time (25
milliseconds). The nighttime corresponds to non-exposure time (30 milliseconds).
Apparently, Galveston is Grassy Knoll.
Picture 1 shows a dilapidated roof illustrating Connally's cowboy hat, visible by

Ferrie (PWM) when he is still around Houston (JFK's head).
Picture 2 shows the grass around Galveston (Grassy Knoll) when Ferrie (PWM) is
close to it at night (non-exposure time).
Picture 3 shows Ferrie touching his nose with his left hand when he says "In the
morning [Sunday or Monday] we went goose hunting". This is the same gesture
made by Zapruder holding his camera during the scene with "Back, and to the
Left", as shown in picture 4. This means that Ferrie is talking about Zapruder film.
Now he is talking as Edward Lansdale going goose hunting meaning he wants to
erase the white marks. The morning could be Sunday or Monday morning because
Ferrie does not say Sunday explicitly, even though he replies to Jim's question
"And Sunday?". This morning applies to both Zapruder frames and JFK funeral
procession as explained below. There were two JFK funeral processions, one on
Sunday and one on Monday. This means either case works. Technically speaking,
the last white mark M8E is about 9 milliseconds after the start of exposure time of
Zapruder frame 315. Since the exposure time is about 25 milliseconds (equivalent
to 11 hours out of 24 hours), 9 milliseconds corresponds to about 4 hours after the
sunrise meaning still the morning on Sunday. In other words, Lansdale (Ferrie)
goes back to erase the white marks as soon as PWM leaves Zapruder frame 315.
Jim asks "Did you bag any geese on this trip?" meaning that Allen Dulles wants to
erase (to bag) the white marks (geese). Ferrie replies "I believe the boys got a
couple" meaning that two white marks have been erased (bagged). This has some
other flavors explained below. Jim follows "But the boys told us they didn't get
any" meaning Allen Dulles does not like the geese still unbagged.
Picture 5 shows the ashtray in front of Ferrie when he says "Oh yes, well, come to
think of it, they're right" meaning the six cigarette butts inside the ashtray are the
six unbagged geese that Allen Dulles is worried about. These are white marks
M1E, M2E, M3E, M4E, M6E, M7E.
Ferrie says "We got out there to where the geese were and there were thousands of
them, all over the place. But you couldn't approach them. They're a wise bunch of
birds". This is Edward Lansdale talking about JFK funeral procession in
Washington, DC, as shown in the TV screen. This is explained at the beginning of
this section.
Jim says "Your young friends also told us you had no weapons in the car. Dave,
isn't it a bit difficult to hunt for geese without a shotgun?". This is Allen Dulles
asking Edward Lansdale about his failure to sanitize Zapruder film. Apparently,
Lansdale's plan did not anticipate such problems. As a result, he did not have the
necessary equipment (weapons, shotguns).
Ferrie replies "Yes, I remember now, I'm sorry, Mr. Garrison, I got confused. We
got out there near the geese and it was only then we realized we'd forgotten our
shotguns. Stupid, right? So of course we didn't get any geese". This is Edward
Lansdale apologizing to Curtis LeMay while calling him stoopid. Notice that
Ferrie looks at Bill (Curtis LeMay) when replying, while Bill is looking sternly at
Ferrie.
Jim says "Dave, thank you for your time. I'm sorry it has to end inconveniently for
you, but I'm going to have you detained for further questioning by the FBI". This
means that Zapruder film and PWM are detained. Ferrie asks "Why? What's
wrong?". Jim replies "Dave, I find your story simply not believable" meaning that
Allen Dulles worries about the white marks revealing the real story, meaning the
official story sold by Warren Report is "simply not believable".
Picture 6 shows Ferrie trying to make a PinkRose-as-JFK without a success. He
fails in two parts. Firstly, his head is tilted to the wrong side. The head has be
either straight or tilted to the other side. Secondly, his hand is too low. Picture 1 of
the next set shows the actual painting for a quick reference. This means that his
plan failed to correctly place a Pink Rose on JFK's skull. Ferrie says "Really?
What part?" meaning that both parts are wrong.
Picture 1 (fifth set of six pictures) has been cropped from the actual painting
Horse's Skull With Pink Rose (1931) by Georgia O'Keefe. The skull is tilted to its
left side and the rose is around its left ear.
Picture 2 shows the riderless horse "Black Jack" during JFK funeral procession on
TV. The movie makers show this horse to provide a clue for picture 6 of the
previous set where Ferrie fails to put a Pink Rose on horse's skull.
Picture 3 shows JFK's kids immediately after showing the riderless horse. Both
kids illustrate two bullets that killed JFK. The little boy illustrates Clint Hill's first
bullet that split open the right side of JFK's head. That is why the boy salutes by
holding his hand to the right side of his head. The little girl illustrates Jackie's
turkey shoot to JFK's head under the supervision of Jackie herself. Still any doubts
about the insanity of the cockroaches in Washington, DC? Need to wait a little
longer to find out what genetic trash is hiding inside US Supreme Court, US
Capitol, or White House?
Picture 4 shows Jim tilting his skull to the correct side in order to provide an
additional clue about "What part?" Ferrie was asking about. The Pink Rose is
hidden in the dark shadow on his left side meaning you need to use your
imagination. In other words, Jim illustrates both parts providing the answer to
Ferrie's question "What part?"
Pictures 5 and 6 should be interpreted together. They correspond to the press

conference where an unnamed federal government official says "This afternoon the
FBI released David W. Ferrie of New Orleans. After extensive questioning and a
background check, the Bureau found no evidence that Mr. Ferrie knew Lee Harvey
Oswald or had any connection with the assassination. The agent in charge would
like to make clear that Ferrie was brought in for questioning by the District
Attorney of Orleans Parish". The official is unnamed and his statements do not say
that he is with FBI. His statements do not say about custody or detention of so
called Ferrie, only releasing or questioning. This press conference corresponds to
a similar press conference in the scene about "Let Justice be done, though the
Heavens fall" where another federal government official under the secret code
name "Mr. Clark" says the same thing about Clay Shaw. In that scene, "Mr. Clark"
is RFK and Shaw is Oswald. In picture 6, notice the Cloth-from-Hill in the breast
pocket. This section already includes a picture with RFK standing next to Jackie,
and another Cloth-from-Hill in his breast pocket. This means that the unnamed
official is RFK and the code name Ferrie stands for Oswald. The only code name
to break is Oswald. Throughout this movie, Oswald is used very often to illustrate
JFK himself. This means that the unnamed official is RFK releasing Oswald, and
saying that Oswald did not know his brother JFK.
In picture 5, I added several yellow arrows. Two yellow arrows on left point to two
men standing behind RFK. Both men illustrate two bullets that killed JFK. This is
equivalent to picture 3, where Jackie is equivalent to RFK and two kids are
equivalent to two men. The yellow arrow on right points to the lamp post light
illustrating the "blob" on JFK's head. This is equivalent to Dallas Reunion Tower,
just across the railroad tracks from Dealey Plaza. Dallas savages built this Tower
to kick around the "blob" on Dallas city skyline, especially at night. The next
yellow arrow from right points to a woman in pink suit and wearing gloves. Guess
who she is? The last two yellow arrows point to two sources of bright light from
flash holders, illustrating two erased white marks. In other words, the movie
makers make a mockery of RFK by illustrating JFK murder evidence in front of
his crime-fighting nose.
Pictures 1 to 3 (sixth set of three pictures) correspond to the scene immediately

following the scene with Ferrie in Jim's office. This scene starts in Jim's office and
ends in a corridor inside his office building.
Picture 1 shows Numa making an Eyeglasses-as-Hoover. At this moment, the

"unnamed" official says on the TV "Ferrie [Oswald] was brought in for
questioning by the District Attorney [Henry Wade]" meaning Jim plays Henry
Wade inside Old Red Courthouse. Numa hands an umbrella to Jim meaning that
Hoover assists him, i.e. FBI lets Wade get away with the crimes. Henry Wade
himself used to be an FBI agent before FBI kicked him out. The umbrella itself
means that Jim is heading somewhere near Water-from-Washington, which
probably means he is heading to testify to Warren Criminals.
Picture 2 shows Jim walking along a long dark corridor inside his office building.
This is a reference to the tunnel along Elm Street under the triple overpass. On his
left side there is a police officer sitting at his desk. This is a reference to the "law
enforcement" officers like Dallas Police Chief Jesse Curry and Dallas County
Sheriff Bill Decker riding in the lead car next to JFK limo under the triple
overpass. The officer blows a puff of smoke (pointed to by a yellow arrow). The
smoke illustrates White Phosphorus burning inside JFK's head. The big ceiling
light illustrates the "blob". The six lights on the walls, three on each side, illustrate
the white marks visible in Zapruder frames.
While walking, Jim hits the floor with his umbrella twice. The yellow arrow on left
points to the umbrella. You need to listen carefully because the sounds are quiet
relative to the noise in the background. This is a reference to Clint Hill firing his
revolver twice to the back of JFK's head. In the background, a TV announcer says
"The President Johnson has announced the creation of a commission to probe ....It
will be headed by Chief Justice ... On the panel are ... John Jay McCloy former
head of Chase Manhattan Bank", and then immediately after the last quoted word
nothing can be heard because the last words are the most important. It is all about
the central bankers. John Jay McCloy is an example of the central banking hook
noses who ordered JFK assassination while the apes like LeMay jumped on it.
Picture 3 shows the seven Warren Criminals with the buzzard Warren perched on
top, three criminals on each side. Notice that both pictures 2 and 3 are
underexposed to light. The dark backgrounds make the connection between
Warren Criminals and the dark tunnel under the triple overpass. Another thing you
should notice in these two pictures are the relative locations of the lights in picture
2 and the Criminals in picture 3. In picture 2, each light appears to be made of two
globes, but there is also a third globe hidden behind the other two. This is a
reference to two bullets that hit JFK's head and one bullet that missed his head.
Each set of lights/globes corresponds to one Warren Criminal and one white mark.
In picture 3, I added two yellow arrows pointing to two reflections of light on the
table. These two reflections illustrate two erased white marks. In other words,
picture 3 illustrates all eight white marks, plus the "blob" coming from the buzzard
perched at the top. Note that the orientations of the criminal heads in picture 3 are
used to identify McCloy and Dulles during the scene with Mr. X, specifically for a
recreated meeting in the financial district in New York City.
Jim talking to Senator Long (0:24)
In this scene, Jim talks to the senator Russell B. Long on an airplane. The logo on
the seat cover behind Jim reveals Continental Airlines. The movie makes many
references to Continental Airlines because of the word Continental. The idea is to
provide a clue to so called Continental tire in the back of JFK limo. This tire is
referenced many times throughout this movie because Clint Hill's right shoe was
wedged behind it in order to provide a stable foundation for his left arm used to
shoot JFK in the tunnel. One line said by the senator is interesting. He says
"Average man would be lucky to get two shots off. And the first would be the best"
while Oswald is shown in the first picture as a diversion. This is a reference to
Clint Hill firing two bullets under the triple overpass, with the first being the best.
This will become clear in the section covering so called triangulated crossfire. The
Godfather provides a different clue for the same thing by having Clemenza say to
Michael "don't take any chances...two shots in the head apiece". These are
indications that something went wrong with one shot out of two shots.
During this scene, Jim plays Henry Wade and the "Senator" plays Bill Decker,
Dallas County Sheriff. In other words, Senator is a code for Sheriff. The clue
comes from the picture on the newspaper cover held by Jim. The picture shows a
man that looks like Decker wearing his typical hat and eyeglasses with thick dark
temples.
I have not fully decoded this scene because of lack of time and no major topics
visible on the surface. One quote is worth mentioning where the "Senator"
(Decker) says "Fucking out of control, all these hippies running around on drugs,
the way young people look you can't tell a boy from a girl anymore. I saw a girl the
other day, she was pregnant, you could see her whole belly, and you know what
she painted on it? Love Child, .... it figures with that polecat Lyndon in the White
House". The fucking out of control means JFK assassination. The hippie is Jackie
running around with curare (drugs) meaning Jackie acted like a boy. The
pregnancy refers to Jackie giving birth to LBJ (Love Child) as the President in the
White House (belly).
The senator also says "If I was investigating the case, I'd round up 100 of the
world's best riflemen, and find out which ones were in Dallas that day". The
"riflemen" is a code word for assassins. When the senator says "that day", the
movie audio includes the sound of cue balls hitting each other on a billiards table.
This is a reference to A Shot In The Dark where a billiards table with green
surface illustrates Zapruder frames with green background and cue balls illustrate
the white marks painted by Jackie's bullet. In other words, the senator talks about
Jackie, apparently a top assassin working for CIA. Since Jackie was in Dallas that
day, the investigation would be short according to Long. The so called Secret
Service is also a source of assassins used by so called "government agencies" to
assassinate their enemies. Clint Hill was one of them.
Another thing you should notice in this scene is the way both Jim and Senator play
with their hands. Their hands make Hand-to-throat references. The movie JFK
uses this reference many times, with hands close to throats under the pretext of
drinking from a glass, smoking or lighting a cigarette, putting food into mouth, etc.
Jim is holding a glass with coffee-colored drink. This is Coffee-as-gore reference.

The senator is holding a glass with yellow-colored drink. This is a reference to
burning White Phosphorus. When both lenses on Jim's eyeglasses are reflecting
light, they make a reference to two explosions made by Jackie's cartridge, i.e.
Lens-as-explosion reference.
In the first picture (second set), while Jim raises his glass both lenses start
reflecting light. One reflecting lens represents the explosion inside the casing, the
other reflecting lens represents the explosion inside the bullet of Jackie's cartridge.
In the second picture, Jim moves his glass by aligning it with Senator's right ear. At
that time, Senator starts drinking a yellow-colored drink from his glass. This
represents burning White Phosphorus surrounded by JFK's gore.
Picture 1 shows the airline logo on the seat cover behind Jim. It appears to be
Continental Airlines. Picture 2 shows the actual logo which is similar but shows
different colors. Picture 3 shows the logo of Board Of Governors of the Federal
Reserve System. Clearly, the movie makers made the logo appear more like the
Fed. The movie A Shot In The Dark also makes a reference to this logo in the
scene where Clouseau disguised as a hunter shoots a crow next to the house of Mr.
Ballon. What you see in picture 3 is the crow shot by Clouseau.
Horse racetrack (0:38)

This scene takes place on a horse racetrack in order to make the connection
between JFK and a racing horse. This is about Jackie riding a racing horse, cutting
its head off, and then placing a Pink Rose on top of horse's skull (PinkRose-as-
JFK).
The scene includes several flashbacks in time: three flashbacks to the office of Guy
Banister, and one flashback to so called "military camp". The flashback to
"military camp" and one related flashback to Banister's office (presented as
second) are covered in the next section. One flashback to Banister's office
(presented as first) is about Clint Hill firing two bullets at JFK. One flashback to
Banister's office (presented as third) is about the Boss of JFK assassination, the
white marks, and the projectiles PWM and PBF.
The main scene at racetrack and the third flashback are closely related to two other
scenes, and they have to be decoded together as one unit. The first related scene is
the flashback to so called Masquerade Bar during the prison scene with Willie,
covered in the section Homosexual Underworld (0:47). The second related scene is
covered in the section This (silver) changes everything now (1:35). All these
related scenes are about the projectiles PWM and PBF. Each scene corresponds to
a different time of their existence. The scene at racetrack corresponds to their
existence outside Zapruder frames. At this point, PWM (Jim) and PBF (Bill) are
stationary and talking to JFK (Jack Martin) after his death. The scene in
Masquerade Bar, corresponds to their existence when they are ejected from JFK's
head and then fly across Zapruder frames 313315 and then leave the view of
Zapruder camera by exiting the Masquerade Bar. The scene with silver
corresponds to their hypothetical existence when PWM and PBF go back into the
view of Zapruder camera and then fly across Zapruder frames 315313 meeting
all the white marks along the way. In each scene, PWM wears a white upper dress
to illustrate a chunk of White Phosphorus, while PBF wears a green upper dress to
illustrate the bullet fragments because green is the main military color.
Apparently, the movie makers break down this topic of PWM and PBF into three
related scenes in order to break down another topic X into two signals and insert
both signals into two different scenes making them tougher to decode. The topic X
is the most important topic of JFK assassination meaning who ordered it and why.
The top executioners like Curtis LeMay or CIA with Allen Dulles were just
monkeys jumping hoops for their owners. The main question is who owned the
monkeys! The clue is provided by Jack Martin (JFK) who says "One guy, I don't
know, big, white hair. I saw him come in the office once. He looked out of place,
y'know, like a society guy. I can't remember his name but Oswald was with him. He
had something to do with money because Banister never kissed anybody's ass but
he kissed his... Clay something, ... Bertrand... I don't know...". Once Jack realizes
that the secret name is responsible for JFK assassination, he immediately runs
away scared. In this context, Banister plays Allen Dulles, Shaw plays Curtis
LeMay, and Oswald plays Jackie. Consequently, whose moneyed society ass
Dulles would kiss? The answer is John J. McCloy (Boss) played by an unidentified
man standing behind Banister. The so called society refers to the Council on
Foreign Relations. McCloy was its Chairman from 1954 to 1970. The big white
hair is a code for big bald head on McCloy. The out of place refers to the goal of
Council on Foreign Relations to abolish sovereignty of the United States and
create one-world government.
The scene at racetrack provides the first signal about who ordered JFK
assassination. This signal includes John J. McCloy. The scene about silver
provides the second signal about why. This signal includes the Executive Order
11110 based on silver.
Another issue is the roles played by Jim and Bill, in addition to their roles as PWM
and PBF. During the racetrack scene, Jack Martin appears to call Jim Mr.
Garrison (LeMay). Bill strikes a pose similar to the characters playing Thomas
Power, all never speaking a word. However, Jim could play McCloy instead of
LeMay while Bill actually plays LeMay. In the latter case, Jack Martin would refer
to Bill when saying Mr. Garrison. The movie implies that Thomas Power is a
clone of LeMay, meaning that Power can only appear with LeMay next to him. In
the related scene about silver, Jim and Bill play similar roles, and then Lou calls
Jim Boss (McCloy). However during the racetrack scene, most probably Jim plays
LeMay while Bill plays Power. These are only technicalities because in this
particular context either scenario works.
Jack Martin plays JFK during all parts of this scene, including the flashbacks.
During the flashbacks, Oswald normally plays PWM, otherwise he plays JFK or
Jackie; Banister plays Clint Hill, Lansdale, Allen Dulles, PBF, depending on
flashback. During the racetrack scene, Jack Martin uses the name Guy to refer to
Jackie and not Banister.
Jim starts the conversation by saying "You are not under cross-examination, Jack".
This is a reference to the lack of physical cross on top of JFK's grave meaning Jack
plays dead JFK. Jim also says to Jack "You called our office from your hospital
bed. And you were hopping mad about it". This has several meanings. Firstly, this
is a reference to JFK lying on a hospital bed at Bethesda Hospital after the criminal
get-away on Air Force One from Dallas to Washington, D.C. Hence hopping on a
plane, and then being mad about it. The hopping could also be a reference to the
beer hops. Beer was JFK's favorite beverage. That is why The Godfather uses a
glass of beer to represent Jackie's cartridge. The hospital bed is used here
figuratively. Firstly, this means that JFK signed (called) the Executive Order
11110 (the office) effectively from his hospital bed. Secondly, this means that JFK
lying on the rear seat of his limo (hospital bed) called the office (Zapruder frame)
as soon as the white marks appeared on Zapruder film.
Picture 1 shows two racing horses. Notice that the rider of the leading horse wears
a blue coat. This is a reference to Jackie with her blue handbag, riding the horse
called JFK. Apparently, the horse behind is LBJ. Clearly, the movie makers show
the horses through the bars of a fence to allude to the frames of Zapruder film. In
another scene, Bill refers to Zapruder frames also as bars.
Picture 2 shows the view soon after picture 1 to allude to the bullets that hit JFK.
On the right side, the two men sitting close to each other illustrate Jackie's turkey
shoot making two explosions. On the left side, one man raising his left hand
illustrates Clint Hill firing his first bullet with his left hand, and killing JFK.
Picture 3 shows a few details on Jim. His white upper dress illustrates White
Phosphorus because he plays PWM. He also makes a Hand-as-Wing to refer to
Jackie's turkey shoot because he talks about it when he says "You and Guy were
good friends for a long time. And he never hit you before". Jack replies "more than
10 years". This is a reference to JFK (Jack) and Jackie (Guy) married (friends) for
more than 10 years. Jim's Hand-as-Wing also appears to make a 4Fingers-as-
LeMay supporting the scenario that Jim plays LeMay.
Jim says "Yet on November 22, 1963, the day of the President's murder, our police
report says he pistol-whipped you with a .357 Magnum". This refers to the bullets
fired by Clint Hill, illustrated during the first flashback. Jim raises the issue of so
called "telephone bill" as the reason for the beating. This has several meanings.
Firstly, the telephone call refers to the series of white marks forming a
communication line between JFK's head and top of Zapruder frames. This means
the pages illustrate Zapruder frames with white marks. Secondly, this is a reference
to the scene with Mr. X receiving a telephone call from an unidentified General
(Curtis LeMay) asking him to come up with JFK assassination plan, hence a
"telephone bill".
Picture 4 shows Jim getting a copy of "police report" from Bill in front of Jack's
face. The moving of the report illustrates Jackie's bullet through JFK's head. At the
same time, Jim snaps his right fingers. This and several other things are borrowed
from A Shot In The Dark. Picture 5 shows Inspector Clouseau snapping the same
right fingers, next to his assistant Hercule. Clouseau often snaps his right fingers to
simulate Jackie's turkey shoot from her handbag held with her right hand. Picture 6
makes another reference to Hercule in the same scene. In picture 6, Bill assumes
the most erect pose he could muster. Compare his pose to Hercule's in picture 1 of
the next set. In other words, the movie makers are trying to inject some humor at
this point.
Picture 1 (second set of six pictures) has been cropped from the relevant scene in A
Shot In The Dark, as explained above. The erect pose is used for Thomas Power
appearing in the movie JFK. The only difference is that Hercule speaks while Bill
doesn't.
Picture 2 shows a man in dark sunglasses behind handrail. Notice his left foot on
his right knee. This is similar to Zapruder holding his left hand (foot) on the lens
body (knee) of his camera. This is a type of "to thumb the nose". The rolled-up
newspaper in his hands stands for Zapruder film, the key target of this scene. The
yellow arrows point to other details. The right arrow points to a man who probably
corresponds to the observation post inside the Terminal Annex (Post Office) on the
south side of Dealey Plaza. The next yellow arrow points to a man holding
binoculars. This is a reference to the command center inside Old Red Courthouse.
Picture 3 shows Jim handing two sheets of white paper over to Bill. This illustrates
two white marks erased from Zapruder frames.
Picture 4 makes another reference to A Shot In The Dark. The yellow arrow points
to a pen in Bill's right hand. Notice how he tries to display it prominently. Picture 5
shows two "pistol pens" that belong to Hercule (left yellow arrow), and Inspector
Clouseau (right yellow arrow). The movie A Shot In The Dark uses a pistol pen to
illustrate the illegitimate medications taken by JFK in the morning on his
assassination day. Inspector Clouseau sucks some ink out of his pistol pen and
apparently he hates it. The movie JFK also uses pistol pens in several scenes.
Picture 6 shows coffee spinning inside the cup. This is Coffee-as-gore meaning
Jackie's turkey shoot has just been illustrated. The bullet shots fired by Clint Hill
are illustrated during the first flashback.
Pictures 1 to 6 (third set of six pictures) refer to the first flashback to Banister's
office. Here you have to realize that all frames showing the side of his office with
the window are flipped horizontally. The clue is in picture 1 where the window has
to match the window in Dean's office described in another section. That is why all
pictures in this set except pictures 4 and 6 (both showing the side of office door),
are flipped horizontally. In this sequence, Guy is about to pistol-whip Jack without
actually firing the bullets.
Picture 1 has been cropped from the second flashback to Banister's office, but it
has relevance to the first flashback. It shows the holster with revolver on the right
side of Banister's belt. The revolver grip is oriented for left hand. This is how Clint
Hill kept his holster.
Picture 2 shows Banister's face before he pistol-whips Jack the first time. Here, his
face is more focused than his face before the second time shown in picture 5.
Picture 3 shows Banister's right hand on his belt, and his left hand grabbing the
revolver. This is how Clint Hill looks like in the final Zapruder frames before the
triple overpass.
Picture 4 shows Jack hit on his right side. This is where JFK was hit by Clint Hill's
first bullet. This is another reason to flip the frames showing Banister because it
would not make sense to have his right hand hitting the right side of Jack's head.
Picture 5 shows Banister's face before he pistol-whips Jack the second time. His
face is much less focused and more enraged.
Picture 6 shows Jack on the floor and Banister missing Jack. This means JFK's
head escaped Clint Hill's second bullet.
Picture 1 (fourth set of six pictures) shows Jack raising his cup of coffee to make
Hand-to-throat reference. Notice the coffee color on his shirt and the pattern of
white dots on the shirt. This is a reference to the expression "You're the cream in
my coffee" (Coffee-as-gore), explained in one of the following sections.
Picture 2 shows the rider in blue coat and his horse jumping (hopping). This is a
PinkRose-as-JFK jumping up from Jackie's blue handbag. At this point, the scene
switches to the first flashback where Clint Hill fires his two bullets.
Picture 3 shows Jack making a PinkRose-as-JFK on the wrong side, just after the
first flashback completes. This is because Jack plays JFK himself who knows that
Jackie's bullet exited on his right side and where the "blob" appeared. The painting
itself shows the Pink Rose on the wrong side. It is used as a symbol for JFK only
because of The Godfather.
Jack Martin says "He [Ferrie] practically lived there. It was real cloak and dagger
stuff. They called it Operation Mongoose. The idea was to train all these Cuban
exiles for another invasion of Cuba. Banister's office was part of a supply line that
ran from Dallas, through New Orleans to Miami, stockpiling arms and explosives".
Here, both "Operation Mongoose" and "invasion of Cuba" mean JFK
assassination. The dagger stands for Jackie's dart and the cloak stands for her
handbag.
Picture 4 has two parts, cropped from different frames. They show Jack Martin
making faces when he says "Operation Mongoose". This is because he shows his
own face after Jackie's turkey shoot. Picture 5 also has two parts, cropped from the
scene in "Carousel Club" showing Beverly making similar faces when she says
that Oswald (JFK) was in "a bad mood and not good-looking" after Jackie's turkey
shoot.
Picture 6 shows Jack's right ear with point BX.
Pictures 1 to 6 (fifth set of six pictures) correspond to the last third flashback. In
pictures 1 to 4, Jack Martin plays JFK; Oswald plays PWM; Banister plays PBF;
the secretary plays Jackie.
Pictures 5 and 6 are very important. In them, Jack plays, Oswald plays Jackie
because he wears a female bracelet like Jackie. Banister plays Allen Dulles; Shaw
plays Curtis LeMay; the unidentified man plays John J. McCloy (Boss).
Picture 1 shows Oswald and Banister discussing so called "travel expenses". These
"expenses" will come up again during the scene about silver. The "travel expenses"
refer to so called "travel" of PWM and PBF through Zapruder frames 313-315.
Notice that at this point the door is open meaning that both are still in the view of
Zapruder camera. Then the door closes meaning both PWM and PBF leave the
view and start flying above the top edge of Zapruder frame 315.
Picture 2 shows one of so called "Communist leaflets" meaning the white marks in
Zapruder frames. "Hands off Cuba!" means "Hands off JFK!" or "Hands off the
Fed" depending on the context.
Jack Martin says "Other times he'd [JFK] be shooting the bull with Ferrie. But he
was there all right". Here, Ferrie plays Jackie meaning JFK had trouble
communicating with Jackie before his assassination.
Picture 3 shows Banister's secretary handing him one of the "Communist leaflets".
She says "I can't believe it, Mr. Banister. Lee Oswald is down on Canal Street
giving out Communist leaflets supporting Castro!". The Canal Street is the series
of white marks across Zapruder frames, meaning PWM paints the white marks.
The painting can be interpreted both ways. On one hand, it is part of JFK
assassination. On the other hand, it reveals the identities of JFK killers. This means
Castro could mean the Fed (real Communists) or JFK depending on context.
Banister says "It's okay, Delphine, he's with us". Notice the leaflet is overexposed
to light, the common clue about White Phosphorus. Note that the scene about silver
has an equivalent moment where Jim's secretary comes to his office in the same
role of Jackie while Jim plays PWM and Bill plays PBF like Banister.
Picture 4 shows Jack peeking into a medicine cabinet. This illustrates JFK taking
many medications because of his poor health.
Picture 5 shows the unidentified man already mentioned at the beginning of this
section, the yellow arrow points to him. Banister (Allen Dulles) kisses the ass of
this unidentified man. Banister's behavior suggests that his kissing refers to Shaw's
ass, but this is only a diversion. Picture 6 has been cropped from an old photo
showing John J. McCloy standing in the Oval Office during signing of some
documents by JFK. Notice that the movie makers made the unidentified man stand
and smile like McCloy because this old photo is meant to act as a reference for this
scene. Another thing you should notice in picture 6 is that McCloy was a short man
like Onassis, i.e. around 5'5". The movie refers to McCloy as Napoleon. This is an
additional reason to use Broussard's Restaurant because it has a Napoleon dining
room meaning JFK was a dining room for McCloy (Napoleon).
Military camp (0:39)
This section continues the previous section by explaining the remaining two
flashbacks. Here, Banister's office plays the role of Hotel Texas in Fort Worth,
where JFK had his breakfast with members of the Fort Worth Chamber of
Commerce, in the morning on his assassination day. Initially, the "military camp"
represents Dallas motorcade, especially Dealey Plaza where JFK was assassinated.
Later it illustrates the "investigations" by Warren Criminals. The camp is also used
to illustrate two shooting sequences, both with order 0-1-2-3. Here, Dave Ferrie
plays the role of Jackie. The beret on his head plays the role of Jackie's famous
pink pillbox hat.
This scene is one of several scenes where C-4 is mentioned. Jack Martin says
"...confiscate the napalm, C-4, ...". The plastic explosive C-4 uses RDX as the
actual explosive chemical. Since C-4 is mentioned so many times, it is most
probably a reference to RDX that could be used as the booster explosive in Jackie's
bullet. The napalm is a reference to White Phosphorus.
Pictures 1 to 4 refer to Hotel Texas in Fort Worth. Pictures 5 and 6 refer to

Carswell Air Force Base in Fort Worth where JFK took Air Force One to fly to
Dallas, a quick flight of about 15 minutes.
Picture 1 shows a long room which is a reference to one of long dining tables
during that breakfast. The movie includes a few clips from old films showing the
long dining tables.
Picture 2 shows a Cuban holding white cloth (Cloth-from-Hill). In this scene, the
Cuban plays Clint Hill. In another scene, the Cuban will play LBJ. The Cuban also
keeps sunglasses on the top of his head. The sunglasses are a reference to the dark
sunglasses worn by Clint Hill when he killed JFK. The Cuban will be seen in the
"military camp" with his sunglasses on.
Picture 3 shows Jack sitting, doing nothing by pretending to read a newspaper.

Jack says "Not much did, but that's why I was there". In other words, JFK did not
much in Forth Worth.
In picture 4, Banister says to Ferrie "Do not screw this one up". Here, Banister
plays either the demented Curtis LeMay or Edward Lansdale, warning Jackie not
to screw up her contract. Notice how Ferrie shows the palms of his hands, with his
fingers spread wide open, a Hand-as-Wing for US Air Force General. The
Godfather originated this concept by using the little hands with open fingers on an
infant during baptism, as explained in the corresponding section. In picture 4, I
inserted a smaller picture (over Banister) showing two fingers displayed by Ferrie
a few seconds later. This would imply that Ferrie means Lansdale because he was a
2-Star General while LeMay was 4-Star General. Reportedly, LeMay was in
Canada at that time.
Picture 5 shows men carrying a big wooden box and loading into a van. The van
represents Air Force One parked at Carswell Air Force Base in Fort Worth. The
wooden box represents JFK. Picture 6 makes it clearer by showing the signs
Karabiner and 98K. Two letters K stand for Kennedy who is going to end up in a
wooden coffin. The underscore under the letter K is a reference to the underscore
under WHY in the black bordered ad published by Dallas Morning News in the
morning on JFK assassination day.
Picture 1 (second set of six pictures) shows the van on the Lake Pontchartrain
Causeway. This represents Air Force One flying from Fort Worth to Dallas.
Pictures 2 and 3 show the van arriving at so called "military camp". At this point,
the camp is Love Field airport in Dallas. Notice the pattern from windshield
wipers, characteristic to airplanes. In the background somebody says "F-1, A-1".

This means Air Force One.
Picture 4 shows men unloading a wooden box. This represents crowds greeting
JFK at the airport.
Picture 5 shows a man lifting a typical ammo can. The can represents Jackie's
handbag with her firearm inside.
Picture 6 shows two men moving a wooden box. The box represents the ammo for
Clint Hill.
In the background during the scene at a horse racetrack, Jack Martin says
"McAllen, Texas. Big gun running operation". So called "Big gun running
operation" is a code for running a Big Gun like JFK into the ground. McAllen is a
reference to Lloyd Bentsen running JFK into the ground. Another section covers
Bentsen and McAllen.
Picture 1 (third set of six pictures) shows a white label with text printed on it.
Gelatin dynamite is a reference to booster explosive inside Jackie's bullet. Most
probably, her bullet used a different explosive. The movie uses gelatin dynamite
because it is one of the most common in the same category of explosives. Most
probably, 50 lbs stands for 50 mg of White Phosphorus because it is printed on top
of white label like White Phosphorus is stored in the top of Jackie's bullet.
Pictures 2 and 3 show a company logo DUPREE which obviously is a code word
for the big chemical company DuPont making explosives suitable for Jackie's
bullet.
Picture 4 shows men practicing on rope bridges. The long ropes represent the
climbing stems of plants used to make curare. The Godfather uses plumbing pipes
running vertically between floor and ceiling to make such a reference.
Picture 5 shows a man crawling under barbed wire. The wires represent Jackie's
dart, and the barbs represents the needle on her dart. In other words, the ropes and
the barbed wire make a reference to Jackie's chemical agent on her dart. This is
step #0 of a new shooting sequence.
Picture 6 shows Ferrie (Jackie) shooting a gun. The muzzle flash represents
Jackie's bullet shot to JFK's head. This is step #1 of the current shooting sequence.
Picture 1 (fourth set of six pictures) shows a white head with dark sunglasses, next
to a tree trunk. This illustrates the "blob" on JFK's head, next to the trunk of JFK
limo. The head looks like the head of Mr. Y in Washington when Mr. X comes to
his office. Mr. Y himself plays Curtis LeMay. On the other hand, LeMay is
normally played by Shaw/Bertrand. Since Shaw/Bertrand has white cropped hair,
he often doubles as White Phosphorus. Hence, the head of Mr. Y playing the
"blob".
Picture 2 shows a man jumping on an obstacle made of trunks of cut trees. This
represents Clint Hill jumping on the trunk of JFK limo.
Picture 3 shows a man shooting his gun. The muzzle flash represents Clint Hill's
first bullet. This is step #2 of the current shooting sequence.
Picture 4 shows Oswald (JFK) carrying his rifle leisurely. This represents Clint
Hill's second bullet which missed JFK. This is step #3 of the current shooting
sequence. This means the end of shooting sequence 0-1-2-3. However, another
shooting sequence is about to start.
Pictures 5 and 6 lay the foundation for the next shooting sequence that corresponds
to the investigations by Warren Commission. In the background, Jack says "Late
summer the party was over". He also says "The G-men were just going through the
motions". The "The G-men" is a code word for Warren Criminals.
Picture 5 shows a bare-chested man described by Jack as "Nazi mercenary". Next

to him, another man is walking by while holding a cigarette directed towards the
Nazi. This is a Cigarette-as-dart . This is step #0 of a new shooting sequence. So
called "Nazi mercenary" plays the role of JFK.
Picture 6 shows Dave Ferrie showing the unhappiest face he could muster. This
represents Jackie before her bullet shot.
Picture 1 (fifth set of six pictures) shows Dave spitting on the ground. This
represents Jackie's bullet shot to JFK's head, step #1 of the current shooting
sequence.
Picture 2 shows a tracer bullet fired at night. This represents Clint Hill's first bullet.
This is step #2 of the current shooting sequence.
Picture 3 shows a small light in the sky. This represents Clint Hill's second bullet
which missed JFK. This is the last step #3 of the current shooting sequence.
Picture 4 shows two lights (car headlights). The lights illustrate two bullets to
JFK's head. Other scenes use things like two holes in a German helmet, two horns
on a devil's head, etc.
Picture 5 shows "The G-men" arriving at the "military camp". The car is loaded
with Warren Criminals arriving for their investigation in Dealey Plaza, in 1964.
Picture 6 shows a G-man clumsily falling on the ground. Apparently, he is the

buzzard Warren or Arlen Specter stumbling over his own pointing stick.
Picture 1 (sixth set of six pictures) shows two prisoners with hands behind their
necks. They illustrate two white marks M5E and M8E erased from Zapruder
frames, i.e. "thrown into a federal prison".
Picture 2 shows the Cuban playing Clint Hill in prior pictures of the same scene.
This picture illustrates Clint Hill's congressional testimony to Warren Criminals.
Picture 3 shows a balding man from behind. He represents Earl Warren

approaching a stack of boxes.
Picture 4 shows the stack of boxes. The boxes represent the volumes of Warren
Report, the main book plus 26 volumes of hearings and exhibits. The movie DVD
comes with a bonus DVD which includes a few video clips from old films showing
stacks of Warren volumes. This picture makes a reference to those clips.
In picture 4, the big stack of boxes also illustrates the great fish from the novel
"The Old Man and the Sea" (1951) by Ernest Hemingway. In another scene, Jim
quotes this novel. The movie reverses the logic, meaning Warren Report is the
great fish and you are the sharks picking the Report apart such that today nothing
is left but its skeleton or a dry weed. That is why another scene, shows such a dry
weed lying in a West Texas desert.
Picture 5 shows a G-man pointing a long shotgun. Apparently, the man is Arlen
Specter with his pointing stick. The background overexposed to light illustrates the
Warren investigation of the white marks. This corresponds to the line said by Jim
as Allen Dulles "Your young friends also told us you had no weapons in the car.
Dave, isn't it a bit difficult to hunt for geese without a shotgun?". This means that
the shotgun illustrates the photographic equipment used to erase the white marks.
Picture 6 shows Ferrie being escorted by a G-man during shutdown of "military

camp" on the orders of Washington. This picture illustrates Jackie's congressional
testimony to Warren Criminals.
Pipe the Bimbo in Red (0:44)
This scene takes place in a French restaurant. One of the old scripts (included in
the zip package) names Broussard's Restaurant in New Orleans for this scene.
Apparently, Jim Garrison's book "On the Trail of the Assassins" included some
references to his lunches with Dean Andrews at this restaurant. However, the
movie does not mention the name of this restaurant and the website for this
restaurant does not mention the movie, meaning that probably this scene was
filmed somewhere else. In any case, the movie uses Broussard's Restaurant as a
proxy for Clint Hill. During this scene, the main reference to Clint Hill are loud
noises made by angry Andrews when he suddenly stands up shaking the table and
making all people turn their heads towards Andrews. This is an illustration of Clint
Hill's first bullet shot that killed JFK. The Godfather has a similar scene where
Wolz and Hagen have a dinner at Wolz's mansion, and where Wolz plays Henry
Wade and other top conspirators in Dallas like Earle Cabell and Bill Decker, while
Hagen plays John Connally and LBJ.
The scene starts with Andrews saying "Pipe the bimbo in red" (youtube link). The
"Bimbo in red" is Old Red Courthouse in Dealey Plaza. Here, "to pipe" means to
use a pipe like hand-held telescope (spyglass) used in the old times. Old Red
Courthouse is the place where Henry Wade had his office and where JFK killers
had their command center during JFK assassination. Henry Wade inside his Old
Red Courthouse plays the role of the pirate Henry Morgan inside his pirate ship.
Hence, the use of pipe meaning a spyglass used by pirates. Pirate costumes are also
known to have red in them. According to his testimony, Wade was at the Market
Hall (Trade Mart) at that time, "waiting" for JFK to arrive. Instead of zooming in
on Old Red Courthouse, the viewers zoom in on the cute bimbo in red.
The semi-circular walls inside the restaurant and inside Dean's office during the
flashbacks, are references to the circular walls inside the turrets of Old Red
Courthouse building. The French painting on the semi-circular wall inside the
restaurant is a reference to the crowds in Dealey Plaza because the wall is like
windows around the turret that provide a panoramic view of the Plaza. In this
scene, Dean says that something "popped in my cabeza" because Jackie's bullet
popped in JFK's head thanks to Cabell at the Plaza.
Inside the restaurant, Andrews plays John Connally. Andrews acts like a playboy
because Connally was known to be one. Andrews keeps a hat next to him like
Connally always kept his 10-gallon cowboy hat around him. During the courtroom
trial, Andrews also plays Connally. During the flashbacks, Andrews plays Henry
Wade. Inside the restaurant, Jim plays Henry Wade and LBJ. Another clue is
provided when Andrews says "We been thicker'n molasses pie since law school".
Both Connally and Wade went to the same Law School at the University of Texas
at Austin. Both graduated about the same time around 1940. Reportedly, Connally
and Wade were roommates in college. Connally, Wade, and LBJ were old friends.
Recall the scene at a horse racetrack where Jack Martin runs away scared when the
scary name Clay Bertrand is mentioned. This scene has Bertrand again in the same
role. During two flashbacks to Andrews's office, Clay Bertrand (Shaw) plays
McCloy. Bertrand's head also doubles as the Reunion Tower in Dallas. Andrews
says "I don't know what that cat looks like or where he's at. All I know is
sometimes he sends me some cases. One day he is on the phone, talking to me
about going to Dallas, repping Oswald". Here, Oswald is JFK. Connally was sent
to Dallas to rep JFK during his motorcade. This was one of the cases that McCloy
(cat) sent to Connally. Another case was when the Federal Reserve made Connally
the US Secretary of Treasury. Andrews also says "Bertrand asked me that summer
to help the kid upgrade his Marine discharge". JFK served in the US Navy, hence
he was a Marine. His assassination was his final discharge. During one of the
flashbacks Bertrand says "Whatever they owe I guarantee" meaning that the
Federal Reserve has an unlimited amount of money to protect the biggest source of
power. One published script for the movie JFK has some additional lines that
apparently were later deleted. In it, Jim says "Did he [Bertrand] pay?", and
Andrews replies "Always, like tits on a pig. I wish I had a million of those
bimbettes". The million bimbettes is a reference to $1,000,000 paid by McCloy to
Jackie (Bimbo) for upgrading JFK's Marine discharge.
At the end of the scene, Andrews (Connally) runs away scared after saying "...if I
give you the name of the Big Enchilada, y'know, then it's bon voyage, Deano. I
mean like permanent. I mean like a bullet in my head. You dig?". The crow in the
logo of Board Of Governors of the Federal Reserve System looks like Big
Enchilada. The logo is shown in the section about the scene with the senator Long.
As far as the expression "bullet in my head. You dig?", all you have to do is to
stock up on lots of guns and ammo because you will have to do a lot of digging
with them! Forget all the buzzwords like US Supreme Court, US Congress, etc.
These buzzwords are a code for parasitic diseases that you have to cure sooner or
later. Nature always overruns the hosts with parasites in order to wake them up.
That is why the hooks noses in Washington, DC, are constantly coming up with
new tricks to take away your guns and ammo. Even some of the corrupt Kennedys
are running around and promoting so called "gun control" meant to delay only one
thingy! The thingy is "Pest Control". The sewers of New York City and City of
London are overflowing with butt-ugly hook nosed cockroaches and rats.
Dean Andrews who among other things is known for his dark eyeglasses reflecting
light in the photographs made of him. That is why throughout the movie, you can
see both lenses of Jim's eyeglasses reflecting light at the appropriate moments. The
movie makers borrowed this double reflection to refer to two explosions made by
Jackie's cartridge, one by the gunpowder inside the casing and one by booster
explosive inside the bullet. This is called Lens-as-explosion reference.
During the restaurant part of the scene, Andrews and Jim illustrate two concurrent
shooting sequences DEAN and JIM, both with order 0-1-2-3. Each illustrates some
of the shots on himself and the remaining shots on the other.
Picture 1 shows the moving illustration of Old Red Courthouse at Dealey Plaza.
This is Bimbo in Red. In several other scenes, the movie also shows the actual
building that you need to pipe. The woman doubles as Jackie and the man behind
her plays Clint Hill with a Cloth-from-Hill in his breast pocket.
Picture 2 shows Dean making Cigarette-as-dart reference. This illustrates Jackie's

dart shot on Dean. This starts the shooting sequence DEAN with step #0.
Picture 3 shows Dean putting a crabmeat into his mouth. This is a reference to the
white "blob" that looks like crabmeat which is white. The crabmeat is hanging off
his head like the white "blob" off JFK's head. Just before Dean puts the crabmeat
into his mouth, he says "Grain of salt" which is a reference to a small chunk of
White Phosphorus about to be ignited in his head. At that point, the crabmeat is
cooked and Dean says "Kennedy is dead like this crabmeat". This is step #1 of the
shooting sequence DEAN.
In picture 1 (second set of three pictures) Dean says "They put the heat on me, like
you" while a waiter at nearby table is preparing a flaming dish. The flame looks as
if it is on top of the man sitting there. This is a reference to the Eternal Flame on
JFK's grave. In other words, they put the heat on JFK like they put it on Dean. At
this point, Jim probably starts playing JFK instead of Henry Wade.
Picture 2 shows Dean making the second Cigarette-as-dart reference which

illustrates Jackie's dart shot on Jim. Picture 3 makes it clearer by showing Dean
blowing a big buff of smoke towards Jim. At this point Jim is injected with
chemical agent. This starts the shooting sequence JIM with step #0. Andrews says
"In that case, let me sum it up for you real quick" meaning that the shooting
sequence on Jim (JFK) will be quick, so pay attention.
Picture 1 (third set of three pictures) shows Jim drinking his martini (Martini-as-
JackiesShots). The woman in pink suit behind him plays the role of Jackie. This is
step #1 of the shooting sequence JIM.
Picture 2 shows angry Jim pointing his finger (Finger-as-LBJ) at Andrews and
saying "You dig me?". This illustrates Clint Hill's first bullet shot on Andrews.
This is step #2 of the shooting sequence DEAN. At this point Andrews gets really
angry.
Picture 3 shows angry Andrews standing up and shaking the table with noises loud
enough to make all people turn their heads towards Andrews (TableSlam-as-
Bullet). This means it is not Jackie's turkey shoot (suppressed) but Clint Hill's first
bullet shot (not suppressed). This is step #2 of the shooting sequence JIM. When
Andrews puts his hat on, this is step #3 of the shooting sequence JIM.
Andrews says to Jim "The government will jump all over your head and go cock-a-
doodle-doo". This is a reference to the cartoon Cock-A-Doodle Deux-Deux (1966),
explained in the chapter for Pink Panther. The whole term Cock-A-Doodle Deux-
Deux means three bullets to JFK's head. The Cock means Clint Hill's first bullet.
The Doodle means Clint Hill's second bullet. The Deux-Deux means Jackie's bullet
because it made two (deux in French) explosions, where Deux is repeated twice in
order to simulate two sounds like in Dum-Dum or Boom-Boom. At this point Jim is
confused. His confusion represents the second bullet fired by Clint Hill, meant for
Dean. This is step #3 of the shooting sequence DEAN. In summary, both shooting
sequences are 0-1-2-3.
Picture 1 (fourth set of three pictures) shows Dean sitting in his office during the
first flashback in time. His office has also a circular wall. Behind the window,
there is an arcade structure that looks like the circular arcade on the Old Red
Courthouse as shown in picture 2. On top of the arcade structure behind window,
there is a carved figure that looks like one of the wyverns on the Old Red
Courthouse as shown in picture 3. Quite likely, the two bulges on this carved
figure represent two sides of Eternal Flame used as a panache on Clay's "Top Hat"
during the party of agony, described later. Notice that there is a clock on the
window sill behind Dean. There is also a clock below the circular arcade structure
on the Old Red Courthouse. In the foreground of the picture, you can see the head
of Clay Bertrand with close-cropped white hair. This is a reference to the white
ball structure on top of the Reunion Tower, just outside the Old Red Courthouse. If
this is not enough, then Dean gives you another hint by offering "cashew pieces" to
Bertrand. A cashew looks like a human external ear, like JFK's right ear before it is
broken by Jackie. That is why Dean does not offer whole cashews but their broken
pieces, like the broken pieces of concrete around JFK's grave marker resembling
his right ear refusing to listen and then broken by Jackie's bullet.
Picture 1 (fifth set of three pictures) shows Dean sitting in his office during the
second flashback in time. The scenery behind the same window is now different.
Notice the head of a figure behind the window. Its face looks very young like the
baby face of the garden statue in The Godfather scene where Michael is sitting on
garden bench. Picture 2 shows the garden statue. In other words, Dean's office
represents the office of Dallas County District Attorney Henry Wade. Dean
himself plays Henry Wade who is making a "telephone call" to Michael.
Picture 3 shows the actual scenery behind the windows. The white building behind
the windows looks the same in both pictures. The white building implies the turret
is on the south side of the building. The section He put a hurt on me, but good
(1:09) explains the witness Jean Hill pointing to Old Red Courthouse and where I
include a photo of the relevant turrets. The turret marked S1 has one white mark on
it. This probably means that Andrew's office corresponds to S1 turret. However,
another scene points to NW turret as the command center. Patsy Paschall filmed
JFK motorcade from the NW corner, meaning she was of the goons like Zapruder
hired by JFK killers. Note that picture 3 has been cropped from a promotional
photo found on the Internet. Apparently, Dallas savages use the turret as a wedding
place. They have to know about the role of turret during JFK assassination,
especially after seeing it in the movie JFK.
Homosexual Underworld (0:47)
In this scene, the real identities of so called Military Industrial Complex and some
of their associates are revealed. Here Jim continues his "investigation" at Louisiana
State Penitentiary called Angola. In the movie, Angola is a cover for Pentagon in
Washington, DC.
This scene is the first scene with extensive multiple personalities per one character.
Jim plays Curtis LeMay, Allen Dulles, and Earl Warren. Bill plays Clint Hill, LBJ,
and Henry Wade. In the "prison", Willie plays Jackie and Edward Lansdale.
During the first flashback, Willie plays PBF, Shaw plays PWM, Ferrie plays JFK.
During the remaining flashbacks, Willie plays Jackie; Shaw plays Curtis LeMay;
Ferrie plays Edward Lansdale, Clint Hill, Henry Wade; Oswald plays JFK.
During the "prison" scene, several clues are provided about the real location.
Pentagon building has five sides, five floors above ground, five ring corridors per
floor, five-acre central plaza which is shaped like a pentagon and informally
known as "ground zero". The main clue is provided by the disordered cluster of
tree logs where Willie, Jim, and Bill are sitting. It would be unusual to have such a
cluster when the area around is clear of any obstacles, especially with prison
guards riding horses. When you count the logs, the number is five meaning a
pentagon. Another name for a tree log is trunk. Jackie and Clint Hill were dancing
on the trunk in Dealey Plaza. The scene in Carousel Club will show them dancing
on a different kind of trunk.
Another clue about the real location is provided when the chief guard says "We
don't need gates with that swamp. Many of them gone in there, none came out".
Why is he so sure about this none? This is because "swamp" is a code word for
cemetery. Arlington National Cemetery is located just across the fence from
Pentagon. Yet another clue is provided by so called "mattresses". Initially, the
chief guard takes Jim and Bill to a recreation room with circus-like atmosphere.
The white pillows are some of the "mattresses". The other "mattresses" are
sandbags moved by the "prisoners" into a pit full of "mattresses", called "swamp".
The idea to use mattress to illustrate a coffin came from The Godfather where
Clemenza asks specifically for clean mattresses because "Those guys are gonna be
stuck up in there for a long time". Reportedly, JFK assassin himself (Clint Hill)
ordered the coffin delivered to Parkland Hospital. The coffin's inside bottom was
lined with a plastic mattress covering, hence mattress. In other words, Pentagon is
a factory for turning people like JFK into mattresses and then dumping them into a
swamp next to Pentagon.
During the "prison" scene, Willie says as Lansdale "People like to act more
important than they are. Especially in the homosexual underworld". This is a
reference to the scary Military Industrial Complex and its face Edward Lansdale
who was an expert in assassinations. That is why Willie is first located with his
close associates in a recreation room with "mattresses". Willie also says "When
they got him [JFK], I got scared, that's when I got popped". This refers to Lansdale
being photographed next to Texas School Book Depository soon after JFK
assassination, linking him to the murder scene. In the movie, Clay Shaw is
frequently described as having so called "limp". The "limp" is a code word for
stoop. Reportedly, Edward Lansdale tended to walk with a stoop. One of the
hoboes shown in the old photos and in the recreated scene with hoboes walks with
a stoop.
Willie also says as Lansdale "JFK was killed because he was a Communist".
Reportedly, Lansdale liked to present himself as anti-Communist. However, he
was mentally deficient like all communists and homosexuals. It is not clear
whether he was a homo but it is clear that most Generals and Admirals in Pentagon
are homos. All of them are mentally deficient. The only reason they become
Generals and Admirals because all work for the central banking hook noses who
are mentally deficient as Communists. Communism itself is a mental disease.
When Mother Nature made people follow unnatural belief systems, She also made
those at the top mentally deficient. It is totally impossible to have sane people at
the top because the current belief systems are insane. All mental diseases like
homosexuality or communism are designed to eventually self-destruct once new
belief systems become gradually feasible. Judging by the inbred or monkey faces
on the additions to US Supreme Court, US Congress, White House, Pentagon,
within the last decade, the end of unnatural belief systems appears to be near.
The scene also makes references to Lansdale's trinkets like Air Force Distinguished
Service Medal, National Security Medal, Philippine Legion of Honor, and others,
all combined into one big coffee-colored "Cracked Medal" awarded to Lansdale
with a huge applause from his admiring audience inside homosexual underworld at
Pentagon.
Pictures 1 and 2 illustrate Pentagon in Washington, DC. Apparently, even then it

was under tight security so the homos could feel secure inside. Twelve years after
9/11 the homos there still cannot figure out what their homo boss Donald Rumsfeld
was doing in the morning on 9/11. I bet the clairvoyance on Yummy Rummy came
from the hook noses on Wall Street. In picture 2, the red white&blue trash can
illustrates the flag trashed by the yummy homos inside.
A prison guard in the background says "District Attorney Garrison to see Prisoner
5388, Ward Block 237B". District Attorney refers to Bill playing Henry Wade, and
Garrison refers to Jim playing Curtis LeMay. Prisoner is Lansdale hiding as a
General with the other homos inside Pentagon.
Picture 3 shows one of the "prisoners". The yellow arrow points to an insect stuck
on his shirt. Recall the scene with Mr. X in Washington, where one flashback
(movie time 2:04) shows an actor playing LBJ and saying "I want Max Taylor on
him [McNamara] night and day, like a fly on shit". This means that the insect is the
fly (Max Taylor), meaning the "prisoner" is Robert McNamara (shit) sitting in
Pentagon. In another scene, Jim's son plays McNamara in the same context.
Picture 4 shows a rusted water tank illustrating the wall-mounted drinking fountain
inside Pentagon, shown during the scene with Mr. X in Washington. Picture 5
shows Mr. X pointing to this fountain with his right hand (movie time 1:52). In
other words, the movie makers left a clue what this rusted tank is about. They also
made it noticeable by making Mr. X flash his hand very quickly which is a big
signal in itself. During that scene at "Pentagon" Mr. X plays LBJ meaning the
drinking fountain has something to do with White House. The clear clue is in
picture 6 also shown during the scene with Mr. X. In picture 6, I added one yellow
arrow to point to ball-shaped shrub in front of the White House. This means that
the rusted water tank stands for the shrub. This also means that the "prisoners" and
"guards" next to the water tank play people close to the White House.
Picture 1 (second set of six pictures) shows a "prison guard" wearing a hat. He
plays LBJ who loved to play to the dummies with his cowboy on his head,
apparently to make them think that he was a "rancher" in Texas. In reality, LBJ
was as much a rancher as the hook noses would make a "ranching monkey" one.
Picture 2 shows another "prisoner" close to the water tank, holding a stick that
looks like the radius bone thrown by Santino in The Godfather. This means the
"prisoner" is John Connally who luckily got his radius bone from Santino
(Forearm-as-Connally). Johnny also has his 10-gallon cowboy hat in place. The
hat came from Santino's trash can. There is one known photo of Connally with his
radius bone still healing in a white sling, next to Connie (Nellie), both standing in
front of the White House after JFK assassination. Picture 2 refers to this photo,
already included in several other places of this document.
Picture 3 shows a "prison guard" on horse. He wears a metal badge used often to
illustrate Clint Hill's first bullet that split open JFK's head. In other words, he plays
Clint Hill mounted on the horse called JFK, apparently ready for the gold medal to
be awarded to him by the US Secretary of The Thievery Douglas Dillon, for
"exceptional bravery" during JFK assassination, and obviously paid by American
taxpayers.
Picture 1 (third set of six pictures) shows the Generals and Admirals in Pentagon.
The long hand tools are used for "cooking" the "mattresses".
The chief guard says "We don't need gates with that swamp. Many of them gone in
there, none came out". Swamp is Arlington National Cemetery next to Pentagon.
He also says "Hey, Willie! You got visitors here don't give them trouble, boy,
y'hear" meaning that the chief guard plays Lansdale's boss ordering him not to
whack (trouble) anybody. At the end of this scene, two horses will appear behind
Willie implying that Lansdale is thinking about whacking two people.
Willie says "How you doing, Mr. Broussard?" as if he and Bill know each other
well. Bill says "Let's go, Willie". Mr. Broussard is a direct reference to Clint Hill
meaning that Jackie and Clint Hill are glad to see each other again after their
contract on JFK.
Picture 2 shows the "Cracked Medal" awarded to Edward Lansdale (Willie) for his
"Distinguished Service". The crack on the medal represents the crack on JFK's
grave marker, thanks to JFK assassination plan designed by Lansdale. During the
scene with Mr. X in Washington, Mr. X says to Jim "I hope you get a break". Now
you know what the break means.
Picture 3 zooms in on the white flat pillows illustrating one type of "mattresses"
delivered by Lansdale.
Picture 4 shows Lansdale during his Medal Reception Ceremony surrounded by his
admiring audience among top Generals and Admirals in Pentagon.
Picture 5 zooms in on the "sandbags" moved by a row of "prisoners". This
illustrates funeral processions (human conveyor belts) leading to Arlington

National Cemetery. A prison guard says "No slow f..king". Recall the scene with
Senator Long where he says "F..king out of control, all these hippies running
around on drugs". So called f..king means assassinations. The hippie stuff is
explained in the section about Senator Long.
Picture 6 zooms in on one-armed "prisoner" moving a special type of "sandbag".

He throws it towards horse's back. Pink Rose goes on horse's skull. This probably
refers to a funeral procession where a hearse with coffin is pulled by a horse, like
JFK funeral procession.
Picture 1 (third set of six pictures) shows so called "swamp" full of "mattresses".
Picture 2 shows Willie, Jim, and Bill approaching the Pentagon as explained.
Willie says "Time stands still here, like a snake sunning itself on a road", which
probably refers to Jackie on the trunk in Zapruder film. In southern climates,
cornsnakes love to lie on dirt roads on sunny days. Cornsnakes have red pink
patches on them making them look like Jackie in red pink suit on the trunk
watched by billions of people for years now, making the time stand still.
Willie says "Yeah. Clay. I met him sometime in June of '62 at the Masquerade Bar.
Dave Ferrie took me there, for the express reason to meet him". This scene alone
does not provide sufficient data to decode it. However, the scene with Shaw in
Jim's office does (movie time 1:27). Masquerade Bar stands for JFK's head
looking like a masquerade mask (Masquerade Bar) down in a Zapruder frame
(Quarter) after Jackie's turkey shot. The year 1962 stands for Zapruder frame 312.
If you divide one year into two parts with ratio 25/30 corresponding to (exposure
time)/(non-exposure time) then you get June 15 as the last day of exposure time,
meaning that the second half of June is the beginning of non-exposure time. In
other words, the movie makers are telling that Jackie pulled the trigger in the
second half of June, i.e. within the first 2.3 milliseconds. My computer simulations
indicate that she did it in 4 milliseconds which would make it fall on July 12. Here,
Ferrie plays JFK. The man in drag plays Jackie. Willie plays PBF and Shaw plays
PWM, as explained below with the pictures.
Jim says "Sexual purposes?" meaning assassinations. The scene with Senator Long
calls it "F..king out of control". Jim asks "Did he pay you for this?". Willie answers
"$20 each time. Ain't no secret. That's what I'm in here for". This refers to $20 bill
which shows White House on the reverse side. The White House is a code for one
white mark painted (paid) by PWM (Shaw). Since everybody can see the six white
marks still remaining in Zapruder frames 313-314, Willie says "Ain't no secret".
However, he also says "That's what I'm in here for" while sitting in Pentagon,
which could be interpreted many different ways. I leave it up to you!
Picture 3 has two parts. The left half shows Willie making a Cigarette-in-
Lansdale, by placing a long cigarette into the corner of his mouth. The movie
makers selected his left side as a diversion. The correct side should be on his right
side. This is part of the horizontal flipping. The right half of picture 3 shows the
actual Lansdale for a quick reference. This means that Willie's sides are flipped
horizontally for the references that follow below.
Picture 4 shows Willie making an Elbow-as-Jackie with his left elbow. Since his
sides are flipped, he actually does it with his right elbow like Jackie in Zapruder
film when she held her handbag with her right arm.
Picture 5 shows Willie making a PinkRose-as-JFK. This is Jackie illustrating her

turkey shoot to JFK's head. The Godfather makes Don Tattaglia groom the same
spot. Notice that in both pictures 4 and 5, Willie's head is superimposed on the
horse's head in order to make a reference to the painting Horse's Skull with Pink
Rose. Note that the movie makers managed to keep Willie's head over the horse's
head for almost the whole duration of this scene.
Picture 6 has two parts, showing Willie's tattoos on both arms. The left half shows
a tattoo that looks like a panther meaning Pink Panther which stands for Jackie.
The right half shows a branch with red rose and green leaves. This illustrates
Jackie's red roses inside JFK limo and her dart shot to JFK's left thigh.
The single picture of the fourth set shows the tree logs described at the beginning
of this section. The total count of full-size logs is five, meaning the Pentagon.
Picture 1 (fifth set of six pictures) has two parts. The left half shows Willie placing
his left hand on the back left side of his neck. Since his sides are flipped, he does it
on his right side. The right half has been cropped from Zapruder frame 329,
showing Jackie placing her right hand on the back right side of JFK's neck. This
means Willie illustrates Jackie after her turkey shoot, doing her magician's trick by
showing the audience in Zapruder film that her right hand is empty.
Pictures 2 to 4 have been cropped from the first flashback, taking place in so called
"Masquerade Bar". All three pictures have been flipped horizontally. As
explained, this illustrates Jackie's turkey shoot in Dealey Plaza where JFK's head
turns into "Masquerade Bar". Note that this scene is continued during one of the
flashbacks included in the racetrack scene and during the scene about silver.
Picture 2 shows a man in drag playing Jackie. The yellow arrows point to her
accessories from JFK assassination. Once Jackie passes by, Ferrie (JFK) is shot
with her turkey shoot.
Picture 3 shows Ferrie milking the right nipple on his friend. The nipple stands for
John Connally's nipple from his testimony to Warren Criminals. Since Connally's
nipple was hurt so much by Magic Bullet "killing" JFK, JFK (Ferrie) plays with
the nipple a little.
Picture 4 shows a few important details on Willie and Shaw. Willie is wearing a
green shirt meaning that he plays a military man like a real bullet, i.e. PBF. Shaw
is wearing a yellow and white shirt because these are the colors of burning White
Phosphorus, i.e. PWM. The bottom yellow arrow points to Willie's leg mounted on
Shaw's lap, meaning they are bound together. This is because PBF and PWM are
parts of the same bullet before igniting the booster explosive. The top yellow arrow
points to a coffee-colored drink (Coffee-as-gore) meaning that the bullet already
goes through JFK's head but it has not exploded yet because both Willie and Shaw
are still sitting. Once Ferrie approaches them, both leave immediately while Willie
is leading because he plays PBF which is a much faster projectile, while PWM
(Shaw) follows him. After flipping the pictures, both leave towards the upper right
corner, matching the direction in Zapruder frames 313-315.
The following applies to a different context, even though Willie says it when the
first flashback is still shown. Willie says the following from the "prison" scene "He
had something wrong with his leg. A limp. Don't get me wrong. He's not one of
those limp wrists. He's a butch John. Meet him on the street, you'd never snap. You
could play poker with him, go fishing, you'd never snap in a million years. So one
night we were over at Ferrie's place. Having a party. Sometime in the late summer
of '63". This leg is not a real leg but a code word for stoop. Shaw's "limp" is
frequently referenced in the movie. This has nothing to do with a limping leg but
Lansdale's stoop. The limp wrist is a reference to Connally and his testimony to
Warren Criminals about his wrist and radius bone hurt by Magic Bullet. This
means Connally himself is included in this flashback. Shaw's "fishing" is also
frequently referenced in the movie and explained in other sections. The million
years refers to the payment of $1,000,000 that LeMay received for his role in JFK
assassination, exactly like Jackie. The party refers to the planning of JFK
assassination in the late summer of '63, i.e. after Jackie's premature child had died
on August 9 and before her trip to Greece on October 1.
Picture 5 has been cropped from the scene with Mr. X in Washington (movie time
2:04). It shows one hobo walking with a stoop. The man walking by in the opposite
direction plays Edward Lansdale. However, he is not Mr. Y like everybody thinks
because he is Mr. X. The man playing Lansdale walks without a stoop. The hobo's
stoop is meant for Lansdale. This stoop is the "limp" frequently referenced in the
movie.
Picture 6 starts the second flashback, to a party at Dave Ferrie's "apartment". It

shows two outside windows. The round-top window is similar to the windows of
both White House and Old Red Courthouse, especially White House as explained
later (Window-as-WhiteHouse). The yellow arrow points to an open rectangular
window on the right side. This window refers to a window on the turret of Old Red
Courthouse as explained later. The following sets provide relevant pictures for
quick comparisons. The scene about Ferrie's death makes it clear that his
"apartment" doubles as both White House and Old Red Courthouse because Ferrie
plays both Jackie and Henry Wade in this context.
Pictures 1 to 3 (sixth set of three pictures) are about so called mice in Ferrie's
"apartment". The dark mice belong to Ferrie's side playing Henry Wade, and used
for so called "cancer research". The white mice belong to Ferrie's side playing
Jackie, and used to illustrate the white marks.
Picture 1 shows one dark mouse grooming its head.
Picture 2 has been cropped from the court trial scene (movie time 2:43). It shows
the judge presiding over Jim's case, moving his claws over his head like the mouse
shown in picture 1. This provides a clue what the cages, dark mice, and "cancer
research" really mean. The cages mean courtrooms inside Old Red Courthouse,
and the mice mean judges presiding over the courtrooms. In short, "cancer
research" stands for Wade's Tough Justice. In picture 2, the judge plays Clint Hill
meaning Wade's Tough Justice is a joke.
Picture 3 shows one of the white mice shown only near the top of cages. Their
cages illustrate Zapruder frames. Since the white marks are near the top of
Zapruder frames, the white mice are also near the top.
Picture 1 (seventh set of six pictures) shows the door of White House, facing the
Rose Garden. Compare the round top to the one on Ferrie's window. Clearly, the
movie makers give a clue that Ferrie's "apartment" is also White House.
Picture 2 zooms in on the wall of Old Red Courthouse facing Houston Street. This
wall shows both round-top windows and rectangular windows. The yellow arrow
points to the corresponding rectangular window. This is the turret in SW corner of
the building. The move makes lots of references to this specific turret. Note that
Patsy Paschall made her widely known film from inside the turret located in NW
corner of the building. Most probably, Paschall was a conspirator like Zapruder.
Picture 3 shows the inside view of Dave's "apartment". Picture 4 shows the inside
view of Old Red Courthouse. Yet another clue that Ferrie's "apartment" doubles as
both White House and Old Red Courthouse.
Picture 5 shows Clay moving his middle finger. This is a reference to The
Godfather scene between Godfather (Jackie) and Sollozzo (Onassis) discussing the
contract to assassinate JFK. Apparently, Godfather did not show his middle finger
well enough so Clay Shaw does it for him. The relevant section in the chapter for
The Godfather explains the meaning of middle finger. In other words, Willie and
Godfather play the same role as Jackie. The only difference is that Shaw plays
LeMay and Sollozzo plays Onassis.
Picture 6 zooms in on the cigarette pack revealing the brand Salem. This brand was
Jackie's favorite. The scene with Ferrie's death will show this pack again. Willie
moves his right index finger to illustrate the finger to pull the trigger. Since his
sides are flipped, Jackie is supposed to use her left index finger. In other words,
Willie shows the trigger finger and Shaw shows Godfather's finger used to point to
BE (spot where Jackie's bullet enters JFK's head).
Picture 1 (eighth set of six pictures) shows Oswald sitting at a table, looking
serious like JFK at his desk in the Oval Office. One of the clips from old films
(movie time 0:02) shows JFK sitting at his desk in Oval Office in order to provide
a clue for this scene. Picture 2 has been cropped from the scene with Mr. X in
Washington (movie time 2:01) that also shows JFK at his desk in the Oval Office.
Willie says "There was about nine to ten people there. Cuban. Friends who'd done
stuff in the bush with him". . The bush is a reference to the jungle countries in
Southeast Asia like Philippines and Vietnam where Lansdale (Dave) practiced his
assassination skills used later on JFK.
Willie says "Place was a mess. Dave's mind was a mess". Here, "Dave's mind"
means Jackie's husband (JFK) and the mess refers to JFK's poor health. JFK was
on many medications. The scene about Ferrie's death illustrates JFK's health and
the illegitimate medications given to him by Jackie in the morning on his
assassination day, both contributing to the quick effectiveness of curare injected
by Jackie.
Willie says "Y'know he had all those mice cages around cause he's working on this
cure for cancer. Dave's smart, though, real sharp. Speaks five languages. Knows
philosophy, medicine, military, history, politics". The five languages are listed in
the following sentence, and they refer to five sides of Pentagon. Willie makes
"military, history" sound as one but he means two separate words. Each side
(language) refers to a different type of "No slow f..king", meaning all sides are
"F..king out of control".
Willie says "He wanted to be a priest but they defrocked him 'cause he was queer"
meaning that Henry Wade (Dave) wanted to be an FBI agent but FBI fired him
because he was a queer.
Picture 3 shows Oswald refusing to shake hands with Willie. Ferrie says "Leon
[Oswald] is in a bad mood", because Oswald plays JFK and Willie plays Jackie.
JFK and Jackie did not get along very well after the loss of their child in August of
1963. Jackie went to Greece creating a political disaster (bad mood) for JFK.
Willie says to Jim "Yeah. I have no reason to lie to you. I'm already in jail"
meaning that Jackie (Willie) has to stay in CIA (jail) until she dies. This is Jackie
talking to Allen Dulles played by Jim. The issue of parole also comes up in the
same context, meaning it is about releasing Jackie from CIA on the request of LBJ
played by Bill.
Willie says "Finally they got out of there, I found myself alone with Dave and this
Leon, two of the Cubans, and this guy Bertrand. Dave pulled out some clippings.
He'd been obsessed with Castro and Kennedy for months". The clippings is a code
for the posters "JFK Wanted For Treason" distributed on the streets of Dallas
before JFK assassination and the black bordered ad in Dallas Morning News,
published in the morning on JFK assassination day. Castro is a code for LeMay
meaning that Lansdale was obsessed with LeMay's orders to assassinate JFK.
Picture 4 shows Willie and one Cuban next to him, both holding drinks in their
right hands. Picture 5 shows the same spot next to Willie, seconds later, with a
different Cuban (yellow arrow points to him). This means that the Cuban in picture
4 plays Clint Hill just for the moment when Ferrie says "Little ass-wipe closed
down the camps!". In other words, Clint Hill jumps out from Ferrie into the Cuban
in picture 4 and then he jumps back into Ferrie while the Cuban disappears in
picture 5, and another Cuban appears in the same spot. The reason to move Clint
Hill away from Ferrie is to provide the target for ass-wipe because it refers to Clint
Hill who reportedly was (and is) a brown-noser. When Ferrie says "ass-wipe
closed down the camps", the Cuban closes his eyes (camps) to provide a clue. In
picture 4, Willie (Jackie) and the Cuban (Clint Hill) show their left hands used to
pull the trigger at the same time. Since Willie's sides are flipped, the Cuban's sides
are also flipped.
In picture 4, Ferrie also says "Took our C-4! Took 10,000 rounds! 3,000 pounds of
gunpowder! All our weapons!". This refers to Willie (Jackie). The movie mentions
C-4 often enough to suggest that its explosive component RDX was used in Jackie's
bullet. One round is $100 because such notes are called "C-Notes" based on the
Roman numeral C for 100, the only Roman numeral that is round. This means
10,000 rounds refers to $1,000,000 paid to Jackie. In 1963, the exchange rate was
0.3571. This means that Ferrie converts US dollars to British Pounds, meaning
Jackie was paid 300,000 when rounded down. Since Ferrie does the conversion,
Ferrie probably says it as either Lloyd Bentsen (Paymaster) or McCloy (Boss).
Picture 5 shows Ferrie pointing at Willie when he finishes the payroll info
providing an extra clue who is the payee. He also says "I tell you. You want to free
Cuba? Whack out the f..king beard!". This is Lansdale telling Jackie to shoot a dart
in order to paralyze JFK's neck/throat (beard). Here, to free Cuba probably refers
to Spanish expression "como una cuba" meaning "to get drunk/intoxicated" like
JFK after Jackie's dart shot.
Picture 6 shows one of the Cubans. Another scene shows Earl Warren with such
eyeballs. This means the Cuban plays Earl Warren. He says "That faggot Kennedy
won't let us. Our hands are empty - how can we kill him?" meaning that US
Supreme Court does not have any powers except to play supreme to the dummies.
Picture 1 (ninth set of six pictures) shows Shaw prominently displaying his brown
cigarette holder ("Big Cigar") between four extended fingers (rank of 4-Star
General). The cigarette itself is just a distraction. This means he plays Curtis
LeMay. He says "It's a real problem getting at him. Castro's got informers on
every block". The informers is a code for the thousands of bystanders along JFK
(Castro) motorcade in Dallas.
Picture 2 shows a bulldog-faced Cuban. He plays General Thomas Power, a nutty

associate of General Curtis LeMay. The next set provides a relevant picture for
comparison. Picture 3 shows the same bulldog-faced Cuban with two cylinder-
looking objects in his breast pocket. The two cylinders stand for two nuclear
missiles illustrating "Defcon 2" ordered by Thomas Power during the Cuban
Missile Crisis.
Ferrie says "They got all kinds of new stuff! I could show you dozens of poisons!
Stick it in his food, he'd die in three days. No trace! We can put something in his
beard, make it fall out, he'll look f..kin' ridiculous without his beard". The new stuff
is actually old stuff called curare, a type of poison. The food is a reference to the
illegitimate medications given to JFK by Jackie in the morning. Three days really
means three seconds for curare to kick in. The beard is JFK's throat paralyzed by
curare. Ferrie says that a Hand-to-throat looks ridiculous.
Picture 1 (tenth set of six pictures) has been cropped from the scene with Mr. X
(move time 2:04). It shows the actor playing Thomas Power, looking like the
bulldog-faced Cuban.
Picture 2 shows Oswald (JFK) sitting quietly and sweating. He is nervous for a
good reason. After all, he is listening to how they are planning to assassinate him.
The white cloth used to wipe his neck is used to link this scene to the scene in
Clinton, where the white cloth is used to illustrate burning White Phosphorus on
the right side of JFK's head.
Picture 3 shows one Cuban exploding with anger and showing his finger. This is a
Finger-as-LBJ. Picture 6 shows the actual LBJ for a quick comparison. Recall that
during the scene about "military camp" the same Cuban plays Clint Hill. During
this scene, Ferrie plays Clint Hill. The Cuban (LBJ) says "F..king Kennedy is
doing all kinds of deals with that bastard Khrushchev. Licking his ass. An inspired
act of God should happen here and put a Texan in the White House!".
Pictures 4 and 5 should be interpreted together. In picture 4, the yellow arrow

points to the puff of smoke, blown by Shaw through his nostril. Picture 5 has been
cropped from the scene with Mr. X (movie time 2:02), where one "civilian" blows
a puff of smoke. The book Eyeball to Eyeball (1992) by Dino Brugioni writes
"LeMay would light a cigar and blow smoke in the direction of anyone challenging
his position". Both the "civilian" and Shaw illustrate so called "wind". Recall Mr.
X saying that JFK assassination plan started "in the wind".
Ferrie says "I will kill! In the White House! Stab him in the heart!". The White
House is a code for JFK limo. The heart is a Heart-as-curare. This means that a
new shooting sequence starts with step #0.
Picture 1 (eleventh set of six pictures) shows Willie pouring champagne for Shaw.
The popping cork illustrates Jackie's turkey shoot, meaning step #1 of the current
shooting sequence.
Picture 2 shows Willie placing his left hand on the back left side of his neck. This
is the same thing Willie is doing during the "prison" scene, already covered in the
previous sets of pictures. The only difference is that picture 2 corresponds to the
planning stages before JFK assassination, while the "prison" scene corresponds to
the discussions after it. At this point Ferries says "A diversionary shot gets the
Secret Service looking other way" meaning Jackie placing her right hand and also
jumping on the trunk is part of the diversionary shot.
Ferrie says "Boom! Get the kill shot. The crucial thing is one man has to be
sacrificed, then in the commotion of the crowd the job gets done and the others fly
out of the country to someplace with no extradition". The Boom! is a code word for
Clint Hill's bullet splitting open JFK's head, meaning step #2 of the current
shooting sequence. Out of the country is a code for Washington, DC, where JFK
killers feel safe from extradition.
Picture 3 shows Ferrie holding a cigarette with his left hand. At this point he plays
Clint Hill discussing pulling the trigger with his left hand and keeping his hand on
the trunk of JFK limo. This is a result of Shaw grabbing him by the private parts,
meaning that LeMay wants extra shot to JFK's head to be sure. This is step #3 of
the current shooting sequence, the order is not defined because it is before the
actual JFK assassination.
Willie says "Bring on all the motherf..kers! Bring their college degrees in here! I
got nuthin' to hide. You can't buy me. They can't buy me. I don't even need this
damned parole". The motherf..kers is a code for CIA assassins. In this movie,
f..cking refers to assassinations. The college degrees is a reference to the compass
with sixteen radiating spokes inside CIA logo, meaning each spoke stands for
degrees on compass. Apparently, Jackie feels very rich after receiving $1,000,000
for whacking JFK plus all the benefits resulting from his death like government
benefits, insurance benefits, etc, and she does need more money from f..cking. The
parole is about releasing Jackie from her CIA obligations. However, the parole has
also another meaning. This is a reference to the movie A Shot In The Dark, where
Clouseau says "Beg your pardon" in response to "Pssst..." playing the role of
hissing sound made by flying PBF projectile. Keep in mind that Willie also plays
PBF during one of the flashbacks.
Pictures 4 and 5 should be interpreted together. In picture 4, Bill touches his nose.
Picture 5 has been cropped from a photo showing LBJ giving so called "Johnson
treatment" where his nose plays a major role. The yellow arrow points to his hook
nose. This means that Bill plays LBJ at this moment. At this point Jim says as
Allen Dulles "What parole? Nobody wants to buy you. No one's promising you
parole. I want to be perfectly clear about that", meaning that CIA will not release
Jackie from her lifetime obligations to CIA.
Willie says "This is about the truth coming out. You're a goddamn liberal, Mr.
Garrison, you don't know shit, cause you never been f..ked in the ass". At this
point, Willie talks to Warren (liberal) and LeMay (Garrison). The "f..ked in the
ass" refers to Jackie on the trunk, bent over, in a picture perfect for porno
magazines. Apparently, Jackie feels the public pressure and now she shows her
displeasure to Allen Dulles who got her into this porno business.
Picture 6 shows Willie sitting on the trunk while two horses are behind him. At this
point, Willie says "You know, you're not a bad-looking man, Mr. Garrison, Not
bad at all. I get out of here, I'll come see you. We can have fun!". When he says it,
two horses appear behind him, one close to Willie, and another farther away.
Notice that Willie repeats "not a bad-looking" twice, once for each horse. This is
because the movie JFK was released in December of 1991. Edward Lansdale
(Willie) died in 1987, and Curtis LeMay (Mr. Garrison) died in 1990. Apparently,
both had funerals with horses meaning the horses behind Willie are for Lansdale
and LeMay.
You're cream in my coffee (0:54)
This scene takes place outside a restaurant in New Orleans. The restaurant's name
is not mentioned or shown. However, one script available on the Internet (included
in the zip package) says that the scene takes place in Antoine's Restaurant located
at 713 St Louis Street in French Quarter of New Orleans. The section about dining
already explains the significance of this restaurant and the significance of its street
name Louis.
The scene outside the restaurant and the following scene inside it are equivalent to
the scenes in The Godfather where Michael, Sollozzo, and McCluskey take a car
trip to Louis' restaurant in Bronx, and then Michael kills Sollozzo (Clint Hill) and
McCluskey (Jackie) inside the restaurant. So called "restaurant" is Elm Street in
Dealey Plaza, and its restroom is the tunnel on Elm Street under the triple overpass
where Clint Hill killed JFK.
This scene starts with Jim, Bill, and Numa, riding in a car along St Louis Street
towards Antoine's Restaurant. The name of the street is a direct reference to
Louis' restaurant, meaning the ride is equivalent to Michael's car trip to Louis'
restaurant. The steel columns and the green garland carry special meaning as
explained with the pictures below. During this scene, the street is more important
than Antoine's Restaurant itself. Jim parks the car about 100 feet from the
restaurant and on the opposite side of St Louis Street. The movie strongly suggests
that Jim and his assistants enter to the right which is in the opposite direction to the
restaurant. This is because they are trying to match the view to the view of Dealey
Plaza from the corner of Houston and Elm Street. In this scene, St Louis Street is
equivalent to Houston Street in Dealey Plaza. The Royal Street intersecting St
Louis Street is equivalent to Main Street intersecting Houston Street in Dealey
Plaza. This means that Jim turns towards Elm Street down to the tunnel. That is
why the movie makers do not show Jim actually entering the building because
Antoine's Restaurant is on the other side.
During this scene Jim plays Earl Warren because he is called Chief. Bill plays Clint
Hill. Bill says Boss to Jim but it is not clear to whom it refers to. Probably, Boss
applies to Numa who is next to Jim. In any case, McCloy is hanging around Jim.
The three pimps standing on the corner of St Louis Street and Royal Street
illustrate the three hoboes from Dealey Plaza. The figure in a reindeer costume
illustrates Edward Lansdale who was caught on camera standing next to the
hoboes. The two additional figures in similar reindeer costumes illustrate Curtis
LeMay and Thomas Power, the two remaining Generals. Inside the car, Bill says
"None of their testimony gonna hold up in court, Chief. All three of them have
reputations lower than crocodile piss". In this context, Bill refers to three Generals
who did not testify to Warren Criminals because they "have reputations lower than
crocodile piss".
Pictures 1 and 2 show a row of steel columns on the right side of street where Jim
is driving during the first seconds of this scene. Compare the steel columns to the
plumbing pipes in picture 3. Picture 3 has been cropped from The Godfather scene
where Michael practices before killing Sollozzo and McCluskey in Louis'
restaurant. The steel columns and the plumbing pipes stand for the climbing stems
of the plant used to make curare. The long green garland along the tops of
columns is an additional reference to the climbing vines (VerticalStems-as-
curare). In other words, Jim is driving under the influence of curare injected by
Willie's cigarette during the previous scene (Cigarette-as-dart). During the prison
scene, Willie is pointing his cigarette at Jim every few seconds. Willie does not
blow any smoke towards Jim until the very end when Jim is leaving. This is step
#0 of a new shooting sequence.
Picture 1 (second set of four pictures) shows St Louis Street in front of Jim's car.
Picture 2 compares this view to Houston Street in front of Old Red Courthouse,
facing the Texas School Book Depository (TSBD). In other words, the building
(apparently a hotel) with round top windows behind steel columns, plays the role
of Old Red Courthouse.
Picture 3 lays the foundation for this scene. Picture 4 compares it to the
intersection of Houston Street and Main Street in Dealey Plaza. Notice the two
distinctive antlers sticking out from the reindeer costume. This a reference to the
two distinctive wings sticking out from the dragon-like wyverns on top of Old Red
Courthouse. In other words, the movie turned the wyverns into reindeers walking
around the building. For now, there is only one reindeer but two more are hiding
behind the corner. The distinctive antlers make a reference to Hand-as-Wing. This
means that the walking reindeers are Air Force Generals. The first reindeer is
Edward Lansdale who was caught with three hoboes, on camera, during JFK
assassination in Dealey Plaza. That is why Willie O'Keefe says "I got popped". In
total, there are three reindeers with big Flying Wings sticking out from their heads.
The reindeers are: Air Force General Edward Lansdale, Air Force General Curtis
LeMay, and Air Force General Thomas Power. At the end of this section, I attach a
full-page picture with the reindeers.
Notice the woman in gilded dress, standing next the first reindeer. She plays a local
prostitute standing on French Quarter sidewalk, next to her pimp. Her dress is a
reference to Dal's gilded mannequins. Another scene will make a similar
reference.
The pimp holds a newspaper which represents the rag Dallas Morning News used
as a propaganda tool by JFK killers. At this particular moment, the prostitute
represents George Bannerman Dealey standing on the Dealey Statue in front of
Old Red Courthouse. George Dealey was a Dallas prostitute for the central
bankers. The bald man standing next to the prostitute represents a Secret Service
agent protecting local prostitutes. He is bald in order to make a reference to the
Secret Service agent Rufus Youngblood, see the section about credentials and dirty
fingernails.
In picture 3, all people, either walking on sidewalks or crossing the streets, carry
some meaning. Some make references to the places in Dealey Plaza indicated in
picture 4. The people appear or disappear depending on the script lines at a specific
moment.
Picture 1 (third set of two pictures) shows a man crossing the street, while holding
a package. This is a reference to the man standing behind Don Tattaglia in The
Godfather, and holding a wooden box with cigars. The cigars are meant for Don
Stracci sitting a few chairs from Tattaglia. Picture 2 shows the box held next to the
right ear of Don Tattaglia in order to make a reference to JFK's right ear where
Jackie's bullet exited. Don Stracci represents Curtis LeMay, nicknamed "Big
Cigar". As a superior officer, LeMay made Edward Lansdale prepare JFK
assassination plan. The box of LeMay's cigars plays the role of wooden coffin for
JFK. Since this scene illustrates JFK assassination, Edward Lansdale is about to
deliver the coffin to JFK.
In picture 1, Jim says "Find Clay Bertrand. Start by checking around the Quarter".
Here, Bertrand stands for LeMay. The expression "around the Quarter" is a code
for "around the corner" because LeMay is just around the corner with two big
flying wings sticking out from his head.
Picture 1 (fourth set of four pictures) shows a woman holding a dark blue handbag
with her left hand and a big red paper bag with her right hand. Picture 2 shows
another woman in pink dress, holding the same big red paper bag also with her
right hand. The first red paper bag represents the first explosion inside the case of
Jackie's cartridge. The second red paper bag represents the second explosion inside
the bullet of Jackie's cartridge. Each woman uses her right hand to hold the paper
bag because Jackie held her firearm with her right hand. She used her left hand to
pull the trigger installed in the corner of her dark blue handbag. As soon as Jim's
car reaches the first woman, Jim is hit with the first explosion. This is step #1 of
the current shooting sequence.
Picture 3 shows Jim putting his jacket on in order to make a Hand-to-throat, seen
especially in picture 4. Notice that Jim's assistant Bill is adjusting his hat. His hat is
a reference to the first bullet fired by Clint Hill. This means that at this point Clint
Hill is reaching for his revolver. The female prostitute starts talking to Jim while
turning her left profile towards the camera. Her round face, cropped hair, her left
profile, are supposed to represent the child-like statue shown in the garden scene
with Michael in The Godfather. When she was standing on the corner, she played
the role of the prostitute standing on the Dealey Statue. When she approaches Jim,
she plays the role of prostitute Jackie. When she asks Jim "Mr. Garrison. How are
you? Remember me?", she refers to the Garrison in a reindeer costume. When both
Jim and the prostitute Jackie start singing happily together "You're the cream in my
coffee", they are illustrating the white "blob" in the middle of coffee-colored gore
around JFK's temple. This is a Coffee-as-gore reference.
After Jim gets out of the car, the street corner shows a bigger crowd. Now we can
see two big white heads (two erased white marks), three reindeers (three Generals),
and a big three-ball snowman (three bullets to JFK's head). The three-ball
snowman also represents the three bullets from Warren Report snowing American
public. Old Red Courthouse has a bunch of wyverns on its roof, used to illustrate
Air Force Generals flying on big wings around Dealey Plaza.
In picture 4, Jim is about to enter the tunnel on Elm Street under the triple
overpass. This means that the next scene will show him in a dark corridor with his
two assistants on both sides representing two bullets fired by Clint Hill. He is
headed to the right because Elm Street heads in this direction relative to all
landmarks shown in the pictures. Before decoding the corridor scene, let's zoom in
on the funny costumes because some of them will be referenced in other scenes.
Pictures 1 and 2 (fifth set of six pictures) show the head of reindeer, with two big
antlers. Pictures 3 and 4 show two erased white marks. Its red nose makes it look
like a Santa Clause because another scene will make a mockery of so called Santa
Clause gesture, also called St. Nick's gesture (Nick-as-secrecy). This gesture
represents a secrecy. Reportedly, it was popular among British gentlemen like the
prostitute George B. Dealey on the Dealey Statue. The idea for heads probably
came from Dal eggs because in the next scene, a waiter wears a Dal moustache.
The movie tries to draw attention to moustache because Edward Lansdale had one.
Apparently, the movie makers liked Dal whiskers so much that they also borrowed
his eggs and his gilded mannequins. The gilded mannequins stand for gilded pawns
or useful idiots who benefited from JFK assassination.
Pictures 5 and 6 show the three-ball snowman. Its long carrot nose looks like the
pointer used by Arlen Specter snowing Americans with his "Magic Bullet" theory.
The agony party will make more mockery of this nose.
Pleasure to serve you (0:55)
This scene takes place in corridor of so called restaurant. The corridor part is the
tunnel on Elm Street under the triple overpass.
In picture 1, Jim's assistants Bill and Numa represent two bullets fired by Clint Hill
under the triple overpass. Specifically, their hats represent the bullets. Bill's hat is
off because his bullet has been fired right into JFK's head. Numa's hat is still on
because his bullet missed JFK' head. Numa is also overweight, not physically fit,
his both hands are busy with heavy suitcases.
Picture 2 shows a light next to Jim's right ear. This represents the famous "blob"
hanging off JFK's head.
Picture 3 shows the waiter wearing curly Dal whiskers. This is a mockery of the
moustache on Edward Lansdale. This means that at this point the waiter represents
Lansdale. Once you realize this you should get the real meaning of the script lines.
The waiter says "Mr. Garrison. Haven't seen you much lately". This means
Lansdale is greeting his superior officer LeMay (Garrison). Jim replies "Been too
busy. Elected men can't have as much fun as they used to". This refers to JFK as
one of the elected men who can't fun because LeMay has been too busy with JFK.
The waiter replies "Pleasure to serve you always". This is a mockery of the service
of "US Armed Forces" to their Commander in Chief.
Martini with green olives (0:55)

This section continues the restaurant scene started in the previous section. Jim is
about to sit at the restaurant table which is a code word for JFK gravesite at
Arlington National Cemetery. Obviously, this is a hypothetical scene because
JFK's body is not even buried there. This detail is frequently overlooked by
millions of visitors to JFK gravesite. However, the movie makers do not overlook
it and this scene makes it clear. Once Jim sits down at the table, the script lines
move to places other than the official gravesite. At the same time, shooting
sequences are illustrated by using new techniques. However, the initial reference to
JFK gravesite sets the tone for the whole scene and most of the discussion at the
table is about dead bodies.
Before Jim sits down at the table, he asks the waiter "Think I could get a martini?".
Edward Lansdale, disguised as the waiter, replies with a big smile on his face
"They're waiting for you, sir". They is a code word for assassins. The martini with
green olives is a Martini-as-JackiesShots. The green olives stand for the olive-
shaped fruits of plants used to make curare. The movie makers use martini in order
to make a reference to the martini catchphrase Shaken, not stirred from Bond
movies, explained in the section devoted to this catchphrase. All this means that a
new shooting sequence is about to start. Jim's assistant Al orders the waiter "Keep
that table open for us". The waiter immediately follows the order and places a sign
RESERVED on the next table.
Picture 1 shows a glass candle holder on the table. It represents the eternal flame
on JFK's gravesite.
Picture 2 shows the table with the sign RESERVED. This is a code word for the
gravesite of Edward Lansdale, also buried at Arlington National Cemetery.
Lansdale was buried there in 1987, four years after this movie was made.
Picture 3 shows the hand of Mr. Y who plays the role of Edward Lansdale. This is
Hand-as-Wing reference. At the same time. the movie audio includes the sound of
flying arrow or dart. This is step #0 of a new shooting sequence. Jim asks his
assistants "Found anything on those hoboes?". As you recall, the hoboes were
standing outside "restaurant" when Jim was entering it.
Picture 4 shows the head of Mr. Y, just enough to recognize moustache on him.
Picture 5 shows Jim drinking martini as soon as the flying sound is over. This is
step #1 of the current shooting sequence.
Picture 6 shows a picture of three hoboes and Mr. Y caught on camera. Notice the
streak of light at the bottom. The light represents Jackie's bullet shot. When Jim's
assistant Lou says about the photographs "Never published", he really means that
Jackie's bullet is custom-made.
Picture 1 (second set of six pictures) shows a sudden flash when Jim touches the
photograph. This means that Jackie's bullet explodes. The walking people shown in
picture 2, illustrate the bullet breaking into fragments moving through JFK's head.
Picture 3 shows Jim handing a sheet of white paper to his assistant Al. This
illustrates the white "blob" on JFK's head.
Pictures 4 and 5 show two hoboes. The first one represents Secret Service agent
Rufus Youngblood who was assigned to protect LBJ. The second one represents
Clint Hill. Both were rewarded with big medals for exceptional "heroisms" when
assassinating JFK.
Picture 6 shows Jim's assistant Susie saying "Sorry. I'm late". Jim responds "Sit
down". She represents Jackie crawling back to her seat after her famous Pink
Panther performance on the trunk and sitting down next to JFK. In other words, the
limo is about to enter the tunnel under the triple overpass. Notice the waiter behind
her. The waiter plays Clint Hill on the trunk behind Jackie. When Jim says "Let's
look for them", he really means two white marks that were erased.
Picture 1 (third set of six pictures) shows moving trains. This is a reference to the
trains moving close to the triple overpass during JFK assassination and providing
the noises to drown out the sounds of Clint Hill's bullet shots fired in the tunnel.
Picture 2 shows railroad flashing signals while the movie audio includes railroad
audible signals. All this illustrates pre-arranged railroad activities around the triple
overpass to orchestrate the noises.
Picture 3 shows the conductor of orchestra generating the loud noises. Jim says in
the background "What about the railroad man, Lee Bowers, who saw the men at
the picket fence?". In reality, Lee Bowers was a local railroad goon working for
JFK killers. The picture shows him holding a mike with his left hand to illustrate
Clint Hill holding his revolver with his left hand. Bowers points with his right hand
to illustrate Clint Hill's first bullet shot. When Jim's assistant Lou shakes his head
and answers "Graveyard. Dead", he really illustrates Clint Hill's second bullet shot
missing JFK. This completes the current shooting sequence.
Picture 4 shows so called "picket fence" mentioned by Jim. Next to the picket
fence, there is a white sedan, a police officer on one side, and a non-uniform man
on the other. The white sedan represents the white Ford sedan driven the Police
Chief Jesse Curry, on the left side of JFK limo when Clint Hill shot JFK in the
tunnel. The police officer represents Chief Curry and Sheriff Decker. The non-
uniform man represents two Secret Service agents sitting on the right side of the
same Ford sedan and watching Clint Hill's bullets because they were ordered to
collect them later. So called "picket fence" is a code word for the row of concrete
columns along the tunnel under the triple overpass.
Picture 5 shows Lee Bowers dead. In the background, Jim's assistant Lou says that
Bowers died in a "Single-car accident on an empty road. The doctor said he was in
a strange shock when he died". This is a reference to JFK who was also in a
strange shock after Jackie's dart shot hit him, during his single-car accident. The
picture shows both entry and exit bullet holes made by Jackie's bullet, combined on
single left profile. The ear canal filled with blood is where the exit hole is located.
The blooded corner of the jaw is where the entry hole is located. The distorted nose
is a reference to St. Nick's gesture which stands for secrecy (Nick-as-secrecy). The
secrecy is that Bowers was involved in JFK assassination and apparently he did not
keep his mouth enough shut later.
Picture 6 shows a dried weed, shown for about one second when the sentence
"Single-car accident on an empty road" is said in the background. The dried weed
is shown here so that it can be referenced in other scenes. The dry weed is a
"skeleton" with meaning from the novel "The Old Man and the Sea" by Ernest
Hemingway. In one scene, Jim says "Nothing was left but the skeleton" meaning
the skeleton is Warren Report picked apart by sharks (like this document) such that
today nothing is left but its skeleton or a dry weed lying in a West Texas desert.
Picture 1 (fourth set of six pictures) illustrates Jackie's dart and needle used to
deliver her chemical agent. This refers to "strange shock when he died".
Picture 2 shows the waiter placing a menu next to Jim. The menu illustrates JFK's
autopsy report for the shooting sequence 0-1-2-3 completed when Jim's assistant
Lou shook his head and answered "Graveyard. Dead".
Picture 3 shows Jim's assistant Lou pointing his left index finger. This illustrates
the step #0 of a new shooting sequence. He says "She [Rose] was a dope runner".
The dope is a code word for Jackie's chemical agent. Rose is Jackie.
Picture 4 shows a grapple on the suitcase next to dead woman. The grapple is
attached to a small tube. The tube represents the protective cap of Jackie's dart gun.
The grapple was used to attach the protective cap to another object so that she
could remove it with only one hand. It is not clear what type of object Jackie used
to attach the grapple. Jackie could use the back of Nellie's seat in front of her.
Picture 5 shows the earring worn by Rose when she is lying on an empty road. This
is the same earring worn by Beverly Oliver during the meeting with Jim and Bill,
explained in another section.
Picture 6 shows open eyes of dead Rose. The eyes illustrate Jackie's cartridge
about to be fired in new shooting sequence started when Lou pointed his finger.
Picture 1 (fifth set of six pictures) shows light reflections in Jim's lenses. These are
two Lens-as-explosion.
Picture 2 shows a white sheet of paper next to Jim's right profile. This illustrates
white "blob" on JFK's head. Jim's assistant Bill suggests to Jim "Why don't we go
right to the horse's mouth, Chief? Jack Ruby has been rotting away in Dallas jail
cell for three years. Maybe he is ready to crack". Everything about horse in this
movie refers to JFK. JFK has been rotting away in a cemetery cell. So called
"crack" is a reference to the crack in his grave marker, a symbol of his broken ear.
However, here Jack Ruby is a code for one erased white mark as another scene
with Warren and Ruby explains.
Picture 3 shows three boys while Jim says to Bill "It will blow up in our face"
which is a reference to Clint Hill's first bullet shot. The three heads stand for
3Amigos-as-3Bullets. In picture 3, the white hat stands for White Phosphorus in
Jackie's bullet (Wight), meaning the sides are flipped.
Picture 4 shows an infant while Susie says "Negative on his tax records". The
infant and the word negative illustrate Clint Hill's second bullet shot missing JFK's
head. In other words, the latest shooting sequence 0-1-2-3 has just completed.
Picture 5 shows a few strips of film to illustrate a new topic, Zapruder film. Picture
6 shows somebody cutting yellow paper to create a template. The template is used
to add so called Harper fragment in Zapruder frames 313-339. See the section
devoted to this fragment. When Susie says "It's a study of his pubic hairs", she
refers to the clumsy editing of Zapruder film. Susie's talk about Oswald going to
Soviet Union refers to JFK going to Washington as US President. So called "roomy
apartment with balcony" is a code for White House. Marina plays Jackie.
Picture 1 (sixth set of six pictures) shows Oswald "working six months at Jaggars-
Chiles-Stovall, photographic firm that makes maps for the US Army", as described
by Jim's assistant Susie. Apparently, this is the firm where Harper fragment was
added so clumsily to Zapruder film.
Picture 2 shows Jim's assistant Numa holding a piece of bread which illustrates
Harper fragment. The actual fragment is shown in picture 3.
Pictures 4 and 5 show Oswald, his wife, and parents of his wife. The father on the
left side is shown only for a small fraction of one second. This is because he is
used to illustrate Clint Hill's second bullet which missed JFK. Marina and her
mother illustrate two explosions made by Jackie's cartridge. Oswald illustrates
Clint Hill's first bullet which killed JFK. Picture 5 is shown much longer than
picture 4.
Picture 6 shows Jim making Hand-as-Wing references for Curtis LeMay. He says
"Don't get sidetracked. How did he get back to the States?". This is a reference to
Harper fragment mysteriously getting back like a boomerang (sidetracked), and

then flying in the opposite direction (back to the States).When Susie says "He's
never investigated...or debriefed by the CIA", she really means that Harper
fragment was mostly ignored as a film processing defect.
Pictures 1 to 3 (seventh set of six pictures) illustrate the points BE and BX. In
picture 1, Marina kisses Oswald on the left side of Oswald's jaw, this is point BE.
In picture 2, Oswald shows his right ear, this is point BX.
In picture 3, Oswald shows the left side of his jaw, where Marina kissed him. In
the corner of his jaw, the darkest shadow points to point BE.
Picture 4 makes a reference to Ted Dealey (son of George B. Dealey) who said
directly to JFK's face "We need a man on horseback to lead this nation, and many
people in Texas and the Southwest think that you are riding Caroline's tricycle".
Picture 5 shows Oswald in the role of JFK as a response to Ted Dealey.
In picture 6, Jim's assistant says "When he [Oswald] is arrested, Marina [Oswald's

wife] buries him with the public". Then Marina is shown saying "I have too much
facts, and fags tell me that Lee shot Kennedy". Here, Marina is really Jackie who
buried JFK in the public, and not with the public. Marina says very clearly facts the
first time, but the second time she actually says fags. This is a reference to the full-
page "black-bordered ad" in Dallas Morning News on JFK assassination day. The
ad looked like a JFK obituary before JFK death. It was signed by The American
Fact-Finding Committee. In other words, this is a mockery of this ad. Jackie
(Marina) blames fags because most of Generals and Admirals in Pentagon are fags.
The movie presents Edward Lansdale as a homo to play with the word hobo
because he was caught on camera next to hoboes. It is not clear whether he was a
homo but it is clear that most of his Pentagon associates were homos.
Jim says "...she [Marina] was probably suffering from nervous exhaustion. They
taught her how to answer. When they think she's ready, they buy her new dresses,
polish her appearance and wheel her out on cue". Then Marina appears and says
"I'd like to thank the Warren Commission". Marina is Jackie again. The new
dresses are replacements for Jackie's famous pink dress destroyed immediately
after JFK assassination. The "polish her appearance" refers to the publicity about
Jackie's role as a "grieving widow". The word cue is a reference to the dome of US
Capitol building that looks like a cue ball. This means that the expression "wheel
her out on cue" is a reference to Jackie's Congressional testimony to Warren
Criminals.
Intelligence agent on a twinkle mission (1:04)
This section continues the previous section. I made it a separate section because it
refers to one of the most important topics of JFK assassination. I call this topic
white marks. Movie A Shot In The Dark calls them moths. This scene describes
them as twinkles without actually naming them such. Instead, it names them an
intelligence agent on a mission. Notice that it is not agents in plural, but agent in
singular, even though it refers to white marks in plural. In other words, a single
intelligence agent is painting multiple white marks during his mission.
At the end of the restaurant scene, Jim is talking about Oswald. At that point,
Oswald is a code word for White Phosphorus, specifically its little chunk that
painted the white marks in frames 313 and 314. When Jim says "Oswald was no
angel. That's clear. But who was he?", he refers to the white color of angels. This
document devotes one long chapter explaining them.
Jim says "When Oswald went to Russia, he was not a real defector. He was an
intelligence agent on some kind of mission for our government and remained one
until the day he died". The expression real defector is a code for the typical bullet
fragments (defectors) made of heavy metals (PBF). Since he is not a real defector,
he does not have any typical bullet fragments on him. The expression intelligence
agent is a code for a small chunk of White Phosphorus (PWM) mysteriously
painting the white marks during so called mission which is a code word for its trail
visible in Zapruder frames 313 and 314. The expression "until the day he died" is a
code for the instance when the chunk of White Phosphorus extinguishes itself by
burning every bit of itself.
Jim says "Maybe Oswald didn't pull the trigger. Nitrate tests indicate he hadn't
even fired a rifle on November 22. And on top of that they didn't bother to see if the
rifle'd been fired that day". This means that technically the trigger did not ignite
White Phosphorus. The trigger ignited the gunpowder inside the case of cartridge.
White Phosphorus (stored on top) was ignited by a different trigger inside the
bullet.
Picture 1 shows Oswald in white cloth, lying on a morgue bed. Jim says "FBI
didn't find a goddamn thing, [palmprint] could've been taken out of Oswald at the
morgue. There's no chain of evidence". The white cloth makes a reference to the
white marks. Jim is trying to say that the white marks were not painted by the
typical bullet fragments like some suggest. There is no chain of evidence because
there is no visible trail between the white marks. Each white mark looks separate.
Jim's assistant Lou says "I never could figure out why he [Oswald] orders a
traceable weapon". Jim replies "To frame him!". The encoded question is why JFK
killers killed him in public (traceably) when they could use other non-public (non-
traceable) killing methods. Jim makes a point that JFK killers wanted to frame
JFK on a public film. In other words, JFK killers wanted to have a public film of
his killing at any cost.
Jim's assistant Numa makes a comment "That's a lot of smoke there, but there's
some fire". This is reference to White Phosphorus which normally burns with a lot
of smoke. However, occasional sparks or tendrils generate visible flame or fire.
The "some fire" refers to the white marks created by flame. Also Numa's comment
refers to the many conspiracy theories disguised as smoke but little action
disguised as "some fire".
Jim says "Y'all gotta start thinking on a different level, like the CIA does. We're
through the looking glass here, people". The different level refers to the white
marks located much higher than JFK's head in Zapruder frames 313 and 314. The
white marks were caused by Jackie, a CIA assassin. The expression the looking
glass is a reference to The Looking-Glass, a short story written by Anton
Chekhov. The main character of this story is Nellie. This means that the path of
white marks goes through the side where Nellie Connally was sitting in the limo.
Jim also says "White is black, and black is white". This has several meanings.
Firstly, this means that Jackie's public persona of a pussy cat is a reversal of her
real persona of a cold-blooded psychotic assassin. The individuals presented as
good guys in this movie, like Jean Hill or railroad workers, were actually the
conspirators during JFK assassination. The whole movie is upside down. Notice
that the whole movie does not provide any direct roles for Jackie or Clint Hill.
After all, Jackie was made into a suffering victim, and Clint Hill was made into a
big hero, just because of JFK assassination. Secondly, Jim tries to draw attention
to the white places in Zapruder frames 313 and 314, i.e. white marks. People tend
to treat the white places as places with no information, when in fact it could be the
opposite. The idea to use White is black came from Black&White Moorman Photo
which was altered by painting a white patch over black spot on Jackie's handbag.
In other words, black turned into white. This is explained later.
Picture 2 shows a Lens-as-explosion reference on Jim. This illustrates two

explosions made by Jackie's cartridge.
Picture 3 shows closed eye of a woman. This illustrates Jackie who kept her eyes
closed when she fired her bullet. This also illustrates the non-exposure time of
Zapruder frame 312, assuming you treat the exposure time as first in each frame.
Technically speaking, the instance when Jackie fired her bullet is not recorded in
Zapruder frame. There is a time gap of about 26 milliseconds before the exposure
time of frame 313 records her bullet shot.
Pictures 4 and 5 show two open eyes, shown within seconds of each other. Each
eye has a twinkle. A closer examination determines that both eyes are the same, i.e.
the eyes are flipped horizontally. Only the twinkles have slightly different shapes.
This means that the expression "the looking glass" also carries a literal meaning,
i.e. mirror image. In other words, the eyes are on different sides to illustrate
different states of the same eye. The first eye and its twinkle illustrate frame 313
and its white marks (twinkles). Equivalently, the second eye and its twinkle
illustrate frame 314 and its white marks (twinkles). All white marks are made by
the same chunk of White Phosphorus (PWM), showing the same burning side at
different times during spinning, like the same eye with the same twinkle shown at
different times. This means that the movie makers knew that much about the white
marks. Apparently they also knew about the rotational feature. Here, they use
flipping to suggest rotating. But in the next scene, they use turning of head to
suggest rotating.
The movie makers added twinkles to both eyes in order to make reference to the
popular lullaby "Twinkle, twinkle, little star, How I wonder what you are. Up
above the world so high, Like a diamond in the sky...". That is why Jim says that
"Y'all gotta start thinking on a different level, like the CIA does". In other words,
different level means twinkles. Apparently, CIA uses this lullaby as its marching
song. Another thing to realize is that twinkles are not reflections of sunlight.
Twinkles themselves generate light like stars.
During 1964 Democratic Party convention, RFK (JFK's brother) recited a quote
from Shakespeare's Romeo and Juliet that supposedly Jackie had given him:
When [he] shall die
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.
Picture 6 shows a Black&White photograph of Oswald to illustrate the white areas

that should be investigated and not the black areas. That is why Jim says "White is
black" because the real information is in places normally ignored. The white sheets
of paper held by Oswald stand for white marks.
Eyewitness J. C. Price on a rooftop (1:05)
In this scene, the movie shows the actor playing eyewitness J.C. Price who
supposedly watched JFK assassination from the roof of Post Office building on the
south side of Dealey Plaza. However, J.C. Price is just a cover. The movie uses
him to encode a message that there was an observation post or command center set
up by JFK killers, on that side of Dealey Plaza. The movie already points to the
NW turret of Old Red Courthouse. Clearly, there had to be a command center in
NW turret. What is not clear is whether this scene makes an indirect reference to
NW turret as part of flipping (proxy), or there was an additional observation post
on the 5th floor of this building. The scene at horse racetrack suggests that both
places (Old Red Courthouse and Terminal Annex) had some goons watching. In
any case, the real target of this scene is Harry Holmes and not J.C. Price.
The movie makers have changed the public statements made by J.C. Price in order
to encode who killed JFK in the tunnel under the triple overpass. It is totally
irrelevant what J.C. Price actually said because he and his statements are as
important as Santa Claus and his toys on a rooftop in Texas.
Harry Holmes was a Postal Inspector who also worked as a snitch for CIA and
Secret Service. One of his functions was to snitch about the owners of Post Office
boxes in the Dallas area. His role was to link Oswald to a rifle shipped through a
Post Office box. That is why Holmes testified for Warren Report with all other
criminal "witnesses".
Holmes's testimony in Warren Report does not include references to his witnessing
of JFK assassination. These references seem to come from other sources reporting
that he watched JFK assassination from his office on the 5fh floor of the Post
Office building, specifically the Terminal Annex building located at the SW corner
of Houston and Commerce Streets. Reportedly, he used a pair of 7x50
binoculars. I do not know whether these reports are true. However, it is clear that
Harry Holmes is being used as a secret message encoding that JFK killers had an
observation post on the 5th floor of this building. His binoculars are probably a
proxy for NW turret of Old Red Courthouse.
Most probably, the goons were making pictures with powerful zoom lenses.
Terminal Annex provides good spots to make pictures of Jackie's dart and bullet
shots. However, it does not provide a good view at Elm Street under the triple
overpass to make pictures of Clint's bullet shots. NW turret provides a better
alternative, meeting decently both requirements.
Notice that the movie has a scene around movie time 0:36 where Jim points to a
Post Office building in New Orleans and says "Upstairs, in 1963, that was the
Office of Naval Intelligence". This could be a reference to the observation post on
the 5th floor of the Terminal Annex, or maybe NW turret itself as a proxy.
During the court room scene, the eyewitness J.C. Price standing on the roof will be
used as witness overlooking the plaza to illustrate the white mark M8E in Zapruder
frame 315 because M8E was the highest white mark of all eight white marks
before it was erased.
Picture 1 shows Old Red Courthouse building on the right side (east side of Dealey
Plaza), during the first few seconds of this scene. The goal is to connect the main
command center located in that building, to the observation post in Terminal
Annex building. In picture 1, you can also see the park in front of Old Red
Courthouse, composed of twin reflecting pools with colonnades, Dealey statue,
obelisk, etc. This park is illustrated by the Woltz's garden in The Godfather, and
also in other scenes in all three movies.
Picture 2 shows a view from the roof of Terminal Annex building. J.C. Price is
pointing towards so called "wooden fence". He says "Shots came from near the
wooden fence over there, near the overpass". Obviously, this is a mockery of the
statements made by J.C. Price. The movie makers treat this "wooden fence" as the
row of concrete columns in the tunnel under the triple overpass where Clint Hill
killed JFK. That is why the actor specifically says "near the overpass". Notice that
the movie shows a train moving next to the triple overpass. The train is seen in the
upper part of the picture. The movie shows this train on purpose in order to
illustrate the trains making noises around triple overpass during JFK assassination,
in order to drown out Clint Hill's bullet shots.
Picture 3 shows a man running among cars. Only one car is white. The actor says
"I saw a man run from the fence toward those railroad cars". This is a reference to
Clint Hill running from the follow-up car towards JFK limo riding towards the
triple overpass with railroad tracks on top. The white car plays the role of white
Ford sedan driven by Dallas Police Chief providing the cover for Clint Hill. So
called "wooden fence" provided another cover for him when he was killing JFK.
Shots ringing out from Jean's head (1:06)

Jean Hill (later nicknamed Lady In Red) was an eyewitness who stood about 30
feet from JFK when Jackie fired her bullet. She was one of the false witnesses
planted by JFK killers. During JFK motorcade, her role was to draw JFK's
attention to the left side as explained in the chapter covering the Plan. Quite
possibly, her other role was to collect Jackie's bullet fragments. After the
motorcade, her role was to parrot the script given to her by JFK killers, in front of
the brainwashing machines like the local WFAA-TV. She was one of the witnesses
testifying to Warren criminals which makes her automatically a criminal by
association.
Jean Hill was a useful idiot used by Dallas savages in their plot to assassinate JFK.
She was not the brightest bulb on the city's skyline, even next to the dim-witted
eyesore called Reunion Tower on the darkest night in Dallas. Whenever her bell-
shaped head moved, her mouth sounded the catchphrase "shots rang out". That is
why the movie makers turned it into the main topic of this scene. The movie
makers make a mockery of Jean Hill's testimony published in Warren Report and
her other statements published elsewhere. They try to combine her false statements
with factual information.
This scene also introduces Mary Moorman who took the famous Moorman Photo
with her Polaroid camera. Since her photo has been seriously altered, this movie
uses two scenes to draw your attention to this alteration. This scene is one of them.
The name Mary stands for Marie in Marie Antoinette. As you know, Killer Queen
used Marie Antoinette to represent Jackie. This movie borrows the same idea
during the agony party by dressing Willie as Marie Antoinette and by calling him
Mary once. In this scene, the name Mary is also used once to refer to Jackie.
In this scene, three female characters play Jackie, in addition to Jackie sitting in the
limo. Jean Hill plays Jackie verbally and visually recalling the events for Jackie in
a chaotic way. Mary Moorman also plays Jackie visually recalling the same events
for Jackie. Beverly Oliver (Babushka Lady), standing behind Jean and Mary, also
plays Jackie. All three Jackies stand next to each other, dressed up, like models
hitting the runway in Dealey Plaza. Where is Jacques Clouseau who keeps chasing
Jackies?
Like in many other scenes, the movie uses only a few frames, sometimes only one
frame, to display an important message. This means that you need to step through
the scene one frame at a time by using a software player like the free Windows
Media Player. This scene includes two concurrent shooting sequences out of synch.
One sequence is visual with order 0-1-3-2, and the other is audio with order 0-2-1-
3. The visual sequence is composed of two subsequences. The subsequence in
color refers to Jackie's shots with dart and bullet. The subsequence in
Black&White refers to the events following Jackie's bullet shot, including her
dancing on the trunk. That is why Beverly Oliver is around in order to learn
Jackie's dancing routine so that she (Jada) can recreate it for us in Carousel Club
in another scene. That is why Beverly says "I used to go over there a lot with Jack,
especially my friend Jada, who danced there". Jada is yet another Jackie.
The audio shooting sequence can be detected by sounds in the background. The
first one is a jungle sound that appears to come from a blowgun used by Indians in
South America. This is step #0. The next sound is the loudest gunshot and it stands
for step #2. The next one is a gunshot sound followed by an echo, that appears to
have two explosions when played at slow speed. The sound volume is relatively
low. This illustrates Jackie's bullet shot making two explosions. Her gunshot was
suppressed. This is step #1. The last sound made by quietly screeching car breaks
stands for step #3.
The visual sequence is out of synch with the audio sequence. The subsequence in
Black&White is the most schizophrenic among all shooting sequences of all three
movies. The movie makers are trying to match the sequencing logic to the logic of
Jean Hill's statements. However, they provide enough clues to extract the shots
from this mess, hopefully. The main purpose of the subsequence in Black&White
is to flash snippets showing Jackie's hands used to push JFK into the corner, to
hold JFK's head for Clint Hill, etc.
Picture 1 shows a few important details on Jean's dress. She wears a necklace of
white pearls which stand for white marks. Her skirt is mostly white to represent
White Phosphorus and the "blobs" on JFK's head. The purple patterns stand for
curare. The coffee-colored patterns stand for JFK's gore around the "blobs". She
also has earrings that look like white "blobs", shown in another picture later.
Picture 2 shows Jean using her finger to point towards the thigh of Jim's assistant
Lou, while approaching so called "curb". This represents Jackie's dart shot to JFK's
left thigh. In other words, this is step #0 of the visual shooting sequence. Notice
that before Jean approaches the "curb", she takes a long look at Lou holding an
umbrella. This is a reference to the famous Umbrella Man (UM) standing on the
opposite side of Elm Street. Apparently, UM was planted by JFK killers to attract
attention and divert the bystanders away from JFK limo.
Picture 3 shows Jean "yelling" at Mr. President. The line "I stepped down to the
curb and yelled. Hey, Mr. President, look over here!" means that Jackie moved her
handbag close to JFK's jaw (curb) and fired her bullet (yelled) into Mr. President.
The picture shows the meanest face the actress could muster, resembling the head
of a rattlesnake in striking position. This represents Jackie's bullet hitting JFK's jaw
(curb), i.e. Mouth-as-JackiesBullet. The idea of a rattlesnake probably came from
Raymond Buck's speech in Fort Worth where he gave JFK a pair of boots to keep
rattlesnakes on LBJ's ranch from striking him. Recall the line "Like a snake
sunning itself on a road" said by Willie during the prison scene. Willie expands the
meaning because he means Jackie on the trunk like a cornsnake sunning itself on a
dirt road in Texas. The Godfather uses a similar facial expression during the scene
in a tomato garden. However, the original idea to use a mouth came from A Shot
In The Dark.
Picture 4 shows Jackie's head relatively low and JFK's head close to the right side
of the seat. This illustrates Jackie pushing JFK into the right corner as shown in
Zapruder film just before reaching the tunnel.
Picture 5 shows JFK limo with all four dignitaries gone, immediately after Jean
says "Then shots rang out". The movie makers turned Jean's "shots" into
dignitaries by making them disappear, i.e. the dignitaries rang out. When you look
closer at the back of limo, you can see a dark silhouette which stands for Clint Hill
on the trunk. The dignitaries are lying low on their seats. This means all the bullet
shots have been fired. This refers to the time when JFK limo is leaving the tunnel
and Clint Hill is about to jump inside the limo to play his hero act with his right
shoe sticking out.
Picture 6 shows a man on sidewalk. He is holding his left hand close to his eyes.
On his left side there is a white sedan. The man represents Clint Hill using his left
hand to fire his revolver and obviously using his eyes to aim it. The white sedan
represents the lead car riding on Clint Hill's left side. The image is focused on the
man but otherwise it is blurred with rays ringing out. This probably means that all
shots rang out, i.e. step #3 of the visual shooting sequence.
Picture 1 (second set of six pictures) shows Mary holding a handbag instead of her
Polaroid camera. Her handbag emits a bright light on top. Her handbag represents
Jackie's handbag. The bright light represents a white patch painted on the
Moorman Photo, in exactly the same spot on Jackie's handbag. This alteration is
explained in the analytical chapter. In short, JFK killers erased the evidence
proving that Jackie held her Gucci handbag to JFK's jaw, about 0.7 second before
JFK's head exploded in Zapruder frame 313. This picture crops out the head of
Mary but when you watch the movie, notice that her hairstyle looks similar to
Antoinette's pouf. Also the liner under her blue coat is red pink like Jackie's
famous pink suit. Since picture 1 corresponds to the time before Jackie's bullet
shot, it is in color.
Picture 2 shows the head of a police officer before he quickly turns it away to the
left side. This illustrates the two top "Dallas law enforcement" officers sitting in
the lead car and ignoring Clint Hill killing the US President on their right side.
This illustrates the common expression "to turn the other way".
Picture 3 shows dignitaries back in their seats. This means that we have to go back
in time thanks to Jean's schizophrenic testimony. This picture corresponds to
Jackie placing her right hand on JFK's right shoulder as shown in Zapruder frame
329 already included in several sections, one of them is the section about Willie in
prison.
Picture 4 shows Mary on the ground after Jean says "Mary fell to the ground right
away, she was yelling 'They're shooting! Get Down!'". At this point Mary
illustrates Jackie's position on the rear seat, as shown in Zapruder film just before
reaching the tunnel under the triple overpass. Jackie was keeping her behind on the
leftmost side of seat, keeping her head low, and using her right hand to push JFK
to the rightmost side of the seat. That is why Mary raises her right hand to illustrate
Jackie's right hand.
Picture 5 shows Jean watching and her left hand raised next to her head. The
colonnade seen in the background is shown there for a reason. It illustrates the row
of concrete columns in the tunnel under the triple overpass, so called "Picket
fence" frequently referenced throughout the movie. The movie uses mostly the
wooden picket fence behind the Grassy Knoll to illustrate the "Picket fence". Jean
keeps her left hand next to her head because Jackie used her left hand to hold JFK's
head for Clint Hill.
Picture 6 shows a man running and white helmets of motorcycle cops. The man
illustrates Clint Hill chasing JFK limo. Also notice the white almost-vertical line
in front of the running man. Everything else is blurred except the line. The line is
an antenna representing Jackie on the trunk, i.e. spotter on the radio.
Picture 1 (third set of six pictures) shows Jean watching while she says "I just
stood there watching". This watching carries several meanings. Firstly, it refers to
Jackie on the trunk, making her look like watching around. Secondly, it refers to
Beverly standing behind Jean Hill and watching as another Jackie. This is a
reference to Beverly saying "I used to go over there a lot with Jack, especially my
friend Jada, who danced there". Thirdly, it refers to the Reunion Tower built in
1978, now standing and watching, as explained in the section about Beverly.
Picture 2 shows the break lights turning on. Jean says "The driver had stopped. I
don't know what was wrong with the driver". This has nothing to do with the driver
Greer or the limo. This means that JFK dies at this moment. The term wrong is a
euphemism for the hate felt by Jackie towards JFK. This is step #2 of the visual
shooting sequence, completed with the order 0-1-3-2.
Picture 3 shows JFK's both hands next to his throat. JFK had his left hand just
above the seat level during or after Jackie's bullet shot. This means his crossed
hands illustrate a cross. His lips make an O sign used to illustrate death. This
means picture 3 illustrates JFK's death.
Picture 4 shows two squirts/fountains on JFK's head when Jean says "And that last
shot just ripped his head off". The sources of the squirts match the holes on the
German helmet that Jim keeps on his office desk. Picture 5 comes from the scene
when Lou comes to Jim's office to tell him about JFK assassination (movie time
0:07). The helmet has three bullet holes in it but only two holes are relevant and
indicated by yellow arrows. The hole in the upper left side illustrates the spot
where Clint Hill's first bullet hit JFK. It indicates an incoming shot (from outside)
because the indentation is directed towards the inside. The hole just above the red
swastika illustrates the exit hole of Jackie's bullet. It indicates an outgoing shot
(from inside) because the indentation is directed towards the outside. This is point
BX. The hole just above the middle of lower edge illustrates Clint Hill's second
shot. The last hole is filled with something and it is barely visible to illustrate that
the last shot missed JFK.
Picture 6 shows the wooden picket fence behind the Grassy Knoll. However, it
illustrates the row of concrete columns in the tunnel where Clint Hill killed JFK.
Out of the corner of my eye (1:07)
This scene is a part of the scene covered in the previous section. However, this part
includes important information about the white marks, and that is why it is in
separate section.
Jean says "And then, out of the corner of my eye, I saw this flash of light in the
bushes and that last shot... just ripped his head off, I looked up and I saw smoke
coming from over there on the Knoll". These words plus Jean's head illustrate the
principles behind the white marks, as explained below. However, this is also a
mockery of many testimonies included in Warren Report and HSCA Report. Those
testimonies often include the expressions similar to "Out of the corner of my eye"
when referring to JFK, which could be interpreted as JFK was not worthy of their
eyes. Since JFK was sitting on Jackie's right side, Jean is actually illustrating the
position of the corner of her eye relative to the movie camera treated as JFK's head.
Pictures 1 to 5 show Jean's head when she says "Out of the corner of my eye". The
corner of her eye refers to twinkle in her eye. The twinkle is visible only when her
open eye is directed towards the camera. In pictures 2 and 4, Jean closes her eyes
twice, meaning the twinkle is not visible. This corresponds to the non-exposure
times of Zapruder frames 313 and 314 when the camera shutter is closed. The
second condition for the twinkle to be visible, is that the eye has to be directed
towards the camera. Pictures 3 and 5 show the left eye without its twinkle because
the eye is not visible or the eye is not turned enough towards the camera. Picture 1
shows both twinkles because both eyes are directed towards the camera.
In other words, twinkle is equivalent to PWM projectile painting the white marks.
The twinkle is visible only during exposure time of Zapruder frames and only
when the side of PWM with burning White Phosphorus is turned towards the
camera. Jean turns her head in order to illustrate the rotating nature of PWM
projectile. Each white mark corresponds to the moment when the burning side of
PWM projectile faces Zapruder camera while its shutter is open.
The "flash of light in the bushes" refers to the white marks (flash of light) over the
green grass (bushes) in the background of Zapruder frames 313-315.
The "smoke on the knoll" refers to the white "blob" (smoke) made of heavy smoke
from burning White Phosphorus. The knoll means JFK's head.
Picture 6 shows one of the frames when Jean says "and that last shot". The yellow
arrow points to the last shot meaning the man plays PBF projectile. This man will
be shown later when running while Jean says "this one man running from the
corner of the Book Depository". In other words, this man is a piece of JFK flying
(running) from his head on the metal fragments of Jackie's bullet (PBF) that came
from her handbag (Book Depository).
Jean ringing on bonus DVD
The movie makers also included the real Jean Hill on the bonus material that
comes on extra DVD. Apparently, Jean was hired as an "technical advisor" and her
"advising" was technically recorded on film.
Picture 1 shows Jean pointing to the spot on Elm Street where JFK was
assassinated by Jackie and saying the catchphrase "shots rang out". Her mouth is
frozen at the word "rang". Apparently, one part of her "advising" was to wear the
red shirt with white blobs. This color pattern stands for JFK's gore around the
famous white "blob" on his head. The next set of pictures explains where this color
pattern came from. Notice that Jean keeps her fingers straight and open.
Apparently, the movie makers asked her to make a Hand-as-Wing to allude to
Jackie's turkey shoot.
Pictures 2 and 3 show Jean pointing to Grassy Knoll and advising where "the shots
came from". Clearly, the movie makers asked five people to stand there without
asking Jean for "technical advice".
In picture 2, you can see two pairs of people. The pair on the left is a woman in
pink dress and a men. They stand for Jackie in her famous pink suit and Clint Hill.
The pair on the right is wearing white shirts. They stand for Jackie's cartridge with
White Phosphorus, making two explosions.
In Picture 3, you can see another person in dark shirt appear next the pair in white.
The extra person represents Clint Hill's bullet that killed JFK.
When Jean points to the five people on Grassy Knoll and advises where "the shots
came from", she points correctly to the assassins and their bullets, but incorrectly
to the places where the shots came from. In other words, she got half of her
"technical advising" right.
Notice that the movie makers made the real Jean Hill also point with her arm to the
6th floor of Texas School Book Depository and included this precious moment on
the same bonus DVD. This is because they made the actress playing Jean Hill point
to Old Red Courthouse where JFK killers had their command center with Henry
Wade in charge. In the movie, they use Old Red Courthouse as background for
mark M5E missing in Zapruder frame 314.
Picture 1 (second set of three pictures) shows the external wall on Dal Theatre
and Museum which probably was designed with JFK assassination in mind. The
movie makers borrowed a lot of Dal symbols and this wall pattern had to be one
of them.
Picture 2 shows the color pattern on Jack's shirt during the scene at horse racetrack.
This shirt makes a Coffee-as-gore reference. The movie uses coffee color instead
of red color. Clearly, it was safer to use red color on Jean's shirt because she is
known as Lady In Red.
Picture 3 shows the color pattern on the tie worn by the real Jim Garrison
appearing on the same bonus DVD. Most probably, Jim wore this tie specifically
for this film, fully knowing about its meaning. This tells you about his lying skills.
Railroad men and workers (1:07)

In this scene, the movie makers make mockery of the statements made by the
railroad men standing on the triple overpass and watching JFK assassination from
about 220 feet away, specifically statements made by Sam M. Holland (played by
the actor wearing eyeglasses) and Richard C. Dodd (played by the actor wearing
cowboy hat). None of the railroad men saw Jackie's Gucci handbag next to JFK's
jaw when his head exploded. Since Holland testified for Warren Report making
him the dirtiest of the bunch, the movie makers use him the most. Clearly, the
actual railroad men and workers were as corrupt or intimidated as the Dallas police
officers "patrolling" Dealey Plaza on that day. In the movie, two railroad men
Holland and Dodd play the roles of two bullets left behind in the tunnel by Clint
Hill. Railroad men are known to make noises like bullet shots.
During the court room scene, three railroad men standing on the overpass will be
used as witnesses standing on the overpass to illustrate three white marks in
Zapruder frame 314. On the other hand, Jean Hill, Mary Moorman, Bill Newman,
Zapruder, standing on the ground will be used as witnesses to illustrate the four
white marks in Zapruder frame 313.
Picture 1 shows Holland saying "I made it very clear to the Warren people one of
the shots came from behind that picket fence. I heard the report and saw the smoke
come out about 6 or 8 feet above the ground, right out from under those trees".
Here, Holland plays Clint Hill's first bullet that killed JFK in the tunnel next to the
row of concrete columns (picket fence). Since Clint Hill was crouching on the
trunk, his revolver was about 6 feet above the ground. The smoke refers to the
gunsmoke from his revolver. Picture 4 shows another Holland in the same spot
(movie time 2:58) playing the same role of Clint Hill's first bullet.
Picture 2 shows Dodd saying "All four of us railroad men seen about the same
thing, the smoke came from behind the hedge". At the same time, the movie
quickly flashes a few frames showing the follow-up car, as shown in picture 3. At
this point, the four railroad men refer with four Secret Service goons standing on
the sides of the follow-up car. Picture 6 shows the same four goons (indicated by
yellow arrows) cropped from the court trial scene (movie time 2:59). When Dodd
says railroads, he means the metal badges worn by SS goons. In another scene,
one SS badge will play the role of Clint Hill's first bullet that killed JFK. When
Dodd says smoke, he means the "blob" on JFK's head (hedge). Picture 5 shows
another Dodd in the same spot (movie time 2:58) playing the role of Clint Hill's
second bullet.
Picture 1 (second set of three pictures) has two parts. The left half shows the
smoldering cigarette when Holland says "We came around to look for tracks". The
tracks comes from railroad tracks which has two meanings but in the end both
mean the same thing. Firstly, this is a RailroadTracks-as-Lansdale. Secondly, the
tracks itself refers to the destinations that railroad tracks lead to like Edward
Lansdale who was in Dealey Plaza during JFK assassination. This means that the
cigarette is one of the tracks leading to Lansdale, Cigarette-in-Lansdale. The right
half of picture 1 has been cropped from one of Lansdale's photos showing a similar
smoldering cigarette. I flipped the left half of picture 1 to match Lansdale's photo.
In other words, Lansdale is linked to the bullet shots fired by Clint Hill. Holland
also says "It rained that morning and we found a bunch". The raining refers to
Raymond Buck's speech in Fort Worth where Buck gave JFK a cowboy hat to
provide him "protection against the rain" (youtube link), just a few hours before
Lansdale and his goons rained on JFK.
Picture 2 shows a train moving in the background. This is a reference to the trains
around triple overpass, providing noises needed to drown out the sounds of Clint
Hill's gunshots.
Picture 3 shows the view from so called "picket fence" on Elm Street. The red car
stands for JFK's death inside his limo riding in the tunnel next to the "picket fence".
The yellow arrow points to a motorcycle cop playing the role of the lead-car
loaded with Dallas Police Chief and Dallas County Sheriff, watching the fatal shot
from about 30 feet away.
Jean says "When I got to the parking lot, all I saw were the railroad workers and
Dallas' finest". The parking lot includes both Grassy Knoll and the area behind it
along the path of Jackie's bullet. The railroad workers refer to Jackie's bullet
(PBF) like the running man that Jean was talking about. Apparently, railroad men
belong to Clint Hill and railroad workers belong to Jackie. Jean herself plays
PWM as another scene suggests. This would mean that Dallas' finest are the white
marks.
Clearly, the movie makers knew the approximate direction of Jackie's bullet path
and used some of the movie frames to show it. The picture attached below shows
the frame displayed at the beginning of this scene. The middle of this frame is
indicated by vertical red line. The approximate bullet path is close to the red line.
The movie makers confirm it in several other scenes explained in the next section.
Specifically, the location of Top Hat aligns with the middle of the picture below.
Jackie's bullet flew over the tree where the vertical red line is drawn.
Scenes showing Jackie's bullet path
The movie shows Jackie's bullet path disguised as unrelated pieces in different
scenes. I collected all the pieces into one section. The previous section has one
more picture.
Picture 1 comes from the scene with eyewitness Bill Newman, where the actor
says "The bullets came up over our heads from that fence up on the knoll", while
showing two police officers standing very close to each other. The movie makers
show this location for a good reason. Clearly, the movie makers knew the
approximate direction of Jackie's bullet path and used this frame to show it. The
movie makers made these two police officers stand so close to each other to
represent two explosions made by Jackie's cartridge, a fraction of millisecond apart
in real time. The movie audio includes a sound of two explosions, about 0.5 second
apart in movie time, to represent the sound made by Jackie's cartridge. The first
explosion sound and the first cop represent the exploding gunpowder inside the
case. The second explosion sound and the second cop represent exploding booster
explosive inside the bullet. The actual bullet path aligns closer to the tree.
Apparently, the movie makers wanted the cops to appear more recognizable from
the distance so that they made the cops stand away from the tree and therefore
away from the bullet path. However, they are more precise in the other scenes.
The foreground of picture 2 shows a sniper (probably the fictitious "Badge Man")
from a scene about 2:56 in movie time. However, the most important thing is the
man standing just behind the wooden picket fence and next to the concrete wall
about 3 feet high. Let's call this man Top Hat because this is a reference to the top
hat worn by JFK on his Inauguration Day. The man actually wears a bowler hat but
the hat is a clear reference to JFK's top hat. Killer Queen lyrics also make a
reference to Top Hat in its line "drop of a hat". Notice another thing in picture 2.
The sniper is actually aiming at the Top Hat.
Picture 3 provides a closer look at Top Hat from a scene about 2:55 in movie time.
It allowed me to crop the head of Top Hat and compare it to the dark area painted
over JFK head in the picture described below.
Picture 4 is important and that is why is it enlarged below. It comes from the scene
with railroad workers (movie time 1:07). In this picture, the movie makers
superimposed a distorted Top Hat over JFK's right ear. The distortion is a
reference to JFK's head exploding around his right ear. The location of Top Hat in
pictures 2 and 3 is a reference to the path of Jackie's bullet that made the explosion
and distortion. Picture 4 also makes another important reference. Notice the radio
antenna mounted on the police motorcycle aligns perfectly on rising Jackie. This is
a reference to the lines "I just stood there watching" and "spotter on a radio",
described in other sections. When the movie shows this moment, Jim's assistant
Lou says "That's a good spot for the head shot". This line does not refer to the
head shot fired by Jackie. It refers to the head shot fired by Clint Hill when Jackie
acted as the spotter for Clint. Note that the spot of Reunion Tower representing the
head shot fired by Jackie, is in about the same direction where Jim is looking, just
across the railroad tracks. In other words, Jackie or the Reunion Tower "stand there
watching" like "spotter on a radio".
My scientific analysis of Zapruder frames also indicates that Jackie's bullet path
aligns with the location of Top Hat. This is not a coincidence. The movie makers
did not get this information from scientific research. Remember that JFK
assassination was ordered by the tribe that controls central banking, an inbred
mentally deficient genetic trash that protects its source of power by killing and
brainwashing. Hollywood is one of their brainwashing machines. This means that
JFK movie makers got the information from Hollywood insiders.
Moorman Photo (1:07)

In this scene, the movie makers make references to the famous Moorman Photo
(Black&White) made by Mary Moorman with a Polaroid camera. Mary was
standing next to Jean Hill during JFK assassination. Both Mary and Jean were
planted by JFK killers to act as false witnesses. Mary was supposed to make a
photo to satisfy the visual appetites of Americans hungry for photos from JFK
assassination. Keep in mind that many legitimate photos were confiscated by FBI
goons sent by JFK killers. Moorman and Zapruder were supposed to deliver
sanitized photos. The access to the original Zapruder film has always been tightly
controlled by JFK killers. The public copies have been sanitized during
photocopying or digital scanning. Many Zapruder frames show specs of dirt,
smudges, etc. A scientific analysis can easily get around these primitive alterations
in order to extract legitimate data.
Moorman Photo includes a very primitive smudge added by some goons hired by
JFK killers. The smudge can easily be detected while studying the body
movements made by Jackie before Zapruder frame 312. The smudge was added to
erase Jackie's handbag held under her right upper arm during her bullet shot to
JFK's head. This is explained in another section.
Youtube carries an interview with Mary Moorman (youtube link), where she says
"the photo ... they sharpened it". In other words, she admits herself that her photo
was altered, apparently outside her control. Like Jean Hill, she was a useful idiot
used by Dallas savages. Apparently, she was smarter than Jean Hill and kept safe
distance from JFK movie makers. Otherwise, Mary would end up with a big wig
of Marie Antoinette on her head, for a few bucks in her pocket. Recall the agony
party where somebody says "You're mine, Mary" to Willie with a big wig of Marie
Antoinette on his head (MarieAntoinette-as-Jackie).
Picture 1 shows one of the frames where the movie makers overexpose the images
to light. This is a reference to the Black&White Moorman Photo, especially the
white smudge that looks like an area overexposed to light, like a frost made by
freezing. That is why the actress says "Everything was just frozen". In other words,
Jackie's handbag in Moorman Photo was frozen by placing a white frost on it.
In pictures 2 and 3, Jean Hill says "Like people weren't breathing. Like you were
looking at a picture". At the same time the actress playing Mary Moorman and her
Polaroid camera are shown. This is another reference to Moorman Photo made by
a Polaroid camera. Notice that the statement "people weren't breathing" is false
because people were breathing to the maximum after witnessing JFK assassination.
In picture 4, Jean says "Except for this one man. I saw this one man running from
the corner of the Book Depository ... towards the parking lot". This is a reference
to this one man who did not breathe, and who did not run, because he was dead
inside JFK limo. The man is JFK himself. JFK was shot at the corner of the Book
Depository and headed towards a cemetery (parking lot). Since the script lines
invert the facts, the expression "Like you were looking at a picture" means that the
facts in the picture are also inverted or reversed. In other words, the black area
showing Jackie's dark blue handbag was inverted into white area crudely matching
her pink suit, from black to white. The whole scene is about telling you that
Moorman Photo was altered by inverting a black spot into a white spot. Another
scene points to the actual part of Jackie's handbag altered in the photo.
Other scenes use this "one man running from the corner of the Book Depository" to
illustrate PBF projectile flying (running) from JFK's head after leaving Jackie's
handbag (Book Depository).
The man on the truck (1:08)

In this scene, the movie presents Julia Ann Mercer who supposedly witnessed a
green pickup truck stalled on Elm Street next to the famous Grassy Knoll about
two hours before JFK assassination. Mercer actually signed two affidavits in the
offices of Dallas County Sheriff and FBI, stating that she saw a man with a rifle
case, leaving the pickup truck. Apparently, this was a part of JFK assassination
plan to give birth to conspiracy theories about snipers hiding around the Grassy
Knoll, and to send the masses on wild-goose chases in many different directions
around the Grassy Knoll. Mercer was a useful idiot used by Dallas savages, a
similar one to Jean Hill and Mary Moorman.
This scene is interrupted by the scene with Jean Hill running up the Grassy Knoll.
Then it continues. All three scenes are about the same thing. However, each scene
comes with different flavor so I keep them in separate sections like the movie does.
I use bold characters for the title of this section because this scene pinpoints the
spots where Clint Hill fired his two bullets in the tunnel under the triple overpass.
The movie moved the location of green pick-up truck described by Mercer in her
signed affidavits. Mercer's affidavit located the truck near the Grassy Knoll on east
side of the triple overpass. The movie places the truck on the west side of the triple
overpass because the movie makers wanted to show the tunnel when Mercer's car
is moving through it.
The movie makers included Mercer story because they clearly liked a few things in
her affidavits, that could be used to make references to Clint Hill and Jackie.
Otherwise Mercer's affidavits are as factual as Warren Report. Her green truck was
as real as Magic Bullet. For example, her affidavit from Sheriff's office includes
"The truck looked like it had 1 or 2 wheels up on the curb". When you look at the
pictures of Clint Hill on top of dead JFK inside the limo riding to the Parkland
Hospital, you will notice that Clint had his right foot up on the side of the limo, as
if his right wheel was up on the curb. This is a Foot-from-Hill. The movie makers
use this as a reference to Clint Hill and his role as JFK assassin. The Godfather
uses a similar reference by using Michael's right foot instead of truck's wheel, see
the section about Michael on white garden bench.
This scene uses Foot-from-Hill only partially. Here, the goal is to point to the
relative location of Clint Hill's foot inside JFK limo and not Clint Hill himself.
This scene has three flashbacks. During the first flashback, Mercer rides along Elm
Street and then she parks next to so called "truck". This flashback has two parts.
One part in Black&White illustrates JFK assassination by Jackie played by Mercer
while Ruby plays JFK. The other part in color illustrates one erased white mark
M8E played by Ruby while the "green truck" illustrates the green grass in the
background of Zapruder frames. During the Black&White part, "wheels up on the
curb" simply mean that JFK is sitting next to the right side (curb) of his limo. In
other words, Mercer's car illustrates the left side of JFK limo where Jackie is
sitting. During the color part, "wheels up on the curb" simply mean that the white
mark M8E is right next to the top edge (curb) of Zapruder frame 315.
Like always, there are also shooting sequences. The first flashback shows Mercer
illustrating the steps taken by Jackie to assassinate JFK. Its shooting sequence is 2-
3-0-1 meaning Clint Hill's shots are shown first when Mercer is in front of the
tunnel. When sitting on the couch, Mercer quickly flashes her left hand with all her
fingers extended meaning that her left hand plays the role of turkey shoot, i.e. her
sides are flipped and this has to be taken into account. The second flashback is
about Jackie's testimony to Warren Criminals, where three photos illustrate
Zapruder frames 313-315 while Ruby plays M8E again. The third flashback to a
press conference makes another illustration of JFK assassination where Ruby plays
JFK.
The first picture has been cropped from one of the frames showing the tunnel. All
frames show two cars stuck in the rightmost lane in the tunnel, supposedly because
the lane is blocked by the green truck parked on the other side. Each of the two
cars reflects light in the same spot on its left window. The first light illustrates the
spot where Clint Hill fired his first bullet that killed JFK. The second light
illustrates his second bullet shot. Both shots are indicated with arrows. This
illustrates steps #2 and #3 of a new shooting sequence. Also, notice that all cars
before the tunnel are white except one where its driver keeps his left arm outside,
as indicated by an arrow. His left arm illustrates Clint Hill's left arm used to pull
the trigger.
In the background, Mercer says "I was driving west on Elm Street toward the triple
underpass in a rented car. A light-blue Valiant. I will never forget that day. There
was quite a bit of traffic, and I stopped alongside this green pickup truck. And I
remember being very noticeable because it had one of its wheels parked up on the
side of curb. And when I saw the gun, I thought Secret Service is not very secret."
So called "rented car" refers to JFK limo rented by JFK from American taxpayers.
The Valiant is an Anglo-French word and it refers to Jackie who loved to speak
and act French. During her part at home, Mercer wears a dress in characteristic
French Blue color to make an additional reference to Jackie's fondness for French.
She will also wear a Beehive hairstyle which was a brief revival of Marie
Antoinette Pouf hairstyle (MarieAntoinette-as-Jackie). The light-blue refers to
Jackie's acting as French. Mercer's affidavits state only a white Valiant. Since
Jackie assassinated JFK, obviously she "will never forget that day". The traffic and
her stopping "alongside this green pickup truck" carry two meanings, one in
Black&White version and another in the color version. In the Black&White, this
refers to the traffic made of Jackie and Clint Hill on the trunk of JFK limo. In the
color version, the traffic refers to the series of white marks above green grass
(green pickup truck) in Zapruder frames. Similarly with "one of its wheels parked
up on the side of curb". In the Black&White, this refers to Jackie's handbag

(wheel) parked up on the side of curb (JFK's jaw). In the color version, this refers
to M8E (wheel) parked up on the side of curb (top edge of Zapruder frame 315).
Picture 1 (second set of six pictures) shows Mercer's earring. This is a White-as-
WhitePhosphorus reference, as explained on the chapter about symbolisms.
Picture 2 shows the rear right wheel parked on the side of curb. This illustrates the
right side (curb) of JFK limo, as explained. The long rifle held by the man behind
the truck plays the role of Jackie's dart. This is step #0 of the current shooting
sequence.
Picture 3 shows Mercer bending her left elbow (Elbow-as-Jackie) This is a

reference to Jackie bending her right elbow. The movie flips the sides as a
convenience. A picture in the next set shows frame 312 with Jackie's right elbow
bent. The reason for Jackie bending her elbow before the bullet shot is explained in
the chapter about the Plan.
Picture 4 shows the driver Jack Ruby turning his head towards Mercer. He plays
the role of JFK turning his head towards Jackie after her dart shot and before her
bullet shot.
Picture 5 shows a spare wheel with tire mounted on the side of truck. The wheel
represents 10-gallon Stetson hat sticking out from John Connally sitting in the
truck. The Godfather uses a round table top in Louis' restaurant for his cowboy
hat. Picture 6 shows Connally holding his white Stetson hat in Zapruder frame 268.
Picture 1 (third set of six pictures) shows several men sitting on the upper deck of a
bus in the background, just before Mercer is about to pull the trigger like Jackie.
The man on the left provides an additional clue about Jackie's bent elbow by
showing the correct right elbow. The man on the right, with a dark hat, plays the
role of Zapruder making his film when Jackie shoots JFK.
Picture 2 shows Mercer making her right hand visible, and moving it towards the
steering wheel. This corresponds to Zapruder frame 312, shown in picture 3, where
Jackie moves her left hand quickly from JFK's left forearm in order to pull the
trigger installed in the corner of her Gucci handbag. The brightest spot next to
JFK's throat is his right fist. Jackie's white glove on her left hand can be clearly
seen next to JFK's fist. That is why Mercer is also wearing white gloves. Notice
that Mercer's script line "it had one of its wheels parked up on the side of curb"
could be interpreted as Jackie's handbag (wheel, steering wheel) parked up on the
side of JFK's jaw (curb).
Picture 4 shows Mercer touching the steering wheel with her right hand while
keeping her eyes closed. This touching refers to Jackie pulling the trigger with her
left hand. In other words, this is step #1 of the current shooting sequence. Mercer's
closed eyes refer to Jackie's closed eyes during her bullet shot to JFK's head, as
shown in picture 5 cropped from Zapruder frame 312.
In picture 4, Mercer uses her left forearm also to illustrate Jackie's bullet path. Her
bullet hit the left side of JFK's jaw at the same spot where Mercer's forearm points,
at about the same angle, making the bullet exit at JFK's right ear. At this point, her
white earring plays the role of the "blob" on JFK's head, i.e. Blob-on-JFK.
Picture 6 shows Mercer raising her right hand and turning her head back. This
refers to Jackie raising her left hand in order to show it empty to Zapruder camera
immediately after her bullet shot to dispel suspicions as early as possible. Jackie
dropped her handbag quickly before raising her both hands. Mercer turns her head
to illustrate Jackie jumping on the trunk.
Picture 1 (fourth set of six pictures) shows three uniform police officers on the
overpass. All three heads make a 3Amigos-as-3Bullets. The motorcycle cop with
white helmet illustrates Jackie's bullet with White Phosphorus (Wight). The cop on
the left illustrates Clint Hill's first shot (Weft). The cop in the middle is Wong. In
other words, the cops illustrate the shooting sequence, just completed with the
order 2-3-0-1. The concrete balustrade stands for "picket fence".
Pictures 2 and 3 show the driver Jack Ruby in color. Now, Ruby plays M8E. His
head turns a little as the next picture 3 indicates, meaning the PWM projectile turns
a little before it leaves the view of Zapruder camera in frame 315.
Picture 4 starts the second flashback where Mercer is questioned. It shows a man
interrogating Mercer. He keeps his holster and gun on his right side. He shows
only his left hand. This illustrates Clint Hill keeping his holster and revolver on his
right side and pulling the trigger with his left hand.
Picture 5 shows Mercer holding a picture of so called "driver". This interrogation

is a reference to Jackie's testimony in front of Warren Commission. Mercer says "I
picked out three pictures that looked like the driver of the truck. That's the man".
The three photos are three Zapruder frames 313-315. Mercer is holding one photo
that illustrates frame 315 with M8E (Jack Ruby). Mercer says "I turned to my
family and said, that's the man I saw in the truck". The family is a code for the
remaining white marks. Jim says "You weren't so sure in your statement to the
Warren Commission". This means that all the relevant script lines refer to Jackie's
testimony in front of Warren Criminals. Mercer did not provide any statements to
them. Notice that Mercer smokes all the time like Jackie. Jackie was a heavy
smoker.
Picture 6 switches to Mercer's home. Jim is pointing his fingers are Mercer. This
means that a new shooting sequence is started with step #0.
Picture 1 (fifth set of six pictures) starts the third flashback to a press conference
attended by Jack Ruby. Notice the white object sticking out from his breast pocket.
This is a Cloth-from-Hill. Ruby himself plays JFK while the white cloth illustrates
Clint Hill next to JFK. Notice the hatted man holding a camera on the right side.
He plays the role of Zapruder.
Picture 1 shows the first flash of light. Picture 2 shows the second flash of light. In
both pictures, the audience is around. Each flash of light comes with one explosion
sound in the audio. The explosions with flashes are about 0.5 second apart in
movie time. The first explosion with its flash represents explosion in the case of
Jackie's cartridge. The second one represents the explosion inside the bullet of
Jackie's cartridge. This is step #1 of the current shooting sequence.
Picture 3 shows the third flash of light when only the head of Jack Ruby is shown,
while the audience is not visible. The audio includes one explosion. This represents
the first bullet shot fired by Clint Hill in the tunnel. This shot killed JFK. This is
step #2 of the current shooting sequence.
Picture 4 shows a small reflection of light on one lens of Ruby's sunglasses. There
is no corresponding explosion in the audio. Compared to the previous big flash,
this small light represents Clint Hill's second shot that missed JFK. In other words,
the current shooting sequence completes with the final order 0-1-2-3.
Picture 5 shows a woman raising a cup of coffee from the table, on the rightmost
side of the picture. The cup is a Coffee-as-gore reference. The woman plays the
role of Jackie using JFK's blood to stain her new pink suit. His blood comes from
the latest shooting sequence completed by Jack Ruby.
Picture 6 shows the woman in pink suit, walking behind Jim. As she walks, she
changes her suit to another suit that looks the same. The next series of pictures
shows all 16 frames showing this woman behind Jim. This is a reference to Jackie
getting rid of the incriminating evidence.
Notice that the woman does not have any clothes on when her body aligns with
Jim's head. The zip package includes the full size of this picture (5567x634) with
1x16 alignment and another version (1391x1871) with 4x4 alignment. Most
software viewers will let you zoom in on any large picture, and pan around with
your mouse.
He put a hurt on me, but good (1:09)
This scene is mainly about the white marks in Zapruder frames. Jean Hill plays the
role of a little chunk of White Phosphorus (PWM) burning while flying across the
Grassy Knoll. As the little chunk, Jean chases the fragments of Jackie's bullet
(PBF) played by an actor running in front of her. In other words, the movie makes
a further mockery of Jean Hill claiming that she ran up the Grassy Knoll towards
the parking lot. Since PWM quickly burned itself, Jean Hill says "He put a hurt on
me, but good".
In this scene, the movie makers also point to the main command center, apparently
located inside NW turret of Old Red Courthouse building. As always, this scene
includes a shooting sequence for Easter egg hunters.
Picture 1 shows a man chased by Jean. Jeans says "It was him I was chasing up the
Grassy Knoll". The man plays the role of the metal fragments of Jackie's bullet
(PBF), composed mainly of lead and maybe copper. At this point, the bullet is not
fired yet. The white shirt illustrates White Phosphorus stored inside the nose of
bullet. His tie plays the role of firing pin inside the bullet.
Picture 2 shows white roof of a car passing by, and appearing to cut off the head of
this man. This illustrates Jackie firing the bullet. At this point, the man starts
running like a bullet.
Picture 3 shows Jean running towards the Grassy Knoll, while her rain coat is
flying around her. This illustrates PWM painting the white marks in Zapruder
frames. The movie A Shot In The Dark calls the white marks flying moths. That is
why Jean looks like a flying moth. At this point, Jean plays the same role as Dave
Ferrie in Jim's office.
Jean says "I thought maybe our guys had shot back and maybe we got one of
them". This refers to "goose hunting". Recall Ferrie saying "In the morning we
went goose hunting". Ferrie also says "I believe the boys got a couple" meaning
Jean hopes to erase one white mark on her trip back during "goose hunting".
Picture 4 shows an official using his wallet with badge obstructed by his hand to
keep people away. This man is shown again during the scene with a man looking
like "an auto mechanic with dirty fingernails". The corresponding section explains
that this "auto mechanic" plays the role of Earle Cabell, Mayor of Dallas, a typical
Dallas savage. He will be shown wearing an earpiece like Secret Service agents do,
in order to indicate that the Cabell savage was directly plugged into the network of
Secret Service goons assassinating JFK. At this point the badge obstructed by his
hand plays the role of Clint Hill's second bullet that missed JFK. The man obstructs
the view of his Secret Service badge in order to indicate that the corresponding
bullet missed JFK's head. The scene with "auto mechanic" will show another
Secret Service badge, unobstructed in clear view, to illustrate Clint Hill's first
bullet that killed JFK. At that time, patrolman Smith refers to this badge as
"credentials from his pocket that showed him to be Secret Service". The scene with
Beverly refers to this badge as "money in your pocket" meaning the pocket is
Jackie's "private pocket", a concept introduced by the scene between Godfather
(Jackie) and Sollozzo (Onassis).
Picture 5 shows PBF (Bullet Man) next to so called Badge Man. Picture 6 shows
the badge on Badge Man. At this point PBF (Bullet Man) disappears and all the
nutcases start kooking books about Badge Man for JFK assassination research
industry. In other words, Badge Man is a code for PBF (Bullet Man) like the
Reunion Tower "standing and watching" on the other side of railroad tracks is a
code for the "Blob" on JFK's head. Dallas savages built a big federal building a
few blocks away, and named it after Earle Cabell for his painting of the "Blob" on
JFK's head. This is how Dallas savages operate. Apparently, so called "Curator"
(Con Artist) of The 6th Floor Museum in Dealey Plaza came up with Badge Man
to brainwash the dummies from inside his joint.
Jean says "When I got to the parking lot, all I saw were railroad workers and
Dallas' finest". The audio includes a sound of hammer hitting anvil like in an auto
shop. The railroad workers is a code for PBF. The hammer sound means that
bullet fragments hit the ground somewhere behind the Grassy Knoll (parking lot).
The Dallas' finest is a code for the white marks.
Picture 1 (second set of six pictures) shows a G-man showing his wallet. He says
"You're coming with us. I want those pictures". The wallet itself is "those
pictures", a code for Zapruder frames showing the white marks. In other words, he
wants the white marks seen in the pictures. When Jean screams "I don't have any
son of the bitch", the G-man is quickly shushing her. So called bitch is Jackie
Kennedy, mother of sons (white marks).
Picture 2 shows two G-men putting hurt on Jean. However, it is the other way
around because Jean puts the hurt on them. Both G-men play two white marks
erased from Zapruder frames. At this point, some goons in some photo shop in
November 1963 are tweaking with Zapruder frames 313-315. Here listen to what
one G-man says "Small light, keep walking". I listened many times to the first two
words because they are not clear but apparently he says "small light" which is
exactly what painted the white marks while walking through Zapruder frames.
Picture 3 shows them through a framed chain link fence. This illustrates blurring of
Zapruder frames, smudging the white marks.
Picture 4 shows Jean hidden behind G-men. This illustrates covering some parts of
the white marks with dirt like federal goons.
Picture 5 shows the Old Red Courthouse when Jean says "They must've been
watching the whole thing". This is a clear reference to the main command center
(watching). Picture 5 shows two turrets, turret SW in the foreground (middle of the
picture) and turret S1 in the background (right side of the picture). The S1 turret
has a white mark on it. This white mark appears only on one frame out of about 20
consecutive frames showing the same corner of the building. For meaning of SW
and S1 see the page-wide picture below.
Picture 6 zooms in on the white mark. It appears to be shaped like a middle finger.
In any case, this white mark was added on purpose and it makes a reference to a
white mark in Zapruder frames. Several other scenes suggest that this white mark
corresponds to M5E played by Oswald. During the prison scene with Jack Ruby,
M5E is behind bars while Ruby plays M8E, both guarded by Henry Wade and Bill
Decker. In the next scene, M8E will appear on top of Mercer's Beehive hair.
Jean says "They must've been watching the whole thing because they knew
everything Mary and I had done all day. Of course, I wasn't too hard to find
wearing that raincoat". Apparently, the raincoat is yet another reference to the
expression "protection against the rain" used by Raymond Buck during his speech
in Fort Worth. In other words, Jackie delivered the rain while protecting herself by
wearing that raincoat.
Page-wide picture (third set of one picture) shows a satellite photo of Old Red
Courthouse and Dealey Plaza. The yellow arrows point to key spots referenced in
this section. NW = Northwest turret. SW = Southwest turret. S1 = South turret #1.
TE = tunnel entry for JFK limo. The red arrow is Jackie's bullet path originating
from point BX.
Picture 1 (fourth set of six pictures) shows a view from the room where Jean is
interrogated. The entrance to Texas School Book Depository can be recognized
through the right window. This means that this is NW corner of Old Red
Courthouse, where Patsy Paschall filmed JFK motorcade with her 8mm camera.
The actual room is different but the location is the same. Notice the round top of
the left window like on Old Red Courthouse. This is another reference to command
center in this building. Probably, Paschall and Zapruder were part of the same
scam to feed the public with tightly controlled films while confiscating all
legitimate films from legitimate witnesses.
Notice that this scene shows the SW turret in the foreground when the building is
viewed from outside and the NW turret when viewed from inside. However, the
white mark is shown on the turret S1. Both turrets NW and SW provide good
views to monitor the progress of JFK assassination at Dealey Plaza. However, the
NW turret provides a slightly better view of Elm Street under the triple overpass.
The real target is NW target. This scene shows SW turret because it wants to show
S1 turret with a white mark on it. The turret S1 could refer to Wade's office. The
scene with "Pipe the Bimbo in Red" shows Dean Andrews as Henry Wade sitting
in a turret on the south side of Old Red Courthouse, meaning S1 or SW turret. This
is a clear reference to Wade's office, apparently in S1 turret or somewhere near it.
Picture 2 shows a long pen in the breast pocket of the interrogator. This is only for
the Easter egg hunters. This means a new shooting sequence starts with step #0.
The interrogator plays the role of Jackie and Clint Hill.
Picture 3 shows the interrogator showing the first flash in his teeth. At the same
time he slams on the table. This is a TableSlam-as-Bullet reference. The first flash
represents the explosion in the case. Picture 4 shows the second flash in his teeth,
which represents the explosion in Jackie's bullet.
Jean responds "four to six" to the question "How many shots did you say you'd
heard?". The interrogator shouts "That's impossible". The truth is that both are
right. Jean is talking about the white marks because there are visible four in
Zapruder frame 313 and visible six in frames 313 and 314 combined. The
interrogator is talking about the bullet shots. Both are right because the movie is
about secretly encoding factual information.
The interrogator says "You heard echoes" while his face is not visible. This sound
of "echoes" represents Clint Hill's first bullet shot.
Picture 5 shows mean face when he repeats "Echoes". This sound of "Echoes"
represents Clint Hill second bullet shot. The shooting sequence is completed as 0-
1-2-3.
Jean says "I saw a man shooting from over there behind that fence. What are you
going to do about that?". This means that Jean reminds him to pick up the bullets
left behind next to the "picket fence". The interrogator says "We have that taken
care of" which means the bullets were safely recovered. I bet the cockroaches keep
the bullets and trade them among themselves for big bucks, Wall Street type or
Hollywood type of bucks. I bet the Hollywood vermin Tom Hanks making his
movie Parkland with lies about JFK assassination keeps some of them.
The interrogator says "You only heard three shots, and don't discuss this with
anybody. No one! Do you understand me?". This means there were really three
shots and this is supposed to be a secret! The interrogator himself just sounded
three shots for Jean, the dart shot could not be heard.
Picture 6 shows the interrogator with a face of human corpse saying "Get her out
of here!". This means that PWM disappears forever.
At the end, Jean says "Which is strange because it's less than 20 minutes after the
assassination". This is a reference to 20 milliseconds, the time between the bullet
exiting JFK's head and the start of exposure time of Zapruder frame 313. The
actual time is about 26 milliseconds.
Jean also says "I knew something was crooked as a dog's hind leg". This has two
meanings. Firstly, dog's hind leg could mean Arlen Specter who was Warren
Commission staffer, meaning the Commission was the dog. Jean makes an
understatement of century by calling him crooked. She also says "When I read my
testimony in the Warren Report, it was a total fabrication". This is a reference to
the testimony of Magic Bullet crapped behind "dog's hind leg".
However, "dog's hind leg" is really an Elbow-as-Jackie meaning Jackie's right arm
bent like a dog's hind leg before shooting JFK. The last set of three picture makes
it clear. In this meaning, "total fabrication" refers to the white marks covered up in
Warren Report.
Picture 1 (fifth set of three pictures) has been cropped from Zapruder frame 300. It
shows Jackie using her right arm/hand to hold her handbag. Her right arm is bent
or crooked like a dog's hind leg shown in picture 3.
Picture 2 shows Dave Ferrie kissing the right hand of an unidentified woman
during the scene in Carousel Club where I explain that the woman personifies the
black dog held by Ruby. The black dog plays the role of Jackie who just kissed
Ruby's jaw to illustrate Jackie's bullet shot that came from her handbag. Ferrie
plays the role of Chief Justice Earl Warren kissing Jackie's right hand that held her
handbag. In other words, the woman's right arm plays the role of dog's hind leg,
i.e. Jackie's right arm shown in picture 1.
Altered statements without notary (1:10)
In this scene, Julia Ann Mercer continues her story about so called affidavits filed
with Dallas County Sheriff and FBI. Here, the two affidavits mean Zapruder
frames 313 and 314 still showing the white marks.
In this scene, Mercer still wears the same Beehive hairstyle (MarieAntoinette-as-
Jackie) in order to make a reference to Marie Antoinette Pouf. She wears a dress in
characteristic French Blue color to make an additional reference to Jackie's
fondness for French. She wears a double strand pearl necklace and double pearl
earrings. Jackie's triple strand faux-pearl necklace was made famous by the
cockroaches constantly trading with her personal items making references to JFK
assassination. After all they have nothing better to do with all the money stolen
from you.
Pictures 1 and 2 provide clues to suggest a reference to bridge of a ship. Picture 2

shows a round ashtray with a handle on top. The ashtray stands for a compass. The
handle stands for a grab handle. All ships, especially smaller ones like yachts, have
plenty of grab handles. The windows around the room suggest a panoramic view
like on bridge (topmost level) of a yacht. In other words, this is Onassis' yacht. The
man sitting quietly in the background plays the role of Aristotle Onassis. This
scene is supposed to take place between 1967 and 1969. Jackie married Onassis in
1968. Close enough to use Onassis for this scene.
The green grass in Zapruder frames is illustrated by the green leaves behind the
window frames. The white marks in Zapruder frames 313 and 314 are illustrated
by the arrangement of lights above the fireplace, like twinkles or little stars. The
fireplace itself plays the role of JFK's head set on fire by Jackie.
Immediately after Mercer says "That's bothers me. They've been altered. My
statements. This one...", the twinkles above fireplace are shown in order to give a
clue what the statements are about.
Mercer continues "Mercer could not identify any of the photographs as being
identical with the person that she had observed slouched over the wheel of green
Ford pickup truck. That's not true. I never said any such thing. I recognized him
and I told them so". The photographs is a code for Zapruder frames. The person
means M8E, slouched over the wheel means next to rotating/spinning PWM
(wheel), green truck means the green grass behind M8E.
Picture 3 shows a white mark on top of Mercer's hair. Only one frame shows it like
only one frame shows the white mark on Old Red Courthouse in previous scene.
Picture 4 zooms in on the white mark. It has a similar shape to the white mark on
Old Red Courthouse. It has been rotated 90, apparently in order to suggest the
rotating/spinning nature of PWM, or maybe to suggest that Jackie (Mercer) should
be lying on her back to make it look right. The white mark appears in Mercer's hair
when she says "I recognized him". This is a clue who the person is. Since this
white mark is very high, it refers to M8E because it is close to the top edge of
frame 315. In other words, Jack Ruby (M8E) is hiding inside Mercer's hair.
Picture 5 shows a man interrogating Mercer. There is a white "blob" next to his
right ear. He blows smoke to make a reference to Zapruder frame 313 showing the
first white marks, closest to JFK's head. This means that the interrogator plays the
role of JFK. Picture 5 illustrates the lower part of Zapruder frame 313 showing
JFK's head and smoke. The actual white marks are higher and therefore not shown
yet, because they are not painted by Jackie (Mercer) yet. That is why the
interrogator says "Take your time, be sure".
Picture 6 shows Mercer handing a white paper back to the interrogator. There is
some more smoke around the paper. The paper illustrates the first frame 313. This
means that Jackie is done with painting the white marks in frame 313. Mercer
answers "I'm sure". Now she is ready for the next frame 314.
Picture 1 (second set of three pictures) shows Mercer's long finger with pointed
nail on so called affidavit. Her finger represents Jackie's dart. This means a new
shooting sequence is started with step #0.
Picture 2 shows Mercer pointing to the seal of Texas with a star. The star plays the
role of PWM which is like a twinkle or little star, painting the white marks. She
hits the sheet of paper with her finger, making an audible sound playing the role
Jackie's bullet shot. This is step #1 of the current shooting sequence.
Mercer says "This is really strange. You see that notarized signature right there at
the bottom of each page. That is not my signature. And there never was any notary
present during any of my questioning". The signature is a code for complete set of
white marks in one Zapruder frame. Since the signature is not hers, the page is
Zapruder frame 314 where M5E has been erased. The questioning means Jackie's
firing of her bullet. No public notary was present because there was no public
witness sitting next to Jackie and notarizing her signature.
Picture 3 shows the top of two sheets of paper held by Jim and white marks on the
furniture and vase in the background. The two sheets of paper represent Zapruder
frames 313 and 314 showing the white marks.
In picture 3, Jim is actually waving the papers (Zapruder frames 313 and 314). He
says "As a former FBI man.., it's difficult to accept this". This means that the white
marks is a taboo subject. If all the nutcases are not able to crap this into their toilets
called "books" about JFK assassination, then imagine FBI officially accepting this.
Jim appears to say "as a former FBI managed" which would suggest that FBI itself
managed the cover-up of white marks. Two scripts have Jim saying "as a former
FBI man", but Jim actually says "managed". At this moment, Jim plays Curtis
LeMay because Mercer refers to him as "Mr. Garrison".
Jim's waving of his papers plays the role of Clint Hill's second bullet. Then the
audio includes a boom sound which stands for Clint Hill's first bullet. This
completes the shooting sequence with order 0-1-3-2.
Slowpokin' with toothpicks and dominoes (1:11)

In this scene, the movie introduces Beverly Oliver, a showgirl from a Dallas club,
who later claimed to be the woman nicknamed Babushka Lady seen in Dealey
Plaza on JFK assassination day. As you recall, Beverly was shown during the
scene with the shots ringing out from Jean Hill's head. Beverly was there to watch
Jackie dancing with Clint Hill on the trunk so that she could repeat the routine in
the "Carousel Club". Several other scenes in Dealey Plaza show Beverly again as
an extra Jackie as if the movie did not have enough Jackies already. The showgirl
Jada dancing on the stage plays both Jackie and Beverly. Recall the prison scene
with Willie where he says as Jackie "Mr. Garrison, you don't know shit, cause you
never been f..ked in the ass". In this scene, Jada (Jackie) shows you what Willie
meant.
This short scene includes lots of characters. JFK is played by at least four
characters: Jack Ruby, Oswald, a man chewing a gum, and yet another man. All
four are targets of separate shooting sequences. For Ruby the order is 3-2-1-0, and
for Oswald the order is 0-1-3-2. For the chewing man the order is not clear,
probably 0-1-2-3 (very quick sequence). The sequences on Ruby and Oswald meet
at step #1 and share the same frames to illustrate igniting of White Phosphorus
even though each sequence uses a different illustration for the step #1 itself
(Jackie's bullet shot).
Jackie is played by four characters: Beverly, the dancer on the stage (Jada), the
black dog carried around by Jack Ruby, and a woman in black dress walking
behind Jim. Clint Hill is played by at least two characters: the man with bad teeth
and sitting next to the stage meaning dancing with Jada, and a man walking behind
Beverly. Probably, Lou also plays Clint Hill because he appears to be close to
Beverly. John Connally is played by most of the men with big 10-gallon cowboy
hats. One of them has Nellie sitting next to him. Earl Warren is played by David
Ferrie and Jim. There are three US Air Force Generals sitting at one table. There
are many other characters. There is even Old Red Courthouse in the background.
This scene starts with Jim's assistant Lou saying "Beverly, tell Mr. Garrison about
the Carousel Club". The club was run by Jack Ruby. However, the movie makers
bring up the name "Carousel Club" not because of Ruby. They like the name
Carousel because it means something rotating/spinning like a bullet. This is also a
reference to the rotating/revolving restaurant on top of the Reunion Tower. In case
you do not know, the Reunion Tower was built by Dallas savages to have a kick
out of JFK's "blob" at your expense. That is why the movie makers put this round
white wig on the head of Beverly. The wig represents the famous "blob" on JFK's
head (Blob-on-JFK). Also, notice the earrings worn by the actress (White-as-
WhitePhosphorus). Carousel Club also stands for the trunk of JFK limo where
Jackie and Clint Hill are dancing in Zapruder film. Lou refers to Jim as Mr.
Garrison meaning Jim plays Curtis LeMay. Jim also plays Warren (Chief) and
McCloy (Boss), Warren because of Jim's talk about testifying, esp. with the
references to US Supreme Court in the background, McCloy because of All-
Seeing-Eye in his lens (Eye-as-theFed). In addition to playing Clint Hill, Lou also
plays LBJ because he has a glass of water in front of him. Jim also has a glass of
water in front of him as Warren. Both glasses make Water-from-Washington.
Another thing to notice is the way Beverly behaves when Lou asks her the
question. She is sitting like a child and answers "O.K.". Only after her jump, she
starts behaving normal. When you watch old video clips with Jackie, you will
notice that Jackie behaves like a child. The lyrics of the famous song Under
Pressure (see the section devoted to it), include lots of baby talk like "Mm ba ba
de" because the song is about Jackie and JFK assassination. The lyrics include the
"Ee day da, that's O.K.". Jackie's last name is frequently given as Kennedy
Onassis, i.e. initials KO. When you flip KO you will get OK, like a flipped Jackie.
In other words, Beverly's answer "O.K." is a reference to this song. At the end of
this scene, Jim says "I understand the pressure you are under" which is another
reference to this song.
During this scene, Beverly says "I used to go over there a lot with Jack, especially
my friend Jada, who danced there". Jackie used to hang around Dallas a lot with
Jack, during the motorcade and around Parkland Hospital, especially with her
friend Clint Hill who danced with her on the trunk of JFK limo.
Beverly says "It was a real swinging spot in town. Everybody came. Businessmen,
politicians from Austin, LBJ's friends". Here, the primary meaning of swinging
spot is Love Field airport in Dallas. However, it also makes a reference to the
Reunion Tower, Dallas' biggest landmark. Jackie will be referred to as a "spotter
on a radio". That is why Beverly uses the word spot. Reunion Tower originally
housed a radio station, hence the reference to radio. The businessmen is a code
word for men in the business of assassinating JFK like politicians from Austin
(John Connally), LBJ and his friends, and others.
Beverly says "Dallas was a slowpokin' town back then. You chewed toothpicks,
played dominoes, dated policemen". The expression slowpokin' town means Dallas
motorcade moving at about 20 mph. The expression chewed toothpicks means
Jackie's dart chewed by JFK. The expression played dominoes means Jackie and
Clint Hill playing bullets on JFK. The expression dated policemen means Jackie
dating Clint Hill on the trunk of JFK limo.
Beverly says "Jack was always exciting. There were always cops there. Jack liked
'em around, even though he used to throw the drunks out himself". The people had
to find Jack exciting to show up in tens of thousands for his Dallas motorcade.
There were always cops around him. He fired (threw out) CIA Director (one of the
drunks) and several other "cops (drunks) himself".
Beverly says "he [Jack] was kinda a violent-tempered man himself actually.
Everybody in those days knew Jack was with the Mob. The cops back then, they
were bad. They'd shake you down for the money in your pocket". Zapruder film
shows a lot of violent temper in JFK when Jackie's bullet made his head spin. The
shaking down refers to the catchphrase Shaken, not stirred. This catchphrase
refers to JFK's head shaken by Jackie's bullet. This is a Martini-as-JFK. The
money in your pocket refers to JFK treated by Jackie as money in her private
pocket, as introduced by the scene between Godfather (Jackie) and Sollozzo

(Onassis).
Apparently, some parts of this scene were filmed in the Venetian Room at the
Fairmont Hotel in Dallas, about one mile from the spot where JFK was
assassinated on Elm Street. The Hotel opened in 1969. Reportedly, one month
before its opening, a water main on the mezzanine level burst, sending three to four
inches of water onto the floor and through the ceiling of the lobby, ruining several
thousand feet of carpeting. Clearly, JFK movie makers loved this little detail
because JFK's head exploded like a water main and also because water is used to
keep White Phosphorus from igniting. Any reference to water in any of the three
movies, especially a glass of water, makes it the usual suspect. The meaning of
Venetian conjures up water. However, the movie makers also loved the syntax of
Venetian, as explained below.
Pictures 1 to 3 should be interpreted together, using a map of North Central Texas

in mind. Jim sitting on the right side, plays the role of Dallas. His assistant Lou,
sitting on the left side, plays the role of Fort Worth. Beverly sitting in the middle,
plays the role of Jackie on Air Force One.
In picture 1, Beverly is facing Fort Worth and sitting on her chair like on the
airport tarmac at Carswell Air Force Base in Fort Worth. In picture 2, Beverly
jumps up in her chair and directs her head towards Dallas. In picture 3, Beverly
spreads her arms to illustrate the wings of Air Force One in the air (Hand-as-
Wing). The three pictures refer to JFK flying on Air Force One from Fort Worth to
Dallas in the morning on his assassination day. This also means that JFK and
Jackie will be greeted soon at Love Field airport in Dallas, as explained below.
Pictures 4 and 5 show three glasses and one candle holder made of light orange
glass. Jim and Lou have full glasses of pure iced water which make a Water-from-
Washington. Beverly's glass is half filled with a yellow iced "drink". Her "drink"
make a White-as-WhitePhosphorus. Its color is explained in the anatomy chapter.
The other half of her "drink" has been used for Jackie's bullet. The yellow wax and
the flame inside the orange holder plays the role of burning White Phosphorus
inside JFK's head, another White-as-WhitePhosphorus.
Picture 6 shows the sign Venetian Room on the wall mural behind Beverly. Since
the movie shows only one side of the sign at a time, I cropped each side from
different frames and pasted them into one picture. The wall mural shows water
waves to stress the meaning of Venetian, and probably it was added during film
editing. This is a Water-from-Washington. Here, the main meaning of Venetian
Room is US Supreme Court which has two water fountains in front of it.
Picture 1 (second set of four pictures) shows the white "blob" on JFK's head as
seen in Zapruder frame 317. Picture 2 shows the ball structure on top of the
Reunion Tower lit up at night. Picture 3 shows Beverly's earring zoomed in.
Picture 4 shows the statue from The Godfather scene when Jackie's chemical agent
is secretly discussed in Wolz's garden. Beverly's earring makes a White-as-
WhitePhosphorus. Beverly's wig plays the role of Blob-on-JFK.
Picture 1 (third set of six pictures) shows the "Club" in the dark while the dancer
Jada is still recognizable. This illustrates Air Force One flying from Fort Worth to
Dallas, with Jackie on board high in the clouds. Recall the woman lying on a
hospital bad and saying "She's been high on something since they brought her in".
Well, here she is high on something.
Picture 2 shows Jack Ruby entering the "Club" with a black dog in his arms. This
illustrates JFK with Jackie in his arms, descending the stairs of Air Force One
parked on the tarmac of Love Field airport in Dallas. JFK and Jackie are about to
greet the crowds. In the background of the picture, the catwalk plays the role of
JFK limo, its leftmost side is the famous trunk where Jackie "used to dance" with
Clint Hill.
Picture 3 shows John Connally and his 10-gallon cowboy hat saluting JFK and
Jackie. The cowboy says to Ruby's dog "Hi, sweetheart". The actual photo from
this event is shown in picture 4. Connally does his saluting with so called "limp
wrist" described by Willie during the prison scene. Connally has two "limp wrists",
one on his left and another more famous on his right. Here, the "limp wrist" is a
code word for Clint Hill's second bullet that missed JFK. In other words, a new
shooting sequence is started on Ruby (JFK) with step #3, i.e. in reverse order.
Picture 5 has three parts. The leftmost part shows the dog's collar. The middle part
shows the shoulder straps on Jackie's handbag used to assassinate JFK. The
rightmost part shows the "chain thing" on the "old-fashioned toilet" from Louis'
restaurant in The Godfather. Jackie's handbag was Chanel model 2.55 famous for
its shoulder straps that look like gold chains.
Picture 6 shows one of many frames where Beverly's head covers the middle letters
of the word VENETIAN behind her. Read the visible letters backward. It says
NAIV. The movie makers are saying that Americans are naive in their opinions
about Jackie. In this picture, Jackie herself is telling Americans about how naive
they are by using her own head. Since the sign NAIV comes from Water-from-
Washington, this also says that anybody who still believes the crap in Warren
Report or anything coming from the joint called US Supreme Court is naive.
Picture 1 (fourth set of five pictures) shows a young man shaking his right hand
with another man. He plays the role of Johnny Connally (JC) without his Stetson
hat. JC holds a glass of beer with his left hand to illustrate his hat. He wears a T-
shirt in order to expose his forearms and to illustrate Connally fracturing his right
radius bone (forearm) by shaking it with another man who plays the role of Nellie
Connally (NC). In other words, Johnny and Nellie are two shaking cons. The man
behind JC plays the role of JFK. JFK is shown patting JC on the back to illustrate
the Magic Bullet that came through JFK and "wounded" JC in the back. JFK also
makes a Hand-to-throat by holding a glass close to his throat.
Picture 2 (double width) shows some dignitaries on JFK assassination day. The
man in green jacket walking by is LBJ trailed by another man who is Rufus
Youngblood (RY), a Secret Service agent assigned to LBJ and later rewarded with
a big hero medal for his involvement in JFK assassination. The man with white
hair is Henry Wade (HW). HW is about to shake his hand with a man wearing red
brown jacket which stands for Old Red Courthouse (ORC). The older man next to
him, raising his right hand, is the Dealey Statue with the fraud George B. Dealey
(GBD) on top.
Picture 3 shows a busboy holding a tray with two red napkins, high above his head.
The tray stands for Zapruder frames 314 and 315. The two red napkins on both
sides stand for two erased white marks (EWM) high in Zapruder frames.
Picture 4 shows left profile of overweight man. He plays the role of Earle Cabell
(EC) and the woman in front of him stands for LBJ's wife (LBJ-w). This is a
reference to the photo from Love Field airport, with both of them next to Rufus
Youngblood and Jackie, attached in the references chapter.
Picture 5 shows musicians on the stage behind a curtain with sparkles. This is a
MusicStage-as-GrassyKnoll. The curtain stands for wooden fence. The
"musicians" generate the "gunshot sounds" from firecrackers. The sparkles
generate "gunshot flashes" from firecrackers. The heavy cigarette smoke stands for
"gunshot smoke" from firecrackers. All this is "sheet music" coming from "JFK
assassination research" industry/orchestra playing to the dummies.
Picture 1 (fifth set of six pictures) shows two sailors in white uniforms, next to the
stage with the "dancer". This is a White-as-WhitePhosphorus. They represent two
white marks shown on Old Red Courthouse (M5E/Oswald) and on Mercer's hair
(M8E/Ruby), already covered in previous sections.
Picture 2 shows a serious looking man facing the camera. Since he turns his head
to his right, he appears to play William Greer who was the driver of JFK limo. The
other SS goon Roy Kellerman who sat next to Greer, also turned his head but to his
left. The man with curly hair, sitting in the foreground, plays Clint Hill having a
good time with Jackie dancing on the trunk of JFK limo.
Picture 3 shows the head of the actor playing Clint Hill. On the right side, there is a
balding head. I increased the brightness of the right side to make it more visible but
it is part of the same frame. Right below picture 3, picture 6 shows the head of real
Clint Hill cropped from an old photo included in the references chapter. Clearly,
the movie makers selected the actor with Clint Hill in mind. On the right side of
picture 6, I pasted (after flipping horizontally) the head of Secret Service agent
Rufus Youngblood from another old photo made at Love Field airport, within
minutes after JFK landed there on his assassination day. The movie also references
this photo in the scene with "auto mechanic with dirty fingernails".
Picture 4 shows Ruby shaking hands with Clint Hill. Their shaking hands are
barely displayed at the bottom of the picture so it is not possible to determine
which hand Hill uses. However, another frame shows clearly his left hand at the
same time he has to use his right to shake. Picture 5 shows his left hand and yellow
arrow pointing to it. The fingers of his left hand are positioned exactly like when
holding a revolver. The following set of six pictures shows the progression of his
fingers. The movie includes more frames showing his left hand. The six pictures
show only some of them, in the order presented by the movie.
This means Clint Hill used his left hand to hold his revolver when shooting JFK.
This also means that step #2 (Clint Hill's first shot) is recorded for the current
shooting sequence on Ruby (JFK). The shooting sequence on Oswald (also JFK)
has not even started yet.
Picture 1 (seventh set of six pictures) shows a man chewing a gum. He holds a
glass to make a Hand-to-throat. He also holds a cigarette to make a Cigarette-as-
dart. His cigarette is step #0 of a new shooting sequence on this man. The mouth
of Ruby's dog aligning with his head is step #1 (not shown in this picture). Then
his lips start making O signs that represent the remaining steps to quickly complete
shooting sequence with order 0-1-2-3. The couple sitting behind this man are
Connallys, Johnny with his Stetson hat and Nellie playing the theatrics with him.
Unfortunately, it's too loud and we cannot hear her "Mr. President, you can't say
that Dallas doesn't love you".
Picture 2 shows three people sitting at a table behind Oswald and Dave Ferrie. On
the left side, there is an older man smoking a cigar. He plays General Curtis
LeMay. Next to him, there is a woman holding a cigarette between her fingers.
Since the cigarette is not in a holder, she makes a Cigarette-in-Lansdale. She also
makes a Hand-as-Wing. She plays Edward Lansdale. The heavyset man on the
right, in a white T-shirt, plays General Thomas Power. The glass of beer with
white suds on top plays the role of Jackie's bullet with White Phosphorus.
Picture 3 shows a hatted man and a woman sitting at the table behind Oswald. The
man plays the role of Zapruder, and the woman plays the role of his secretary.
Picture 4 shows Beverly approaching Ruby. She holds her handbag in her right
hand like Jackie. She shows the fingers of her left hand, used to pull the trigger.
The background is also interesting. The handrail with rounded tops between the
posts, plays the role of colonnades in front of Criminal Courts Building and Old
Red Courthouse. The red wall behind handrail stands for Old Red Courthouse. The
red high chair plays the role of red turret, specifically NW turret (watchtower). The
hatted civilian between the cops plays the role Dallas Sheriff Bill Decker (BC)
because most of old photos show him wearing such a hat. The relative location of
BC corresponds to Criminal Courts Building next to Old Red Courthouse (red high
chair).
Picture 5 shows Beverly kissing Ruby on his left cheek. She shows the fingers of
her left hand to illustrate which hand Jackie used to pull the trigger. Her blond wig
makes a Blob-on-JFK. This is step #1 of the shooting sequence on Ruby. Behind
Beverly, a man in red jacket is walking by. He has a white cloth (pointed by yellow
arrow) in his breast pocket. This is a Cloth-from-Hill reference. The man plays
Clint Hill chasing JFK limo.
Picture 6 shows Oswald getting the smoke blown by Ferrie in his direction. This
represents step #0 of a new shooting sequence on Oswald (JFK). Since the smoke
comes from Ferrie, Chief Justice Earl Warren himself injects the curare into JFK
on behalf of Jackie.
Picture 1 (eighth set of six pictures) shows Oswald patted by an unidentified hand
on his left shoulder. At the same time, a thump can be heard. The hand's thumb is
aligned such that its extension intersects Oswald's jaw at point BE and his right ear
at point BX. This represents step #1 of the shooting sequence on Oswald.
Beverly says "You know there was this one cake I will never forget. One time I
came. Jack introduced me these two guys. Beverly I'd like you to meet my friend
Lee. I don't remember the other guy's name. He was a weird looking guy, he had
these eyebrows, this guy looked like a buzzard". Notice that Beverly says cake
which is a reference to "Let them eat cake" attributed to Marie Antoinette. In Killer
Queen lyrics, "cake" is a metaphor for JFK's head fed to his supporters. Jackie will
never forget the cake (MarieAntoinette-as-Jackie). The expression "one time I
came" is a reference to Jackie's testimony to Warren Criminals where Warren
himself said on record "I think that is the story and that is what we came for", after
Jackie had fed him her cute story like "You know, then, there were pictures later on
of me climbing out the back. But I don't remember that at all...I don't remember
anything". Ruby says Lee is his friend because play the same person (JFK).
Picture 2 shows Beverly showing the eyebrows of so called buzzard. Picture 3

shows the buzzard who plays Chief Justice Earl Warren shown in the next scene.
Apparently, the actor is the real Jim Garrison himself.
Pictures 4 and 5 make more references to US Supreme Court. In picture 4, Beverly

extends her hand to Dave Ferrie who plays Earl Warren because Ferrie is called
buzzard. In front of Ferrie, there is a bottle with square cork. The square cork
stands for US Supreme Court that looks like a square or court, i.e. Square-as-
SupremeCourt. In front of Beverly, there is a bottle with a round cork. The round
cork stands for US Capitol building which has a round dome on top, i.e. Round-as-
Capitol. This is a reference to Jackie's Congressional testimony chaired by the
buzzard perched high in US Supreme Court.
Picture 5 shows spiral columns behind Jim. They make a reference to the spiral
staircase inside US Supreme Court building, shown in picture 6. This is a Stairs-
as-SupremeCourt linking the mural with water waves and the sign Venetian to US
Supreme Court.
Picture 1 (ninth set of six pictures) is cropped from a frame shown immediately
after Beverly kisses Ruby on cheek and an unidentified hand pats Oswald on
shoulder. The picture shows two unidentified persons in white shirts, passing each
other in front of camera. One person illustrates igniting White Phosphorus for
Ruby and the other person does the same for Oswald. This is because their
shooting sequences meet at the same step #1, from opposite directions. Oswald has
more steps to go.
Picture 2 shows Beverly shaking hands with Ferrie, as already introduced in one of
the previous pictures. This picture shows her straight arm that plays the role of
Jackie's dart. Beverly (Jackie) uses Warren as an extension of her dart. Warren is
supposed to keep her curare and then inject it into Ruby by using Jada's arm.
Picture 3 shows a female arm directed towards Ferrie. This picture shows the most
of this woman out of all frames. Her hair is red like on the dancer on stage. Picture
4 shows her lips cropped from another frame. The lips also look like on the dancer.
Apparently, she is Jada mentioned by Beverly as her "friend Jada who danced
there". A small part of her shoulder strap is visible. The strap looks like the collar
on the black dog held by Ruby in his arms. In other words, Jada personifies the
dog playing Jackie. Apparently, the dog and Jada merged into one Jackie.
Picture 5 shows Ferrie kissing Jada's hand. Her straight arm plays the role of
Jackie's dart pointed back at Ruby. The curare comes from Beverly (Jackie) when
she shakes hands with Warren. Then Warren injects it into Ruby by using Jada's
arm. This picture also completes the shooting sequence on Ruby with order 3-2-1-
0.
Picture 6 shows a woman behind Beverly, wearing a red dress. Her red dress
stands for Jackie's red roses.
Picture 1 (tenth set of six pictures) shows the same woman seen in one of previous
pictures where she was sitting at a table with Generals LeMay and Power. She is
Edward Lansdale caught with three hoboes, next to Texas School Book
Depository, after JFK assassination.
Picture 2 shows Zapruder behind Beverly.
Picture 3 shows a big red lipstick kiss on Ruby's face. The kiss comes from Jackie
played by Beverly, Jada, and the dog, all merged into one. Next to the kiss, there is
a small white spot in the corner of his jaw, pointed to by a yellow arrow. This is
point BE.
Picture 4 shows Beverly's finger missing Oswald. This illustrates Clint Hill's
second bullet that missed. JFK.
Picture 5 shows Beverly's mean mouth over the right side of Oswald's head.
Picture 6 shows his eyes closed. This illustrates his death. The following pictures
make it clearer
Picture 1 (eleventh set of six pictures) shows Oswald's eye open. However, the
background is pitch black before it turns into a haze shown in picture 2. Then a
small white ghost appears at the bottom and flies up. This illustrates his life after
death. This completes the shooting sequence on Oswald with order 0-1-3-2.
Beverly says "Well, Lee didn't make much of an impression. Well, he really wasn't
very good-looking, and he didn't look like he had any money. And he was in a bad
mood, so I didn't pay him much mind. I may not remember a name, but I always
remember a face. And in a couple of week later, I saw him on television. I
screamed 'My God! That's him. That's Jack's friend'". These sentences are loaded
with references to Jackie's testimony in Warren Report, where poor Jackie says "I
don't know the names of the streets,..., he [JFK] had this sort of quizzical look on
his face, ..., he just looked as if he had a slight headache". Beverly says that JFK
really wasn't good-looking and he was in a bad mood in Zapruder film when Jackie
blew up his jugular with White Phosphorus. That is why she remembers his face.
She also says that she did not blow up his brains (mind), because Clint Hill did it.
The part about remembering a name also refers to A Shot In The Dark where
Clouseau could not remember the name of Miguel shot by the murder suspect
Maria.
Picture 3 shows Beverly making a face illustrating JFK when Jackie's bullet got
him into a bad mood and not good-looking. This is because Jackie remembers a
face.
Picture 4 shows a woman in black dress walking behind Jim. The woman is Ruby's
black dog, i.e. Jackie during JFK's funeral. The light behind her is the Eternal
Flame at JFK's gravesite.
Jim asks "Will you testify, Beverly?". Beverly says "I don't think so". Lou says "I
thought when we came here, we had an agreement". Again, this is a reference to
Jackie's testimony where the buzzard Warren said on record "I think that is the
story and that is what we came for". The agreement is a code word for her
testimony. The Killer Queen calls it conversation. This also makes Lou playing
Warren.
Here, Lou says an interesting thing "You called him in, Beverly. We could call you
in". I listened many times to this and it appears that Lou says "You called him in",
i.e. another clue about Jackie. Beverly answers "If they can kill the President of the
United States, you think they'll think twice about a two-bit showgirl like me?".
Jackie was a two-bit showgirl because her cartridge made two (twice) flashes
during her show in Dealey Plaza.
Picture 5 shows both lenses of Jim's eyeglasses reflecting light when he turns his
head after hearing Beverly's answer about two-bit showgirl. This is Lens-as-
Explosion. One reflection represents explosion of gunpowder inside the case of
Jackie's cartridge and the other represents explosion of booster explosive inside the
bullet. The movie makers added an All-Seeing-Eye (Eye-as-theFed) in left lens to
make a reference to McCloy (Boss).
Picture 6 shows wall mural behind Jim. It shows round-top windows or arcade-
type shapes. This is a reference to Old Red Courthouse. The mural is behind Jim to
suggest that Jim also plays Henry Wade who had his office in Old Red Courthouse.
Jim says "I understand the pressure you are under, Beverly. Don't think for a
minute I don't". The pressure is an indirect reference to so called bump in the
movie A Shot In The Dark where the bump refers the head of Miguel (JFK)
bouncing back and hitting Maria (Jackie) on her head. Head bumps are created by
too much pressure. Apparently, Maria's bump gave birth to the song Under
Pressure (1981), recorded jointly by Queen and David Bowie, the usual suspects
because of their Killer Queen and Queen Bitch. The expression "Don't think for a
minute" refers to Jackie assassinating JFK for a minute without thinking.
This brings us to the big question of why Jim Garrison did not ask Jackie to testify
during his famous trial in New Orleans. He knew very well from the start that
Jackie killed JFK. His trial was just a show. The legal system in the US is a part of
the false reality created by schizophrenic and mentally deficient members of
Parasitic Ethnic Group. In order to have a legitimate legal system, you have to get
rid of them first.
The set of eight pictures includes four pictures cropped from old photos made
during Dallas motorcade and below them extra four pictures cropped from the
movie. For each picture of real Jackie, I selected the corresponding picture of Jada
dancing in "Carousel Club". Apparently, the movie makers did a similar thing.
Jada illustrates Jackie shaking hands with bystanders and waving her hand to the
crowds.
The last set of four pictures compares Zapruder frames 369 and 375 to equivalent
frames in the movie. The movie makers did a good job in selecting a look-alike for
Clint Hill. Clearly, the red wig on the dancer plays the role of Jackie's famous pink
pillbox hat. The dancing trunk is a decent replica of JFK limo trunk. When you
watch the movie, pay attention to the little stars or twinkles, both on the curtain
behind stage and on Jackie dancing with the twinkles. Apparently, Johnny
Connally enjoyed Jackie dancing on the trunk with Clint Hill because the movie
makers placed his Stetson hat between them.
Truth pertaining to my situation in Chief Justice (1:13)
On the surface, this scene is about Jack Ruby and Warren Commission. During the
scene with court trial, the movie makes connection between Ruby and Jackie by
bringing up the issue of Jackie testifying. Jim says (movie time 3:06) "Under the
guise of a patriotic club owner out to spare Jackie Kennedy from testifying at a
trial, Jack Ruby is let into a garage by one of his inside men on the police force".
This is one of many clues about Jackie's guilt.
However under the surface, this scene has nothing to do with the real Ruby. Ruby
plays the role of M8E white mark erased from Zapruder frame 315, i.e. thrown by
JFK killers into so called "prison". Ruby refers to Warren as "Mr. Chief Justice"
but here "Chief Justice" refers to Zapruder film exposing JFK assassination plan
through the white marks like the ultimate Chief Justice. In other words, Warren
plays the role of a spokesman for Zapruder film. During this scene, the seats of
Warren Criminals are arranged like the seats in JFK limo where Warren sits in JFK
seat and Clint Hill on the trunk sits in an extra rear seat, making seven occupants of
the limo. This makes M8E (Ruby) talk to JFK because M8E came from Jackie's
handbag through JFK's head.
During this scene, Warren makes high eyebrows like a buzzard in order to link
Warren to Beverly saying "he had these eyebrows, this guy looked like a buzzard".
This means that a new symbol Eyebrow-as-Warren is started and used later
throughout the movie.
The actor playing Warren is the real Jim Garrison. The movie comes with a bonus
DVD where Garrison is interviewed around 1991. Garrison also plays Warren in
another scene where Warren looks like a walking corpse with two swollen eyeballs
illustrating two white marks M5E and M8E erased by JFK killers.
During this scene, Dallas Sheriff Bill Decker and his part of "prison" are guarding
the white mark M8E (Ruby). Dallas District Attorney Henry Wade and Old Red
Courthouse are guarding the white mark M5E (Oswald). During her home scene,
Mercer specifically mentions two affidavits filed with Dallas County Sheriff and
FBI. M5E is introduced on the wall of Old Red Courthouse, and M8E is
introduced on top of Mercer's hair. Mercer complains about only one "affidavit"
missing M5E, i.e. Zapruder frame 314. This means she refers to her "affidavit"
with FBI or Henry Wade. Henry Wade used to be an FBI agent before he was fired
and hired by Dallas savages. Mercer does not mention the frame 315 with M8E
because M8E is hiding high in her Beehive hair. In Zapruder frames, M5E is
relatively lower than M8E (about 4.5 feet in 3-D distance) because they are about
57.4 milliseconds apart while PWM is flying up at angle 34.5 and spinning at
about 6000 rpm.
Picture 1 shows the head of Ruby overexposed to light. The brick wall in the
background makes a reference to Zapruder frames because the bricks look like
frames. Compare his head to the white mark M8E cropped from Mercer's hair.
Picture 2 shows it for a quick reference. Ruby's head illustrates a white mark like
M8E, and put in so called "prison". The movie makers made the head of their
white mark (shown in picture 2) narrower to make it look more like a middle
finger. Their shapes shown here do not have much to do with the actual shapes of
the erased white marks.
Picture 3 shows the right profile of Beverly cropped from one of the last frames of
previous scene. The movie shows her front profile when she is sitting at the table
with Jim and Lou. It shows her right profile only for a few seconds before
switching to this scene, in order to refer to Zapruder film where Jackie shows her
right profile.
Picture 4 shows two men in front of prison bars as if guarding the "prisoners". In
addition to the vertical bars, there are also horizontal bars in order to look like a
grid made of frames playing the role of Zapruder frames. Since the movie has
flipped the frame horizontally, I have unflipped it in picture 4. The man on the
right represents Dallas District Attorney Henry Wade and his part of "prison"
called Old Red Courthouse guarding mark M5E (Oswald). The man on the left
represents Dallas Sheriff Bill Decker and his part of "prison" guarding mark M8E
(Ruby). In addition to Wade and Decker, picture 4 also illustrates Zapruder and his
secretary. The whole scene is about Zapruder film. Wade and Decker are used only
to make a connection to Mercer and her two "affidavits".
Picture 5 has been cropped from the scene at "Carousel Club". It illustrates
Zapruder (wearing a hat) and his secretary. Another scene (movie time 2:56) uses
different actors for Zapruder and his secretary, shown in picture 6. This means that
the men in picture 4 play the role of hatted Zapruder and his secretary. Notice that
the hatted man raises his hand like all Zapruders in the movie. In reality, Zapruder
did not place his hand on the lens body. The movie turns Zapruder's hand into St.
Nick's gesture (Nick-as-secrecy).
Picture 1 (second set of six pictures) illustrates seven members of Warren

Commission. However under the surface, they play the occupants of JFK limo.
Warren plays JFK with the white "blob" on his head (light reflection on his lens).
Notice the white napkin in his breast pocket like JFK wore on his assassination
day. The man in the middle plays Johnny Connally. The characters playing Jackie
and Nellie are the least visible because there were no women on Warren
Commission. The woman sitting in dark shadow behind Warren is Jackie. The man
whose view is almost entirely blocked by Johnny is his con wife Nellie. Two men
on the right are Secret Service goons Kellerman and Greer. The older man sitting
on the leftmost side is Allen Dulles with his mouth piped as usual. However, under
the surface he plays Clint Hill on the trunk. Both Dulles and Clint Hill were part of
the same network of CIA goons working for the central bankers.
Picture 2 shows the second white mark M5E (Oswald) in so called "prison". It is
illustrated by a flash of light reflected from a cop's badge behind the bars. This
means M5E is behind bars. The flash is on the side of Henry Wade. Several movie
frames show this flash with slightly different shapes. I selected a frame that shows
something protruding from it. I had to flip it vertically in order to show this
"protrusion" on top. Both white marks shown on the turret and Mercer's hair show
this protrusion. Picture 3 shows the white mark on Old Red Courthouse for a quick
reference. Both have this middle finger on top. As I explain below, Warren refers
to this finger in "a great deal of stake in this matter". The matter is a reference to
white matter (white mark).
Picture 4 shows one lens of Warren's eyeglasses reflecting light when he turns his
head after Ruby says "My life is in danger". This reflection represents the white
"blob" on JFK's head put in danger by Jackie. The movie makers added an eye in
the lens' upper left corner to make a reference to All Seeing Eye on $1 Federal
Reserve Note. In other words, the Federal Reserve is behind this "blob".
Picture 5 shows two men pushing a cart and suggesting dead Ruby under the
blanket. However, dead bodies are not moved around like this. Only very heavy
objects are moved around so low on low flatbed carts. Gold bars are examples of
very heavy objects. Picture 3 shows a typical flatbed cart used to move around gold
bars. In other words, this scene is about gold or gold mine. Zapruder film is a big
gold mine of digital data about Jackie's bullet shot. The dark blanket on top of
flatbed cart covers both M5E and M8E treated as gold. This will become clear in
the next scene where Jim and Lou, dressed in white shirts (two white marks),
appear on the 6th floor of Texas School Book Depository looking like a typical
gold vault. This means that Jim and Lou are under the dark blanket. On a more
serious note, the dark blanket represents JFK assassination cover-up like the books
by Billy O'Reilly or Vincent Bugliosi. Did you ever read anything about the white
marks in those crappy books?
Ruby says "Mr. Chief Justice, do you understand that I can not tell the truth here,
in Dallas?. There are people here who do not want me to tell the truth. Who do not
want me to have a retrial". So called Mr. Chief Justice is Zapruder film, JFK is its
spokesman. The retrial is a code word for recovering M8E. It is not clear at this
point whether the original copy of Zapruder film was altered or simply the
photocopying or digital scanning was altered. However, advanced computer
simulations can get around this problem. Besides, Americans do not need computer
simulations. All they need is to round up all the Hollywood cockroaches hiding the
real films from JFK assassination where all the details are shown clearly. Let's start
with Hollywood vermin like Tom Hanks and Clint Eastwood holed up in their
Hollywood mansions. Hanks is making the movie Parkland and Eastwood made
the movie In The Line Of Fire raising this piece of genetic trash Clint Hill to a
hero status. Mother Nature is telling you that Clint Eastwood is a genetic trash that
has to be eliminated from human race.
Warren says "Mr. Ruby, I don't see why don't you just tell us now". When he says
the word now, the white mark M5E appears behind his head.
Ruby says "My life is in danger. If you request that I go back to Washington with
you. That is if you want to hear further testimony from me. Can you do that? Can
you take me with you?" This is a reference to JFK's head as the main object to
attention. Warren Report, published in Washington, shows Zapruder frames with
JFK's head exploding and M8E missing. That is why M8E wants to join JFK in
Zapruder frames and be published with JFK.
Warren says "No. That could not be done. There would be no safe place for you.
We are not law-enforcement officers. Mr. Ruby, there is a great deal of stake in
this matter". The expression no safe place means that M8E reveals too much and
JFK killers will not tolerate it in Zapruder film. The law-enforcement probably
sounds like lawn-enforcement because all white marks appear with green grass in
the background. The expression stake in this matter is a reference to a middle
finger (stake) sticking out from white matter (white marks), and also to erasing the
white marks like in "to drive a stake into heart".
Ruby says "If I am eliminated. there won't be any way of knowing, any bit of a
truth pertaining to my situation. And consequently, a whole new form of
government is gonna take over this country. Yeah! And I know that I won't live to
see you some other time. [sound of chains] 'cause I want to tell the truth, and then
I want to leave this world". The expression any bit refers to bits of digital bytes
making up pixels in Zapruder frames. The expression truth pertaining to my
situation is a reference to recovering digital data (truth) about Jackie's bullet shot
from the relative locations (situation) of white marks. Basic computer simulations
need all of them and in original locations in order to process the digital data.
However, more advanced computer simulations can recover two missing white
marks like the computer simulation used for this document does.
Triangulated crossfire (1:15)
In this scene, Jim and his assistant Lou discuss "triangulated crossfire" during their
investigation at Texas School Book Depository. Lou presents the triangulation as
three teams. During the final scenes in the court room, Jim presents more details
sufficient to recover more signals. The section Court trial - Back, and to the Left
(2:54) provides all the explanations about teams, shooters, and shots. Basically,
Teams refer to three hands and their accessories used to do so called "shooting".
Team A (6th Floor) is Jackie's right hand along with her handbag. Third Team or
Team B (Dal-Tex) is Jackie's left hand along with her dart gun. Team C (Picket
Fence) is Clint Hill's left hand used to pull the trigger of his revolver. The
distinction between Team B and Team C is blurred for two shots (out of six shots
defined by Jim) because Jackie's left hand (Team B) was responsible for Clint Hill
missing his second bullet shot. That is why during this scene Team B (Jackie's left
hand) appears to be Clint Hill's second bullet shot. However, Jim provides more
details during the court room scene.
During the court room scene, the term shot refers to one of six shots including two
bullet shots fired by Clint Hill, Jackie's bullet and dart shots, and two technical
shots. In this scene, the term shot applies only to two bullet shots fired by Clint
Hill. Jackie's bullet shot is referred to as turkey shoot. Her bullet broke into
fragments like a shotgun birdshot shell used for shooting turkeys, hence turkey
shoot. In several other scenes, the movie shows a flock of birds taking off, in order
to represent Jackie's turkey shoot. During this scene, Jackie's dart shot is not
defined as a shot yet, only implied in Team B, and used in the usual shooting
sequences.
This scene includes at least six shooting sequences making it a real parade for
Easter Egg hunters. Initially, Jim and Lou illustrate their own sequences. I call
them JIM (order 0-1-2-3) and LOU (order 0-2-3-1). Later, the part with flashbacks
includes three concurrent shooting sequences. I call them BW (made of
Black&White video frames), COLOR (made of color video frames), and AUDIO
sequence. The sequence BW uses white flashes (light reflections) to represent
shots with order 3-2-1-0. The sequence COLOR uses shapes and colors to
represent shots with order 3-2-1-0, the same order as BW sequence.
The AUDIO sequence uses audio sounds in the background to represent shots with
order 0-1-2-3. This means that AUDIO sequence is out of synch with BW and
COLOR, apparently to confuse Easter Egg hunters. When Lou says "Maybe three
teams. I'd say these were professional riflemen, Chief. Serious people. Hunters...
patient", he also sends a message to Easter Egg hunters to be patient and
professional. In other words, we can say for sure that there are three shooting
sequences (teams in a different meaning) during the flashback. It's easy to detect
the step #0 of the AUDIO sequence. But later it gets confusing and out of synch.
You have to pay attention to what Lou says "Key is the second and third shots
came almost right on top of each other". There are only two such sounds, sound of
recycling rifle followed immediately by a quiet click, i.e. steps 2-3. There are two
remaining sounds, one of submarine sonar and another sound of cocking revolver.
Sound of "turkey shoot" is closer to submarine sonar. One of the old clips at the
beginning of this movie shows a sinking ship after having been torpedoed by a
German U-boat (movie time 0:02). This means the submarine sonar is a reference
to so called "Atlantic Turkey Shoot". The sound of cocking revolver probably
stands for a dart tearing human flesh. This is how I came up with the order 0-1-2-3.
I will indicate where the step #0 is located because it comes with important images.
The other AUDIO steps are not important to follow up, except for a few sounds of
motorcycle noises drowning out Jackie's turkey shoot. Also, notice that Lou calls
Jim Chief, meaning that Jim plays Warren in one part of the scene, However,
during the initial part Lou plays Warren shooting his Magic Bullet.
At the end, there is another sequence with order 0-1-2-3. I call it FINAL sequence.
Since this scene includes so many concurrent shooting sequences, the movie
provides an extra snapshot, repeated twice, at the beginning and at the end. I call
this snapshot SHORTCUT. It illustrates Clint Hill's two shots by displaying two
fingers (2Fingers-as-Hill) of his left hand that pulled the trigger, and Jackie's
"turkey shoot" by displaying open fingers of her hand (Hand-as-Wing). The
SHORTCUT shows only the final counts without showing the order, i.e.
technically it is not a shooting sequence. Since it corresponds to the time when all
shots have been fired, it is shown only before a shooting sequence starting with
step #3 or after a shooting sequence ending with step #3. In the frames showing
SHORTCUT, Clint Hill is sitting in JFK's seat because old photos show Clint Hill
on top of JFK pushed somewhere below, after Hill killed JFK in the tunnel.
Recall that the previous scene in "Carousel Club" used Warren to shoot JFK with
Jackie's dart. The movie would not be complete without using Warren again to
shoot JFK with the bullets fired by Jackie and Clint Hill. After all, this buzzard
sold Magic Bullet to Americans. What is a better place to perch this buzzard with
his Magic Bullet than high on the 6th floor of Texas School Book Depository?
This means there is an extra shooting sequence devoted to Warren. I call this
sequence BUZZARD with Magic Order.
In this scene, Jim and Lou wear white shirts and narrow neck ties to illustrate two
white marks M5E and M8E. Their white shirts and ties play the role of White
Phosphorus and the firing pin inside the bullet of Jackie's cartridge. The 6th floor
of Texas School Book Depository is made to look like a typical gold vault. Such
vaults usually have concrete columns that make a good reference to the rows of
concrete columns in the tunnel under the triple overpass. In other words, the 6th
floor illustrates two different concepts at the same time which is creative. Since the
previous scene showed a low flatbed cart used in gold vaults, just before showing
the 6th floor turned into a gold vault, it should be obvious that the movie makers
temporarily turned Jim and Lou into two white marks under the blanket on the
flatbed cart heading to the 6th floor where they reappear as Jim and Lou again.
Picture 1 shows the park in front of Old Red Courthouse and Criminal Courts
building, composed of twin reflecting pools with colonnades, Dealey Statue,
obelisk. All three movies use these park structures to illustrate many concepts
about JFK assassination. The movie makers show the real park because it is used
for illustrations in other scenes like the agony party.
Picture 2 shows the tunnel under the triple overpass just before Jim and Lou start
discussing so called "triangulated crossfire". Since most of their discussion refers
to the tunnel, the movie shows it first.
Picture 3 shows Jim and Lou from distance on the 6th floor of Texas School Book
Depository. This picture illustrates two things. Firstly, it illustrates the tunnel under
the triple overpass with three streets separated by rows of concrete columns. When
they talk about the first two shots, they are really talking about two bullet shots
fired by Clint Hill in the tunnel. Secondly, picture 3 illustrates a typical gold vault
by using gold-colored boxes to represent gold bars. A typical gold vault is shown
in picture 4.
Picture 5 and 6 should be interpreted together. Picture 5 shows Lou wearing his
wrist watch on right hand meaning he is left handed. Another scene shows him
writing with his left hand. However, he is shooting like a right-handed person. This
means that Lou (not the whole picture) should be flipped horizontally and he is
really using his left hand to pull the trigger. Picture 6 shows Jim's left hand with
wrist watch. For some reason, he is hiding the index (trigger) finger of his left
hand. This is because he illustrates how Clint Hill held his revolver when pulling
the trigger. Both Jim and Lou illustrate the same thing. Jim keeps his index finger
extended (hidden) without using a gun, while Lou keeps his index finger on
trigger. Both use the same left trigger finger like Jackie and Clint Hill used their
left trigger fingers to pull the triggers to kill JFK.
Pictures 1 to 3 (second set of six pictures) should be interpreted together.
Picture 1 has two parts, cropped from different frames, both showing Lou firing the
BUZZARD shooting sequence with a Magic Order of Magic Bullet, meaning you
can pick any order you want. His right high eyebrow is the same as on Warren
played during the prison scene. This is an Eyebrow-as-Warren.
Picture 2 has also two parts, cropped from different frames, both showing the
buzzard. This means that Lou is illustrating Warren as the buzzard perched high on
the 6th floor and shooting his Magic Bullet.
Picture 3 has three parts, cropped from different frames, all showing Chief
Inspector Dreyfus in the movie A Shot In The Dark. The leftmost part shows his
square cigar which makes a Square-as-Supreme Court. The word Court means
also Square. The building of US Supreme Court is also square. The middle part
and the right part show Dreyfus making his eyebrow high in order to make a
reference to Warren. Dreyfus mainly plays Curtis LeMay. However, like many
other movie characters, he also makes concurrent references to other criminals
involved in JFK assassination. In other words, the idea to use a high eyebrow came
from A Shot In The Dark.
Picture 4 shows two pens in Jim's breast pocket. These two pens are Clouseau's
pistol pens, one for Jim and one for Lou because each one is illustrating a separate
shooting sequence. Clouseau's pistol pen comes from A Shot In The Dark where
Clouseau sucks some ink out of it to illustrate the illegitimate medications taken by
JFK in the morning on his assassination day.
When Lou completes the BUZZARD sequence, he says "That's without really
aiming" which is a reference to Jackie and Clint Hill firing their bullets without
aiming, by merely sticking the muzzle to JFK's head. When Lou says "Key is the
second and third shots came almost right on top of each other", he means that this
scene presents the second and third shots next to each other, in either order
depending on the shooting sequence, in addition to providing the key for Easter
Egg hunters as already explained. When he says "It takes a minimum 2.3 seconds
to recycle this thing. Another problem there is a tree there blocking the first two
shots at the time they occur in Zapruder film", he really means that JFK limo
(thing) took minimum 2.3 seconds to drive through the tunnel, out of public view,
assuming the max speed. So called tree is a code word for anything blocking the
view like overpass. When you parse the sentence correctly the shots blocked by the
tree did not occur in Zapruder film.
Picture 5 shows the Texas Live Oak when Lou says "It's Texas Live Oak, Chief. It
sheds its leaves the first week of March". During the whole scene, tree or foliage
are code words for multiple things depending on context. Normally, they simply
mean anything obstructing the view like overpass, trees, people, cars, etc. Here, the
leaves refer to the heart-shaped leaves of Chondrodendron tomentosum used to
make curare in South America, because the topic changes to Jackie's chemical
agent. Obviously, heart is a symbol of love (Heart-as-curare). Love is celebrated
by carnivals in South America, of which the biggest of Rio Carnival that ends the
first week of March depending on year.
Picture 6 shows so called "tree" through "scope", when Lou says "You take this
Carcano, world's worst shoulder weapon, and you try to hit a moving target at 88
yards through a heavy foliage, no way. Here". Carcano is a code word for curare.
Shoulder weapon is a code word for blow pipe used to shoot darts with curare.
The expression "you take this Carcano" means that Jim figuratively gets injected
with curare by taking the rifle (dart) from Lou. The 88 yards is a code word for
8mm film which is really a single strip of 16mm film divided into two sides, each
side for 8mm film. The yard also means frame. This means that 88 yards is two
8mm (88) films made of yards (frames). The expression "you try to hit a moving
target" means that is tough to get filmed (to hit) on 88 yards inside Zapruder
camera acting as a moving target relative to moving limo, especially when the
view is blocked by the limo, seats, street signs, etc (called foliage). Picture 6 shows
a tree through so called scope playing the role of lens on Zapruder camera.
Picture 1 (third set of six pictures) shows Lou handing the rifle to Jim when he
says the word "Here" which is a reference to the phrases like "He to whom it comes
falls" that start with "He". Such phrases are said by South American Indians, each
time their arrows tipped with curare hit their preys. The long rifle plays the role of
dart. This means the shooting sequence JIM is started with step #0.
Picture 2 shows crosshairs aimed at JFK's seat when Lou says "Oswald was at best
a medium shot" implying Oswald is JFK again like in prior scenes. In picture 3,
Lou points to the scope when he says "The scope was defective on it too". This
means the medium is JFK's head, and the medium shot is a shot to his head. The
scope is a code word for the upper part of medium like Clouseau's forehead in
picture 4.
Lou says "FBI tried two sets of tests, not one of their sharpshooters could match
Oswald's performance. Not one. And Oswald was at best a medium shot. The scope
was defective on it too. That's the whole essence of the case. The guy couldn't do
the shooting. Nobody could. And they sold this lemon to American public". FBI is a
code word for French Surete employing Inspector Jacques Clouseau chasing Pink
Panther. Among other quotes, Clouseau is famous for his quote "There is a time to
laugh and a time not to laugh, and this is not one of them", meaning that Clouseau
is "Not one". The two sets of tests are explained below, with pictures 5 and 6. The
defective scope is a reference to the bandaid on Clouseu's forehead (picture 4)
during the scene in A Shot In The Dark, where Clouseau illustrates bullet shots
fired by Jackie and Clint Hill, shown in pictures 5 and 6. The whole essence of the
case is a reference to the garlic-like odor (essence) of burning White Phosphorus
coming from Jackie's cartridge or bullet (case), Perfume-as-WhitePhosphorus.
The lemon is a code word for the yellow color of burning White Phosphorus.
Picture 5 has two parts, cropped from different frames, showing the first set of tests
done by Clouseau to illustrate Jackie's shot. In the left half, Clouseau steps on foot
of Madame LaFarge playing the role of Nellie Connally. Nellie screams loudly in
order illustrate the explosion inside the case of Jackie's cartridge. In the right part,
Clouseau steps on foot of Dominique Ballon playing the role of Jackie. Jackie
screams loudly in order illustrate the explosion inside the bullet of her cartridge.
This completes the first set of tests.
Picture 6 shows Benjamin Ballon's head hitting Clouseau's head. Both scream and
grab their heads. Here, Clouseau illustrates Clint Hill's first bullet shot meaning
one half of the second set of tests.
Picture 1 (fourth set of six pictures) also comes from the same scene in A Shot In
The Dark. Clouseau simply falls off the sofa, then he bounces off the floor and
says "What happened?". Dominique answers "You fell off the sofa, you stupid".
This illustrates Clint Hill's second bullet shot. This completes the second set of
tests. The sofa is a code word for the rear seat of JFK limo where JFK was killed
by Clint Hill, while sitting next to Jackie (Dominique). Since JFK did not fall off
the sofa, this means that Clouseau could not match his [Oswald/JFK] performance.
Pictures 2 to 6 are flashed quickly when Lou says "The guy couldn't do the
shooting. Nobody could". These pictures encode important information about
orientation of JFK's head at the instance of Jackie's turkey shoot. Picture 2 shows
Oswald's head tilted about 30 which stands for the vertical angle of Jackie's shot,
relative to the ground. The man behind Oswald wears a tie to illustrate JFK. His
head is tilted about 14 which is also about the same angle detected by computer
simulation done for this document. Picture 2 also shows a flash of light on
Oswald's right side to illustrate the side where Jackie's turkey shoot exited JFK's
head. Picture 3 shows a white blob below Oswald's right ear to illustrate the white
"blob" hanging off JFK's right temple.
Picture 4 shows a man pointing his arm at about 30 which is another reference to
the vertical angle of Jackie's shot.
Picture 5 shows white rays behind Oswald at angles of about 14 which is another
reference to the tilt of JFK's head. The rays illustrate turkey shoot.
Picture 6 focuses on Oswald's right ear where the point BX is located.
In other words, this scene encodes that the vertical angle of Jackie's shot was about
30, the same angle encoded in The Godfather scene between Godfather and
Sollozzo. Since the movie encodes 14 for the vertical tilt, the difference of 16
(30-14=16) is for the vertical angle (FA,BEBX). However, this assumes Zapruder
plane elevated at about 10. My computer simulations also indicate that Jackie
fired her gun at about 30 relative to Zapruder plane. However, after making
adjustments for elevation of 10, the vertical angle of Jackie shot becomes about
34.5 relative to the ground. Also, my computer simulations set the vertical tilt at
14, and the vertical angle (FA,BEBX) at 20, both relative to the ground (not
Zapruder plane) and both defined for simplified planes.
Pictures 2 to 6 also play the role of step #1 for JIM shooting sequence. At this
point, the sequence JIM is suspended until the flashbacks complete. In the
meantime, four other sequences are completed.
Pictures 1 and 2 (fifth set of six pictures) are shown when Lou says "they sold this
lemon to American public". Picture 1 has been cropped from the last frame for a
series of eight frames showing JFK's head. The frames include dark-colored
defects on purpose in order to use the last eighth frame to insert a dark-colored
defect in JFK's right ear to indicate the point BX.
Picture 2 shows a female bystander holding a camera and showing her both hands.
This picture makes a reference to a widely known photo of Jackie holding a similar
camera, shown in picture 3. The purpose here is to illustrate Jackie showing her
both hands to Zapruder camera, immediately after her bullet shot as part of a
magician's trick. All magicians show their hands as soon as they stop using them
for their tricks in order to fool the audience. This was part of JFK assassination
plan rehearsed by Jackie. In picture 2, the woman raises her left hand for two
reasons. Firstly, she shows Jackie's left hand used to pull the trigger while she uses
her right hand to hold a camera playing the role of Jackie's handbag. Secondly, she
makes a Hand-as-Wing with her left hand, like the one made by Jackie sitting next
to Clint Hill making his 2Fingers-as-Hill, when JFK limo is shown from behind
after several shooting sequences are completed during this scene.
When Jim says "The Zapruder film is the proof they didn't count on. We gotta get
our hands on it", he means two shots fired by Clint Hill are not included (counted)
in Zapruder film (proof). When you get two hands on it, you add the count of two
to the total count of shots. At this point, Lou makes his hands very visible by
suspending them in the foreground to stress the count of two. When Lou says "This
means we have to subpoena Time-Lie", he means that he will present his shooting
sequence LOU out of order (with time lies).
In picture 4, Jim says "Let me ask you something, Lou. We not just shoot Kennedy
coming up Houston. There's plenty of time. He's out in the open, a frontal shot".
Jim proposes illustration of Jackie's dart shot on Houston Street instead of Elm
Street. This means any shot illustrated on Houston Street is not part of so called kill
zone mentioned by Lou later. That is why he is asking because there is plenty of
time for Jim and not for Jackie. A Jackie's look-alike is shown in the crosshairs in
order to make a reference to her. The expression "out in the open" means that
JFK's head is turned away from Jackie, towards the crowds. The frontal shot means
the first shot as Lou makes it clear in his reply by referring to it as first shot.
Picture 5 shows Lou pointing his finger to illustrate Jackie's dart shot. He says
"Even if you miss him for the first shot, if he accelerates, you still got him for the
second shot". The first shot is a code word for Jackie's dart shot. The acceleration
is a reference to JFK raising his hands to his throat as a result of Jackie's dart shot.
In picture 6, Lou says "You put a team there down at the fence. Frontal shot. Flat,
low trajectory". This refers to Clint Hill's first (frontal) bullet fired to JFK's head
on the right side of Elm Street under the triple overpass, where there is a row of
support columns ("picket fence"). The movie makers treat the wooden picket fence
behind the Grassy Knoll as a diversion. The frontal shot is not a shot to the frontal
part of head. For obvious reasons, Clint Hill's shot has to have a low trajectory,
hence flat.
In picture 1 (sixth set of six pictures), Lou says "Put a third team down in this
building on a low floor". This refers to the second bullet fired by Clint Hill under
the triple overpass. Lou points to the building on Houston Street instead of Elm
Street because Jim asked him to use Houston Street for illustration. The wall of the
building illustrates the row of columns on the right side of tunnel. The low floor
mainly refers to Jackie's dart shot fired just above the seat level. However, this will
become clear during the court room scene. Here, the main clue is that "Houston
Street" is not part of so called kill zone pointed by Lou later. The kill zone ("Elm
Street") refers to Clint Hill's first bullet and Jackie's turkey shoot. "Houston Street"
refers to Clint Hill's second bullet and Jackie's dart shot.
In picture 2, Lou says "When Kennedy gets in the kill zone, it's a turkey shoot". he
uses his right index finger to point to turkey shoot. As explained, his right hand
stands for his left hand. This means that Lou shows the left index fingers used by
both Jackie and Clint Hill to pull the trigger inside the kill zone. When Lou says
"turkey shoot", the movie also shows a motorcycle revving up to represent the
noise used to drown out Jackie's turkey shoot. This completes LOU shooting
sequence with order 0-2-3-1.
In Pictures 3 and 4, Lou says "One shooter. One spotter on a radio. Maybe three
teams". Picture 3 shows Clint Hill sitting in JFK's seat. It shows the SHORTCUT
seen from the front. There will be also another SHORTCUT seen from behind. In
SHORTCUT, Clint Hill shows his two fingers (2Fingers-as-Hill) of his left hand,
to indicate that his bullet shots have been fired. Jackie shows a Hand-as-Wing to
indicate that her "turkey shoot" has also been fired. Since she does it with her left
hand, this means that her dart shot has also been fired. Jackie used her left hand to
press the trigger button of her dart gun and to pull the trigger of her bullet gun. The
white cuff on his right hand makes a Cloth-from-Hill reference. This means that
the crosshairs are aimed at Clint Hill as the shooter.
Picture 4 shows Jean Hill playing the role of Jackie. This means that after showing
the shooter in the crosshairs, this picture shows the spotter in the foreground. The
description of Jackie as a spotter on a radio is already explained in previous
sections. Jackie held JFK in upright position so that Clint could fire better shots,
hence she is the spotter. Here, I want to bring up another reason to associate Jackie
with a radio. Picture 5 is cropped from a museum picture of JFK limo with its roof
installed. When Jackie was jumping on the trunk, she had to jump between two
whip antennas sticking out from the trunk as indicated by the yellow arrows.
Zapruder film does not show these two antennas because the whip antennas are too
thin for its low resolution. These antennas are a secondary source of inspiration for
the movie makers to call Jackie a spotter on a radio.
Notice that Lou uses the word spotter. Most probably, Jackie used a bullet of type
B-Patrone which means Beobachtung Patrone. The German translation is
Spotting Cartridge.
Picture 6 has three parts cropped from different frames when Lou says "These are
professional riflemen. Serious people. Hunters. Patient". This is a reference to
Jackie and Clint Hill as professional assassins (riflemen). Recall the Senator Long
saying "I'd round up 100 of the world's best riflemen, and find out which ones were
in Dallas that day". The serious people refers to Secret Service goons always
looking serious. The hunters refers to Jackie as a panther, a hunting cat, or a Pink
Panther. The patient refers to psychiatric patients or psychopaths like Jackie and
Clint Hill. The Godfather suggests that Jackie alone or together with Clint
assassinated 20 people. Jackie and Clint shared the same psychological profiles of
serious psychopaths. That is why they spent so much time together after JFK
assassination. The terms used by Lou also refer to other things explained in other
parts of this section.
The leftmost part of picture 6 shows a placard while a sound of its blowing in the
wind can be heard. This illustrates two things. Firstly, the sign illustrates drawing
JFK's attention away from Jackie, to make him "out in the open" as described by
Jim, so that she could shoot her dart into his left thigh. Secondly, the sound
illustrates a flying dart. This is step #0 for the AUDIO sequence. The middle part
of picture 6 shows a man that looks one of South American Indians (professionals)
shooting darts with curare. The rightmost part of picture 6 shows a woman making
a picture with Polaroid camera in order to illustrate Jackie's right hand used to hold
her handbag and her left hand to push the button on her dart gun. The movie also
shows some other frames used to illustrate a dart itself, like a father and his son
pointing with their fingers, or a long rifle.
Pictures 1 and 2 (seventh set of six pictures) show five motorcycle cops. They
illustrate motorcycle cops behind the tunnel on the west side and then getting out
of focus of the camera. These are frames for BW sequence. These two pictures
suggest the time after all shots have been fired.
Lou says "Takes skill to kill with a rifle, you gotta figure that's why there's been no
execution of a chief executive with one in 200 years". Here, skill is Jackie.
Figuratively, Jackie is Marie Antoinette. The chief executive is Louis XVI. Both
were executed in 1793, about 200 years before 1991 when the movie was made.
Picture 3 shows a male head with one closed eye and open eye to illustrate two
shots fired by Clint Hill in the tunnel. Most probably the order is 3-2 for COLOR
sequence.
Picture 4 shows a flash on spare tire, commonly called Continental tire. This refers
to the common saying "Not worth a Continental", originally meant for a worthless
currency. Since the flash is in the rear, it refers to the last worthless shot in the
tunnel. This is step #3 for BW sequence. Clint Hill shows his two fingers
(2Fingers-as-Hill) of his left hand, to indicate that his bullet shots have been fired.
Jackie shows a Hand-as-Wing to indicate that her "turkey shoot" has also been
fired. Since she does it with her left hand, this means that her dart shot has also
been fired. Jackie used her left hand to press the trigger button of her dart gun and
to pull the trigger of her bullet gun.
Picture 5 shows a flash on the front bumper. The flash refers to so called frontal
shot, i.e. the first shot in the tunnel. This is step #2 for BW sequence.
Picture 6 shows a little girl running on the left side of Elm Street. She represents
Clint Hill chasing JFK limo with Jackie dancing on the trunk. Notice that there is a
very thin blue line running vertically from bottom to top of the frame and crossing
her left arm. This line aligns perfectly with the long vertical antenna in the rear of
the motorcycle cop riding in the lane closest to JFK, shown in picture 5. Pictures 5
and 6 have been cropped so the original frames have to be compared. Initially, I
thought the line was a defect on my copy. However, a youtube video (youtube at
clip time 2:50) also shows this blue line. This means the line was added by the
movie makers on purpose. They wanted to make a reference to the motorcycle cop.
His name is James Chaney. His role was to generate lots of noise with his
motorcycle to drown out Jackie's bullet shot, i.e. at this point his role is over.
However, within a few hours he gave a famous interview in which he said "I went
ahead of the Presidents car to inform Chief Curry". This means that the antenna is
a link to the Dallas Police Chief Jesse Curry driving the lead car. This is a
reference to the top "law enforcement" watching Clint Hill shooting the President
of the United States from 15 feet away and then playing dumb to the dummies
glued to their TV sets which like toilets are connected to the sewers filled with
Walter Cronkites and other cockroaches.
Picture 1 (eighth set of six pictures) shows Jean Hill "standing and watching". This
represents Jackie dancing on the trunk. Notice the flagpole in the background. It
has a ball on top. This represents the Reunion Tower. The Dallas savages built this
tower in 1978 just across the railroad tracks from Dealey Plaza to represent the
famous "blob" on JFK's head. Their intention was to make people treat the ball-
shaped structure on top of tower as Dallas "landmark" so that they could have a
kick out of JFK's "blob" at your expense.
Picture 2 so called tree inside a "scope". This represents JFK limo entering the
tunnel (tree), out of view for Zapruder camera (scope).
Picture 3 shows so called Babushka Lady (Beverly) who plays another Jackie. The
primary purpose of this picture is to illustrate Jackie showing her both hands to
Zapruder camera, immediately after her bullet shot as part of a magician's trick. At
this point, Jackie's main role is to act as a spotter for Clint by attracting Clint to the
limo and then by holding JFK's upper body in upward position so that Clint could
shoot JFK into the back of his head. The description of Jackie as a spotter on a
radio is already explained in previous sections. The camera represents the
binoculars usually held by spotters. The camera also represents the tourists who
make pictures with their cameras on top of the Reunion Tower nearby. The
Babushka Lady is the showgirl described in the previous scene where she
represents Jackie. The blue lens in the camera represents Jackie's handbag acting as
a launch pad for her bullet. Young Jackie herself used to work as a photographer
for The Washington Times-Herald. The widely known picture of her with a
camera, attached on the side, was probably an inspiration for Babushka Lady.
Picture 4 uses a blurry image to represent tendryl-like sparks emitted by White

Phosphorus burning inside the exit wound. This is a reference to the famous "blob"
hanging from JFK's right ear. This is step #1 for BW sequence.
Picture 5 shows the motorcycle cops drowning out Jackie's bullet shot, see the
section about gunshot sound suppression.
Picture 6 shows red and blue areas to represent Jackie's dress and her handbag.
This concept is borrowed from David Bowie's Lightning Bolt. This is step #1 for
COLOR sequence.
Picture 1 (ninth set of six pictures) shows Zapruder frame 161. This scene includes
two Zapruder frames 160 and 161, showed for a fraction of a second. Apparently,
the movie makers chose frame 161 because it shows the brightest reflection of
sunlight on the front bumper and grid, among all Zapruder frames. They wanted to
borrow this bright spot to represent a gunshot flash later. In reality, there were no
real gunshots prior to Zapruder frame 313. During the court room scene, the movie
uses frame 161 for so called First Shot meaning Jackie removes the protective cap
on her dart gun. In Zapruder frame 161, JFK is still holding his right hand down,
just before he raises it to wave to the so called Connally Choir. In Zapruder frames
190-193, Jackie injects JFK was a dart tipped with chemical agent. The purpose of
picture 1 is to illustrate Jackie's frontal shot by using the front bumper. This is step
#0 for COLOR sequence.
Picture 2 shows right eye of an unidentified man. Another scene (movie time 2:55)
provides a clue who this man is by showing an earpiece in his ear, as shown in
picture 3. This means he is a Secret Service goon. Notice the white area around his
cheekbone and the twinkle in the eye. This means there is a source of bright light
on his right side. This would imply he is the limo driver Greer who was watching
Jackie's bullet shot in order to know exactly when to position the limo for Zapruder
camera and when to accelerate the limo according to JFK assassination plan.
Picture 4 shows the front view of a rifle. However, the important thing is the white
beam running across the picture below the rifle. It represents Jackie's dart. This is
step #0 for BW sequence.
Picture 5 shows Jackie darting (her dart flying) on the trunk. This is step #0 for
COLOR sequence.
Picture 6 shows Jim dry-firing the rifle. This is step #2 for JIM sequence.
Picture 1 (tenth set of six pictures) shows Jim swinging the rifle away from Elm
Street. Jim says "Too far" and Lou confirms "Impossible shot". This is the last step
#3 for JIM sequence.
Picture 2 shows Lou pointing his finger. This is step #0 for the FINAL shooting
sequence.
Picture 3 shows a flash on the front bumper of the follow-up car located in the rear
relative to JFK limo. This refers to Jackie's bullet shot treated as her last shot when
counting her dart shot as the first (frontal) shot, hence the rear is used. This is step
#1 for the FINAL shooting sequence.
Here, Lou says "So they change the parade route to bring him down here, moving
at a normal 25 mph". This has nothing to do with changing of JFK motorcade.
This is a reference to the speed of JFK limo when entering the tunnel under the
triple overpass. The actual speed could be about 30 mph, as explained in the
chapter about Clint Hill's bullet shots. In other words, this refers to accelerating of
JFK limo from about 8 mph at the time of Jackie's bullet shot to about 25-30 mph
when reaching the tunnel.
Picture 4 shows JFK limo turning the corner of Houston Street and Elm Street. Lou
says "They knew the motorcade would have to slow down to about 10 mph. That's
where they got him". This has nothing to do with the corner of Houston and Elm.
This is a reference to the spot in the tunnel, where JFK limo slowed down to 10
mph. This is the spot where Clint Hill killed JFK.
Picture 5 shows a flash on the Continental tire. This is SHORTCUT viewed from
behind, with the same meaning as before. This is the last step #3 for the FINAL
shooting sequence.
Picture 6 shows Jim making a PinkRose-as-JFK by scratching the spot where the
Pink Rose is on the painting. During the prison scene, Willie is scratching the
same spot, shown in a picture of next set. In The Godfather, Don Tattaglia is
grooming the same spot. After Jim is done with his scratching, he changes the
subject to Earl Cabell because Don Tattaglia plays Earl Cabell in The Godfather.
Picture 1 (eleventh set of six pictures) has two parts. The part on left shows Willie
scratching the magic spot. The part on right shows Don Tattaglia grooming the
magic spot, before Rocco kicks the door open like a horse in Wolz's stable and puts
a Pink Rose next to this spot with a machine gun.
Picture 2 shows a mugshot of Earl Cabell after Jim asks "Who do you think
changed the parade route?". The movie brings up this topic in order to show the
mugshots of key conspirators in JFK assassination. This has nothing to do with
changing the parade route. Picture 2 has been cropped from one frame that shows a
noose around Earl's neck. Clearly, the noose is not a defect and it was added by the
movie makers to illustrate how to deal with the mental defect inside the noose.
That is why Jim is scratching the magic spot. Notice that Cabell's name and head
look like a bell. The next scene shows this bell again during Mardi Gras.
Picture 3 has two parts. The part on left has been cropped from one of the frames
showing Earle Cabell's mugshot. It looks like one of the white marks shown on Old
Red Courthouse or Mercer's hair, i.e. a middle finger. The part on right is the same
as the part of left, except I rotated it in order to show the finger on top. Apparently,
the movie makers wanted the finger to point to the neck of this defect.
Picture 4 shows Charles Cabell, Earle's brother. Notice the long microphones in
front of him. The next scene shows them again during Mardi Gras.
Picture 5 shows Allen Dulles, the top organizer of JFK assassination. Notice the
big pipe in front of him. The next scene shows his "pipe" again during Mardi Gras.
Picture 6 shows the lead car, white Ford sedan, driven by Dallas Police Chief Jesse
Curry. The goon behind him, waving his hand, is Dallas Sheriff Bill Decker. The
other two seats are occupied by two Secret Service goons. The movie shows this
car on purpose because it is referenced many times.
At the end, Jim says "Talk about the fox investigating the chicken coop".
Obviously, the coop is a code word for coup d'etat, i.e. JFK assassination. The
chicken is a reference to chicken hawks, i.e. those who promote wars but chicken
out from the actual combat themselves.
Meeting with an anonymous source (1:19)

In this scene, Jim's assistant Bill meets his anonymous source Joe in French
Quarter of New Orleans. In the background, the marching procession appears to be
a New Orleans jazz funeral (wake) looking like Mardi Gras. Such funerals have
two parts. Once the first part ends in final somber ceremony, the second part
begins with a marching procession full of loud music, dancing, raising hats and
umbrellas, waving handkerchiefs, etc. In this scene, the New Orleans jazz funeral
plays the role of JFK funeral in Washington, DC. It includes one shooting
sequence with order 0-1-2-3. Joe plays Warren and M5E. Bill plays LBJ. Curtis
LeMay makes a brief appearance as M8E.
Joe says as both Warren and M5E "Clay Bertrand? Sure I know him. He comes
around the Quarter". When said by Warren, the Quarter is a code word for Warren
Report, meaning that Curtis LeMay (Bertrand/Shaw) comes around the Warren
Report while keeping his name out of the Report. In another scene, Warren says
"Absolute nonsense. The Quarter is filled with vivid imaginations" meaning
Warren Report is filled with absolute nonsense and vivid imaginations. When said
by M5E, the Quarter is a code word for a Zapruder frame meaning M8E comes
around the top edge of Zapruder frame 315. That is why a bright light appears just
below the right top edge of the corresponding movie frames (near the roof),
meaning the light is M8E.
Bill says "Who is he, Joe? I've been to all the bars. Nobody wants to talk". This
also has two meanings. Firstly, the bars means 26 volumes of Warren Report,
where nobody is talking. Secondly, the bars are Zapruder frames, one of them is
"Masquerade Bar" from the prison scene with Willie.
Joe says "Why should they talk to you?" meaning that LBJ is the key conspirator in
JFK assassination and anybody who knows the real facts about JFK assassination
does not need to talk to LBJ. When was the last time you talked to a cockroach
stealing food from your dirty kitchen?
Joe says "I told your uncle I never met a lawman who wasn't a punk". At this point,
Joe raises his rolled-up newspaper. Recall the scene with Mr. X who talks about so
called "rolled-up newspapers" which carry several meanings. Here, his rolled-up
newspaper stands for Zapruder film. When his raises the newspaper, his head is
being overexposed to light providing another clue about the white marks. The
uncle means Uncle Sam meaning the US President (LBJ) is supposed to work for
Uncle Sam. The lawman is a code for any photographic film with recorded
pictures. Once a picture (punk) is recorded then too much is revealed already.
Joe says "Big shot businessman. I seen him on the TV news with all the other big
shots. The guy is a fag, you know. Goes by another name". The businessmen is
another code for Cubans meaning JFK killers. The big shots is a code for US
Generals and Admirals in Pentagon, most of them are fags. Here, the fag stands for
LeMay meaning M8E is his another name.
Bill says "Clay Bertrand is Clay Shaw? The guy who used to run the International
Trade Mart?". Here, International Trade Mart is a code for the office of US Air
Force Chief of Staff. Joe says "Yeah! What's the big mystery? Everybody down
here knows the guy". This means that everybody is Washington knows that LeMay
provided the dementia for JFK assassination. However, the common Americans
are still not able to figure out who is hiding behind the official masks. The First
Assassin and the First Planner of JFK assassination are lying next to JFK's
gravesite. The Second Assassin is still wasting our oxygen as a big hero. In spite of
all this, Americans salute them while chasing ghosts around the Grassy Knoll. The
masks on the clowns are as deep as the books published by Parasites masking JFK
killers. Joe also says "Who gives a shit what he calls himself?".
Bill says "Hey, What about the Grand Jury thing? You think you gonna get us a
little help on that? I hope so because we can use it". Here, the Grand Jury thing
means Warren Commission meaning Warren wants LBJ to sign his crap without
any problems.
Picture 1 shows a reveler smoking a long cigar. He makes a reference to Allen

Dulles shown only 20 seconds ago with his long pipe. The reveler also shows his
finger, apparently to Allen Dulles. His finger also represents Jackie's dart for step
#0 of a new shooting sequence.
Picture 2 shows two musicians. The one blowing into a sousaphone with big bell
plays the role of Earl Cabell. The one blowing into a trombone plays the role of
Charles Cabell. Recall that in previous scene, Jim said "Now, I have to subpoena
them both". Here you have them, both subpoenaed and following Allen Dulles who
follows his pipe. Both Cabell boys play the role of Jackie's cartridge making two
explosions. This is step #1 of the current shooting sequence.
Picture 3 shows a male reveler rotating a redpink-blue umbrella, next to a female

reveler waving a white handkerchief making a Blob-on-JFK. The spinning
umbrella illustrates Jackie's spinning bullet that came from her blue handbag next
to her red pink suit. The white handkerchief plays the "blob" on JFK's head.
Pictures 4 to 6 should be interpreted together. A reveler is holding so called

flambeau with flame-torches on top. The torches play the role of white marks in
Zapruder frames, created by a flame from burning White Phosphorus. Picture 6
shows a round rainbow around the torches in order to make a reference to the
multi-colored balloons peddled by Inspector Clouseau in A Shot In The Dark
where the balloons play the role of white marks. The green color refers to the green
grass around the white marks, the blue color refers to Jackie's blue handbag, the
red color refers to her red pink suit.
Picture 1 (second set of six pictures) shows two kids who play the role of Clint
Hill's two bullets. The girl in the foreground uses her mouth to illustrate JFK dying
from Clint Hill's first bullet. The boy in the background is holding a white cloth as
a signal of surrender to illustrate Clint Hill's second bullet that missed JFK. Both
play the role of step 2-3 of the current shooting sequence.
Picture 3 shows a skeleton costume to represent JFK's death in the tunnel under the
triple overpass. On the right side, a costume of policeman with white hat plays the
role of the white lead car riding next to JFK limo.
Picture 4 shows men with open black umbrellas. The men illustrate JFK funeral.
The canopies of open umbrellas make a Triangle-as-theFed.
Picture 5 shows Joe overexposed to light turning him into M5E. The yellow arrow
points to M8E near the roof. M8E was very close to the top edge of Zapruder
frame 315 before JFK killers like Warren erased it. This M8E will turn itself into
the clown wearing a white mask.
Picture 6 shows a masked clown jumping right into the lens of camera as if right
into Bill's face or right into your face. In the upper left corner, I pasted a picture of
Mr. Y wearing dark sunglasses, shown during the scene with Mr. X in Washington.
In the movie, Mr. Y plays Curtis LeMay meaning that the clown is LeMay. The
clown doubles as M8E who just came down from the "roof".
Easter egg hunt (1:26)

In this scene, Jim is leaving home for his meeting with Clay Shaw, during Easter
Sunday when his kids are playing Easter egg hunt. In other words, this scene is
about the movie itself and the kids who watch it. Probably, Dal came up with the
idea to use eggs for his museum from the industry "researching" JFK assassination,
i.e. Easter egg hunt. This scene is temporarily interrupted by several other related
scenes. However, Easter egg hunt continues with Jim's wife and kids at a
restaurant. Both parts are combined into one section because the restaurant scene
illustrates Jackie's testimony in front of Warren Commission which was an Easter
egg hunt itself played by con artists for kids.
During this scene Jim plays Allen Dulles. Jim's wife Liz plays Jackie holding her
bullet/handbag in her arms. This scene includes one shooting sequence with order
0-1-2-3.
Picture 1 comes from Mardi Gras shown immediately before this scene. It shows a
human skull behind the American flag, in order to associate this scene with a
context on the federal level.
Picture 2 has been cropped from a frame showing Jim leaving home while glancing
at a TV. In the background, LBJ says on the TV news "We face more costs, more
loss, ... and more agony". Focus on the three globes of different colors on the
lamppost. The green one stands for costs, the red one stands for loss, and the gilded
one stands for agony. This means that all the gilded costumes in this movie stand
for agony. The idea to use gilded costumes probably came from Dal gilded
mannequins. So called agony stands for "great day" and "fun" for JFK killers,
according to Willie's words during the prison scene.
Pictures 3 and 4 show Jim raising his arm towards his wife. His arm illustrates
Jackie's dart shot. This is step #0 of a new shooting sequence. Jim's wife wants him
to join the Easter egg hunt with the kids. However, Jim says "That's the kids job.
You know I don't like these tribal rituals anyway. Besides, I'm talking to Clay Shaw
this morning". Since Jim is illustrating a dart shot characteristic to primitive Indian
tribes he calls it a tribal ritual. However, this also makes a reference to The Tribe,
cockroaches and Parasites like Hollywood, exchanging all important information
in secret codes, otherwise known as tribal rituals.
Picture 5 shows Jim's baby holding an Easter egg while another kid walks by with
his right ear aligning with the egg. This is a reference to the "blob" hanging off
JFK's right ear. In other words, Jim's kid plays JFK. This is step #1 of the current
shooting sequence.
Liz says "Honey, we are going to Antoine's with the kids. You're missing most of
your life and you do not even know it, honey". Liz gives lots of yellow honeys like
White Phosphorus burning in yellow. Antoine's Restaurant stands for Jackie
herself. In this context, this is the place where Jackie gives her Congressional
testimony. Allen Dulles did not attend her testimony and that is why Liz says about
him missing.
Picture 6 shows Jim kissing Liz on her head. He also touches his baby with his left
hand. This is step #2 of the current shooting sequence.
Picture 1 (second set of six pictures) has two parts cropped from two different
frames showing Jim's little daughter around his legs and Jim almost bumping into
her. Fortunately, he gets around her. He illustrates step #3 of the current shooting
sequence by missing her daughter.
Picture 2 shows Jim illustrating Allen Dulles getting into a car with his chauffeur
holding door for him. Picture 3 shows the actual Allen Dulles, cropped from an old
video clip included in the movie (time 1:58). This is the main clue that Jim plays
Allen Dulles going to a meeting with LeMay and Warren. Recall Jim saying to his
wife "It will be off the record. I'll bring him in on Sunday. A quiet little chat
between gentlemen" (movie time 1:25).
The remaining pictures refer to the scene in Antoine's Restaurant in French

Quarter of New Orleans (movie time 1:31). This is the same restaurant used for the
scene illustrating the tunnel under the triple overpass (movie time 0:55), similar to
the scene in Louis' Restaurant in The Godfather. The purpose is to make a
reference to the novel Dinner at Antoine's (1947) by Frances Parkinson Keyes.
The novel is a murder mystery using the "least likely person" to be the murderer,
based on the principle that everybody must be suspected. This provides an
appropriate background for Jackie as JFK assassin.
Picture 4 shows the restaurant when the scene from Jim's office is interrupted. The
last words said are "Wife of impeccable taste" meaning Jackie cooked a tasty
"dinner". Picture 4 shows Jim's wife sitting at a restaurant table, with kids around.
Picture 5 zooms in on Jim's wife. It shows a pink pillbox hat on her head, similar to
the one worn by Jackie. Since the whole scene started with an American flag, the
table is a reference to something official about Jackie. In fact, this is about Jackie's
testimony in front of Warren Criminals.
One of the kids sitting at the table says "I want Shirley Temple". This means
Serious Temple, i.e. US Supreme Court. Recall the movie Airplane! (1980),
famous for the lines "Surely, you can't be serious" and the response "I am serious.
And don't call me Shirley" (youtube link). This is an example of the horizontal
flipping warned about by Dave Ferrie.
Picture 6 shows Jim's son wearing a bow tie. He plays RFK, JFK's brother. There
is a famous picture of him lying on the floor next to a bow tie, shown in the next
set. RFK attended Jackie's testimony, as the Attorney General of the United States.
He knew very well all the details about how Jackie killed his brother but he played
dumb on the record. Notice the freckles on his nose. Reportedly, JFK's face was
full of freckles when he was young. The movie tries to use the freckles to illustrate
the white marks in Zapruder frames because they look like freckles. On the
Internet, I ran across one JFK script that includes the line "Freckle Face" said by
Jim to his wife but the movie does not include it. Apparently, the movie makers
moved the freckles from the face of Jim's wife to the nose of his son. In other
words, the freckles could be interpreted as coming from either Jackie or JFK, either
way works.
Picture 1 (third set of three pictures) shows RFK lying on the floor next to a bow
tie.
Picture 2 shows Jim's baby holding a menu with seriously looking print like in the
Serious Temple. The picture is immediately followed by Scales of Justice shown in
picture 3. This means the baby plays the role of Chief Justice Earl Warren who
attended Jackie's testimony. One of the other kids plays J. Lee Rankin, another
cockroach attending her testimony.
Picture 3 shows several other things, in addition to Scales of Justice. The knob on
the crystal jar plays the role of US Capitol (Round-as-Capitol) next to the building
of US Supreme Court. Scales of Justice is surrounded by square frames (Square-
as-SupremeCourt) because the building of US Supreme Court is made of square
(court) shapes.
Off the record quiet chat between gentlemen (1:27)
This scene is about the meeting between Jim and Clay Shaw in Jim's office. It is
similar to the scene about Lou telling Jim about JFK having been shot "five
minutes" ago. At the end of previous section, Jim became Allen Dulles. This means
that Jim's office becomes Allen Dulles' office again. Officially, John McCone was
CIA Director at that time. However, Jim makes clear that Dulles is the real
Director (hustle) and McCone is just the everyday bustle. Jim also plays Edgar
Hoover at the end of this scene.
During the quiet chat of this scene, Clay Shaw plays a duo of Earl Warren and
General Curtis LeMay, both combined into one person. His left side, called
Jenkins, plays Warren. His right side, called Frankie, plays LeMay. Clay Shaw
uses his body language like raising his hands to indicate which side is talking at a
given moment. At the same time, Clay Shaw uses his sides to illustrate the sides of
Jackie or Clint Hill. In such cases, the sides on Clay Shaw are reversed. This is
similar to the trick used by Lou during the scene with triangulated crosssfire on
the 6th floor. In other words, Frankie and Jenkins are still on the sides you see in
the picture, only the names of the sides are reversed when referring to the sides of
Jackie or Clint Hill. The reason for this reversing of sides is Jackie's testimony in
Warren Report where poor Jackie reverses the sides by saying "his hand was up, it
must have been his left hand" when it was his right hand and she knew it very well.
Notice that A Shot In The Dark uses the same concept by using two sides of Chief
Inspector Dreyfus to play Warren (his right side) and LeMay (his left side). During
this scene, the character of Clay Shaw is even more complicated because he also
plays two forms of White Phosphorus when he holds his cigarette holder by using
his thumb in addition to index or middle finger. The first form is PWM when he
vertically holds his cigarette holder next to his head while the smoke rises along
his head. The second form is the white mark M8E when he keeps the holder in a
way such that smoke does not show up, esp. when one part of his head is
overexposed to light. That is why Shaw is dressed up like a white doll including
his neck tie. When he plays White Phosphorus, he usually refers to Susie because
she also plays M5E.
Jim's assistant Susie plays Clint Hill, and M5E when one part of her head is
overexposed to light or Shaw turns into some form of White Phosphorus. Jim's
assistant Bill plays Jackie. Susie and Bill will be sitting quietly and only making
facial expressions in order to illustrate Clint Hill and Jackie. Recall Jim saying to
his wife "It will be off the record. I'll bring him in on Sunday. A quiet little chat
between gentlemen" (movie time 1:25). The little is the opposite of LeMay's
nickname "Big Cigar". That is why Shaw's right side is called Frankie. The word
"frank" comes from the equivalent scene in The Godfather where Wolz says "Let
me be frank about it". Clay Shaw uses a brown cigarette holder to illustrate
LeMay's cigar. He also blows smoke through his nostrils because LeMay was
known to blow his cigar smoke in the direction of anyone challenging his position.
The between gentlemen refers to two sides of Clay Shaw talking to each other. The
chat refers to Jackie's testimony to Warren. The Killer Queen calls it conversation.
The quiet chat itself takes place after JFK assassination. However, it is interrupted
by three sets of flashbacks in time, one set of multiple flashbacks to a dinner at
long dining table which stands for shooting trials before JFK assassination, one set
of multiple flashbacks to an agony party which stands for the assassination itself,
and one flashback to Antoine's Restaurant which stands for Jackie's testimony in
front of Warren Commission (Easter egg hunt). Each set is covered in a separate
section. The movie tries to blend the images, sounds and spoken script lines, into
one scene. However, this is a deception. All images, all sounds and spoken script
lines have to be carefully separated because they are parts of different scenes. This
section covers only the quiet chat. It includes a shooting sequence with order 0-1-
2-3.
Picture 1 shows Clay Shaw walking into Jim's office with a heavy limp in his left
leg. His left "limping leg" illustrates the rod of swinging pendulum in Nescafe
commercial run on CBS TV network immediately after CBS News Bulletin where
Walter Cronkite announces the breaking news about JFK assassination.
Picture 2 has two parts, each part cropped from the Nescafe commercial available
on youtube (youtube link). Clearly, the movie makers used this commercial for
creating many symbolisms about JFK assassination like the Coffee-as-gore. Here,
the round pendulum is used as a symbol of the round CIA seal. The idea is that
CIA drives the US Supreme Court like the pendulum drives the clock. The scene
with Lou notifying Jim about JFK assassination makes clear that the clock
symbolizes US Supreme Court. This scene makes clear that the round pendulum
symbolizes CIA. The pendulum wags the clock like the tail CIA wags the dog US
Supreme Court. The Clay Shaw's left side with his "limping leg" illustrates Earl
Warren wagged by CIA.
Picture 3 shows the TV screen with CBS News Bulletin (movie time 0:07). The
movie does not show the Nescafe commercial itself. However, it shows this TV
screen long enough to make you check what comes next after it.
Picture 4 has been cropped from the end of this scene. It shows the pendulum of
the clock symbolizing US Supreme Court, when Clay Shaw is leaving the office
with his back to the camera. Initially, the scene shows only the top of the clock.
Picture 5 zooms in on Susie's left hand. Susie wiggles all fingers of her both hands
in a way similar to thumbing the nose, obviously without using the nose. "To
thumb the nose" has the same meaning as "to cock a snoot". Susie's last name is
Cox (Cocks). At the end of this scene, Clay Shaw refers to her as Miss Cox, like in
Missing Cocks. Apparently, the missing part refers to her missing the cocking
gestures because she messes them up by wiggling her thumbs. In other words, Miss
Cox uses her hands to illustrate Earl Warren and Curtis LeMay as two chicken
from the cartoon Cock-A-Doodle Deux-Deux (1966) explained in the chapter for
Pink Panther. Apparently, the movie makers love chicken because they also used
the magazine Poultry Services describing Lansdale Egg Farm. According to the
magazine, the farm produced Single Comb White Leghorns of superior merit, as
explained in another section of this document. Another purpose of "To thumb the
nose" is to make a reference to Zapruder who is shown making such gestures by
using the lens body as the "nose", meaning that Susie's role has something to do
with Zapruder frames.
Picture 6 shows Clay Shaw and Jim shaking hands. This is a reference to one
incident between JFK and Allen Dulles where JFK did not extend his hand when
Dulles raised his hand to shake. The movie JFK includes a clip from this incident.
I cropped a series of frames from this clip and placed it in the chapter for The
Godfather and its section about Godfather funeral because most of the funeral is
about shaking hands left and right, up and down, except between Michael (playing
JFK) and Barzini (playing Allen Dulles). In other words, the duo of Warren and
LeMay shaking hands with Allen Dulles congratulate themselves for assassinating
JFK after his funeral.
Jim says "I'm sorry to interrupt this holiday, but I feel this is a conversation we
might better have out of the everyday bustle in this office". Here, the holiday is
meant for conspirators celebrating JFK assassination. The "everyday bustle in this
office" refers to John McCone who was the official CIA Director at that time. In
other words, the real CIA Director, so called hustle, is Allen Dulles played by Jim.
Picture 1 (second set of six pictures) has two parts. The part on left has been
cropped from this scene showing Bill with his hand next to his open mouth. The
part on right has been cropped from the scene in "Carousel Club" showing open
mouth of Jada playing Jackie. This means Bill plays Jackie now. He is illustrating
Jackie feeding illegal medications into JFK's mouth in the morning on his
assassination day. The medications drastically sped up the effectiveness of her
curare-based chemical agent injected into JFK's left thigh.
Picture 2 has two parts cropped from two frames just seconds apart. The part on
left shows Bill pointing his left thumb to illustrate Jackie's left thumb used to press
the trigger button on her dart gun. This also illustrates step #0 of a new shooting
sequence. The part on right shows Bill closing his eyes to illustrate Jackie closing
her eyes before her bullet shot.
Jim says "In the investigation we are conducting, your name has come up a
number of times". Clay Shaw responds "I wouldn't imagine where". When he says
where, Bill opens his mouth as a diversion. The real meaning of his open mouth is
that JFK took Jackie's medications orally. The investigation refers to the
investigation done for Warren Commission, and your name refers to the name of
Earl Warren himself.
left shows Clay Shaw revealing a partial view of his right hand. The part on right
shows him revealing a partial view of his cigarette case held with left hand. These
two parts illustrate Zapruder frames 312 and 293 respectively, shown in two parts
of picture 6 attached just below picture 3. In frame 312, Jackie made a mistake by
revealing a partial view of her left hand (yellow arrow points to her white glove)
close to JFK's jaw where the trigger on her handbag was located. In frame 293,
Jackie made a mistake by revealing a partial view of her blue handbag (pointed to
by yellow arrow) while she was positioning her handbag close to JFK's jaw. For
each illustration, Clay Shaw uses the same hand as Jackie as long as you keep in
mind that his sides are flipped/reversed.
Jim says "We recently talked to a number of men who claim to know you. David
Logan. Perry Russo. Willie O'Keefe". The name Logan stands for Jackie's cartridge
by referencing the book Cartridges a pictorial digest of small arms ammunition
by Herschel C. Logan, widely known among gun enthusiasts. The book cover is
shown in picture 5. The name Logan also refers to J. Logan Wynn who used to
own Lansdale Egg Farm described in the magazine Poultry Services, as explained
in other parts of this document. The name Russo means red-haired in Italian, and it
refers to the red color of White Phosphorus in the pictures of B-Patrone bullet.
That is why The Godfather uses orange to refer to it. An Italian name is used
because later Jim refers to it as an Italian article that came from Jackie's Gucci
handbag which is Italian brand. The name Willie refers to Jackie who symbolically
painted the white marks.
left shows Clay Shaw illustrating the orientation of JFK's head when Jackie's bullet
entered his head. The part on right shows Clay Shaw illustrating the orientation of
JFK's head after Jackie's bullet exited his head. These pictures show his head as the
movie shows them. However, his sides are flipped horizontally.
As soon as Jim finishes his sentence with Willie O'Keefe, the movie audio includes
two sounds of door bell. These sounds illustrate Jackie's bullet shows making two
explosions. At this point Clay Shaw positions his head as shown in the left side of
picture 4 and then as shown in the right side of picture 4. This is also step #1 of the
current shooting sequence.
Jim continues "Mr. O'Keefe told us he met you at the Masquerade Bar down in the
Quarter and several evenings later you had him over for dinner at your apartment
at Dauphine Street. Do you recall that?". The expression "Masquerade Bar down
in the Quarter" stands for JFK's head looking like a masquerade mask
(Masquerade Bar) down in a Zapruder frame (Quarter) after Jackie's bullet shot. In
this context Willie plays PBF and Shaw plays PWM, as already explained during
the prison scene with Willie. The expression "several evenings later" refers to
several Zapruder frames after the first frame 313 showing the effects of Jackie's
turkey shoot. The frames are separated by so called non-exposure times (evenings)
when the camera shutter is closed for about 30 milliseconds. The expression
"Dauphine Street" stands for the top of Zapruder frame 315 or higher, meaning
that after leaving the view of Zapruder camera both PBF and PWM go for a
dinner. When you look at the map of New Orleans, Dauphine Street is much
farther to the North of Masquerade Bar, like the top of Zapruder frame 315 is
much higher than JFK's head located close to the bottom of it.
Clay Shaw responds "I don't know this man. Obviously then, I wouldn't have him
over for dinner". This means that JFK conspirators did not anticipate a fragment of
Jackie's bullet painting the white marks. That is why they "do not know this man
and wouldn't have him over for dinner". So called dinner is a code word for JFK
assassination in his limo disguised as a long dining table. When Clay Shaw says
this sentence, his eyes are pointed down at the word dinner because JFK's head
(dinner) is at the bottom of Zapruder frames.
Picture 1 (third set of six pictures) shows Clay Shaw when Jim says "Perhaps a
few more details about the evening will refresh your memory". Notice that his left
hand (Warren side) is raised meaning Jim now talks to Warren. Shaw's eyebrow is
also high like on the buzzard in previous scenes (Eyebrow-as-Warren). The
expression "refresh your memory" refers to Jackie's testimony given to the Warren
buzzard where poor Jackie says "I don't know if I remember,...,But I don't
remember that at all,...,I don't remember anything,...,I don't remember any
words,..., But I do not remember,...,I don't recall...".
Jim says "Mr. O'Keefe told us the dinner was served by a uniformed waiter, a
colored man. He particularly remembers that you sat at one end and he at the
other, which he found rather unusual because the table was so long. Does that
bring back memories of Willie O'Keefe?". Here, Jim says that Jackie used a firearm
concealed in her blue handbag next to her pink suit. In other words, her handbag
and suit acted like a uniform on a firearm and its soldier (waiter). The blue and
pink colors made the firearm and soldier look colored. The long table refers to
long JFK limo. In Zapruder film, Jackie was on the right side and Clint Hill was on
the left side of long trunk, treated also as a long table.
Picture 2 has two parts cropped from two frames just seconds apart. Clay Shaw
uses his right hand (LeMay side) to illustrate one side for Clint Hill and the other
side for Jackie, i.e. two sides of a long table.
Shaw says as LeMay "On the other hand, I do have a lovely Chippendale dining
table and I often have a friend over sitting at one end while I sit at the other. This
is precisely the point of a long dining table". This has several meanings. Firstly,
this is a reference to long-range bombing raids during WW2 where LeMay would
sit on one side and the bombers would bomb on the other side. Interestingly, some
of his bombs were filled with White Phosphorus. Secondly, Chippendale dining
table is JFK limo or its trunk where Jackie and Clint Hill were "dining" in Dealey
Plaza. Thirdly, Chippendale dining table is a Zapruder frame with white marks
meaning that Shaw is talking about frame 315 where M8E is on one end and JFK's
head is on the other end. Shaw plays M8E because other scenes show characters
playing LeMay in this role. At this point, Shaw turns into M8E and Susie turns into
M5E.
Picture 3 has two parts cropped from two frames just second apart. Notice the way
Shaw holds his cigarette holder by using his thumb, meaning this is not LeMay
talking when he turns to Susie. Shaw says "The splendor of the meal adds to the
enjoyment to it". The part on right shows Susie with one side overexposed to light,
meaning she plays M5E at this moment. Another scene will show her playing M5E
more clearly and that is why I chose it here. The splendor refers to US President.
The meal refers to dead US President. Jim says "I would imagine a uniformed
waiter helps". The uniformed waiter refers to Jackie who helped Clint Hill by
acting as a spotter.
Picture 4 shows Shaw about the time when he says "It adds a taste of elegance for
which I must confess a weakness now and then". The elegance is a reference to
Clint Hill's first bullet that killed JFK. This is step #2 of the current shooting
sequence. The weakness is a reference to Clint Hill's second shot that missed JFK.
This is step #3 of the current shooting sequence. Notice that Shaw uses his left
finger (Warren side) to indicate the weakness.
Picture 5 shows Clay Shaw right hand, his jacket's cuff with three buttons, and his
shirt's cuff with one button. The total of four buttons illustrate LeMay's rank of
four-star General. When he taps the ashes into a spin ashtray he says "I call him
Smedley". The Smedley is a code word for Jackie's blue handbag and her red pink
dress including pillbox hat. This is a reference to General Smedley Butler who was
another uniformed waiter (Butler) wearing blue and red colors, two colors of US
Marine Corps like Jackie's blue handbag and her red pink dress. The tapping of
ashes by Clay Shaw illustrates burning of Jackie's handbag and pink suit including
her pillbox hat immediately after JFK assassination. The movie uses a spin ashtray
because it makes loud noise when pushing the top handle. At the end, the Warren
side of Clay Shaw will make lots of noise with this top handle to illustrate the
cover-up (spinning) by Warren Criminals, and also the spinning nature of PWM.
While he is not shown, Clay Shaw says in the background "His real name is
Frankie Jenkins". The name Frankie refers to Big Cigar, the main nickname used
for Curtis LeMay. This has to be said by Warren side of Clay Shaw. The name
Jenkins refers to Florence Foster Jenkins (18681944) who was an American
amateur operatic soprano, widely ridiculed for her lack of singing talent. Youtube
adds a taste of her elegance in this video clip (youtube link). In other words, the
famous soprano Jenkins symbolizes the famous Soprano (Supreme Justice) Earl
Warren, a soprano buzzard wasting our oxygen from 1891 to 1974.
Picture 6 shows Shaw using his left hand (Warren side) to make a Hand-as-Wing
and 4Fingers-as-LeMay. He says to his right side (LeMay side) "I could hardly
imagine anything more uncouth during dinner than my turning toward the kitchen
and hollering 'Frankie!'". LeMay is known for being rude (uncouth). The dinner is
JFK assassination turning JFK into a meal. The kitchen is a code word of JFK limo
where he was cooked.
Shaw asks "Where's all this leading to, Mr. Garrison?", meaning Warren is talking
to LeMay and not Jim. Jim says "After dinner you paid him to have sex" while a
small part of Shaw's left hand is shown (Warren). The sex is a code word for
Jackie's testimony before Warren Commission where Warren himself made this
final remark "I think that is the story and that is what we came for. We thank you
very much, Mrs. Kennedy". The story is so called sex. Apparently, Warren came
during the story and thanked Jackie for the story. Clay Shaw (Warren side) replies
"Absolute nonsense. The Quarter is filled with vivid imaginations, my dear Mr.
Garrison. Grimy young hoodlums who'll say and do anything, as you well know".
Here, Warren himself says that his Report is absolute nonsense. The Quarter is a
code word for Warren Report. The vivid imaginations is another code for absolute
nonsense in Warren Report. The grimy young hoodlums is a reference to the goons
like Arlen Specter who would say anything to sell absolute nonsense in Warren
Report filled with vivid imaginations.
Picture 1 (fourth set of six pictures) shows a newspaper cover held by Jim. The
important things are the black borders around the article and the disheveled hair.
Jim says "the four of you partied early into morning hours. Look at this picture".
When parsed correctly, this sentence means they started in the morning hours on
the day of the party. Also, make the connection between the newspaper and the
word morning. This is a reference to Dallas Morning News, specifically the
"black-bordered ad" published in the morning hours on JFK assassination day.
Picture 2 has two parts. The part on left shows the "Black-bordered ad" described
in the previous paragraph. The part on right shows the "Wanted for Treason"
leaflet with JFK pictures. This means that the article shown by Jim in picture 1
makes a reference to both "Black-bordered ad" and "Wanted for Treason" leaflet.
The hair is disheveled to illustrate JFK assassinated by Jackie and Clint Hill. This
also refers to Jackie's testimony where she says "he had this sort of quizzical look
on his face,..., he just looked as if he had a slight headache". That is why Clay
Shaw (LeMay side) says "I've never met anyone of such bizarre appearance". The
ad is also bizarre by appearing like JFK obituary because of the black borders
around it.
Jim asks "Does the name Clay Bertrand mean anything to you?". Clay Shaw
(LeMay side) answers "I believe there was a man with a name similar to that who
worked at the Chamber of Commerce. Is that the man you had in mind?". The
word chamber also means a route or street. Under the triple overpass, Elm Street is
next to Commerce Street. One lane of Elm Street merges into Commerce Street on
the west side. This means one lane of Elm Street is a chamber of Commerce Street.
The name of Clay is similar to Clint who worked at Elm Street under the triple
overpass by killing JFK there. He had JFK in mind, i.e. he blew his brains up.
When Shaw says "Is that the man you had in mind?", the movie shows Bill
(Jackie) turning his head towards Suzie (Clint Hill). Take a clue from this.
Picture 3 shows Jim asking Clay Shaw (LeMay side) about Oswald. Shaw says
"Are you claiming that Mr. Oswald also had dinner with me?". Notice the Hand-
as-Wing on his right side (LeMay side). LeMay was an Air Force General with
flying wings. This reference to Oswald could be interpreted two ways. Firstly,
Oswald normally plays JFK meaning that Jim is now asking about JFK. The
previous reference to a dinner was about M8E having a dinner with JFK. Secondly,
this could be a reference to the real Oswald. This means that LeMay is also
responsible for cooking Oswald for so called dinner at his long dining table.
Shaw (LeMay side) says "Such a pity, that assassination. In fact, I admired
President Kennedy. A man of true panache, a wife of impeccable taste". This has
two meanings. Firstly, Shaw says it as PWM because he holds his cigarette holder
vertically with his thumb. This means that panache stands for the series of white
marks across Zapruder frames. The taste refers to the sensation felt when watching
the white marks. Secondly, Shaw says it with his right side playing LeMay who
also appears during the agony party. What he really means is that he admired the
two sides of Eternal Flame sticking like a panache from his gilded hat during the
agony party. The taste refers to "taste of elegance" when Jackie assassinated JFK.
Picture 4 shows an Italian newspaper clip attached with a paperclip. At this point
Shaw holds his cigarette holder like a PWM. The most important things are two
clips attached to something Italian. The two clips are two white marks M5E and
M8E clipped from two Zapruder frames 314 and 315. Both white marks came
from Jackie's Gucci handbag (Italian brand) which makes them Italian articles.
Another thing to know about this newspaper article is that it came from three
communist newspapers, Italian newspapers Paese Sera and l'Unita, and French
l'Humanite. The actual newspaper article held by Jim is just an illustration of
multiple articles, mainly from l'Humanite. The reference to communist
newspapers is important because JFK killers are the international central bankers,
hiding mainly in New York City and City of London. All these Parasites and
cockroaches are Communists who run all communist joints around the world,
including Communist News Network (CNN). They use CIA as their useful idiots
chasing communists when in fact CIA works for communists. Without the CIA,
the Federal Reserve would be no more important than a swarm of cockroaches in
your dirty kitchen.
Jim says "This is an Italian newspaper article saying you were a member of the
Board of Centro Mondo Commerciale in Italy. This company was a creature of
CIA for the transfer of funds in Italy for illegal political-espionage activities. It
says that the company was expelled from Italy for those activities". The Italian
article actually refers to two articles because Jim shows two clips (two clipped
white marks) as explained in previous paragraph. The Centro Mondo Commerciale
is a fashionable Gucci-style Italian name for Central Intelligence Agency. The
Board refers to Zapruder film frame. The expression "illegal political-espionage
activities" refers to JFK assassination. The transfer of funds refers to the series of
white marks in Zapruder frames, as a result of JFK assassination. The expression
"expelled from Italy for those activities" refers to Jackie's bullet fired (expelled)
from her Gucci handbag (Italy) and its small fragment transferring funds (white
marks) in Zapruder frames.
Picture 5 shows Susie when Clay Shaw says "I'm well aware of this asinine article.
And I am thinking very seriously of suing that rag of a newspaper". One side of
Susie is overexposed to light meaning she plays M5E (asinine article) at this
moment. That is why Susie shows her interest. The rag is another name for asinine
article meaning newspaper is Zapruder film or its frame where the rag (M5E) is
located. The suing refers to erasing it from Zapruder frame 314.
Jim says "It also says that this company is linked to Slumber J. tool company here
in Houma, Louisiana, which provided arms to David Ferrie and his Cubans". This
has several meanings. In the first meaning, this refers to the similar scene with
Ferrie in Jim's office where Ferrie plays PWM. At this point, Shaw plays M8E
because of the way he holds his cigarette holder. The Houma is a reference to
Houston playing the role of JFK's head during the scene with Ferrie. The tool
company is a code for Jackie's cartridge or bullet. The Cubans is a code for PBF.
In the second meaning, Houma, Louisiana refers to l'Humanite (flipped
horizontally) as explained before.
Shaw says "Mr. Garrison, you are reaching". At this point, Shaw holds his
cigarette holder like M8E. Since it is the highest white mark, sitting on top of
Zapruder frame 315, M8E says to LeMay (Garrison) that LeMay is reaching high.
Shaw says "I am an international businessman". Shaw still holds his cigarette
holder like M8E, meaning international businessman is M8E because it did
business internationally in three nations (frames 313-315) .
Shaw says "The Trade Mart which I founded". At this point, he raises his left hand
meaning Warren is talking. The Trade Mart is a code for Warren Report, full of
free trade (vivid imaginations). Since Warren's name is on it, he founded it.
Shaw says "America's commercial pipeline to Latin America. I trade everywhere".

Shaw still holds his cigarette holder like M8E. The Latin America refers the dark
gore around JFK's head located in the lower part of Zapruder frames meaning the
upper part with white marks (pipeline) is North America. The white pipeline is
shown in the scene with Lou notifying Jim about JFK assassination.
Shaw says "I am accused, as are all businessmen of all things. I somehow go about
my business, make money, help society, the best I can and try to promote free trade
in this world". At this point Shaw is not seen meaning both sides are talking. The
businessmen is another code for Cubans meaning JFK killers like LeMay and
Warren. The free trade is another code for vivid imaginations in Warren Report or
F..king out of control in Dealey Plaza.
Jim asks "Mr. Shaw, have you ever been a contract agent with Central Intelligence
Agency?". Notice that he takes off his eyeglasses when he asks this question
meaning he plays Edgar Hoover at this moment (Eyeglasses-as-Hoover).
Shaw replies "And if I were, Mr. Garrison, do you think I would be here today ...
talking to somebody like you?". Shaw still holds his cigarette holder like M8E
meaning this is not LeMay (Garrison) talking. Jim is Edgar Hoover at this
moment. This means that LeMay himself was with CIA. Hoover was not important
enough for CIA.
Jim continues with his eyeglasses back on "No. People like you don't have to, I
guess, people like you walk between the raindrops". The raindrops is a reference to
Water-as-SupremeCourt, so called "Constitutional Law". All three movies use
water or fountains to refer to US Supreme Court because most photos of its
building show the water fountains in front of it.
When Clay Shaw keeps asking "May I go?", his right side (LeMay) orders his left
side (Warren) to keep so called "Constitutional Law" away from him. At this point
Shaw's left hand (Warren) starts pushing the handle on spin ashtray making a loud
noise for several seconds on purpose. You can only hear the sound but clearly he
uses his left hand for the pushing. He also moves his chair loudly to make a
reference to Chairman of Warren Commission. All this means that the Warren
buzzard perched on top of Shirley Temple keeps the Temple away from Curtis
LeMay, the main source of dementia behind JFK assassination.
When Shaw is leaving, Bill says to him "That's all the questions we have. Thank
you for your honesty and for coming in today". Bill is talking to the Warren side of
Clay Shaw. He makes a reference to Jackie's testimony for the Warren buzzard
where the buzzard makes its final remark "I think that is the story and that is what
we came for. We thank you very much, Mrs. Kennedy".
When Clay Shaw is leaving, he specifically addresses Susie by saying to her "Miss
Cox, it was most pleasant". This is Warren and LeMay thanking Clint Hill for
killing JFK.
In picture 6, Jim says the last words of this scene "One may smile and smile and be
a villain. Goddammit! We got one of 'em!". This is a perversion of the Shakespeare
quote where two smiles stand for M5E and M8E, treated by Allen Dulles as
villains. In other words, Dulles just got one of so called "smiling villains"
eliminated. Another interpretation is that two smiles stand for two bullets that hit
JFK and one villain stands for one bullet that missed JFK. The rain behind the
window is a Water-as-SupremeCourt, so called "Constitutional Law" from Shirley
Temple.
Dinner at long Chippendale dining table (1:28)
This scene illustrates the shooting trials for Jackie and Clint Hill. Willie O'Keefe
plays Jackie. The uniformed waiter plays Clint Hill with a vertical twist. In
addition to the duo of Curtis LeMay and Earl Warren, Shaw plays Allen Dulles on
his right side. As a matter of fact, during most of the scene Shaw sits with his
finger making a Finger-as-Dulles, meaning that CIA is in charge of the whole
operation. Shaw only shows the extended fingers of his right hand (Hand-as-Wing
and 4Fingers-as-LeMay) at the beginning, implying all three US Air Force
Generals are on his right side, especially Lansdale who was their expert in
assassinations. Like in the previous scene, Clay Shaw uses his body language to
indicate which side is active at a given moment. Since there are several roles on his
right side, his left side is more interesting because it plays only Warren.
Since the trials take place before the actual assassination, there are no references to
Clint Hill missing his second shot. Therefore, the order of Clint Hill's shots is not
defined. The trials are composed of two stages separated by the sound of ringing
table bell, defined as opening bell. During the first stage before the opening bell,
there are three shooting sequences: AUDIO, SHAW, and ASSASSINS. The
sequence AUDIO uses sounds to illustrate shooting sequence with order 3-2-1-0.
Steps #3 and #2 are illustrated by two sounds of door bell. Recall Jean Hill's line
"shots rang out". Step #1 (Jackie's turkey shoot) is illustrated by the sound of door
lock. Step #0 is illustrated by the sound a shoe scuffing the floor. The sequence
SHAW uses the lines said by Clay Shaw to illustrate shooting sequence with order
0-1-2-3. The sequence ASSASSINS uses both Willie and the waiter to illustrate
shooting sequence with order 3-2-1-0. During the first stage, the waiter uses his
hands to illustrate Clint Hill's hands but later this changes.
During the second stage after the opening bell, Willie and the waiter illustrate
MAIN shooting sequence with order 3-2-1-0. During this stage, the waiter uses his
gloved hands to illustrate Clint Hill's shoes, a type of vertical flipping. When he is
on the right side, his sides are reversed. When he is on the left side, his sides
(horizontal) are normal. He changes the sides by taking his gloves off and
switching them between hands.
Pictures 1 and 2 show Willie and the waiter illustrating Jackie changing her pink
suit after JFK assassination. The waiter helps Willie to take off his coat and then
covers Willie so that Jackie can put on another copy of the same pink suit. Picture
2 also shows Clay Shaw's left side descending on the stairs which illustrates Earl
Warren on the spiral staircase inside US Supreme Court building (Stairs-as-
SupremeCourt). The movie also makes references to this spiral staircase in other
scenes. The stairs also illustrate JFK landing on Love Field airport. The waiter
illustrates Clint Hill's two bullet shots by showing his two hands in white gloves.
He uses his left hand to open the doorknob to illustrate Clint Hill's left hand
holding his revolver. These are steps #3 and #2 for the ASSASSINS shooting
sequence.
Picture 3 shows Willie and the waiter illustrating Jackie and Clint Hill on the trunk
of JFK limo. The waiter tries to close the door with Willie still standing in the
doorway to illustrate Clint Hill making Jackie move back to her seat.
Picture 4 shows Willie holding his coat with his right arm bent at the elbow
(Elbow-as-Jackie). This illustrates Jackie holding her handbag with her right arm
bent at the elbow, as shown in Zapruder film just before her bullet shot to JFK's
head. This is step #1 for the ASSASSINS shooting sequence.
Picture 5 shows Clay Shaw with is his cigarette holder like in Jim's office, meaning
LeMay is on his right side. Shaw makes a Hand-as-Wing to include also Lansdale
in the mix. He says "Be still my heart". This is a Heart-as-curare. His Hand-as-
Wing also illustrates a flying dart (flying wing). This is step #0 for the SHAW
shooting sequence.
Picture 6 shows the right cuffs on Clay Shaw's jacket and shirt. This is the same
count and the same hand as in previous scene, i.e. his right side is 4-Star General
Curtis LeMay. The brown cigarette holder is "Big Cigar".
When Clay says "Hope you like squab", he makes a reference to Jackie's "turkey
shoot" because "squab" is a dead pigeon. The word squab is similar to the word
squaw. It appears that Clay Shaw actually says squaw and not squab as some
scripts suggest. The word squaw makes a reference to Squaw Island where Jackie
lost her premature child about three months before JFK assassination. In other
words, squaw also stands for Jackie's turkey shoot. This is step #1 for the SHAW
shooting sequence.
When Clay Shaw says "Ha ha ha...", he makes a reference to Clint Hill's first
bullet shot. When he says "Champagne?", he makes a reference to his second
bullet shot. This completes SHAW shooting sequence with order 0-1-2-3. In other
words, these three shooting sequences AUDIO, SHAW, and ASSASSINS are like
warm-ups before the MAIN shooting sequence at the dining table.
Picture 1 (second set of six pictures) shows the "long dining table". Picture 4
zooms in on the table around Willie. The bottle of champagne next to Willie
illustrates Jackie's firearm inside her handbag. The cork is still in the bottle
meaning Willie did not go through step #1 yet. The idea of champagne bottle is
borrowed from the song Killer Queen covered in a separate chapter. Apparently,
the champagne is Moet et Chandon. The gilded platform in the middle of the table
plays the role of Jackie's booster seat like a blanket or pillow in order to raise her
because JFK was taller than she was. This is explained in the chapter about the
Plan. The large leaves of plant on the platform appear to be both green and red,
similar to the multicolored leaves of crotons. Clearly, the leaves stand for Jackie's
red roses. The silver pot stands for Jackie raised above her seat. Apparently, the
dark knob on top stands for Jackie's pillbox hat meaning the knob is her pill.
Picture 2 has been cropped from an old film showing the actual "long dining table"
in the ballroom of Hotel Texas in Fort Worth where JFK had his breakfast in the
morning on his assassination day. The movie shows a clip from this film around
movie time 0:05. Compare the ceiling chandeliers in pictures 1 and 2.
Picture 3 has been cropped from an old film on DVD "The Lost JFK Tapes".
Possibly it is the same film shown in picture 2. The picture shows one group of
candle-like lights. There is also the same group on the other side of stage, not
shown in the picture. Compare the candle-like lights on both sides of the painting
(above the fireplace in picture 1), to the lights in picture 3. The fireplace itself
stands for JFK's head in Zapruder film after Jackie fired her bullet into his head.
The large framed painting on the wall (picture 1) plays the role of Old Red
Courthouse. The woman in the painting plays the role of Henry Wade. Jim calls
this "painting" a TV set (command center set up in Old Red Courthouse) during the
scene where Lou notifies him about JFK assassination.
Picture 5 has been cropped from Willis photo taken about one second after Jackie's
dart shot and about six seconds before her bullet shot. It shows Jackie sitting
relatively higher than JFK because she was sitting on a pillow or blanket. The
yellow arrow on left points to Jackie's head, and the yellow arrow on right points to
JFK's head. That is why the movie includes the platform on the table in order to
illustrate this important fact.
Picture 6 shows the table bell used by Clay Shaw to sound the opening bell. This
starts the MAIN shooting sequence in reverse order without any steps taken yet.
Picture 1 (third set of six pictures) shows Willie using his left index finger to tap a
cigarette. This illustrates Jackie getting rid of her old pink suit, apparently by
burning it. Willie is simply showing off the finger used to pull the trigger. The cork
is gone meaning the step #1 already took place. Keep in mind this sequence is in
reverse order.
Picture 2 shows two little lights close to each other, on the wall behind Clay Shaw,
pointed by yellow arrow on left side. The lights illustrate Clint Hill's two bullet
shots. This means that the steps #2 and #3 for the MAIN shooting sequence already
took place. The waiter himself does not illustrate these steps after opening bell.
The bottle of champagne next to Clay Shaw is not used for this shooting sequence.
The waiter walking behind Clay Shaw is showing his left hand in white glove,
pointed by yellow arrow on right side. The white glove illustrates Clint Hill's right
foot on the right side of JFK's limo (Foot-from-Hill). Apparently, this was part of
the plan. In this picture, the waiter uses his left hand because his sides are reversed
until he passes Clay Shaw.
Picture 3 has two parts cropped from two different photos showing Clint Hill on
top of JFK in the limo riding to Parkland Hospital, within minutes after JFK
assassination. In both parts, I added red arrows to point to Clint Hill's right shoe
illustrated by the waiter's white glove in picture 2. This is a (Foot-from-Hill).
Picture 4 shows the waiter picking up Clay Shaw's plate. The light meal indicates
that it is a continental breakfast meaning the plate illustrates Continental tire
mounted in the rear of JFK limo. This means the waiter illustrates Clint Hill's right
shoe wedged behind Continental tire in order to provide a stable foundation for his
left arm used to shoot JFK.
Picture 5 shows Zapruder frame 464, about one second before JFK limo disappears
in the tunnel under the triple overpass. I added three yellow arrows. The arrow on
left side points to Clint Hill's right shoe wedged behind the Continental tire. The
arrow on right side points to JFK's head faced toward the right side. The arrow in
the middle points to Jackie's head well below JFK's head. Jackie is lying across the
rear seat and using her right hand to push JFK's body to the rightmost side of the
seat, and using her left hand to turn JFK's head toward the right side so that Clint
Hill could shoot him there under in the tunnel.
Clay asks Willie "How was your mousse?". This is a reference to the Killer Queen
line "Let them eat cake, just like Marie Antoinette" (MarieAntoinette-as-Jackie).
The word mousse is used because of its French derivation. In other words, mousse
is JFK's head fed by Jackie to his supporters. This means that all steps for the
MAIN shooting sequence already took place, i.e. no step to record yet because of
the reverse order.
Picture 6 shows Willie holding his hands behind his head. This illustrates Jackie as
a spotter by using her hands to hold JFK's head so that Clint Hill could shoot it.
This moment corresponds to the time when JFK limo was in the tunnel so there are
no public pictures of this moment. Notice the cork is gone meaning Jackie's bullet
shot already took place. Willie illustrates Clint Hill's two bullet shots by breathing
sighs of relief. The idea is that he is watching the waiter firing the shots and he is
letting you know about it with his sighs of relief. This means that the steps #2 and
#3 for the MAIN shooting sequence take place in this picture. The yellow arrow
points to Willie's glass with yellow liquid. In one of the following pictures, Willie
will grab quickly this glass. At that point the yellow liquid will not be visible, so I
want to point to it now.
Picture 1 (fourth set of six pictures) shows Willie grabbing his glass of yellow
liquid with his right hand and showing his left hand while standing up. He does it
very quickly. This illustrates Jackie showing her both hands to Zapruder camera
immediately after her bullet shot as part of a magician's trick. The glass contains
yellow liquid to illustrate JFK's head with White Phosphorus burning with yellow
color inside it. Willie is quickly standing up in order to illustrate Jackie quickly
jumping on the trunk. Notice the cork is gone meaning Jackie's bullet shot already
took place, i.e. no step #1 to record yet because of the reverse order.
Picture 2 has been cropped from Zapruder frame 329, about 0.9 seconds after
Jackie's bullet shot. The yellow arrow on the left side points to Jackie's right hand
on JFK's head. This is equivalent to Willie's right hand holding his glass. The
yellow arrow on right side points to Jackie's left hand revealed to Zapruder camera
as part of her trick.
Picture 3 shows Willie darting from one end of the table towards the other. Notice
the cork is in the bottle meaning Jackie's bullet shot did not take place. This means
that step #1 of the MAIN shooting sequence took place sometime between this
picture and the previous picture. In this picture, Willie himself illustrates Jackie's
dart flying across the seat towards JFK's left thigh. Apparently, the glass he is
holding now is different and it contains the curare. This is step #0 of the MAIN
shooting sequence
Pictures 4 and 5 show Willie using his left hand to touch the spot BE on Clay
Shaw's left side (Warren side). Notice the two white lights in the background
meaning that Clint Hill's shots already took place. In other words, after the MAIN
shooting sequence completes in picture 3, the time jumps forward. Willie uses his
left thumb (used for button on dart gun) to touch the spot BE first. Then he uses his
left index finger (used for trigger on bullet gun) to touch the same spot. Warren
enjoys it immensely.
Picture 6 has two parts cropped from two different frames just a fraction of a
second apart, when Willie is touching Clay Shaw's head. The part on left side
shows something oval sticking out from behind Clay Shaw. The yellow arrow
points to this thing. The creases on the jacket next to this thing appear to be
intentional. Apparently, the oval thing illustrates JFK's ear covered in his gore,
next to cracks. The so called Eternal Flame on JFK cracked grave marker is an
invention of his killers to memorialize their achievement of cracking his ear with
Jackie's bullet. The part on right side shows that Willie is holding his glass with
yellow liquid. This means that his right hand is used to illustrate the flame from
burning White Phosphorus (Eternal Flame). Willie is holding a glass with yellow
liquid next to a symbol of JFK's cracked ear because Jackie "requested" the Eternal
Flame, and then at the end of JFK burial services, she lit the Flame herself to burn
continuously over his grave. This is a clue that so called "sex after dinner" is JFK
funeral and the Warren buzzard is enjoying it immensely. Apparently, Warren
asked Jackie off the record and during the funeral, which fingers she used to shoot
her dart and her bullet. During the quiet chat in Jim's office, the sex refers to
Jackie's testimony before the Warren buzzard.
Agony Party (1:29)
This scene packs JFK assassination and other events into a short time making it
tougher to interpret. It starts with references to JFK Inauguration in January of
1961, and it ends with references to Parkland Hospital where JFK was officially
pronounced dead. In order to understand the references to JFK Inauguration, you
need to watch carefully the clips from old films included during the first four
minutes of the movie. Each of those clips has been included there for a reason. The
old clips that show JFK Inauguration (movie time 0:01) have been included
specifically for this short scene with agony party.
This scene makes many other references. The most important references are made
to two key pieces of evidence about two assassins. The first one is Zapruder film
illustrated by a still camera mounted on tripod (Zapruder) taking snapshots of
Jackie's turkey shoot. The second one is Mark Bell film illustrated by a grainy film
showing a game of tunnel ball where two balls refer to two bullets fired by Clint
Hill in the tunnel under the triple overpass.
In this scene, Clay Shaw plays the same duo of Curtis LeMay and Earl Warren,
both combined into one person. The party itself reveals his role as Warren. Before
the party starts and when Ferrie walks along the hallway, Shaw sticks out his head
for a second in order to show his cigarette holder stuck in his mouth, meaning
LeMay is still stuck to him. He also makes a Hand-as-Wing with his right hand
meaning Lansdale is there with LeMay. Both sides make a mockery of JFK. The
side with Earl Warren is used to illustrate the Swearing-In Ceremony while Warren
makes a mockery of JFK raising his right hand to swear his Oath of Office. At the
same time, his right extended arm is used to illustrate Jackie's bullet flying between
Jackie (played by Willie) and JFK's head (played by the head of "young man"). At
that point, the white wig on Ferrie's head illustrates White Phosphorus in Jackie's
bullet. Clay Shaw's extended right arm is also used to illustrate Connally's radius
bone allegedly hurt by Magic Bullet from Warren Report. Clay Shaw's body is
painted gold in order to make a reference to Dal gilded mannequins. He is in a
deep agony gilded by LBJ's speech, as explained in the section about Easter Egg
hunt where LBJ says on the TV news "We face more costs, more loss, ... and more
agony". He wears a gilded hat illustrating the top hat (played by bowler hat) worn
by JFK on his Inauguration Day. The feathers on both sides are actually Eternal
Flames, one Flame for LeMay and one Flame for Warren. During the quiet chat,
Clay Shaw refers to the Flames as panache (JFK) on his hat.
David Ferrie plays both Jackie and Clint Hill as explained below. However, for a
short moment he also plays James Browning, Supreme Court clerk standing
between JFK and Warren during Swearing-In Ceremony and holding the Bible.
Browning was almost a midget with his height of 5'2", similar to the height of Joe
Pesci (5'4") playing David Ferrie. The real Ferrie himself was much taller at 5'9".
James Browning was probably one more reason to use Napoleon's House for the
scene with Lou notifying Jim about JFK assassination. Notice that in this scene
Ferrie operates the camera (so called TV set at Napoleon's) because Ferrie is like
Napoleon himself. Willie O'Keefe plays Jackie, in addition to the Jackie played by
one side of Ferrie. The head of "young man" plays JFK's head for a short moment
but later the head hangs around to illustrate the Federal Reserve because "young
man" is dressed like a pyramid (Triangle-as-theFed). The Inaugural Ball from JFK
Inauguration is played by the small crystal ball hanging from the ceiling
chandelier.
This scene ends with illustration of JFK next to his coffin at Parkland Hospital.
The coffin itself is played by a mattress lying next to Clay Shaw walking on his all
fours like a horse and making mockery of dead JFK. The movie makers would not
miss Horse's Skull With Pink Rose for this horse. The idea to use mattress to
illustrate a coffin came from The Godfather where Clemenza asks specifically for
clean mattresses because "Those guys are gonna be stuck up in there for a long
time". Clint Hill himself ordered the coffin delivered to Parkland Hospital and that
is why the movie uses the mattress next to Dave Farrie who plays Clint Hill.
Reportedly, the coffin's inside bottom was lined with a plastic mattress covering,
hence mattress.
This scene also makes a reference to Exhibit No. 392 in Warren Report where it
says "The President's wife refused to take off her bloody gloves, clothes. She did
take a towel and wipe her face. She took her wedding ring off and placed it on one
of the President's fingers". Other brainwashing machines are even trying to spin
the line that Jackie also said to Ken O'Donnell "Now I have nothing left". During
the quiet chat, the Warren side of Clay Shaw refers to these lines as "Absolute
nonsense. The Quarter is filled with vivid imaginations, my dear Mr. Garrison.
Grimy young hoodlums who'll say and do anything, as you well know". Ken
O'Donnell was JFK's Chief of Staff, just another hoodlum like Arlen Specter filling
Warren Report (Quarter) with vivid imaginations. This scene illustrates Jackie
placing her wedding ring on one of the President's fingers by showing Ferrie
swinging one link of a loose chain next to Shaw's head (skull) and Pink Rose
behind it.
This scene also makes a reference to Connally's testimony for Warren Criminals
where Connally himself says on the record "...the bullet went in my back...and
exited about 2 inches toward the center of the body from the right nipple of my
chest. I can identify these for you". At this point, Arlen Specter says "Let the
record show that the Governor has removed his shirt". Obviously, Connally
removing his shirt is only for the "record" because there is no real record what the
Warren Criminals were doing there. Apparently, Connally's Renowned Doctor
Robert Shaw was there because on the "record" he says "The wound of exit was
beneath and medial to the nipple...At the time of the wound there was a ragged
oval hole here at least 5 centimeters in diameter...The entire surgical incision runs
from...and then extends laterally below the nipple, running up, curving up...". This
scene specifically shows Connally's nipple and oval hole. This is so called "sex
after dinner" for Earl Warren during Connally's testimony. The Warren buzzard
was there during Connally's testimony. In other words, "sex after dinner" is
different in each part of the scene about "quiet chat" in Jim's office. Each version
of "sex after dinner" is enjoyed immensely by the buzzard. This scene also
illustrates Connally's radius bone and wrist hurt by Magic Bullet fired by Warren
Report right into Connally.
This scene includes two shooting sequences. I call the first sequence MAIN, with
order 0-1-2-3. I call the second sequence ATHLETES, with order 3-2-1-0. The
latter sequence is illustrated by athletes in an old film.
Picture 1 shows Dave and "young man" entering Clay Shaw's home through its
back entrance with a screen door. Compare the screen doors in pictures 1 and 2.
Picture 2 has been cropped from a frame about 0:01 in movie time. It shows JFK
and his assassin leaving White House on his Inauguration Day. This means that
Dave Ferrie goes back in time to set the foundation for this scene. At this point,
"young man" is JFK and Ferrie is Jackie.
Picture 2 has three parts cropped from three frames, within span of few seconds.
The two parts on left side show Ferrie's left hand making the same gestures like
Clint Hill (2Fingers-as-Hill) and Jackie (all fingers for her turkey shoot) made in
JFK limo during the scene with triangulated crossfire, as shown in picture 4 for
quick reference. The right side of picture 2 shows Ferrie showing all fingers of his
both hands. This means that Ferrie is playing both Jackie and Clint Hill with either
side. In other words, the context will determine whether Ferrie plays Jackie or
Clint Hill.
Picture 5 has two parts cropped from the same frame. The part on left side shows
the camera with tripod. The tripod plays the role of Zapruder. The part on right
side zooms in on the timer with red button. The red button stands for red
communist Federal Reserve remotely operating this camera, in addition to the fact
that the camera is set to take two pictures of Jackie's turkey shoot (red gore), one
picture for each explosion (bullet and case).
Picture 6 shows Willie putting a cigarette into Clay Shaw's mouth. This illustrates
step #0 (Jackie's dart shot) of the MAIN shooting sequence.
Pictures 1 to 3 (second set of six pictures) should be interpreted together. Picture 1

shows Ferrie holding a walking cane in his right hand. Picture 2 has been cropped
from one of the frames when JFK Inauguration is shown around movie time 0:01.
The man is dancing with a walking cane, and apparently he does a "chicken
dance". Picture 3 has been cropped from The Godfather where Santino is toying
with a walking cane during the scene where Michael is showing his broken jaw
illustrating JFK's jaw broken by Jackie. When Santino looks at Michael's jaw he is
holding the cane to illustrate Connally's radius bone fractured by Magic Bullet. In
other words, Ferrie holds the cane in his right hand to indicate that the part of Clay
Shaw's arm above the walking cane (during the photo) is supposed to illustrate
Connally's radius bone. The dancer wearing a top hat and doing the "chicken
dance" in picture 2 is like Connally holding his cowboy hat and doing his "chicken
dance" in front of JFK and then playing chicken at Parkland Hospital.
Pictures 4 to 6 have been cropped from other frames when JFK Inauguration is
shown around movie time 0:01. Pictures 4 and 5 show JFK raising his right hand to
swear his Oath of Office. The buzzard Warren is perched in front of him. James
Browning, Supreme Court clerk, is standing between JFK and Warren. The page-
wide photo of Jackie's Turkey Shoot (Agony) is based on JFK Swearing-In
Ceremony. In it, Ferrie plays Browning among other things.
Picture 6 shows the Washington Monument lit by fireworks at night. The important
things is the obelisk shape, the smoke at the bottom, and the flying confetti. The
confetti illustrates the white marks in Zapruder frames 313-315, the smoke
illustrates the smoke from burning White Phosphorus seen at the bottom of the
frames. The Washington Monument illustrates the white obelisk next to the Dealey
Statue in order to provide the proper location for the "confetti" that belongs in
Dealey Plaza. One of the following pictures shows this obelisk.
The page-wide picture (third set of one picture) is the main picture of this scene.
The movie shows two bright flashes overexposing it to light in order to illustrate
Jackie's turkey shoot that made two explosions, one inside the case and one inside
the bullet. This is so called Agony during reenactment of JFK Swearing-In
Ceremony. This picture is a direct equivalent of Zapruder frame 313, the first
frame showing JFK's head exploding. This is the peak of agony during the whole
wild party. This also illustrates step #1 of the MAIN shooting sequence.
Willie (Jackie) is dressed like Marie Antoinette wearing a pink suit. He is even
called Mary later. This is borrowed from Killer Queen. Jackie's big oversized wig
is a reference to Antoinette's pouf hairstyle and Jackie's pillbox hat. Willie is
holding a glass with his left hand to illustrate Jackie's hand pulling the trigger. He
is keeping his right hand next to Clay Shaw's belly in order to illustrate Jackie's
hand holding her handbag. He is smiling like the dancer Jada who also played
Jackie during the scene in "Carousel Club".
Clay Shaw plays the role of Jackie's handbag and the case of her cartridge making
the first explosion. The second explosion is made inside the bullet played by Ferrie
standing next to Shaw. Clay Shaw shows his left side meaning the buzzard Warren
is active in this picture. His body is painted gold in order to make a reference to
Dal gilded mannequins. He is in a deep agony gilded by LBJ's speech. Notice that
the prostitute standing on street corner in the scene "You're cream in my coffee"
also wears a gilded costume. Apparently, the movie makers want to make a
connection between Earl Warren and the prostitute George Bannerman Dealey
standing on the Dealey Statue in front of Old Red Courthouse. This makes sense
because the "young man" on the other side, plays the role of white obelisk next to
the Dealey Statue. Notice that the right arm on Dealey Statue is half-raised and the
arms on Dal gilded mannequins are also raised. Clay Shaw wears a gilded hat that
illustrates the top hat worn by JFK on his Inauguration Day. The feathers on both
sides are actually Eternal Flames borrowed from JFK's gravesite. The one on left
side belongs to Warren, and the other to LeMay. Clay Shaw calls it "Man of true
panache". In other words, he is wearing a panache made of Eternal Flame on JFK's
gravesite. He is striking a pose with his right arm in front of the camera. This
represents Jackie's bullet shot to JFK's head in Zapruder frame 313, launching from
her handbag held with her right arm. His right forearm (radius bone) is above the
walking cane held in Ferrie's right hand. Both the forearm and walking cane
illustrate Connally's radius bone "fractured" by Magic Bullet. By raising his right
hand, Clay Shaw illustrates Earl Warren making mockery of JFK raising his right
hand to swear his Oath of Office.
Dave Ferrie plays the role of Jackie's bullet making the second explosion after the
gunpowder inside the case explodes. Like Willie, he is also wearing a French
costume from Antoinette's time period. The huge bib and cuffs (not shown in this
picture) made of white lace illustrate White Phosphorus igniting inside JFK's head.
The red color of his costume is a reference to Old Red Courthouse and the red
color of booster explosive (Sprengsatz) as shown in the old diagrams of B-Patrone
bullet. Ferrie is also holding a walking cane in his right hand (not shown in this
picture), just below the radius bone in Clay Shaw's forearm to make it clear that the
radius bone really belongs to Connally. Notice that the curls on Ferrie's wig play
well with the hair curls on another buzzard called Henry Wade perched as Dallas
DA inside Old Red Courthouse.
During Jackie's turkey shoot, the unnamed "young man" plays the role of JFK.
That is why he is making a Hand-to-throat. He is dressed like the white obelisk
next to the Dealey Statue, both in front of Old Red Courthouse. He does not speak
because his silence illustrates the secret owners of the Federal Reserve criminal
enterprise which is known to use symbols like pyramid-shaped structures. The
heavy eyeliners around his eyes are designed to draw attention to All Seeing Eye,
another symbol of the inbreds running the Federal Reserve. Notice the bandanna
hanging from his left ear and reaching the critical point BE. Since the movie
makers could not have Clay Shaw's arm point directly to BE, they used the next
best illustration with a bandanna.
Recall Jim saying during the quiet chat in his office "We recently talked to a
number of men who claim to know you. David Logan. Perry Russo". As already
explained, the name Logan refers to Herschel C. Logan who wrote the popular
book Cartridges a pictorial digest of small arms ammunition. This means that in
the Agony picture, Clay Shaw plays David Logan. The name Russo means red-
haired in Italian. This means that Ferrie plays Perry Russo because his dress is red.
Picture 1 (fourth set of six pictures) shows the white obelisk next the Dealey
Statue, important for interpretation of this scene as explained before. The obelisk,
built in 1941, is loaded with masonic symbols. One of them is a torch on top.
During the scene with Mr. X, the Washington Monument is shown frequently in
the background in order to make a Triangle-as-theFed, and a reference to this
obelisk, specifically the torch or flame on top. The purpose is to make a reference
to the Eternal Flame on JFK's grave site, and obviously to the pyramid on $1
Federal Reserve notes. The masonic theme was started by The Godfather
referencing the Masonic Temple in Philadelphia.
Picture 2 has two parts, cropped from two different frames just seconds apart. Both
parts show Clay Shaw making an "O" sign with his lips which is a symbol of
impending death. This is LeMay side of Clay Shaw because the "Big Hole" of this
"O" sign is made by invisible "Big Cigar" stuck in his mouth.
Picture 3 shows Ferrie having a drink after quickly taking a few steps away from
the party. This illustrates Jackie quickly jumping on the trunk away from the rear
seat, to have the proverbial drink after work. At this point Ferrie is still Jackie.
However, he changes his role to Clint Hill as soon as he starts sniffing the poppers,
as shown in picture 5. This is equivalent to Zapruder frames showing Clint Hill
touching Jackie's arm on the trunk, as shown in picture 4 cropped from Zapruder
frame 384. Ferrie sniffing the poppers means Clint Hill reaching for his revolver to
shoot JFK in the tunnel. Ferrie having a drink also illustrates JFK losing his blood
through his jugular veins and arteries torn by Jackie's bullet.
Picture 6 shows Ferrie forcing a popper (an intoxicating drug) into Clay's nostrils.
This illustrates step #2 of the MAIN shooting sequence.
Picture 1 (fifth set of six pictures) shows Dave milking Clay's breasts. In the
background, the movie audio includes a loud sound of bellowing cow. This is a
reference to Connally's testimony for Warren Criminals where Connally's right
nipple is mentioned three times. Apparently, the bellowing cow called Connally
came from the cattle ranch owned by the ranching monkey called LBJ.
Picture 2 shows Ferrie still forcing a popper into Clay's nostrils. This illustrates
continuation of step #2 of the MAIN shooting sequence
Picture 3 shows Clay Shaw playing with his nose. This carries several meanings.
Firstly, this is a reference to Connally's broken wrist. Secondly, this is a reference
to St. Nick's gesture, which means secrecy (Nick-as-secrecy). Thirdly, this is
another mockery of JFK's right hand raised to swear his Oath of Office. Fourthly,
this is a mockery of the Dealey Statue, specifically the half-raised right arm.
Apparently, the idea came from the raised arms on Dal gilded mannequins. At this
point Ferrie says "You're mine, Mary. You're mine". The idea of Mary came from
Marie Antoinette (MarieAntoinette-as-Jackie). But here, Mary refers to the
Catholic prayer Hail Mary. Jackie was officially Catholic. In other words, this is
Jackie side of Ferrie saying a Hail Mary. The scene about Ferrie's death will show
a figure of Virgin Mary implying that Jackie is like Virgin Mary herself elevated
by the brainwashing machines to the status of sainthood. Picture 3 also illustrates

step #3 of the MAIN shooting sequence.
Picture 4 has been cropped from one of the frames showing a source of intense
light surrounded by darkness. The light appears to come from a movie camera.
However, the party uses a still camera and there is no darkness around it. On the
right side of the picture, I increased the light intensity which makes it look like
another picture but it is not, it is the same picture. A breast with nipple can be
recognized. Next to the breast, there is also a round shape pointed to by yellow
arrow. I added the yellow arrow to make it clear. Apparently, the round shape is a
bullet's nose like the 6.5mm bullet for Oswald's Carcano rifle that fired the Magic
Bullet. Clearly, the nipple belongs to Connally and the intense light is the "ragged
oval hole here at least 5 centimeters in diameter" from Connally's testimony,
quoted at the beginning of this section. The Magic Bullet made this "oval hole" by
passing "beneath and medial to the nipple". All this under Connally's jacket, hence
darkness except the "oval hole".
Pictures 5 and 6 should be interpreted together, in addition to pictures 1 and 2 of

the next set. These four pictures illustrate the ATHLETES shooting picture. The
pictures have been cropped from an old Black&White film included in this scene.
Clint Hill's two bullets are illustrated with two balls thrown by athletes. Jackie's
turkey shoot is illustrated by an athlete crawling in a tunnel made of human legs.
This tunnel does not refer to the tunnel under the triple overpass. The legs play the
role of hand fingers used in the previous scenes to illustrate Jackie's turkey shoot.
Picture 5 shows a smaller ball not being caught by anybody, falling on the ground.
This represents the second bullet shot fired by Clint Hill and missing JFK, i.e. step
#3 of ATHLETES shooting sequence.
Picture 6 shows a big ball caught by the athlete sitting in the foreground. This
represents the first bullet shot fired by Clint Hill to JFK's head, i.e. step #2 of
ATHLETES shooting sequence.
Picture 1 (sixth set of six pictures) shows an athlete crawling in the tunnel. This is
Jackie's turkey shoot, i.e. step #1 of ATHLETES shooting sequence. One row of
legs illustrates one wing of turkey.
Picture 2 shows one coming out from the tunnel and another athlete behind him
using his arm to illustrate Jackie's dart (indicated by yellow arrow). This is step #0
of ATHLETES shooting sequence.
Picture 3 shows Willie without his dress of Marie Antoinette. This is a reference to
Jackie taking off her original pink dress immediately after JFK assassination in
order to get rid of the incriminating evidence. Killer Queen also makes a reference
to Jackie's changing her pink dress. Notice that Willie is massaging his crotch. This
is a reference to the Exhibit No. 392 in Warren Report where it says "The
President's wife ... took her wedding ring off and placed it on one of the President's
fingers". Willie (the first Jackie) is illustrating how Jackie took her wedding ring
off. Picture 4 shows Ferrie (the second Jackie) illustrating how Jackie placed her
wedding ring on one of the President's fingers. Picture 4 has two parts cropped
from different frames, seconds apart. In each part, the end link of a loose chain is
Jackie's wedding ring.
Picture 5 shows Ferrie slapping Clay Shaw in the face and screaming at him "do
exactly what I say. I'm the man". This is another illustration how Jackie placed her
wedding ring on one of the President's fingers.
Picture 6 has two parts. The part on left side shows Clay Shaw on all fours like a
horse. This part has been flipped horizontally after cropping. The part on right side
shows the relevant image from the painting Horse's Skull with Pink Rose by
Georgia O'Keeffe. Notice that Willie is standing behind Clay Shaw in order to
make his pink lace look like pink rose from the painting.
Picture 1 (seventh set of three pictures) shows Ferrie kicking Clay Shaw on the
mattress next to him. This is illustration of Jackie and Clint Hill stuffing dead JFK
into the coffin ordered by Clint Hill himself, as explained at the beginning of this
section.
Picture 2 has been cropped from one of the frames showing a source of intense
light surrounded by darkness. This image is similar to the image with a nipple
shown before in this section. However, this source of light is bigger and there are
colored rings around it, mostly pink and some blue on the outside. Also, there is no
nipple this time. This is an illustration of Jackie burning her pink suit and her
handbag. That is why the movie follows this picture with picture 3 showing Willie
(first Jackie) without her dress and wig.
This (silver) changes everything now (1:35)
This scene is about Jim entering his office while being confronted by a bunch of
reporters and TV crews. Under the surface, this scene is a continuation of two
other scenes, one from "Masquerade Bar", and another one from the horse
racetrack. The real topic is Executive Order 11110 signed by JFK in June of 1963.
This Order was a direct strike into the heart of Federal Reserve System, a central
banking scam run by a bunch of inbred hook noses. The hook noses were so afraid
of this Order that they have not even dared to repeal it and technically this Order is
still valid. However after the hook noses killed JFK, their monkeys and puppets
masquerading as US Presidents never implemented this Order.
The idea behind the Executive Order 11110 was to issue so called Silver
Certificates (US Notes) against any silver held by US Treasury. Since the Federal
Reserve Notes are not backed by anything except by a "promise" from a bunch of
lying hook noses hiding behind so called US Government, the US Notes would
have no trouble competing with the Federal Reserve Notes. Once implemented, the
US Notes would quickly replace the Federal Reserve Notes and the hook noses
would be out of business. That is why the hook noses killed JFK and have spent
billions on JFK "assassination research" industry employing thousands of shills,
"scientists", "college professors", "book writers", and other scum, fooling
American public for fifty years. But keep in mind that this is how Nature works.
All the scum working for JFK "assassination research" industry is genetically
defective. Nature funnels the defective gene pools into colonies. JFK
"assassination research" industry is one of those colonies. The other colonies are
Wall Street, Hollywood, US Congress, US Supreme Court, White House,
Pentagon, etc. Nature uses the hook noses as a catalyst that separates the defective
genes from the human gene pool. Since the defective genes corrupt any scientific
discovery and make it impossible to identify them scientifically, Nature puts the
cockroaches into the colonies so that humans could find the cockroaches and get
rid of them when the right time comes. The hook noses make it possible because
they act as a catalyst created by Nature. The hook noses do not have the mental
capacity to understand what they do and why they do it. Nature would never give
them mental capacity beyond the primitive task of acting as a catalyst in a
chemical reaction. Only humans have the mental capacity to create. Hook noses,
parasites, and cockroaches don't because they are not humans!
Since silver was the main feature of Executive Order 11110, this scene uses silver-
colored objects to identify it. That is why this scene shows many objects that look
like silver or chrome, e.g. police badge, flash holder, necktie clip, etc. The older
type flash holders made of chrome make excellent illustrations of silver. That is
why there are so many reporters holding them outside Jim's office. Also, Jim
throws a coin that makes a sound that only silver coins make.
One of the biggest clues to identify the roles played by Jim and Bill comes from
Jim's secretary who does a similar thing as Banister's secretary during the scene at
horse racetrack. Such clues allow to connect this scene to two other scenes as
explained in the section Horse racetrack (0:38). In this scene, Jim plays PWM
because his upper dress is white illustrating a chunk of White Phosphorus. Also his
side is overexposed to light. Bill plays PBF because his upper dress is green (main
military color) illustrating the bullet fragments. Jim and Bill go back into the view
of Zapruder camera and then fly across Zapruder frames 315313 back to JFK's
head, meeting all the white marks along the way.
In the hallway, Bill says to Jim "I beat you again, you must give me a raise". Jim
replies "Who you gonna brag to about it?". Since Bill plays a much faster
projectile that flew up to 500 feet while Jim plays a relatively slow projectile that
flew 30 feet at the most, Bill talks about beating Jim. The reference to a raise is
very important because of its financial meaning. This can only apply to somebody
with big money like McCloy (Boss). Reportedly, LeMay bragged about
assassinating JFK among his close associates. The only biological reason for his
existence was the widespread corruption caused by the hook noses running the
Federal Reserve Scam.
Inside the office, Lou says to Jim "Congratulations, Boss. You're Page One". The
so called Page One is a code word for Executive Order 11110 which was issued
and signed by JFK on only one page. Lou also says "And it ain't pretty, it says
we've spent more than $8,000 on unexplained travel and investigative expenses in
the period since November, 1966". The references to financial matters (money)
keep accumulating. Recall Jack Martin saying "He looked out of place,...He had
something to do with money". When Jim enters supposedly his own office he looks
around as if feeling out of place, as if lost. This is a reference to John J. McCloy
being the Chairman of the Council on Foreign Relations (CFR) whose goal is to
abolish the sovereignty of the United States and create one-world government. In
other words, all the genetic garbage like McCloy calling themselves Americans
and being part of so called "society" (CFR) are out of place. They should be
thrown out from US soil immediately! If they are dead then their bones should be
dug up and thrown out too! Since the hook noses love big hot ovens so much, let's
introduce them deep inside the society of big got ovens. The $8,000 makes a
reference to eight white marks in Zapruder frames. The "travel expenses" make a
reference to the "travel" by PWM and PBF across Zapruder frames.
Jim makes the main reference to financial matters when he says "Son of the bitch.
This changes everything now, doesn't it?" immediately after throwing a coin and
then touching his eyeglasses with his right hand (a partial PinkRose-as-JFK). The
actual coin is not seen, only heard when hitting another hard object, probably the
floor. Such sounds are made only by silver coins. This is so called silver coin ring
test used to check for silver purity. Jim's use of the word this refers to the silver
coin thrown by him, meaning the silver changes everything now. Firstly, why
would Jim hold a silver coin in the first place? Apparently, his silver coin acted as
PWM because silver is the key reflective element in mirrors and also it is the key
element in photographic emulsions including Zapruder film that recorded the white
marks. In other words, JFK hit the Federal Reserve with silver before and after his
death. That is why the Boss calls JFK "Son of the bitch". Multiple references to
financial matters, silver, etc, in addition to Lou calling Jim Boss, are the reasons to
believe that Boss stands for John J. McCloy.
Jim says "Well, either we pull out now or we go through some heavy flak together".
At this point there are six people in his office. Two of them are PWM and PBF.
The remaining four are four white marks in Zapruder frame 313. This means that
Jim asks the white marks to disappear or the Fed will have to go through some
heavy flak sooner or later.
Jim says "Bear in mind, each of you, this may affect the rest of your careers, your
lives. Anyone want to pull out now, I assure you I will bear no ill feelings towards
that person, I will reassign you to regular duties... It means a great deal to me".
Since none of the white marks in Zapruder frame 313 wants to disappear, Jim is
very disappointed by "a great deal". In other words, Jim would like all four
assistants to get out of the room (Zapruder frame 313). This is a version of flipping
warned about by Ferrie.
Picture 1 shows a round structure that looks like a turret, presumably somewhere in
New Orleans. This is a Turret-as-OldRedCourthouse meaning that the projectiles
PWM and PBF are around Dealey Plaza before Jim and Bill start walking in the
hallway in picture 2.
Picture 2 shows Jim talking to Bill in a long hallway inside his office building.
Apparently, this is the same hallway shown in the scene about "John Jay McCloy,
former head of Chase Manhattan Bank" because the topic of both scenes is central
banking. John Jay McCloy was a central banker on Warren Commission, a typical
genetic trash wasting our oxygen before it finally expired in 1989. Here notice a
few details like Jim's white dress, esp. overexposed to light, and Bill's green jacket.
At this point Jim and Bill are in the equivalent of Zapruder frame 315.
Pictures 3 to 5 show the equivalent of Zapruder frame 314. Picture 4 shows two
light flashes acting as two white marks that still remain in frame 314. Picture 5
shows one big bluish light flash acting as one erased white mark, flashed in only
one frame. When one reporter asks "Who killed President Kennedy? Was there a
conspiracy here?", he really asks about the conspiracy to erase the white mark in
frame 314. Notice that Bill starts acting like the real LeMay, e.g. "Clear the door!
Watch out! Move!".
Picture 6 shows two examples of silver. One is the silver-colored badge mounted
on the police hat in the middle. The other is the silver-colored chrome flash holder
on the lower right side.
Picture 1 (second set of six pictures) shows Jim confused for a moment making
him look out of place as described by Jack Martin, and explained at the beginning
of this section.
Numa says "They went to the public records and got the vouchers we requested for
withdrawals". Here, public records and vouchers are codes for the white marks,
and withdrawals is a code for PWM and PBF.
Picture 2 shows a silver-colored clip on Lou's necktie. At least one other assistant
wears a similar clip. Such clips are usually made of silver because silver provides
very heavy weight needed to keep neckties in place
Picture 3 shows Jim throwing a coin. The actual coin is not seen, only heard when
hitting another hard object, probably the floor. Such sounds are made only by
silver coins. This is so called silver coin ring test used to check for silver purity.
Picture 4 shows Bill and Al turning their heads in synch. Since Bill plays LeMay,
Al appears to play Thomas Power who was LeMay's clone. Al also plays a white
mark.
Picture 5 shows Jim's upset secretary entering the office and saying "Mr. Garrison,
what shall I tell them? They're piling up outside the door. They want a statement,
the phones are going crazier than bugs on a cake". She actually talks to Bill and
not Jim. The bugs is a code for white marks. The cake is a code for JFK's head
after Jackie's turkey shoot. The secretary plays Jackie often represented by Marie
Antoinette known for her quote "Let them eat cake" (MarieAntoinette-as-Jackie).
Jim says "Neither confirm, deny, nor discuss, Sharon" meaning that hundreds of
books about JFK assassination will not touch the topic of white marks. Also, Jackie
had to keep her mouth shut.
Picture 6 shows Banister's upset secretary entering the office and saying "I can't
believe it, Mr. Banister. Lee Oswald is down on Canal Street giving out
Communist leaflets supporting Castro!". Banister is the same as Garrison. The
Communist leaflets are the same as bugs on a cake. In picture 5, notice that the
white cup held by Numa plays the role of white paper held by Banister's secretary
in order provide a clue that these two scenes are related.
Jim says "Goodbye, ladies, gentlemen, I'm going home where I can get a decent
day's work done". This is a reference to so called "bankers' hours", i.e. an easy job,
with short hours, long lunch breaks, every possible holiday off, etc. In other words,
the central banking hook noses like McCloy played by Jim. That is why McCloy
was dipping his nose in so many scams.
I can't go home! The maggots are everywhere! (1:37)
This scene is about Dave Ferrie calling Jim's assistant Lou from a public payphone.
Once you realize what this call is about, you have to listen to it again with an open
mind. The call illustrates public phone calls between Jackie and LBJ, and secret
phone calls between Henry Wade and LBJ. In other words, Ferrie plays both Jackie
and Wade. Specifically, his right side smoking a cigarette plays Jackie (heavy
smoker) and his left side vandalizing the payphone plays Wade (Dallas Lawman).
The Godfather has an equivalent scene for the public phone calls between Jackie
and LBJ where Kay (Michael's future wife) playing Jackie comes to talk to Hagen
playing LBJ, while a wrecked car (JFK limo) is shown in the background. This is a
PhoneCall-as-Jackie&LBJ.
In this scene LBJ is presented as so called "straight-shooter" because he was a

brainless monkey shooting straight. For example, when the monkey lifted a dog by
its ears, the propaganda machines turned into "LBJ loved dogs". The monkey is
also known for his phone conversation with a dress tailor where the monkey orders
pants with a big crotch by referring to it as "another thing, the crotch, down where
your nuts hang" (youtube link). That is why the original JFK scripts still include
one line for Lou "You think we are nuts?". However, the final script does not
include it, at least clearly. This means the nuts on the monkey have been cut off.
Picture 1 shows Lou watching TV news where an announcer says "With taxpayer
money, has he [Jim Garrison] uncovered valuable new evidence?". This illustrates
LBJ sitting in the White House and worrying about his neck in case the
investigations go somewhere.
Picture 2 shows Lou on the phone with Ferrie. This illustrates the prearranged
phone calls between LBJ and Jackie, and the secret ones between LBJ and Wade.
In other words, the room where Lou is sitting is so called "Oval Office".
Picture 3 shows the building with Ferrie's "apartment". This illustrates the White
House and Old Red Courthouse, as explained in the section about the prison scene
with Willie which includes flashbacks to Ferrie's apartment.
Picture 4 shows the phone booth with rooftop that illustrates the rooftop of Old
Red Courthouse.
Picture 5 shows Ferrie smoking and holding a cigarette with his right hand. This
side illustrates Jackie who was a heavy smoker.
Picture 6 shows Ferrie's Wade side vandalizing a public phone booth and
illustrating the "Law" in Dallas, i.e. the top "Lawman" in Dallas.
Ferrie's side with Wade says "Since you're the only straight-shooter in that f...ing
office I'd like a f...ing answer from you. Did you plant it?". The f...ing office is a
code word for the Oval Office. Apparently, back in the 1960s the brainwashing
machines did not have a full control over the masses and Wade felt some pressure
when some papers revealed too much about his role in JFK assassination. Lou
answers "The whole building been a zoo since that broke". Some published scripts
suggest that he also says "You think we are nuts?" but in the movie it sounds more
like "You think we want that?". The so called building is a code word for White
House.
Ferrie says "Somebody has tipped off the press. I'm one of f...ing Garrison's
suspects. I can't go home! The maggots are everywhere! Do you know what you've
done to me? From here on...I'm a f...ing dead man!". Here, both Jackie and Wade
are talking. In the movie, f...ing is a code for all assassinations including JFK
assassination. Both Jackie and Wade are Garrison's suspects meaning LeMay's co-
conspirators. The maggots is a code for the white marks exposing Jackie and the
rest of LeMay's co-conspirators, and pointing directly at the hook noses from the
Federal Reserve.
Lou says "You weren't even mentioned in the story. Meet me in the lobby of the
Fontainebleau in 20 minutes". The meaning of "Hotel Fontainebleau" is explained
in the section about the cartoon The Great De Gaulle Stone Operation. It mainly
refers to Hotel Texas in Fort Worth.
Lou says "I guarantee the Boss will protect you. He likes you. He likes your mind".
This means that McCloy was LBJ's real boss. On December 6, 1963, LBJ
presented McCloy with the Presidential Medal of Freedom, with Special
Distinction. Take a wild guess about the real reason for this "Special Distinction"!
Today, the monkey sitting in White House is not only virtual but a real one turning
White House into a real White Zoo. The mind is a reference to Killer Queen with
its line "Guaranteed to blow your mind. Anytime", as explained in the chapter for
this song.
Paymaster Eladio del Valle (1:38)
This scene is one of the most important during the whole movie because it reveals
the Paymaster of JFK assassination, none other than Lloyd Bentsen. In 1963,
Bentsen was during his years of so called "prosperous career in business" which is
a code for CIA goons like the Bushes and Bentsens trafficking and stealing
anything as fast as they could. Bentsen's scams appeared to be mostly in financial
institutions in Texas and that is why the hook noses made him the Treasurer or
Paymaster of JFK assassination in Texas. Apparently, the hook noses loved his
"prosperous career in business" because they rewarded him with "prosperous
career in US Senate" by turning this piece of genetic trash into the Chairman of the
Senate Committee on Finance, and then into the US Secretary of the Treasury
(Thievery). Recall that Johnny Connally (Drama Queen of Dealey Plaza) also
became the US Secretary of the Thievery, and also because of "career planning"
by the hook noses.
The movie makers hide Bentsen under the code name Eladio del Valle.
Apparently, the movie makers went through a long list of Cuban exiles and picked
this name because of its relevance to the area where Lloyd Bentsen lived and also
because of its relevance to his first name, and not because the actual person named
Eladio del Valle had anything to do with JFK assassination. In Spanish, del Valle
means "from the Valley". Bentsen was born in Mission, Texas. Mission is a suburb
of McAllen. Bentsen and his family lived there for a long time. McAllen is the
second biggest city in the area of Texas, informally called The Valley. In other
words, Bentsen is "from the Valley", i.e. "del Valle". The name Eladio is similar to
Lloyd. Recall Clay Shaw during the "quiet chat" confusing the name Clay with
Clint. This is the same principle. During the scene at a horse racetrack, Jack Martin
talks about so called "McAllen, Texas. Big gun-running operation". This is another
clue about Bentsen. So called "Big gun-running operation" is a code for running a
Big Gun like JFK into the ground. Bentsen lived in McAllen area in 1963.
The movie provides additional clues about Bentsen by using thin looking faces. In
the previous scene, a TV announcer talks about financial matters related to JFK
assassination. His thin face looks like Bentsen's face with his chin distorted into a
pyramid. As you know, the hook noses put the signatures of their Secretaries of
Thievery on their fraudulent Notes. The most common Notes are $1 Federal
Reserve Notes showing a pyramid. That is why the movie editors digitally
distorted the TV announcer's face to look like the Federal Reserve pyramid upside
down where the brains are on top and the scum are on bottom. The original top of
the pyramid (so called "elite") is the most visible because it ends up in the chin.
The chin literally looks like a triangle upside down (Triangle-as-theFed). The
second thin-looking face is on the young Cuban-looking room serviceman shown
for a few seconds. His face is thin like young Bentsen's face. The serviceman
wears a big green hat and green suit in order to make a reference to Bentsen's
financial role in JFK assassination, his younger years during WW2 as a soldier,
and his younger years spent in US Congress. The military-style uniform illustrates
Bentsen's military service, and the big round hat illustrates the dome on US Capitol
building (Round-as-Capitol). In other words, the TV announcer and the room
serviceman are both Eladio del Valle playing Lloyd Bentsen.
Other references to Bentsen are made through Dan Quayle who is associated with
Bentsen forever because of the famous quote made during the 1988 vice-
presidential debate between Bentsen and Quayle where Bentsen said "I served with
Jack Kennedy. I knew Jack Kennedy. Jack Kennedy was a friend of mine. Senator,
you're no Jack Kennedy". Normally, Bentsen's lines would be forgotten but some
brainwashing machines made it famous because they knew about Bentsen's role in
JFK assassination. Apparently, there was some infighting between different parts
of brainwashing machines. When you listen carefully to Ferrie, you will pick up
the name Daniel (Dan) just before Eladio del Valle. Also, the coffee will be served
from a teapot instead of coffee pot in order to make a reference to another
controversy about Quayle and Bentsen, called "Tempest in a Teapot".
David Ferrie plays the same role as in previous scene, i.e. Jackie and Henry Wade.
Ferrie is chain-smoking because Jackie was a chain-smoker with at least three
packs a day. During this scene, Ferrie asks for a few packs of Luckies. Reportedly,
Jackie smoked Salems. The movie makers changed it to the brand of Lucky Strike
because of Jackie's lucky turkey shoot. One old movie script shows Ferrie asking
for a few packs of Camels instead of Luckies. Apparently, the movie makers
eventually settled on Luckies. The Camels also make an excellent illustration of
Jackie's turkey shoot because camels are usually known to have two humps
illustrating two explosions made by Jackie's turkey shoot. However, Jackie's actual
Salems are shown in other scenes, e.g. in the hands of Willie playing Jackie, in
Ferrie's "apartment", etc. During this scene, Ferrie does most of the talking, and
mostly as Jackie revealing a few important details of JFK assassination.
Jim barely talks meaning it is tougher to decode him. Since Lou referred to him as
Boss during the previous scene with a payphone booth, Jim plays McCloy but it
does not show through except for an All-Seeing-Eye (Eye-as-theFed) flashed in his
right lens. The script itself suggests that Jim plays Warren when Ferrie asks him
"anything new in the investigation?".
Lou plays LBJ because he takes notes of whatever Ferrie says. This illustrates the
secret tape-recording systems installed by LBJ in the White House. That is why
some of the lines are about bugging. Lou also makes a Cigarette-in-Lansdale
suggesting that he also plays Lansdale. Bill does not talk. However, he appears to
play LeMay which is the last role Bill played before this scene. He also plays Allen
Dulles. The names of Oswald and Jack/Ruby also come out but both play the roles
of white marks.
Picture 1 has two parts cropped from two different frames just seconds apart. Both
parts show Jim pointing his hand with wedding ring, directed towards Ferrie when
Ferrie says "Follow the Cubans". This means that his wedding ring is following
Ferrie who is Jackie, one of so called Cubans assassinating JFK. The meaning of
this wedding ring is explained in the section about Agony Party.
Ferrie says "I suppose I could use a pot of hot coffee, and a few packs of Luckies".
This pot is important because it will appear as a teapot and not as a coffee pot.
More on it later. The coffee is a Coffee-as-gore reference. Luckies is the brand of
Lucky Strike which stands for Jackie's lucky turkey shoot. This is Jackie talking.
When Jim asks "Who are you scared of?", Ferrie answers "Everybody. The
Agency, mob, Cubans. Follow the Cubans. Check them out. Here. In Miami.
Dallas. Check out (Daniel) Eladio del Valle. He was my paymaster when I flew
missions into Cuba. Somewhere in Miami. You're on the right track". The Cubans
is a code for the useful idiots in Texas doing the dirty work for the hook noses
running the Federal Reserve Scam. When you listen carefully you will pick up the
name Daniel in front of Eladio del Valle, i.e. Dan Quayle associated with Bentsen.
The expression "I flew missions into Cuba" is Jackie talking about her flying into
Dallas (Cuba) for JFK assassination (mission), or talking about her bullet flying
into JFK's head (Cuba). The paymaster specifically refers to Bentsen arranging the
financing for JFK killers. Recall the line said by Jim (movie time 2:23) "Assassins
need payrolls...". Now you know who was in charge of the Payroll Department.
The Miami is a code word for McAllen because both sound similar. That is why he
says Somewhere in Miami. The right track is a reference to the scene at horse
racetrack where Jack Martin says the name McAllen explicitly. The movie
frequently breaks down a message into two signals and then it buries the signals
into the noise of two related scenes.
Picture 2 shows Lou taking notes of whatever Ferrie says. This illustrates the secret
tape-recording systems installed by LBJ in the White House.
Picture 3 shows Lens-as-explosion in both lenses when Ferrie says his line "when I
flew missions into Cuba" in order to refer to two explosions made by Jackie's
turkey shoot. Picture 4 shows Bill acting remorseful because he plays LeMay who
flew the same missions into Cuba with Jackie. Notice that he is standing next to a
kitchenette illustrating JFK limo where JFK was cooked. The dividing panel
illustrates the row of concrete columns in the tunnel (so called "picket fence"). The
right lens of Jim's eyeglasses also shows an All-Seeing-Eye (Eye-as-theFed), the
crap on the crap called $1 Federal Reserve Notes.
Picture 5 shows Ferrie checking Lou for bugs. Ferrie says "Don't write this down! I
ain't cooperating with no one! There's a death warrant for me! Don't you get it?
Damn! Wait a minute! You ain't bugged, are you? Son of a bitch, Lou! Are you?".
This is Henry Wade worrying about his neck in Texas and LBJ recording his
conversations with him. Lou says "I play square. No bugs. I'd love you to go on the
record, but I'm in no hurry". The square is a Square-as-SupremeCourt. This
means that LBJ is covered by the Warren buzzard.
Picture 6 shows Ferrie checking the window behind Jim. This illustrates Jackie
jumping on the trunk and checking the window on the 6th floor of Texas School
Book Depository, meaning Oswald (M5E) in Zapruder frame 314.
Picture 1 (second set of six pictures) shows Ferrie checking behind the wall
painting. Picture 2 zooms in the painting. The painting illustrates two key building
in Dealey Plaza. The building on the right side is Old Red Courthouse with its
arcades and round-top windows. The building in the middle is Texas School Book
Depository. In other words, Jackie is checking who is inside the command center
in Old Red Courthouse.
Picture 3 shows Bill smoking a cigar when Ferrie says "Cocksucking faggot. He
got me by the balls. Photographs, compromising stuff. He'll use them, too. Agency
plays for keeps". The cocksucking faggot is Allen Dulles sucking on his pipe
(illustrated by a cigar). Apparently, CIA made photos of Jackie in sexually explicit
poses and blackmailed her.
Ferrie says "I knew Oswald. He was in my Civil Air Patrol unit". Here, Oswald is
M5E associated with Oswald in several other scenes, meaning Civil Air Patrol unit
is the series of white marks across Zapruder frames.
Ferrie says "I taught him everything. He was a wannabe. No one really liked him
'cause they thought he was a snitch. I treated him good. He talked about his kids.
He really wanted'em to grow up with a chance". Here, Ferrie talks about Clint Hill.
The Civil Air Patrol unit stands for Secret Service detail assigned to Jackie. Jackie
says that Clint Hill was not liked because he was a snitch.
Picture 4 has been cropped from one of the frames showing the room serviceman
who came to the door. Notice that serviceman is thin like Lloyd Bentsen,
especially when he was young. He wears a big green hat and green suit in order to
make a reference to Bentsen's financial role in JFK assassination. He is so called
Eladio del Valle, a Cuban playing Lloyd Bentsen.
Picture 5 has two parts. The part on left side shows the head of the TV announcer
when Lou was watching TV in the previous scene with a payphone. The movie
editors distorted his chin on purpose. Clearly, they tried to turn his chin into a
pyramid upside down, as an extra indication that his chin came from the $1 Federal
Reserve Notes showing such a pyramid. I ran the chin through a filter to make it
look more normal and pasted into the part on right side. Compare it to the head of
Lloyd Bentsen (picture 6) from a TV interview in 1984. The TV announcer talks
about financial matters related to Garrison's investigation in order to make a
reference to the financial role of Bentsen during JFK assassination.
Picture 1 (third set of six pictures) shows the silver teapot filled with coffee and
brought in by Eladio del Valle. This is a reference to "Tempest in a Teapot" and
silver from Executive Order 11110. The silver caused the tempest. Ferrie says
"Black. Give it to me. Black". This means that Jackie does not want so called
cream in her coffee. The cream stands for White Phosphorus. Each time there is a
reference to Jackie's turkey shoot, Ferrie jumps to the window like Jackie on the
trunk, and checks again the Oswald window as shown in picture 2.
Picture 3 shows Ferrie holding his neck when he says "My neck is killing me. I
have cancer. I had it for years. Been working with mice to find a cure". This is a
reference to Henry Wade (1876-1955), early 20th century cancer researcher and
pioneer urologist. In other words, his name is used to get to the cancer called
Henry Wade wasting oxygen in Dallas until 2001. The neck is the part that Henry
Wade worried the most after JFK assassination. The mice is a code word for judges
in Dallas. During the court room scene, the presiding judge plays Clint Hill among
other roles.
Picture 4 shows Bill when Jim asks Ferrie "Did you work for the CIA?" illustrating
Jackie working for CIA. Ferrie answers "You make it sound like it's a remote
experience in ancient history. You don't leave the Agency. Once you're in, they got
you for life". This is Jackie talking, meaning Jackie was a CIA agent until she died.
Ferrie continues "Shaw's an untouchable. Highest clearance. Shaw, Oswald, the
Cubans, all Agency". Shaw is Curtis LeMay with the highest clearance in CIA.
Oswald is M5E also working for CIA. The Cubans are Bentsen, Connally, LBJ, all
CIA.
Ferrie says "Jack? Jack was a pimp. He was a bagman for Dallas Mob. He used to
run guns to Castro when he was still on our side. Castro was with us, then we tried
to whack him". Here, Jack Ruby is M8E (pimp, bagman), Dallas Mob are the white
marks. M8E was part of White Phosphorus stored inside Jackie's bullet (guns)
running with the guns until a chunk of White Phosphorus separated from the guns
inside JFK's head (Castro).
When Ferrie says "Everybody keeps flipping sides. It's fun and games", he refers to
the movie editors flipping the sides of pictures/frames/images horizontally. This is
why the movie shows the teapot second time. Compare the teapot in pictures 1 and
5, i.e. the sides have been flipped horizontally. This is an indication that many
frames in this movie are also flipped horizontally on purpose, sometimes vertically.
Ferrie says "But who pulls whose chain? Who knows? Oh, what a deadly web we
weave when we practice to deceive". The chain has many different meaning
depending on context. But here it refers to a marriage chain because during this
scene Jim was showing his wedding ring, about 15 minutes after the agony party
where Jackie was pulling a loose chain with end link illustrating JFK's wedding
ring. The deadly web refers to JFK "assassination research" industry deceiving
Americans for 50 years.
Ferrie says "It's a mystery wrapped in a riddle inside an enigma!" which has
nothing to do with JFK assassination. It has to do with the typical books about
riddles, puzzles, or enigmas in your local bookstore or library. The whole movie
JFK is like one of those books. JFK assassination is as plain as the nose on your
face. The hook noses are fooling you about JFK assassination like with their
Federal Reserve Notes and everything else.
Ferrie says "The shooters don't even know! Don't you get it?". What he really
means is that he is the shooter and you do not get it!
Picture 6 shows Ferrie's left hand when he says "All I wanted in the world..was to
be a Catholic priest. Live in a monastery. Pray. Serve God. I had...one terrible
f...ing weakness. And they defrocked me!". This is Henry Wade talking. He wanted
to be an FBI agent (priest) wasting taxpayers' money (praying and serving God) in
a big building (monastery). However, he was a queer and they fired him.
We have to debug the whole place (1:43)

This scene is about a "bug" discovered in Jim's office and the news about the
"death" of Dave Ferrie. The "bug" and the "death" are codes for two missing white
marks in Zapruder frames 314 and 315. Assuming consecutive order of discovery,
the "bug" must be the mark M5E and the "death" must be the mark M8E. This
scene is immediately followed by another scene where dead Dave Ferrie is lying
under white cloth in order to illustrate him as white mark M8E. There are also
references to bullets and dart. As always, there are shooting sequences but I omit
them because they are less important. In this scene, Jim smoking a pipe plays Allen
Dulles and his pipe. Lou plays LBJ. Bill plays Curtis LeMay. There are other
characters as explained below.
Picture 1 has been cropped from the last frame of the previous scene. It shows the
face of Dave Ferrie when he says "I'm so f...ing exhausted, I can't see straight". At
this point, Ferrie stops being Jackie and Henry Wade and he becomes the last white
mark M8E in Zapruder frame 315. This means that the chunk of White Phosphorus
is exhausted after flying through frames 313, 314, and 315 and it starts losing its
linear and rotational speeds, and therefore its straight line.
Picture 2 has been cropped from one of the first frames of this scene. It shows a
cop pulling two white bags which stand for two white marks missing from
Zapruder frames.
Picture 3 shows a man holding a big sign with "Kennedy is Alive". This means that
the two white bags pulled by a cop next to him, are dead. The remaining six white
marks are called "Kennedy is Alive".
Picture 4 shows another man holding a big sign "DA Witch Hunt". This is a
reference to the trail of white marks looking like a contrail formed by a witch
flying through frames 313, 314, and 315, on a broomstick. Apparently, "DA Witch
Hunt" is the opposite of the sign "Kennedy is Alive", meaning the erased two white
marks.
In the background, Jim's assistant Numa says "Early for Mardi Gras, isn't it?". The
Mardi Gras is a code word for JFK motorcade in Dallas during November, when
the actual Mardi Gras is much later in February or March. The trail of white marks
is part of Mardi Gras in Dallas.
Pictures 5 and 6 should be interpreted together. The man wearing dark sunglasses
illustrates Jackie disguised as Clint Hill. He says "Paris Match, the largest
magazine in France" because the magazine features celebrity lifestyles like Jackie
with her Paris background. The woman wearing pearl necklace illustrates Clint
Hill disguised as Jackie. Jackie was known for her pearl necklaces. She says
"Victoria Taylor, British Private Eye" because the British magazine Private Eye
features the corruption among the establishment, and Private Eye stands for Secret
Service. The Russian man in the middle illustrates JFK. He says "Literaturnaya
Gazeta from Moscow" because the white marks look like pieces torn from the
communist paper from Moscow (Washington) run by the Communist Politburo
(Federal Reserve System) who killed JFK.
Picture 1 (second set of six pictures) shows a red devil with two horns and a
pitchfork. The two horns stand for two bullets in JFK's head, one from Jackie and
one from Clint Hill. Several other scenes use two holes in a German helmet on
Jim's desk or two squirts/fountains from JFK's head to illustrate the same thing as
two horns. The pitchfork illustrates a tool to erase (kill) the white marks high above
in Zapruder frames.
Picture 2 shows Jim's secretary on the phone and saying "You know who shot the
President? Mr. Garrison is too busy". She illustrates Jackie killing JFK. Her left
index finger points to the spot BE (indicated by yellow arrow) and her right hand
holds a pencil illustrating Jackie's dart. That is why Mr. Garrison (LeMay) is busy
because he is busy with killing JFK.
Picture 3 shows Bill holding two white papers and smoking a cigar. He illustrates
Curtis LeMay examining two white marks M5E and M8E and smoking his "Big
Cigar".
Lou says "Boss, I'm telling you something or somebody is putting a tremendous
heat on David Ferrie. If we sit on our behinds any longer I don't think the guy will
hold on". This is LBJ talking with expressions like "sit on our behinds [or worse]".
LBJ is worrying about his neck after seeing the white marks in Zapruder frames
and wants to "put a tremendous heat on them".
Suzie says "Bullshit! He keeps changing what he says. We can't possibly call him
to a grand jury". The bullshit is a code for the white marks painted by PWM
(Ferrie) differently for each one meaning PWM kept changing its mind. The grand
jury is a code for Warren Commission which would not accept the white marks
changing what Warren Report says. Jim says "Watch your language" meaning he
wants Susie to keep quiet about the white marks.
Jim's assistant Al says "My instinct is that Ferrie's gonna keep on deteriorating.
We'll get more out of him when he finally cracks. If we call him in now he might
freeze up, we'll lose our best shot we even had". He says that Ferrie (PWM) should
burn itself (deteriorate) to the point of ceasing to exist (cracking). PWM should
not be published (called in) because once published it will be memorized (frozen
up).
Pictures 4 and 5 should be interpreted together. Jim's assistant Numa is holding so

called "bug" (a white mark). Both Numa and Jim look up in the direction of the
white marks in Zapruder frames. Numa even points to them.
Numa says "This was found in your office. The conference room is also bugged,
maybe the phones. We have to debug the whole place. Believe what you want, but
we must be more careful. All these new volunteers!". This means that the white
marks point to the office of the Fed or CIA Director. The conference room is
Zapruder frames showing the white marks. The debugging means removing the
white marks. The volunteers is the code word for chunks of White Phosphorus that
volunteered away from JFK's head.
In picture 6 Lou is holding a telephone receiver and saying "Dave Ferrie's dead.
Found his body in his apartment a couple of hours ago". This means that two
marks are removed early after JFK assassination. Notice that the receiver points to
a pair of two O's in the upper right corner. The added yellow arrow points in this
direction. The two O's stand for two white marks M5E and M8E removed from
Zapruder frames.
Devil's piss (1:45)

On the surface, this scene is about Ferrie's death investigation at his apartment.
However, under the surface it has nothing to do with his death. The main purpose
of this scene is to illustrate the components of Jackie's weaponry used to
assassinate JFK, especially White Phosphorus. This scene explicitly shows the
symbol P for chemical element Phosphorus, on white background in order to point
to White Phosphorus used by "graceful and elegant" Jackie to burn the head of
her husband alive. This scene includes so many references to White Phosphorus
that it was hard to pick up one for the title of this section. I settled for "Devil's piss"
used by Lou. Due to its use in explosives, poisons and nerve agents, Phosphorus is
referred to as "Devil's element". If you realize that Phosphorus was discovered in
17th century during experiments with urine, then you will get the meaning of
"Devil's piss". However, there is another twist to "Devil's piss". The demented
Curtis LeMay was known for loudly urinating during meetings whenever there was
a toilet nearby. This was his way of voicing his opinion. The central banking hook
noses love such "opinions" and that is why they promote the apes that voice them.
In addition to the components of Jackie's weaponry, this scene is about several

other topics. Ferrie's so called "death" are actually two deaths. The movie shows
explicitly one dead body lying on the sofa. However, if you pay a closer attention
to the gestures made by the actors then you will realize that there is another unseen
body lying on the floor next to the sofa. The dead body on the sofa is Ferrie's look-
alike with his hair and eyebrows shaved. Both dead bodies illustrate the white
marks M5E and M8E, "killed" by JFK killers. Before his death, Ferrie played
Jackie and Henry Wade. This means that Ferrie's "death" results in two "deaths",
hence two dead bodies. Also, his "apartment" illustrates two different places, one
for White House (Jackie) and one for Old Red Courthouse (Henry Wade). Some of
the furniture and personal items belong to Jackie and others to Henry Wade. Some
mice (white mice) in the cages illustrate the white marks painted by Jackie in
Zapruder frames and other mice (dark mice) illustrate the judges used by Ferrie
(his side for Henry Wade) for his so called "cancer research". Some pictures
provide a clue that so called cure in "cure for cancer" also means curare, one of
the key ingredients of Jackie's chemical agent used to incapacitate JFK. After
Ferrie's "death", Lou takes over the role of Jackie.
This scene also illustrates the rewards given to Clint Hill and Rufus Youngblood
for their roles in JFK assassination. Other parts of this document explain that
central banking hook noses gave a big gold medal to Clint Hill for assassinating
JFK and then made American taxpayers pay for it. Obviously, their brainwashing
machines have spun Clint Hill into a big hero. At the end of this scene, the buzzard
Warren will show up to make Clint Hill (played by Bill) testify for his gang of
criminals called Warren Commission. He will growl at Bill and say "Get into the
car!" meaning the car is his Report.
Picture 1 shows the first frame of this scene (flipped horizontally). One side of the
collar has C4 painted on it, indicated by yellow arrow (first from the top). This is a
reference to C-4 that Ferrie mentioned several times during this movie. Clearly, it
refers to the booster explosive inside Jackie's bullet. The explosive in C-4 is a
chemical called RDX. Since the movie brings up C-4 so often, Jackie's bullet most
probably used RDX. In other words, this framed painting illustrates the schematics
of Jackie's cartridge. The other two yellow arrows point to the hands. The left hand
shows index finger extended to illustrate the finger used by Jackie to pull the
trigger. The right arm (bent at elbow) makes an Elbow-as-Jackie. The picture has
been flipped horizontally after cropping because the movie makers flipped it.
Picture 2 shows a human skull next to another wall painting with pink area. This is
a PinkRose-as-JFK. The whole setup illustrates the painting Horse's Skull with
Pink Rose (1931) by Georgia O'Keeffe, referenced often in this movie.
Picture 3 shows white mice inside a cage. The wire mesh illustrates Zapruder
frames. The white mice are on the ceiling because they illustrate the white marks
located at the top of Zapruder frames 313-315.
Picture 4 shows a figure of Virgin Mary. Several scenes refer to Jackie as Mary.
The movie A Shot In The Dark uses the name Maria for Jackie. Maria is the
original Latin name for the English name Mary. Obviously, the idea for Mary came
from Marie Antoinette. By showing the figure of Virgin Mary, the movie makers
illustrate Jackie as somebody raised to the status of sainthood. That is why Ferrie
uses the name Mary during the Agony Party, making it sound like the Catholic
prayer Hail Mary. Jackie was officially Catholic. Vatican was instrumental in the
cover-up of JFK assassination. The same hook noses who run the Federal Reserve
Scam also run the Vatican Scam.
Picture 5 shows a cross lying on a painting that shows two devils behind a tall man
and playing with his right nipple. The right nipple belongs to John Connally, and
the cross illustrates his radius bone "fractured" (crossed) in Dealey Plaza.
Picture 6 shows a bunch of little green balls inside a bottle. This is a reference to
the fruits of the plants used to extract primary ingredients of curare. The bottle
simply indicates that the plants have to be chemically processed. The picture also
shows a string of blue and green pearls. The pearls illustrate Jackie's pearl necklace
worn by Jackie so often that it became a symbol for her. The strings also illustrate
the climbing stems of the plant used to make curare. The blue color stands for the
blue tailpiece on Jackie's dart.
Picture 1 (second set of six pictures) shows a medical syringe. This is a reference
to the type of needle used by Jackie's dart.
Picture 2 shows a candelabra next to a cage with mice. The candelabra stands for
Scales of Justice and the candelabras in front of US Supreme Court. This means
that the dark mice are also judges, especially the criminal goons who call
themselves Justices of US Supreme Court. Recall that the buzzard Warren was
used to shoot Jackie's dart during the scene in "Carousel Club". Notice the bright
light shaped like a key on the wire mesh. This means that the white marks located
in upper right quarter of Zapruder frames are the key.
Picture 3 shows a strange-looking ambulance gurney. The two yellow arrows point
to the strange handles on both sides. It is very inefficient design and almost
impractical. A typical human body is not heavy enough to keep the level so low.
The gurney looks like a flatbed cart for moving very heavy objects like gold. This
is the same cart used at the end of the prison scene with Oswald and the buzzard
Warren. This is another indication that so called "dead bodies" are the white marks,
as heavy as gold because they as precious as gold.
Picture 4 shows so called "Ferrie", dead and lying on the sofa under white cloth.
This is an illustration of one of the missing white marks. One of the following
pictures suggests that this "Ferrie" is his left side playing Henry Wade because his
eyebrows are shaved. In other words, this is M5E removed from frame 314,
"killed" by JFK killers to erase the incriminating evidence.
Pictures 5 and 6 zoom in on the head of "Ferrie". Notice that his head and his
eyebrows are completely shaved. Later, this scene will show two flashbacks from
the time of his "killing". His eyebrows and his scalp under the wig will look
different.
Pictures 1 and 2 (third set of three pictures) show one window of Ferrie's
"apartment", facing a garden. Picture 3 shows the door of White House, facing the
Rose Garden. Clearly, the movie makers give a clue that this "apartment" is also
White House in addition to Old Red Courthouse (Ferrie's side for Henry Wade) as
explained in other sections.
Picture 1 (fourth set of six pictures) shows the coroner Nick. His head is bald like
the head of Rufus Youngblood, Secret Service agent assigned to LBJ. The movie
references him in several other scenes for two reasons. Firstly, the central banking
hook noses rewarded him like they rewarded Clint Hill. Secondly, his head is next
to Earle Cabell in one the photographs made at Love Field airport, about one hour
before JFK assassination, as explained in the section about "credentials and dirty
fingernails". Picture 2 shows LBJ rewarding Youngblood at an official White
House ceremony. Compare the window frames in pictures 1 and 2. In other words,
picture 1 illustrates White House. The man standing behind the coroner plays LBJ.
Later during this scene, the corner will say to Jim "A heart storm or a ruptured
blood vessel in the brain". The ruptured stands for Rufus and the blood stands for
Youngblood.
Picture 3 shows Bill holding an envelope with sign Ferrie and a white page. The
white page stands for Zapruder frame 314 showing white marks. Notice that Bill
keeps the page by its upper right corner. This illustrates the white mark M5E
removed from the upper right corner of frame 314. The yellow arrow points to the
pen discussed later. Here notice that the pen does not reflect light. The big gold-
colored envelope illustrates the gold medal that Clint Hill received for "exceptional
bravery" directly from the US Secretary of The Thievery Douglas Dillon. Picture 4
has been cropped from a photo made during the official ceremony at the Treasury
Building in Washington, DC (youtube clip), on December 3 of 1963, just 11 days
after JFK assassination. The sign Ferrie on the envelope stands for Jackie because
Ferrie plays Jackie. Technically speaking, the gold medal was for saving Jackie.
Imagine the right-in-your-face audacity coming from the hook noses. The hook
noses even came up with the title for the book "The Audacity of Hope" meaning the
current White House monkey is their Hope, or maybe their Hook from the Hood.
Bill says "This is addressed to no one and no signature. 'To leave this life is for me
a sweet prospect. I find nothing in it that is desirable..and, on the other hand,
everything that is loathsome' It goes on and on. 'Daily we are propagandized more
and more by the rising crime wave'"
Lou says "Seems pretty flowery for Dave Ferrie". This is a reference to the flowery
plants from South American jungles, used to construct Jackie's chemical agent.
Picture 5 shows many medicine bottles, pills, cigarette butts, etc. This is a
reference to JFK's poor health and many medications he was taking. Some of the
medicine bottles stand for the illegitimate medications given by Jackie to JFK in
the morning on his assassination day in order to speed up the effectiveness of
curare. The cigarette butts are a reference to Jackie's heavy smoking habit. Picture
6 zooms in on the cigarette pack revealing the brand Salem. This brand was
Jackie's favorite.
Picture 1 (fifth set of six pictures) shows Ferrie's makeup desk. The pictures 2 to 5
zoom in on the most important items.
Picture 2 has two parts showing different photos, apparently of the same man. The
part on left side has been cropped from the upper left corner of the mirror. The part
on the right side has been cropped from the area just behind the wig. Clearly, the
man in the photos is a boxer, apparently professional enough to make Ferrie his
fan. One name that fits this picture is John McCluskey who was 23 when Ferrie
died in 1967. As an amateur, McCluskey was the 1964 and 1965 ABA flyweight
(Ferrie's height) champion. He also won British Flyweight Title. Here, only the
word McCluskey is significant. During the scene inside Louis' restaurant in The
Godfather, Captain McCluskey is Clint Hill killed by Michael with Jackie's bullet.
Before he is killed, a mysterious dark stain appears on McCluskey's forehead. This
stain is made by the purple paste shown in picture 4. The paste is curare. In other
words, Jim is dipping his finger in curare as if to paint the stain on McCluskey's
forehead. Keep in mind that the name McCluskey is just a front for the name
McCloy.
Picture 3 shows a bottle filled with wooden kebab skewers and a wig. The skewers
illustrate the stem of Jackie's dart. The wig illustrates the hairy tailpiece mounted
on the stem.
Picture 5 zooms in on the pistol. Its grip's bottom is flat meaning it is not
constructed for real magazines. The pistol looks like an air gun, a toy gun.
Apparently, it is a squirt gun because of the purple stains on the counter and the
mirror. This means the gun illustrates Jackie's dart gun powered by compressed air
or CO2.
Picture 6 has been cropped from a later frame when Jim is away from the makeup
desk. It shows three gas cylinders in green color. The sign on them appears to say
"US Bomb Fragmentation". Apparently, the green cylinders (military color) stand
for three US Air Force Generals. The two thick cylinders stand for 4-Star Generals
Curtis LeMay and Thomas Power. One of the nicknames of Curtis LeMay was
"LeMay, Bombs Away!" meaning the cylinders stand for his bombs. The thinner
cylinder stands for 2-Star General Edward Lansdale. All three thugs were the key
conspirators in JFK assassination. The cylinders contain compressed air or CO 2
for Jackie's dart gun.
Picture 1 (sixth set of six pictures) shows a hook hanging from above, apparently
used as a doorstop. The hook illustrates the hook/grapple used by Jackie to attach
her dart gun to the seat and make it convenient to remove the protective cap before
shooting the dart into JFK's thigh.
Picture 2 shows the left side of Ferrie being killed during the first flashback. This
is his left side because the image is a reflection in the mirror as the head of
mannequin indicates. This means that Ferrie's side with Henry Wade is being
killed. Notice that the back of his head shows some hair and his eyebrow does not
show any hair. The hair on his head looks like on the mannequin. In other words,
this is not the Ferrie as seen when he was alive. There is a big white area below
Ferrie's head in order to illustrate a white mark getting whacked. Since this is the
first one, it must be M5E in frame 314.
Picture 3 shows a sleeve of white garment, apparently a surplice of Catholic priest.

The biggest letter P is the most important, in addition to the white background.
This is the symbol P for chemical element Phosphorus. It is on white background

in order to point to White Phosphorus.
Jim says "I took it [Proloid] once for a low thyroid condition. It raises the
metabolism. Ferrie strike you as the kind of person with a low metabolism?". Lou
answers "Hardly, I'd say the opposite. Maybe hypertension". So called Proloid is a
code word for curare which relaxes the muscles (esp. respiratory muscles) to the
point of making them unable to contract, thus asphyxiating the victim. The
hypertension is a code word for the illegitimate medications that did the opposite.
The medications were given by Jackie to JFK in the morning on his assassination
day. Notice that at this point, the scene tries to create a calming atmosphere like
showing a dress of Catholic priest. Jim even says "Ferrie was the only one to
express any kind of remorse about the whole thing. I think it got him killed". This is
a reference to the time period (about 7 seconds) between Jackie's dart shot and her
bullet shot, when JFK was "calmed down" or relaxed by so called Jackie's remorse.
However, the scene quickly changes into a violent atmosphere by showing
somebody hacked to death with a machete. This illustrates the mix of relaxation
and violence in JFK's body which paralyzed him in a few seconds. The coroner
even says to Jim "He'd die quickly". This means that Jackie's chemical agent
worked quickly in JFK.
Picture 4 shows the "car in Miami" where so called Eladio del Valle is "hacked"
with so called machete. This illustrates the financial hacking, i.e. doling out of big
money to JFK killers and conspirators. Since the money is big, a financial machete
is used. In this context, Miami stands for McAllen, the home of Paymaster of JFK
assassination, the darling of central banking hook noses, Lloyd Bentsen himself.
Since the hacking with machete is for JFK assassination, the picture also illustrates
JFK assassination itself. The car plays the role of JFK limo. The machete
illustrates White Phosphorus (pointed by yellow arrow WP) used to burn JFK
alive. The Eladio del Valle is JFK pointed by red arrow marked JFK (only his leg
is visible). The man lying on his back along the car is John Connally lying on his
back and "fracturing" his Nipple&Bones in front of JFK. The yellow arrow C
points to the head of Connally. The "man" sitting in the front passenger seat is
Jackie. One of the following pictures zooms in on him and it indicates feminine
features on this "man". The yellow arrow J points to the head of Jackie. The man
standing in front of the car illustrates Clint Hill chasing JFK limo after Jackie fired
her bullet into JFK's head. The yellow arrow H points to the head of Clint Hill. In
other words, the car is flipped horizontally but its occupants are not. The "man"
hacking with a machete is Jackie's bullet. The machete stands for a match, a
common tool for starting a fire. The coated end of a match, known as the "head,"
contains Phosphorus as the active ingredient. In other words, the movie makers use
the machete to point to Phosphorus, the main ingredient of Jackie's incendiary
substance. The actual machete is also used to illustrate the fragments of Jackie's
bullet hacking JFK's jugular veins and arteries behind his right ear like a machete.
Pictures 5 and 6 have been cropped from two frames, a second apart. Picture 5
illustrates a match held by its head. I added a match on top to make it clearer.
Picture 6 shows a bright flash of light around the machete's handle (match's head)
in order to illustrate igniting of Phosphorus on the match's head. This illustrates
White Phosphorus being ignited inside Jackie's bullet and inside JFK's head.
Susie says "More bad news from Miami. They found Ferrie's Cuban friend Eladio
del Valle today hacked to death with a machete in his car. He was tortured, shot in
the heart at point-blank range, his skull was split open with an ax". The Miami is a
code for "McAllen, Texas. Big gun-running operation". The Cuban is obviously a
reference to so called Cubans led by 4-Star General Curtis LeMay who liked to
celebrate his victories by smoking Cuban cigars. One of the green gas cylinders
shown is a previous picture was his "Big Cigar". The Eladio del Valle is a code for
Lloyd Bentsen who was the Paymaster of JFK assassination. Apparently, the goons
who participated in JFK assassination or its cover-up jumped on Bentsen to get
paid and financially hacked him with a financial machete. After all, "book writers",
"scientists", "college professors", crapping their "research" for JFK assassination
research industry want to get paid too. In other words, according to Susie the bad
news is that the hook noses have to come up with more money.
Lou says "Ain't that the devil's piss!". As already explained, the devil's piss is a
code word for Phosphorus. So good, it ended up in the title of this section.
Picture 1 (seventh set of six pictures) zooms in on the "man" sitting in the front
passenger seat and holding Eladio del Valle. Just the closeness of this "man" to the
machete indicates that the machete has nothing to do with any real machete
because the "man" would get hacked along with Eladio del Valle. Notice the
feminine features in this "man". This is because he is Jackie holding JFK and
dragging him on the seat after she ignited the head of "match" (machete) inside his
head.
Picture 2 shows the same strange-looking ambulance gurney shown in a previous

picture. The gurney looks like a flatbed cart for moving very heavy objects like
gold. The so called "dead body" is the "Ferrie" removed from the sofa, i.e. M5E
removed from frame 314. The M5E is as heavy as gold because it as precious as
gold.
Picture 3 shows Jim's assistant Bill holding another white page. The white page
stands for Zapruder frame 315. Like in a previous picture where Bill was holding a
similar white page, he is also holding a pen. Now, this pen is reflecting light next
to the upper right corner of the white page. The left yellow arrow points to the pen.
Also, Bill does not hold the page by its upper right corner as before. This
illustrates the white mark M8E removed from the upper right corner of frame 315.
The original location of M8E is very high, above the top edge of Zapruder frame
312 which is used as a reference. Zapruder panned his camera higher between
frames 312 and 315. Since it would be strange for Bill to keep his hand suspended
above the white page, the movie makers use the light-reflecting pen outside the
boundary of the white page in order to illustrate that M8E is located outside the
boundary of frame 312 used as a reference because it is the last frame before
Jackie's shot and the most stable frame around her shot, either before or after.
Bill says "Found another note. Same thing. No name. No signature. 'When you
receive this, I'll be quite dead, so no answer will be possible. I offered you love,
and all I got was (kicked?)...'". The another note is a code for another white mark
M8E, painted by the same thing from Jackie's bullet. Recall Julia Mercer saying to
Jim "That is not my signature. And there never was any notary present during any
of my questioning". Hence, no name and no signature. The love refers to a Heart-
as-curare. The kicking part refers to Jackie's head kicked by the bouncing JFK's
head. Recall Maria in A Shot In The Dark, complaining about a bump on her head.
In picture 3, another thing to notice are the hooks on the hat rack standing next to
the window. The right yellow arrow points to one hook. This is a Finger-as-LBJ,
meaning that LBJ is around because the apartment plays the role of White House.
The movie A Shot In The Dark started the use of hat rack to illustrate LBJ's
fingers.
Picture 4 shows a photographer taking a photo of something or somebody on the

floor next to the sofa. Notice that one "dead body" was already carted away.
Apparently, the photographer and another man kneeling next to him are focused on
another thing still on the floor? Picture 6 provides another clue when Bill points to
the same spot on the floor and says to Lou "Watch your mouth! Ferrie did this to
himself". Bill points to Ferrie's dead body meaning his side for Jackie is still on the
floor.
Picture 5 shows the right side of Ferrie being killed during the second flashback.
This means that Ferrie's side with Jackie is being killed. Notice lots of hair under
the wig and plenty of bushy hair on his eyebrows. This looks more like the Ferrie
as seen when he was alive. There is a big white area below Ferrie's head in order to
illustrate a white mark getting whacked. Since this is the second one, it must be
M8E in frame 315. Notice that in both flashbacks, Ferrie is being asphyxiated in
order to make a reference to curare making the respiratory muscles unable to
contract.
Picture 6 shows several other things, in addition to Bill pointing to Ferrie as

already covered in paragraph for picture 4. If you flip picture 6 horizontally, then
you will realize that Bill and Lou use their left hands to illustrate the hands used by
Clint Hill and Jackie to pull their triggers. Here, Bill plays Clint Hill and Lou plays
Jackie.
Picture 1 (eighth set of six pictures) shows Lou throwing his coat. This is reference
to Jackie firing her bullet.
Picture 2 shows Jim surrounded by a crowd of reporters while it is raining. The

rain illustrates the fountains in front of US Supreme Court and White House
(Water-from-Washington) meaning Ferrie's "apartment" is White House. Also, the
frog called Warren might be croaking from his fountain. The canopies of open
umbrellas make a Triangle-as-theFed. The man holding an umbrella on the left
side is Bill's "uncle" playing Warren and McCloy through the proxy of Allen
Dulles. This will become clear in picture 6.
Picture 3 shows Bill opening a car door. This is a reference to an old film showing
Allen Dulles allegedly entering a car with his chauffeur holding the door for him.
The movie includes a clip from this film (movie time 1:58). The section about Mr.
X explains the background. This means that Bill plays somebody like a chauffeur
for Dulles or McCloy. Bill himself plays Clint Hill.
Pictures 4 and 5 should be interpreted together. Bill is standing in front of a fence

made of spear-shaped vertical bars (Spears-as-WhiteHouse). The movie includes a
clip from old film (movie time 0:02) showing Allen Dulles walking next to a
similar fence, as shown in picture 5. This is another clue about the role of Bill's
uncle in this scene.
Picture 6 shows the head of Bill's uncle. Notice the high eyebrow on his right side
(Eyebrow-as-Warren). Recall Beverly saying "He was a weird looking guy, he had
these eyebrows, this guy looked like a buzzard". In this movie, a high eyebrow
stands for Earl Warren. This is Warren talking to Clint Hill depending on the
context.
Bill's uncle says "We're talking about your career. Your life. You're a young guy.
You're working on the Castro thing". This is Warren talking to Clint Hill (young
guy). The Castro is a code word for JFK or LeMay who assassinated JFK, either
way Castro thing is a reference to Curtis LeMay smoking Cuban cigars and
assassinating JFK.
Bill's uncle says "We know Oswald didn't pull that trigger. Castro did. If it comes
out, there'll be a war. Millions of people will die. That's more important than Jim
Garrison". The millions of people dying refers to the Fed blackmailing US
Congress by using their apes like LeMay (Garrison).
Bill's uncle says "Shut up! If you got a brain in your thick skull, listen to me. Listen
real hard. Get in the car". The thick skull refers to Clint Hill who is not very
bright, basically a retarded ape. The "get in the car" orders Clint Hill to testify for
Warren Report.
This scene adds another meaning to Jim's saying "Let justice be done, though the
heavens fall". This is a reference to the expression "He to whom it comes falls"
reportedly said by the Indians of Guyana in South America, each time the arrows
tipped with curare hit their preys. The Justice is also a reference to Warren, so
called Chief Justice.
Meeting with Mr. X in Washington, D.C. (1:49)
In this long scene, Jim has a meeting with Mr. X in Washington, DC. Mr. X talks
about so called Mr. Y. Officially, Mr. X is supposed to disguise Leroy Fletcher
Prouty who publicly connected Edward Lansdale to JFK assassination, meaning
that Mr. Y is supposed to play Edward Lansdale. In spite of this secrecy, the movie
openly reveals the official identity of Mr. Y through his nameplate and the official
identity of Mr. X through the books and interviews of Leroy Fletcher Prouty.
However, it is not so simple like everything else is not so simple in this movie. The
movie is more complicated than JFK assassination itself!
After decoding, Mr. X plays Edward Lansdale himself and Mr. Y plays Curtis
LeMay. The nameplate revealing the name Edward Lansdale belongs to Mr. X
himself. This is one of many tricks (flipping) used throughout the movie. One clue
is provided when Mr. X says "I was sent by my superior officer, call him Y, to the
South Pole as the military escort for a group of international VIP's". When all
other little clues are put together, the South Pole is the southern part of the United
States like Texas or Dallas. JFK was an international VIP. Another clue is
provided when Mr. X makes a ClassRing-as-Lansdale. If this is not enough, the
movie inserts a LeMay-looking head behind the head of Mr. Y in a few frames. Mr.
Y himself makes a 4Finger-as-LeMay.
The name for Mr. X came from two things. Firstly, it came from the cartoon
Plastered In Paris, covered in the chapter for Pink Panther. In this cartoon, Mr. X
plays a fugitive chased by The Inspector and his assistant Deux-Deux (Doo-Doo
like in Dum-Dum). Mr. X is equivalent to JFK killers chased by Clouseau'Z in
"JFK assassination research" industry. Secondly, the name Mr. X came from the
mark X painted on Elm Street in order to mark the spot where JFK was
assassinated by Jackie. Edward Lansdale painted it and that is why Mr. X plays
Lansdale. There is no mark Y yet on the spot where Clint Hill finished JFK off.
However, there is Mr. Y playing Curtis LeMay.
During this scene, Edward Lansdale brags about his role in JFK assassination to
none other than Earl Warren played by Jim. Recall David Ferrie saying (movie
time 1:40) "Everybody keeps flipping sides. It's fun and games". The movie makers
use Prouty as a proxy for Lansdale as part of the flipping like in a game. They also
use Lincoln Memorial as a proxy for US Supreme Court, because both buildings
look similar and are on the opposite sides of the National Mall making them good
candidates for flipping sides. The whole movie is full of proxies like stoop on hobo
is meant as stoop on homo (Lansdale) because the hobo is next to the homo, both
physically in the picture and also syntactically in the words.
In this scene, Mr. X says "That's the real question, isn't it? Why? The how and the
who is just scenery for the public. Oswald, Ruby, Cuba, the Mafia, keeps them
guessing, like a game. Prevents them from asking the most important question:
why?". This is the type of justification used by all Proutys, Garrisons, Stones, etc,
to hide the names of JFK assassins behind their idiotic noises because the why is
more important than the who or the how. They secretly encode the who and the
how in their books or movies with different signal to noise ratios, while all the
dummies listen only to the noise regardless of the ratio.
Mr. X says "It's as old as the crucifixion. Or the military firing squad. Five bullets,
one blank" while the background audio includes sounds of flying US Air Force
planes. As you know, crucifixion is a deliberately slow and painful execution.
Jackie crucified JFK by setting his head on fire at 5000 F for about 15 seconds
until Clint Hill executed him at point blank range like a firing squad. The five
bullets came from Pentagon with five sides, one bullet from each side. The flying
US Air Force planes refer to the three US Air Force Generals: Curtis LeMay,
Thomas Power, and Edward Lansdale. However, the expression "Five bullets, one
blank" also refers to the Executive Order 11110, meaning five digits and one of
them is zero (blank) that lead to the crucifixion of JFK.
This scene makes many references to the Federal Reserve System responsible for
JFK assassination. The movie shows frequently the Washington Monument. This
is a Triangle-as-theFed, meaning a reference to the pyramid on $1 Notes of the
Federal Reserve criminal enterprise. The Notes are called incorrectly US dollars.
Also, notice that the face of Donald Sutherland, the actor playing Mr. X, is shaped
like the Federal Reserve pyramid upside down. Apparently, this is how he got the
role.
Another important reference to the Federal Reserve System appears when Mr. X
says (movie time 2:03) "There are no compromising connections except at the
most secret point. But what's paramount is that it must succeed. No matter how
many die, how much it costs,...". At that point the movie shows a mix of clips of
old films or recreated scenes showing elements of Power Structure. This means
you have to look for the most secret point in the clips. Most of the points are public
films showing top Generals and Admirals, LBJ, etc. However, the most secret
point appears to be a recreated meeting between a few characters dressed like
bankers and one character looking like Allen Dulles. The meeting appears to take
place in the financial district of New York City because of the view through the
windows. It takes place in a large room with ornate carved oak walls like inside the
Federal Reserve Bank of New York at 33 Liberty Street in New York City. The
Godfather shows explicitly the whole front wall of this building. This is the Bank
that effectively runs the whole Federal Reserve, the fraudulent system that controls
the world's finance and therefore everything else. The owners of the Federal
Reserve System are secret, therefore this is the most secret point that Mr. X refers
to. The owners of the Federal Reserve System consider themselves as the elite of
all societies, like the top (paramount) of pyramid. Mr. X also refers to the Federal
Reserve System with unlimited amount of printed money when he says "No matter
how much it costs". Recall Jack Martin saying "One guy, I don't know, big, white
hair....He had something to do with money". In addition to the ornate carved oak
walls, the most secret point of this scene shows one guy with white hair mentioned
by Jack Martin. This is another reference to John J. McCloy. The white hair is just
a code for his bald scalp. Notice that the central banking hook noses love to
surround themselves with ornate carved oak walls like woodpeckers. Apparently,
their hook noses are also designed to drill holes in oak in addition to your pockets.
Yet another thing to notice is Allen Dulles talking to John J. McCloy. This is a
signal that CIA is just an enforcement arm for the central bankers (the Fed). CIA
has nothing to do with protecting US national interests. Its sole role is to
assassinate the enemies of the central banking hook noses. Like all Directors of
CIA, Allen Dulles was just an ape dumb enough to chase Communists around the
world while the ape was actually working for the top Communists.
Another important reference to the Federal Reserve System appears when Mr. X
says "How about the F-111 fighter. General Dynamics. Who owns that". This is a
reference to the fighter fighting JFK's Executive Order 11110. General Dynamics
is a code word for the Federal Reserve. Immediately before the line with "F-111
fighter", Mr. X talks about First National Bank of Boston in order to associate this
line with banking. In other words, Mr. X advises to find out the secret owners of
the Fed who are the real killers of JFK.
Another important reference to the Federal Reserve System is made through the
Executive Office Building next to the West Wing of White House. The movie
shows its cropped view to make it look like the Federal Reserve Bank of New
York at 33 Liberty Street in New York City. The Godfather shows explicitly the
whole front wall of this building. At the same time, the movie makes clear that
Dulles is mainly used as a proxy for McCloy. The movies also use the Federal
Reserve Bank of New York as a proxy for Chase Manhattan Bank chaired by
McCloy. This is all part of the flipping.
Another important reference to the Federal Reserve System is made through

Onassis who hosted Jackie and Clint Hill at his home in Greece. The code for his
home is special camp outside Athens, Greece. This is where JFK assassins had
their "boot camp" (special camp) one month before JFK assassination. Onassis'
shipping business was a cover for the smuggling of illegal drugs around the world.
Onassis had the brains to run a legitimate business like a rat hiding in a sewer
under your feet. All the major illegal drug trade is run by the secret owners of
Federal Reserve System, providing them with hard cash. One of the owners is the
inbred cow calling herself the Queen of England. Onassis comes handy as another
proxy for McCloy because both were short men, around 5'5".
This scene encodes a critical information that Curtis LeMay ordered Edward
Lansdale to come up with JFK assassination plan. The encryption key is so called
"wind" illustrated by a puff of smoke.
This scene covers the roles of Umbrella Man (UM) and Dark Complected Man
(DCM) during JFK assassination. The movie suggests that UM was a conspirator
working as a guiding post (signpost) for Jackie. His open umbrella raised high was
a sign for Jackie when to do a specific task before firing her bullet so that Zapruder
camera could have the best view of her turkey shoot. The secondary role of UM
was to make the bystanders look at him instead of JFK limo. Probably he was
moving his umbrella up and down to attract attention to himself. On the other
hand, the movie suggests that DCM was one of Army intelligence people, either in
full capacity (one man) or in a related capacity (0.5 man). DCM knew about JFK
assassination and he was trying to warn JFK. UM and DCM did not know each
other.
During this scene, Jim plays Warren and McCloy. At the end, in front of JFK
gravesite, he plays Allen Dulles standing next to JFK assassins, Jackie and Clint
Hill, who make a sudden appearance. This scene also shows many symbols needed
to decode other scenes.
Picture 1 shows an aerial view of Lincoln Memorial as a proxy for US Supreme

Court, because both buildings look similar. The location of the actual US Supreme
Court is indicated by the vertical yellow arrow. This means the movie flips the
sides. This also means that the actual US Supreme Court has to refer to something
on the side of Lincoln Memorial. This something is the building of the Federal
Reserve at Constitution Ave, as indicated by the horizontal yellow arrow. The
purpose for showing the aerial view of Lincoln Memorial is to create the symbol
Square-as-SupremeCourt because the rectangle or square on top is easier to see.
When you watch the movie, notice how the camera cuts off the top of Washington
Monument. This is because the top shows a triangle that stands for Triangle-as-
theFed and showing two different symbols at the same time would be confusing.
During the Agony Party, the "young man" is dressed like an obelisk (Washington
Monument) in order to make a Triangle-as-theFed.
Picture 2 has been cropped from a photo available on the Internet, not from this
movie. It also shows an aerial view of Lincoln Memorial but from a slightly
different angle showing the building of the Federal Reserve indicated by yellow
arrow. Notice that in picture 1, the movie cuts off the view just enough so that the
building of the Federal Reserve is excluded. The movie also excludes a part of the
triangular gable under the roof of US Supreme Court (movie time 2:03), as seen in
picture 3 and indicated by yellow arrow. Two different pictures cut off in a similar
way send a message that this cutting refers to the same thing, something cut off in
picture 1, i.e. the headquarters of the Fed. This means also that the triangular gable
does not refer to US Supreme Court but to the Fed, and it creates the symbol
Triangle-as-theFed.
Picture 4 shows the headquarters of the Federal Reserve as seen from Constitution
Ave. The yellow arrow points to the Crow that Clouseau shoots down in A Shot In
The Dark.
Picture 5 shows Jim opening an umbrella. Notice that as soon as Jim opens the
umbrella, Mr. X appears meaning the open umbrella is a signal by attracting
attention. That is why a few minutes later, this scene also shows the Umbrella Man
(UM) doing exactly the same thing, as shown in picture 6. The movie makers made
Jim open his umbrella on the other side, and I had to flip picture 5 in order to
match the sides. In other words, the movie makers are sending a signal that the role
of UM was to attract attention to himself and to make the bystanders look at him
instead of JFK when Jackie was assassinating him. However, the canopy of open
umbrella also makes a Triangle-as-theFed meaning that Jim plays McCloy. He
also plays Warren because of Square-as-SupremeCourt.
Picture 1 (second set of six pictures) shows the dome on top of US Capitol
building. The purpose is to create a symbol Round-as-Capitol so that other scenes
can use round objects to refer to US Congress like Jackie's Congressional
testimony.
Pictures 2 and 3 should be interpreted together. Picture 2 shows Vietnamese-

looking paratroopers jumping from a plane when Mr. X says "We overthrew
Quirino in the Philippines ... Vietnam in '54 ... we were good, very good". Picture 3
shows helicopters flying over a jungle, a few minutes later, when Mr. X is talking
about the loss of 3000 helicopters in Vietnam. Mr. X does not care about any loss
of helicopters. This is Lansdale bragging to Warren about tossing (overthrowing)
Vietnamese out of flying choppers for fun because he was very good. This
information comes from Leroy Fletcher Prouty.
Mr. X says "Kennedy wouldn't invade [Cuba] and we were standing out there with
our dicks in the wind. Lot of pissed-off people, Mr. Garrison, you understand?"
The expression "in the wind" refers to LeMay blowing smoke in the direction of
anyone challenging his position. Later, this scene shows two moments with LeMay
blowing in the wind, that is why Mr. X says also "I'll come to that later". The
demented Curtis LeMay is also known for loudly urinating (pissing) during
meetings whenever there was a toilet nearby. This was his way of voicing his
opinion when he was in bad mood (pissed off). That is why one scene calls the
white marks "Devil's piss".
Mr. X says "I spent much of September '63 working on the Kennedy plan for
getting all US personnel out of Vietnam by the end of 1965. This plan was one of
the strongest and most important papers issued from the Kennedy White House.
His National Security Action Memo 263 ordered home the first 1,000 troops for
Christmas". The National Security Action Memo 263 is a code for JFK
assassination. The planning for JFK trip to Texas started in September. Here.
Vietnam is a code for Zapruder frames 313-315, equivalent to years 1963-1965,
where all eight white marks appeared. This means that Christmas (1963) is a code
for the end of Zapruder frame 313. The US Personnel is a code for the projectiles
PWM and PBF. According to Kikipedia, this movie claims that NSAM 263 is a
motive (key motive) to assassinate JFK (kiki link) which means that Once Kiki
always Kiki.
Picture 1 (third set of six pictures) shows the aerial view of Pentagon when Mr. X
says "the first 1,000 troops for Christmas". I included three yellow arrows. The
arrow in the middle points to the center corresponding to the place where Willie,
Jim, and Bill, sit on five tree logs (Pentagon) during the prison scene in Angola.
Willie says "Dave's smart, though, real sharp. Speaks five languages. Knows
philosophy, medicine, military, history, politics" where Dave plays Edward

Lansdale (Mr. X). Picture 1 shows two sides of Pentagon, the western and southern
side. Since this scene is mainly about medicine applied to politics, Senator Long
would probably agree that his "F..king out of control" takes place in the western
and southern sides of Pentagon, where fags speak two languages medicine and
politics. The yellow arrow on the leftmost side points to the outside of picture 1,
towards the place called "swamps". This scene shows Pentagon because it is
needed to decode the prison scene in Angola (Pentagon). The second yellow arrow
from the left side, points to the spot where so called "terrorists" attacked the fags
hiding inside Pentagon. Until this day the fags cannot find Yummy Rummy who
terrorized them from behind on 9/11 on behalf the same hook noses who ordered
JFK assassination (youtube link). Apparently, the fags inside enjoy too much
philosophy, medicine, military, history, politics.
Picture 2 shows Mr. X raising his right arm and pointing with his right index finger
This is a Finger-as-LBJ, meaning that at this moment Mr. X plays LBJ and the
woman next to him plays Jackie, both inside the White House. The purpose of this
is to associate Pentagon with the White House for the prison scene in Angola
where a rusted water tank stands for ball-shaped shrub in front of the White House.
This means that the "prisoners" next to the water tank play people close to the
White House like LBJ, McNamara, Connally, etc. Picture 2 shows Mr. X walking
along the hallway, but in a few seconds he will use his right hand to point to a
wall-mounted water fountain which is the link to ball-shaped shrub as explained in
the section about the prison scene.
Picture 3 shows Mr. Y's female secretary. She plays Jackie. The yellow arrows
point to Jackie's assassination tools. The right arrow points to a cigarette held in
her left hand. The cigarette plays the role of her trigger. Jackie was also a heavy
smoker. The left yellow arrow points to a pipe-looking object in her right hand.
The pipe plays the role of her gun barrel. Her Beehive hairstyle makes a reference
to Marie Antoinette Pouf (MarieAntoinette-as-Jackie). She is wearing a pearl
necklace like Jackie. There is also another Jackie inside the office.
Picture 4 shows three men sitting inside Mr. Y's office and three yellow arrows.
The picture has been flipped horizontally after cropping. The left arrow points to
the head of Mr. Y. The pale face and the dark sunglasses make the head look like a
human skull. This head is referenced in other scenes, either as LeMay or some type
of White Phosphorus like the "blob". The right arrow points to a cigarette held in
left hand meaning the man is Jackie with the same meaning like in picture 3. The
middle arrow points to left hand holding a revolver without the revolver, meaning
the man is Clint Hill.
Picture 5 has two parts. The left half has been cropped from one of the frames
showing Mr. Y from behind. It shows a man's head partially blocked by Mr. Y
which does not make sense because this part of office is shown empty just before
switching to this view. Apparently, the movie makers inserted this head to suggest
the head of LeMay. The right half of picture 5 shows LeMay's head rotated to
match the other head. Clearly, these two heads look very similar, meaning Mr. Y
plays LeMay.
Picture 6 shows Mr. Y displaying his four fingers when Mr. X is leaving. This is a
4Fingers-as-LeMay for the 4-Star General.
Mr. X says "We never would've allowed all those wide-open empty windows
overlooking Dealey. Never. We would have had our own snipers covering the
area". The windows refer to the command center in NW turret of Old Red
Courthouse or the 5fh floor of Terminal Annex building located at the SW corner
of Houston and Commerce Streets. The snipers refer to the camera operators like
Patsy Paschall or binoculars operators like Harry Holmes.
Pictures 1 to 5 (fourth set of six pictures) correspond to the clip of Hughes film
included when Mr. X talks about Dealey Plaza. Pictures 1 and 2 show two
complete frames selected from the clip. Pictures 4 and 5 show the corresponding
frames in the actual Hughes film. Since the movie is widescreen, the move makers
had to select either lower or upper part of Hughes film. It would be natural to select
the lower part. The only reason to select the upper part is to make a reference to the
command center and observation post located on the upper floors of Old Red
Courthouse (pictures 1 and 4) and Terminal Annex building (pictures 2 and 5). In
this clip, the movie makers also encode another important information. In picture
1, I added one yellow arrow pointing the NW turret with a white mark just below
the top window. Picture 3 zooms in on this white mark. The scene with Jean Hill
pointing to Old Red Courthouse (movie time 1:09) includes the white mark M5E
(Oswald) on S1 turret. This would imply that the movie makers chose S1 turret as
a diversion and the real target is NW turret where the command center was located.
The S1 turret was probably used because of Wade himself, probably his office was
located there.
Picture 6 (movie time 1:55) shows Jackie and JFK at Love Field airport about 45
minutes before the assassination. Mr. X says "We'd be watching the crowd,
packages, rolled-up newspapers, coat over arm" while Jackie is in the foreground.
It does not take a brain surgeon to figure out that the movie makers mean Jackie as
one in the "crowd" to watch. The so called "packages" means her handbag with a
firearm inside. One of the "rolled-up newspapers" is her pillbox hat because it is
folded up (rolled up). The other two "rolled-up newspapers" are in Goldberg's
breast pocket, as explained in the first section about the court room scene. Another
meaning of "rolled-up newspaper" is Zapruder film. Keep in mind that Mr. X is
bragging about his plan meaning Abraham Zapruder was filming JFK's head
exploding so that JFK killers could show off their alleged powers later. The
expression "coat over arm" is also interesting. It refers to Jackie's famous red pink
suit and virtually unknown handbag used as a firearm (red coat over arm).
Picture 1 (fifth set of six pictures) shows the famous Umbrella Man (UM) opening
his umbrella on Elm Street, while a woman is walking in front of him and two men
are sitting behind him. Before reaching UM, the woman is shown carrying a small
handbag with two white pieces sticking out. Picture 2 zooms in on her handbag
before it disappears out of the view. Believe it or not, the two white pieces sticking
out from the handbag are two feathers sticking out from the tail of Curtis LeMay
chicken in the cartoon Cock-A-Doodle Deux-Deux, covered in the chapter for
Pink Panther. Picture 3 shows this chicken ironing pants at a high elevation. This
is an illustration of Air Force General Curtis LeMay flying high in the sky. LeMay
is also known as "Old Iron Pants". In other words, the handbag is Curtis LeMay's
pants. I added yellow arrows in pictures 2 and 3 to point to LeMay feathers. On the
more serious side, the two pieces/feathers sticking out stand for two explosions
made by Jackie's cartridge, i.e. her turkey shoot. Notice that UM opens his
umbrella when the woman reaches him. Considering that the woman illustrates
JFK limo with Jackie, this is very significant because UM opened his umbrella at
least seven seconds before JFK limo reached him. Another important thing to
notice about UM is that the sign for Highway 77 is too high. Picture 4 has been
cropped from a photo showing UM and DCM immediately after JFK assassination.
The sign was much lower. The movie makers also avoid showing the main sign
STEMMONS FREEWAY because it would reveal the discrepancy much better. The
signpost attracts attention. In other words, the primary role of UM was to act as a
signpost or guiding post for Jackie. The open umbrella raised high was a sign for
Jackie when to do a specific task before firing her bullet so that Zapruder camera
could have the best view of her turkey shoot. The better the view, the bigger
bragging rights for the central banking hook noses and the bigger payouts for the
conspirators. The secondary role of UM was to make the bystanders look at him
instead of JFK limo. Probably he was moving his umbrella up and down to attract
attention to himself.
Mr. X says "Never would've let a man open an umbrella along the way". Since the
movie shows UM opening his umbrella, this means that he was a conspirator
because Mr. X is bragging during this scene. The two men sitting behind UM are
also important because the man wearing dark sunglasses plays Dark Complected
Man (DCM). Recall that the real DCM was standing directly on the right lane and
waving his right arm. Here, he just sits with his arms crossed. This means that
DCM was not a conspirator. Most probably, he was trying to save JFK. Also notice
the camera usually shows half of the second man. During the court room scene,
Jim says "Probably two to three more men are down in the crowd on Elm",
meaning 2.5 men. This means that two men sitting behind UM stand for 1.5 men.
There has to be another full man somewhere else.
Pictures 1 and 5 refer to Mr. X saying (movie time 1:55) "On that day, in fact,
there were some individual Army intelligence people in Dallas. I'm still trying to
figure out who and why. But they weren't protecting clients". This means that
DCM was one of Army intelligence people, because there is no public information
available about DCM. Mr. X has to refer to DCM because he says "I'm still trying
to figure out who".
Picture 5 shows two men where one man is taking photographs. One of them has to
belong to the Army intelligence people. The role of the man taking photographs is
ambiguous because he wears a class ring on his left ring finger making it a
ClassRing-as-Lansdale. In that case, the man next to him would be one of Army
intelligence people. There was one "photographer" called Robert Hughes making
an 8mm film on the assassination day. The movie includes a short clip from
Hughes film. When Mr. X says "still trying to figure out", he clearly does not mean
Hughes. In any case, Robert Hughes was an "amateur photographer" like Zapruder
was one. Another possibility for the man taking photographs is Patsy Paschall. The
court room scene shows one man in the same spot. The man holds a stopwatch
turning him into a watchtower playing the role of NW turret of Old Red
Courthouse. The question remains what is 0.5 man. Probably it means a young boy
like a young son of "Army intelligence" man, or a man only associated with "Army
intelligence". It does not mean that 0.5 man was next to DCM.
Picture 6 shows JFK limo turning the corner of Houston and Elm Streets. Mr. X
says "Never would've allowed that limo to slow down to 10 miles an hour. Much
less take that unusual curve at Houston and Elm". This has nothing to do with the
curve at Houston and Elm. So called curve is a code for JFK limo changing the
lanes before the tunnel from the middle lane to the right lane, and then slowing
down to 10 mph inside the tunnel so that Clint Hill could have the best spot and
enough time to split open JFK's head inside the tunnel.
Picture 1 (sixth set of six pictures) shows JFK limo with one window half raised
(yellow arrow points to it). This corresponds to Mr. X saying "The moment a
window went up they'd have been on the radio". JFK killers used the half-raised
window as a go-ahead signal to all conspirators waiting in Dealey Plaza, the goons
like Jean Hill and all firecracker operators. The term "radio" is a code word for
Jackie as explained in other sections.
Picture 2 shows an old photo with LBJ taking Oath of Office and Jackie standing
next to him. Mr. X says "It was radioed to Johnson that there was one assassin". In
this picture Jackie is still the spotter on a radio, standing, and watching. In other
words, Jackie is the radio receiving the message radioed to Johnson.
Mr. X says "Who could have best done that? Black ops, Mr. Garrison, people in
my business". Here, Mr. Garrison is LeMay as one of the people in Mr. X's
business. In this context, Mr. Garrison does not refer to Jim.
Picture 3 shows Mr. X making a ClassRing-as-Lansdale. Notice that the original

photo with three hoboes/tramps appears to show Lansdale wearing his class ring on
left middle finger. However, the recreated scene shows him wearing it on his left
ring finger. Picture 3 could be flipped, so the ring finger is the key.
Mr. X says "Does that sound like a bunch of coincidences to you, Mr. Garrison?
Not for one moment. The cabinet was out of the country to get their perception out
of the way. The troops were in the air for possible riot control". This is a reference
to the US Treasury Secretary Douglas Dillon. Reportedly on JFK assassination
day, he was on the plane with some Cabinet headed to Japan. He delegated control
of the Treasury Department to his General Counsel. Dillon was a top conspirator.
He wanted to get his perception out of the way because he was in charge of the
Secret Service splitting open JFK's head. The troops refer to so called Garrison
meaning Curtis LeMay who also wanted to get his perception out of the way by
being in Canada at that time. As soon as the news about JFK assassination broke,
he flew back to Washington, DC, for so called "riot control".
Mr. X says "There was something deeper, uglier. I knew Allen Dulles very well. I
briefed him many times in his house. But for the life of me I still can't figure out
why he was appointed to investigate Kennedy's death. The man who had fired him.
Dulles, by the way, was also General Y's benefactor. I got out in '64. I resigned my
commission". Keep in mind that this is Edward Lansdale talking which means
something deeper uglier does not refer to the military. What else could that be?
The answer is the Federal Reserve! Mr. X draws a big distinction between Dulles
on personal level and his "appointment to investigate". This means that the
appointment also refers to the Federal Reserve. In other words, John J. McCloy
was appointed to investigate on behalf of Federal Reserve. McCloy was a member
of Warren Commission. Here, Dulles is just a proxy for McCloy. In this context,
JFK effectively fired McCloy by signing his Executive Order 11110. McCloy was
LeMay's benefactor and not Dulles. More on it in the next set of pictures. Edward
Lansdale got out at the end of 1963 and probably formally (commission) in 1964.
Picture 4 shows the Washington Monument including the triangle on top

immediately after Mr. X says "Why? Why was Kennedy killed? Who benefited?
Who has the power to cover it up? Who?". This is a classical Triangle-as-the Fed
as the answer to the why and the who.
Pictures 5 and 6 should be interpreted together. Both correspond to Mr. X saying

"How about the F-111 fighter? General Dynamics of Fort Worth, Texas Who owns
that?". This has two meanings. The first meaning about Federal Reserve is
explained in the introduction to this section. The second meaning is visual. Picture
5 shows two fighters playing the role of two erased white marks M5E (Oswald)
and M8E (Ruby). Picture 6 shows six fighters playing the role of six white marks
still remaining in Zapruder frames. In other words, Mr. X advises to find out the
owner of the white marks pointing to JFK killers. The owner is Jackie.
Mr. X says "The organizing principle of any society, Mr. Garrison, is for war. The
authority of the state over its people resides in its war powers.". Here, he says
LeMay is for war and this is the organizing principle.
Mr. X says "In 1961, right after the Bay of Pigs, very few people know about this, I
participated in drawing up National Security Action Memos 55, 56, and 57. These
are crucial documents, classified Top Secret, but basically in them Kennedy
instructs General Lemnitzer, Chairman of the Joint Chiefs, that from here on
forward, the Joint Chiefs of Staff would be wholly responsible for all covert
paramilitary action in peacetime. This basically ended the reign of the CIA,
'splintered it', as J.F.K. promised he would, into a 'thousand pieces', and now he
was ordering the military to help him do it. This was unprecedented. I can't tell you
the shock waves this sent along the corridors of power in Washington". Here, Mr.
X is talking about JFK assassination. The Memos is a code for the most important
Zapruder frames (Top Secret) in the context of the white marks: frame 313 (Memo
55), frame 314 (Memo 56), and frame 315 (Memo 57). The "year 1961" refers to
Zapruder frame 161 which corresponds to Croft photo showing Jackie's
preparations to shoot her dart gun. This means that Bay of Pigs is a code for the
sharp turn of about 120 from Houston Street to Elm Street. Obviously, such a turn
looks like a bay on any map, meaning the Pigs are the Secret Service pigs
assassinating JFK. The movie shows an actor in uniform of 4-Star General who is
supposed to be Lemnitzer but in fact he plays Curtis LeMay. Here, Lemnitzer is a
proxy for LeMay. The thousand pieces refer to the fragments of Jackie's bullet
after the booster explosive splintered it. A military ape LeMay assassinating JFK is
unprecedented, hence the shock waves. When watching this scene, notice the
paperclips on the Memos carried by a Pentagon stooge to so called Lemnitzer. The
paperclips are also referenced in another scene. One paperclip refers to one erased
(clipped) white mark.
Pictures 1 to 6 (seventh set of six pictures) and pictures 1 to 3 of the next set
correspond to Mr. X talking about "the firing of Allen Dulles and secret cows in
Intell since WW2" (movie time 1:58). He also says "Kennedy's directives weren't
really implemented because of bureaucratic resistance". As stated in the previous
set, Dulles is a code for McCloy. Here, Kennedy's directives refer to JFK's
Executive Order 11110 never implemented because McCloy put the monkey LBJ
into the White House.
Picture 1 shows Dulles leaving the West Wing, Spears-as-WhiteHouse. At this

point, the movie makers are trying to link Dulles to McCloy by employing a few
tricks. Immediately after picture 1, they show somebody getting into the car with a
chauffeur holding the door, as shown in picture 2. Normally, you would assume
that picture 2 shows Dulles' back. Picture 3 has been cropped from a frame
showing the car leaving. It shows a hand inside the car holding a cigarette,
apparently tapping the ashes. The yellow arrow points to the cigarette. With its
fingers forming a triangle, the secret hand makes a Triangle-as-theFed. Also, what
happened to Dulles' pipe? When chauffeur closes the door, only Dulles is inside.
The clue comes from the scene at movie time 0:17 where Numa makes a Triangle-
as-theFed with his hand, as shown in pictures 4 and 5. At that time, Numa plays
McCloy (Boss). In picture 4, I added two yellow arrows. The left arrow points to
Numa's hand forming a triangle. The right arrow points to another hand holding a
cigarette. The cigarette is there for a reason because Numa's hand is empty. Picture
5 shows Numa's hand also forming a triangle but this time holding a cigar. The
movie makers are trying to cover both possibilities that the secret hand in picture 3
could be holding either a cigarette or a thin cigar.
Picture 6 shows the West Wing in the background when the alleged Dulles car is
leaving. This is helpful for the next set of pictures.
Picture 1 (eighth set of three pictures) zooms in on the building in the background
when the alleged Dulles car is leaving. Now the building is not West Wing.
Apparently, this is the other side of the same road meaning it is Executive Office
Building. The movie makers show just enough of this building to suggest another
building that looks almost the same from this cropped angle. Picture 2 shows the
equivalent view of the Federal Reserve Bank of New York at 33 Liberty Street in
New York City. The Godfather shows explicitly the whole front wall of this
building. In other words, this is another clue about the identity of the person inside
the car. It is irrelevant who is actually inside the car. However, the circumstances
and the context are clear enough. Dulles is used as a proxy for McCloy. The
Godfather does the same thing.
Picture 3 has been cropped from one frame that shows a hanging noose over the
head of the person inside the car. Only one frame shows the noose. The movie
makers also added a similar hanging noose around the neck of Earle Cabell shown
in the scene about triangulated crossfire (movie time 1:18).
Pictures 1 to 5 (ninth set of six pictures) correspond to a recreated meeting where

several Generals and "civilians" participate (movie time 2:01). In picture 1, I added
three yellow arrows. The left arrow points to a 4-Star General who looks like the
actor playing General (Jeneral) Lemnitzer. The middle arrow points to a strange
character who wears US military uniform without rank insignia even though a
military man would have to be a top General in order to attend this type of
meeting. The right arrow points to a "civilian".
Pictures 2 and 3 show the "civilian" blowing big puff of smoke. This smoke is a
clear reference to LeMay known for blowing smoke in the direction of anyone
challenging his position. That is why Mr. X said a few minutes ago "we were
standing out there with our dicks in the wind....Mr. Garrison, you understand?.. I'll
come to that later". The "civilian" is LeMay and the smoke seen in pictures 2 and 3
is his "wind". That is why Mr. X says "Mr. Garrison, you understand?" because
Garrison means LeMay. The "civilian" also talks like LeMay. For example, he
says "There he goes again. Got his hand on the chicken switch". The script writers
treat the chicken switch as the ironing tool held by the ironing chicken playing
LeMay in the cartoon Cock-A-Doodle Deux-Deux, already shown in one picture in
this section.
Picture 4 zooms in on the head of the military man without rank insignia. Notice
that his ear is covered with some dark fabric. Another scene also shows his ear
covered with a similar dark fabric. Clearly, this must be an ear patch on deaf ear
like an eye patch on blind eye. The ear patch means that he is deaf. The missing
rank insignia means that he is stripped of his rank like a convict. In other words, he
is a deaf convict, a deaf con. He also sits very close to the 4-Star General next to
him and moves his head like his clone.
When you put the pictures 1 to 4 together, you will realize that the military man
without rank insignia plays Thomas Power who ordered "Defcon 2" during the
Cuban Missile Crisis. The 4-Star General plays Curtis LeMay. Thomas Power was
a clone of LeMay. Since Power is sitting next to LeMay as his number 2, Thomas
Power is Defcon 2, meaning LeMay is Defcon 1.
Picture 5 zooms in on the nameplate of the military man without rank insignia. The
name is not visible enough but the first letters appear to be PO. This is another clue
about Thomas Power. The movie references him in several other scenes. The
movie characters playing him never talk.
Picture 6 zooms in on the nameplate of "Mr. Y" where you can recognize M/Gen.
E.G. Lansdale. If you look closely at this picture then you can also find three
references to the shots fired by Jackie and Clint Hill. I added three yellow arrows
to point to them. The left arrow points to a crystal ball with a white object inside.
This is Jackie's turkey shoot with her bullet containing White Phosphorus. The
arrow in the middle points to a bright spot on ball-like object that also has a dot on
its side. The dot plays the role of an ear on human head so that you can place the
bright spot relative to the ear. This is Clint Hill's bullet shot that split open JFK's
head. The arrow on the right side points to a pen holder. This is Jackie's dart shot.
When the movie shows picture 6, it also shows dark silhouette of the left profile of
the actor playing "Mr. Y", where you can recognize a moustache like the one
shown on the actor playing "Mr. Y" next to the three hoboes/tramps near Texas
School Book Depository. His face even looks similar to the real Lansdale. This
means both play Edward Lansdale. However, the key to realize is that "Mr. Y" is
actually Mr. X talking to Jim. The actual Mr. Y is Curtis LeMay or so called Mr.
Garrison that Mr. X mentions a few times.
When the movie shows picture 6, Mr. X says "I think it started like that. In the
wind. A call is made" (movie time 2:02). This is a clear signal that Curtis LeMay
(Mr. Y) ordered Edward Lansdale (Mr. X) to come up with JFK assassination plan.
Pictures 2 and 3 show this wind clearly and where it comes from.
Picture 1 (tenth set of six pictures) shows the sign "Study The Past" on one statue
in front of the National Archives Building in Washington, DC. Probably, the
purpose is to refer to the sign "What is Past is Prologue" on another statue on the
other side of the building, a version of flipping (horizontal). This means that you
can bury your head into sand for so long. "What is Past is Prologue" is also a
quotation by William Shakespeare from his play The Tempest. This is a reference
to the quote "Tempest in a teapot" by George Bush in 1988, when the older Bushy
Boy dismissed the furor over the military record of Dan Quayle. Quayle is closely
associated with Lloyd Bentsen, a key conspirator in JFK assassination. That is why
the scene about Eladio del Valle uses a teapot instead of coffee pot for coffee. The
duo of Quayle and Bentsen is another target of flipping, a method of encoding info
by using proxies.
Picture 2 shows the demented head of Curtis LeMay. This corresponds to Mr. X
saying "There's no one to blame. It's as old as the crucifixion. Or the military firing
squad. Five bullets, one blank", as already explained.
Pictures 3 to 5 refer to the recreated meeting between the bankers and Allen
Dulles, described at the beginning of this section. The view behind windows
suggests the financial district of New York City. Notice the large room with ornate
carved oak walls like inside the Federal Reserve Bank of New York. In picture 4,
the right yellow arrow points to a man playing McCloy, the left yellow arrow
points to a man playing Dulles. Picture 5 has been cropped from another scene
where TV screen shows a meeting of the actual Warren Criminals. The yellow
arrows point to McCloy and Dulles, the same orientation as in picture 4. This is a
clue about the identities in picture 4. When the movie shows picture 4, Mr. X is
talking about the conspirators in JFK assassination and he says "There are no
compromising connections except at the most secret point...". Picture 3 zooms in
on the head playing McCloy. This is so called "big, white hair, with money" that
Jack Martin is talking about during the racetrack scene. Here, the big white hair is
used as a proxy for big bald scalp.
Mr. X says "General Y flies in the assassins. Maybe from the special camp we keep
outside Athens, Greece. Pros! Maybe locals, Cubans, Mafia hire, separate teams.
Does it really matter who shot from what rooftop? Part of the scenery, right?". The
following pictures illustrate the assassins. The special camp outside Athens refers
to Onassis' privately owned island, Skorpios, about 200 miles outside Athens,
Greece. This is where Jackie and Clint Hill had their "boot camp" (special camp)
one month before JFK assassination. The locals refer to the Dallas Mob (Mafia
hire) like Henry Wade (Dallas County District Attorney), Earle Cabell (Dallas
Mayor), Bill Decker (Dallas County Sheriff), etc. The rooftops refers to the trunk
of JFK limo where JFK assassins Jackie and Clint Hill are still dancing together in
Zapruder film. The scenery refers to the green background (grass) in Zapruder
frames showing JFK's head set on fire by Jackie. In other words, this scene says
that Onassis was a part of CIA network. His shipping business was just a cover for
the smuggling of illegal drugs around the world, providing the hard cash for
Federal Reserve System. That is why Onassis was so connected to the Federal
Reserve System during JFK assassination.
Picture 6 shows a man wearing dark beret. He illustrates Jackie in a way similar to
Dave Ferrie during the scene about "military camp". The beret on his head plays
the role of Jackie's famous pillbox hat.
Picture 1 (eleventh set of six pictures) shows three men making a 3Amigos-as-
3Bullets, i.e. three bullets fired at JFK.
Picture 2 shows machine guns with heat shields installed on barrels. Such heat
shields have holes in them to dissipate the heat better. The holes are used to
illustrate a sound suppressor (silencer) because the designs of sound suppressors
are based on chambers (holes) that bleed off rapidly expanding gases from
exploding gunpowder inside a cartridge. In other words, picture 2 illustrates
Jackie's firearm with intricate sound suppression mechanism installed inside her
handbag
Picture 3 shows so called "special camp outside Athens, Greece" where Jackie and
Clint Hill had their training for assassinating JFK. In picture 3, I added three
yellow arrows. The left arrow points to the left hand used by Clint Hill to pull the
trigger from behind JFK. The middle arrow points to a chair/seat where JFK is
supposed to seat. The right arrow points to a chair/seat where Jackie is supposed to
sit in JFK limo. Notice that Clint Hill was a Secret Service goon assigned to Jackie
meaning both had a perfect excuse to go together to Greece in order to rehearse
their plan as a team. They worked together during JFK assassination so well
because they had spent so much time together.
Picture 4 shows a man with long rifle on his shoulder. Recall Lou in the scene at
6th floor of Texas School Book Depository where he says "You take this Carcano,
world's worst shoulder weapon, and you try to hit a moving target at 88 yards
through a heavy foliage". Carcano is a code word for curare. Shoulder weapon is
a code word for blow pipe or a dart gun used to shoot darts with curare. This
means the long rifle illustrates Jackie's dart gun.
Picture 5 shows a man wearing moustache like Edward Lansdale. This illustrates
that the training in "special camp outside Athens, Greece" was organized by
Lansdale.
Picture 6 illustrates both JFK assassins sitting next to each other. I added two
yellow arrows. The left arrow points to a Elbow-as-Jackie. The right arrow points
to the left hand that killed JFK. The man on right wears eyeglasses to illustrate the
dark sunglasses worn by Clint Hill. His hair also looks like Clint Hill's.
Picture 1 (twelfth set of six pictures) illustrates the "locals, Cubans, Mafia hire, a
separate team". The three men make yet another 3Amigos-as-3Bullets. The key to
decide the roles are the eyeglasses. The man in the middle (Wong) stands for Henry
Wade (Dallas County District Attorney). The man on left (Weft) stands for Earle
Cabell (Dallas Mayor). The man on right (Wight) stands Bill Decker (Dallas
County Sheriff) because several scenes illustrate him facing either profile of his
head.
Picture 2 shows JFK grave marker, referenced in other scenes. Clearly, the red
roses are a reference to the murder tool used by Jackie. Recall Jim saying to Jack
Martin "You are not under cross-examination, Jack". This is a reference to the lack
of physical cross on top of JFK's grave.
Picture 3 shows the Eternal Flame created by JFK killers for the sole purpose to
allude to the flame from burning White Phosphorus inside JFK's head after Jackie's
turkey shoot. The flame also stands for the "blob" on JFK's head (Blob-on-JFK).
Dallas savages created another version of Eternal Flame by building the Reunion
Tower in Dallas. Recall the scene with Dean Andrews saying "They put the heat on
me, like you" while a waiter at nearby table is preparing a flaming dish. In picture
3, I added one yellow arrow to point to the crack/break which stands for JFK's
right ear cracked/broken by Jackie's turkey shoot, courtesy of JFK killers. Recall
Mr. X saying to Jim "I hope you get a break". Now you can see the break. The
cracked concrete ring represents JFK's broken right ear with a flame from White
Phosphorus burning inside it. The broken pieces of concrete around Eternal Flame
of the Federal Reserve System. Recall Dean Andrews offering "cashew pieces" to
Bertrand playing McCloy. A cashew looks like a human external ear, like JFK's
right ear before it is broken by Jackie. That is why Dean does not offer whole
cashews but their broken pieces. The broken pieces of concrete also refer to JFK's
plan to splinter CIA into "thousand pieces". Recall Mr. X saying "This basically
ended the reign of the CIA, 'splintered it', as JFK promised he would, into a
'thousand pieces'". What he meant is that CIA bullet splintered JFK's head into
"thousand pieces" and the broken pieces of concrete around his grave marker are
supposed to be a reminder. It is up to you to hunt down those animals who put
those broken pieces of concrete. The animals are hiding in the financial districts of
New York City and City of London. Start with the inbred cow calling herself
Queen of England and her inbred family, then follow the hook noses and their
monkeys inside The Council on Foreign Relations (CFR) in New York City. The
broken pieces of concrete also refer to the fragments of Jackie's bullet, i.e. her
turkey shoot (TurkeyShoot-as-JackiesBullet).
Picture 4 shows Jim making a Finger-as-Dulles meaning he plays Allen Dulles or

CIA in general at this moment.
Picture 5 shows a man and his little son suddenly appearing out of nowhere. The
man wearing a hat plays Jackie wearing her pillbox hat. The small kid plays Clint
Hill. Picture 6 zooms in on his left index finger. Isn't it odd for a little kid to hold
his index finger like that for the whole duration of this scene? This is because he
shows the finger that killed JFK.
Let Justice be done, though the Heavens fall (2:07)

This scene is about the arrest of "Clay Shaw" and the exchange of words between
Jim Garrison and Earl Warren. However, after you decode this scene you will
realize that this is about the arrest of Lee Oswald in Dallas.
During the arrest, Jim plays Henry Wade. In his office, Jim's left side plays Earl
Warren, and his right side plays LBJ. In the courtroom lobby, he plays so called
"District Attorney Garrison" meaning Henry Wade and Curtis LeMay. The
character Earl Warren plays two white marks M5E and M8E "killed" by JFK
killers, specifically his two eyeballs play them.
Legally speaking, "Let Justice be done, though the Heavens fall" signifies the
belief that Justice must be realized regardless of consequences. Jim says it as
Henry Wade in order to make a reference to his legal style of "to convict at all
costs". As of July 2008, fifteen persons convicted during Wade's term as Dallas
County District Attorney have been exonerated. It does not mean that the Justice is
better in Dallas now. As a matter of fact, the current Dallas County District
Attorney is a literal monkey as opposed to Wade who was a virtual monkey. So
called legal system is an illusion. It is as fake as all unnatural belief systems
followed by humans for centuries. Nature corrupts the belief systems on purpose in
order to get rid of them. That is why literal monkeys are jumping on the corruption
like cockroaches in a dirty kitchen. The colony of lawyers is just another pile of
dirt like Wall Street or any other colony created by Nature to tag the cockroaches
for easy identification. Imagine that Texas Lawyer magazine named Henry Wade
as one of the 102 most influential lawyers of the twentieth century. This is Nature
saying that it is time to round up the cockroaches and get rid of their "legal
system".
The bombastic maxim "Let Justice be done, though the Heavens fall" also makes a
reference to the expression "He to whom it comes falls" said by South American
Indians, each time the arrows tipped with curare hit their preys. In other words,
both expressions are as primitive as the savages who came up with them.
Picture 1 shows the movie arrest of Clay Shaw. Compare it to the widely published
photo of the actual arrest of Oswald, shown in picture 2.
Picture 3 shows the movie fingerprinting of Clay Shaw. Compare it the widely
published record sheet of Oswald fingerprints, shown in picture 4.
Picture 5 shows the movie mugshots of Clay Shaw. Compare it the widely
published mug shots of Oswald, shown in picture 6.
Picture 1 (second set of six pictures) shows Clay Shaw being booked at police
headquarters. In the background, the prisoners are hollering and yelling "Mr.
Shaw". Compare it to picture 2 cropped from a frame during the trial scene (movie
time 3:00) when witness John Powell is testifying. Powell says "Everybody was
hollering and yelling" when he was inside the Dallas County prison across from
Texas School Book Depository and the prisoners saw somebody on the 6th floor.
Notice that one side of his hair is overexposed to light, meaning that Shaw could
also double as a white mark at this point because Jim will soon refer to Mr. Shaw
as one of the erased white marks.
Picture 3 shows a press conference with so called "Mr. Clark". Apparently, he is a

high official of US Department of Justice because the movie shows the
Department's main building on Pennsylvania Avenue immediately before this press
conference. A reporter asks "Mr. Clark, are you aware of the charges filed by
District Attorney Garrison?". Mr. Clark responds "Yes, Mr. Shaw was included in
our investigation. No connection was found. At all!". In picture 3, I added a yellow
arrow to point to a white head like on Mr. Shaw in picture 1. This means that
Oswald (Shaw) is included right next to him in front of his nose. In the next set of
pictures, Jim says "I doubt this Attorney General would qualify for my staff". This
means "Mr. Clark" is RFK (JFK's brother) who was US Attorney General at that
time. RFK knew very well that Oswald had no connection to JFK assassination, at
all. The name "Mr. Clark" is borrowed from William Ramsey Clark who later
became US Attorney General and made some comments about Shaw and Bertrand
which are merely used as a disguise for this movie and are totally irrelevant. The
target here is RFK. Mr. Clark is a proxy.
Pictures 4 to 6 should be interpreted together. During his press conference, Jim

plays LBJ (right side) and Earl Warren (left side), by raising his hands. As LBJ, he
says "Why if they did, his name is not mentioned once in the entire 26 volumes of
the Warren Report even if it is to clear his name?. LBJ is talking about Curtis
LeMay not testifying for Warren Criminals. Picture 5 shows him making Finger-
as-LBJ gesture with his right arm. Compare it to picture 6 with the actual LBJ
making this gesture. However, this gesture is also similar to the gestures made by
Lansdale look-alikes in a few old clips showing military activities in Southeast
Asia. The clips are included around movie time 0:01 to 0:05. In picture 4, I added
two yellow arrows. Each arrow points to two cameras, each with two reels of tape.
The tapes illustrate LBJ's secret tape-recording systems installed in White House.
As Earl Warren, Jim says "I doubt this Attorney General would qualify for my
staff". The Attorney General is RFK, JFK's brother, who attended some meetings
of Warren Commission (like Jackie's testimony) but he was not its member
meaning he did not qualify.
Picture 1 (third set of six pictures) has been cropped from a frame showing the
front view of US Supreme Court building. The movie shows the building because
the following scenes will make references to some of its features. I added yellow
arrows to the critical features. The arrow FR points to the fountain on the right
side. There is also second fountain on the left side, not shown in this picture. The
arrows BR and BL point to two balustrades (right and left) on both sides of the
front stairway (pointed by arrow S). The arrow CR points to the candelabra on the
right side. There is also second candelabra on the left side, not shown in this
picture. The arrow TG points to the triangular gable under the roof.
Pictures 2 to 4 should be interpreted together. The movie comes with a bonus DVD
where the actual Jim Garrison is interviewed from his hospital bed around 1991. It
is not clear whether this scene was added later on the DVD. What is clear is that
the character Earl Warren appears to be a walking corpse. The last frame showing
him is followed by a frame totally filled with white background. If you combine it
with the two swollen eyeballs on the walking corpse then the first conclusion is the
corpse illustrates two white marks erased or killed from Zapruder frames 314 and
315. During the next scene, Liz says "The other night Jasper tried to talk to you,
you didn't notice he was even there. He came to me bawling [balling] his eyes
out". This provides a clue that Earl Warren's swollen eyes are the white marks.
In picture 2, I added a few yellow arrows to point to additional clues. The right
arrow points to point BE. The movie shows Warren from this particular angle in
order to provide the best view of BE on the reporter's jaw. The view is from below
in order to point to the ceiling illustrating the top of Zapruder frames from where
the two white marks were erased. The middle arrow points to a long mike in order
to illustrate Jackie's dart. This way both shots fired by Jackie are nicely presented
next to each other for your viewing pleasure. The left arrow points to four white
globes illustrating the four white marks in Zapruder frame 313, the first frame
showing the results of Jackie's bullet leaving JFK's head on the opposite side of
point BE.
Warren says "Mr. Garrison has presented absolutely nothing publicly which would
contradict our findings. I know of no fact which would refute the Commission's
conclusion that Lee Oswald was the lone killer". The Garrison is a code for Curtis
LeMay. Since LeMay is not included in the Warren Report, he presented
absolutely nothing publicly. Warren Report also presents absolutely nothing about
the two white marks (eyeballs) and that is why it does not contradict them. The two
white marks have no knowledge who fired the bullet.
Picture 5 has two parts, cropped from two different frames a few seconds apart.
This picture starts the part with Jim and reporters inside a courtroom lobby. The
left half of picture 5 shows Jim making PinkRose-as-JFK gesture. The right half
shows a bright flash of light on Jim's right side, illustrating the "Blob" on JFK's
head.
Jim says to the reporters "I congratulate Mr. Shaw. Most defendants must wait for
trial before they produce sacred cows like a Chief Justice as a character witness
who is not under oath and therefore free from perjury". This could be either Wade
or LeMay talking. The Mr. Shaw refers to one erased white mark because the
prison scene with Ruby indicates that Chief Justice stands for Zapruder film. Since
Shaw plays Oswald, he illustrates M5E. This means that sacred cows and
character witnesses refer to Zapruder frames showing the white marks.
Picture 6 shows Jim walking onto the stairs. Many reporters hold microphones in
order to illustrate South American Indians holding blow pipes with arrows tipped
with curare. I added one yellow arrow to point to the longest microphone. Picture
3 of the next set of three pictures explains the meaning of this microphone. Picture
3 has been cropped from a video clip of press conference given by Henry Wade in
the evening on JFK assassination day (youtube link). The purpose of this long
microphone is to make a connection to Henry Wade. Another thing to notice in
picture 6 is the staircase which illustrates the spiral staircase inside US Supreme
Court, Stairs-as-SupremeCourt. This means that Jim is going to Warren, probably
to testify as Henry Wade for Warren Report. During the scene at Jim's home when
Liz is saying "I'm taking the kids!", a similar staircase will be shown to illustrate
the same thing.
On the stairs, Jim says two different things on behalf of two different persons. He
says "Is a government worth preserving when it lies to the people? It's become a
dangerous country when you cannot trust anyone. When you cannot tell the truth"
while making PinkRose-as-JFK gesture because this is LeMay talking with
perverted meaning of the words. Then Jim says "I say let Justice be done, though
the Heavens fall!" while pointing with his left index finger meaning Henry Wade is
talking, as explained in the next set of pictures.
Picture 1 (fourth set of three pictures) shows Jim raising his left arm and pointing
with his index finger. Picture 2 has been cropped from a video clip of press
conference given by Henry Wade on November 24 (youtube link). The purpose of
this index finger is to make a connection to Henry Wade. The index finger also
illustrates a dart next to a crowd of South American Indians with darts tipped with
curare.
Fact-finding mission and truth through osmosis (2:09)
In this bedroom scene, Jim and his wife Liz watch TV news about Jim and his staff
intimidating, bribing, and drugging witnesses. The previous scene provides clues
that in this context Clay Shaw plays Lee Oswald. However, Oswald also plays
M5E and the "blob" depending on the context. This means that Shaw could play
them too by association. During the final court room scene, Shaw testifies on the
witness stand as the "blob". Jim plays Henry Wade (District Attorney) with his left
side and Curtis LeMay (Garrison) with his right side. Probably, his right side also
plays Edward Lansdale. All the references to Willie O'Keefe made during the TV
news are about Jackie or Edward Lansdale, like during the prison scene in Angola.
Liz plays Jackie. She also illustrates Jackie's bullet shot.
Jim's son plays Clint Hill, except for his right hand showing different color tint.
His right hand holding a toy plays Robert McNamara (so called shit). The toy itself
is a fly playing the role of 4-Star General Maxwell D. Taylor, Chairman of the
Joint Chiefs of Staff under JFK. Recall the scene with Jim and Mr. X in
Washington, where one flashback (movie time 2:04) shows an actor playing LBJ
and saying "Well, dont let McNamara start sticking his damn nose in this thing!
Every time he goes over to Saigon on some fuckin fact-finding mission, he comes
back and just scares the shit out of the President! Now I want Max Taylor on him
night and day, like a fly on shit. Now you control McNamara, and you control
Kennedy".
Shaw plays Oswald. He says "Personally, I think he [Wade and LeMay] is quite ill,
mentally, and with one half of his mind, he is able to fabricate evidence. Then by
some osmosis he is able to convince the other half that the fabrication is the truth.
This has two meanings. Firstly, this is similar to "Let Justice be done, though the
Heavens fall" meaning another reference to Wade's legal style of "to convict at all
costs" and LeMay's military style of "to nuke at all costs". Secondly, this is a
reference to "JFK assassination research" industry. Notice that the movie makers
use a TV set to tell you this. This is their way to telling you that your TV set is the
side that fabricates the evidence. You are the side convinced that the fabrication is
the truth. The movie JFK also fabricates the version of evidence for the dummies
and if you follow the same osmosis, you will treat it as the truth. Osmosis means
filtering. It is up to use to use the right osmosis and not the wrong osmosis forced
upon you by JFK killers. The right osmosis is a code word for filtering out the
noise from this movie in order to get to the real signal.
Picture 1 shows the TV logo for the "Special Report" news. This logo illustrates a
fly from LBJ talk quoted at the beginning of this section. This means this scene is
like fact-finding mission where McNamara comes back and just scares the shit out
of the President!. This fly will be shown again in the hands of Jim's son.
Picture 2 shows Jim and Liz on the bed. At this point, Jim still keeps his hands
down. But later he will start raising his hands to indicate who is talking. Liz makes
reference to Jackie by keeping her left leg bent like Jackie bent her right arm
(Elbow-as-Jackie). Liz places her right hand on Jim's left forearm for a few
seconds in order to illustrate Jackie placing her left hand on JFK's left forearm
between her dart and bullet shot. This means that Liz plays Jackie with her sides
flipped. Later, she will smoke like Jackie. When the TV announcer says "The JFK
Conspiracy: The Case of Jim Garrison", Liz says "Honey, this is about you [Wade
and LeMay]".
Picture 3 shows Jim raising his right hand and showing a ring on his third (ring)
finger, ClassRing-as-Lansdale. Compare it to a ring on the same finger of "Mr. Y"
(Edward Lansdale) next to Texas School Book Depository (movie time 2:04),
shown in picture 4 for quick reference. The sides are reversed. This means Jim's
right side also plays Lansdale whenever he is showing this ring. He shows the ring
when the TV announcer says "After several weeks of investigation in New Orleans,
a team of reporters has learned that District Attorney Jim Garrison and his staff
have intimidated, bribed and even drugged witnesses in their attempt to prove a
conspiracy involving New Orleans businessman Clay Shaw in the murder of John
F. Kennedy". Here, District Attorney Jim is Wade (Dallas County District
Attorney), Garrison is LeMay, and staff are CIA faggots like Edward Lansdale.
Pictures 5 and 6 show so called John Chancler, a cellmate of Willie O'Keefe's at
Angola prison. He is making an Elbow-as-Jackie with his right arm and he is

showing a part of his left hand. In picture 5, I added yellow arrows to point to both
references. Note that Zapruder frame 312 reveals a part of Jackie's left hand pulling
the trigger and a part of her right arm bent at elbow.
The left half shows Flash-as-Explosion in both lenses. The right half shows two
front teeth making a reference to two-bit showgirl Beverly Oliver who also plays
Jackie. The cellmate says "He said he'd be cut loose if he copped to DA's Office".
At this point, Jim makes a PinkRose-as-JFK gesture by scratching the left side of
his head. He says "I sent him up for burglary". The cutting loose is a reference to
the fragments of Jackie's bullet cutting loose from JFK's head. Since the fragments
went up after burglarizing JFK's head, Jim's left side confirms it. However, the
cellmate John Chancler also plays M5E put into "prison" by JFK killers.
Picture 1 (second set of six pictures) shows so called Miguel Torres revealing a
part of his left hand. Only parts of his thumb and his index finger are visible.
indicated by yellow arrows. Clint Hill used the left index finger to pull the trigger
of his revolver. Miguel Torres says "They wanted me to say Shaw was Bertrand,
They said they'd get me a pardon". They is a code word for Warren Criminals. The
pardon is a code word for the gold medal and citation for "exceptional bravery"
awarded to Clint Hill. After making another PinkRose-as-JFK gesture, Jim says
"This is his old buddy Miguel Torres. We sent him up too". This means that Jackie
and Clint Hill were very close partners. However, the cellmate Miguel Torres also
plays M8E put into "prison" by JFK killers. In this context, pardon refers to
erasing M8E. This is a reference to the movie A Shot In The Dark, where
Clouseau says "Beg your pardon" in response to "Pssst..." playing the role of
hissing sound made by flying PBF projectile.
Picture 2 shows so called Janet Williams. Notice the Eyebrow-as-Warren on her

both sides. In response to the question "Was he a homosexual?", she says "Not the
Lee I knew, absolutely not. I think Mr. O'Keefe must've seen somebody he thought
was Lee Oswald". Notice that she does not mention Clay Shaw but Lee Oswald
directly. After all, the news is supposed to be about Clay Shaw and Oswald was
not reported to be a homosexual. During the court room scene, Shaw's defense
lawyer uses the same expression "somebody you thought" while also making
Eyebrow-as-Warren. At that time, his defense lawyer plays two erased white
marks, O'Keefe plays Jackie, and Oswald plays the "blob". This means that Janet
Williams plays two white marks M5E and M8E, and the two cellmates shown
before her also play the same white marks in this context. "John Chancler, a
cellmate" plays M5E. "His buddy, Miguel Torres" plays M8E. This would mean
that so called pardon for Torres means erasing M8E from Zapruder frame 315.
Picture 3 shows so called Dean Andrews. I added two yellow arrows. The top
arrow points to something that appears to be a large sketch of male upper body in
surgical scrubs. Apparently, this illustrates the Renowned Surgeon Robert R Shaw
giving a press conference about John Connally's "wounds" (youtube link). The
bottom arrow points to something that appears to be a metal pitcher. This
illustrates Nellie Connally through Nelson "Nellie" King who was an American
professional baseball pitcher. Dean Andrews says "I didn't talk to nobody after the
assassination. I was on drugs at the hospital. Like I told the FBI that call was a
figment of my imagination". John Connally was at the hospital after JFK
assassination. His story was a figment of his imagination.
Jim says "I wouldn't worry about this, Liz. There's only about 20 or 30 million
people watching this tonight". This is LeMay talking about nuking 20 or 30 million
just to get rid of the trouble makers.
Jim says "My reputation's all right with the people watching Laugh In". This has to
encode some important signals. Laugh In was a TV show run on NBC which has a
logo similar to the fly logo. I did some googling and old newspaper articles from
1968 were coming up. One article is about Jackie marrying Onassis, director Blake
Edwards marrying somebody, Laugh In, placed next to the known photo of JFK
and RFK during Cuban missile crisis. The movie shows this photo during the scene
with Mr. X in Washington. Clearly, this photo is a link to some signals. Some of
the signals could be encoded in this scene. At the end of this section, I include a
picture of one article published in The Dispatch in Lexington, NC, on October 21
of 1968. The key terms are indicated with red lines. Blake Edwards made the Pink
Panther films about JFK assassination. I leave the rest of decoding to others.
Picture 4 shows Jim patting his son's head around the spot where Clint Hill's first
bullet shot JFK's head. Notice that his son's right hand has a different tint in order
to separate from the function of fly-looking toy as explained in the next set of
pictures.
Picture 5 shows a big Mafia boss wearing big sunglasses. The TV announcer says
"Has he ignored the Mafia connections to this conspiracy because in some way
Mr. Garrison is indebted and tied to the Mob? The more one looks at Jim
Garrison, the more one finds he has destroyed reputations, spread fear and
suspicion, and worst of all exploited this nation's sorrow and doubt. Jim Garrison
has said, quote, let Justice be done, though the Heavens fall! He seeks the truth, so
do we!". This has two meanings because in this scene Jim plays Wade (Mr. or Jim)
and LeMay (Garrison). When applied to Wade, Mafia and Mob refer to Dallas
Mobsters like Earle Cabell, Bill Decker, Jesse Curry, etc. Compare picture 5 to
picture 6 showing a mugshot of Earle Cabell during the scene with Jim and Mr. X
in Washington (movie time 2:03). When applied to LeMay, Mafia and Mob refer to
the Federal Reserve System, and The Council on Foreign Relations (CFR). Recall
Jack Martin saying "big, white hair...a society guy". The big Mafia boss (society
guy) in picture 5 has white hair (bald scalp) because he plays McCloy. The red
neck tie refers to the Red Communists running the Fed and CFR.
Picture 1 (third set of six pictures) shows another big mafia boss wearing
eyeglasses and a hat. He illustrates the mobster Dallas County Sheriff Bill Decker.
The bald guy next to him plays the bald McCloy for Jim's side playing LeMay.
Picture 2 shows Liz holding a cigarette in her left hand. She illustrates Jackie's left
hand used to pull the trigger. Jackie was also a heavy smoker and the smoking
itself is used to make a reference to her.
Picture 3 shows a yellow tint on Liz's white blouse when she is leaving the bed.
This illustrates burning White Phosphorus in order to make a reference to Jackie
(White-as-WhitePhosphorus).
Picture 4 shows the fly-looking toy held by Jim's son. This illustrates Robert
McNamara (kid's right hand) and Max Taylor (fly) as explained at the beginning of
this section.
Picture 5 shows the last frame before picture 6. Jim closes his eyes and his head
drops. His left hand shows the wedding ring from the scene during the agony party
where Jackie puts it on as a link of loose chain. Picture 5 is an illustration of dying
JFK. The TV news includes a few clips from old films showing Dallas motorcade
that plays the role of JFK funeral procession.
Picture 6 shows Jim walking on a dark street. This illustrates Zapruder frames 313-
315. The yellow arrow points to the "blob" on JFK head (Blob-on-JFK). Jim
himself illustrates the projectile PWM flying across the frames toward the upper
right corner and painting the white marks. This street at night will be shown again
in a telex room with an FBI night clerk.
I'm taking the kids! (2:11)
In this scene, Liz is arguing with Jim about his excessive attention to his
"government" and his insufficient attention to his "kids". After decoding, the
"government" is Warren Commission set up to cover up JFK assassination and the
"kids" are the white marks in Zapruder frames 313-315 mothered by Jackie and
creating a big problem for JFK killers, including Jackie. Jackie wants to take the
kids out!
In this scene, Jim's left side plays McCloy and his right side plays Edward
Lansdale. That is why his work is called "government". Liz's left side plays Jackie
and her right side plays LBJ. Jim's son Jasper plays Clint Hill and the white mark
M8E. Apparently, the actor playing Jasper is Oliver Stone's own son. At the end of
this scene, Oliver Stone uses his son to illustrate Clint Hill's bullet that split open
JFK's head. Jim's 6-year old daughter Virginia plays Jackie and the white mark
M5E. Jim's maid Mattie plays Clint Hill. Jim's little daughter Elizabeth also plays
Jackie. This scene is loaded with Jackies.
Picture 1 shows the first frame of this scene, plus three added yellow signs. The
frame shows a TV screen with three empty heads while a TV announcer breaks the
news about the assassination of "Dr." King in 1968. This is a code for JFK
assassination in 1963 with three bullets. This image of motel balcony with three
empty heads is widely known which makes it a good sequel to funny cartoons.
Picture 2 has two parts, cropped from The Great De Gaulle Stone Operation, the
first cartoon in the series The Inspector. This is a 3Amigos-as-3Bullets. This
document has a long section devoted to this cartoon. The main hero of this cartoon
is so called Matzoriley with three heads illustrating three bullets fired at JFK. The
right head is Wight and it stands for Jackie's bullet (turkey shoot) painting the
white marks. The left head is Weft and it stands for Clint Hill's first bullet acting
like a weft (transverse thread) through JFK's head. The middle head is Wong and it
stands for Clint Hill's second bullet going wrong and missing JFK. Wong confuses
everything like Confucius with Confusion and that is why it is frequently beaten up
by the other two heads, as shown in the right half of picture 2. In other words,
Wong is so called "Dr." King with his doctorate is as real as the Magic Bullet from
Warren Report. Dr. Wong should have been kept in a cage for his sexual
degeneracy alone, with his "PhD diploma" used as a tray for his droppings. The
whole purpose of picture 1 is to associate this scene with the cartoon because the
cartoon is all about the white marks, especially two missing white marks.
Both show triangular shapes on Jim's left side, the first one with a book cover and
the second one with Jim's left hand. This is Triangle-as-theFed reference. Later,
Jim will provide another clue for his left side. This means his left side plays
McCloy.
Picture 4 shows Jim's daughter Elizabeth in pink dress, lying on the couch. She
illustrates Jackie in pink suit, just before her bullet shot. This is equivalent to
Moorman photo. The maid Mattie sitting in the armchair, illustrates Clint Hill
riding in the follow-up car.
Picture 5 shows Jim's 6-year old daughter Virginia wearing a pink dress and
picking up the phone with her left hand. She starts talking to a man over the phone.
The man says "Virginia, you're a lucky little girl. Your daddy's entered you in a
beauty contest. Like to be in one?". Little Virginia plays Jackie pulling the trigger
with her left hand. As a result of her pulling the trigger, Jackie is entered in a
beauty contest by the brainwashing machines spinning her 24/7 as a lucky little girl
in a pink suit. Notice that immediately after the maid Mattie says "It's lynching
time! Lynching time!" in response to the TV news, little Virginia says "That sounds
fun" in response to the news about beauty contest. This means little Virginia just
illustrated Jackie's turkey shoot to JFK's head and Jackie now becomes the lucky
little girl after winning the beauty contest (JFK assassination).
Picture 6 shows the maid Mattie raising her right hand to show her index finger.
The movie flipped her sides. Actually, this is her left index finger illustrating Clint
Hill's left index finger used to pull the trigger when shooting JFK. The top yellow
arrow points to it. The white collar on her shirt makes a Cloth-from-Hill reference,
pointed by two yellow arrows on the bottom.
Picture 1 (second set of six pictures) shows a wall painting above the couch where
little Elizabeth (Jackie) is lying. The yellow arrow points to a nipple that belongs to
John Connally sitting on the seat in front of Jackie. His nipple is a hot item in
Warren Report. Apparently, the white vertical club on top is his radius bone
"fractured" by the Magic Bullet.
Picture 2 shows Liz in a serious mood after hearing the bad news. The bad news
are illustrated by the two lights on right side of the picture. The two lights illustrate
two critical white marks in Zapruder frames, that later were removed by JFK
killers.
Picture 3 shows a tiny foot in white sock, sticking out from the sofa. However,
there is also another tiny foot in white sock flashed for a fraction of a second. Both
tiny feet belong to little Elizabeth (Jackie) lying on the sofa. Apparently, Liz is
very concerned about these two tiny feet in white socks because they illustrate two
critical white marks in Zapruder frames.
At this point, Liz runs to Jim's study. Both Liz and Jim raise their hands to indicate
which side is talking or listening at a given moment. Liz says to Jim's right side
(Edward Lansdale) "A man called and asked her height, her weight. Her life's been
threatened! Our home! A kidnapper, a murderer!". This means that Jackie wants
Lansdale to take care of the white marks proving her to be the killer. Jim responds
"Some crackpot. A crank making calls. Happens a dozen times a day at the office.
Nothing will happen". The office is a code word for CIA clandestine operations.
Picture 4 shows an instrument panel on the wall behind Jim and Liz. This
illustrates LBJ's secret tape-recording systems.
Liz says "I'm taking the kids and I'm leaving! I can't stand it anymore!". This
means the two white marks (kids) will be gone from Zapruder frames. Jim says
"The government wants you to be scared. They want everybody too scared to speak
out. They count on it. There's nothing to be scared of". This means the
"government" wants Jackie to stay quiet after JFK assassination. Apparently, even
psychopathic Jackie could not stand the pressure.
Picture 5 shows two heads sticking out behind the door. This means that Virginia
plays the white mark M5E and Jasper plays M8E because higher numbered marks
are higher in Zapruder frames.
At this point, Jim closes the door with his left hand. This means that M5E and
M8E will never appear in Warren Report. Then he raises his right hand (Lansdale
side) and he says "I'll take them up to my mother's. You spend a week. I'll change
the locks, the phones. I'll get a bodyguard". This means that both white marks will
be removed from Zapruder film by specialists (mother) and the original copy will
be closely guarded by bodyguards.
Liz says "The other night Jasper tried to talk to you, you didn't notice he was even
there. He came to me bawling [balling] his eyes out". This provides a clue that in
the previous scene, Earl Warren's swollen eyes are the white marks.
Picture 6 shows Liz making Finger-as-LBJ reference with her right hand. This
means her right side plays LBJ.
Liz says "I'm not fighting you! I'm trying to reach you". What's she is trying to
reach is the white marks in Zapruder frames. Jim says "Of course I've changed! My
eyes have opened. And what once looked normal seems insane". The eyes refer to
All-Seeing-Eye (Eye-as-theFed). That is why Earl Warren looks insane in the
previous scene, because he is a corpse with his eyes balling out.
Picture 1 (third set of six pictures) shows Jim pointing to a legal book with his left
hand. He holds the book with his right hand and eventually throws the book with
his right hand. His right hand illustrates the brute force, i.e. Edward Lansdale. Jim
says "Don't you think this has something to do with that? Can't you see?" meaning
that the legal book has something to do with the assassination on the news. The
book illustrates Warren Report.
Picture 2 shows Jim drawing your attention to his hands, esp. the ring on his right
hand. The meaning is explained in the previous section about Jim doing the same
thing with Liz in the bedroom. In other words, his right side plays Edward
Lansdale.
Picture 3 shows Liz drawing your attention to her bracelet which appears to be
similar to Jackie's bracelet worn on her left hand on JFK assassination day. Picture
4 has two parts, cropped from two different photos showing Jackie's bracelet worn
on JFK assassination day. This means Liz's left side plays Jackie. Liz also makes
Elbow-as-Jackie reference, albeit with the opposite arm.
Jim says "You can't bury your head in the sand like an ostrich, Liz!". This is a
reference to Jackie at the end of Zapruder film where she is keeping her head low
(like an ostrich) trying to hide it as much as possible from Zapruder camera. Jackie
was lying across the seat and pushing JFK to the rightmost corner, as explained in
the chapter about Clint Hill's part during JFK assassination.
Picture 5 shows Liz running up the staircase which illustrates the spiral staircase
inside US Supreme Court, Stairs-as-SupremeCourt. This means that Liz is
running to the office of Earl Warren, apparently for her testimony to Warren
Criminals. The same applies to LBJ (Liz's right side) who filed an official
statement for Warren Report.
Jim says "Go hide! Join the rest! They'll say I'm crazy. Plenty of people will tell
you I'm crazy. You won't have any problems filling out divorce papers. But
somebody's got to try, goddamn it!". The rest applies to the truckloads of goons
"testifying" with Jackie and LBJ. The divorce papers is a code for "testimonies".
Picture 6 shows Jasper and Virginia, again illustrating Clint Hill and Jackie, and
the two white marks at the same time. The important thing is the toy revolver on
Jasper's right side. This is how Clint Hill kept his revolver holstered on his belt.
Picture 1 (fourth set of six pictures) shows the toy revolver from a different angle.
This is how Clint Hill kept his revolver holstered on his belt.
Picture 2 shows the maid Mattie standing behind little Elizabeth sitting in the
armchair. This illustrates Clint Hill standing on the bumper of JFK limo and Jackie
on the trunk, as seen in picture 3 cropped from Zapruder frame 384. Both Elizabeth
and Jackie are wearing pink suit.
Picture 4 shows Jim and the kids sitting on a porch swing illustrating the front
stairway of US Supreme Court, a version of Stairs-as-SupremeCourt. The yellow
arrows on both sides point to the arms playing the role of solid balustrades on both
sides of the front stairway. The yellow arrow on top points to the white columns
playing the role of big columns behind the front stairway. This is similar to the
reference used during so called "airport" scene about dumping paranoid garbage
where more pictures explain it.
Pictures 5 and 6 show Jim using his son Jasper to illustrate Clint Hill's bullet shot
that killed JFK. In picture 5, he points to the spot on Jasper's head where Clint
Hill's first bullet split open JFK's head. In picture 6, he points to Jasper's left hand
used to hold the revolver and pull the trigger. Jim says "Telling the truth can be a
scary thing sometimes. It scared President Kennedy, and he was a brave man".
The truth relates to the facts revealed by the white marks, only scary for JFK
killers like McCloy and Lansdale saying this. The white marks came from
President Kennedy after scaring him to death.
How do you know who your daddy is? (2:17)
This scene is about so called "conference" between Jim and his 14 assistants in a
room filled with smoke and stacks of paperwork, apparently just before the trial.
After decoding, Jim and all his assistants can be divided into two groups
distinguished by the color of their clothes as seen above the table. If the color is
mostly white then they are the white marks in Zapruder frames 313 and 314
(White-as-WhitePhosphorus). Otherwise they are seven occupants of JFK limo,
including dead JFK and Clint Hill who joined the party when Jackie invited him in
onto the trunk.
There are 14 "people" sitting at the table plus Lou standing near the window,
making the total of 15 "people". After the "conference", two white marks M5E and
M8E are kicked out. This means that six white marks will be left because six can
be seen in Zapruder frames 313 and 314. One of the occupants is dead JFK. After
subtracting these three "people", there are twelve "people" left. That is why Bill
says "you can't keep a secret in this room between 12 people". The smoke and
stacks of paperwork seen during this "conference" illustrate the smoke and the gore
around JFK's head in Zapruder film after Jackie's turkey shoot.
The white mark M8E in Zapruder frame 315 is special for several reasons. Firstly,
it is located in a high level range unique only to Zapruder frame 315. Secondly, it
is very close to the maximum range of all Zapruder frames relative to the path of
Jackie's bullet. Jim's assistant Lou plays M8E even though his upper clothes are
not white. In order to make himself stand out, he does not sit at the table with the
others and he stays very close to the window as if on the periphery of all Zapruder
frames. The remaining seven white marks sitting at the table can be divided into
two groups. Jim and two assistants sitting on his right, illustrate the white marks in
Zapruder frame 314. Numa and three assistants sitting on his left, illustrate the
four white marks in Zapruder frame 313. Later in this section, I provide more
details.
In this scene, two white marks M5E (Bill) and M8E (Lou) start fighting. The result
of "infighting" is that both leave the "conference". That is why you do not see them
in Zapruder frames. Before storming out of the "conference", Bill says to Jim "This
is Louisiana, Chief. How the hell do you know who your daddy is? 'Cause your
momma told you so. You're way out there taking a crap in the wind, Boss, and I for
one ain't going along on this one". Bill uses Chief when he talks to Warren (Jim's
left side) and Boss when he talks to John J. McCloy (Numa). Even though Bill
appears to say Boss to Jim, he actually says it to Numa.
Jim's right side plays Allen Dulles because Jim holds a pipe in his right hand, and
Edward Lansdale because of ClassRing-as-Lansdale. His left side plays Earl
Warren and Curtis LeMay. In other words, Jim plays four people in addition to one
white mark. The line with so called daddy refers to the song Time of the Season
(1968) with the line "Who's your daddy? Is he rich like me?" (youtube link),
meaning M5E (Bill) is well paid to disappear. Louisiana is a code word for
Washington, DC, run by daddys from the Federal Reserve System. The top daddy
is played by Numa (McCloy = Boss). The wind refers to Curtis LeMay because
other scenes associate him with the wind. This means M5E is the crap that Bill is
talking about, and Bill ain't going along on this crap. Jim kicks out M8E when he
says "I won't have any ultimatum put to me, Lou. I'll accept your resignation".
Apparently, Susie (JFK) wants Lou (M8E) to stay because she says "Boss, aren't
you being a little hard?". Here, Boss plays the role of bullet shot (phonetical
meaning). This means that at this point, Susie is on the receiving end of Jackie's
turkey shoot and that is why she says "aren't you being a little hard?". JFK also
had hard feelings about Jackie's bullet.
All assistants play additional roles because other topics are also covered. Believe it
or not, Susie plays JFK. That is why she argues with Bill who defends the
government. Susie says things like "Or a cover-up? Don't you have enough proof
of the FBI's complicity yet?". The assistant sitting next to Susie, plays Jackie. Lou
also plays Jackie, in addition to his role as M8E. Bill plays Clint Hill, in addition to
his role as M5E. There are five flashbacks during this scene. During the
flashbacks, Oswald is not the real Oswald. In so called Clinton, he plays JFK.
The zip package includes Zapruder frames 313-315 where I added all eight white
marks, six visible ones plus extra two erased by JFK killers. Technically speaking,
there are two sets of white marks where one set are the actual white marks. I call
the other set simply marks because they are just points defined by a single pair of
coordinates like a single pixel. Each mark corresponds to an exact location of
PWM projectile at a specific time. For each mark, there is one white mark as
painted in Zapruder frames, as a result of camera panning during exposure time,

the shape of light from burning White Phosphorus at that time, and any potential
blurring attempted by JFK killers. A white mark is what you see in Zapruder
frames. A mark is an exact point located slightly to the left of its white mark. The
analytical chapter provides the details.
This scene covers several other issues. The most important is a clear reference to
the type of revolver used by Clint Hill. Jim says "Since when the mob used
anything but .38's for hits up close?". Since when the mob did not use sniping
rifles. Since when the mob used only hits up close. Notice that the movie generates
a lot of noise about sniping rifles. But only one isolated reference to a .38 revolver.
This means we have a clear signal here. The Godfather also makes a reference to
.38 revolver, twice! The movie JFK has one scene where Jack playing the role of
JFK is hit by Guy Banister playing the role of Clint Hill, with a .357 Magnum
revolver. However, that scene is based on the actual facts where a real person Jack
Martin got into a real fight with a real person Guy Banister carrying a real .357
revolver. This means the movie had to quote the same revolver 0.357. Keep in
mind that a .357 revolver (assuming 0.357 round) is not suitable for hits up close
because its big recoil would jeopardize the hit. In summary, the movie JFK
confirms The Godfather that Clint Hill used a .38 revolver/round to kill JFK.
Another issue covered in this scene is Jackie's changing her parting style from left
to right. The chapter covering the Plan already explains this issue. Assuming her
position during firing, it would be difficult for her to aim the firearm with such
long bangs parted on her left side. Jackie parted her hair on left until just a few
days before JFK assassination, at least in 1963. There are many other similar
pieces of circumstantial evidence. This change of parting is a major circumstantial
evidence implicating Jackie in the crime. No other person would be able to get
away with this. Only the hook noses fooling you with their Federal Reserve Notes
for over 100 years, are able to cover up such evidence. Only the hook noses can
put a homosexual monkey bred from a communist monkey and a cockroach, and
his beard ape into the White House either. Only the hook noses could drag the
monkey and the ape through Harvard and print diplomas for them. Only the hook
noses could keep the monkey incognito without providing the papers where the
monkey came from. This will only wake up humans from their sleep much faster!
At the end of this scene, Jim says to Bill "You ever read Shakespeare? Julius
Caesar? Brutus and Cassius, they too are honorable men". He brings up
Shakespeare because of RFK. During 1964 Democratic Party convention, RFK
(JFK's brother) recited a quote from Shakespeare's Romeo and Juliet that
supposedly Jackie had given him "When he shall die, take him and cut him out in
little stars, And he will make the face of heaven so fine". This reference to little
stars was picked up by cartoons and movies making references to the white marks
in Zapruder frames. This scene extends this concept to Julius Caesar because
Brutus and Cassius were conspirators in an assassination similar to JFK
assassination, and both are usually shown wearing white togas that make an
excellent illustrations of two white marks, and both died after assassination like
two white marks M5E and M8E "died" after JFK assassination. One old movie
script (included in the zip package) has a deleted scene where a stranger with the
demeanor of Caesar walks into Bill Broussard's office and says "Et tu, Brutus?"
which comes from Shakespeare. According to legend, these were the last words of
the actual Caesar as he died, becoming synonymous with a feeling of total betrayal.
This means that Bill Broussard is Brutus (M5E) as Clint Hill. Therefore, Lou is
Cassius (M8E) as Jackie.
Pictures 1 and 4 should be interpreted together. They have been cropped from two
different frames a few seconds apart, then flipped horizontally. They show a
typewriter's carriage moving quickly from one side to the other after pulling the
carriage return lever. The actual lever is not shown. The movie makers are trying
to draw an analogy to two consecutive Zapruder frames 313 and 314, the first two
frames after Jackie's bullet shot, where JFK's head moves relatively quickly. In
other words, pictures 1 and 4 illustrate JFK limo immediately after Jackie's bullet
shot.
In picture 1, I added three yellow arrows. The middle arrow points to the carriage
knob which is equivalent to JFK's head. The left arrow points to two fluorescent
light tubes which play the role of two sets of white marks in Zapruder frames 313
and 314, along the same line defined by Jackie's bullet path. The right arrow points
to a pencil playing the role of Connally's radius bone "fractured" by Magic Bullet
fired from Warren Report. In picture 4, I added one yellow arrow to point to a
white cup which plays the role of Connally's cowboy hat. The ashtray with
smoldering cigarette plays the role of burning White Phosphorus. There is also a
visible cloud of smoke.
Pictures 2 and 5 have been cropped from Zapruder frames 313 and 314 for a quick
reference. JFK's head visibly moves toward Jackie's right arm from frame 313 to
314, in about 55 milliseconds. At this point, you should compare JFK's head only
relative to Jackie's head. Her head does not move between these two frames
because she keeps her upper body firm in order to provide a stable support for the
recoil from her gun. However, JFK's head also moves relative to the common right
edge of Zapruder frames 313 and 314. Both pictures 2 and 5 are aligned to the
common right edge, meaning that you should now consider the cumulative
movement of JFK's head between two frames by identifying the horizontal shift.
That is why I vertically stacked both pictured so that you can compare the relative
position of his head between two frames. All heads inside the limo move to the left
because Zapruder jerked his camera to the right between frame 313 and 314. The
analytical chapter explains that Zapruder accelerated his panning during the second
half of 313E, continued during 313NE, and then slowed down during 314E. When
you watch Zapruder film with frames properly aligned, JFK's head makes a quick
movement to the left for the reasons just explained. The movie makers are trying
to draw your attention to it because these two Zapruder frames also include all
visible white marks.
Picture 3 has been cropped from the first frame after the frames showing the
typewriter's carriage. Here, the movie makers are drawing your attention to the
Zapruder frame 315. The preceding pictures made a reference to Zapruder frames
313 and 314 by showing the quick movement of carriage and two fluorescent light
tubes. In picture 3, I added three yellow arrows. The most important is the left
arrow pointing to a white sheet of paper illustrating the white mark M8E in
Zapruder frame 315, later erased by JFK killers. The bottom arrow points to
something that appears to be an electrical cord hanging from above. This cord is a
VerticalStems-as-curare reference. The right arrow points to a rifle that plays the
role of Jackie's dart delivering curare to JFK's left thigh. Notice that the rifle's butt
is near Oswald's left thigh.
Picture 6 has been cropped from a frame within seconds after the typewriter's
carriage. Here, the movie makers are drawing your attention to the meaning of
typewriter's carriage by actually showing you explicitly a sketch of JFK's head next
to Connally's head.
Picture 1 (second set of six pictures) shows Jim's right hand. The pipe is for Allen
Dulles (Finger-as-Dulles) and the class ring is for Edward Lansdale (ClassRing-
as-Lansdale). His left side is Earl Warren. When Jim says "What'd you expect
from a pig but a grunt?" in response to "The US Attorney in Washington declines
to serve our subpoena...", he means RFK (JFK's brother) as the pig.
Pictures 2 and 3 should be interpreted together. The first one shows four bagels on
Jim's left side. This is 4-Star rank of Curtis LeMay. The second one shows Jim
drinking from a glass in a tea holder. This illustrates a cigar tee holder. In other
words, Jim's left side plays Curtis LeMay smoking his "Big Cigar".
Talking about conferences and bagels. Did you hear about the hook noses having a
conference for all Holocaust survivors? Six millions bagels showed up with
enough holes to fill up the entire Holocaust!
Picture 4 shows Lou next to the window. He stays there to make himself stand out
from the others, until his "ultimatum" gets him out of the "conference" and
Zapruder frame 315.
Picture 5 and 6 should be interpreted together. In picture 5, Jim's assistant Al

makes a Hand-to-throat gesture. However, this appears to be an attempt to confuse
the decoders (code breakers) because other clues make Susie a much better
candidate for JFK. One of the clues is in picture 6 where a sketch shows Connally
making Hand-to-throat gesture and it shows JFK's right hand down. In other
words, Al plays Connally. He prominently displays the wrist and radius bone
(forearm) "fractured" by Connally during his theatrics in front of JFK. For some
reason the movie makers placed Susie playing JFK on the other side of table.
Picture 1 (third set of six pictures) shows 3.5 donuts between Susie and the
assistant sitting on her left. Notice that the central holes show up just enough to
suggest the holes are there, and at the same to cast doubts whether the holes are
actually there. This is because Americans need holes for their donuts, and Germans
don't need holes for their donuts called Berliner Pfannkuchen. This is a reference
to the famous speech "Ich bin ein Berliner" given by JFK on June 26 of 1963, in
West Berlin. In common German, the sentence means "I am a donut" because of
the use of ein. However, JFK meant "I am a citizen of Berlin". He should have said
"Ich bin Berliner" without ein. Since then JFK is associated with donuts. The
movie includes clips from old films. One of the clips (movie time (0:02) shows
JFK saying this sentence. In other words, the movie makers are sending a message
that either Susie or the man next to her plays JFK. Another thing to notice is that
the donut on top is cut in half. This is another reference to JFK on top of donut
reference. One half of donut looks like a human ear, i.e. JFK's right ear broken by
Jackie's turkey shoot and then put on top of his grave by the central banking hook
noses. In picture 2, the movie projector behind Susie and the man playing Jackie
illustrates Moorman camera. Mary Moorman made her famous Moorman photo
about 0.7 seconds before Jackie's turkey shoot, while standing just behind JFK
limo.
Pictures 2 and 3 should be interpreted together. Suzie makes a Hand-to-throat

gesture with her right hand, while using both hands to spread a white handkerchief
at about the same level as the bright spot below JFK's chin as seen in Zapruder
frame 312, the last frame before Jackie's turkey shoot. The assistant sitting next to
her raises his right arm to imply that his right arm is bent at elbow, meaning he is
making an Elbow-as-Jackie. The bright spot in frame 312 comes from sunlight
reflecting from JFK's right hand held below his chin. In frame 312, JFK's left hand
is down because Jackie pushed it there in order to provide space for her handbag.
Frame 312 shows JFK and Jackie exactly four milliseconds before she pulls the
trigger. Picture 2 corresponds to the time when Jim says "Shortly after the
assassination Walters says the telex was removed from all the files as an obvious
embarrassment to the Bureau". The telex is a code word for the projectile PWM
removing itself from JFK's head and then flying up and painting the white marks
revealing (embarrassing) all details of Jackie's turkey shoot.
Pictures 4 and 5 should be interpreted together. Picture 4 shows the assistant

playing Jackie when Bill says "The government doesn't want to open up a whole
can of worms because it used the mob to try to get Castro". He does the same thing
with his right hand as JFK, less the phone receiver, shown in a clip from old film
included at the beginning of this movie (movie time 0:02). In picture 4, I added
two yellow arrows pointing to the spots touched by his index finger and thumb.
The top arrow points to the point BX and the bottom arrow points to BE on the
other side. The can of worms refers to Zapruder frames (cans) with the white
marks (worms). The mob is a code word for the Dallas Mob like Earle Cabell, Bill
Decker, Henry Wade, etc. Here, Castro is a code for JFK. Jim makes it clearer
when he says "Could the mob change the parade route? Or eliminate the
protection for the President?". The mob also refers to other Cubans like Allen
Dulles, Curtis LeMay, LBJ, etc. One meaning of parade route is the white marks.
When Jim says "Assassins need payrolls, schedules, times, orders", he refers to
Lloyd Bentsen as the Paymaster of JFK assassination.
Picture 6 shows the man playing Jackie making Finger-as-Dulles gesture (index
finger as pipe) with his right hand when Bill says "A telex disappears from every
FBI office in this country?". He also makes the same gesture with his left hand
when Jim says "But what the note really said, no one knows". This Allen Dulles
behind Jackie. This means Jackie was a CIA agent working for Allen Dulles.
Picture 1 (fourth set of six pictures) shows one female assistant playing William
Greer marked as WG, the driver of JFK limo. The man marked RK plays Roy
Kellerman sitting next to Greer. The important thing is the three-ball earring worn
by WG, pointed to by yellow arrow. This is a reference to Greer's testimony to
Warren Criminals, where he says "I know there was three [shots] that I heard"
during "three or four seconds". He also talks about three pieces of plastic covering
for JFK limo because Arlen Specter was very interested about the three pieces. In
other words, Greer is a 3-piece driver.
Picture 2 shows Numa holding so called "fan mail" for Jim. Recall the line "Who's
your daddy? Is he rich like me?". This is daddy money from the hook noses for
Earl Warren, Allen Dulles, Curtis LeMay, and Edward Lansdale. This means that
Numa plays McCloy who could print unlimited amount of money out of thin air,
and if any hard cash was needed he could get it from Onassis smuggling illegal
drugs around the world under the disguise of shipping business. Lloyd Bentsen, the
Paymaster of JFK Assassination, would take care of the logistics. Numa also plays
M1E which is the closest white mark to JFK, and therefore the closest white mark
to the smoke from burning White Phosphorus around his head. That is why Numa
is smoking, and three assistants on his right are also smoking.
Numa says "You got your hate mail here. And your fan mail here. The bad news is
that the IRS requested an audit of your income from this office". This is a reference
to the payoff (income) received for JFK assassination (this office). Since the
"government" provided the income, the "government" (IRS) knew about it and
requested an audit. The hate mail is a code for the white marks.
Jim says "The bad news is the National Guard just asked me to resign after 18
years. Maybe that's the good news. Never was as good as combat". Edward
Lansdale was kicked out from US Air Force in November 1963, i.e. after 18 years.
Kikipedia says that he started in 1943, but it is not clear in what "service". In any
case, Lansdale was not really a military man. He was just a CIA faggot planted by
the hook noses, hence "Never was as good as combat".
Picture 3 shows Lou toying with a cigarette lighter in his left hand. This illustrates
Jackie pulling the trigger with her left hand.
Picture 4 has two parts, cropped from two different frames a second apart. Both
show Lou moving is left index finger towards his ear when Jim says "[Could the
mob] influence the national media to go to sleep?". The national media is JFK
treated as the means of mass communication on national level. The influencing to
go to sleep refers to JFK assassination. When Lou hears it, he shows the points BE
and BX, albeit on the same side.
Picture 5 shows Bill showing his two fingers like Clint Hill in the limo during the
scene at Texas School Book Depository (2Fingers-as-Hill). The two fingers stand
for his two bullets. He says "We should be investigating our Mafia leads here in
New Orleans". The Mafia leads is a reference to Jim saying "Since when the mob
used anything but .38's for hits up close?". This is another clue that the line about
.38's is critical.
Picture 6 shows Bill leaving the "conference" kicking everything around him. This
illustrates the clumsy job done by those who erased M5E. That is why the next
white mark M6E is smeared over a relatively large area.
Picture 1 (fifth set of three pictures) shows the assistant playing M3E. In other
pictures showing him, notice that only his shirt sleeves are white. Otherwise his V-
neck sweater vest is dark. That is why the movie makers pan the camera showing
two white dots, mostly staying on his nose. This is a sign that he is playing a white
mark because the white marks look like these white dots.
Picture 2 shows the third flashback where Jim says "Remember the New Orleans
meeting with Agent Quigley the day he was arrested? Quigley destroyed the notes
from the interview". Here, Oswald and the bright flash of light behind the chainlink
fence illustrate two white marks M5E and M8E (notes) destroyed by JFK killers.
Picture 3 shows the fourth flashback where Jim says "he [Oswald] may have been
the original source for the telex dated November 17 warning of Kennedy's
assassination in Dallas on November 22". Compare the street behind the window
to the street shown immediately after Jim falls asleep in front of TV set (JFK dies).
The lights behind the window illustrate the white marks. So called telex is a code
for PWM. Here, Oswald refers to White Phosphorus as the source of the "blob"
and PWM.
Jim's assistant Al says "A militant revolutionary group may attempt to assassinate
President Kennedy on his proposed trip to Dallas, Texas". The militant
revolutionary group is a code for Jackie and the remaining occupants to JFK limo,
Clint Hill, and other Cubans.
Pictures 1 and 2 (sixth set of two pictures) show both sides of the conference table.
I added yellow signs above all "assistants. The white marks sitting at the table can
be divided into two groups. Jim sits at one end with two other white marks. His
group is Zapruder frame 314. He is M7E. The woman sitting next to him is M6E.
Bill sitting next to her is M5E. The group on the other end has four white marks
corresponding to Zapruder frame 313. Numa is M1E. The Asian-looking woman is
M4E. She is the least visible because M4E is the smallest white mark. Picture 2
includes an arrow pointing to M8E played by Lou (not seen) standing next the
window on Jim's left side.
The remaining assistants are occupants of JFK limo: Clint Hill (CH), JFK (JFK),
Jackie Kennedy (JK), William Greer (WG), Roy Kellerman (RK), Nellie Connally
(NC), John Connally (JC). The movie projector is Moorman's Polaroid camera.
Pictures 1 to 6 (seventh set of six pictures) correspond to the first flashback about
so called "voter registration drive" in Clinton. Picture 1 shows a water tower in
Clinton. This is an illustration of a turret on Old Red Courthouse. In other words,
this flashback is about JFK motorcade (voter registration drive) in Dallas,
specifically Dealey Plaza. The coloreds mostly illustrate the dark gore around
JFK's head after Jackie's turkey shoot.
Picture 2 shows a sign. The red letters stand for white marks. On the bottom, the
red letters HERE stand for four white marks in Zapruder frame 313. The red letters
OE in VOTE stand for two white marks in Zapruder frame 314. The red letters TO
in the third row, stand for two white marks erased by JFK killers. Since the
fragments of Jackie's bullet flew from bottom towards the top of Zapruder frames,
starting in frame 313, you should count the rows from the bottom.
Picture 3 shows Oswald standing next to so called coloreds. Each colored stands
for one occupant of JFK limo, except the front seat with Greer and Kellerman.
Oswald is JFK (marked JFK). The tall man in front of Oswald plays John
Connally (marked JC) with his big cowboy hat. The woman next to JC plays
Nellie Connally (marked NC). The boy next to Oswald plays Jackie Kennedy
(marked JK). The man behind JK wears dark sunglasses and he plays Clint Hill
(marked CH), obviously invited by Jackie through the back door on the trunk.
Picture 4 shows Oswald sweating and wiping his neck below his right ear with a
white cloth held in his right hand. I added three yellow arrows. The top arrow
points to the white cloth. This white cloth will appear later as a white note given to
so called Special Agent Hosty. The other two arrows point to two rings on middle
and ring fingers. The two rings will be used to identify this hand in Hosty's office.
Picture 5 shows Oswald kicking a can. This illustrates the expression "to kick the
can down the road", meaning letting somebody else worry about the can. The can
is PBF projectile (metal fragments of Jackie's bullet) flying from JFK's head
towards to the upper right corner of Zapruder frames. Compare to the direction
where Oswald is kicking the can. The white cloth is PWM projectile that will
follow the can and it will reappear in Hosty's office.
Picture 6 shows a police badge on a cop. This scene does not make it clear who the
cop is. However, the court room scene brings this cop back to testify where he
plays Clint Hill. Also, another witness Patrolman Smith says "He produced
credentials from his pocket showing him to be Secret Service" while a Secret
Service goon shows his badge looking like this police badge. This badge is used to
illustrate Secret Service bullet that killed JFK. No investigation is needed because
the bullet shows its credentials right in your face!
Picture 1 (eighth set of three pictures) shows Dave Ferrie sitting in a car, behind
heavy smoke. He plays JFK set on fire by Jackie after her turkey shoot. During the
Clinton scene, Both Ferrie and Oswald play JFK because they are not seen in the
same video frames.
Picture 2 shows Clay Shaw standing next to Ferrie. His white hair pays the "blob"
next to JFK's head. Picture 3 shows the Reunion Tower playing JFK's "blob" on
Dallas city skyline 24/7/365, right next to the spot where it first appeared in
Zapruder film.
During the Clinton scene, Oswald is shown first with a white cloth on his neck,
then he is shown kicking a tin can. The white cloth plays PWM projectile exiting
JFK's head. The tin can plays PBF projectile exiting his head.
In the background, Jim says "rumor is Shaw, a local boy, was working on some
arms deal to discredit the civil rights movement. No one really knows what they
were doing there, but they stood out like cottonballs". Here, Shaw is the "blob"
(cottonball) treated as part of so called "arms deal" that came from Jackie's
handbag and then through JFK's head. The "civil rights movement" means JFK
assassination. JFK killers did not anticipate the "blob" (Shaw, a local boy) or the
projectile PWM painting the white marks (cottonballs) in Zapruder frames and
revealing too much (discrediting) the details of their JFK assassination. At this
point Lou screams at Bill "You're not digging deep enough" meaning that Lou
wants Bill to dig up the cottonballs (the white marks and the "blob") implicating
Jackie as JFK assassin. Bill gets angry and says "You do my job and I'll do your
job" meaning that Clint Hill wants to swap the roles with Jackie and live Jackie's
luxury style for a change. Jim says "Clinton is a breakthrough now". What he
means is that Jackie's bullet broke through JFK's head and that's the most important
for LeMay, Dulles, Warren, and Lansdale.
Pictures 1 to 6 (ninth set of six pictures) correspond to the second flashback in the
office of so called Special Agent Hosty who is a code for JFK's Chief of Staff
Kenneth O'Donnell who was a conspirator in JFK assassination, riding in the
follow-up car and enjoying his "political career" planned by the hook noses.
Special Agent Hosty is only a disguise for this scene. In 1963, there were two FBI
goons in Dallas office. One goon was called FBI Special Agent James Hosty and
the other goon was called FBI Special Agent in Charge Gordon Shanklin.
Reportedly, Oswald delivered a note to Hosty ten days before JFK assassination.
Later, the note disappeared and it became a fodder to the "JFK assassination
research industry" feeding the dummies with irrelevant crap. The destroyed note is
like the destroyed birth certificate of the monkey sitting in the White House. Those
who promote the crap about Hosty's note and about the monkey's birth certificate
are the same "research industry" working for the same hook noses who killed JFK
and put the monkey in the White House. Where is the industry researching the
hook noses?
During the flashback to Hosty's office, the movie makers encode several things.
They use the character Hosty playing Kenneth O'Donnell to tear the note into
pieces. The picture showing the note being torn is critical because the note came
from the white cloth shown next to JFK's temple during the Clinton flashback. The
character Hosty tears the note into eight pieces, not actually shown but implied.
These eight pieces, later six pieces after erasing two pieces, encode very critical
information about Jackie's bullet shot. Once Jackie is implicated, all occupants of
JFK limo and the follow-up car are implicated as direct conspirators. The man
sitting at the desk and receiving the note from Hosty plays JFK. The movie makers
are sending a message that JFK should have known about Kenneth O'Donnell
being a piece of trash because JFK had received enough signals about him before
his assassination. However, JFK ignored all those signals and let O'Donnell stay on
and stab him later into the back. The movie makes Kenneth O'Donnell tear the note
into pieces (white marks) that eventually will lead back to him through Jackie. The
analytical chapter of this document is the proof of it. Kenneth O'Donnell was a JFK
killer.
During this flashback, there are two different Oswalds at two different times,
coming to the White House (disguised as FBI). The first Oswald plays Jackie two
weeks before the assassination. This corresponds to Susie saying "Oswald went to
see the FBI two weeks before the assassination". This Oswald is shown in pictures
1-3. The purpose of this Oswald is to show the left hair part exposing his skin
because in a later scene Bill playing Jackie will show the same type of hair part on
the right side. The second Oswald plays Oswald's right hand from Clinton,
immediately after Jackie's turkey shoot. This corresponds to the can kicked down
the road, as explained in the part about Clinton flashback. The tin can itself plays
the role of the metal parts of Jackie's bullet (PBF). The white cloth and its
extension in the form of white note (before being torn) plays the role of a chunk of
burning White Phosphorus (PWM) chasing the can at a much slower speed but on
the same path. Once the white note is torn into pieces, the pieces illustrate the
white marks. This second Oswald is shown in pictures 4-6 of this set and in
pictures 1-3 of the next set.
In pictures 2 and 4, notice that the same right hand is different. The first hand does
not have any rings, while the second hand has two rings like the right hand in
Clinton. In pictures 1 and 5, notice that the secretaries are different too.
Picture 5 shows so called Hosty. Compare him to the photo of Kenneth O'Donnell
in picture 6. Also notice the white dots in the fireplace, pointed to by a yellow
arrow. Most probably, this photo has been cropped and the original copy shows the
full view of this fireplace with more white dots. Apparently, the white dots are
used as a vehicle to get to O'Donnell during the flashback with Cubans, described
later.
Picture 1 (tenth set of three pictures) shows Hosty handing the note to his boss,
apparently Gordon Shanklin. The type of desk lamp is important. Picture 2 shows
JFK at his desk in Oval Office. The lamp on his desk is called Hercolite Executive
(no. 605SB) made by Herco Art Manufacturing of Wallingford, Connecticut. Since
all the photos of his desk show this lamp, the lamp is used to identify JFK. One of
the clips included at the beginning of this movie shows JFK behind this lamp
(movie time 0:02). Picture 2 has been cropped from another photo with a better
resolution. This means the man sitting behind the desk is JFK.
Picture 3 shows Hosty tearing the note. The pieces from this note are white marks
pointing to Kenneth O'Donnell as a JFK killer.
Jim says "what if the note described the assassination attempt on JFK? That's the
only reason to destroy it". This means the white marks sufficiently describe
Jackie's bullet shot to JFK's head. That is why JFK killers destroyed two white
marks.
Pictures 1-3 (eleventh set of three pictures) correspond to the last fifth flashback
showing a meeting between Oswald and so called Cubans. These pictures should
be interpreted together with the next set showing all Cubans. Here, Oswald plays
the white mark M5E, the same one played by Bill during the conference. Once
Oswald is finished with the talking, he says "You can't miss. He is a dead duck".
He means you because you are looking at him, therefore you can't miss him. The
expression dead duck means somebody doomed to death, like the white mark M5E
or Oswald treated as a patsy doomed to death before JFK assassination. However,
Oswald also plays Jackie. Notice the bracelet on his left wrist. This is the same
reference used in the previous scene with Jackie "taking the kids". Oswald does not
wear any rings because Jackie wore white gloves, therefore any rings on her
fingers were not visible. Also, notice the flowers on left side. The flowers illustrate
the red roses on Jackie's right side, i.e. no flipping needed.
Jim says "I have a hunch Oswald had infiltrated this group, Cubans or right-wing
extremists. He was told to be at the Book Depository that day. He was under
orders. He was a foot soldier". What he means is that the white mark M5E
revealed (infiltrated) too much about Jackie's turkey shoot and it had to be
removed.
Picture 2 shows the white mark M6E using his big hat to fan himself. When you
look at the actual M6E in Zapruder frame 314, you will notice its large area
making it look scattered and blended with the background. This is what the Cuban
is illustrating.
Picture 3 shows the white mark M1E. The movie makers chose an actor with a
face similar to Numa playing the same M1E during the main conference scene.
Pictures 1-2 (twelfth set of two pictures) correspond to the last fifth flashback with
eight Cubans playing all eight white marks, before two of them are "killed" by JFK
killers. Notice that M8E is pacing back and forth away from the other seven. He
stands out like M8E played by Lou during the main conference scene. Also notice
that M3E and M7E swap the places in both pictures because the actual white
marks look similar in Zapruder frames. On the left side of picture 1, I added one
white arrow to point to the brick wall inside the fireplace. The bricks illustrate
Zapruder frames. In the middle of picture 2, I added one white arrow to point to the
dark board with white dots. Apparently, this board is the view behind the bricks
inside the fireplace. In a previous picture cropped from the photo of Kenneth
O'Donnell, I pointed to the white dots in the fireplace. The movie makers are trying
to connect O'Donnell to the white marks. It would be too obvious to show them in
the fireplace in picture 1 so that they came up with this trick of moving the
contents of fireplace to another side. Another reason to place the bricks over the
fireplace is to avoid confusion because a fireplace could be taken for JFK's head
like in several other scenes. Here, JFK's head is illustrated by the bright window in
the corner.
These pictures can't show up on TV (2:27)
This scene takes place during so called "TV talk show". Once decoded, this scene
is a continuation of the descriptions of the white marks in Zapruder frames 313-
315, started in the previous scenes. Other topics covered during this scene relate to
the "investigations" done by Warren Commission. That is why one of the
characters played by Jim is the Director of FBI, Edgar Hoover.
Jim continues to play Edward Lansdale because he displays prominently his class
ring. The talk show host Jerry also plays Edward Lansdale because he also displays
prominently his class ring on the same finger. Two Lansdales will be talking to
each other and providing more info about JFK assassination. Jim also plays Allen
Dulles and Edgar Hoover, the Director of FBI at that time. Jerry also plays Allen
Dulles and Arlen Specter twirling his famous pointer disguised as a pencil. The
sidekick plays Earl Warren. The stage director plays Jackie.
This scene shows the events seen from two different locations. Jim's wife Liz is
watching the talk show from home like all other ordinary Americans. She sees only
a small part of the show. So called "live audience" sees all the events from inside
"TV studio". Consequently, it is important to separate the events seen by Liz from
the events seen by the "live audience". Whatever Liz sees is equivalent to Zapruder
film sanitized later by JFK killers. Liz can't see two types of events in Zapruder
film. She can't see the events happening during non-exposure time of Zapruder
film. As you know, the camera records one frame (picture) at a time. This is called
exposure time, about 25 milliseconds in Zapruder case. In terms of "TV studio",
this corresponds to "On The Air". Then the camera stops recording in order to
prepare the next frame. This is called non-exposure time, about 30 milliseconds in
Zapruder case. In terms of "TV studio", this corresponds to a commercial break.
Secondly, Liz can't see things when the camera shows other things, e.g. when it
pans the audience while Jim is showing important photos. The latter case
corresponds to erasing of two white marks in Zapruder frames.
Liz sees only six white marks, in sequential order from M1E to M7E, except M5E.
She does not see the last white mark M8E. The scene defines one white mark as
the brightest spot on TV screen during a single uninterrupted view of TV screen as
seen from Liz's bedroom until the stage manager makes a cutoff sign. If the camera
merely pans the TV screen as shown in Liz's bedroom then it is not an interruption.
However, when it switches abruptly to another view while still in the bedroom then
it is an interruption to show the next white mark. After the cutoff sign, the TV
screen goes back to normal, without any white marks. Note that the TV screens do
not illustrate the shapes or the relative locations of the actual white marks, only
their individual existence and their relative order.
During this scene two hoboes in one photo of three hoboes/tramps play the role of
two white marks M5E and M8E, erased by JFK killers. Liz cannot see the photo
because the stage director makes the camera pan the audience while Jerry yanks
the photo off Jim's hand. The movie makers use two hoboes because the public
does not know their identities like the public does not know the identities of M5E
and M8E. Officially, Dallas Police Department "released" the names of the hoboes
in 1989. However, Dallas Police Department is considered an organized crime
(Dallas Mob) until their Police Chief Jesse Curry and other murderers are brought
to Justice. Considering the corruption in America where a peanut-brain homo
O'Monkey can jump into the White House directly from an African Jungle and
even without a birth certificate, Dallas Police Department will come clean. In the
meantime, the O'Monkey will keep looking for the Humans who invited it to the
White House. It will all end in a Big Bang with lots of Booms Booms and then
everything will become clean again. Monkeys will go back to the Jungle where
they belong.
Picture 1 is the first TV screen seen by Liz from her bedroom. Its purpose is to
illustrate Zapruder frames or film by showing the dark rectangles. Pictures 1 and 2
are shown during the same uninterrupted view of the TV screen in Liz's bedroom.
Pictures 2-6 show the consecutive white marks as marked by the yellow arrow and
yellow sign in each picture. The next set of pictures continues this set. In picture 2,
the sidekick man is making a Hand-to-throat gesture with his mike. Notice that the
TV screens in picture 4 of this set and picture 1 of the next set are similar. This is
because the white marks M3E and M7E look similar in Zapruder frames 313 and
314 respectively. The previous scene with Cubans illustrates the same concept by
making two Cubans swap their places. Picture 6 shows Jim wiping his forehead
with white cloth in order to illustrate the wide area of white mark M6E. The
previous scene with Cubans illustrates the same concept by making one Cuban fan
his hat.
Picture 1 (second set of six pictures) continues the previous set, as explained
before. Picture 2 shows Jim and Jerry shaking hands. At the same time, Jerry
points his left hand the other way. This corresponds to one clip from an old film
where JFK does not extend his right hand when Allen Dulles raises his right hand
to shake. Within seconds, Dulles drops his right hand and raises his left hand. This
old clip is included at the beginning of this movie. Here, both Jim and Jerry play
Allen Dulles so they love the shaking.
Picture 3 shows the stage director raising his hands like the dancer Jada in
"Carousel Club". This is because both he and Jada play Jackie. When you watch
this scene, notice the signs of lips on the walls. These are Jada lips. Notice the ring
on his left ring finger. All photos showing Jackie's ungloved left ring finger show
at least one ring. He does not wear a watch band like Jackie did. Maybe the movie
makers forgot about it. However, they did not forget about the short sleeves.
Jackie's jacket had sleeves with wrist lines well above her gloves. Later more clues
about Jackie.
Picture 4 shows the sidekick man making an Eyebrow-as-Warren. The yellow

arrow points to it. This is a "Constitutional Law Professor" from Washington.
Apparently, the hook noses found a better one in Kenya.
Picture 5 shows Jim's briefcase. This design is called top frame briefcase. Later,
Jim will pull out the photo with hoboes from this briefcase meaning the white
marks M5E and M8E are in top frame of Zapruder film (briefcase).
Picture 6 shows Jerry's hands on white sheet of paper illustrating white marks. One
yellow arrow points to a ring on his right ring finger meaning he plays Lansdale in
addition to Allen Dulles, ClassRing-as-Lansdale. The other yellow arrow points to
his pencil illustrating Arlen Specter's pointer.
Jerry says "We've heard some strange things coming out of your office in New
Orleans. First we heard that Cuban exiles killed the President, then the Mob, now
your latest theory seems to be that the CIA and the FBI and the Pentagon and the
White House all combined in some elaborate conspiracy to kill John Kennedy".
This is Allen Dulles himself saying this. Cuban exiles is a code for the goons led
by Curtis LeMay because he was not only "Big Cigar" but also "Cuban Big
Cigar". His cigars were Cubans. The Mob is Dallas Mob like Earle Cabell, Henry
Wade, Bill Decker, Jesse Curry, etc.
Jim responds "Well let's just say this, Jerry - I've stopped beating my wife. Or
maybe you should ask Lyndon Johnson. We know he has some answers". This is a
reference to JFK's head bouncing back after Jackie's bullet shot and "beating"
Jackie. Since JFK is dead, he will not beat Jackie any more. This comes from A
Shot In The Dark where Maria (playing Jackie) complains about a bump on her
head.
Jerry says "There have been a number of reports in reputable news media - Time,
Newsweek, our own NBC - that you have gone way beyond the legal means
available to you as a prosecutor, that you've intimidated and drugged witnesses,
bribed them, urged them to commit perjury. What is your response?". Now he talks
to Edgar Hoover who was in charge of the cover-up of JFK assassination. When he
says commit perjury, picture 6 is shown because the white pages illustrate the
white marks revealing all critical details about Jackie's bullet shot with the best
scientific evidence available in the Universe. Even the hook noses would not be
able to defend themselves with all their Federal Reserve Notes.
Jim responds "Your faith in the veracity of the major media is touching, Jerry. It
indicates that the Age of Innocence is not yet over". Here, Hoover himself confirms
that the reports are true. Jerry agrees with Hoover being paranoid by saying "There
are some people who might say you're paranoid".
Picture 1 (third set of six pictures) shows Jim putting his eyeglasses on like Edgar
Hoover, Eyeglasses-as-Hoover. Picture 2 has been cropped from one clip of an old
film included at the beginning of this movie. In other words, Jim plays Hoover at
this moment.
Picture 3 shows Jim showing the photo of three hoboes/tramps where two of them
are overexposed to light. This means the two play the white marks M5E and M8E
(arrests) which are not illustrated on the TV screen as seen by Liz. The yellow
arrow on left points to the ring on right ring finger meaning he plays Lansdale
when showing this photo.
Jim says "These arrests were photographed minutes after the assassination, and
were never shown to the American public. Those men you just saw were arrested in
Dallas minutes after the assassination. They were never seen again. No record of
arrest, no mugshot, nofingerprint, nothing. They all got away". These two hoboes
also play Jackie and Clint Hill. That is why the stage director cuts Jim off because
he recognizes himself as Jackie in the photo. The bald hobo looks like the bald
stage director. In the next scene at the "airport", there will be a bald homo playing
Jackie like the bald hobo playing Jackie.
Jerry says "I'm sorry, these pictures can't show up on TV. We have libel laws". The
libel laws is a reference to Jackie and Clint Hill because they are widely known to
the public.
Pictures 4 and 5 show Jerry twirling his yellow pencil. Compare it to the pointer
used by Arlen Specter during his demonstrations of Magic Bullet. In picture 6, the
yellow arrow points to this inbred because you could confuse him with a
cockroach. In the past, the inbreds were supposed to wear yellow patches like peels
on bananas. Time to bring it back!
There is no butt in a military situation (2:30)
This scene takes place at so called "airport" where Jim takes a flight back to New
Orleans after the "talk show". Once decoded, the "airport" is Dealey Plaza visited
by the Warren Criminals to "investigate" the crime scene in 1964.
Jim plays Earl Warren and Curtis LeMay. He possibly also plays Allen Dulles and
Lansdale. Both Warren and Dulles were spotted on camera in Dealey Plaza during
so called Warren "investigations" in 1964. Bill plays M5E, Jackie, and Clint Hill.
The bald homosexual in the men's restroom also plays Jackie. In other words, the
bald hobo in previous scene changes to the bald homo in this scene. The bald homo
actually plays the bald SS goon Rufus Youngblood playing Jackie. This is the
same concept like in the previous scene where a bald stage director also plays
Rufus Youngblood playing Jackie. Such a long movie would not pass up on this SS
goon because of the reward he received for his conspiracy in JFK assassination and
because he was assigned to LBJ making him trash like everything else inside LBJ
trash can.
The uniformed cops and civilians lurking around men's restroom play the
occupants of JFK limo and the follow-up car. There were two SS goons in JFK
limo, eight SS goons and two Presidential aides in the follow-up car. The aides
were Kenneth O'Donnell (Chief of Staff) and David Powers (Special Assistant).
The "civilian" blocking the door of Jim's stall plays John Connally twirling his
radius bone in front of JFK. Since all these characters illustrate pieces of
excrement dumped by humans, the restroom is the proper place to illustrate all
these characters. That is why Jim talks about dumping this paranoid garbage.
This scene includes two shooting sequences. The first quick sequence is illustrated
by Jim and Bill, where Jim plays the role of JFK, Bill plays both Jackie and Clint
Hill. The camera switches the views when Bill changes the role from Jackie to
Clint Hill. During this sequence, Bill fires three bullets by saying the word Boss
(phonetical meaning). Bill says "Boss, Look!" to fire Jackie's bullet. After Jim gets
visibly upset, Bill says to him "Boss, but [butt] this is..." to fire Clint Hill's first
bullet. Then Jim gets really upset, and Jim says "There is no but [butt] in a military
situation, Broussard!". The butt refers to Jackie's butt up in the air as shown in
Zapruder film. Recall the prison scene in Angola where Willie says as Jackie "You
don't know shit, cause you never been f..ked in the ass". In other words, Jim refers
the military situation in Dealey Plaza. Obviously, Broussard refers to Clint Hill.
Bill fires Clint Hill's second bullet when he says "Boss! I'm sorry. I am just looking
out for you". He is sorry because he missed JFK's head.
After the "airport", Jim is heading to so called New Orleans which is a code for
Washington, DC, meaning "The Big Easy" (New Orleans) for JFK killers. Bill gets
so called ticket to New Orleans. The ticket is a code for coffin. Reportedly, Clint
Hill himself ordered the coffin for JFK in Dallas. That is why Jim says "Get a
receipt!". However, he says it also to Jackie where it has another meaning. When
said to Jackie, the receipt refers to Jackie's testimony in Warren Report because
Jim's left side plays Earl Warren. In her testimony Jackie says "I turned to the
right, my husband was doing this [Hand-to-throat]. He was receiving a bullet".
Apparently, poor Jackie forgot a receipt and now Warren specifically reminds her
about the receipt.
During this scene, Bill shows hair part exposing his skin on his right side. This is a
follow-up to the scene in Hosty's office where Jackie was shown with hair part on
her left side, two weeks before JFK assassination. This means Jackie changed her
parting style from left to right just for JFK assassination, as explained in the
chapter describing the Plan.
Picture 1 shows the counter of the "airline" Jim is flying with. The name
Continental is important because it draws attention to the Continental tire mounted
in the rear of JFK limo. Clint Hill used this tire to place his right foot when he was
shooting JFK. The scene with Senator Long and Jim also uses Continental Airlines
for the same reason. Other scenes also make references to the Continental tire. The
woman behind the counter appears to be a man dressed as a woman. She plays
Clint Hill invited by Jackie onto the trunk of JFK limo. Notice the Cloth-From-
Hill reference on her left side.
Each part shows a different female attendant behind the counter, both wearing a
similar light blue uniform. Even though all three attendants behind the counter
work for the same Continental Airlines, one attendant in dark blue uniform stands
out. This is because the pin on the dark blue uniform is supposed to stand out and
make the Cloth-From-Hill reference. Clint Hill wore a dark jacket like all other SS
goons. The left half of picture 2 is marked MM which stands for Mary Moorman.
Recall the scene where Jean Hill says "shots rang out". Mary Moorman standing
next to Jean Hill plays Jackie as Marie Antoinette with a hairstyle similar to Marie
Antoinette Pouf. That is why this desk attendant wears a Beehive hairstyle
(MarieAntoinette-as-Jackie). Julia Ann Mercer playing Jackie also wears the same
Beehive hairstyle. The right half of picture 2 is marked JH which stands for Jean
Hill. Both MM and JH were standing behind JFK limo and thus behind Clint Hill
when he was on the bumper of JFK limo in Dealey Plaza. Here, neither MM nor
JH play Jackie. Their hairstyles only make references to Mary Moorman and Jean
Hill.
Picture 3 shows the head of the woman low above the counter, between Jim and
Bill in order to illustrate Clint Hill mounted on the rear bumper during JFK
motorcade in Dallas. The woman behind the counter plays Clint Hill until Bill
assumes the role of Clint Hill later.
Picture 4 has been cropped from the actual photo of Clint Hill squatting on the rear
bumper, about 10 minutes before JFK assassination on Elm Street. It is not clear
what he was doing there. Probably, he was doing a dry run before his jumping
performance on Elm Street or sending a signal to Jackie.
When Bill suddenly appears, Jim says "Bill, What the hell are you doing here?".
Bill replies "I'm sorry about the other day, Chief. At this point, Bill plays M5E
apparently apologizing to Warren for the mess (hell) left around M6E after erasing
M5E.
Bill says "I didn't mean to walk out on you like that". Jim says "You came over all
the way to tell me the obvious". This is Jackie talking about walking out on JFK.
Warren says that Jackie's guilt is too obvious for him to talk about it.
Bill says "No. Boss, Look! I just got a word there's going to be an attempt to kill
you somewhere between here and New Orleans. A mob guy was brought down by
Shaw from Canada. This is serious, Chief". When he says Boss, he also makes an
Elbow-as-Jackie with his right arm. The attempt refers to the next two bullet shots
to be fired by Clint Hill (mob guy). Shaw refers to Curtis LeMay who was in
Canada at the time of JFK assassination in order to give himself an alibi. He
immediately flew back to Washington DC, where he managed the cover-up,
especially so called "autopsy". The Chief refers to Warren. A this point, the camera
switches to the view in picture 5, meaning that Bill changes the role from Jackie to
Clint Hill.
Picture 5 illustrates the aftermath of Jackie's turkey shoot. Two sailors in white
uniforms illustrate two white marks M5E and M8E, erased from Zapruder frames.
These are the same sailors from the scene in "Carousel Club". The man in the
foreground looking in your direction plays the role of John Connally and the man
behind him play the role of Nellie Connally, both sitting in front of JFK. The
woman in yellow dress, and the little girl in yellow skirt and white shirt, play
burning White Phosphorus. The man next to them plays another JFK.
Picture 6 zooms in the logo mounted on the column behind the car shown in
picture 5. This is Buick's trishield emblem. The shields stand for three Buick
models LeSabre, Invicta, and Electra. The movie uses the shields to illustrate three
bullets fired at JFK. This is a 3Amigos-as-3Bullets.
Bill says "You gonna need a bodyguard, tonight". The bodyguard is a code for
Clint Hill. At this point Bill plays Clint Hill. Jim says "When you were in the Army,
did you get a chance to find out what an order meant?". Clint Hill was in the US
Army from 1954 to 1957, and that is why Bill replies "Yeah".
Jim says "Do you happen to remember my order never when on the staff not to
participate in passing on these endless rumors about how somebody going to be
killed?". The staff is a reference to LeMay's staff assassinating JFK, meaning this
is LeMay talking. Recall the bedroom scene where a TV announcer says
"Garrison and his staff have intimidated, bribed and even drugged witnesses".
Bill says "Yes, I do, Boss, but this is...". This is Clint Hill's first bullet shot as
already explained.
Jim says "There is no but [butt], There is no but [butt], in a military situation,
Broussard. I don't appreciate your dumping this paranoid garbage on me, I don't
appreciate your inability to follow a simple order especially when it means I
personally gonna end up paying for your flight back to New Orleans. Let's get you
a ticket". The dumping this paranoid garbage is shown in the restroom where it is
explained. The "paranoid garbage" is the garbage in Warren Report "reporting"
how JFK was killed. Another scene refers to this "paranoid garbage" as "Absolute
nonsense. The Quarter [Warren Report] is filled with vivid imaginations. Grimy
young hoodlums who'll say and do anything". The personally has two meanings.
Firstly, it refers to Warren paying personally by using his name on the Warren
Report. Secondly, it refers to JFK paying personally by dying. The ticket is a code
for coffin.
Bill says "Boss! I'm sorry. I am just looking out for you". This is Clint Hill's second
bullet shot as already explained.
Pictures 1 to 3 (second set of three pictures) explain what Jim means when he says
"There is no but [butt] in a military situation, Broussard!" and "Let's get you a
ticket [to New Orleans]".
Picture 1 shows the scene from "Carousel Club" where Clint Hill and Jackie enjoy
dancing on the "trunk" of JFK limo and where Jackie's "butt is in a military
situation". Picture 2 shows frame 375 from Zapruder film showing the same dance.
Picture 3 has been cropped from an old photo showing JFK inside his coffin
carried by his killers before flying to "The Big Easy". The coffin is the ticket that
Jim is talking about.
Picture 1 (third set of six pictures) shows Jim pointing his left finger to a ticket for
Bill. Jim says "Get a receipt". Apparently, Jim gives away his own ticket to Bill.
This means that Jim is not flying anywhere. The last picture showing him entering
a terminal (concourse) illustrates him entering the building of US Supreme Court
as Earl Warren, as explained later. The word Court is similar to Concourse.
Another thing to notice in picture 1 is the little girl in pink suit who provides a clue
about Bill's hair part.
Picture 2 shows the newspapers at a newsstand where Jim goes before his
encounter at the men's restroom. The newsstand plays the role of the tunnel under
the triple overpass. The names of some magazines make important references. The
upper left corner shows Time magazine. Jim is holding Life magazine. Both make
a reference to Time-Life. Recall Lou saying "we have to subpoena Time-Life
(Time-Lie)". This is a reference to Zapruder film owned by Time-Life at that time.
The magazine Motion Picture makes another reference to Zapruder film. The
magazine Photoplay makes references to those making still pictures like Moorman
or Altgens. The magazine Road&Track stands for the railroad on top of the triple
overpass. At the end of this scene, Bill will be standing in the tunnel under the
triple overpass, and holding Road&Track magazine. Picture 3 zooms in on all four
magazines as shown in picture 2.
Picture 4 shows Jim leaving the newsstand. This means Warren/Dulles is leaving
the tunnel and going backwards to the spot where JFK was assassinated. This is
equivalent to the time when Zapruder is filming JFK limo before the limo
disappears inside the tunnel.
Picture 5 shows Jim sitting on a toilet in so called "men's restroom" which is a

code for the spot on Elm Street where JFK was hit by Jackie's bullet. This is where
a bald homo (Jackie) is about to hit on him. The red wall stands for Jackie's red
pink suit. The white paper inside the holder on the wall plays the role of "blob"
hanging off JFK's head. The "blob" is made of thick smoke from burning White
Phosphorus in JFK's right ear.
The part on left side shows a wrist watch ad in Life magazine held by Jim. The part
in right side shows the right hand of a man walking outside. The man is John
Connally sitting in front of JFK. The right hand and the wrist watch illustrate
Connally's right wrist "hurt" by Johnny, according to "grimy young hoodlums
who'll say and do anything" in Warren Report (The Quarter).
Picture 1 (fourth set of six pictures) shows the shoes of a bald homo behind the
wall, and also the floor tiles. Compare the tile pattern to the pattern on the oval
plaza in front of US Supreme Court building. Picture 2 shows the view from
above. This means that two toilets occupied by Jim and the bald homo are two
fountains on both ends of the oval plaza. The building of US Supreme Court is
used to illustrate the Dealey Plaza where JFK was assassinated. Earl Warren is
relieving himself into one of two precious fountains built for the nine criminals
hiding inside the building. In other words, Earl Warren is dumping his paranoid
garbage into his precious fountain.
Picture 3 has two parts, cropped from two different photos showing Jackie's
pointed toe pumps worn on JFK assassination day. Compare her pumps to the
pointed toe shoes worn by the bald homo as shown in picture 1. This is another
clue about Jackie.
Picture 4 shows one shoe worn by the man lurking outside. This design is called
wingtip because of its "W" shape similar to a bird with extended wings. Since this
is one shoe, it is one wing. The main bone of a bird's wing is radius bone,
Forearm-as-Connally. In other words, this is a reference to the radius bone
"fractured" by poor Johnny playing his theatrics in front of JFK. This is second
reference to Johnny.
The man playing Johnny says "Go! Go!". This illustrates Connally giving
instruction to Jackie to fire her turkey shoot.
Picture 5 shows Jim opening the door and slamming Johnny playing his theatrics
outside. Picture 6 shows two cops standing inside the men's restroom. They play
the roles of Kellerman and Greer, two SS goons sitting in the front seat of JFK
limo.
Picture 1 (fifth set of six pictures) shows "Jackie" following Jim. When "Jackie"
was leaving her stall, "she" was illustrating her turkey shoot. In this picture, "she"
illustrates an Elbow-as-Jackie, pointed to by a yellow arrow. This bent elbow is
shown in Zapruder film immediately before frame 313. This elbow is also called
"crooked as a dog's hind leg" during the scene with Jean Hill.
The bald homo says "Jim, where're you going? It's me, Daniel". Recall the scene
from Ferrie's apartment (about his "death") where a figure of Virgin Mary is shown
next to a sign Daniel. Picture 2 has been cropped from that scene for a quick
reference. In this movie, Mary is Jackie. This means Daniel is Jackie.
Picture 3 shows Jim getting out of "men's restroom". The photographer standing
outside plays the role of Zapruder. The cop next to him plays the role of Zapruder's
secretary.
Picture 4 shows the cops blocking the way for Jim. They play the roles of SS goons
riding in the follow-up car behind JFK limo. There were eight SS goons there and
two Presidential aides, Kenneth O'Donnell (Chief of Staff) and David Powers
(Special Assistant). Notice that one cop stands out because he is directly attacking
Jim and he does not wear a hat. This means that he plays the role of JFK's Chief of
Staff Kenneth O'Donnell, the piece of genetic trash stabbing JFK in the back.
The cop playing O'Donnell says "Hey, how long were you in that restaurant...?".
Notice that he does not say restroom but restaurant because the movie presents
JFK assassination as a dinner or meal for JFK killers. Jim says "None of your damn
business" because Warren just dumped paranoid garbage. During the court trial
scene, there is a flashback to Parkland Hospital where O'Donnell plays a similar
role by attacking Dallas Medical Examiner who tried to enforce Texas laws by
demanding JFK autopsy to be done in Dallas. In that scene, O'Donnell screams at
the Medical Examiner "Sonofabitch, you're not telling me what to do! Get the hell
outta the way!".
Picture 5 has two parts cropped from two different frames a second apart. They
show one civilian with a camera, behind the uniformed cops. Since the civilian is
behind the cops playing SS goons, he illustrates David Powers who was making
pictures when sitting in the follow-up car and then he mysteriously ran out of film
at 12:17pm, just 13 minutes before JFK assassination at 12:30pm.
Picture 6 shows Bill holding a Road&Track magazine. The magazine stands for
the railroad tracks on top of the triple overpass. Also, it makes a RailroadTracks-
as-Lansdale. Here, Bill plays Lansdale and Clint Hill. He illustrates Clint Hill's
bullet shot that killed JFK in the tunnel under the railroad (Road&Track). This
completes the second shooting sequence.
Picture 1 (sixth set of six pictures) shows the sign "Ladies Room" next to the
"men's restroom". This is a reference to US Congress with ladies masquerading as
US Congressmen. As you know, the US Capitol building is next to US Supreme
Court building, both filled with the worst scum on Earth. This is Nature's way to
isolate the worst scum into colonies, similar to swarms of cockroaches in dirty
kitchens.
Picture 2 shows Bill entering the terminal (concourse). Compare it to the front
stairway and two solid balustrades on both sides, in front of US Supreme Court
building, as shown in picture 3. Since Jim gave away his ticket to Bill, he is not
flying anywhere. He is entering the US Supreme Court as the buzzard Warren after
dumping this paranoid garbage into his precious fountain. In picture 2, I added to
yellow arrows to point to two bright spots, clearly separated by darker area. These
two spots illustrate two white marks M5E and M8E, dead in Warren Report but
brought back to life in the analytical chapter of this document. Notice that Jim still
holds his briefcase (top frame design) in his right hand. This means the other six
white marks are inside his briefcase (Zapruder film) in top frame area.
Great fish picked apart by sharks (2:32)

This scene takes place at Jim's "home" after he returns from the "talk show". Once
decoded, the "home" is Jackie's home in Washington, DC, where Jackie lived for
one year after JFK assassination and where she gave her testimony to the Warren
Criminals in 1964. RFK (JFK's brother) attended her testimony at her home and
that is why this scene includes him. RFK assassination shown on the TV screen has
nothing to do with the actual event in 1968. It is merely used as a disguise for
"killing" of two white marks, and additionally as an illustration of the death of
RFK's credibility when he participated in the cover-up of JFK assassination.
This scene includes eight actors playing all eight white marks. Jim's kids play M2E
(Jasper) and M4E (Virginia). Jim's maid Mattie plays M6E. The white marks M5E
and M8E, erased by JFK killers, are played by Susie and Liz respectively. This
scene illustrates "deaths" of two white marks twice, at Jim's home by using the
script lines and again on the TV screen. Susie says "This is not what we gonna
come out on" because she will disappear as M5E. Susie also plays Jackie until Liz
takes over later in the bedroom. When Jim asks Liz "Will you come to the trial?",
she says "I don't think so" because Liz will disappear as M8E.
In addition to the white marks, Jim and Liz play a whole collection of characters.
Both Jim and Liz play Edward Lansdale. Jim also plays Earl Warren (Chief), Allen
Dulles, Curtis LeMay (Garrison), etc. The sides appear to be less relevant because
Jim says as LeMay "This war has two fronts" meaning LeMay is now on his both
sides. Initially, Numa plays McCloy. When Susie says "I have to agree with Al,
Boss", the Boss refers to Numa and not Jim. However later, Numa refers to Jim as
Boss meaning that Boss moves to Jim. This is an example of so called "transient
official" that Jim talks about during the court room scene.
Liz plays LBJ, Edward Lansdale, and later in the bedroom also Jackie. A dog lying
on the couch also plays Jackie. Liz says the previous "I don't think so" also as LBJ
who did not testify for Warren Report. Instead he mailed in his prepared statement.
At the end of this scene, Jim and Liz making "love" is an illustration of the victory
celebrated by JFK killers. Recall the scene between Jim and Clay Shaw in Jim's
office where Jim says "After dinner you paid him to have sex". The sex is a code
word for Jackie's testimony before Warren Commission where Warren himself
made this final remark "I think that is the story and that is what we came for. We
thank you very much, Mrs. Kennedy".
In this scene, RFK assassination is a disguise for Oswald assassination by Jack

Ruby, specifically the "assassination" of M5E (Oswald). In other scenes, Ruby's
death is a disguise for killing of M8E (Ruby). Immediately before RFK is killed on
TV, two slices of Wonder bread are shown where one slice is covered with
mayonnaise. Jim removes a small jar with mustard-looking paste illustrating Earl
Warren and then puts some of it on both slices. Wonder bread used to be promoted
as "Sliced Wonder" with no fewer "than 26 slices in a loaf". This means that one
loaf illustrates 26 volumes of hearings and exhibits of Warren Report. The two
slices illustrate Volume V with the testimony by Jackie Kennedy, and Volume XII
with the testimony by Logan W. Mayo. One slice is already covered with
mayonnaise because Logan W. Mayo testified in March of 1964, almost three
months before Jackie who testified in June of 1964. When Jim drinks some white
milk, he illustrates erasing the white marks M5E. As soon as the milk is inside Jim,
RFK is killed on TV screen as M5E.
Logan W. Mayo worked in Dallas as an accountant for Sears. He was also a

member of the reserve on the Dallas Police Force. He was called to duty on
November 24 of 1963 to guard the basement of Dallas Police headquarters at 106
S. Harwood, between Main and Commerce Streets. In this basement, Jack Ruby
killed Oswald while Dallas Police goons watched. In his testimony to Warren
Criminals, Mayo says "I was stationed right here, at Commerce Street, guarding
this entrance to the basement... I was there from about 10:15 until about 11:30...
Neither of those two men [let in by Mayo] were him [Jack Ruby]". Ruby killed
Oswald at 11:20. All times are in CST. This means that the movie makers are
sending a signal that Logan W. Mayo let in Jack Ruby into the basement to kill Lee
Oswald. During the court room scene, a witness named Mr. Goldberg plays Logan
W. Mayo. Shaw's defense attorney introduces Mr. Goldberg with "you claim you
met David Ferrie and Clay Shaw while on a vacation here from your accounting
business in New York, you had drinks and, under the influence discussed killing
Kennedy?".
In addition to playing Oswald death, RFK death on the TV illustrates the end of the
road for RFK and the Kennedys in general. The Kennedys are a byproduct of false
reality built on old belief systems. When RFK attended Jackie's testimony for
Warren Criminals he automatically turned himself into a piece of garbage
deceiving Americans with his public charades and posturing with the rest of
corrupt Kennedys. I believe the Kennedys are simply mentally defective like the
hook noses. This is how Nature works. Nature makes the mentally defective
monkeys disintegrate the old belief systems because the monkeys do not have
enough brains to do more damage than Nature wants them to do. In the past,
Nature used virtual monkeys like the hook noses and the Kennedys to slowly do
the damage because they look like humans. But now Nature uses mentally
deficient literal monkeys cut loose by the hook noses, like "Constitutional Law
Professors" Barry O'Monkey and Clarence Thomas, "Doctors" ML King and
Condi Rice, "The Reverends" Jesse Jackson and Al Sharpton, etc, in order to
quickly wake up the humans and make them realize their belief systems have been
fake for thousands of years. Since Nature did not give enough brains to the
monkeys, the infighting between monkeys will help the humans. Once the humans
realize this, they will get rid of both virtual and literal monkeys, starting from the
Big Ape in England calling herself the Queen. Once the humans get rid of the
monkey business, Nature will unlock unbelievable secrets that the humans could
only dream of.
The second slice of Wonder bread stands for Volume V with Jackie's testimony.
When Jim puts some mustard-looking paste on the slices, he illustrates Curtis
LeMay contributing to the corresponding Volumes. The mustard stands for
Colonel Mustard from the board game Cluedo (Clue in North America), and the
film Clue (1985). Colonel Mustard is the stock character of a great white hunter
and colonial/ dignified imperialist, fitting the description of Curtis LeMay. Great
white is an equivalent to the great fish used by Jim because white refers to White
Phosphorus. Jim also drinks some milk. Then several "deaths" take place on the
TV. RFK's death illustrates the death of Oswald playing M5E, and also it
illustrates the death of the credibility of RFK and the Kennedys. The TV also
implies another death for M8E illustrated by the death of JFK, as the pictures
below explain.
This scene is also important because it explains the equivalent scene in The
Godfather where Clemenza says to Santino "It's a Sicilian message. It means Luca
Brasi sleeps with the fishes". This a Hemingway message and not a Sicilian
message. The message is a reference to the novel "The Old Man and the Sea"
(1951) by Ernest Hemingway. In this scene Jim says "You remember the
Hemingway story The Old Man and the Sea? The old fisherman manages to catch
this great fish. The fish so huge he has to tie it to the side of the boat in order to get
it back in. By the time it reached the shore, the fish had long since been picked
apart by sharks.... Nothing was left but the skeleton". In this scene, the logic of
great fish has at least two meanings. In the first meaning, the great fish refers to
the Federal Reserve System caught by JFK (old fisherman). When Jim says the
part "...the fish so huge..", Susie glances at Numa meaning that Numa is the "huge
fish" (McCloy = Boss) at that time. In the second meaning, the logic of great fish is
reversed because it refers to Warren Report meaning that you are the sharks
picking the Report apart such that today nothing is left but its skeleton or a dry
weed lying in a West Texas desert.
The Godfather implies that JFK sleeps with the fishes, specifically their skeletons.
In other words, the movie wants to clarify the scene in The Godfather, before
more fools parrot this Sicilian thing. Notice that The Godfather used a big man
Luca Brasi to play the role of JFK for Hemingway message to illustrate the
bigness. At the end of this movie, Clay Shaw is acquitted as Curtis LeMay. Shaw
(LeMay) will turn to his lawyer and he will say "I'm gonna go fishing tomorrow"
meaning he will fish for another great fish like JFK.
Picture 1 shows the first frame during this scene. This is Jim's "home". Picture 2
shows the house at 3017 N Street NW, Washington, D.C. Jackie purchased this
house in 1963, after she had assassinated JFK. She lived there for about a year,
apparently until the dust settled and then she moved to other and better things like
whacking somebody else just to make you love her even more. The hook noses
declared her house a National Historic Landmark in 1976. In this house, Jackie
testified for Warren Criminals, specifically at 4:20 p.m., on Friday, June 5 of 1964.
Present were Chief Justice Earl Warren as Chairman, J. Lee Rankin as general
counsel, and Robert F. Kennedy as Attorney General of the United States.
Picture 3 shows Liz hugging Jim. Both wear class rings on their ring fingers. The
yellow arrow points to the ring on Liz's right ring finger. During the bedroom
scene she shows the regular rings on her left ring finger. This means that this
picture shows two Lansdales hugging each other.
Picture 4 shows Jim taking off his jacket and handing over to his maid Mattie.
Mattie's large body in white dress illustrates the large white mark M6E. Jim's
jacket held in her hands provides an additional clue like the hat fanned by the
Cuban playing M6E during one flashback about Cubans (conference with Jim and
his 14 "assistants"). Jim plays M7E because he is close to M6E and he looks like
Al playing M3E. The movie often illustrates both M3E and M7E as clones.
Picture 5 zooms in on the fireplace. The big green jug illustrates Zapruder frames
313-315 showing all eight white marks. The frames are mostly green, hence the
green color of jug. The little reflections of light illustrate the white marks. About
this time, the script lines are also interesting. Al says "Jim, bad news. Bill's turned.
I think he's given everything we've got to the Feds". Numa says "We studied the
memos, there was nothing there, Chief, nothing! When we went to confront him,
the landlady said that sonofabitch just took off, left everything". Susie says "It's
unbelievable. I'm sorry". The giving everything to the Feds has two meanings.
Firstly, it refers to Clint Hill turning against JFK (the Feds) when his first bullet
has given everything by splitting open JFK's head. Secondly, it refers to M5E
turning itself to the Federal Reserve System (the Feds) when it has been erased.
The landlady is Zapruder frame 314 where M5E has disappeared. Suzie plays
Jackie who mothered M5E and that is why she says "I'm sorry".
Al says "Bill doesn't scare that easy. Somebody got to his thinking. He was never
that good a thinker". If you ever saw or heard Clint Hill then you will get the
meaning of never applied to a thinker. If you ever watched the movie Fargo, then
be advised that the character playing the woodchipping psychopath, was inspired
by Clint Hill who comes from Fargo, ND (youtube link). Suzie says "He sure
fooled us" meaning that Americans got fooled by JFK assassination "research
industry" crapping any imaginable nonsense on them except the white marks
visible in front of their noses. That is why the movie makers chose a big empty jug
with a small head on top. The yellow arrow points to the thinking head of
Americans. This is a direct result of the brainwashing media run by the monkey
business.
Picture 6 shows Liz making a Finger-as-LBJ gesture. She says "Mattie, could get
Mr. Garrison a drink, please". This is a clue that Liz plays LBJ and Jim plays
LeMay, in addition to playing the white marks as implied by the script lines.
Picture 1 (second set of six pictures) has been cropped from the restaurant scene
(movie time 0:56). It shows a dry weed, probably somewhere in a West Texas
desert. When the dry weed is shown, Al says "Single-car accident on an empty
road. The doctor said he was in a strange shock when he died", he really makes a
reference to JFK who was also in a strange shock after Jackie's dart shot when he
died in a single-car accident. This is a reference to the skeleton of a great fish

picked apart by sharks when Jim talks about the Hemingway story The Old Man
and the Sea, as described at the beginning of this section. In other words, the dry
weed is Warren Report. At this point Numa says "Then what are we going through
all this trouble for, Boss!" asking McCloy about the purpose of Warren Report
because the Report will become a skeleton sooner or later. Jim replies as LeMay
with a 4Fingers-as-LeMay "It's a means to an end. This war has two fronts - in the
court of law [lawn], we hope, against the odds, to nail Clay Shaw on a conspiracy
charge. In the court of public opinion, it could take another 25 or 30 years for the
truth to come out, but at least we're going to strike the first blow". The two fronts
have military meaning for LeMay meaning from now on Jim plays LeMay with his
both sides. The law is actually is lawn, meaning court of lawn stands for Zapruder
frames (courts with green grass) showing the "blob" (Shaw) on JFK's head. The
demented LeMay is playing for time by hoping for extra 25 or 30 years before
Americans get smarter.
Pictures 2 and 3 should be interpreted together. Picture 2 shows Suzie watching the
white door taking almost half of the picture when Jim says "The fish so huge he
has to tie it to the side of the boat". This means that huge fish also illustrates the
white mark M5E, erased by JFK killers. Apparently, M5E was very big. When
"Hollywood experts" erased it they also messed up the next white mark M6E
which now looks a wide smudge blending with the background. Within seconds,
Susie moves her eyeballs as shown in picture 3, from Jim to Numa. Her eyeballs
move because of the significance of the white door in this context, in addition to
Numa being the huge fish.
Picture 4 has two parts, cropped from two different frames. The left half shows
Numa smoking a cigar. The right half shows a cloud of smoke around his head, as
pointed by the yellow arrow. Al sitting next to him also smokes, but a cigarette and
the smoke is not visible around him. This means Numa is the closest white mark to
JFK's head with heavy smoke around it. In other words, Numa plays M1E.
Picture 5 has two parts, cropped from two different frames. Both parts show
similar heads, similar neck ties, similar white shirts. Two white marks M3E and
M7E look similar, and that is why Al and Jim play them, as marked.
Picture 6 has two parts. The left half has been cropped from this scene and it shows
the glass held by Jim's left hand. The right half shows the middle part of CIA seal
with a red compass made of sixteen spokes. This means that Jim's left side is Allen
Dulles.
Picture 1 (third set of six pictures) shows Jim's right hand open. His four fingers
illustrate the 4-Star rank of Curtis LeMay, 4Fingers-as-LeMay. He also shows the
same with his left hand. This means both sides play LeMay.
Picture 2 shows two tapes on the wall. This illustrates a recording system or
Jackie's testimony recorded for Warren Report. In other words, Jackie starts her
testimony for Warren Criminals. Jackie is played by the dog lying on the couch.
Picture 3 shows the TV screen where RFK makes a V sign with his two right
fingers, 2Fingers-from-Hill. Compare it to the two right fingers on Bill playing
M5E during the conference scene with Jim and his 14 "assistants". Picture 5 shows
RFK on another TV screen. His white shirt taking a big part of the screen plays the
role of the big white mark M5E. In addition to playing M5E, RFK on the TV
screen also plays the role of RFK attending Jackie's testimony at her home. Since
the dog lying on the couch is Jackie, RFK on the TV screen is another dog. The V
sign made by RFK on the TV screen stands for two things. Firstly, it stands for the
victory celebrated by the killers of his brother. Secondly, it stands for the collar on
a dog named RFK, like a V-neck collar.
Picture 6 shows Jim removing a small jar with mustard from a high shelf of kitchen
cabinet. The mustard stands for Colonel Mustard (Curtis LeMay) as already
explained. Jim will use the mustard to smear two slices of bread illustrating two
volumes of hearings and exhibits of Warren Report. The jar itself stands for an
airplane where US Air Force General Curtis LeMay is flying high. That is why the
jar is on a high shelf. Recall the scene between Shaw and Jim where Shaw's left
side (Earl Warren) says to Shaw's right side (Curtis LeMay) "I could hardly
imagine anything more uncouth during dinner than my turning toward the kitchen
and hollering 'Frankie!'". Dinner is a code for JFK assassination in JFK limo
(kitchen) using Frankie with mustard (Curtis LeMay).
Picture 1 (fourth set of six pictures) shows a few important items in front of Jim.
As already explained, the loaf of Wonder bread illustrates 26 volumes of hearings
and exhibits of Warren Report. The Oreo cookies illustrate the selected Zapruder
frames published in Black&White in Volume XVIII of Warren Report. The green
leaves illustrate the green background of the critical frames 313-315. The glass of
milk illustrates the white marks in Zapruder frames 313-315. Jim will drink some
milk meaning he will erase two white marks.
Picture 2 zooms in on the two slices of bread. The yellow arrow points to the slice
already covered in mayo. As explained at the beginning of this section, this slice
stands for Volume XII with the testimony by Logan W. Mayo. Jim smears both
slices with mustard meaning Curtis LeMay leaves his fingerprints on the Report.
When the dog lying on the couch starts whining then this is Jackie testifying.
Picture 3 has been cropped from the court room scene where Jim says (movie time
3:06) "Under the guise of a patriotic club owner out to spare Jackie Kennedy from
testifying at a trial, Jack Ruby is let into a garage by one of his inside men on the
police force". The actor on the right side plays Logan W. Mayo. The garage also
means Zapruder frame 314 with M5E.
Picture 4 shows Jim drinking some milk after smearing the two slices. At this
point, the dog lying on the couch starts whining, meaning Jackie testifies. In
picture 5, I added one yellow arrow on the right to point to the dog looking at the
armchair (marked EW for Earl Warren) playing the role of Chairman of Warren
Commission. The arrow on the left points to RFK on the TV screen because RFK
was in the same room when Jackie testified for Warren Criminals. A dog with
crooked hind leg illustrates Jackie because of Elbow-as-Jackie reference. Recall
Jean Hill saying "I knew something was crooked as a dog's hind leg".
Picture 6 shows Jim with both open palms. The four fingers of each hand stand for
the four stars on each shoulder of Curtis LeMay, 4Fingers-as-LeMay. This means
Jim plays LeMay with both sides because "This war has two fronts".
Picture 1 (fifth set of six pictures) shows a woman raising her right hand in white
glove. She plays Jackie raising her right hand in white glove as part of her
magician's trick for Zapruder camera. In other words, she starts a new illustration
of JFK assassination because the previous illustration of RFK assassination ended.
Picture 2 shows a man raising his left hand. He plays Clint Hill firing his two
bullets with his left hand. He holds a coat in his left hand in order to illustrate his
help to Jackie when she changed her pink suit.
Picture 3 shows a man in white shirt illustrating the white mark M8E erased by
JFK killers.
Pictures 4 to 6 illustrate the Victory celebration by JFK killers. Both Jim and Liz
play a whole team like Curtis LeMay, Earl Warren, Edward Lansdale, LBJ, Jackie.
Picture shows the class ring on Jim's ring finger (Edward Lansdale). Picture 5
shows Jackie making a V sign (Victory) with her left index and middle finger over
the point BX. Jackie used her left index finger to pull the trigger. Picture 6 shows a
saliva between Jim's and Liz's lips. The two arrows point to two white dots on the
saliva. Apparently, the Victory celebration is also about the two white marks
erased by JFK killers. The white bed sheets make it clearer. This is called "After
dinner you paid him to have sex". When Liz says "Both brothers", she means both
her sons that she mothered in Dealey Plaza, who appeared and then disappeared in
Zapruder frames 314 and 315.
Court trial - First witnesses (2:38)

The whole trial scene is about 40 minutes long. I've cut it into several sections. As
already explained throughout this chapter, this trial has nothing to do with the trial
of Clay Shaw in New Orleans. At the start and at the end of the trial, Shaw plays
Curtis LeMay. In other words, Shaw is acquitted as Curtis LeMay who says after
the trial "I'm gonna go fishing tomorrow" meaning he is ready to catch another
great fish like JFK, as early as the next day.
In addition to Curtis LeMay, Shaw plays a whole range of other characters like the
"blob" on JFK's head, Allen Dulles, etc. Jim also plays many characters like Edgar
Hoover, Earl Warren, Edward Lansdale, Allen Dulles, Arlen Specter, Henry Wade,
LBJ, etc. The Judge plays Clint Hill, Henry Wade, etc. Liz shows up as Jackie to
watch Zapruder film where she stars as JFK assassin before she dances with Clint
Hill on the trunk. In other words, the characters swap the roles depending on the
script at a given moment. The jurors also play different roles like Allen Dulles,
Clint Hill, Curtis LeMay, etc.
Picture 1 shows Jim and his maid Mattie forging their way through the crowd on
the front stairway. The picture has been flipped horizontally after cropping. This
picture uses Jim and Mattie to illustrate JFK and Jackie after Jackie's turkey shoot,
where the "blob" appears next to JFK's right ear. A camera flash plays the role of
the "blob". Mattie wears a blue dress instead of pink dress because Jackie's
handbag was blue. The yellow arrow points to Jackie's famous pillbox hat. When
you watch this scene, you can also find Johnny Connally in front of Jim.
Picture 2 shows Shaw's right hand with four fingers holding a brown cigarette
holder/filter, 4Fingers-as-LeMay. This means that at the start of the trial, he plays
Curtis LeMay, a 4-Star General smoking a brown cigar. The yellow arrow points to
the red napkin in his breast pocket. This red napkin will be moving between Shaw
and his defense attorney to indicate who of them plays LeMay at a given moment.
Picture 3 shows the Judge keeping his index and middle fingers together and away
from the other fingers. This is a two-finger sign for Clint Hill, specifically for his
two bullets fired at JFK. This sign was used in many other scenes as explained
before (2Fingers-as-Hill). However, before the Judge makes the two-finger sign,
the clerk says "Please rise! Oyez! Oyez! Oyez! The Criminal District Court .... is
now in session. Honorable Judge presiding". Practically, the expression Oyez!
Oyez! Oyez! is still in use only by the US Supreme Court. At the beginning of each
session, the expression is used to warn everybody about nine criminals coming
(kiki link). In other words, its use is a clue about the US Supreme Court and
Warren Commission. Here, the clerk repeats the term Oyez three times to illustrate
three bullets fired at JFK in Dealey Plaza and the tunnel. Only after the clerk says
the last Oyez and when he says the word Criminal, the Judge makes the two-finger
sign because he plays the criminal Clint Hill presiding.
Picture 4 shows Shaw playing the "blob" on JFK's head. His white hair is
overexposed to light on purpose to make it look like the "blob". He his holding a
cigarette as high as possible to generate a cloud of smoke above his head because
Zapruder film shows lots of smoke above JFK's head after Jackie's turkey shoot.
The "blob" itself was a dense cloud of smoke very close to the source of burning
White Phosphorus. Shaw is trying to touch the tips of matching fingers to illustrate
a match used to start a fire. The head (tip) of such a match contains Phosphorus. If
you add the white color of his hair and Phosphorus in his match then you get White
Phosphorus that makes the "blob". Shaw plays the "blob" because Willie on the
stand plays Jackie recognizing this "blob".
Picture 5 shows the left profile of Shaw's defense attorney. Notice that the movie
makers put some brown makeup powder around the corner of his jaw. This is
exactly where the point BE is located. The movie makers show this BE because
Willie on the stand plays Jackie talking about her turkey shoot.
Picture 6 shows Willie O'Keefe on the stand. He says "That's Clay Bertrand. That's
the man I saw at David Ferrie's". During the scene at David Ferrie's apartment,
Willie plays Jackie. This means Jackie is on the stand as the witness. Willie points
at Shaw with his right hand because Jackie placed her right hand next to the "blob"
immediately after her turkey shoot. That is why she wore special gloves protecting
her from the sparks. When she points at Shaw, she points again at the "blob". In
picture 6, Willie closes his eyes to illustrate Jackie closing her eyes during her
turkey shoot. Also notice that Willie keeps his head low because he illustrates
Jackie keeping her head low at the end of Zapruder film when she is pushing JFK
into the corner. Recall Jim saying to Liz when she plays Jackie "You can't bury
your head in the sand like an ostrich, Liz!".
Shaw's defense attorney says "That's who you say you saw, a confessed
homosexual, convicted of pandering and solicitation, a man who has lied about
most everything, and now wants to be taken at his word". The saying and seeing
refers to Jackie's testimony where she says and sees many lies. Jackie's whole life
was about pandering and solicitation. Her word was as good as the lying hook
noses who promoted her.
Picture 1 (second set of six pictures) shows the witness Vernon Bundy pointing his
right index finger toward the desk where Shaw is sitting. However, Bundy points at
Shaw's attorney who plays LeMay at this moment. Bundy's right index finger is the
same gesture made by Henry Wade during a press conference covered in the
section about "Let Justice be done, though the Heavens fall". Bundy's sides are
flipped horizontally. This means Bundy plays Henry Wade. He says "That man,
right there. Yes, sir. You were at the Pontchartrain wall with the man who shot the
President. I remember him because of his limp". Obviously, the man who shot the
President is Jackie or Clint Hill both played by two hoboes next to the wall of
Texas School Book Depository (Pontchartrain wall). The limp refers to the stoop
associated with Lansdale. In other words, LeMay is the man with limp. Shaw's
attorney describes Henry Wade as "A heroin addict injecting himself at the wall.
Barely conscious of his surroundings". Here, the wall is a reference to the line-up
wall in a room where Henry Wade gave one of his press conferences framing
Oswald. The heroin addict probably refers to Wade's addiction to be a hero at any
cost.
Both parts zoom in on the ears on Vernon Bundy. Left ear is distorted and right ear
is not. If you consider that his sides are flipped horizontally, his distorted ear
illustrates JFK's right ear distorted by Jackie's bullet. Later during the trial scene,
the movie includes photos showing the right ear on JFK's dead body, apparently
not the real photos but clearly showing a damaged ear.
Picture 3 shows the face of Shaw's attorney when Bundy is standing in front of
him. The picture has been flipped horizontally in order to match the direction of his
eyes to the relative position of Bundy. Compare the picture 3 to the photo of Curtis
LeMay as shown in picture 6.
Picture 4 shows Shaw displaying his eight extended fingers next to each other.
This is a pattern similar to the eight spokes on the glass held by Jim in the previous
scene about "Great fish picked apart by sharks". In other words, this is half of the
sixteen spokes on the red compass inside CIA seal. The other half could be seen on
the other side of Shaw. However, most probably the primary role of the eight
fingers is to illustrate the eight white marks because the witness Corrie Collins is
talking about "white strangers". In other words, the eight white marks have been
painted by CIA assassin Jackie.
Picture 5 shows the witness Corrie Collins wearing an earring similar to the
earrings worn by Julia Ann Mercer and Beverly Oliver. This is another reference to
the white marks. Picture 1 of the next set shows one woman wearing Moorman
sunglasses, during the flashback to Clinton. The same picture compares her to
Mary Moorman shown in another scene in Dealey Plaza. Clearly, the woman
wearing the sunglasses plays Mary Moorman. This means that the witness Corrie
Collins plays Mary Moorman or Jean Hill standing next to her. Since she wears a
blue dress, most probably she plays Moorman. Either case works. On the witness
stand, she says "He dropped Oswald off on the voters line. I remember 'cause they
were the only white strangers around that morning. That big, black Cadillac up
here made me think they might be FBI". Jackie dropped off (assassinated) JFK
(Oswald) during Dallas motorcade (voters line). The big black Cadillac is a part of
Jackie's handbag (Cadillac) appearing as a big black area in Moorman's
Black&White Polaroid photo. JFK killers later painted a big white patch (white
stranger) over it. The alteration of Moorman's photo is explained in the analytical
chapter.
Picture 1 (third set of six pictures) has two parts, cropped from two different
scenes. The left half has been cropped from the flashback to Clinton. The right half
has been cropped from the scene in Dealey Plaza where Jean Hill is starring.
Clearly, both women play Mary Moorman. More details in the description of
picture 5 of previous set.
Picture 2 shows the marshal of Clinton. The top of his shirt collar is too white
considering the dark shadows around his neck. This qualifies for Cloth-from-Hill
reference. The context confirms it. In other words, he plays Clint Hill. On the
witness stand he says "Anything we can help, let us know. Said he [Shaw] was a
representative of one International Trade Mart in New Orleans". Recall the scene
from Jim's office where Shaw says "I believe there was a man with a name similar
to that who worked at the Chamber of Commerce". As explained, this man was
Clint Hill. The marshal of Clinton is the same man. Shaw's attorney says "More
than five years ago, for two minutes. It's fair to say you could be mistaken, isn't
it?". The five minutes is a code for five seconds, meaning JFK limo spent at least 5
seconds in the tunnel under the triple overpass. The two minutes means two bullets
fired by Clint Hill. The term minutemen comes from the expression "at a minute's
notice", i.e. militia turning out rapidly for emergencies, hence the use of minute for
bullet. The mistaken refers to one bullet missing JFK in the tunnel. Notice when
Shaw's attorney addresses the marshal, he wears a red (crimson) napkin in his
breast pocket meaning he plays Curtis LeMay at that moment.
Picture 3 shows Jim making a Eyeglasses-as-Hoover gesture when Shaw's attorney

completes his questioning of the marshal. Apparently, this is a reference to the FBI
"investigation" of JFK assassination. This is what happens when a mentally
deficient faggot runs FBI.
Picture 4 shows Dean Andrews showing his three fingers. Here, Dean plays
Johnny Connally. Recall the man walking in front of Jim on the front stairway
before the trial starts. That man even looks like Connally. Apparently, he morphed
into Dean Andrews inside the courtroom building. Andrews's three fingers raised
high stand for three terms as Texas governor served by Connally. Apparently, the
waste management does not work very well in Texas to let so much garbage
pollute the Office of Governor. Andrews says "It is figment of my imagination. The
cat's stewing you, the oyster's shucking you, I told him, you got the right ta-ta but
the wrong ho-ho. Bertrand is not Shaw, scout's honor, and you can tell him I said
so". Everything Connally ever said was a lie. The scout is a code for Texas
governor. The right ta-ta is a code word for signal in the movie, and the wrong ho-
ho is a code word for meaningless noise in the movie. It is up to you to separate the
right ta-ta from the wrong ho-ho. This is a code similar to the truth through
osmosis, explained before.
Picture 5 shows the witness named Mr. Goldberg playing Logan W. Mayo. Shaw's
attorney says "Mr. Goldberg, you claim that you met David Ferrie and Clay Shaw
on a vacation trip from your accounting business in New York, you had drinks and,
under the influence discussed killing Kennedy, is that not so?". Here, Ferrie is
Wade, Shaw is LeMay, Kennedy is Oswald. Logan W. Mayo worked in Dallas as
an accountant for Sears. As a Dallas police reservist, he was called to guard
Oswald. More details are provided in the previous section about "Great fish picked
apart by sharks". In his testimony to Warren Criminals, Mayo says "I let two in
from newspapers", and "One of them had a two-wheeled cart, similar to a two-
wheel golf cart". In picture 5, I added two yellow arrows. The left arrow points to
two rolled-up newspapers in his breast pocket. The right arrow points to a golf
club. Recall the scene where Mr. X says "We'd be watching the crowd, packages,
rolled-up newspapers, coats". One of the rolled-up newspapers is Jackie's pillbox
hat, one is Zapruder film, two are in Goldberg's breast pocket. This is another
signal that Logan W. Mayo let in Jack Ruby into the basement to kill Lee Oswald.
Shaw's attorney continues questioning Mr. Goldberg "Is that not also true, that you
fingerprinted your daughter when she went to Louisiana State University, that you
fingerprinted her when she returned at the end of the semester?". The university is
a code word for the prison where Oswald (daughter) was in a custody (semester).
Oswald had to be fingerprinted like any other prisoner (daughter). Jim's assistant
Al says to Jim "He was one of Broussard's witnesses, Chief" meaning that Jim
plays Earl Warren at this moment. Broussard's witness refers to Bill playing Clint
Hill as M5E meaning Goldberg also plays one of the white marks on the witness
stand because the top of chair behind him is overexposed to light. At the same time
the head of the judge is also overexposed to light.
Notice that the Judge rules Habighorst's testimony inadmissible. This is a reference
to Oswald interrogated by Dallas goons without his lawyer.
Picture 6 shows Shaw on the witness stand. His white hair is again overexposed to
light meaning he plays the "blob". Picture 1 of the next set confirms the context by
showing big eyeballs on his lawyer. Two big eyeballs illustrate the white marks
M5E and M8E. In other words, two white marks are defending the "blob" because
all three have been mothered by Jackie making them one big happy family. When
the "blob" is asked about Oswald (JFK), Dean Andrews (Connally), David Ferrie
(Henry Wade), the "blob" answers honestly negative. Notice that when Shaw on
the stand starts answering the questions, the other Shaw is still at the desk and
talking to his lawyer. This is because there are two Shaws at this point.
Jim attacks the "blob" by saying "A very great actor has just given us a great
performance. But we are nowhere closer to the truth". This means that so called
"JFK researchers" still cannot figure out the identity of the "blob" because the
"blob" is a very great actor.
Picture 1 (fourth set of six pictures) shows the face of Shaw's attorney when he
ends his questioning of the "blob". This face with two big eyeballs is similar to the
walking corpse looking like Earl Warren in the scene about "Let Justice be done,
though the Heavens fall". Two big eyeballs illustrate the white marks M5E and
M8E.
Picture 2 shows the Judge pointing his left index finger like Henry Wade during
the press conference described in the section about "Let Justice be done, though the
Heavens fall". The Judge says "You're out of order, Jim Boy". Reportedly, Wade's
associates were called "Henry's boys".
Picture 3 shows Susie making a Finger-as-LBJ. Her hairstyle also makes her look
like a man. This means LBJ is in the courtroom and jumps from one character to
the next. Her finger also plays the role of Jackie's dart because a quick shooting
sequence with order 0-1-2-3 starts at this point.
Picture 4 shows Shaw making a Finger-as-Dulles gesture meaning that at this

point he plays Allen Dulles from CIA goon squad.
Picture 5 shows an old man with his jaw distorted. This illustrates JFK's jaw
broken by Jackie's bullet. This picture is shown immediately after the Judge
scratches his head with both hands like a mouse in Ferrie's apartment. Here, the
hands stands for the turkey wings (Hand-as-Wing) meaning the step #1 of the
current shooting sequence. The clerk strikes the gavel three times for all three
bullets.
Picture 6 has two parts. The left half has been cropped from this scene. It shows a
man sitting immediately next to Shaw, let's call him Mr. Z. The right half has been
cropped from a photo of Thomas S. Power. The movie shows Power in many other
scenes but he never talks like during this scene. Power was the second source of
dementia behind JFK assassination, right behind Curtis LeMay. During the trial,
Mr. Z also plays other characters like Allen Dulles or Curtis LeMay.
Court trial - Magic Bullet and Tail Tied to a Daisy (2:43)
During this part, the movie shows the Zapruder film, at least most of it. However,
the main topic is the Magic Bullet illustrated by Jim with a pointer borrowed from
the hook noses like Arlen Specter. Once decoded, the Magic Bullet is actually used
to illustrate Jackie's bullet. In other words, the Magic Bullet is just a cover like
everything else in this movie. Jim also talks about "an elephant hanging from a
cliff with his tail tied to a daisy" which means JFK hanging off Jackie's dart tied to
a tailpiece. Jackie's dart had a needle with curare that had entered JFK seven
seconds before her "Magic Bullet" did.
Oswald's Magic Bullet is Carcano 6.5mm with bullet's diameter of 6.80 mm (0.268
inch). During this scene, several Carcano-like bullets are shown. Jim holds one in a
"pristine condition" right in front of your nose. Since the Magic Bullet is used to
illustrate Jackie's bullet, the movie makers would not show Carcano-like bullets so
many times if the caliber of Jackie's bullet was much different. The key
measurement of a bullet's caliber is its diameter, in addition to the measurements of
the case. This means that the movie makers are sending a signal that the diameter
of Jackie's bullet was very close to 6.80 mm. The movie A Shot In The Dark
(1964) suggests that Jackie used a 25 ACP cartridge which is one of the smallest
centerfire rounds. The diameter of 25 ACP is 6.38mm (0.251 inch). As a
comparison, the diameter of a 9mm Luger round is 9.01 mm (0.355 inch). The
visual difference in diameter between 9mm Luger bullet and Carcano-like bullet is
significant (difference of 2.21mm), while the visual difference in diameter between
25 ACP bullet and Carcano-like bullet is relatively small (difference of only
0.42mm). This means Jackie used a bullet of diameter much below 9mm, around
6.80mm. The length and shape of her bullet could be custom made because the
lengths and shapes of bullets vary widely even within the same caliber. Most
probably, Jackie's bullet was much longer than the typical bullets for handguns in
order to provide a better penetration through JFK's head and at the same time
provide enough space for Jackie's cargo. Kind of a compact powder, custom made
for elegant Jackie. This is an additional reason for Jim to hold a long Carcano-like
bullet because Jackie's bullet was also relatively long.
During this part, several other topics are covered. The discussion of Jackie's bullet
would not be complete without showing her handbag where the bullet came from.
At the exact moment when Jim says "To do that we must look at the Zapruder film
which my office subpoenaed", his wife Liz and his son Jasper appear in the
courtroom. This is because the Zapruder film shows Jackie killing JFK in front of
your nose and Clint Hill getting ready to finish him off. That is why Jim's office
subpoenaed Jackie (Liz) and Clint Hill (Jasper) who appear at the right moment.
Liz appears with a handbag that looks like Jackie's handbag used to kill JFK. She
also wears a Beehive hairstyle in order to make a reference to Marie Antoinette
Pouf (MarieAntoinette-as-Jackie).
Another topic covered here is the testimony of James Tague, included in Warren
Report meaning he was just another useful idiot in Dallas manipulated by the hook
noses from New York City. Apparently, the hook noses wanted to have more
evidence of more bullets flying outside JFK limo and that is why Tague's facial
cheek was mysteriously wounded. Since then, this goon has joined the kooks in
"JFK industry" by selling kook books. Apparently, the defective genes attract each
other because the famed "JFK scientist and professor" James Fetzer interviewed
recently James Tague during one of his kooky shows. Believe it or not, a piece of
innocent curb near Tague's facial cheek was cut out in August of 1964, and now it
is in the U.S. National Archives (kiki link). During this scene, the movie makers
use Tague's facial cheek for two things. Firstly, they use it to illustrate St. Nick's
gesture. Secondly, they use it to illustrate Clint Hill's second bullet that missed JFK
in the tunnel under the triple overpass.
This scene also makes references to The Godfather where Santino throws a radius
bone at Carlo (Forearm-as-Connally), shatters Carlo's radius bone with a trash can
as big as Connally's 10-gallon cowboy hat, and then he bites Carlo's right wrist. All
that to illustrate Connally's "wounds" by the Magic Bullet fired from Warren
Report.
Pictures 1 to 3 should be interpreted together. Jim's wife and his son Jasper enter
the courtroom at the right moment when Jim says "To prove there was a
conspiracy involving Clay Shaw we must first prove there was more than one man
involved in the assassination. To do that we must look at the Zapruder film which
my office subpoenaed. The American public has not seen that film because it's
been locked away in a vault for the last five years... in the Time-Life Building in
New York City. There's a reason for that. Watch". As explained, Liz and Jasper
play JFK assassins, i.e. more than one man. Jasper's white shirt acts as a Cloth-
from-Hill, his bowtie as the dark sunglasses worn by SS goons. Jim is saying that
we must look at Jackie and Clint Hill in Zapruder film. In other words, Jim
subpoenaed JFK assassins who just showed up in the courtroom.
Picture 2 has two parts. The left half zooms in on Liz's handbag in picture 1. The
right half zooms in on the actual blue handbag used by Jackie to fire her bullet,
cropped from an old photo made at Love Field airport in the morning on JFK
assassination day. Both handbags have the same design with two eyelets, and
chain-like shoulder straps. In The Godfather, Tessio describes it as "an old-
fashioned toilet" and "the box and the chain thing".
Picture 3 shows the Beehive hairstyle on Liz in order to make a reference to Marie
Antoinette Pouf. All three movies make references to Jackie through Marie
Antoinette, with names like Maria or Mary. The song Killer Queen makes it
clearer.
Picture 4 has two parts. The main picture shows Shaw's hand as soon as Zapruder
film completes. The second part is an insert in the upper left corner. The insert
zooms in on the ring on Shaw's little finger, also known as pinky. The ring has a
ball (bullet) on top. On top of the ball there is a white spot which illustrates White
Phosphorus in the nose of Jackie's bullet. The pinky finger stands for Jackie's pink
suit.
Picture 5 shows Zapruder wrapping his fingers around the lens body of his camera.
The camera cannot operate this way. This is explained in the next section. Here,
the lens body plays the role of Zapruder's nose in order to illustrate St. Nick's
gesture which stands for secrecy (Nick-as-secrecy). Here, the lens body plays the
role of Zapruder's nose. St. Nick's gesture is also used during the scene with agony
party. The next scene will include a similar view of Zapruder where his secretary
will be shown wearing dark sunglasses. Dark sunglasses are worn by Secret
Service agents. In other words, the movie makers are trying to tell that both
Zapruder and his secretary were secret goons working for JFK killers. His office
was located in a building next to Dealey Plaza, in so called "Government District",
full of spies and snitches. His business was probably a front for CIA. Zapruder was
one of many goons making films and photos for JFK killers in order to fill the void
after all legitimate films and photos had been confiscated by FBI goons.
Picture 6 is shown within seconds after picture 5 while Jim says in the background
"James Tague nicked by a fragment". The word nicked is a reference to St. Nicked
(Nick-as-secrecy). The word fragment is a reference to Harper fragment, a
fragment that supposedly broke off JFK's skull between Zapruder frames 312 and
313, and then mysteriously flew back like a boomerang in the opposite direction
and seen in frames 313-339. This document has a section devoted to Harper
fragment. In summary, this fragment is a joke and the movie makers make a
mockery of the testimony made by Tague. The movie uses this goon in order to
explain St. Nick's gesture. The so called wound on his cheek comes very handy
because it makes him raise his fingers close to his nose which is the essence of St.
Nick's gesture.
Jim says "Picture speaks a 1,000 words, doesn't it? The Warren Commission
thought they had an open-and-shut case. Three bullets, one assassin. But two
unpredictable things happened that day that made it virtually impossible". The
1,000 words refers to 1,000,000 dollars Jackie received for assassinating JFK. The
case refers to Jackie's handbag. The opening refers to Jackie firing her bullet by
opening the case. The shutting refers to Clint Hill finishing JFK off in the tunnel.
The unpredictable refers to the white marks and Clint Hill missing his second
bullet.
Jim says "One, the 8mm home movie taken by Abraham Zapruder while standing
near the grassy knoll. Two, the third wounded man, James Teague, who was nicked
by a fragment while standing near the triple underpass". The 8mm movie refers to
the 8 white marks in Zapruder frames 313-315, two of them erased later. The
nicked Teague refers to Clint Hill's second bullet that missed JFK in the tunnel
(underpass).
Jim says "The time frame, 5.6 seconds, established by the Zapruder film left no
possibility of a fourth shot". The time of 5.6 seconds refers to the time JFK limo
spent in the tunnel leaving no extra time for Clint Hill.
Picture 1 (second set of six pictures) shows one of the jurors making a Finger-as-
Dulles gesture. This means he is Allen Dulles, a member of Warren Criminals. He
makes this gesture when Jim says "no possibility of a fourth shot". Sometimes, the
goons like CIA are called Fourth Force, in addition to the Army, the Air Force, and
the Navy and Marines. The juror in the background is not making Finger-as-
Dulles gesture because his index finger is not touching his lips.
Jim says "We know one was the fatal head shot that killed Kennedy. So a single
bullet remains. A single bullet must account for the remaining seven wounds in
Kennedy and Connally. Rather than admit to a conspiracy or investigate further
the Warren Commission chose to endorse the theory put forth by an ambitious
junior counselor Arlen Specter. One of the grossest lies ever forced on the
American people. We have come to know it as the Magic Bullet theory". The fatal
head shot refers to Clint Hill's first bullet that split open JFK's head. The seven
wounds refer to seven white marks in Zapruder frames 313 (under the code
Kennedy) and 314 (under the code Connally). The last eighth white mark is in
frame 315. All seven white marks were painted by a single bullet fired by Jackie.
That is why the Magic Bullet is a code for Jackie's bullet. When Jim says "grossest
lies ever forced", he shows extended fingers of his both hands meaning four fingers
on each side, 4Fingers-as-LeMay. This means he plays Air Force General Curtis
LeMay with 4 stars on each shoulder. The thumb stands for the extra button.
Picture 2 shows the dress worn by Jim's maid Mattie. The white triangles and
squares make references to Triangle-as-theFed and Square-as-SupremeCourt,
meaning she plays both McCloy and Warren. Another clue is provided by Jim
because this picture is shown when he says "Rather than admit to a conspiracy or
investigate further the Warren Commission chose to endorse..." meaning Mattie
plays at least Warren.
Picture 3 shows Jim displaying his class ring meaning Edward Lansdale is making
this presentation. After all this faggot was an expert on assassinations.
Picture 4 shows Jim using his pointer (a.k.a. Arlen Specter) to pinpoint Santino's
bite on Carlo's right hand in The Godfather (picture 5). The Godfather is also very
specific about the "shattered radius bone" on Connally (Forearm-as-Connally).
Jim refers to it in his presentation. Picture 6 shows Santino shattering a radius bone
on Carlo.
When Jim talks about so called wounds, he really talks about the white marks made
by the rotating PWM projectile. That is why there are so many overhead fans high
on the walls. The rotating blades illustrate PWM projectile rotating at speeds of
about 10,000 rpm for M8E, down to about 5,000 rpm for M1E.
Jim says "The magic bullet enters the President's back, headed downward at angle
of 17-degrees. It then moves upwards in order to leave Kennedy's body from the
front of his neck". The 17 refers to the vertical tilt of JFK's head, away from
Zapruder camera. My computer simulation assumes 14. However, Jim also starts
talking about the white marks, starting from the last one M7E (Wound #1) in
Zapruder frame 314.
Jim says "Wound #2, where it waits 1.6 seconds presumably in midair, where it
turns right, then left, right, then left, and continues into Connally's body at the rear
of his right armpit". Wound #2 is the next white mark down M6E. Since all white
marks are made by a rotating PWM projectile, Jim is talking about turning. The 1.6
seconds probably refers to 1.6 milliseconds spent by PWM to paint one white
mark.
Jim says "Wound #3. The bullet then heads downward at an angle of 27 degrees,
shattering Connally's fifth rib and exiting from the right side of his chest. Wound
#4. The bullet turns right, reenters Connally's body at his right wrist". Wound #3
is the next white mark down M5E. The angle 27 refers to the angle of bullet path,
shared by both PWM and PBF projectiles. This angle is relative to Zapruder
camera. My computer simulation assumes 30. Less likely, the angle 27 refers to
the horizontal angle of JFK's head away from Zapruder camera. Wound #4 is M4E.
Jim says "Wound #5. Shattering the radius bone, the bullet exits Connally's wrist.
Wound #6. Makes a dramatic U-turn, then buries itself in Connally's left thigh.
Wound #7. From which it later falls out and is found in almost pristine condition
on a stretcher in a corridor of Parkland Hospital". Wound #5 is M3E. Wound #6
is M2E. All white marks were painted by PWM making dramatic U-turns. Wound
#7 is M1E. The stretcher is a code for bullet chamber inside Jackie's gun, corridor
is a code for the barrel of her gun. The Parkland Hospital is a code for Jackie's
handbag.
Jim says "Anyone who has been in combat will tell you, never in the history of
gunfire...has there been a bullet this ridiculous. The government says it can prove
it with some fancy physics in a nuclear lab". Jim says that Jackie's bullet is a
custom-made job never used before, hence the bullet is ridiculous. The fancy
physics refers to advanced design of Jackie's bullet.
Jim says "Theoretical physics can prove an elephant can hang from a cliff with his
tail tied to a daisy". If you filter "tail tied to a daisy" through the right osmosis or
filter, then you will get a dart tied to a tailpiece. Jackie's dart had a needle with
curare, and the tailpiece had a blue tuft. In other words, Jim talks about Jackie's
dart shot hitting JFK (elephant) after completing his presentation of Jackie's bullet
shot.
Picture 1 (third set of six pictures) shows the Zapruder frame displayed when Jim
says "Connally, you will notice, shows no sign at all of being hit. He is visibly
holding is Stetson, which is impossible if his wrist had been shattered". This
picture has been cropped from a later scene around movie time 2:56. Picture 2
shows the equivalent scene in The Godfather, when Santino uses a big trash can to
illustrate Connally's Stetson on his "shattered" wrist. Unless you keep your head
totally submerged in a toilet like the 6th Floor Museum or a TV set connected to
the network of sewers infested by cockroaches feeding you their own droppings,
you should know that Connally's wounds are figments of imagination, otherwise
known as the wrong ho-ho.
Picture 3 shows Jim pointing to Numa's left thigh when he talks about Jackie's
bullet. But this is a diversion because this is a reference to Jackie's dart shot hitting
JFK's left thigh, albeit on the other side of the left thigh. The Godfather shows the
entry hole for Jackie's dart with a blood squirt when Rocco kills Tattaglia in bed.
Picture 4 shows a hand putting the Magic Bullet on a stretcher. Notice the bright
reflection of light on the bullet, which is a clue about the White Phosphorus.
Picture 5 shows a pristine Carcano-like bullet in order to provide an idea how

Jackie's bullet looked like as explained at the beginning of this section.
Picture 6 shows Mr. Z wearing the red (crimson) handkerchief in his breast pocket
(pointed to by yellow arrow). Since the handkerchief is barely visible, Mr. Z also
wears a red neck tie. This is an indication that Mr. Z plays Curtis LeMay at this
moment. Shaw makes a Finger-as-Dulles. This corresponds to the moment when
Jim says "The Army wound ballistics experts at Edgewood Arsenal fired some
comparison bullets. Not one of them looked anything like this". At this point Mr. Z
taps the desk twice with his pen illustrating two explosions made by Jackie's bullet.
The ballistics experts could not match the comparison bullets because Jackie's
bullet was custom made.
Jim says "Seven wounds, gentlemen. Tough skin dense bones". This refers to
Kodachrome II film used by Zapruder. Its speed rating ASA 25 is slow to achieve
higher definition images through smaller grain, hence dense bones. The tough skin
refers to the plastic strip of a film like Kodachrome.
Court trial - Watch the ear! Watch the ear! (2:48)
During this scene, the movie shows the flashbacks to Parkland Hospital
Emergency Room in Dallas, and Bethesda Naval Hospital in Washington, DC,
where so called JFK autopsy was performed.
The movie makers use the flashback to Parkland Hospital to show two things.
Firstly, they illustrate which hand Clint Hill used to pull the trigger when killing
JFK. Secondly, they show the scuffle between Dallas Medical Examiner and the
federal goons led by Kenneth O'Donnell fighting over the casket. In one published
script for this scene, O'Donnell says "Sonofabitch, you're not telling me what to do!
Get the hell outta the way!". Kenneth O'Donnell was JFK's Chief of Staff. After
stabbing JFK in the back while sitting in the follow-up car, O'Donnell hijacked
JFK's dead body from Dallas by trashing Texas laws. O'Donnell arranged JFK's
trip to Dallas after Connally and LBJ had lured him to Texas. After killing JFK,
O'Donnell was LBJ's Presidential Aide. O'Donnell was also the campaign manager
for RFK's presidential election campaign in 1968. It tells you something about the
corrupt Kennedys. Fortunately, O'Donnell stopped wasting our oxygen in 1977 like
LBJ did in 1973.
The movie makers use the flashback to Bethesda Naval Hospital to show JFK's
right ear damaged by Jackie's bullet. They show you the model of brains blown
out, only as a distraction. Pay attention to what is said in the background because
somebody says "Watch the ear! Watch the ear!". During both flashbacks to
Parkland Hospital and Bethesda Hospital, all the references to missing brain like
"Looks like half his brain is gone" refers to the brains of Curtis LeMay and not
JFK's.
This scene also covers several other topics. The set of white marks is quickly
illustrated twice. Jackie's turkey shoot is illustrated by using the Newmans with
two kids. Both points BE and BX are illustrated. Also, the Judge asks LeMay to
bottle so called acid. Napalm is a combination of two names: naphthenic acid and
palmitic acid. LeMay commanded the firebombing of Japanese cities with bombs
filled with White Phosphorus, Napalm, and other incendiaries. In other words, the
Judge wants LeMay to get ready to bomb Jim. Napalm acts like White Phosphorus,
the Mother of All White Marks.
Picture 1 has been cropped from the frame when Jim introduces so called
"witnesses". This picture illustrates two Zapruder frames 313 and 314 with seven
white marks. The "witness" Charles Brehm is a combat vet meaning he plays JFK
who was also a combat vet. The green area represents frame 313 with four white
marks as marked with yellow signs. The blue area for road represents frame 314
with three white marks. The white mark M5E is played by the white Ford driven
by Dallas Police Chief. The remaining six white marks are played by white labels.
The movie makers are sending another signal that M5E was quite big, relative to
other white marks. That is why JFK killers erased it.
Picture 2 shows the head of a kid, just below the jaw of Charles Brehm. The kid's
head illustrates Jackie's bullet entering the point BE, located next to the edge of
JFK's jaw (mandible).
Picture 3 shows the Newmans with two kids. Newman's wife wears big white lace
collar and big white lace cuffs. Compare the same on Dave's dress during the
agony party. This is the same reference to White Phosphorus inside Jackie's bullet.
Look closely at the waving hands on Newmans. Bill uses his right hand with palm
open. His wife also uses her right hand but with her index finger pointing. Her
right arm is aligned over his left arm because her right hand is meant to act as his
left hand. This means that Jackie used her right hand to hold the handbag and
obviously she had to open her palm to do it. She used her left index finger to pull
the trigger. Two kids illustrate two explosions made by Jackie's cartridge.
Picture 4 shows Jim pointing (with a long Arlen Specter) to a spot on the sidewalk.
At the same time, Jim says "He hit the deck on the North side of Elm". The choice
of words, especially deck is interesting. Why would Jim single out Newman as the
only one having children there, and be specific about the number? Why would he
place the tip of his pointer (a.k.a Arlen Specter) on the curb instead of the grass
where Newman actually fell? Why would he use such terms like hit, or be specific
about the direction? All these are noises you have to filter out in order to get the
signals (the right ta-ta). Most probably, deck should be interpreted directly with
the spot where Jim is pointing. This means deck is sidewalk. It would be strange to
say "He hit the sidewalk", so the script uses the next generic word like deck. This is
a reference to the projectile PWM falling on the ground within horizontal distance
of 30 feet. The most likely spot would be on the sidewalk which is about 20 feet
away from BX. Notice that after pointing to the sidewalk, Jim points his pointer in
North West direction along Jackie's bullet path to indicate the projectile PBF went
much further. My computer simulations of Zapruder frames indicate that PBF falls
within horizontal distance of 583 feet from BX, in the direction of Jim's pointer.
The movie audio provides even more clues by including a sound that resembles a
suppressed gunshot followed immediately by a click. This is a reference to two
explosions made by Jackie's cartridge and the sound suppression inside her
handbag.
Picture 5 shows three men and a train moving behind them on top of the triple
overpass, immediately after Jim points to the pointer in NW direction. This means
that the three men play the white marks painted along Jackie's bullet path. The
actual location of the train is along the bullet path and not on the overpass. In other
words, the movie makers are sending a signal that at the time of Jackie's bullet
shot, a train was moving and its noise was drowning out the sounds made by both
Jackie's bullet and Clint Hill's bullets in the tunnel. The movie also shows a
moving train in the scene with Lee Bowers (movie time 0:56). Bowers was the
railroad man controlling the trains during JFK assassination.
Picture 6 shows a man with bowler hat, running in the direction of picket fence.
Compare him to the "Top Hat" standing next to the concrete wall during other
scenes. The section covering the scenes with Jackie's bullet path provides more
details. This is a reference to Jackie' bullet headed in that direction. The "Top Hat"
plays the role of PBF. The woman holding a white bundle, running next to the
"Top Hat", plays the role of PWM. Notice that everybody else in the picture is
lying on the ground in order to make the "Top Hat" and the woman appear like the
projectiles flying overhead.
Jim says "Key witnesses that day? Charles Brehm, a combat vet. Right behind Jean
Hill and Mary Moorman. S. M. Holland, Richard Dodd, James Simmons standing
on the overpass. J.C. Price overlooking the plaza. William Newman, father of two
children. He hit the deck on the north side of Elm. Abraham Zapruder. Each of
these key witnesses has no doubt whatsoever, one or more shots came from behind
the picket fence". These script lines illustrate another set of white marks
(witnesses), in addition to the set illustrated in picture 1. The four witnesses Hill,
Moorman, Newman, Zapruder, act as white marks in Zapruder frame 313 because
they are on the ground. The three witnesses standing on the overpass act as white
marks in Zapruder frame 314 because they are above ground. The witness
overlooking the plaza acts as the single white mark in frame 315 because he is on
the highest level.
Picture 1 (second set of six pictures) shows a motorcycle cop. This is a reference to
James Chaney, a motorcycle cop who was riding on the right side of JFK limo in
order to drown out the unsuppressed part of Jackie's bullet shot.
Pictures 2 to 5 have been cropped from the flashback to Parkland Hospital. The
movie shows both assassins in the background when the doctors in the foreground,
describe JFK's head wounds inflicted by the assassins. However, this scene also
encodes another important message. Clint Hill is played by an actor much taller
than Hill is, probably to make him as visible as possible.
Picture 2 shows Jackie walking by in the background while Clint Hill stays behind.
The yellow arrow points to a thick roll of white cloth stuck his breast pocket. This
is Cloth-from-Hill.
Picture 3 shows a piece of white cloth with blood on it. The yellow arrow points to
a shadow of somebody's hand. Next to it there is a shadow of another person. Both
shadows move independently, implying two persons, i.e. Jackie and Clint Hill.
Picture 4 shows both Jackie and Clint Hill walking together from the other side.
This means that Hill followed Jackie unseen between picture 2 and picture 4. The
yellow arrow points to his left hand overexposed to light. Since this is immediately
after the picture 2 showing white cloth, this implies that his left hand had
something to do with the blood on the white cloth. His right hand is on Jackie's
shoulder.
Picture 5 shows his breast pocket empty (pointed by a yellow arrow). This is a
confirmation that the white cloth came from his breast pocket. His left hand made
the blood appear on the white cloth. In other words, this is a signal that Clint Hill
used his left hand to shoot JFK under the triple overpass.
Picture 6 shows the scuffle between Dallas Medical Examiner and the federal
goons led by Kenneth O'Donnell fighting over the casket. The yellow arrow points
to O'Donnell "protecting" JFK.
Picture 1 (third set of six pictures) shows the scuffle from another frame. The
yellow arrow points to O'Donnell. Picture 2 has been cropped from a photo of the
actual Kenneth O'Donnell for a quick comparison. Clearly, picture 2 shows some
defective genes.
Picture 3 shows the ambulance with JFK's dead body leaving Parkland Hospital,
and heading to the Love Field airport where the inbred cockroach LBJ will be
sworn in on Air Force One. Picture 4 has been cropped from The Godfather scene
where an ambulance with Godfather is leaving a hospital. Clearly, the movie JFK
includes this clip from an old film in order to provide an additional clue what the
whole movie The Godfather is about.
Picture 5 shows Shaw's attorney when Jim says the line "The Angry Lone Nut
solution is beginning to take its shape". Immediately, the attorney takes off like a
B-29 bomber sounding "Objection!". The Judge says "Mr. Garrison!" and then
"Would you please bottle the acid!". Compare to the head of the actual Curtis
LeMay shown in picture 6. In other words, Angry Lone Nut means Curtis LeMay
and not Oswald. As already explained, the acid means Napalm. The Judge wants
LeMay (Garrison) to bottle it into bombs and get ready to bomb Jim. Also, notice
the man behind Shaw's attorney. His face is shaped like a triangle (Triangle-as-
theFed) meaning McCloy is behind LeMay.
Pictures 1 to 3 (fourth set of six pictures) show the right ear of the dead body lying
on the autopsy bed. Apparently, this is not a real body but a model. Each picture
has been cropped from a different frame showing different angle. This scene shows
several angles from the right side but none from the left side as if the left side was
a taboo. Clearly, they do not show the left side because they would have to show
the bullet entry hole. All three pictures 1-3 show damaged right ear. Damaged by
what?
In the background, somebody says "Watch the ear! Watch the ear!" and "Yes, sir!".
This means that you need to watch the ear and say "Yes, sir!". The phrase "Watch
the ear!" is repeated twice within one second to make a reference to Jackie's
cartridge making two explosions.
In other scenes, the movie uses two police officers standing close to each other,
two explosions within one second, two small lights close to each other, etc. All this
because Jackie's cartridge had two separate explosives making two separate
explosions, within a fraction of one millisecond apart. During the scene somebody
also says "Shot in the back". This is a reference to Clint Hill's bullet that killed
JFK.
Picture 4 shows LBJ limo when Jim says "President Johnson ordered the ...
limousine filled with ... clues to be immediately washed". This is an illustration of
LBJ as the front man for cover-up of JFK assassination.
Picture 5 shows a man with his jaw made protruding, probably due to a deformity
or film editing, with extra shadowing. At this moment Jim says "...in the hopes of
finding from what direction the bullet came from". This means that the jaw
indicates the direction. I added a yellow arrow to point to BE.
Picture 6 shows the cop placing his finger into his right ear as soon as Lou enters
the courtroom. At this point, Shaw's attorney says "insulting the federal
government". This is because Lou plays Jackie firing her turkey shoot. The cop
plays JFK (insulted federal government) by illustrating the point BX. This is
immediately after showing the point BE in picture 5.
Court trial - Back, and to the Left (2:54)
During this part, Jim repeats many times the famous quote "Back, and to the Left",
while showing Zapruder film with the head shot (youtube clip). Most viewers
automatically assume that this quote refers to the movements of JFK's head.
However, the quote refers to the locations of two assassins in JFK limo. The movie
shows JFK's head bouncing back only to divert away from the quote's real
meaning. Entertainment industry uses such gimmicks quite often. However, the
movie provides a clearer description of "Back, and to the Left" at movie time 0:04
when a prostitute is thrown out from a moving car somewhere on a back road in
Texas, through a door in the back of the car and on its left side.
In order to understand the meaning of this quote, you have to think on two levels,
hence two assassins. On the first level, the movie makers mostly show Jackie's
head and not JFK's head when Jim repeats this quote so many times. The last time
Jim speaks this quote is the most important. At that time, JFK's head is not shown.
As soon as he stops speaking, the movie screen is filled with the figure of leaping
Jackie. This is already a clue about Jackie because she is back, and to the left
inside the limo. On the second level, this quote requires decoding of the whole
scene, and in order to decode it you have to decode many other scenes of this
movie. Once you accumulate all the little clues from other decoded scenes, you
will realize that so called "six shots" presented during this scene have different
meaning. During this scene, the head shot in Zapruder frame 313 actually refers to
Clint Hill's shot that split open JFK's head inside the tunnel under the triple
overpass. Clint Hill's shots are not shown on any public movie. However, Zapruder
film shows him in the back of JFK limo and on its left side, about two seconds
before his fatal shot to JFK's head. In summary, this quote refers to both assassins
who killed JFK, both were "Back, and to the Left".
Compare the figure of leaping Jackie to another quote, "the figure of a springing
panther can be seen clearly", from the title sequence of The Return of the Pink
Panther. Oliver Stone said that if people who watched his movie could just
remember one thing, he wanted it to be "Back, and to the Left". Oliver Stone is one
of many who have been telling you about Jackie's guilt for 50 years, albeit in
disguised messages.
This scene uses three terms (Team, Shooter, Shot) that have to be explained. The
term Team basically refers to three hands and their accessories used to do so called
"shooting". Team A (6th Floor) is Jackie's right hand along with her handbag, the
spotter John Connally giving the go-ahead signal for her bullet shot, all actions
performed with her right hand like pushing JFK into the corner of the seat before
Clint Hill's bullet shots, etc. Jackie held her handbag in her right hand.
Team B (Dal-Tex) is Jackie's left hand along with her dart gun, the spotter John
Connally giving the go-ahead signal for her dart shot, all actions performed with
her left hand like removing the protective cap, pressing the trigger button, pushing
JFK's left forearm down before her turkey shoot, holding JFK's head during Clint
Hill's bullet shots, etc. Jackie held her dart gun in her left hand.
Team C (Picket Fence) is Clint Hill's left hand used to pull the trigger of his
revolver. When he fired, JFK limo was next to the row of concrete columns inside
the tunnel, hence Picket Fence. The distinction between Team B and Team C is
blurred for Second Shot and Fifth Shot for two reasons. Firstly, the movie makers
wanted to keep the count of three physical shots when there were actually four
counting Jackie's dart shot. This means they had to merge two selected shots into
one. They chose to merge Jackie's dart shot and Clint Hill's second bullet shot into
one. Secondly, apparently Jackie's left hand holding JFK's head was responsible
for Clint Hill missing his second bullet. Consequently, they decided to treat Team
B as part of his shot. As a result, the logic behind the Second Shot and Fifth Shot
is twisted, as explained below.
The term Shooter refers to a bullet gun or a dart gun, one for each Team. Jackie
used one Shooter for Team B to shoot her dart powered by compressed air or CO2.
She used another Shooter for Team A to shoot a bullet from inside her handbag.
Clint Hill used one Shooter for Team C to shoot two .38 Special bullets from his
revolver. The term Shot is applicable here only when numbered from first to sixth.
It refers to a bullet shot fired by Team A or Team C, or a special "shot" fired by
Team B.
First Shot refers to Jackie removing the protective cap from her dart gun, about
two seconds before her dart shot. First Shot is fired by B Team (Dal-Tex) meaning
Jackie's left hand. The movie uses a light being turned on behind a rifle scope in
order to illustrate the removal of protective cap. Jim also talks about Zapruder
frame 161 which corresponds to Croft Photo, covered in the chapter about the
Plan.
Second Shot refers to Jackie's dart shot, about seven seconds before her bullet shot.
During the Second Shot, the movie shows C Team (Picket Fence) firing but this is
actually B Team (Dal-Tex) because the scene with triangulated crossfire shows B
Team for dart shot. This scene visually (not verbally) flips two shots between B
Team and C Team, one is dart shot and the other is the nick on Tague's cheek
(Clint Hill's second bullet). Notice that this is a little twisted logic meaning that the
movie makers are sending a message that Jackie's left hand had something to do
with Clint Hill missing his second shot. Since Jackie used her right hand to push
JFK into the corner of rear seat, she had to use her left hand to hold JFK's head.
Probably, she moved her left hand at the wrong moment and that is why Clint Hill
missed. When talking about the Second Shot, Jim mentions Zapruder frame 193
which is covered in the chapter about the Plan. At this point Zapruder, is shown
holding the body of his camera with his right hand and the body of his round lens
with his left hand. The camera illustrates Jackie's handbag and the round lens
illustrates the round barrel of Jackie's dart gun. Jackie used her handbag to
camouflage her dart gun during shooting.
Third shot refers to Jackie pushing JFK's left forearm down in order to make
enough space for her handbag. Jim mentions Zapruder frame 232 because in it
Jackie starts raising her hands in order to show them to Zapruder camera as a part
of her magician's trick and then to use them to push down JFK's left forearm.
Actually, the first frame showing Jackie's hands is frame 237. She puts her hands
on JFK's left forearm about frame 255. Jim mentions frame 232 because it is close
enough and not because it is unique or special. During the Third Shot, the movie
shows B Team (Dal-Tex) because Jackie's left hand is the main one pushing JFK's
left forearm down. In the meantime, Jackie used her right hand to pick up her
handbag.
Fourth shot refers to Jackie's turkey shoot (head shot) with her bullet containing
White Phosphorus. Jim mentions Zapruder frame 238 because this is the first frame
fully exposing Jackie's right hand used to illustrate her turkey shoot. Her right hand
held the handbag (A Team). Her left hand (B Team) held JFK's left forearm until
the last 0.5 second when she used it to pull the trigger. Even though Jim mentions
Zapruder frame 238, the movie provides a clue by showing events after frame 313
(head shot) without using Zapruder film. Instead, the movie conveniently switches
to the recreated assassination in Dealey Plaza, with Jackie placing her right hand
on JFK's right shoulder which corresponds to Zapruder frames around 330. The
movie withholds the head shot in Zapruder film for Clint Hill's first bullet shot that
split open JFK's head. During the Fourth Shot, the movie shows A Team (6th
Floor) because Jackie's turkey shoot came from her handbag.
Fifth shot refers to Clint Hill's second bullet that missed JFK. At this point Jim
talks about Tague's cheek used to illustrate something wrong. During the Fifth
Shot, the movie shows both B Team (Dal-Tex) and A Team (6th Floor), but this is
actually C Team (Picket Fence) because two shots are visually flipped between B
Team and C Team, as already explained. Apparently, the reason for flipping is to
send a message that Clint Hill missed his second shot because of B Team (Jackie's
left hand).
Sixth shot refers to Clint Hill's first bullet that split open JFK's head. At this point
the head shot in Zapruder film is shown and Jim keeps repeating "Back, and to the
Left". During the Sixth Shot, the movie shows C Team (Picket Fence) because the
shot came from Clint Hill's revolver inside the tunnel under the triple overpass next
to so called Picket Fence.
During this scene, Jim also talks about so called "epileptic seizure around
12:15pm". This is a reference to one of the stops that JFK limo made during Dallas
motorcade. Reportedly, JFK asked to stop at least once because he wanted to get
out and shake hands with bystanders. The stop was a setup arranged by the local
goons like Earle Cabell. The stop allowed Jackie to make her final preparations
before Elm Street. This topic is covered in the chapter about the Plan. Notice that
the movie is very specific about the time 12:15pm which falls somewhere in the
middle between Love Field airport and Dealey Plaza.
This scene references one photograph made at Love Field airport, about one hour
before JFK assassination. It shows Jackie, LBJ's wife, Earle Cabell, Secret Service
agent Rufus Youngblood, and others. The full picture is in the references chapter.
The movie uses this photo to link Earle Cabell to several scenes throughout this
movie, under the code of "an auto mechanic with dirty fingernails".
Yet another topic covered in this scene is the duo of Umbrella Man (UM) and Dark
Complected Man (DCM). The movie makers use the expression "it didn't ring
true" to encode a message that some groups tried to save JFK by using UM and
DCM to interfere with the plan to assassinate JFK. DCM was trying to draw JFK's
attention to the right by waving his hands while standing as close to the limo as
possible. UM tried to attract JFK's attention with his umbrella. But both had no
way of knowing that JFK was already injected with a chemical agent that made
him a defenseless mannequin easily pushed around by Jackie. It was too late.
During the scene in Washington DC, Mr. X suggests that DCM was an "Army
Intelligence". Apparently, some Army Intelligence units were trying to warn JFK
without "protecting clients" (quote by Mr. X).
This scene provides information that John Connally acted as a spotter or radio for
Jackie. That is why Jim says "Waiting for the radio to say, Green! Green! Or,
Abort! Abort!". Connally gave two go-ahead signals for Jackie, the first time
before her dart shot and the second time before her bullet shot. Apparently, he used
his Stetson hat as a signalling tool, at least for the second go-ahead signal. That is
why many photos showing Connally's hat became very popular after JFK
assassination. The general public did not know the reason for the popularity of his
hat but the hook noses hiding behind "JFK industry" feeding crap to the dummies
knew about the significance of this hat. When Jim talks about so called "God
Spot", he talks about Connally who was the US Secretary of Treasury in 1971-72.
As you know the Federal Reserve hook noses put the phrase "In God We Trust"
and the signatures of their monkeys like Connally on their Federal Reserve notes.
That is why Jim says "Connally yells out, 'My God!'".
Picture 1 shows the incident when Jim says "We have the epileptic seizure around
12:15pm, distracting the police, making it easier for the shooters to move into their
places. The epileptic later vanished, never checking into the hospital". The
"epileptic seizure" is a code word for mobilization, i.e. Jackie making the troops
inside her handbag ready for war. The specific time 12:15pm should be taken
seriously considering the sources the movie makers had. The police is JFK himself.
Since JFK's body also vanished, the epileptic is JFK himself.
Pictures 2 and 3 show Team A (6th Floor) moving in. Among other things, this
illustrates the contents of Jackie's handbag. Jim says "The A Team gets on the 6th
floor of the Book Depository. They were refurbishing the floors in the Depository
that week, which allowed unknown workmen in and out of the building". The
refurbishing refers to reusing Jackie's existing handbag for a firearm. The chapter
about the Plan explains that Jackie was seen with the same looking handbag well
before JFK assassination. The floors refers to the multiple levels in the design of
Jackie's firearm, where the barrel was on a level well above the handbag's bottom
(floor). The Depository is a code word for Jackie's handbag. The unknown
workmen refers to the components of secret design. Picture 2 shows a tall man
(yellow arrow points to his hat) who plays Johnny Connally who was also tall.
Picture 3 shows Connally and his hat in The God Spot. Jim says "The men move
quickly into position just minutes before the shooting. The second spotter on the
radio talking to the other two teams, has the best overall view. The God Spot". The
second spotter is John Connally giving the go-ahead signal for her bullet shot.
There is also another spotter on Team B (Dal-Tex), also playing Connally who
gives the go-ahead signal for her dart shot. The God Spot is also a reference to
Connally as the US Secretary of Treasury in 1971-72. As you know the Federal
Reserve hook noses put the phrase "In God We Trust" and the signatures of their
monkeys like Connally on their Federal Reserve notes. Hence, The God Spot.
Pictures 4 and 5 show Team B (Dal-Tex) moving in. The rifle illustrates Jackie's
dart gun. The Air Conditioning is probably a reference to the compressed air used
by Jackie's dart gun. Jim says "B Team. One rifleman and one spotter with a
headset and access to the building, moves into a low floor of the Dal-Tex
Building". Here, the rifleman is Jackie (her left hand). The spotter is John Connally
because he is seen in Croft Photo watching Jackie getting ready for her dart shot.
The headset is Connally's 10-gallon cowboy hat. The building is White House
because Connally had a direct access to JFK. Both Connally and LBJ lured JFK to
Texas.
Picture 6 has been cropped from a photo showing Johnny using his "fractured"
radius bone to hold his 10-gallon hat (headset). The photo was made in front of
White House (building) in 1964. Apparently, he went there to heal his bone. Notice
that many photos showing Connally's hat, including this photo, became very
popular after JFK assassination. This is because Johnny used his hat as a signalling
tool when giving secret signals to Jackie during JFK assassination.
Picture 1 (second set of six pictures) shows Team C (Picket Fence) moving in. Jim
says "The third team, the C Team, moves in behind the picket fence above the
Grassy Knoll, where the shooter and the spotter are first seen by the late Lee
Bowers in the watchtower of the railyard. They have the best position of all.
Kennedy is close and on a flat low trajectory". Here, the shooter is Clint Hill and
the spotter is Jackie. The reference to Bowers is about making a joke of his
testimony because Bowers was one of the railroad goons involved in the
assassination. Here, the watchtower (Lee Bowers) stands for the NW turret of Old
Red Courthouse (railyard) providing the best position to monitor the progress of
JFK assassination. Since so called Bowers is shown in the wrong watchtower, the
movie shows another watchtower where a man is holding a stopwatch, next to the
actual Old Red Courthouse. The NW turret is the place where Patsy Paschall made
her film, later released to the public after sanitizing by JFK killers. The best
position also refers to Clint Hill and Jackie because they were out of public view in
the darkest spot in the tunnel with no legitimate witnesses around. . Clint Hill shot
JFK's head from a few inches away, hence "Kennedy is close and on a flat low
trajectory".
Pictures 2 and 3 are show two coordinators in two areas when Jim says "Part of
this team is a coordinator who's flashed security credentials at several people,
chasing them out of the parking lot area". Picture 3 illustrates the goons and cops
guarding the tunnel under the triple overpass to keep all legitimate witnesses away
from the spot where Clint Hill shoots JFK (Team C). Here, the coordinator is a
code for Earl Cabell who coordinated the goons there. Picture 2 shows the second
coordinator pointed by the left yellow arrow. He is so called Umbrella Man (UM).
His real name is Louie Steven Witt. He opened his and flashed his umbrella when
Jackie was firing her turkey shoot. At that point, his role was to distract the
bystanders (to chase them out) by attracting attention to himself with his big
umbrella on sunny day. The less bystanders looking at Jackie the better. The right
yellow arrow points to the "Top Hat" (bowler hat) used by the movie makers to
illustrate Jackie's bullet (PBF) in other scenes.
Picture 4 has two parts, cropped from two different frames a second apart. The left
part shows the head of so called watchtower, and the right part shows a stopwatch
in his hand. He illustrates the NW turret of Old Red Courthouse (railyard). During
the scene with Mr. X in Washington DC, another man holding a camera illustrates
the NW turret.
Pictures 5 and 6 are shown when Jim says "Probably two to three more men are
down in the crowd on Elm". Picture 5 shows two men standing in front of
Umbrella Man. Both men are wearing the same type of jacket but only one jacket
has the name Ripley on it. This illustrates 1.5 men because "two to three" stands
for 2.5 men, meaning there is another man somewhere else. Recall Mr. X saying
(movie time 1:55) "On that day, in fact, there were some individual Army
intelligence people in Dallas. I'm still trying to figure out who and why. But they
weren't protecting clients". At that time, the movie shows two men sitting behind
UM while the camera cuts off the view of one man, i.e. another version of 1.5 men.
Apparently, these 1.5 men are part of "Army intelligence people". The question
remains what is 0.5 man. Probably it means a young boy like a son of "Army
intelligence" man, or a man only associated with "Army intelligence". It does not
mean that 0.5 man was next to DCM.
Picture 6 shows yet another man who probably stands for the missing one man
making the total of 2.5 men ("two to three men").
The location of two men wearing jackets and standing in front of Umbrella Man
corresponds to the location of Dark Complected Man (DCM) meaning DCM had
to be with "Army intelligence people". The name Ripley refers to Ripley's Believe
It or Not! This is a reference to Witt's testimony to HSCA in 1978 where he says
"The only other thing that I would care to say is that I think if the Guinness Book of
World Records had a category for people who were at the wrong place at the
wrong time, doing the wrong thing, I would be No. 1 in that position, without even
a close runner-up". In other words, the movie makers are making a joke of Witt's
reference to Guinness Book of World Records by turning it into Ripley's Believe It
or Not!
Picture 1 (third set of six pictures) shows a man wearing white hard hat.
Apparently, he plays the "Hard Hat Man" seen in several photos like Altgens 6 and
Willis. Picture 2 has been cropped from Altgens 6 photo where the yellow arrow
points to "Hard Hat Man". Apparently, his name is A.J. Millican. He filed an
affidavit with Dallas County Sheriff's Office. He stands in the spot where the
Connally Choir is located. Probably, the movie makers suggest A.J. Millican was
trying to draw JFK's attention to the right as part of Connally Choir, a role similar
to the role of Jean Hill on the left side of Elm Street but a little further down the
road.
Picture 3 shows a man looking up. Apparently, he plays Howard Leslie Brennan
who testified to Warren Commission about a sniper on 6th floor at the time of
assassination (youtube link). Warren Criminals used his testimony to frame
Oswald. Since Brennan was dirty as a sewer, the "Hard Hat Man" shown next to
him could not be much cleaner according to the movie makers. The man in picture
6 does not look like Brennan but the white wall behind him suggests that he stands
in front of Texas School Book Depository. His eyes looking up provide another
clue.
Pictures 4 to 6 show Shooters in each team. Picture 4 shows Jackie's firearm inside
her handbag in Team A (6th Floor). Notice the white gloves worn by the shooter,
exactly like Jackie. Picture 5 shows Jackie's dart gun in Team B (Dal-Tex). Picture
6 shows Clint Hill's revolver in Team C (Picket Fence).
Picture 1 (fourth set of six pictures) shows a man jumping up next to a concrete
balustrade similar to the one where Zapruder and his secretary were standing on.
The man illustrates Zapruder climbing on the spot from where he makes his
famous film. The woman next to the jumper illustrates Zapruder's secretary. This
picture corresponds to the moment when Jim says "They've calibrated their sights"
meaning that Zapruder tested (calibrated) the whole filming process (sights) before
JFK assassination.
Picture 2 shows a man with a headset in his ear. This picture corresponds to the
moment when Jim says "practiced on moving targets". As already explained, in
this context the headset stands for Connally's hat, i.e. a version of Hat-as-
Connally. This means that Connally was sending his signals by moving his hat
(moving target).
Jim also says "They've walked the Plaza, they know every inch. They've calibrated
their sights, practiced on moving targets. They're ready. Kennedy's motorcade
makes the turn from Main onto Houston. It's going to be a turkey shoot". At the
same time, the movie shows a man wearing dark coat and hat to illustrate Umbrella
Man, a man wearing a soft hat in the spot of "Hard Hat Man", a woman wearing
Moorman's sunglasses, etc. These are references to the conspirators like Howard
Leslie Brennan, Louie Steven Witt (Umbrella Man), is A.J. Millican (Hard Hat
Man), James Tague, Abraham Zapruder, Mary Moorman, Jean Hill, etc. All knew
the Plaza very well, many of them worked there.
Picture 3 shows the Newmans (left side) illustrating Jackie's turkey shoot, as
already explained in the previous section where the movie shows a similar view of
Newmans. On the right side, a woman wears a weird costume that looks like a
chicken. Apparently, this is a reference to Cock-A-Doodle Deux-Deux cartoon
(1966) where one chicken plays John Connally disguised as a butler. Picture 4 has
been cropped from a relevant frame of this cartoon. The chicken on the left is the
butler. In picture 3, the woman raises her right arm to prominently display
Connally's right radius bone, Forearm-as-Connally. At this point, Jim says "The
shooters across Dealey Plaza tighten" meaning Johnny is getting his radius bone
ready for the "shattering" by Magic Bullet from Warren Report.
Jim says "Waiting for the radio to say, Green! Green! Or, Abort! Abort!". The
radio is John Connally who was giving two go-ahead signals to Jackie. The first
one before her dart shot and the second one before her bullet shot. Hence Green!
said twice. The Green illustrates him being the US Secretary of Treasury in 1971-
72.
Picture 5 shows the front lens that apparently belongs to a rifle scope. Initially, the
scope is in the dark, then the light behind it is turned on. This illustrates Jackie
removing the protective cap on her dart gun as if making the muzzle exposed to the
daylight. Once Jackie removes the cap, she is ready to shoot within seconds. Jim
says "The First Shot rings out. Sounding like a backfire, it misses the car
completely. [delay] Frame 161". The protective cap looks like rings meaning
Jackie takes the rings out. The backfire refers to the campfires used by South
American Indians to cook the roots and stems of plants used to make curare, the
chemical agent inside the barrel of Jackie's dart gun. Once the protective cap is
removed, you could see the curare inside. That is why the light is turned on behind
the scope in picture 6 in order to illustrate a campfire in South America. Here, Jim
says that the campfire misses the car completely. Frame 161 in Zapruder film
corresponds to Croft Photo where Jackie is getting ready to shoot after removing
the protective cap (First Shot) as soon as Connally gives the go-ahead signal.
Picture 6 shows Zapruder holding his camera while keeping his fingers wrapped
around the lens body. Picture 1 of the next set shows the correct ways to hold the
camera. Zapruder would not be able to make his film by keeping his fingers as
shown in picture 6. The purpose of picture 6 is to illustrate how Jackie held her
dart gun before Second Shot. Zapruder holds the body of his camera (Jackie's
handbag) with his right hand and the body of round lens (Jackie's dart gun) with his
left hand.
Picture 1 (fifth set of six pictures) has been cropped from Zapruder camera manual
showing the correct ways to hold the camera.
Picture 2 shows the end of a rifle scope when Jim talks about so called backfire.
This illustrates the muzzle of Jackie's dart gun ready to shoot at any moment now.
Picture 3 has been cropped from a few blurred frames illustrating Jackie's flying
dart. At the same time, the movie audio includes sounds of something flying and
hitting. During the scene with triangulated crossfire (movie time 1:15), the movie
makes a similar analogy by showing a placard while a sound of its blowing in the
wind can be heard. This is an illustration of Second Shot (Jackie's dart shot).
Jim says "Kennedy stops waving as he hears something. Connally's head turns
slightly to the right. Frame 193, the Second Shot hits Kennedy in the throat from
the front". The chapter about the Plan explains that Jackie's dart hits JFK between
frames 190 and 193. After frame 193, you can see that JFK's right hand keeps
dropping. Jim says that Second Shot (Jackie's dart) resulted in paralysis that
showed up in the throat from the front. That is why Jim follows "He's been hit,
raising his hands to his throat" (Hands-to-throat).
Picture 4 shows Beverly Oliver holding her camera in a role similar to Zapruder
holding his camera shown a few pictures back. Beverly holds the body of her
camera with her right hand. She touches the body of round lens with the fingers of
her left hand. In other words, Jackie is about to pull the trigger with the fingers of
her left hand while holding her handbag in her right hand. This picture corresponds
to the moment when Jim says "raising his hands to his throat".
Picture 5 shows the recreated assassination in Dealey Plaza when Jim says "The
Third Shot...". The right yellow arrow points to Dark Complected Man (DCM)
standing in the right lane of Elm Street, away from the sidewalk. This is very
unusual considering nobody else stands directly on the street and no significant
mention about DCM in the movie beyond the link to "Army intelligence people"
discussed before. Apparently, DCM was trying to warn JFK. The left arrow points
to Umbrella Man (UM) holding a big umbrella on sunny day. The only reason to
behave like this is to distract the bystanders and to act as a guiding post for Jackie.
Jim says "The Third Shot, frame 232, hits Kennedy in the back, pulling him
downward and forward. Connally, you will notice, shows no sign of being hit. He
is visibly holding his Stetson, which is impossible if his wrist has been shattered.
Connally is turning here now". At this point Jackie uses her left hand to push JFK's
left forearm down and she uses her right hand to pick up the handbag. This step is
equivalent to removing the protective cap before the dart shot. In other words,
Jackie is getting ready for her next shot, using a bullet this time. That is why this
step is called a shot for technical reasons. Jim also talks about Connally giving the
final go-ahead signal to Jackie. Apparently, the Stetson was used as a signalling
tool, a version of Hat-as-Connally.
Picture 6 shows Jackie placing her right hand on JFK's right shoulder by using the
recreated assassination in Dealey Plaza, and not Zapruder film. This is because the
movie markers want to withhold the head shot in Zapruder film as Clint Hill's first
shot in the tunnel. That is why they do not show Zapruder film at this moment.
What is shown in picture 5 corresponds to Zapruder film around frame 330, after
the head shot in frame 313. In other words, the movie makers break the head shot
in frame 313 into two versions. The first version is for Jackie, as shown in picture
5. The second version is for Clint Hill, as shown in frame 313 and the following
frames when Jim keeps repeating "Back, and to the Left".
Jim says "Frame 238. The Fourth Shot. It misses Kennedy and takes Connally in
the back. This is the shot that proves there were two rifles. Connally yells out, My
God! They're going to kill us all!". The misses Kennedy is a code for Mrs.
Kennedy. In the back refers to the back of JFK limo where Connally was sitting.
The two rifles refers to two guns used by Jackie and Clint Hill. My God refers to
phrase "In God We Trust" on Federal Reserve notes because Johnny became US
Secretary of the Treasury later.
Picture 1 (sixth set of six pictures) has been cropped from a few frames showing a
bullet-like projectile flying at a weird angle. This illustrates the second shot fired
by Clint Hill. Jim says "Somewhere around this time, another shot misses the car
completely, striking James Tague by the underpass. The car brakes". The
"somewhere around this time" implies out of sequence, i.e. Jim reverses the order
of bullets. This is called Fifth Shot but actually it is the last shot no matter how
you count all the shots. The car breaks refers to JFK (car) dying (breaking)
because this assumes Clint Hill already fired all his shots.
Picture 2 shows JFK limo's left break light turned on during the recreated
assassination in Dealey Plaza. Picture 3 has been cropped from Zapruder frame
473 showing JFK limo's left break light turned on (yellow arrow points to it).
Picture 4 has been cropped from Mark Bell film showing JFK limo inside the
tunnel, at the moment (2 seconds) when Clint Hill killed JFK. In picture 4, the
yellow arrows point to both break lights turned on.
Picture 2 is shown when Jim says "The car brakes". As already explained, the
primary meaning of breaking is JFK dying. However, there is also another critical
meaning. The left break light is "Back, and to the Left". It refers to Clint Hill who
is next to this break light, meaning both are "Back, and to the Left". Zapruder film
shows him in the back of JFK limo and on its left side, about two seconds before
his fatal shot to JFK's head. The secondary role of break lights turned on is to make
you think why JFK limo was breaking in the tunnel. Shouldn't the limo by driving
at max speed towards the hospital?
Immediately after picture 1 with James Tague, the movie shows another view of
Umbrella Man holding his big umbrella on a sunny day. In other words, the movie
makers link both Tague and Witt to be on the same team of Dallas conspirators.
Jim says "The Sixth and fatal Shot. Frame 313, takes Kennedy in the head from
the front. This is the key shot. The President going back and to his left, shot from
the front and right. Totally inconsistent with the shot from the Depository. Again.
Back, and to the left. Back, and to the left. Back, and to the left. Back, and to the
left". By using the terms fatal and key, the movie makers claim that Clint Hill
actually killed JFK. The expression "from the front" means Clint Hill's first bullet.
The "from the right" refers to the right lane of Elm Street. The Depository is a code
word for Jackie's handbag, since this shot is fired by Clint Hill, it is inconsistent
with the shot from her handbag (Depository).
Picture 5 shows Clint Hill chasing JFK limo during the recreated assassination in
Dealey Plaza. At this moment Jim says "Totally inconsistent with the shot from the
Depository". This is another clue that Clint Hill is consistent with the shot.
Picture 6 shows the movie frame when Jim says the last "Back, and to the left".
The whole screen is filled with the figure of leaping Jackie and JFK's head is not
shown. This is already a clue about Jackie because she is back, and to the left
inside the limo.
Court trial - cooking touffe today, fishing tomorrow (2:58)
This is the last scene of the movie. It mainly covers routine topics already covered
throughout the movie. The biggest news is the identity of the acquitted character
because Shaw plays so many of them. After having been acquitted, Shaw
prominently displays his brown cigarette holder ("Big Cigar") between four
extended fingers (rank of 4-Star General). The cigarette itself is just a distraction.
As soon as Shaw is acquitted, he says "I'm gonna go fishing tomorrow" meaning
he will fish for another Great Fish like JFK. This is a reference to the novel The
Old Man and the Sea (1951) by Ernest Hemingway. Outside the courtroom, Shaw
says "I should go home and cook some touffe". The touffe is a French term
meaning suffocated, used to describe a Cajun dish cooked by smothering. JFK was
suffocated with Jackie's curare, and then cooked by White Phosphorus burning up
to 5000 F. The cooking was arranged by Curtis LeMay after his fishing.
During the closing arguments, Jim plays mostly LBJ because he makes a Finger-
as-LBJ quite often. When he talks to the reporters outside the courtroom he also
plays mostly LBJ. One clue comes from the heavyset juror who says outside the
courtroom, "We believe there was a conspiracy, but whether Shaw was a part of it
is another kettle of fish". Here, kettle of fish is really cattle of fish. LBJ had a cattle
ranch in Stonewall, TX. The hook noses even created National Historical Park
claiming that LBJ was a "rancher" as big as another of their "ranching" monkeys in
Crawford, TX. As soon as the juror completes the sentence "...another cattle of
fish", all the reporters rush to Jim meaning Jim is LBJ, another fish in a cattle of
fishes farmed by the hook noses from Wall Street and City of London. The final
words said by Jim as LBJ are "I'm going to run again, and I'm going to win!". This
is because the time is 1964 during presidential election where LBJ wins. This trial
has nothing to do with Garrison's trial in 1969. When Jim finally walks away, he
says "If it takes me 30 years to nail every one of the assassins then I will continue
for 30 years! I owe that to Jack Kennedy and the country". This probably refers to
the actual Jim Garrison.
The second topic that stands out during this scene is collecting of two bullets left
behind by Clint Hill in the tunnel. Since Clint Hill used a revolver, the fired
casings stayed inside the cylinder and did not have to be collected. However,
somebody had to run into the tunnel in order to collect the bullets, immediately
after JFK limo left the tunnel. In order to make it fast, somebody had to provide
information where the bullets fell. That is why two Secret Service goons were
sitting on the right side of the lead car riding next to JFK limo. The goon in the
right front seat was Winston Lawson, and the goon in the right rear seat was
Forrest Sorrels. Sorrels himself was the Chief of Dallas Secret Service. Lawson
was watching one bullet and Sorrels was watching the other bullet, all paid by
American taxpayers, including the bullets. Then they radioed the goons waiting
behind next to the tunnel with information where to search for. This scene shows
one man pointing his arm to illustrate Sorrels pointing to the place where to search.
The man is shown next to another man looking like Dallas Sheriff Bill Decker who
was sitting next to Sorrels on his left side inside the lead car.
The illustrations of the bullets themselves are also interesting. Clint Hill's first
bullet that killed JFK is illustrated by a wallet with the badge of Secret Service
agent looking like Rufus Youngblood used in many other scenes throughout this
movie. His second bullet that missed JFK is illustrated by a wallet without any
badge, carried by a man (auto mechanic) who looks like Earle Cabell. Both
Youngblood and Cabell are seen in a photo made at Love Field airport, about one
hour before JFK assassination. It shows Jackie, LBJ's wife and Earle Cabell
standing and talking to each other, and the head of Youngblood right behind them.
This photo is the foundation to linking Youngblood and Cabell together. The man
who looks like Cabell also wears a headpiece meaning he is in direct

communication with Secret Service during JFK assassination.
This scene continues to kick around Johnny Connally's radius bone and his cowboy
hat. No disrespect for cowboy hats! Connally's radius bone is illustrated by a
chicken bone gnawed at by Bonnie Ray Williams during his lunch. Connally's
world-renowned surgeon, Dr. Robert Shaw is illustrated by a bottle of Dr. Pepper.
Connally's cowboy hat is illustrated by so called "sports shirt" when Jim says "He
had on a sports shirt and pants, but he had dirty fingernails". At that point, the
woman wearing a chicken-like dress is shown. She wears a white Dutch cap on her
head. Her cap plays the role of sports shirt meaning Connally's cowboy hat. The
origin of shirt and pants is in Connally's testimony to Warren Criminals. His
testimony is dressed with many shirts and pants, e.g. "front of the trousers", "rear
of the trousers", "on my trousers there was one chunk of brain tissue as big as
almost my thumb", "let the record show that the Governor has removed his shirt",
"rear side of the shirt", "front side of the shirt", just to name a few.
This scene covers the events of JFK assassination after JFK limo leaves the tunnel
until his funeral. Oswald plays JFK. Initially, he is one of the projectiles, either
PBF or PWM, going back to JFK's head where it came from. Then he becomes
JFK himself. On his way back as the projectile, he meets all the white marks left
behind. He drinks a Coca-Cola to illustrate the non-exposure time between
Zapruder frames, specifically between frame 313 and 314, as a "pause that
refreshes". The floors illustrate different Zapruder frames. Outside the Depository,
Oswald becomes JFK. The "Texas Theatre" illustrates Parkland Hospital. The
"shoe store" illustrates Clint Hill's right shoe seen in several photos of JFK limo
riding to Parkland Hospital. The salesman pointing to Oswald inside "Texas
Theater" plays the role of Kenneth O'Donnell hijacking JFK's dead body from
Dallas by trashing Texas laws. This is equivalent to the scene showing the scuffle
between Dallas Medical Examiner and Kenneth O'Donnell fighting over the casket.
In one published script for this scene, O'Donnell says "Sonofabitch, you're not
telling me what to do! Get the hell outta the way!". The "Police headquarters"
where Oswald is booked, plays the role of Air Force One parked on Love Field
airport. The killing of Oswald by Ruby plays the role of JFK autopsy in
Washington. Oswald burial is actually JFK burial at Arlington National Cemetery.
The Oswald cheap grave marker is JFK basic grave marker.
Picture 1 shows the so called "Patrolman Smith". Compare his face to the face of
Clint Hill shown many times in this document. Picture 2 shows the wallet with
Secret Service badge presented by the man shown in picture 3.
The movie uses the testimony by Joe Marshall Smith given to Warren Criminals,
where Smith says "he showed me that he was a Secret Service agent". However,
this is only an excuse because this scene has nothing to do with Joe Marshall
Smith. There were no Secret Service agents running around the Grassy Knoll. It
would not make sense for JFK killers to attract such an attention. They made the
local goon Earle Cabell to hire other local goons to set off the firecrackers, and to
bribe local cops to take care of the details. The role of this badge is to illustrate
Secret Service's bullet that killed JFK. No investigation is needed because the
bullet shows its credentials right in your face!
Jim says "Patrolman Smith rushes to the parking lot behind the picket fence. He
smells gunpowder". The picket fence is a code for the row of concrete columns on
the right side of Elm Street in the tunnel. Patrolman Smith is a code for Clint Hill
and the goons who were searching for two bullets left behind by Clint Hill.
Patrolman Smith says "He produced credentials from his pocket showing him to be
Secret Service". The pocket is a code word for the casing where the bullet came
from. The casing stayed in the cylinder of Clint Hill's revolver. Also, recall
Beverly Oliver saying (movie time 1:11) "Cops back then, were bad. They'd shake
you down for the money in your pocket" meaning JFK's head was shaken down by
Clint Hill's bullet (money).
Notice that the name on the id is Robert L. Kirk, Special Agent. Apparently, this is
a reference to James T. Kirk of starship USS Enterprise, a joke about the star on SS
badges.
Picture 4 shows the so called "auto mechanic" when Patrolman Smith says "I
accepted that and let him go and continued the search. I regretted it because the
guy looked like an auto mechanic". The auto mechanic" shows his wallet without a
badge meaning he plays Clint Hill's second bullet that missed JFK. At this point
Patrolman Smith plays Clint Hill himself saying that his second bullet missed and
that is why he regrets the "continued search" (second bullet).
Picture 5 has been cropped from the old photo already described at the beginning
of this section. Compare the heads of Earle Cabell (left side) and Rufus
Youngblood (between LBJ's wife and Jackie) to the heads in pictures 4 and 3
respectively.
Picture 6 shows two men in a clip from old film shown when Patrolman Smith
talks on the witness stand. It is not clear who the men actually are but it is clear
who they illustrate at this moment. The younger man in the foreground plays the
role of Forrest Sorrels. He raises his right arm to point to something on his right
side. This illustrates Sorrels radioing from the lead car and giving instructions
where to find the bullets inside the tunnel. The man wearing a hat and eyeglasses,
illustrates Dallas Sheriff Bill Decker "looking the other way". As already
explained, Decker was sitting on Sorrels' left side in the rear seat of the lead car
riding next to JFK limo in the tunnel. Picture 1 of the next set shows the actual
Decker. Most of the old photos or films show him wearing the same type of hat
and eyeglasses.
Picture 1 (second set of six pictures) has been cropped from an old film showing
Bill Decker, a "lawman" masquerading as Dallas County Sheriff. It is included for
a quick reference.
Picture 2 shows Umbrella Man and Dark Complected Man as a distraction. The
main object is the woman wearing a chicken-like dress. The yellow arrow points to
her white Dutch cap on her head. Picture 3 has been cropped from another scene a
few minutes earlier where her head is more visible. This corresponds to Patrolman
Smith saying "He had on a sports shirt and pants, but he had dirty fingernails". As
already explained "sports shirt" is Connally's cowboy hat, Hat-as-Connally. The
brainwashing media like WFAA-TV run by the Dallas hook noses gave a lot of
weird attention to his hat after JFK assassination. Picture 4 has been cropped from
an old photo showing Connally's hat hanging at Parkland Hospital where Johnny
was healing his "fractured" chicken bone with the help from the world-renowned
"Dr. Pepper". Today, the reason is very clear. Poor Johnny used his hat as a
signalling tool during JFK assassination. The hook noses inside the trash can
called WFAA-TV liked to kick around Connally's hat at your expense. Aren't there
enough real cowboys in Dallas to clean up the genetic trash still hiding inside
WFAA-TV and Dallas Morning News? Both are run by the same hook noses from
Belo Corporation. Did anybody have a chance to see the wall in front of the main
building of Dallas Morning News where the inbred genetic trash inscribed "Build
the news upon the Rock of Truth and Righteousness; ...". How about introducing
the hook noses to some real rocks?
Patrolman Smith also says "Afterward, it didn't ring true. But at the time we were
so pressed for time". This refers to Clint Hill missing his second bullet that didn't
ring true. Since he and Jackie had only about 5 seconds in the tunnel, both "were
pressed for time".
Picture 5 shows the follow-up car during the recreated assassination in Dealey
Plaza. Jim says "All Secret Servicemen in Dallas are accounted for. None [SS
goons] were on foot in Dealey Plaza before or after the shooting till the Dallas
Secret Service chief Forrest Sorrels returned at 12:55" while showing an oversized
figure representing the SS goon Clint Hill on the right side. The oversized figure
makes the car look like a toy car. Clint Hill was the only Secret Service agent on
foot in Dealey Plaza after Jackie's shooting. This is a direct reference to two feet of
Clint Hill. Notice the Bimbo in Red in the background again. Apparently, the feet
of SS goons inside the Bimbo are well above the Dealey Plaza to provide a better
view, so their feet are not counted. Jim uses the name Forrest Sorrels because his
name is needed to decode this scene as already explained.
Jim says "At least 12 other individuals were taken into custody by Dallas police.
No record of their arrest. Men acting like hoboes were being pulled off trains
marched through Dealey Plaza, photographed. Yet there's no record of their
arrest. Men identifying themselves as Secret Service agents all over the place. But
who was impersonating them?". These are references to the fragments of Jackie's
bullet (hoboes) and Clint Hill's two bullets (two Secret Service agents). Jackie's
white marks have been photographed in Zapruder frames 313 and 314.
Jim says "Where was Lee Harvey Oswald? Around 12:15, on the way out of the
building to see the motorcade. Carolyn Arnold sees Oswald in the second-floor
snack room where he said he went for a Coke". Here, the time 12:15 corresponds
to the time 12:30 when Jackie fired her bullet. Carolyn Arnold plays Jackie. The
building is a code word for JFK limo. Oswald is a projectile escaping JFK's head
and leaving JFK limo to see the motorcade from outside the limo.
Carolyn Arnold wearing a Beehive hairstyle (MarieAntoinette-as-Jackie) on the

witness stand plays Jackie. She says "He was in a booth on the right side of the
room. He was by himself as usual, appeared to be having his lunch. I didn't speak
to him, but I recognized him clearly". The room is a code word for the rear seat
where JFK and Jackie were sitting. The lunch is a code word for LeMay's touffe
cooking inside JFK's head at 5000 F.
Picture 6 should be interpreted together with picture 1 of the next set. Both pictures
correspond to Jim saying "At the same time, Bonnie Ray Williams is supposedly
eating his chicken lunch in the sixth floor. He's there until 12:15, maybe 12:20. He
sees nobody". In both pictures, I added yellow arrows to point to the chicken bone
enjoyed by Williams (Forearm-as-Connally). Apparently, Connally's radius bone
tastes good! The bottle of Dr. Pepper is Connally's world-renowned surgeon, Dr.
Robert Shaw making the chicken bone taste so good!
Picture 1 (third set of six pictures) is an extension of picture 6 of the previous set,
as already explained.
Picture 2 shows so called "Arnold Rowland" when Jim says "Arnold Rowland,
down on the street, looks up, sees two men in the sixth-floor windows, presumably
after Bonnie Ray Williams finished his lunch and left". Notice that he is wearing
sunglasses like Secret Service goons. In the actual testimony to Warren Criminals,
Rowland says "I didn't have any sunglasses on at that time because I had broken
them the week before". This means that the man in picture 2 is used to illustrate
Secret Service goons themselves pointing to two white marks M5E and M8E, after
they erased them. The "two men" seen by "Arnold Rowland" are played by
"Patrolman Marrion Baker" who appears twice in exactly the same role within 40
seconds.
John Powell, a prisoner on the sixth floor of the county jail says on the stand
"Many of us saw them. Everyone was hollering and yelling. We thought they was
security guys". So called security guys are the fragments of Jackie's bullet hollering
and yelling when falling around the Grassy Knoll.
Picture 3 shows "Patrolman Marrion Baker" the first time. Both times, Baker is
apparently played by John Candy who also plays Dean Andrews. Here, the bright
white helmet illustrates the white mark M8E in Zapruder frame 315. Baker and his
helmet will come back in about 40 seconds to illustrate the white mark M5E, when
Oswald goes down one floor meaning he moves from Zapruder frame 315, down
to Zapruder frame 314. During the flashback, Baker says "Hey you! Do you know
this man? Is he an employee?" and then disappears meaning JFK killers erase
M8E.
Picture 4 shows Oswald running down the stairs next to two women. These two
women play the white marks M7E and M6E. Then Oswald goes to a snack room
to buy a Coke. In other words, he takes a "pause that refreshes", a break (non-
exposure time) between frames 313 and 314. Here, the same "Patrolman Marrion
Baker" catches him again with the same question "Hey you! Do you know this
man? Is he an employee?". At this point, Baker is M5E. The man behind Baker is
PWM who actually paints M5E and M8E meaning that Oswald plays PBF going
back to JFK's head.
Picture 5 shows so called "second floor" which stands for Zapruder frame 313. I
added four yellow arrows to point to four ceiling lights playing the role of four
white marks M1E to M4E. Mrs. Reid in the white dress plays the role of "blob" on
JFK's head.
Jim says "he strolls out the more distant front exit where cops have gathered". The
exit is the point BX on JFK's head meaning Oswald enters JFK. The cops is a short
for coppers meaning red colored objects, i.e. drops of red blood around JFK's right
ear, a version of Coffee-as-gore.
Picture 6 shows a spare uniform hanging in Tippit's car. This uniform illustrates a
spare pink suit for Jackie. At this point, Tippit's car illustrates JFK limo. Most
probably, Jackie changed her pink suit at the Parkland Hospital but it is possible
she also changed it inside the limo on the way to Parkland. Maybe she changed it
even twice, in both places. Jim refers to Jackie changing her pinky suit when he
says "The shooters quickly disassemble their various weapons".
Picture 1 (fourth set of six pictures) shows the hands of Officer Poe. Notice the
ring (not a wedding ring) on his left ring finger. Jim says "At the scene, Officer Poe
marks his initials on the shells to record the chain of evidence. Those initials are
not on the three cartridge cases which the Warren Commission show him". Officer
Poe illustrates Edward Lansdale leaving his initials on three cases (shells) of three
bullets fired at JFK in Dealey Plaza, ClassRing-as-Lansdale.
Picture 2 shows Oswald in so called "shoe store". The shoes illustrate Clint Hill's
right shoe mounted on the right side of JFK limo riding to Parkland Hospital, Foot-
from-Hill. Several places in this document already show two different photos of
this right shoe.
Picture 3 shows the "movie theater" (Texas Theatre) when Jim says "at least 30
officers in patrol cars descend on the movie theater". Compare it to picture 4
showing one of the photos of Parkland Hospital on the assassination day. This is
another clue that this scene encodes another series of events.
Picture 5 shows so called shoe salesman, Johnny Brewer, pointing to Oswald.

Brewer plays the role of Kenneth O'Donnell hijacking JFK's dead body from
Dallas by trashing Texas laws.
Picture 6 shows Oswald arrested and taken away. He screams "I am not resisting
arrest! I am not resisting arrest!". This is equivalent to the scene showing the
scuffle between Dallas Medical Examiner and Kenneth O'Donnell fighting over the
casket.
Picture 1 (fifth set of six pictures) shows Oswald at so called "police

headquarters". Jim says "At police headquarters, he was booked for murdering
Tippet. No legal counsel was provided. No record made of the questioning". This
illustrates loading of JFK casket into Air Force One at Love Field airport in Dallas,
as shown in picture 2.
Pictures 3 and 4 show the killing of Oswald by Ruby. Picture 3 illustrates the
generals and admirals in the autopsy room in Washington, DC. Picture 4 illustrates
JFK dead body on autopsy bed. This corresponds to the scene where JFK autopsy
is shown.
Picture 5 shows Oswald grave marker when Jim says "cheap grave under the name
Oswald". This illustrates JFK grave marker shown in picture 6. This completes
both series of events, one for Oswald and one secretly encoded for JFK.
Picture 1 (sixth set of six pictures) shows Jim making a Finger-as-LBJ during the
closing arguments. When Jim says "It was a public execution, and it was covered
up by ... up to and including Lyndon Johnson", this is LBJ talking about himself.
When Jim says "Some people say I'm crazy. Southern caricature seeking higher
office", this is LBJ talking about himself.
Picture 2 shows Shaw inserting (loudly) a cigarette into his cigarette holder. Jim
says "That kind of national security is when it smells like it, feels like it, and looks
like it you call it what it is: Fascism!". Here, Fascism refers to the Cuban cigars
smoked by Curtis LeMay. Fascism comes from the word fasces which consists of a
bundle of rods like a Cuban cigar. In ancient Rome, the fasces was symbol of
authority. Jim is talking about smelling, feeling, and looking of Cuban cigars. That
is why the movie calls all conspirators in JFK assassination, simply Cubans.
Pictures 3 and 4 should be interpreted together. Picture 3 shows Shaw making a

Finger-as-Dulles. Picture 4 shows one juror making the same Finger-as-Dulles, in
only 5 seconds later. At this point, Jim says "The assassination reduced the
President to a transient official". Here, the movie makers encode a signal that the
actors/characters could switch any roles like Allen Dulles between themselves
within seconds because any role is treated as so called "transient official". This is
only for the code breakers.
Picture 5 shows one juror making a 2Fingers-as-Hill, pointed by the yellow arrow
on the left. At this point, Jim says "I'd hate to be in your shoes today. You have a
lot to think about. You've seen evidence the public hasn't seen". This is reference to
Clint Hill's right shoe (Foot-from-Hill) as already discussed at other pictures in
this section and in other parts of this document. As JFK assassin, obviously Clint
Hill "has seen evidence the public hasn't seen". This juror will later say "another
kettle [cattle] of fish", discussed at the beginning of this section. In other words,
JFK assassin Clint Hill himself will point to LBJ for all questions about JFK
assassination. The yellow arrow on the right points to a Finger-as-Dulles, yet on
another juror. In other words, Dulles jumps quickly from one actor to another
because he is an "intelligence agent on a mission", an expression used in another
scene.
Picture 6 shows Shaw making a reference to Curtis LeMay (4Fingers-as-LeMay),

as explained at the beginning of this section.
17. Killer Queen lyrics. Wanna Try?

This chapter provides another proof that entertainment business has been telling
you about Jackie Kennedy's guilt for 49 years but you are not listening. The
famous song Killer Queen was written by Freddie Mercury of the rock band
Queen. The song was released in 1974, 11 years after JFK assassination. It's
possible that you've never heard of the song Killer Queen or even the band Queen.
However, you have to know the popular musical themes We Are The Champions
or We Will Rock You because either theme is almost as popular as the US
National Anthem. Both themes were created by the rock band Queen.
The Killer Queen lyrics are loaded with Jackie metaphors. Once you go through
the details below you will have to admit that Killer Queen is about Jackie killing
JFK. Some of the metaphors can be understood only after reading other chapters.
Freddie could not have access to all the photos and research tools available today
to figure out that JFK was perfumed with burning White Phosphorus emitting
garlic-like odor. However, his lyrics suggest that he knew it. This means he got his
information from reliable sources. Apparently, his sources were readily available
during the early 1970s.
The lyrics say that Killer Queen is "Guaranteed to blow your mind, Anytime"
implying that Jackie blew JFK's brains (mind) in a public execution right in your
face. In reality, Clint Hill blew out JFK's brains, in the tunnel under the triple
overpass and out of public view. Jackie fired her custom-made bullet with White
Phosphorus to create special effects for Zapruder camera by making it appear that
JFK's brains blew out. Jackie's bullet went under the base of JFK's skull and it tore
his jugular veins and arteries. Most probably, her shot was fatal and JFK would die
sooner or later anyway. Since Zapruder film suggests that JFK's brains blew out
when Jackie hit him, I leave the latter meaning in the interpretation. That is why
JFK killers set Zapruder up to make his film for you. They wanted a spectacle with
JFK's brains blowing out on film.
All famous songs become famous because some powerful people allow them to
become famous. Clearly, some top people in entertainment business let Freddie
Mercury use Jackie metaphors in his song. Freddie knew that he would have to
keep his mouth shut about the real meanings of metaphors. But rumors started
quickly anyway. Most probably, the song became famous because of the rumors.
The rock band was not famous before this song. The song Killer Queen made the
band Queen famous.
In any case, Jackie Kennedy Onassis was associated with Killer Queen from the
start. However, most fans do not get the metaphors. Most fans believe the official
story that the song is about a high-class call girl. However, nobody would write
such strange commercial lyrics about anybody unless the lyrics disguised
somebody important. Since Freddie Mercury kept his mouth shut, the lyrics have
to disguise somebody everybody knows about.
References for the lyrics
You need both the printed lyrics and the original audio with all special sounds
included in the background. Some audio versions exclude the original special
sounds. Each verse has two sets of meanings, one based on its lyrics alone, and
another one based on its lyrics and the special sounds in the background. I refer to
the first set as foreground, and to the second set as background. There are some
audio sounds I left out. Try them yourself.
Since some audio sounds are relatively quick, you will need to play them at slow
speed. Many software players let you control the playback speed, including the
free Windows Media Player.
Google for the full lyrics with keywords: "Killer Queen" lyrics
Google for a free audio file with keywords: "Killer Queen" mp3
Google the videos for a music video with keywords: "Killer Queen"
Interpretation of the lyrics
She keeps her Moet et Chandon

In her pretty cabinet
'Let them eat cake' she says
Just like Marie Antoinette
Foreground. This verse introduces her character, her love for luxury, her distaste
for common goods, her personality of a Queen like Marie Antoinette. Note that
"Killer Queen" not only acts like Marie Antoinette but is also famous like Marie
Antoinette. "Moet et Chandon" is a metaphor for luxury like a good champagne.
"Let them eat cake" is a phrase attributed to Marie Antoinette (MarieAntoinette-
as-Jackie), it fits Jackie's personality, "cake" is a metaphor for common goods that
Jackie does not like.
Background. When you pay attention to the audio sounds, the meanings are much
more sinister. Initially, you can hear five finger snaps before the verse starts. Then
the last 6th finger snap when "she keeps" is played. This means the Killer Queen
keeps her "Moet et Chandon" in her hand like a sixth finger. Since she keeps it in
both her hand and her "pretty cabinet", then cabinet has to be her handbag. Here,
"Moet et Chandon" is a metaphor for something exploding like a champagne with
a cork, this means a gun, especially a gun with only one cartridge or bullet.
Immediately, after "pretty cabinet" is played, you can hear a few tones (probably a
piano) that imitate the sound when you say "Jackie O". Say "Jackie O" a few times,
then compare it to the sound in the song. The sounds are the same. The sound
refers not only to Jackie O but also to Jackie O handbag. Jackie O handbags made
by Gucci were very popular then and still are. That is why the sound for "Jackie O"
is made immediately after "pretty cabinet" is played. This means that "Killer
Queen" is Jackie O, her popular name after she married Onassis. Jackie held her
gun inside her handbag when she fired it at JFK's head.
At the moment when "Antoinette" is played you can hear a very quick sound
(probably drums) imitating a cutting sound made by guillotine blade, or a sound of
suppressed gunshot. This represents an execution. Marie Antoinette had her head
cut off in public like JFK had his head blown off in public, in both cases the
executioners were next to them. Since "Let them eat cake" comes from the
executioner's mouth and not the victim's mouth, "cake" is just like Marie
Antoinette herself, specifically her head. For the same reason, "cake" is just like
JFK himself, specifically his head. You are supposed to eat cake. Killer Queen lets
you eat cake! Here, "cake" is a metaphor for JFK's head fed to his supporters.
A built-in remedy
For Kruschev and Kennedy
At anytime an invitation
You can't decline
Foreground. "built-in remedy" is a metaphor for somebody close (built-in) and

influential (remedy) for Kruschev and Kennedy. "an invitation You can't decline"
sounds very familiar to "an offer you can't refuse" from the movie "The Godfather"
released in 1972, two years before this song. It refers to an assassin blowing brains
out. This should be enough for you to figure out that Kennedy with his brains
blown out is the key figure here. The expression about blowing brains out is
actually in the book "The Godfather", as famous as the movie. The movie uses the
quote "an offer you can't refuse" (youtube clip). The influence over Kennedy is so
big that it affects Kruschev. Who would be a bigger built-in remedy for Kennedy
than his wife? Kruschev is mentioned as a distraction.
Background. The reference to "The Godfather" is confirmed. Immediately after

"decline" is played you can hear a few tones (piano) from the "Godfather" Love
Theme. Google the videos for a piano solo with "Godfather" Theme to recognize
these tones (youtube video). "an invitation You can't decline" is about blowing
brains out like Kennedy's brains, or like the bandleader's brains in "The
Godfather". JFK is the bandleader. Notice that starting from "At anytime", the band
is trying to imitate crowds like the crowds greeting JFK during his motorcade in
Dallas, here "anytime" means a public execution, right in your face.
Caviar and cigarettes

Well versed in etiquette
Extraordinarily nice
Foreground. This is another reference to Jackie's living a luxury lifestyle. "Caviar"

is a metaphor for expensive food. "etiquette" is a metaphor for high-class manners.
"cigarettes" refers to Jackie's smoking habit, she was a heavy smoker.
"extraordinarily nice" refers to her pretentious behavior trying to be extra nice in
public.
Background. caviar is a code word for curare. Jackie used a curare-based

chemical agent to incapacitate JFK. The word cigarettes means darts. Jackie used a
dart gun to shoot a dart into JFK's left thigh. The movie A Shot In The Dark
originated the use of a long cigarette to refer to Jackie's dart. Killer Queen borrows
this concept. I call this symbol a Cigarette-as-dart.
Consequently, "Well versed in etiquette" refers to assassin's skills. The etiquette

also refers to Jackie giving JFK some illegitimate medications in the morning on
his assassination day. The medications sped up the responsiveness of curare.
"extraordinarily nice" refers to very creative assassination methods, the use of a
dart (cigarette), curare (caviar), medications, and others as mentioned in other
verses.
She's a Killer Queen

Gunpowder, gelatine
Dynamite with a laserbeam
Guaranteed to blow your mind
Anytime
Foreground. The second and third lines carry double meaning because gelatine
could mean misspelled guillotine, or rare spelling "gelatine" of "gelatin" (jelly).
Guillotine is another reference to Marie Antoinette executed by guillotine. The rare
spelling gelatine is used on purpose to make people think of both meanings.
Freddie pronounces it as gelatin. However, even gelatine itself has two meanings
depending on how you parse the second and third lines because it could be part of
gelatine dynamite if you treat both lines as one. Apparently, the primary intent here
is to refer to the popular blasting explosive gelatin dynamite.
Assuming the primary intent, gunpowder refers to the explosive inside the case of
Jackie's cartridge, gelatine dynamite refers to the booster explosive inside her
bullet, and laserbeam refers to White Phosphorus stored also inside her bullet.
After exploding, Jackie's bullet released a small chunk of White Phosphorus called
PWM that flew across Zapruder frames 313-315 like a laserbeam painting the
white marks, thus leaving behind the most important evidence of Jackie's guilt and
exposing JFK assassination plan. It does not mean that Jackie's bullet used gelatine
dynamite, most probably the song uses it because it is the most popular in the class
of booster explosives.
Assuming two other secondary intents with "guillotine" (gelatin) or "jelly"

(gelatin), the second and third lines try to contrast a loud noise made by gun
(gunpowder, dynamite) to a quiet sound made by guillotine or laser beam. Laser
beam transfers energy without making sound. The word laserbeam is a metaphor
for sound suppression on Jackie's firearm. With "jelly", the second and third lines
try to contrast a brute force of gun and dynamite to the sophistication of human
brain (brain looks like gelatin) or advanced laser technology. Here, "gelatin" (jelly)
is a metaphor for JFK's brain, and laserbeam is a metaphor for JFK's mind focused
like a laser beam.
"Guaranteed to blow your mind" is a reference to "The Godfather" book with

expression about brains blown out, "mind" here means "brain". "Guaranteed
anytime" means a dependable assassin, it implies that Jackie was an experienced
assassin, JFK assassination was not the first for her, hence her job was guaranteed!
"Anytime" refers to public assassination, right in your face.
Background. The sound volume of "laserbeam" fluctuates. Turning the sound

volume to low refers to silencing. This is a reference to sound suppression.
"laserbeam" is a metaphor for a sound suppressor (silencer) on Jackie's gun, kept
inside her handbag. The firearm inside Jackie's handbag had an intricate sound
suppression mechanism when she blew JFK's brains out, in public. Like the
executioner who cut off Marie Antoinette's head in public with a relatively quiet
guillotine, discussed in a verse before.
Notice that immediately after singing "blow your mind" which ends with the
voiced consonant "d", Freddie sings the extra voiceless consonant "t". Changing
from voiced to voiceless is another clue that somebody is silenced (killed). Place
your fingers on your throat, then say "d" and "t" to feel the difference. Your throat
goes silent with "t". JFK felt severe tightness in his throat just seconds before his
brains blew out.
"Anytime" is sung by simulating crowds around, like the crowds greeting JFK
during the motorcade in Dallas when JFK was executed by Jackie, right in their
faces, and right in our faces.
Recommended at the price

Insatiable in appetite
Wanna try?
Foreground. Note that some sources claim Insatiable an appetite, either works. All
lines apply to Jackie generically.
Background. There is an audio sound immediately preceding "Recommended". It

sounds like an object striking another object without any resonance. This is a
metaphor for getting no response, or falling on deaf ears. This means a silence is
"Recommended" for people who know something, in this case people who know
the name of JFK assassin. The function of "at the price" is not clear until we are
done with "Wanna try?" below.
"Insatiable in appetite" could be an appetite (of those who know the truth) to tell
the truth, or an appetite (of the general public) to learn the truth about JFK
assassination. "Wanna try?" asks those who know the truth whether they would be
willing to tell the truth. Note that the whole verse is repeated twice. Each time the
sound volume of "Wanna try?" fluctuates. Turning the sound volume to low refers
to silencing. Also you hear a gunshot sound. After the second time this verse is
played, you can even hear the sound of an ambulance. This means that you could
be silenced with a gunshot if you tell the truth. Consequently, "at the price" means
at the price of your life. That is why Freddie used metaphors and kept his mouth
shut.
To avoid complications
She never kept the same address
In conversation
She spoke just like a baroness
Foreground. All lines apply to Jackie generically. She moved to Greece in 1968.
However, "never" is a little too much and we need a hint from the background.
Certainly, Jackie spoke like a classy robot, hence "baroness" sarcastically.
Background. We get enough clues from the audio sounds. "address" is followed by
a sound associated with waving a magic wand. Waving a magic wand makes
something appear or disappear magically. "address" actually disguises the word "a
dress". Jackie was associated with "pink dress" and it would be too obvious to use
the spelling "dress" in the printed lyrics. With the word "dress" the whole line
makes sense, Jackie did not keep her original "pink dress" because her dress was
covered with blood stains revealing her guilt, and also with gunshot residue.
Jackie's old dress was destroyed, she changed into replicas of her clothes
immediately after the assassination. Her old "pink dress" disappeared and new
"pink dress" appeared magically by waving a magic wand. Notice that the sound of
waving a magic wand is preceded by a fast drum roll imitating the sound made by
accelerating car. This refers to JFK limo accelerating with Jackie still on the trunk
before she finally gets inside the limo and disappears with her old pink dress. She
will reappear at the hospital in a new pink dress. "To avoid complications" simply
means to avoid incriminations, to avoid death penalty for JFK murder, in case real
cops caught Jackie in her original pink dress.
When the word "baroness" is played you can hear a familiar sound. These are the
tones that correspond to "Oh, say..." from US National Anthem "The Star-
Spangled Banner" (youtube clip). Consequently, her "conversation" has to do with
some official government business in the US. In fact, the whole line refers to
Jackie's testimony in front of Warren Commission in 1964 where Jackie was
giving responses like a baroness in sarcastic sense, like a classy robot. For example
"Oh, my God, they have shot my husband, ..., I love you, Jack, ..., there were
pictures later on of me climbing out the back. But I don't remember that at all".
Met a man from China

Went down to Geisha Minah
Then again incidentally
If you're that way inclined
Foreground. Since the previous verses told you enough about Jackie then look for a
man Jackie met. How about Aristotle Onassis? "a Man from China" is a metaphor
for a short man. Aristotle Onassis was only 5'5" (1.65m). Jackie went to visit him
one month before JFK assassination. Probably, she received her assassination
instructions during her "vacation" with Onassis in Greece.
"Geisha Minah" is a rhyming disguise for Asia Minor which is West Turkey where
Onassis was born and had his roots. Asia Minor is another metaphor for Aristotle
Onassis and the area where he lived, Jackie went there for "vacation" in October,
1963, one month before assassination. Greece could not be mentioned directly for
obvious reasons.
"Then again incidentally" Jackie went back to "Geisha Minah" when she married
Onassis in 1968. "incidentally" means related to the "incident", a metaphor for JFK
assassination. "If you're that way inclined" a little sarcasm, Jackie was "inclined" to
move back to Onassis after her contract on JFK, "inclined" here repeats the word
"down" used a few lines before, geographically down in addition to her mental
(including sexual) disposition.
Background. No clear clues in the audio sounds.
Perfume came naturally from Paris

For cars she couldn't care less
Fastidious and precise
Foreground. All lines apply to Jackie generically.
Background. The band sings in chorus the word "naturally" trying to imitate
Jackie's manner of talking. The word "naturally" is Jackie herself. It was in
Jackie's nature to deliver "perfume". Jackie's nature came from Paris. "perfume"
did not come from Paris. In order to find out what "cars" means, you have to
realize that this verse precedes the next verse devoted to JFK assassination day
when JFK had his motorcade in Dallas. "cars" means JFK motorcade in Dallas,
composed of many cars including JFK limo, LBJ limo, escort cars, press buses,
etc.
This means "perfume" came for JFK assassination during JFK motorcade in
Dallas, not for cars. Since the gun is already mentioned in other verses, "perfume"
must be something else and important like a gun. The "perfume" is a metaphor for
White Phosphorus because it burns with a distinctive garlic-like odor (perfume).
This is a Perfume-as-WhitePhosphorus. The expression "from Paris" refers to
Jackie's experience from Paris, during the 1950s, where she worked as a CIA
assassin.
"For cars she couldn't care less" means Jackie did not care about JFK motorcade
in Dallas or the crowds greeting JFK along the route. Jackie was there only to
perfume JFK and blow his brains out. "Fastidious and precise" refers to the
fastidious (meticulous) details that played big roles during her job (contract) as
JFK assassin and the precision she used them.
Drop of a hat she's as willing as

Playful as a pussy cat
Then momentarily out of action
Temporarily out of gas
To absolutely drive you wild, wild
She's all out to get you
Foreground. All lines apply to Jackie generically.
Background. You get a clue from the audio sound immediately following the last
line of this verse, so you have to interpret the last line first and then come back to
the first line. As explained below, the last line refers to Jackie jumping on the
trunk. Consequently, the whole verse refers to JFK assassination day. "hat" is a
metaphor for JFK, specifically the top hat he wore on his Inauguration Day in
1961. JFK landed ("was dropped") in Air Force One on Love Field airport in
Dallas on the day of his assassination. Notice the high-pitched whining sounds
(made by guitar?) that precede "Drop of a hat". These are attempts to imitate the
landing and taxiing sounds of a jet aircraft like Air Force One (youtube clip).
"she's as willing as Playful as a pussy cat" refers to Jackie smiling, talking,

shaking hands with people at Love Field airport in Dallas, less than an hour before
JFK assassination, Jackie's photos from the airport were published around the
world.
"momentarily out of action", JFK incapacitated from a chemical agent, "out of

action" means JFK is paralyzed, "momentarily" means JFK's brains blow out a few
seconds later, so his body paralysis was very short.
"Temporarily out of gas", JFK incapacitated from a chemical agent, "out of gas"
means that JFK is gasping for air due to severe tightness in throat, "Temporarily"
the same as "momentarily" above, it means JFK's brains blow out a few seconds
later, so the severe tightness in his throat was very short.
"To absolutely drive you wild, wild", JFK goes wild absolutely while driving,
JFK's head explodes, his brains blow out, absolutely! "drive" is a reference to the
limo, the chorus in the song's audio imitates his head exploding, his brains blowing
out, JFK going wild absolutely, while driving. Here, you have to recognize a
unique drum roll repeated twice, once for each "wild". This drum roll imitates an
older type motorcycle rapidly accelerating and then de-accelerating with popping
sounds. The drum rolls refer to two motorcycle cops, one on each side of JFK
limo, trying to drown out Jackie's gunshot sound. Jackie's firearm had a sound
suppressor that did not reduce the gunshot sound sufficiently. She needed extra
noise around. Dallas Police Chief and his boss Mayor of Dallas were conspirators
during JFK assassination and they made the motorcycle cops participate in the
conspiracy. Two motorcycles, about 5-10 feet behind Jackie on both sides,
accelerated seconds before Jackie's gunshot in order to drown out its sound so that
bystanders could not hear it.
"She's all out to get you" this line is immediately followed by a sound made by
musical instrument triangle. Triangle is famous for its use in Henry Mancini's "The
Pink Panther Theme", a theme extremely popular in 1974 when the lyrics were
written. Google the videos with keywords: Henry Mancini "Pink Panther Theme",
to watch the band playing the theme with a triangle (youtube video). The image of
Jackie leaping on the limo trunk was famous back in 1970s. Can you visualize
Jackie in "pink suit" leaping on the trunk after making JFK wild absolutely while
driving in the limo, like a leaping pink panther after killing her prey. This is one of
the strongest references to Jackie killing JFK. Also, this metaphor carries an extra
meaning, Jackie gets away with murder and you could be next.
Abbreviated summary of Killer Queen metaphors in table format

Words used Meaning
Moet et Chandon Jackie's firearm with only one bullet
pretty cabinet Jackie's handbag with her firearm inside
cake JFK's head fed to his supporters
Marie Antoinette JFK publicly executed from inches away
built-in remedy JFK's wife
an invitation you can't decline "an offer you can't refuse" (from "Godfather")
caviar curare-based chemical agent used by Jackie
cigarette Jackie's dart with curare (caviar)
well versed experienced (assassin)
etiquette assassin's skills
extraordinarily nice creative assassination with a "pretty cabinet"
Killer Queen Jackie Kennedy Onassis
gunpowder explosive inside the case of Jackie's cartridge
gelatine dynamite booster explosive inside Jackie's bullet

laserbeam flying while burning White Phosphorus (PWM)
guaranteed experienced (assassin)
blow your mind blow your brains out (from "Godfather")
Anytime right in your face, in public
Recommended silence or metaphors instead of explicit words
at the price risking life for telling the truth
insatiable appetite insatiable appetite to tell or learn the truth
Wanna Try? Wanna try to tell the truth about JFK?
complications incriminations, death penalty for JFK murder
address a dress, Jackie's pink suit
conversation Jackie's Congressional testimony in 1964
baroness a classy robot like Jackie
a man from China a short man, Aristotle Onassis
Geisha Minah Asia Minor, area where Onassis lived
incidentally related to the incident (JFK assassination)
perfume garlic-like odor of burning White Phosphorus
naturally from Jackie's nature of an assassin
from Paris from Jackie's experience in Paris
cars JFK motorcade in Dallas
drop of a hat JFK landing on Love Field airport in Dallas
pussy cat Jackie greeting the crowds at Love Field airport
out of action JFK paralyzed from chemical agent
out of gas JFK gasping for air from chemical agent
to absolutely drive wild to blow JFK's brains out, while driving
she's all out Jackie as a leaping Pink Panther (on the trunk)
18. Quick Q&A session about JFK assassination
Question #1: Who killed JFK?

Answer: Jackie (his wife) and Clint Hill (Secret Service agent).
Question #2: Are you crazy by answering that Jackie and Clint Hill killed
JFK?
Answer: Unfortunately, all other answers are impossible. Whatever remains, no
matter how improbable, must be the truth. It's not only probable but also certain.
The truth shatters your false reality built on unnatural belief system which is your
fundamental weakness.
Question #3: Why did Jackie kill JFK?

Answer: Believe it or not, Jackie was an experienced assassin. She had gained
her experience before she married JFK. People who wanted JFK dead knew about
Jackie's secret skills. They made her kill JFK by threatening her and promising her
big rewards later. Jackie felt that she did not have a choice.
Question #4: How could an assassin like Jackie be so nice and famous?
Answer: The official fantasy about Jackie has been created by the media, the
same media that have created the official fantasy about 9/11. Both fantasies have
nothing to do with the truth. In all her interviews, Jackie tried very hard to imitate
emotions and feelings of a normal person because she lacked them herself. Jackie
could be defined as a successful born psychopath.
Question #5: Who gave the orders to kill JFK?

Answer: The orders came from people who control central banking in the US
through their fraudulent Federal Reserve System. They are the most ruthless
people. They protect the biggest source of power which is the control of money
supply. JFK wanted to reduce or even eliminate their power. LBJ was their puppet.
The man who represented them was John J. McCloy. He was the Boss of JFK
assassination and also its cover-up because later he became a member of Warren
Commission.
Question #6: Who were the top conspirators?

Answer: The biggest conspirators came from Pentagon because it has the biggest
brute force with the nukes. The top conspirator was Curtis LeMay, 4-Star General
in US Air Force. He made Edward Lansdale, 2-Star General in US Air Force,
prepare and execute JFK assassination plan. US Secret Service provided the agents
to do the dirty work for them. The top conspirator in Dallas was Henry Wade,
Dallas County District Attorney. He had close contacts with John Connally, Texas
Governor, another top conspirator. Dallas Mayor Earle Cabell made Dallas Police
participate in JFK assassination. Lloyd Bentsen, later US Senator from Texas,
acted as the Paymaster of JFK assassination, by paying off the conspirators with
money from the Federal Reserve System. Earl Warren from US Supreme Court
was the top conspirator on the legal side of JFK assassination. The Kennedys and
US Congress quickly received offers they could not refuse and all participated in
the cover-up of JFK assassination by playing dumb to the public in America and
around the world.
Question #7: Why did they want to kill JFK in public?

Answer: They wanted to make public pictures of JFK's brains blowing out in a
spectacular way and to be able to publicly show the pictures to all politicians they
wanted to control.
Question #8: Why didn't they use somebody else to kill JFK in public?
Answer: It is extremely difficult to blow out the brains of US President in public
and on film, and get away with this. No sniper would achieve a spectacular result
of blowing brains out with sufficient reliability. They needed somebody close to
JFK, who would never be suspected by the common people. They were masters of
human psychology. They knew that the bigger the lie the more people would
believe the lie.
Question #9: What gun did Jackie use?

Answer: Jackie used two guns. She used a dart gun to inject a chemical agent
into JFK's left thigh in order to incapacitate him first. Then about 7 seconds later,
she used a firearm installed inside her handbag to shoot a special bullet between
JFK's jaw and his neck. Nobody would suspect Jackie holding her handbag close to
her chest.
Question #10: What chemical agent did Jackie use?

Answer: Jackie's dart had a medical needle and syringe filled with curare-based
chemical agent. Curare is a paralyzing poison originating from South America.
The indigenous people use it to dip blowpipe darts in order to asphyxiate their
preys by making the respiratory muscles unable to contract. Jackie also gave JFK
some illegitimate drugs in the morning. The drugs greatly improved the
responsiveness and effectiveness of curare. That is why JFK responded so quickly
within a few seconds after injection.
Question #11: What special bullet did Jackie use?

Answer: Jackie's bullet was designed after B-Patrone bullet. The bullet contained
about 50mg of White Phosphorus and a booster explosive like RDX. Inside JFK's
head, the booster explosive ignited White Phosphorus and made it burn up to
5000 F. The bullet broke into razor-sharp metal fragments rotating at speeds up to
100,000 rpm and tearing JFK's jugular veins and arteries behind his right ear. The
fragments exited through his right ear.
Question #12: What gun did Clint Hill use?

Answer: Clint Hill used a revolver chambered for 0.38 Special, with a snub
nosed barrel. He fired two bullets. The first bullet split open JFK's head and blew
his brains out. The second bullet missed JFK.
Question #13: Where did Clint Hill kill JFK?

Answer: Clint Hill killed JFK when the limo was in the right lane on Elm Street
in the tunnel under the triple overpass, about 12 seconds after Jackie had shot JFK.
Clint Hill used his left hand to hold the revolver. He had a holster on the right side
of his belt.
Question #14: Why did Clint Hill shoot practically dead JFK?
Answer: Jackie's job was to create a show for Zapruder camera and the public by
creating a fountain of JFK's blood mixed with thick smoke from burning White
Phosphorus. This gave only an appearance of JFK's brains blowing out when in
fact Jackie's bullet did not touch his brains. JFK killers wanted the real thing. That
is why JFK had to be treated with a higher caliber bullet, out of public view. The
brainwashing machines would merge it all into one event by hiding all the little
details. Since the Secret Service assigned Clint Hill to protect Jackie, both spent a
lot of time together. They had a perfect excuse to go together to Greece one month
before JFK assassination in order to rehearse their plan as a team. That is why both
worked together so well during JFK assassination.
Question #15: Why didn't anybody see or hear Jackie killing JFK?
Answer: All people sitting in JFK limo, except JFK, were part of the conspiracy.
The bystanders on both sides could not see Jackie's concealed firearm because their
views were blocked by Jackie and JFK. The volume of Jackie's gunshot was
reduced by a sound suppressor inside her handbag and drowned out by two police
motorcycles accelerating very loudly just seconds before the gunshot. Dallas Police
Department was part of the conspiracy.
Question #16: How do you explain JFK's head bouncing toward Jackie?
Answer: The famous quote "Back, and to the Left" from JFK movie by Oliver
Stone is very misleading. Before JFK's head bounces back toward Jackie, it
bounces forward away from Jackie. However, it is only for about 40 milliseconds
and only one frame shows it. You can't notice this by watching Zapruder film, you
have to look at individual frames of Zapruder film.
Question #17: What's the single best evidence of Jackie's guilt?

Answer: The single best evidence is Zapruder frame 313. It shows a gunshot trail
originating from Jackie's right hand, about ten inches below JFK's left ear. As the
history proves, the sheep don't believe their own eyes and just follow their corrupt
leaders. This means that the conspirators did not have to remove the incriminating
gunshot trail in frame 313.
Question #18: Is there any other evidence of Jackie's guilt?

Answer: Yes! There are truckloads of evidence of Jackie's guilt, and no single
shred of evidence of Oswald's guilt or any sniper manufactured by JFK
assassination research industry controlled by JFK killers.
Question #19: Who assisted Jackie during her gunshot to JFK's head?
Answer: Texas Governor John Connally and his wife Nellie Connally. Secret
Service agents Clint Hill, William Greer, and Roy Kellerman. Motorcycle cops
Bobby Hargis and James Chaney.
Question #20: What was Jackie doing on the trunk?

Answer: Contrary to the official story, Jackie was not looking for pieces of JFK's
brain or skull on the trunk. She did not even look at the trunk before jumping on it.
Her first goal was to dispel your suspicions early about any firearms on her by
showing you her front and back. JFK murder plan tried to exploit the weaknesses
of human psychology. Jackie dropped her handbag (with the firearm inside) on the
seat before jumping on the trunk. Her second goal was to invite Clint Hill on the
trunk so that he could split open JFK's head in the tunnel.
Question #21: What about the other gunshots heard at Dealey Plaza?
Answer: All the other gunshot sounds, smokes, flashes, came from firecrackers.
JFK murder planners planted firecracker operators, distracters, camera operators,
and false witnesses at Dealey Plaza.
Question #22: What about JFK autopsy report?

Answer: It is a waste of time to study JFK autopsy report because it was too easy
for JFK killers to control the medical staffs behind closed doors. If the Secret
Service agents could get away with cleaning up the crime scene inside the limo
with a bucket and a sponge, in public view, on camera, then imagine what else the
Secret Service agents could get away with behind closed doors. Garbage in,
garbage out! There are enough data collected in public view to reconstruct JFK
assassination plan, so we do not need to rummage through a garbage can.
Question #23: What about Warren Commission Report?

Answer: It provided hundreds of pages of evidence to hang the whole Warren
Commission for treason, together with JFK killers and conspirators.
Question #24: Why didn't I hear about Jackie's guilt before?

Answer: Because you follow the book publishing business and the media
controlled by Parasitic Ethnic Group which includes the central bankers who
ordered JFK assassination. They feed you all possible conspiracy theories to make
you chase your own tail and waste your time, like Chief Inspector Clouseau
chasing the Pink Panther.
Question #25: How could so many experts be so wrong?

Answer: JFK killers are part of a global crime network. Many members of this
network masquerade as college professors, scientists, technical experts, best-selling
authors, media figures, political leaders, etc. They lie about everything. Since they
have managed to hide their JFK secret for so long, imagine their other secrets that
you do not know about.
Question #26: What about the alternative media?

Answer: All the talk shows available on the Internet are controlled by CIA or
some other mentally deficient goons controlled by Parasites. Only some websites
carry the information about Jackie, and only in printed format. Even those websites
distort the facts for many different reasons.
Question #27: How many people know about Jackie's guilt?

Answer: It's estimated that close to a million people in the US and Europe know
about Jackie's guilt. Her guilt found its way into fiction books, movies, songs, and
fashion business, a long time ago. However, Jackies guilt has been disguised with
coded messages that normal audiences missed entirely. The fastest way to learn
how many people know about Jackie's guilt is to re-inter her body from heavily
guarded Arlington National Cemetery to an open cemetery and then check her
grave marker each morning.
Question #28: Why are JFK assassination investigators so funny?

Answer: Hollywood bosses have been having so much fun watching JFK
assassination investigators chasing JFK killers, that they have decided to share
their fun. They have made us watch the incompetent Chief Inspector Clouseau
chasing the Pink Panther in 10 sequels. However, Chief Inspector Clouseau and
JFK assassination investigators still cannot catch the Pink Panther leaping right in
their faces. Zapruder film shows Jackie in pink suit leaping like a panther after
killing her prey, right in your face.
Question #29: Why didn't Kennedys do or say anything?

Answer: Both JFK's brothers, Bobby and Teddy, cooperated with JFK killers by
walking next to JFK Assassin during JFK funeral procession in Washington, DC.
Kennedys are politicians and not heroes. If Kennedys have been so desperate to
hide Jackie's letter about her work for CIA in 1951, or her pink suit worn on JFK
assassination day, then imagine what else Kennedys are hiding about Jackie's past!
Question #30: What's the fastest way to confirm JFK conspiracy?

Answer: The fastest way is to open JFK's casket buried at Arlington National
Cemetery. There is no JFK's body inside it.
Question #31: What's the reason for Eternal Flame on JFK's gravesite?
Answer: The idea for Eternal Flame inside a cracked ring of concrete surrounded
by broken pieces of concrete came directly from JFK killers. The flame itself
stands for White Phosphorus burning inside JFK's right ear. The cracked ring
stands for JFK's right ear cracked by Jackie's bullet. The broken pieces of concrete
of the Federal Reserve System.
Question #32: Is there a similarity between JFK assassination and 9/11?

Answer: Yes! If people were not exposed to any information about JFK
assassination or 9/11 attack, and they saw only Zapruder film and only a film of
9/11 towers falling down, then most would suspect Jackie just by looking at her in
Zapruder film, and most would suspect controlled demolitions just be looking at
9/11 towers falling down. Human psychology is extremely susceptible to an early
barrage of lies.
Question #33: What are the lessons from JFK assassination?

Answer: Many people believe the utter nonsense coming from their corrupt
governments, corrupt media, corrupt organized religions, corrupt authority figures,
etc. They become hostile and violent when the overwhelming evidence of Jackie's
guilt is presented in front of their faces. Most JFK assassination investigators will
keep chasing JFK killers like Chief Inspector Clouseau keeps chasing the Pink
Panther. Fortunately, Mother Nature maintains self-balancing mechanisms which
will interrupt their idiotic chase by making them catch up to corrupt reality.
Question #34: Why is JFK assassination important?

Answer: JFK assassination is not just a murder case. The real solution requires
opening up a Can of Worms, a metaphor for weaknesses of human psychology.
Many Worms like 9/11 are too complex for most people. However, the evidence of
JFK assassination is simple enough for most people. If people want to deal with the
root of their problems then they have to open up the Can by dealing with an easy
Worm like JFK assassination.
19. References, supporting data

This document uses Zapruder film extensively in addition to many photos and
other films available online. The best way to analyze Zapruder film is by looking at
individual frames at your own speed, in your own order. Watching Zapruder film
as a video will not help you much for the analysis in this document. The best
public source of Zapruder frames is the DVD Image of an Assassination.
Unfortunately, the DVD does not provide them as separate image files. The frames
are incorporated into the DVD video and they have to be extracted first. The
methods of extraction are described in the section Extracting Zapruder frames from
DVD "Image of an Assassination".
One website listed below provides all individual 486 frames in a single zipped file.
The instructions are in a section below. However, be aware that the frames on this
website have been heavily altered as described in the section Altered frames at
assassinationresearch.com.
The references include only a short list of the photos I used. You can find the
photos online, in different sizes, in different resolutions, with different croppings.
The attached copies are provided only to get you started. There are better copies
available on the web. Some of the attached photos are provided with direct links to
copies with much better resolutions. If the links become obsolete later then go to
this website and search through its collection to find the photos:
http://emuseum.jfk.org/
There are many other photos available, online, in books, in magazines, etc. The
photos I saw support the claims made in this document.
For those of you who have access to the original copies, I would suggest to
examine the original copies for all details described in this document.
Authenticity of Zapruder film
Let me address the issue of authenticity of Zapruder film. I believe JFK murder
planners removed some frames, erased some parts of some frames, blurred some
parts of some frames, in different ways on different copies. But I do not think any
of the frames include false information. After all, JFK murder planners set
Zapruder up to film the murder for them and it was their intention to release a film
to the public from the start. Zapruder film is authentic because its information can
be confirmed by other films and photos, and witnesses.
Some JFK assassination researchers claim that the officially released versions of
Zapruder film have been altered to include false information. I have considered
two types of possible alterations. The first type involves a false information that
requires more than one frame. This type would run into risk of detection by
witnesses or other conflicting pictures later. Also, such alterations would not be
realistic because of technical limitations at that time. The second type of alteration
involves a false information that lasts less than 55 milliseconds, i.e. limited only to
a single film frame. Technically speaking, a skilled expert could make the second
type of alteration in 1963. An example is the frame 313 where JFK's head bounces
forward for less than 55 milliseconds because in the next frame his head bounces
back. However, if the conspirators tried to alter the truth in the frame 313 they
would start with the gunshot trail originating from Jackie's right hand. For some
reason, they failed to erase the incriminating trail. However, they did erase two
white marks in Zapruder frames 314 and 315. But the remaining six white marks
allow to recover the erased white marks through computer simulations.
As the history proves, the sheep don't believe their own eyes and just follow their
corrupt leaders, so alterations were not needed anyway. Be very suspicious of any
JFK assassination researchers who try to discredit Zapruder film while promoting
any evidence collected behind closed doors like JFK medical or autopsy reports.
Why would you need to rummage through a garbage can to find the truth if the
truth is screaming right at your face in Zapruder film?!
There some exceptions to my argument about alteration claims. One refers to the
white object flying across frames 313-339. Apparently, it was added by the
conspirators before Zapruder film was released to the public. Today, some clowns
are trying to convince the public that this white object is a flying fragment of JFK's
skull. Firstly, this object is a film processing defect at the least, and a hack job at
the most. It has nothing to do with flying of anything, much less of JFK's skull
fragment. Any skull fragment of this size would have to show up in frame 313
because even if it flew at the speed of bullet the frame 313 would record it.
Secondly, even a child would recognize that this object does not even look like
anything real. Anybody who intentionally added this object has to be the most
incompetent hack. If this is true then my claims about authenticity of Zapruder film
are even stronger because any similar "alterations" would be immediately detected.
The white object has been mostly ignored because it has been assumed to be a
defect during film processing. Any realistic alterations would require skilled
professionals who are smart enough to realize that their lives would not be worth
much after such alterations. The fact alone that the conspirators used inept clowns
who came up with Magic Bullet Theory is the best proof they could not find
anybody smarter. The conspirators relied only on weaknesses of human
psychology susceptible to mass propaganda that allowed them to sell the biggest
nonsense and get away with it, because people were not paying attention. After
9/11, people do pay attention and check the facts themselves while ignoring all the
nonsense coming out from brainwashing machines. These are different times now.
However, there is a concern that the digital copies of Zapruder film and other
pictures could be altered digitally as the time passes. I suggest you save as many
pictures as possible in your own personal archives now before it is too late.
Especially, scan all pictures from old books and newspapers using a quality color
scanner and record any references to the locations and dates when the pictures
were taken.
Relevant technical specifications of Zapruder film and frames
Outside the technical chapter Analysis of Jackies bullet shot and ballistics, this
document assumes that Zapruder camera operated at average speed of 18 frames
per second. This means that each frame is about 55 milliseconds long (1 second
equals 1000 milliseconds). The assumed shutter speed is 1/40th of a second, i.e.
each frame was exposed to light for about 25 milliseconds and closed to light for
the remaining 30 milliseconds. In other words, each shutter cycle starts with 25-
millisecond exposure time (open shutter) followed by 30-millisecond non-exposure
time (closed shutter). Outside the technical chapter, this document uses these
simplified specifications consistently to analyze the timings in each frame. The
actual frame speed or shutter speed could vary slightly per frame. This document
does not rely on exact timings to prove Jackie's guilt.
Each frame, from the set referenced in this document, is a separate digital picture
that you can view like any other picture with your software viewer. You can also
zoom in like with any other digital picture. Unfortunately, the resolution of
Zapruder frames is limited and the slow shutter speed made the pictures blurred.
1. Zapruder film
The best publicly available source for Zapruder film is the video DVD Image of
an Assassination (1998) made by MPI Home Video (MPI Media Group). This
video has one chapter titled "Z film: Four Versions" with four versions of Zapruder
film. Each version includes up to 483 frames. You need a good DVD software
player that enables stepping through one frame at a time. The widely available free
Windows Media Player (WMP) lets you step through using Next/Prev buttons
when you select the option "Play speed settings". Since WMP is a Microsoft junk
infested with bugs, you are advised to use other software players. The best way to
analyze Zapruder film is to use its individual frames (pictures) stored in your
private directory and view them like any other picture. Such pictures have to be
extracted from the DVD. Unfortunately, there is no website that makes them
available for you. There is one website listed below that provides 486 frames of
heavily altered Zapruder film plus a few added frames. These frames appear to be
satisfactory to assist a casual viewer in understanding the Chapter about JFK
assassination plan. However, these frames are worthless for scientific analysis.
As long as you are aware that the frames at this website have been heavily altered,
download the file zapruder_frames.zip from:
http://www.assassinationresearch.com/zfilm/
Once you download the file, unzip it into a separate directory. Then use a program
like "Windows Photo Viewer" (included in Windows by default) that provides
buttons or another convenient way to change a viewed photo between next and
previous based on current sorting of the files in your directory.
Since frames are named z001.jpg to z486.jpg, make sure they are sorted
alphabetically each time you view them. In order to sort them alphabetically in
Windows, use a program like "Windows Explorer" that allows you to view
directories. Using this type of program, go to the directory with your frames, and
click the top horizontal bar of column titled "Name" until you see the list of frames
in alphabetical order.
Once frames are sorted alphabetically you can start with any frame in a program
like "Windows Photo Viewer", and then use Next or Previous button to view the
film in either order, at any speed by clicking slow or fast.
2. Programming source code to compute models used in this document
The complete listing is included on the websites listed at the beginning of this
document, along with the latest version of this document and many diagrams and
pictures.
3. Photo of Jackie on the stairs at Love Field airport.
This cropped copy shows Jackie on the stairs of Air Force One. You can see her
handbag (its right side and its front side) and estimate the large load inside her
handbag (try direct link to jfk.org to zoom in on the handbag). Also, you can see
her large hat and big hair to block the views for bystanders looking at the left side
of JFK's head and neck after her bullet shot, her white magician's gloves, her
sleeves with wrist lines above her gloves to make it easier to hold the handbag
during firing, etc.
To locate the photo google images on keywords like: Jackie Love Field
4. Photo of Jackie and Mayor's wife at Love Field airport
This photo shows Jackie's left side. Jackie is talking to LBJ's wife and Earle
Cabell, the Mayor of Dallas. The head of Secret Service agent Rufus Youngblood
is behind LBJ's wife. The woman with red roses is Cabell's wife. This photo shows
you who handed the red roses. It also shows the red pink color of Jackie's dress
(the colors on this copy are dulled) to blend with bloodstains, the thick wool fabric
to make the surface area of bloodstains smaller, her large hat and big hair to block
the views for bystanders looking at the left side of JFK's head and neck after her
bullet shot, her handbag (its front side) with shoulder straps, her white magician's
gloves, her sleeves with wrist lines above her gloves (to make it easier to hold the
handbag during firing), etc. This photo is also important for another reason that
makes it virtually unknown. JFK movie uses two actors resembling the heads of
Youngblood and Cabell as shown in this photo in order to make references to the
sources of corruption in Dallas Police Department involved in JFK assassination.
For more see section Credentials and dirty fingernails (2:58).
5. Photo of Jackie seconds after she gets the roses, JFK behind her
It shows Jackie holding the red roses with both hands. JFK is behind her. You can
see her handbag (its right side and its back side) and estimate the large load inside
her handbag. You need the original photo to size up the load inside her handbag
(try direct link to jfk.org to zoom in on the handbag). Also, you can see her large
hat and big hair to block the views for bystanders looking at the left side of JFK's
head and neck after her bullet shot, her white magician's gloves, her sleeves with
wrist lines above her gloves to make it easier to hold the handbag during firing, etc.
To locate the photo google images on keywords like: Love Field red roses
6. Photo of Jackie seconds after she gets the roses, JFK on her right
It shows Jackie holding the red roses with both hands. JFK is on her right side.
You can see her handbag (most of its right side and its front side). You need the
original photo to size up the load inside her handbag (try direct link to jfk.org to
zoom in on the handbag). Also, you can see her large hat and big hair to block the
views for bystanders looking at the left side of JFK's head and neck after her bullet
shot, her white magician's gloves, her sleeves with wrist lines above her gloves to
make it easier to hold the handbag during firing, etc.
7. Photo of Jackie seconds after she gets the roses, Connally behind
It shows Jackie holding the red roses with both hands. John Connally is behind.
JFK is on her right side. You can see her handbag (its right side and half of its back
side) and estimate the large load inside her handbag. Also, you can see her large
hat and big hair to block the views for bystanders looking at the left side of JFK's
head and neck after her bullet shot, her white magician's gloves, her sleeves with
wrist lines above her gloves to make it easier to hold the handbag during firing, etc.
8. Photo of Jackie at Love Field airport (JFK and Clint Hill behind).
The full photo shows Jackie shaking hand with a woman, JFK and Clint Hill are
behind her, Air Force One is in distant background. The copy below is cropped. It
shows the dark blue area around her neck and upper chest to blend with her
handbag and to camouflage it during firing. It also shows the red pink color of
Jackie's dress to blend with bloodstains, the thick wool fabric to make the surface
area of bloodstains smaller, her large hat and big hair to block the views for
bystanders looking at the left side of JFK's head and neck after her bullet shot, her
hair parted on right side allowing her to see better when leaning left during firing.
9. Photo of Jackie at Love Field airport (JFK and a cameraman behind).
This cropped copy shows Jackie's left side. Jackie is holding the red roses and
smiling, JFK in standing on Jackie's right side toward the front, a man with a
camera is behind JFK. You can see her handbag (its full front side) with shoulder
straps. Also, you can see her large hat and big hair to block the views for
sleeves with wrist lines above her gloves to make it easier to hold the handbag
during firing, etc. Note that the colors on this copy are dulled, her dress is actually
red pink.
10. Photo of Jackie next to a wheelchair at Love Field airport.
This cropped copy shows Jackie's left side, Jackie is shaking hand with a woman in
a wheelchair. You can see her handbag (its front side and its right side) with
shoulder straps. Also, you can see her large hat and big hair to block the views for
white magician's gloves, her sleeves with wrist lines above her gloves to make it
easier to hold the handbag during firing, etc. Note that the colors on this copy are
dulled, her dress is actually red pink.
11. Photo of Jackie in the limo at Love Field airport.
It shows Jackie and JFK sitting in the limo. The limo appears to be moving on the
airport tarmac. The photo was taken from above. It shows Jackie's handbag (its
front side and its left side) placed on her left side when leaving the airport. The
shoulder straps are still in the eyelets of the handbag. This photo has a poor
resolution (try direct link to jfk.org to zoom in on the handbag).
To locate the photo google images on keywords like: Jackie Kennedy Love Field
12. Photo of JFK in the limo during Dallas motorcade.
It shows JFK limo from above during Dallas motorcade. This photo shows you
JFK's left thigh as seen by Jackie when she shoots a dart. The red roses are still on
the seat before Jackie moves them toward the transmission tunnel. Notice that
Jackie is sitting at least 5 inches away from the door, i.e. her handbag has to
between her and the door. Notice that Nellie's yellow roses are more visible than
Jackie's red roses, especially when resolution gets poorer in Zapruder film. That is
why Jackie did not get yellow roses. Also, note that Jackie is sitting relatively
higher which would suggest she is sitting on something to raise her about an inch
like a blanket or cushion (see the section about the rear seat level).
To locate the photo google images on keywords like: Kennedy Dallas motorcade
13. "Croft photo"
This photo was taken about 9 seconds before the bullet shot. It shows JFK limo's
left side, made on Elm Street. Jackie's head is turned at 90 degrees toward left.
John Connally is looking at Jackie. Nellie Connally is keeping the yellow roses on
her lap. This photo provides an evidence for Jackie's actions with her handbag. It
also shows the passenger window half-raised. Also, note that Jackie is sitting
relatively higher which would suggest she is sitting on something to raise her about
an inch like a blanket (see the section about the rear seat level).
To locate the photo google images on keywords like: Croft photo JFK
14. "Betzner photo"
This photo was taken about 7 seconds before the bullet shot, and a fraction of a
second before the dart shot. It shows the car behind JFK limo, Secret Service
agents are standing on the steps along both sides, JFK's head is visible from
behind, bystanders are shown on the right side of Elm Street. This photo provides a
partial view of the bystanders trying to draw JFK's attention, so called "Connally
Choir". You need the original copy to see the details.
To locate the photo google images on keywords like: Betzner photo JFK
15. "Willis photo"
This photo was taken about 6 seconds before the bullet shot, and about one second
after the dart shot. It is similar to Betzner photo because it was taken from almost
the same spot one second later. This photo provides a partial view of the
bystanders trying to draw JFK's attention, so called "Connally Choir". You need
the original copy to see the details (try direct link to jfk.org to zoom in on details).
To locate the photo google images on keywords like: Willis photo JFK
16. "Altgens 6 photo"
This photo was taken about 3 seconds before the bullet shot. It shows JFK limo
from the front. Jackie is holding JFK's left forearm with her left hand. The car
behind is very close, almost touching the limo bumper, in order to create as much
noise as possible for Jackie. Two motorcycle cops on the left side, one motorcycle
cop on the right side, one motorcycle on the right side is not visible. The
motorcycle cops on both sides are looking at each other as if making signals to
move closer to Jackie in order to drown out her gunshot sound. Two cops are
aware of Jackies right elbow raised high which is a signal to move closer to her.
To locate the photo google images on keywords like: Altgens photo JFK
17. "Moorman photo"
This Polaroid black-and-white photo was taken about 0.7 seconds before the bullet
shot. It shows JFK limo from the left rear. JFK is leaning towards Jackie. Jackie's
elbow is above the top of seatback. The motorcycle cop on right side is already
next to the rear bumper. The motorcycle cop on left side is getting close to the rear
bumper. Both are using the noise of their motorcycles to drown out Jackie's
gunshot sound. The witness Bill Newman is standing on the right side, behind the
motorcycle cop.
To locate the photo google images on keywords like: Moorman photo JFK
18. Diagram of JFK limo
19. Photo of Jackie in a dark blue dress.
Jackie in a dark blue dress. She is behind JFK holding a bible in his left hand. Both
are walking away from a car. Crowds are around them. This photo shows a dark
blue handbag like the one used during JFK assassination.
20. Photo of the passenger seats inside JFK limo at Love Field airport.
JFK limo is parked at Love Field airport, all seats are empty. It provides a good
look at the seat where Jackie will be sitting. Jackie could easily insert a hook on the
edge of leather seat on her left side, for her dart gun. Also, it provides a good look
at the panel in front of jump seats. Look for a good camera spot, the rectangular
object that looks like a clock would be a good candidate (try direct link to jfk.org
to zoom in on the panel).
21. Photo of JFK assassins - Jackie and Clint Hill
Reportedly, this picture was taken in Washington, D.C. three months after JFK
assassination. Secret Service assigned Clint Hill to Jackie for one year after JFK
assassination. The move JFK uses this photo to identify the head of Clint Hill.
22. Photo of Jackie handbagging Teddy (JFK's brother).
Jackie is holding the bottom of her beige handbag (size about 8 by 6 inches) with
her right hand at the level of her upper chest. She is wearing white gloves. The
handbag is aimed at Teddy's head, about 10 inches below Teddy's right ear. Teddy
is smiling and waving his hand high like JFK a few seconds before assassination.
Notice the blue flower on his lapel. It could represent a dart used by Jackie. Her
dart probably had a tailpiece made of blue tuft to match the color of her handbag.
The photo was made during Caroline's wedding in 1986. Note that there are other
photos made within seconds of each other. Look for the right photo. Probably,
Jackie had a good time during the wedding which made her display her gilt on
camera with a Freudian slip.
To locate the photo google images on keywords like: jackie kennedy caroline
wedding
23. LBJ's finger behind USS Liberty Massacre on June 8, 1967.
The first photo shows USS Liberty after the Massacre. The second photo below
shows LBJ with his finger high and his mouth open, in front of JFK trying to shut
LBJ up. This LBJ's finger is the basis for Finger-as-LBJ.
24. Photo of piston closure used on Jackie O handbags
Piston closure uses a cylinder (with button hole) that holds a piston
(with button) inside. Jackie's dart gun uses a protective cap (with
extended hole) that holds a barrel (with button) like a piston inside. The
same principle.

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Reverse Engineering of JFK Assassination Plan Featuring The Killer Queen Version 5 0 PDF

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Reverse Engineering of JFK Assassination Plan Featuring The Killer Queen by Jacopo F.

Remembering USS Liberty Massacre On June 8, 1967

November 22, 2013

PREFACE TO VERSION 5.0 .......................................................................................................... 9

SIMULATION OF JACKIE'S BULLET PATH IN FRONT OF A MIRROR ................................................ 53

BILL DECKER (DALLAS COUNTY SHERIFF) .............................................................................. 119

GOLDFINGER (1964) WITH SHAKEN, NOT STIRRED................................................................ 281

LENS-AS-EXPLOSION ................................................................................................................ 309

JIM TALKING TO SENATOR LONG (0:24) ................................................................................... 426

REFERENCES FOR THE LYRICS ................................................................................................. 761

Preface to Version 5.0

Today, there is a wealth of JFK information available online. Many websites

2. Reasons for why JFK was assassinated in public

JFK was assassinated by Jackie in public to make public pictures where

Reasons for why Jackie killed JFK in public

Hollywood studio at Dealey Plaza

Public assassination of the sitting US President required a lot of damage control.

3. Execution of JFK assassination plan in Present

Task assignments among the conspirators in JFK limo

Task assignments among the conspirators in the lead car

Task assignments among the conspirators in the follow-up car

Jackie at Love Field airport in Dallas

Curare-based chemical agent

JFK murder planners have to use a chemical agent to incapacitate

blowpipe was a dart gun powered by compressed CO2 or air.

Note that there is popular paralyzing agent succinylcholine, discovered as a result

Jackie's dart gun

Let's examine dart guns, otherwise known as

Clearly, the piston closures on Jackie O handbags have something to do with

The next question is where on his body JFK is injected.

Keep in mind that the conning joints like

Jackie's handbag and bullet gun

The roses inside JFK limo

The first function of the red roses is to keep JFK away

Jackie's preparations for Elm Street

Croft photo made on Elm Street

The importance of handbag maneuver is confirmed by Connally when he is

Betzner and Willis photos made on Elm Street (Connally Choir)

Jackie's dart shot

Fictitious "bullet shot" to JFK's neck and throat

Targets for Jackie's bullet shot

Queens of Dealey Plaza making JFK turn his head left

After Jackie's dart shot, JFK assassination plan

The trick on left side is played by a bystander in red

Images showing Jackie's handbag and hands before bullet shot

appears to be a result of primitive smudges. Apparently, Jackie's dark handbag was

Jackie's shooting position in frame 312

Jackie's bullet shot

Simulation of Jackie's bullet shot with a book

Jackie handbagging Teddy

JFK's head bouncing forward in frame 313

Another question is why the conspirators failed to remove the incriminating

Simulation of Jackie's bullet path in front of a mirror

JFK's head bouncing back after frame 313

When you zoom in on frame 313, you will

The frame sequence 313314 is as important as frame sequence 312313. It

Smoke above JFKs head

Jackie covering up the bullet entry hole

Jackie acts like a classy robot after bullet shot

Clearly, you can't conduct a poll among women by

After JFK's brains blow out, Jackie does not show a

Why would Jackie pull JFK's head to make it fall on his

Theatrics of the Drama Queen and his wife