Professional Documents
Culture Documents
LANGUAGE
(81-PART
t)
MnicaAragons
Laura
Alba-Juez cD'So$l\
pc\$Je
/\ Editorial
universitaria
Ramon Areces
E
CONTENTS
ACKNOWLEDGEMENTS 15
INTRODUCTON 17
U N I T1 : S M I L E ! ! 23
A) W A R M I NU GP . . . . . . . . . . . 25
B) O R A LD IS C OU R SE EX : P R E SSING
OPINIONS AND
D E S C R IB INEGV E N T S 25
c) MULII-TASKING ACTIVITI ES 27
Grammar Capsule: Connectors 29
D ) T A C K L INVGOC A B U L A R........ Y 31
E ) N O WH , OW'S Y O U RS P E L L I N G. .?. . . . . . . . . . . . 35
1 . c h ,k, ck,o r c? ........ 35
2 . y ,i , o r i e ?. . . . . . . . . . . . 36
F) AND...HOW'SYOURFORMATION OF WORDS? 36
1. Suffixes-ence,-ance,-ency,-ancy 36
2. Negative prefixes un- anddis- .......... 37
3. Prefixescon-,ex-,in-,per- 37
G ) U S I N GE N GL IS A HP P R OP RIATELY ANDPUTTING IT INTO
MOTION 37
Grammar capsule:The genitive case's/ of 38
1. Thegenitive case / of 's 39
2. Difference betweenexpressions suchas a horserace/a
race horse 39
3. Prepositions at, in, of,on, andfor 39
4. Verbsmakeanddo (Grammar capsule) 40
5 . Ne i th e r...n o r............... 42
6. Emphatic andreflexive pronouns(Grammar .....
capsule) 42
TIMETO RELAX 44
Self-evaluation
unit1 45
CONTENTS9
UNIT2: LUXURYAND ROMANCE 49
A) WARM ING UP 3 l
B) O R A LD I S C O U R S ED:E S C R I B I NE
GX P E R I E N C E S c l
c) MULTI-TASKING ACTIVITIES 53
Grammar Capsule:
Connectors
again! 56
D) T ACKLING VOCABULARY........ 58
E ) NOW HOW' S YOURSPELLTNG? o+
'1. ul ir
b4
2. Doubleconsonants 64
F) AND...HOW'SYOURFORMATTON
OF WORDS? 65
1. Prefixespre-/pro- 65
2. Adjectiveandadverbformation 65
G ) U SINGENGLISH APPROPRIATELY ANDPUTTING IT IN T O
MOTION 66
Grammar capsule:Zeroplural 66
1. Translation
of sentences thezeroplural
containing ol
2 . Usesof even........ ot
3. Verbsexpressing epistemic or extrinsic
modality 68
Grammar Capsule: Modalauxiliaries 68
4. Modalauxiliaries 69
5. Prepositionson, in, at andfor 70
6. Tenseandtime(Grammar Capsule) 70
7. Definite,
indefiniteandzeroarticle 72
TIME TO RELAX 72
Self-evaluationunit2 73
l0 sTRANDS (Bt-pART
oF LANGUAGE t)
G ) U S |N GE N GL T SAHP P R OP R |A TELY ANDPUTT|NG tT |NTO
MOTION 92
G r a m maca r p su l eS: o mea/ n y .......... 92
1 . S o m ea/ n y .......... 92
2. Compoundsof some,any,no, or every(nobody,no one,
anybody,everybody,nowhere,anywhere,everywhere,
anything,nothing,and everything).......... 94
3 . S u p e r l a t i v .e. s. . . . . . . . , . . . 94
4. Spaceprepositions (Grammar Capsule) 95
5. Frequency adverbs 96
6 . T i m ep h r a s e .s. . . . . . . . . . , 96
T I M ET O R E L A X 97
S e l f - e v a l u a tiuonni t3 ...,.......... 98
T R A N S L AT ION A N DC OMP OS IT ION l( Units1- 3) 100
U N I T4 : C R I M EA N DD A N G E R. . . . . . . . . . . 101
A ) W A R M IN G UP 103
B ) O R ALDIS C OU R SD EIS: C U S S ING MEANINGS 103
c ) M U L T |-T A S K TANCG T tV tT tE.............
S 105
D) TACKLING VOCABULARY 110
E ) N O WH , OW'S Y O U RS P E L L | N G. .?. . . . . . . . . . . . 115
1. Spellings - e r / - a rf o rt h es o u n dI A L . . . . . . . . 115
2 . V o we las n dco n so n a n ts ......... 115
3. Endings -ue/ -ew 116
F) AND...HOW'SYOURFORMATION OF WORDS? 116
Grammar Capsule: Compound words 116
1. Compound words:N+N/N+Adj/Adj+Adj 117
2. Negative prefixes dis-,un-,in-,or im- ........... 118
G) USTNG ENGLTSH AppROpRtATELy ANDPUTT|NG tT |NTO
MOTION 118
Grammarcapsule:The PastPerfect Tense 118
1 . Ve r bsi n th e P a stP e rfe ct ..,............ 118
2. PastSimple+ Pastperfect 120
3. Useof wherein relativeclauses 120
4. Personal Pronouns (subjective, objective, possessive and
reflexive)/ possessive adjectives (Grammar Capsule)...,. 121
5. Phrasesof thetype Io hisamazemenV to her owndismay
at the beginning of the sentence/clause ....... 123
CONTENTSI I
6. Reported speech t+
Grammar Capsule: Directand Indirect
speech 124
7. Useof reflexivepronouns tJ
TIMETO RELAX to
S e lf- evaluation
unit4 .............. 127
U N fT5 : W ILDLIFE
EXPERIENCE
.......... 129
A) w A R M t N G
U P. . . . . . . . . . . . 131
B) ORALDISCOURSE: NARRATION ABOUTW tLDLtF E
EXPERIENCE
. .S
...... 131
c) MULTI-TASKI
NGACTIVITIES 133
D) T A C K L I NVGO C A B U L A R Y , . . . . . . . 138
E ) N O WH , OW'S Y O U RS P E L L I N G. .?. . . , . . . . . . . . 144
1. Gr aphemes - ou/- ow .......... 144
2 . H o m o p h o n .e. s. . . . . . . . . . .. 144
F) AND...HOW'SYOURFORMATION OF WORDS? 145
1. Compound words:N+N;Adj/Adv+V/Adj+N .. 145
Grammar Capsule:Abstract Nouns 146
2. Abstr act- noun for m ation .............. 147
G) USINGENGLISH APPROPRIATELY ANDPUTTING IT INTO
MOTTON 148
1. Usesof since....... 149
Grammar Capsule: Timeprepositions/ conjunctions:
sinceI for ............ 148
2. Specialuseof somewordswithcertainprepositions
(e.9.awayfrom)....... '150
3. Quantifiers a little/a few+ mass/countnouns 150
GrammarCapsule: Quantifiers (a)little/(a) few 150
4. Adver bs of fr equency .............. 152
5. Relative clauses 153
6. Useof the expressions af the time/on time/in time/at
one time/at times 154
7. Prepositions: about,with,by,on,after,for,from,untit ..... 155
T IMETO RELAX 155
S e l f- evaluation
unit5 .............. 156
12 sTRANDS
oF LANcuAGE
(Bt-pART
t)
Ji'{lT6: LANDSCAPEANDTHE ARTS 159
A ) W A R M T NU GP 161
B ) O R A LD I S C O U R S EE:X P R E S S I N P GE R S O N A O L PINIONS.
GIVINGDETAILSABOUTFAMOUSPEOPLE'S
B T o G R A P H T. E . .S
....... 161
c ) M U L T | -T A S K TAN CGT T V T T T.............
ES 163
D) TACKLING VOCABULARY 168
E ) N O WH , OW' SYOU SPR E L L I N G.?. . . . . . . . . . . . . 172
1 . S i l e ngt b e f o r n
e .............. 172
2. Doubleconsonants 173
F) AND...HOW'YOUR S FORMATTON OF WORDS? 173
Grammar Capsule: Noun-andadjective-formation
m o r p h e m e. .s. . . . . . . . . . . . 173
1. Nounformation morphemes -al/ -age 174
2. Adjective formation morpheme -al ........... 174
c) usrNc ENGLTSH APPROPRIATELY ANDPUTTING lr INTO
MOTION 175
1. Compounds with+ver 175
Grammar Capsule: Useof prepositional verbsin defining
relativeclauses 176
2. Defining relative clauses 176
3 . C o mp a ri soonf a d j e cti ve........... s 178
4. Conditional sentences (second type) ........ 179
Grammar Capsule: Secondtypeof conditional sentences... 1 8 0
'181
5 . Pr e s e nSt i mp l eo r p re se nco t n tinuous? ..............
6 . P r e p o s i t i o.n. s. . . . . . . . . . . . 182
7. (Omission of)thedefinite article 183
MODELEXAM 193
ANDTASKS
KEYTO EXERCISES 201
I3
CONTENTS
U N I Tl : S M I L E ! !
A) WARMINGUP
1) Doyoulikeit whenpeoplesmileat you?
2) Whatdo youthinkpeoplemeanif theysmileat you?
3) Do yousmileoften?Do youfindit healthy?
B) ORAI DISCOURSE:
EXPRESSING
OPINIONS
AND DESCRIBING
EVENTS
CAN DOs: 1) Expressopinions/likes/dislikes.
2) Exchangeideas:agreeldisagree.
3) Describean eventin your life.
fffi
(Wendyis readinge-mailson hercomputer)
Wendy:Ugh!I'm reallypuzzledaboutall thisemoticonstuff.
Mark: Emoticonstuff?What do you mean?Why? What'sso
puzzlingaboutit?
W:Well,it'sa wholenewcodewe haveto dealwithnow...Didn't
we haveenoughwithlanguage itself?Howam I supposed
to interpret
a smileyface???
UNIT
l : S M l L E l l2 5
Andonewitha semi-colon on it ;-)tglZ Doesit meanit'sfunny
or theyaretryingto saysomething beyoncl that?lf theyarewinking an
eye,whaton earthdo theymean?Theywantus to guesstoo much...
M: Oh,com e I t h i n ky o u ' r eo v e r d o i n gi t a l i t t l eb i t . . . ls e e n o
co mp lication at Just use your common sense and your
i ma g i nation!
W: ...Andhowaboutthisfacesticking
itstongueoutandsmilingat
thesametime(Q)? Doesit meantheyarenicelysmilingat youbut
simultaneously you?Mygoodness!This
m-ocking is insulting!
M: I don' tthinkit' sinsulting,
no.. sayit' sEXClTlN G...
U S EY OURIM AGINATION, W ENDY!
W: lmagination? No way!l'm not hereto imaginethings.I want
F A C TS,symbols lcan r elyon...a languagewhichwillm ak em e feel
l 'mo n safegr ound...
Allthismoder n ambiguity...
ldon' tlik ei t at al l l l
M: Comeon,Wendy,relax!
W: Lookat thisone:1@Whatdo youthinkmycolleague is trying
to saywithit? lt looksso unfriendly anddisrespectful
to me!
M: Let me see... (Afterreadingthe message): Oooh,please,
Wendy... Willyouforoncemakean effortto understand? lf youplace
it rightin its context,you'llsee that whatshe-meansis that she's
stressed andupsetwithherboss.Nothing personalaboutyoul!
W: Well, you know, I still think all this smiley-face stuff is
u n n e cessar y confusing...
and
M: Wendy,please,SMILE!Life is beautiful. SMILE,WENDY
26 sTRANDS (Bt-pART
oF LANGUAGE t)
3. Whatis Mark'spointof view?
4. Whatkindof personality do you thinkWendyhas? Do you think
she'seasy-going?
5. HowaboutMark'spersonality? Canyoucomparebothapproaches
to life(Wendy's
and Mark's)?
c) MULTT-TASKING
ACTIVITIES
IIONA LISA:LOOK,READ,LISTEN,STUDYand WRITE
http//upload.wiki
media.org/wi
kipedia/com
mons/6/6a/Mona*Lisa.jpg
UNIT
l : S M l L E l l2 7
precisenoteson his other commissions, she says,he apparently
madeno recordsforthe MonaLisa,norwashe everpaidforthework.
He neverpartedwithit, carryingit withhimfromFlorence to Milanto
Rome to France.Historiansbelievethat Leonardowas probably
homosexual. Perhaps,writesArts & Antiquespublisher WickAllison,
the MonaLisarepresents "a sideof himselfthathe treasured."
Manyart expertsremainunconvinced. "Nonsense,"said James
Beck,chairmanof Columbia University'sArt HistoryDepartment,who
arguesthat otherLeonardofaceshavesimilarfeaturesand that the
lookis simplya matterof style."An artistpaintswhat'sin his mind,"
says Beck,"not what he sees."lf Schwartzis right,what may have
beenin Leonardo'smindwasa privatejokethathasfooledposterity.
28 STRANDS (Br-PART
oF LANGUAGE r)
3 . Whatdo youthinka "mirrored smile"meansin the text?
a,) A mysterious
smile.
b,) A smilewhichis upsidedown.
c) Leonardo probablylookedat himselfin the mirrorto paintit.
4 . Thefactthathe mayhavebeenhomosexual
is important
because:
a,) lt explains
why he paintedsucha delicatesmile.
b) Hisstyleis effeminate.
c) lt representshowhe wouldhavelikedto be himself.
5 . "Anartistpaintswhat'sin his mind"meansthathe paints:
a) Thewomanwho he is in lovewith.
b) Hisowninterpretation
of things.
c) Whathe sees.
GRAMMARCAPSULE:
Conneclors
UNIT
l : S M l L E l l2 9
2> Pul the followingsentencesfogelher usngfhe
oppfopriqle connector
a) MonaLisais a mystery.
Heridentityhaslongpuzzled scholars(because/until).
b,) Schwartzwastestinga computerprogram.
Shecompared thetwopictures (inorderto/while).
d Shescaledthetwopictures.
Shematched eachoneon thecomputer (that/before).
d) Thefeaturesmatchedprecisely.
Sheconcluded thatMonaLisawasLeonardo (since/in
case).
e/ Schwartz's explanation
makessense.
Manyexpertsdisagree (whenever/although).
f) Leonardo tookthepicturewithhim.
He travelled(wherever/u
ntil).
g) Manyhistorians believethat Leonardo was probablyhomosexual.
The MonaLisamayhaverepresented "a sideof himselfthat he
treasured"(therefore/although).
h,) MonaLisamaybe Leonardo himself.
Manyart expertsremainunconvinced
(unless/yet).
3) ORAI PRODUCTION:
Describingon evenf usng
connecfors
Describe recenteventin yourpersonal
an important lifeanddiscussit
withyourclassmates/tutor
in classor in a videoconference.Whywasthis
eventimportantto you?Howhas it affectedyou?Ask othersfor advice.
USEconnectors/ discoursemarkers(e.9. First,Then,Nor2,etc.)to join
yourideasandmakethemcohesive andcoherent.
30 sTRANDS (Bt-PART
oF LANGUAGE t)
L e o n a rd o 'sse l f-p o rtra iand
t M ona Lisa technologically
compared.Similarityof featuresmore than coincidence?
Mirrored smile.
Riddletypicalof Leonardo,lovedparadoxes. No recordsof
paymentforwork,tookit withhimeverywhere. Possibly painting
representsa secretaspectof himselfthat he treasured. Art
worldunconvinced? Similarities amongLeonardo's other works
makecoincidence a "matterof style".Doestheartistpaintreality
or was Leonardo's realityitselfa puzzle?
D) TACKHNGVOCABUTARY
BUILDUPYOUROWNGLOSSARY OFTERMSFOB UN|Tt: Look up
the following words in a monolingual (English-English) dictionary
as well as any others you find difficult to understand in the text:
(n)
a) sensuality d) obvious(adj.) g) famed(adj.)
b) identity
(n) e) match(v) h) argue(v)
c) mistress(n) f) striking(adj.) i) fool(v)
a) ambiguous
b) wrong
c) ooscure
d) unknown
e) vaguely
0 frown
g) agrees
h) different
i) public
UNIT
l : S M l L E l 3l l
2> Complete these sentenceswth fhe opproprote
word from those listed below
32 STRANDS (Bt-PART
oF LANGUAGE D
d) They for hoursaboutpoliticalissues,but
everyone stillthoughtthe sameafterwards.
a ) Thissweater doesn't thesetrousers; I think
l'llreturnit to thestoreandaskfor a refund.
'
f) H e my suitcasesall the way up to the fifth
floor,whichhurthisbackquitebadly.
l : S M l L E l l3 3
UNIT
Tome,thesolution problem
to yourmoney is
youshouldgeta jobthatpaysyoumore.
c) he is havingan affairwith anotherwoman,
but I don'tbelieveit.
d) Van Gogh'spaintingsare usually because
of the brightcolourshe uses.
34 STRANDS (BI-PART
oF LANGUAGE D
DOWN
1. a womanwhohasa continuing 10. thoughts, spirit.
illicitrelationship
witha man.
12. pertainingto thesenses.
2. deceive. 14. register,
keepdata.
3. reacha judgement. 15. continueto be.
6. discuss. 17. impressive,obvious.
7. sketch. 18. resemble. coincide.
9. a personwho publishes books
or ileriodicals.
ACROSS;
4. painting
of oneself. 16. characteristics.
6. well-known. 18. publication.
8. as it seems. 19. to takewithoneself.
11. picture. awareof itsexistence.
20. identified,
1 3 . n o b l e ma n . or likeness.
21. sameness
E) NOW HOW'SYOURSPETUNG?
ln the text we find wordssuch as scholars,duke, opticaland Beck.
Canyoutellthedifference in theirspelling?
knoa-
=
lusy_-olo$r
la
l : S M l L E l l3 5
UNIT
2) Wordsendngin -y following$ consonsnf
chcnge the y to i beforesddng o suffix
- laboratories,
E.g.:laboratory history- historians.
Thisis notthecasewiththesuffix"ing";carry- carrying.
Addy, i, or ie in the blankspaces:
F) AND... HOW'$YOURFORMATTON
OF WORDS?
Noticethe words congruenceor emergency. The endings-ence,
-ance,-ency,-ancyare oftenusedto formabstractnouns.
different convenient
efficient consistent
dependent assure
acquaint accept
annoy predom
inant
absent allow
3 STRANDS
oF LANGUAGE r)
Gr-PART
2> The_negqfive ptefxesun-,qs in "unconvinced",
ond d,s-os n disregordore frequenilyused.
Add eitherone of themto the follbwingwords:
_illusion -happy
order grateful
_important advantaoe
aqree -loyal
WISE aporove
healthv ooeorenl
G) US|NGENGUSH APpROPR|ATETY
AND PUTTING
IT INTOMOTIOH
Possessivesappearvery often in the Mona Lrbatext:
E.g.:"A duke'swidow."
"Leonardo'smostfamouspainting"
"...The MonaLisa'sfamedsmileis theartist's"
". . . in L e o n a rd omi
's n d "
UNIT
l : S M l L E l l3 7
lf
The genitive cose: 's / of
GRAMMARCAPSULE:
E.g.: a duke'swidow
Leonardo'smind
38 (Bt-PART
oF LANGUAGE
STRANDS t)
I ) f{er_-consullingthis point in your grommqr book,'
join lhe following nounsusing 's oi simply t
(opostrophewitouf s)
a) Charlesthe Second/ his reign
b) The house/ Tomand Mary
c) MiltonandShakespeare /'theirworks
d) The backyard / our neighbours
- e) Bismarck / hisGermany
f) Europe/ its difficulties
g) Bill'sfather/ hisfriend
h) John/ oneof his nephews
i) My smallsisters/ theirtoys
j) The ladies/ theirctothes
k) . My son-in-law/ the bicycle
l) Jimand Elisabeth / theirchildren
m) Yerdiand Puccini/ the operas
n) The portrait/ Mr.Brown
UNITl: SM|LEll39
c) Thereis no room themin thishouse.
d) He is working a newproject the moment.
e) The childrenwrote their names the screenof their
computers.
0 The man ljust methim
thegreycoatis a detective.
thepub.
s) Wecouldhear he saidbecausehe spoke
everything
voice.
a veryloud
h) Marysmells lavender.
i) Youshouldtry to keepwhatI havetoldyou m i nd.
) I haveboughtthesebooks Dillon's.
k) They all came home Christmas, no matterhow far
awaythey might have been.
t) l'llstop thesupermarket mywaynome.
m) Allthe menshegoesoutwithare theirth i r ti es .
n) He studiedChemistry the Universityof Kansas
fouryears.
MAKEI dO
GRAMMARCAPSULE: &i
Spanishspeakersoften have problemsdistinguishing between
make and do becausebothverbscan be translated intoSpanishas
hacer.To make means to buildor producesomethingand can be
To do meansfo
translatedas hacerin the Senseof fabricar,elaborar.
carryoutandcanbe translated as hacerwilhthe meaningofrealizar,
Itevra cabo.Ultimately, the choiceof theseverbsdependson the
wordswithwhichtheycollocate:
40 (Bt-PART
oF LANGUAGE
STRANDS l)
You make: an accusation, allowances, an appointment,
arrangements, an attempt,a bed,the bestof ..., a cake,certainthat...,
a change,a choice,a comment,a complaint,a confession,a darc,
decision,a demand,a liscgvery, a dress,an effort, an enquiry,'an
estimate,an excuse,a fire, friends(with),fun of ..., a gestur, fuss
of..,.,. a good/bad impression,a journey, a living, loss, love, a
mistake,.money,the mostof ...,.a movement,a noie,an offer,peace,
war,a phone call, a plan, a point (of ...), a profrt,progress,a wish,a
promise,a proposition,a remark, useof, a statem'ent, etc.
. You do: your best, business,a course,the cleaning,the cooking,
damage,the dishes,your dyty,evil,an exercise,a favourlthegardenig,
qood,your hair, harry, one's homework,honour,the housetiork,a jo-b,
justice, research,right, the rooms,the shopping, - a srJm,a translaiioni,
the washing,wonders,some work,wrong,eic.
UNIT
l : S M l L E l l4 1
k) What will you for the Christmas
holidays?
t) Please,
don't that,it bothersme.
m) D o n 't that,you're a fool
of yourself.
5) Thesentenceprecedingnor olwoys
hos o negqtvemeqnng
E.g.:"Hemadeno records...nor washe everpaidforthework".
parentsneverforgave
Hisgirlfriend's him,nor did hersisters.
neither
But the mostfrequentuse of nor is with the coniunction
pair.
forminga correlative
didn'go
E .g .:Jo hn t to thecinem a. t to thepub.
Hedidn'go
Johnwentneitherto thecinemanor to thepub.
didn'tquarrel.
a) Thechildren Theydidn'tfight.
b) The examwasn'tshort.lt wasn'teasy.
c) Thatoldmancan'tread.He can'twrite.
d) Tommustn'twork.He mustn'tstudy.
e) Shecan'trun.Shecan'tparticipate
in sports.
f) Theycan'teat fish.Theycan'teat meat.
42 (BI-PART
oF LANGUAGE
sTRANDS t)
GRAMMAR CAPSULE:
Empholic qnd reflexive pronouns
UNIT
l : S M l L E l l4 3
s) We havebought a lovelynewcarbecause
theoldoneno longerworkedproperly.
h) Stopfeelingsorryfor to
anddo something
get out of so muchtrouble.
i) She makesall her clothes and she does
quitea goodjob too.
i) Theseboysalwaysseemto begetting into
trouble.
You can check the answersto all exercsesand tasks in the KEY
TO EXERCISESANDTASKSat the end of the book.
re=relatd
?v=mPeeTbiTPCU&featu
http://www.youtube.com/watch
lwEM&feature=related
?v=lEdGhfO
http://www.youtube.com/watch
?v=ffej15-DglO&feature=fvst
hp://www.youtube.com/watch
?v=eskXn
be.com/watch
http//www.youtu bVYr3Y
?v=nCpD72b-df
http://www.youtube.com/watch s
M STRANDSOF (BI-PART
LANGUAGE D
Self-EvaluationUniI I
_^ o_9llg_tollowing
exercises
and thencheckyouranswersin the KEy
TOEXERCISES AND TASKSat the end of thebook:
2. fantasti
a) ch b) k c) ck d) c
lu_
a) ch b) k c) ck d) c
we2
a) ch b)k c) ck d) c
5 . psy-ology
a) ch b) k c) ck d) c
UNITl: SMlLEll45
3) Choose lhe correct oPfion
2. A wine grdss
a) A glasswithwinein it.
b) A glassusedfordrinkingwine.
c) A glassof wine.
3. A day's pdy
a) A payof one day.
b) A dayon whichone is Paid.
c) A pay-day.
4. A race horse
a) A horserace.
b) A racein whichhorsesparticipate.
c) A horsefor racing.
5. Field sporls
a) A fieldwheresportsare practised.
b) A sportsfield.
c) Sportspractised
outdoors.
46 STRANDS (Bl-PART
oF LANGUAGE D
4> Choosefhe correct opton lo complele lhe
meqning of lhe following senlences
1. Whatdo you for a living?
a) to make b) make c) to do d) do
2. I lovehome bread.
a) doing b) making c) made d) did
3. I my bedandcleanedthe housebeforeleaving.
a) did b) made c) do d) make
4. WhathaveI to deservethis?!
a) to do b) made c) done d) to make
5. Stop so muchnoise!You're
disturbing
us.
a) doing b) make c) do d) making
UNIT
l : S M l L E l l4 7
ffiruffiH
ffi=
,#ffiffiffiW
&ffiffiffi#ffie###ffi
A) WARMTNG
UP
1) Whatdo youthinkwe aregoingto studyin thisunit?Why?
2) Areyoua romanticperson?Why/Whynot?
3) Wouldyou liketo livea lifeof luxury?
B) ORAI DISCOURSE:
DESCRIBING
EXPERIENCES
1. CANDOs: 1) Describea placeand discussdreams,hopes
and ambitions.
2l Narratea story.
3) Relatedetailsof unpredictableoccurrences.
UNIT
2: LUXURY
ANDROMANCE5l
Whatdidyousay?Yourwhat?
a minutel
Lindsay:Wait
other.That'sit.
M: My significant
L : Oo o h ...w e l l ,w e l l !T h a t'sver ygoodnews!ldidn' tknowther e
wassucha personin yourlife...Tellme all aboutit,younaughty girl!
52 (Bt-PART
oF LANGUAGE
STRANDS t)
M: EnoughlI takeit! l'llgo on the internetrightawayto makethe
reservation
for our weekvacation! Thanksa lot! l'll tell you all about
ourSpanish adventurewhenwe'reback!!!!
e
!
)L
lt
S
A
l.
c) MULTI-TASKING
ACTtVtTtES
THELUXURYDAIMLER:LOOK,READ,L|STEN,STUDYand WRTTE
http:i/images.
google.
es/images?hl=es&q=Guy+Sal
mon+cars&btnG=
Buscar+im7"C3%A1genes&gbv=!g.q=f
Ssq=
u step2. READthe relatedtextand LlsrEN to itsspokenversionto make
sureyou knowhowto pronounce and givethe correctintonation
to it.
Y
UNIT2: LUXURY
AND ROMANCE 53
This is the true story of a lady,a gentleman,a Guy Salmon
chauffeuranda dozenred roses.Or,to be strictlyaccurate,twodozen
red roses.The roseswereorderedto be placedin a chauffeur-driven
Daimler, reservedrecentlyby oneof our clients.
The roses- and the Daimler- wereto markthe occasionof his
ladyfriend's birthday. Hisintentionwasto presentonewhilsttravelling
in the otherto a fashionable and elegantWestEnd restaurant for a
surprisebirthdaydinner.
To start the eveningin a suitablycelebratory manner,he also
ordereda bottleof PolRogerlobe chilled and waiting in thelimousine.
Havinggivenhis instructions, the gentlemanknewhe couldlook
forwardwi pleasantanticipation to an eveningto remember. Forthe-
Guy Salmonchauffeur, however, the eveningstartedmuchearlierin
the day.
EachGuy Salmonlimousine is the responsibility of one particular
chauffeur. lt is hisdutyto ensureit is maintained in perfect mechanical
order, and washed and valetedto perfection. So, althoughthis
particularDaimlerhad madeonly one trip sinceits last wash,the
chauffeur washedit again.He polishedit too.He brushedeveryinch
of the upholstery. He vacuumedthe carpets.He polishedthe wood
workand cleanedthe windows.He evenwashedoutthe ashtrays'
The limousineprepared,the chauffeurchanged into his
immaculate Thenhe placedthe champagne
livery. in the Daimler's ice
bucketandthedbzen redroses on the back seat before settingoff.His
destination wasa privateaddressin SouthLondon.
He intendedto arrive,as always,ten minutesearly,savinghis
clientsfromanylastminuteworrythattheirlimousine maybe late.His
timing,as always,was perfect.He knocked,informedthe gentleman
his limousine hadarrived,andwaited.
In a fewminutes,his passengers wereready.The gentleman was
suitablycharming. The lady was suitably impressed. Thanks to the
chauffeur's drivingskills,for oncethe course of true love ran smooth.
Nota dropof champagne wasspilt,andthe couplearrivedin the best
of spirits.
Fourhourslater,thelimousine returned.Theladyembarked, whilst
the chauffeur tookthe gentleman to one side.'l hope you don't mind,
54 (Bt-PART
oF LANGUAGE
STRANDS l)
sir,but I felt the roseswereperhapsnot of the standardthev mioht
havebeen,'heexplained.'And foui hoursin the backof the aimier
wouldnothaveimproved them.So I tookthe libertyof replacing
them
withanotherdozenroses,sir.I hopeyoudon'tobject'.
The gentleman certainly
didn't.Nordid his ladyfriend,
whofound
her roses mysteriously lookingeven fresherthan when she first
received them.But howdid the chauffeur finda dozenfreshrosesat
in centralLondon?Well,he was a Guy Satmonchauffeur,
:]i:l'3f.,,
Punch,Publicity.
step3. Do thefollowing
exercises
andsruDY thegrammarexplanations
whennecessary:
2. Thechauffeur
putsthe roses...
a) on the backseat.
b) in the ice bucket.
c) on the frontseat.
3. He leavesten minutes
early...
a/ becausehe wasoncelatedue to trafficproblems.
b/ to avoidhisclientsgettingimpatient.
c) in orderto buythe flowersbeforearriving.
UNIT2: LUXURY
AND ROMANCE 55
I
4 . Thecarpicksthe clientsup...
a) at theirhouse.
b) at a restaurant.
c) al a hotel.
6 . Theyspentthefourhours...
d at an EastEndrestaurant.
b) at a WestEnd restaurant.
c) havingdrinksin the car.
7 . Theadvertisement mainlysells...
a) a practical
service.
b,) luxury.
c,) speed.
5 STRANDS (Bt-PART
oF LANGUAGE D
relationships.
Theyareconnectors of structure,
andas such,theycan
connectphrases,clauses,sentencesand paragraphs:
E.g.:He was a liar andfurthermorea criminal.
(Nounphrases)
He neverstudiedfor hisexams.However,he passedthemail with
verygoodgrades.(Sentences)
In spokendiscourse, conjunctsare very frequently
usedto mark
the beginning
of a turn in conversation,
and as such,theyare also
consideredto be discoursemarkers.Among the most common
discoursemarkersare Well,Now,Nowthen,So,Then,etc.all of which
canbe usedto makedifferent typesof semanticconnections.
UNIT2: LUXURY
AND ROMANCE 57
He knockedat the door.
He informedthe gentlemanhis limousinehad arrived.(until/ in
order)
He waited.
Theywerenotquiteready.(therefore/ because)
t. Answerthese questions
a) Whatdoestheslogan"We'renotnumberone;youare"suggest
to
you?
b) Commenton someof the advantages offeredby thisservice.
c) Whatsort of personmightbe interestedin rentingone of these
chauffeur-driven
cars?
d,) Howdo youthinkthe chauffeur
foundthe roses?
e) Wouldyoudreamof hiringa servicelikethiseverin yourlife?
VOCABULARY
D) TACKLTNG
BUILD UP YOUROWN GLOSSARYOF TERMSFOR UNIT2: Look
up the lollowing words in a monolingual (English-English)
58 (Br-PART
oF LANGUAGE
STRANDS r)
dictionary, as well as any others you tind difficutt to understand in
the text:
WORD OPPOSITE/NEAR
OPPOSITE
a) false
b) vaguely
c) unstylish
d) inappropriately
e) horrible
f) unattractive
g) inability
h) obviously
UNIT2: LUXURY
AND ROMANCE 59
d) Thisrugis fullof dust,youwillhaveto
e) Please havespiltmilkalloverit.
thetable;you
a) It is important to whenyou
highstandards
a r e r u n n i n ga b u s i n e s s .
b) lf you wantto youmuststudY
yourEnglish,
and practicehard.
c) We becausewe
a tableat the restaurant,
knewit wouldbe verycrowded.
d) Whenhe leftthe comPanY,theY h i mw i t ha
gold watchfor his years of service.
a) to cometo the party,butat the lastminute
the bossgaveme someextraworkto do.
f) H e thatthe housewassafeby lockingallthe
doorsand windows.
s) Theywere very by the flowerswe bought
them;theysaidtheyhadneverseenanyso beautiful'
to
h) Everyyearwe opena bottleof champagne
thedayon whichwe gotmarried.
i) He sayshe doesn't taking us to the airport
on Saturday,becausehe has nothingelse to do.
i) Whenhe brokethe glass,he hadto it with
anotherone,as it wasveryvaluable.
k) two bottlesof wine, but the waiterhas
onlyone.
brought
t) They- himof hismother'sillnessaSSoonaS
he camebackfromhis holidaY.
0 (Bt-PART
oF LANGUAGE
STRANDS l)
4> Cg.mp!-etelhe sentencesusngthe qppropriqfe
odjecfive or qdverb from those listed belbw ond
chonging fhem where necessory
strictly particular
accurate charming
fashionable mysteriously
pleasant suitable
UNIT
2: LUXURY
ANDROMANCEl
c) The planewas supposedto at 12.00,butit
wasdelayed.
d) thathorse,it'sverydangerous.
e) Don'tworryif the colouris too bright,it will
so o ne n o u g h .
We will haveto goingto Londonuntilnext
month.
g) Sheis veryenthusiasticaboutthe idea;trynotto
her withyoursarcasm.
62 STRANDS (Bl-PART
oF LANGUAGE D
7> Solvefhe crosswordusing lhe clues below
DOWN
1 . a b i l i t y, q u a l i ty o f d o i n g 4. precise,correct.
something well.
6. strangely.
2. specific, singular.
10. makebetter.
UNIT2: LUXURY
AND ROMANCE 3
3. in vogue,uPto theminute. 9. attractive,
Pleasant.
5. in an approPriatewaY. 11. setaside.
to identifY.
6. to signify, of liquid.
12. a smallquantitY
7. affect stronglY,create a 13. tell,r ePor t.
favorableattitude. 14. something whichis givenon a
L substitute. specialoccasion.
E) NOW,HOW'SYOURSPEIIING?
I- l' Thei in q word such qs Siris sometimes
indistinguishoblefrom the letter u when il s
pronounced.Add eitheri ot u lo complele
fhe followingwords
64 STRANDS (Bl-PART
oF LANGUAGE D
bot le chil_ed rem ember
val eted vacuum-ed
_aculate ad_res_
WOT V ti m i no inform_ed
pas enoers charm_ing
F) AND... HOW'SYOURFORMATION
OF WORDS?
UNIT2: LUXURY
AND ROMANCE 5
c) usrNc ENGUSH
APPROPRTATELY
AND PUTTNG
IT INTOMOTION
1. Look at the expression "two dozenred roses"(in
Spanishdos
docenasde rosas rojas).Noticethat the word "dozen"(like
hundred,thousand,million)when used with a definitenumber
takesneitherthe pluralsuffix-s northepreposition
of.
Somenounswhichindicatequantities or measureshavethesame
form in the singularas in the pluralwhenfollowedby a noun,for
example:dozen,foot,hundred,thousand,million,elc.
66 STRANDS (Bt-PART
oF LANcUAGE t)
if theyare usedto denotedifferentindividuals
or speciestheytakethe
rg.gulqfpluralinflection(e.g:^Theysaw fivedeer'runningin"thepark;
The fishes of the tndic ocean are different from "those tn
Caribbean\.
zeroplurals.
include:a) somewordswithbasesendingin -s:
^ 91h.r
senes,me.?ns,species(one series/ two series, etc.);b) Nati-onality
yorq: endingin -ese: p91lyguese,Chinese,etc. 1onortuguesi
two Portuguese,etc.);c) words such as aircraftanddice qe.i: on
aircraft/ dice;two aircraft/ dice, etc.)
E.g.: Yesterday
was hot.Todaywas hotter.
Todaywas evenhotterthanyesterday.
a) Maryis beautiful. Sophieis morebeautiful.
b) Thisfilmis bad.The otherone is worse.
c) Londonis big.Tokyois bigger.
d) Tomis thin.Billis thinner.
e) Piccadilly
Circusis large.Trafalgar
Squareis larger.
UNIT2: LUXURY
AND ROMANCE 67
3) Severqlmedal verbs expressilg gp:femic or
extrinsiemodalitY qppecrr in fhe text with the
following meonings
-possibility-
,,...the gentleman
knewhe could lookforward...to an eveningto
remember"
-probability-
"...anylastminuteworrythatthe limousine
may be late."
remotepossibility politeness-
withexcessive
"l felt the roseswere perhapsnot of the standardthey might have
begn".
arespecialverbs
Modalauxiliaries whichbehavein somewayslike
the primaryauxiliariesbe, have and do, but which have certain
are:
Theirmaincharacteristics
peculiarities.
8 STRANDS (Bl-PART
oF LANGUAGE D
8 . All modalverbsare followedby the bare infinitive,
exceptfor
ought to and used to (Shemight wantto seeyou).
Theseverbsare defective becausetheyonlyhaveone or two
forms.Theyusuallylacka formfor ths futuie,the conditional
and an -ing form.
UNIT2: LUXURY
AND ROMANCE 69
d) Whydidn'the cometo visitus?(might/ busy)
qnd
5)' Notice fhe use of the prepostionson, in, of
for, which qppeqr frequently in this text' qnd
qft'erreviewing them, fill in the blonks with fhe
oppfopfiote one
a) I hopeto be withmYdaughter her birthday.
s) Germanytheyusuallyopentheirpresents
Eve.
Christmas
h) They had a quick mea thetrain.
i) He has worked France
two years.
j' ) T h e p r o b l e m w i t h | i v i n g t h e c o a s t i s t h
therearetoo manytouristsduringthesummer'
k) Theysaythatcrimedoesn'tPaY theend.
t) We can meet Wednesday,
frontof youroffice.
m) Theywentoff to the mountains theweekend.
70 oF LANGUAGE
STRANDS l)
(Bl-PART
GRAMMARCAPSULE:
Tenseond time
E.g.: He finished
hislunch. He wentoutto play.
Havingfinished
hislunch,he wentoutto play.
UNIT2: LUXURY
AND ROMANCE 7l
- Note the use of the definiteqnd indefiniteorlcle
7>
in the text, ond fhen include eilher o(n), the'
ot O (no orticle) in the blunk spoces
72 (Bt-PART
oF LANGUAGE
STRANDS l)
$elf-Froluation LlnitZ
Do the followinoexercises
and thencheckyouranswersin the KEy
TO EXERCTSES A-ND|ASKSi i" ."0 of rhebook:
UNIT2: LUXURY
ANDROMANCE 73
5. Harryhas John as caPtainof the football
team.
a) substitute b) respondedc) respond d) replaced
5. Hesaidhewouldwaitforus theairportuntil
we arrived.
a) at b) in c) on d) for
74 (Bl-PART
oF LANGUAGE
sTRANDS l)
mathematics
is my favouritesubjectthis
Year.
a) a b) an c) the d)@
4. MyfriendJohnSmithwasbornin
a) a b) an c) the a
5. Theysay applea daykeepsthe doctoraway.
a ) a b) an c) the a
UNIT
2: LUXURY
ANDROMANCE75
t NIT3: TEALOVER$
A) WARMINGUP
1) Whatdo you usuallyhavefor breakfast, tea or coffee?
2) Do y_ouhavepreference for any kindof tea (green,black,white,
etc.)?
3) Do youthinktea is goodfor yourhealth?lf so, in whatrespects?
B) ORAI DISCOURSE:
PUTTING
A CASE
(rN A CONVERSATION)
CAN DOs: 1 ) Briefly give reasons and explanations for
opinionsand/oractions.
2l Developan argumentwell enoughto be followed
without difficultymost of the time.
Wl *
UNIT3: TEALOVERS79
T:Well,whatdo youwantme to drinkinstead? | needsomekind
of invigorating stuff.
S: TEA is your bestoption.lt's invigorating AND healthyat the
s a m eti me A . n d ,i f p o ssi b l e ...
dr inkGREEN TEA... Youcan' timagine
all the goodproperties thisbeverage has.
T: Tea?No way! No! | find it disgusting, sorry.Thankyou very
much.
S:Well,it'sincredible youdon'tliketea,considering yourEnglish
o r i g i n s...
T:Yes,I'mtheblacksheepof theU.K.I knowit.l'vealwaysrebelled
against traditions andconventions. I don'tthinkI shouldliketeajustfor
themerefactof beingBritish.... l'venevergonealongwiththecrowd...
It'sa question of principle.
S: I seeyourpoint,butif whattheydo is goodforyourhealth,you
shouldat leastconsider it, don'tyouthink?... Look,l'llgiveyoumany
reasons whyyoushoulddrinkgreentea...Andyes,don'tdrinkit like
yourfellowcountrypeople, becausein factyoushouldn't putanymilk
i n i t ....l t h a sto b e d ru n kw i thNO milkandNO SUGAR....That' thes
r i g h th
t i n gto d o ...
T: Oh Sharon,youmustbe bonkers. Youwantme to drinktea,and
on top of that you're I
tellingme shouldn't putsugarin it??!!.Howon
earthwill I be ableto swallow then? it, At leastI shouldbe allowedto
coverup the disgusting taste with somesweetness!
S: Look,sweetie,youtakeit or you leaveit, but if youdo whatl'm
tellingyou,youwillbe protected againsta longlistof incurableand/or
unwanteddiseases,such as cancer,heartdisease,arthritis,tooth
decay...AND,besides, youwillloseweight!Because... -FYl- green
tea raisesyour metabolismand causesthe body to burn more
calories... Canyouthinkof a betterdrink?
T: I sureCAN'T,Sharon.HowcouldI everhavethoughtthatI could
c o n tra d iyo ct u ?Y OUWl N ,S H ARON, YOUW IN!!l!!
80 (Bt-PART
oF LANGUAGE
STRANDS t)
2) H.owwouldyou describeTomaccordingto what he says about
himself?
3) Whatkindof personis Sharon?
4) Whatdo youthinkconvinces Tomto drinktea at the end?
5) \gry lt'rgt_Vou
knowall aboutthe benefitsof greentea,wouldyou
drinkit? Saywhyor whynot.
c) MUrT|-TASKING
ACTTVITIES
DRINKINGTEA IN BRITAIN:
WATCH,READ,LISTEN,STUDY
and WRITE
"n,:l5i,1iJ".":iiJ;,il:,li3lilfl
q3oe complicated
biological
l3!;iLiJ;,?ilElf.::lff
experiments
lh:l
3n! to finda wayof s-poiting
it.To the eternalgloryof Britishsciencetheirlabourborfruii.The
suggested that if you do not drinkit clear,or with lemonor rum an
sugar,butpoura fewdropsof coldmilkintoit, and no suoarat all.the
desiredobjectis achieved.once this refreshing, aromtic,oriental
beverage was successfully transformed intocolourless and tasteless
gargling-water, it suddenlybecamethe nationaldrnkof GreatBritain
and lreland- stillretaining,indeedusurping, the high-sounding titleof
tea.
Therearesomeoccasions whenyoumustnotrefusea cupof tea,
othenryise you are judgedan exoticand barbarousbirdwithoutany
UNIT3: TEALOVERS8l
hopeof everbeingableto takeyourplacein civilisedsociety.lf you
are invitedto an Englishhome,at fiveo'clockin the morning youget
a cup of tea.lt is eitherbroughtin by a heartilysmilinghostessor an
almostmalevolently silent maid.When you are disturbedin your
sweetest morning sleepyoumustnotsay:"Madame (orMabel),I think
you are a cruel,spitefuland malignantpersonwho deservesto be
shot".On the contrary, you haveto declarewithyourbestfiveo'clock
smile:"Thankyou so much.I do adorea cup of earlymorningtea,
especially earlyin the morning". lf theyleaveyoualonewiththeliquid,
you maypourit downthe washbasin.
Then you havetea for breakfast; then you havetea at eleven
o'clockin themorning;then afterlunch;thenyouhaveteafortea;then
aftersupper;andagainat eleveno'clockat night.
Youmustnot refuseanyadditional cupsof tea underthe following
circumstances: if it is hot;if it is cold;if youaretired;if anybodythinks
you mightbe tired;if you are nervous;if you are gay*;beforeyou go
out;if you are out;if you havejust returnedhome;if youfeellikeit; if
youdo notfeellikeit;if youhavehadno teaforsometime;if youhave
just hada cup.
Youdefinitely mustnotfollowmy example. I sleepat fiveo'clockin
the morning;I havecoffeefor breakfast; I drinkinnumerable cupsof
blackcoffeeduringthe day;I havethe mostunorthodox and exotic
teasevenat tea-time. The otherday,for instance -l jusi mentionthis
as a terrifying
exampleto show you howlowsomepeoplecansink-
I wanteda cup of coffeeand a pieceof cheesefor tea. lt was one
of those exceptionally hot days and my wife (once a good
Englishwoman, now completelyand hopelesslyled astrayby my
wickedforeigninfluence)madesome cold coffeeand put it in the
refrigerator,
whereit frozeand becameone solidblock.On the other
hand,she leftthe cheeseon the kitchentable,whereit melted.So I
hada pieceof coffeeand a glassof cheese.
GeorgeMIKES,Howto be an Alien
- Note
that this text was written in 1946, when the modern use of gay (meaning
homosexual)was not known. In this text gay is used as an adjectiveand it means
"happy".Gay meaninghomosexualis
consideredto be a neologism,and can also be
useo as a noun.
82 STRANDS (Br-PART
oF LANGUAGE r)
Step3. DO the following
exercises:
UNIT3; TEALOVERS83
Answerlhese queslions
3) ORALPRODUCTION:
a) DoyouthinkBritishscientists evermadebiological experiments in
order to tell peoplehow they shoulddrink tea? Explainyour
answer.
b) Do you believethe authorexaggerates when he quotesthe
innumerableoccasionson which British people drink tea
throughout the day?Givea reasonfor youranswer.
c) The bookfromwhichthispassagehasbeentakenwaswrittenin
1946by a Hungarian authorafterhe hadlivedin England forsome
years. Do you know if Englishpeople'scustomshave now
changedin thisrespect?lf so, howhavetheychanged?
d) Canyoufindanyironicstatements in thetext?Quoteat leastthree
of them.
e) Whichis, in youropinion,the funniestparagraphin thistext?
D) TACKLINGVOGABUTARY
BUILD UP YOUROWN GLOSSARYOF TERMSFOR UNIT3: LooK
up the tollowing words in a monolingual (English-English)
dictionary, as well as any others you find difticult to understand in
the text:
a) spoil(v) (adj.)
d) high-sounding g) spiteful
(adj.)
b) drop(n) (adv.)
e) otherurise h) sink(v)
c) achieve(v) f) heartily(adv.) i) wicked(adj)
84 STRANDS (Bt-pART
oF LANGUAGE D
a) He is an honestman. He doesn't such
treatment.
b) Lastyear'sorangecropwas by hail.
c) Don't them.Theyhavehada verytiringday.
d) He will never successif he behavesso
timidly.
e) Whydid you theirinvitation?
f) She thatwe shouldwalkfasterif we wanted
to reachthe top beforedark.
2) Gomplelethesesenlenceswthlhe expressions
in fhe box
UNIT3: TEALOVERS85
3) The words motching the definilions qre hdden in
the word squore; lhey moy hove q horizonfo,
verticql, or dqgonol position (the firsl one hos
been done to show you)
S F T L I N F o
T R z P o U R X H
F E T o M S E L o
A E D R o P A o S
M z W E o W N I T
R E M H M U J L E
V T A W E S B W S
o c I R L A P L S
U c D M T P A A E
8 STRANDS (Br-PART
oF LANGUAGE D
4) Decide which of fhese odjectives from the text
ccn modily the tollowingnouns.Someof the
udjecfivescon suif more lhon one noun
E.g.:civilised society,civilised customs.
ADJECTIVES
civfised foreign
smiling sm ile
silent witch
spiteful laughter
malignant society
gay customs
unorthodox prayer
wicked look
child
reading
colours
ideas
expressions
ln os on odverbiol porlicle
GRAMMARCAPSULE:
gl
particle
ln usedas an adverbial canhavethefollowing
meanings:
Usedwithverbsof movement it means"enter"(comein. drivein.
rush in, walk in).
Usedwithverbswitha directobjectit canmean"help"or "inviteto
enter"(askin, bringin, carryin, let in).
UNIT3: TEALOVERS87
Be at home(be in, stay in).
Keepinside(fastenin, shut in).
Visit (cal/in, drop in).
88 sTRANDS (Bt-nART
oF LANGUAGE D
I
?) Decide whetherthe followngwords from fhe lexl
crrespelt eitherwth singleor wilh u double
consonnl;includethe second consonnfwhen
necessfy
sug_est suc_es_ful_y
stif_ sud_enl_y
colourles_ oc_as_ion
heartil_y hos_tes_
especial_y sup_er (themeal)
ad_it ional fol_ow
ter_ifying cof_ee
OFWORDS? [i tr'J,l
GRAMMAR CAPSULE:
-less I -lul
Adjective formqtion: g
a) Abstractnounsreferto a qualityor idearatherthanto a physical
object.The suffix-ful is usuallyaddedto abstractnounsmeaning
"havingthequalityof" or "fullof":
E . g . : s p oo n spoonfu/
beauty beautiful
b) The suffix-/esscan be addedto nounsto formadjectives
with
the meaning of "nothavingthequalityof":
E . g . : p e nn y penni/ess
spot spot/ess
wotethatwhilesomenounscantakebothendings,
othersaddeitheroneor the
other.
UNIT
3:TEALOVERS89
I ) Turnthe followng nouns into odiectives qnd
ploce them under one of lhe heodings in the
toble below. Mqke qny chonges in spelling you
find necessofy
help harm meaning fright breath
rest sleep pain colour thought
heart hair success penny revenge
90 (Br-PART
oF LANGUAGE
STRANDS t)
Adverb formqlion: -ty
GRAMMARCAPSULE:
UNIT
3:TEALOVERS9l
confidentially
funnily
contemptuously
intentionally
G) US|NGENGUSHAPPROPRTATETY
AND PUTTING
IT INTOMOTON
GRAMMARCAPSULE:
Somef Any E
The use of some:
Thepartitivesome,as opposedto any,is markedaffirmatively
and
has the meaningof an indefinitequantity"a certainnumberor
amount".lt canmodifybothcountable
anduncountable nouns.
92 sTRANDS (Br-PART
oF TANeUAGE r)
As a rule,some is used in: a) affirmative
sentences(e.g.:He
wantedsomesugar;b) offersandrequests (e.9.:Would
youlike-some
wherethe answer"yes"is expected(e.g.:Why
wine?);c) questions
don'tyoubuysome of thosepastries?)
UNIT
3:TEALOVERS93
Why don't you invite friendsto your country
house?
"Whichdo youprefer?"" willdo."
D
94 sTRANDS (BI-PART
oF LANGUAcE r)
e) Es la msinteligente
de la familia.
f) EsMoscla capitalmsfrade Europa?
g) Porqute compraste el trajemscarode la tienda?
h) Es unode los pasesmspequeos del mundo.
GRAMMARCAPSULE:
Some spqce preposifions
In front of / behind:
Bothin front of andbehindexpressrelative
positionin a horizontal
way {in contrast,above and below are exampiesof verticalrelative
position).
Thesetwo prepositionscanbe seenas converse opposites:
Peteris sittingin frontof Mary= Maryis sittingbehindpeter
(Noticethatin thiscasewe cannottranslate
in front of intoSpanish
as en frentede.The appropriate
translation
wouldbe delanted.
Outside/Inside
UNIT3:TEALOVERS95
Now,fill in the gaps with one of the prepositionsstudiedin the
GrammarCapsule:
a) Whenshe heardthe telephonering,she ran
the house.
b) The puppyis sitting you;be carefulnot to
stepon it.
c) He was standingright me but I hadn'tseen
him.
d) His letteris thatdrawer.
e) She took her glassescalmly her bag and
inspected
the newcomer.
f) Don'tstay ; it'sverycold.
96 sTRANDS (BI-PART
oF LANGUAGE r)
Now translate into English:
youtube.comiwatch
http:/lwww. rCn49
?v=vnvYym
http.//www.youtube.com/watch Hl3mks&featu
?v=2ooT1 re=related
youtube.com/watch
http:/iwww. ?v=BpWqCzru5zk&featu
re=reIated
http://www.youtu ?v=|UcH5lSVTCg
be.comiwatch re=related
&featu
UNIT3: TEALOVERS97
Sel-EvaluotionUnit 3
__ D_othe followingexercises
and thencheckyouranswersin the KEy
TO EXERCISES ANDTASKS at theendof the-book:
98 sTRANDS
oF LANGUAGE
(Bt-IART
t)
3) Choose lhe suffix thqt ctln be qppled lo the
following nouns lo turn lhem inlo odjeclves
1. harm
a) -less/-ful b) -less c) -ful
2. meaning
a) -less/-ful b) -less c) -ful
3. breath
a) -less/-ful b) -less c) -ful
4. revenge
a) -less/-ful b) -less c) -ful
5. colour
a) -lesslful b) -less c) -ful
UNIT3: TEALOVERS99
AND COMPOSITIONI
TRANSTATION
(Units I - 3)
Do exercisesI and 2,andthen handthem in or sendto yourTutor
for correction:
2> Composition
what do you think of the text in unit 3 (Tea)?ls it funny?old
fashioned?Tobstereotyped? Doesit representEnglandtoday?Utq g
shortessay(about150words) givingyouropinion of thetextandof British
peoplein general.
B) ORArDTSCOURSE
CANDOs: 1) Exchangeideas.
2) Give opinions on the meaningsof certainwords
or expressions.
4: CRIME
UNIT ANDDANGEB 103
F:Whatmakesme say that???Don'tyou reador watchthe daily
newsaboutcrimein ourcitY?
J:AhlThat'swhatyoumeant.Yeah, you'reright".That'sprecisely
webinaron...
thisveryinteresting
whyl'm attending
F:An interestingwhat?
webinar.
J: An interesting
F:Whaton earthis that?
J:Youdon'tknowwhata webinaris???Well,you needto learn
moreaboutmodernwebresources... but
A webinaris likea seminar,
on the web.So that thousandsof peoplefromdifferentspotsof the
planetEarthcan be connectedat the sametime,attendinga given
beminaron whatevertopicsthey are interestedin, just by sitting
comfortably at theircomputer desk.'..
F : M m m mI s e e . . .
J: Andof coursetheyareableto interact withthewebinarlecturers
or organizers. Wonderiul, isn't it? Ahh...The marvelsof the new
technological world!
c) MULTI.TASK|NG
ACTMTIES
READ,LISTEN,STUDYand WRITE
http://en.wikipedia,org/wiki/Sherlock_Holmes
http://wwwsherlockian.
neV
. http://en.wikipedia.orglwiki/Crime
l0 sTRANDS (Bt-pART
oF LANGUAGE t)
Sfep3. DO the followingexercises:
2 . A l lo v e rt heco u n try
th e B ri ti sh ...
a) arelosingtheirarms.
b) areusingtheirarms.
c) arearmingthemselves.
3. Thecultis calledsurvivalism
because...
a/ it hassurvived
a longtime.
b,) it hasto do withpeoplesurvivingattacks.
c) it is impossible
to survivein London.
4. Theauthor's
friendpickedup a knifebecause...
a) he hadbeenattackedbeforeandwasfrightened.
b) he wantedto attacksomeone.
c) he hadseena biganimalnearhishouse.
5. Hisfriendwentintoa security
shopto buy...
a) an insurance
for hishouse.
b) aweaponto defendhimself.
c) thingswithwhichto protecthishouse.
6. Wheredidtheshopassistant live?
a) ln a housewithburglars.
b) ln a houseprotected
by alarms.
c) In a flatin northLondon.
UNIT
4: CRIME
ANDDANGEB | 07
a gunbecause
7 . He boughthimself he wantedto...
a/ defendhis property.
b) shoothimself.
c/ trashhiscar.
8 . Theauthor
thinksthatit is har d...
a,) to findsomeoneto attack.
b,) notto attacksomeone.
c) to findsomeonewho hasn'tbeenattacked.
o Peopleusedto be afraidto walkthe streetsbecause...
a) theywereafraidof QueenVictoria.
b/ Londonwas alsodangerous.
c) theirvalueswereimmoral.
| 08 sTRANDS (Bt-pART
oF LANGUAGE t)
3) O_RALPRODUCTION: After reoding the text,
discussthe onswersfo fhese quesfionswith your
Tutorond clqssmoles
a) Whyare the Britisharmingthemselves nowadays?
b) why do youthinkthe writer's
friendwasdismayed to findhimself
pickingup a knifewhenhe wentoutfora walk?
c) Whydoesthe authoradd in brackets the words,,often vainly,,?
d) wouldyousaytheshopassistant livedin a friendly
neighborhood?
Giveyourreasons.
e) Whywasthe car spattered withblood?
f) Whatdo youthinkthe authormeansby a ,,fortress mentality,,?
UNIT
4: CRIME
ANDDANGER | 09
1/tart rr4r/r(q,
Bqr4arrlie)
D) TACKLING
VOCABULARY
BUILD UP YOUROWN GLOSSARYOF TERMSFOR UN|T4: Look
up the following words in a monolingual (English-English)
dictionary, as well as any others you find difficult to understand in
the text: .
I l0 STRANDS (Bt-pART
oF LANGUAGE t)
d) pickup
e) hope
t) weaK
g) easy
a) whatthoselivingcanremember
b) in theopinionof
c) dueto
d) in whatevermanner
e) increasingly
3) Complefethesesenlencesusingfhe qpproprqle
verb from those listed below:
UNIT
4: CRIME
ANDDANGEB I | |
4> Gompletethesesenfencesusngthe qpproprqte
nounflom thosein the box
sincethen if ,not
..
thanever : at
DOWN
1. district,
zone. 10. be afraidof.
2. hopelessness. 13. strongfastening.
3. disturbance,turmoil. 1 5. youngman.
4. stateintentionto hurt. 19. businessman,personwho
8. exceeding. sellsgoods.
9. numberof different
things,
assortment.
UNIT
4: CRIME
ANDDANGEp I l3
ACROSS
2. evolve,grow. 14. strong,forceful.
5. defend,guard. 16. r emar k.
6. statesomething,
make 17. allowto fall.
known.
18. assault
violently.
7. equipwithweapons.
20. difficult.
1 1 . official
document
or
permission. 21. instrumentsforfighting.
12. pieceof writingfor
magazine, newspaper.
schol_r mast r
begg_r flatt_r
coll_r particul_r
dscov_r must_rd
vineg_r muscul_r
groc_r wiz_rd
regul_r plast r
peculi_r dang_r
UNIT
4: CRIME
ANDDANGEB | | 5
3)' The word "flue" oppeols in the firsi porogroph of
the lexl. Notice thqf fhis ending, -ue, mqy
somefimes be confused with -ew. wtite either 'ue
ot -ew io complete lhese words. Donnfforget -to
look up the pronunciqtion in your dictionory if
necessqfy
::',.- :1,-
iss
h
gr-
cr
F) AND... HOW'SYOURFORMATION
OF WORDS?
ComPound words
GRAMMARCAPSULE:
I I STRANDS (Bl-PART
oF LANGUAGE D
C3 Some compound words Eppedr in the firsl
pcrsgroph of the fext: firesrm$! mdnsnd,
shotgun. Put the words that sppeqr in lhe two
columns iogether to form compound words ond
fhe*l include thern under fhe oppropriafe
heading below
table brush
news speaker
loud black
blue cloth
bitter hand
short paper
book face
tooth weight
heavy case
pale hot
red stick
lip sweet
UNI4
T: C R I M A
E N DD A N G E BI l 7
2> On line 3 of the lexl, the negotive prefix -drs hos
been qdded to the word order lo form disordeq
it could qlso be odded to drming lo form
disarming. Add either dis-, un-, irr.,ot im- to fhe
following lerms lo mqke lhem negqlve
intentional -.ui.
forqettable
scientific
appropriate -fair
-*L"
loval orooer
like
credible conscious
-favour
obev
reoard pack
c) usrNc ENGLISHAPPROPRIATEIY
AND PUTTINGIT INTOMOTION
I l8 (Br-eART
oF LANGUAGE
STRANDS r)
Pastsimple/ past perfect
Comparebothtenses:
1) WasTomtherewhenSusanarrivedat the party?
No,he hadalreadyleft.
But:
a/ | recognized
himat the party.I methimoncebefore.(because)
b) He atea big lunch.He wasn'thungryat suppertime.(so)
c) | spoketo the director.The meetingbegan.(before)
d,) | lookedin my bag.I rearized
someonestoremy purse.(and)
e/ she was ill for a longtime.she wentto the doctor's.
(before)
f) | wentout.He arrived.(bythetime)
g) Theywereat homeail day.Theywantedto go for a wark.(so)
h) we drankthreebotilesof wine.we arrivedat the partyrathertipsy.
(so)
UNIT
4: CRIME
ANDDANeEn I l9
2, In eqch sentenceihere qre fwo verbs in
brqckefs;include one in fhe po$f simpleqnd lhe
oher in lhe palsl prtecf fense:
a) Allthe stores(close) by the timewe (arrive)
in town.
b) A lady (come) in with a dog that (justbe)
run overby a bicycle,
c) He (keep) staringat me wonderingwhere
he (see) me before.
d) They(finish) all the drinksby the timeI
(arrive) at the party.
e) Whenthepolice(come) the bandits(already
escape)
D He (no finish) eatingwhen we (arrive)
GRAMMAR CAPSULE:Pronouns:subjeclive,
objective, possessive,reflexive. possesive
odjeclives
UNIT
4: CRIME
ANDDANGER l2l
a) Thesubjectiveforms are usedas subjectsof finiteverbsand
oftenas subjectcomplement:E.g.:She is my friend.(Subject)
b) The objective forms are used as objects and/or as
prepositionalcomplements.E.g.:I saw her walkingin the street.
(object)
E.g.:
He was amazedthattelevisions
weresometimes
droppedfromhigh-
risewindows."
To his amazement,
televisions
weresometimes
droppedfromhigh-
risewindows.
a) Hewasastonished
to seethe increase
in demandforweapons.
the demandfor weaoonshad increased.
b) He was irritated
to seea kid muckingaroundhiscar.
a kidwasmucking aroundhiscar.
c) He was horrifiedto find the car spatteredwith blood.
, the carwasspattered withblood.
d) He wassurprised
to seethatthesituation wasgettingworse.
, the situation
was getting
worse.
UNIT
4: CRIN/E
ANDDANeEn | 23
Hg WaS qlsgUSteU tU UEIJ Ftlllvllt/dllD r''uyrrrV Yveqyvrre'
werebuYingweapons.
Americans
UNIT
4: CRIMEAND DANcEn | 25
Se pusoel abilgo-+ He put on hiscoat.
Se resfri+ He got a cold.
a) (Ella)Se pusolosguantes.
b) 1tSe miren el espejo.
c) Pinateantesde salir.
todoel trabajode la oficinanosotrosmismos.
d) Hacemos
e) 1tSe hizodaoen la pierna.
f) Marase comitodoel pan.
s) Se hacetodoslosvestidosellamisma.
h) (Ella)Se divierte
mucho.
t) 1tSiemprehablasolo.
youtube.com/watch?v=08W
http:/iwww. RuGZja2E
youtube.comiwatch
http://www. ?v=4s4M9-J
kako&featu
re=related
3 . H e h a da g u n he wasscaredto shootit.
a) but b) then c) because d) where
4. Marywalkedhomeby herself, she knew
thatit wasdangerous.
a) if b) although c) so d) that
UNIT
4: CRIME
ANDDANGE? 127
3) Choosethe correct negofive prefix for eoch of
these words
1. air
a) dis- b) un- c) in d) im-
2. appropriate
a) dis- b) un- c) in- d) im-
3. regard
a) dis- b) un- c) in- d) im-
4. pack
a) dis- b) un c) in- d) im-
5. polite
a) dis- b) un- c) in- d) im-
3. I willwaitherefor untiltheyarrive.
a) they b) them c) themselves d) theirown
4. Justhelp restaurant.
:thisis a self-service
a) yours b) yourself c) yourown d) you
aregoodfriendsof
5. Ourneighbours
a) ours b) us c) ourselves d) ourown
128 (Br-pART
oF LANGUAGE
STRANDS r)
,, r;,1,'
,
't.i)i,;ffi}trffiFe$#ii
B) ORALDISCOURSE: Nqrrqtionqboul
wildlife experences
CAN DOs: 1) Narratea story.
2) Write/givean oraldescriptionof an eventand/ora
recenttrp (realor imagined)relatedto wild life.
UNIT
5: WILDLIFE
EXPERIENCE
l3l
Kevin:Lookwho'sthere!Tom!Howniceto seeyou'reback,man.
HowwasyourAfricanadventure?
Tom:Woo,fantastic,man,FANTASTIC! lt was a totallynew and
-literallyWILD-experience... Youcertainlyrealizehowinferiorwe are
in manyrespects to the restof the animalworld...howdetached we
havebecomefromthe wiselessonsof nature,and howbadthiscan
beforthefutureof thehumanrace... Wearedeafto nature's warninqs.
butironically we thinkwe'reveryclever...
K: Yeah,you'reright...lt's ironicto see that we thinkwe'reso
superiorand intelligent whenall we are doingis destroyour planet
littleby little,in sucha pitifulway...
T: Yeah,true.Nexttime you shouldcomewith me to Africa,I
assureyouit willchangeyourperspective of lifeand it willmakeyou
a betterperson...
K: No doubtaboutthat,but no,man,no.I lovenaturebut I don't
havethe gutsto get intothe jungle,wherea lionor any otherwild
a n i malcouldtur n me intotheirlunchor dinner ... Not for m eee!!lI
preferto watchwildlife documentary filmsinstead...
T:Yeah, butit'snotthesame,bigguy.Therealexperience is much
moreexciting andit makestonsof adrenaline runthroughyourveins...
K: I see,butI stillpreferto be sittingcomfortably
in mycouchwhile
I contemplate all thesemagnificent animalson the screen.Haveyou
seenlhe T.V.seriesentitledPlanetEarth?lt is narratedby Richard
Attenborough, masterof masters... whata greatguy!
T: No,as a matterof fact,I haven't...
K :Andthisotherone....uhm m what'
.. sitsname....Ah,y es !M ar c h
of the Penguinsl
lt wassooootouchingto seewhatthe penguinsare
capableof doingjust for the sakeof protecting
theiroffspring...
You
shouldseethisfilm,man.Antarctica if you've
is alsoa wildterritory...
onlyseenAfrica,youhaven't gotthecomplete picture....
T: Oh,well,let'smakeour nexttripto Antarctica,then!Youknow
l'm a sportfor everything!
K: Yes,but I am NOT!!...I told you, I preferthe documentary
films....Sorry...
HAVEA GOODTRIPTO ANTARCTICA, TOM!!
c) MUITI-TASKING
ACTIVIT|ES
WATCH,
WRITE,READ,LTSTEN
and STUDy
SUMMARY:
UNIT
5: WILDLIFE
EXPERTENCE
133
;; ";o t*goi,
*' 0". rir;;;;,, u,."i n t r e p i d ,i n g e n i o u s ,
resourceful and patient-allqualities thatare regularly testedby the
locations thattheyhaveto operatein andthewildlife thattheytry to
photograph. Sincethe firstwildlifefilm was made,a successio of
cameramen havesoughtto getthemselves or theircamerasintothe
mostunlikely situations, and in doingso, theyhaveinevitably come
across(and,withluck,filmed)behaviour andevenspeciesthatwere
previously unknownto science.Manyanimalsseem to spendan
inconveniently largeproportion of theirtime hiddenin setts,earths,
dens,holts,lairsandotherassorted holes.Sincewhattheydo in their
va ri oushomes can be of key im por tancein a wi l dl i fefi l m ,
photographers havehadto devisewaysof gettingtheircamerasinto
theseplaces, andwhentheyhavesucceeded, theresulting filmsoften
containnewbiological insights. In 1953,HeinzSielmann persuaded a
pairof woodpeckers to accepta nestholewhichhada glassplateat
the back,and throughthis he witnessedfor the first time their
behaviour in the nest.At the time,it was certainlyfascinating for
ornithologists, but it alsogrippedthe public's imagination -an hour
aftertransmission the switchboard of the BBCwasstilliammedwith
ca l l s.
Sincethen,similartechniques havebeenusedmanytimes,with
different species in different situations, andeachtimetherehavebeen
newglimpses intoanimalbehaviour. The privatelifeof the kingfisher
becamea littlemorepublicwhenRonEastman contrivedto installa
cameraat theendof a nesting tunnel,andshotthefirstfilmevermade
of kingfisher chicksbeingfed.lt had alwaysbeenassumedthatthe
parents mustfeedtheirchicksonfishthathadbeenbrokenintopieces
or was partially digested, but the film revealed thatthe youngbirds
weregiventhe impossible-looking taskof swallowing the fishwhole.
Foxeshavealsorevealed a fewof theirfamilysecrets,and notjustto
a singlecameraman. In this case,millionsof viewersacrossthe
countrywitnessed intimate moments of an urbanvixenwithhercubs
in the liveseriesFoxwatch, Thevixen'searth,an oldcellarln Bristol,
wasbuggedwithmicrophones andinfrared cameras, andsoundand
picturewere transmitted back to a mobilestudio,wherezoologist
StephenHarriswaswaitingto describe andinterpret whatwasbeing
seen,including theactualbirthof thecubs.Sincesuchyoungcubsare
notableto regulate theirbodytemperatures, it wasassumed thatthe
vixenwouldstaycloseto themat thisstage,andthecontinuous watch
I
Step3. DO the following
exercises:
havegot theircamerasintounlikelysituations
2. Whencameramen
they...
previously
a) havemadediscoveries unknownto science.
b) havebeenunableto get out.
c) haveusedtoo muchtapefilmingthe animals.
3. Thetimeanimals
spendin theirhomesis inconvenient
because
...
a) theirhomesare uncomfortable.
b) theirhomesaretoo dangerous
for cameramen.
c) it is difficultfor cameramen
to filmthemthere.
UNIT5: WILDLIFE
EXPERIENCE
| 35
4 . HeinzSeilman
witnessed
thewoodpecker's
behaviour
by...
a) livingwiththemin theirnests.
b/ persuading themto accepta specialnest.
c,) givingthemthefoodon a glassplate.
5 . We knowthe publicwasinterested
in thisdiscovery
because...
a) agreatnumberof peoplecalledthe BBC.
b) lheywerefascinated
by ornithologists.
c) theyjammedthetransmitterof the programme.
publicised
6 . RonEastman the lifeof the kingfisher
by...
a/ shooting
the kingfisher's
chickswhiletheywereeating.
b) introducingfoodat theendof thefilm.
c) puttinga camerain its nesting
tunnel.
7 . Thefilmrevealed
that...
a) the parentsfed smallfishto theirchicks.
thefishin onepiece.
b/ thechickshadto swallow
c,) thefishwasonlypartially
digested.
8 . Thevixen's
earthfilmedby Foxwafch
wasin...
a) an oldcellarin the middleof a town.
b,) a mobilestudio.
c) an oldcellarin thecountry.
9 . The Foxwatch
camerasdiscovered
thatthe doo fox...
a/ keptawayfromthe earthand cubs.
b) wenthungryuntilthevixenleftthecubs.
c/ occasionally
leftfoodfor the vixenandcubs.
l3 sTRANDS (Bt-eART
oF LANcUAGE i)
2> Reorderlhe elemenfsgiven below so ds lo form
meonngfulsentences
a) new/ often/ biological
I the I insights/ films/ contain.
h / v i x e n/ c l o s e/ w a s / t h a t / s t a yl t h e l w o u l d/ a s s u m e dl t o l i l l
them.
3) ORALPRODUCTION:
Answerlhe following
quesfons
a) Why do wildlife film-makersneed to be "intrepid,ingenious,
resourceful,
and patient"?
UNIT
5: WILDLIFE
EXPERIENCE
137
b) Whydo photographers haveto gettheircamerasintothe animals'
homes?
c) Howinterested is the publicin seeingwildlifeprograms? Explain
youranswer.
d) Whattechniques wereusedto recordthe behaviorof foxes?
e) Whatdid theyfind out aboutthe behaviour of the vixentowards
hercubs?
f) Do you think wildlifeprogramsare worthwhile, or are they an
intrusion
on nature?
D) TACKHNGVOCABUTARY
a) probable
b) failed
c) reject
d) boring
e) completely
0 prerecorded
g) attic
h) constantly
d/ Theyreallydidn'twantto go out,butfinallyhe
themto.
b) As shewastheonlypersonto- thecrime,the
policequestioned herfor hours.
c) Becauseof the bad weather,the roads were completely
withcars.
d) He ate so quicklythat he couldn't his food
afterwards.
e) Wejustcan't in thisoffice;it is toosmalland
dark.
UNIT
5; WILDLIFE
EXPERIENCE
139
f) H e his umbrellatightlybecausehe was
afraidit wouldblowawayin the wind.
g) Shefoundit verydifficult
to thepoem,as the
language andimageswerequitecomplex.
h) After they boughtther computer,a man came the next day to
it in theirhouse.
i) Shecouldhardly the medicine,
il tastedso
disgusting.
i) He refusedto the moneyI offeredhim;he
saidthathe neverborrowed
fromotherpeople.
k) He in passingthe firstexam,but then he
failedthesecond.
qualities task
behavior nest
proporton stage
a) H i s at the partywasreallyembarrassing; he
arguedwitheverybody all the time.
b) I was so latethat I missedalmostall of the play;I onlycaughta
of thefinalscene.
c) In springtime,the birdsalwaysbuild on the
roofof our house.
d) H i s on the piano is quite extraordinary;
I
haveneverseenanybodyplayso fast.
e) The of a good teacherincludepatience,
intelligence,
andcreativity.
f) Because sherarelyusedthetelephone, herbillwasmuchsmaller
to theirs.
s) Her was to washall the dishes.and it was
veryhardwork.
program
2. a) a fascinating
b) alive program
happy
3. a) occasionally
b) partiallyhappy
4. a) an unlikelyevent
d an occasional
event
UNIT
5:WILDLIFE
EXPERIENCE
l4l
e/ The scene(finishing) the filmwas so sad,
thatshewasstillcryingwhensheleftthecinema.
f) | don'talwaysenjoymyjob,but(generally speaking)
I am happywithit.
g/ Whenhe droppedthevase,it (cameapartintobits)
andhe couldn't fix it.
h) Theysat (atthe rear) of thetheatrebecause
theycouldn'tget ticketsanyfurtherfonruard.
i) | mightdecidein the futureto buya newcar but (at thispointin
ti me) I can'taffordit.
j) lt was sucha beautifulday that he took his videocamerato the
park and (tookpictures) of the trees and
flowers.
DOWN
ACROSS
br_
s-r
t e r
-n,r,
sh_lder
t-el
s_p
c r n
tl-er
...a nest hole which had a glass plate at the back...; ...the
impossible-lookingtask of swallowingthe fish whole .
Althoughthesewordsare pronounced the same,the spellingand
meaningare absolutelydifferentso it is important
notto confusethm.
t) AND... HOW'$YOURFORMATON
OF WORD$?
t ) Mcny compound word$ oppeqr in fhis texlnsuch
o s " w i l d l i f e " , ' nifl m m o k e f s n n ou ' c d m e f o m e n " ,
"swifchboord". Put the words f rom the fwo
columns fogefher to form compound nouns nd
lhen include fhem undr the Eppropriqte
heoding; check your dictionsry f necesscry
traffic end
well meant
week coming
self lights
green house
wndow glasses
UNIT
5: WILDLIFE
EXPERIENCE
| 45
ff,'f
'*
:
short shopping
sun looking
wide going
black spread
easy board
good control
GRAMMARCAPSULE:
Abstrqcl Nouns
Verb r Abstractnoun
excite I excitement
indict I indictment
embody define
ratify argue
organrze starve
UNIT
5: WILDLIFE
EXPERIENCE
| 47
c) USINGENGTISH APPROPRIATETY
AND PUTTINGIT INTOMOTION
I ) The word since oppeqrs severql fimes in fhe lexf.
In some cqses it meons becsuse
E.g.:
GRAMMARCAPSULE: Timeprepostions/
conuncfions:sincef for
Sincemaybe followedby:
a) He hasn'ttelephoned Monday.
b) Petercookedthe meat fiveminutes.
c) The weatherreportsaid it mightrain three
moredays.
d/ Suehasbeenrunningthe business
ever her
fatherdied.
e) Thisis a veryold car,l'vehadit ages.
0 lastmonthwe haven'tbeenallowedto enter
thisbuilding
because i t is beingdecorated.
s) It'sbeena longtime I lastsawJim.
h) I haven'tgoneto the theatre a longtime.
i) Hehasbeencomplaining
ever hegotupthis
morning.
UNIT5: WILDLIFE
EXPERIENCE
149
i) I canonlystay tenmoreminutes.
k) Theyhaveworkedtogether 1990.
WORD PHEP..
GRAMMARCAPSU LE:Quonlifiers:
(a) IiIIte / (o) ew ffi
Thereare mass and count nouns.The typeof quantifier
we use
withthe noundependson thisgeneralcharacteristic. Few anda few
are usedwith countnounswhereaslittle anda littleare usedwith
massnouns.
The distinction
betweenone or the otherwithinthesetwo pairs
is based on the speakers'positiveor negativeway of lookingat
th i n gs:
UNIT
5: WILDLIFE
EXPERIENCE
l5l
f) Wouldyoulike moremilkin yourtea?
s) Waita minute!There arequite t h i n g sl w a n t
to talkto youaboutbeforeyou leave.
h) He knowsvery aboutthe accidentbecause
he wasn'ttherewhenit happened.
i) Couldyou wait minutesun ti lI fi ni s hthi s
report?
i) Whathe sayscan do us harmbecauseno
onepaysmuchattention to himanymore.
k) peoplestudyGreeknowadays.
t) Wouldyoulike potatoeswithyourmeat?
m) Thereis still wineleftin thebottle.
n) peoplewerewaitingat thedoorto meetthe
president.
E . g . : T h a t'sth ema nw i th w h o m l w or k.
That'sthe manI workwith.
a) Thisis thepainting
forwhichtheyhavepaidso muchmoney.
UNIT
5: WILDLIFE
EXPERIENCE
153
c/ Johnis the neighbour
withwhomI wenton holiday.
on time
a) Thechildren
werestillsleeping I arrived.
b) Pleasebe becauseI'm in a hurry.
c) I thinkI wouldliketo find a newjob.
d) lf you leavenow you'll arrive to see the
of the filmno matterhowmuchtrafficthereis.
beginning
e) manybusesin Spainhadtwofloors.
UNIT
5: WILDLIFE
EXPERIENCE
155
Self-EvaluationUnit 5
l5 STRANDS
oF LANGUAGE
Gt-PART
t)
4 . different
a) with b) of c) for d) from
5 . disappointed
a) with b) of c) for d) from
UNIT5: WILDLIFE
EXPERIENCE
157
just
3. He arrived to catchthe 6 o'clocktrain.
a) at onetime b) in time c) at thetime d) at times
4. Stayingwith them seemedlikethe rightthingto do
a) on time b) in time c) at thetime d) in thetime
5. Picasso livedin thishousein Mlaga.
a) At onetime b) In thetime c) At thetimesd) On time
| 58 STRANDS (Bt-PART
oF LANGUAGE D
UNIT6=
TANDSCAPEAND THEARTS
A) WARMINGUP
1) Areyoufondof art in general?
What'syourfavoritetypeof arI?
2) Do you likepainting?
Who is yourfavoriteartist?
3) Have you ever painted a landscape?lf so, describethe
experience.
B) ORAI DISCOURSE:EXPRESSIN9
PERSONAT
OPINIONS.GIVINGDETAILS
ABOUTFAMOUS
PEOPTE'SBIOGRAPHIES
GANDOs: l) Speakabout likes and distikes.
2) Describelandscapes/seascapes/skyscapes.
3) Answer questions related to your (or other
people's)life.
UNIT: LANDSCAPE
ANDTHEARTS I I
Julie:Hi Will,I just wantedto say helloand...(She
looksat his
p a i n ting) ......
W ow!!lLookat that!W hat
a beautiful
landsc ape!
| di dn't
knowyouweresucha goodartist,yousneakyboylThiswas indeed
a hiddenaspectof yourpersonality!
Well...I don'tgo aroundbragging
William: aboutmy talents,you
know...
J: I see,butyoumusthavestudiedat a verygoodschoolor witha
verygoodteacher...
W: No,no,as a matterof fact,I haven'tgoneto anyschoolof arts.
I'velearnedfromtheT.V.lessons givenby BobRoss.
J: BobRoss?Who'sBobRoss?
W:Youdon' tknowhim ??W ell,in myopinion, he is oneo f thebes t
landscapepaintersin this country,yu know,and an even better
person.I havenotonlylearntto paintlandscapes withhim,butalsoto
approachlife from a different,better, calmer, and healthier
perspective...
J:Well,thatsoundsfantastic! | wishI hada teacherlikethat!What
channelis hisshowon? l'd loveto seeit!
W: Uhh...he'son PublicTelevision,andhisprogram is called"The
joy of painting".lt's reallya pleasureto see him paintingand
simultaneouslymakingyoufeelgoodby givingyouadviceaboutthe
painting
techniques, ANDaboutlifein general...
J: Wow,l'm curiousaboutthis.Whatkindof advicedoeshe qive
youaboutlife?
W:Well,he alwayssaysthingslike:"lfyoufeelgoodaboutyourself
or "lf it' snotfun,then
a n dthe wor ld,it willshowin yourpainting"...
yo u 'redoingthewr ongthing"....
J: I see...I couldn'agr
t eemor ewithhim .
W: Also,he neverwantsyouto consideryou'vemadea mistakeif
your resultsare not perfectat the beginning: He sayswe should
considermistakes as "happyaccidents" fromwhichwe can learn...
l sn 'tthatenlightening?
J: lt sureis!Where'sBobRossfrom?
W: Well,he was bornand raisedin Florida, butthenhe livedfor
manyyearsin Alaska. yes....that
Alaska... washisfavourite
landscape
inspiration....He alwayssaidthat"Godwas havinga gooddaywhen
he madeAlaska", and l'velearntto loveAlaskathroughhiseyes,you
1) Do youthinkWillconsidershimselfa goodpainter?
2) Wouldyou liketo havea teacherlikeBob Ross?Explainwhyor
whynot.
3) Howwouldyoudescribe Julie?
4) Whatdo youthinkBobRossmeantwhenhe saidthat"Godwas
havinga gooddaywhenhe madeAlaska"?
5) Explainwhatthe following
expressions mean:"l don'tgo around
bragging";"it's
a touchy-feely
story";"you've
mademydaywithit!"
c) MUITI-TASK|NG
ACTtVtTtE$
LANDSCAPE:
WATCH,
WRITE,READ,LISTENand STUDY
AdditionalCANDOs:
1) readstraightforwardfactualnarrative
and descriptive
textswitha
satisfactory
levelof comprehension;
2) writea description
of a landscape/seascape/skyscape.
UNIT: LANDSCAPE
ANDTHEARTS I 3
Step1.WRITTEN PRODUCTION: Go on the internetand LOOKat the
landscapesby VanGogh in the followingwebpage,CHOOSEone of
them,andthenWRITEa descriptionof it. Explainthe reasonwhy you
chosethat one and not the others.
google.es/i
http:/iimages^ mages?hl=es&source-hp&q=landscapes+by
+Van+Gog h&btnG=Buscar+imo/"C3%Algenes&g
bv=!gq=fft
eq=
DESCRIPTION
OF MY CHOSENLANDSCAPE:
3 . Thisnonfunctional
conceptof nature...
a,) differentiates
humansfromanimals.
b) approaches humansto animals.
c) is nota characteristic
humanfeature.
4 . Manfindspleasures
in holidays...
a,) becausehe eatsmoreanddrinksmore.
b/ becausehe likescrowdedplaces.
c) becausetheymeana changein setting.
5 . Peoplenowadays do prefer...
a) a poorhousein goodsurroundings.
b) a goodhousein notso goodsurroundings.
c) flatsratherthanhouses.
UNIT; LANDSCAPE
ANDTHEARTS 167
D) TACKLINGVOCABULARY
prize valuehighly
value thepriceof something,
calculate considerto be of
judgement)
greatworth(it alwaysimpliespositive
evaluate the valueor degreeof
calculate
estimate calculate;form an opinionas to the degreeof
something from"esteem"
(different = respectand
admiregreatly)
E.g.: He estimates
hislossesat $ 2,000.
Theyestimated.
thatthe building
couldbe finished
withina
month.
Herpossessions
havebeenvalued"at ! 3,000,000.
As on old man he alwaysvaluedthe silentcompanyof his
dog.
Herteddybearwas her mostprizedpossession.
somepeople'shelp.
It'snot alwayseasyto evaluate
* observethat estimafeand valuecanappearin expressions
of the
type esfimatesomethingat and valuesomethingat.
* only estimatecanbe followedby a that-clause.
I 8 sTRANDS (Br-pART
oF LANGUAGE r)
Fill in the gapswith one of the previousverbsor adjectives(more
than one adjectivecan be used in some of the sentences):
a) He wasveryhappyto get such information.
b) They that the value of the farm had
increased considerably
in the lastten years.
c) How do you the Government's refusalto
takepartin the conversations?
d) Shegaveme some helpl'll neverforget.
e) Mostof the drawerscontained collections
of cheap,
thingswhichshouldhavebeenthrownaway.
f) I t h i n kh e my adviceandwasreallygrateful.
s) Quitea few peopleseemto moneymore
highlythanlove.
h) He has a of old paintings
collection in his
countryhouse.
UNIT: LANDSCAPE
ANDTHEARTS 169
DOWN
2 . use of strength and 8 . a highdegreeof pleasure or
energy(todo something). satisfaction.
3 . degree of expense or 1 1 .notoften,rarely.
importance.
1 2 . givea newshape.
5 . rescue (someone)from
1 6 . a floorof a building,
usedas a
dangel store data in a
computer. home.
fullof people.
o . completely
ACROSS
1 . an area,surroundings. 1 4 . nothingmore than what is
4 . a large area of land specified.
coveredwithtrees. 1 5 .a placegivingprotection
from
7 . everything
aroundand in badweatheror danger.
a place. 1 7 . the surroundings
or conditions
in whicha person,animalor
9 . put in a different
order. plantlivesor operates.
1 0 . a wide view of country
scenery.
1 3 .the generalarrangement
or plan ( of a pictur e,
m achine) .
building,
iillrffu"PuPeE
d) characteristic
e) evident
UNIT
: LANDSCAPE
ANDTHEARTS 171
Make meaningfulsentenceswith the elementsbelow.The tense
of the main verb is given in brackets:
a/ she/ suddenly
/ turnabout/ and/ start/ run (pastsimple).
E) NOW HOW'SYOURSPELLING?
I ) Some words like design hqve o silenf g before n.
Wrile if in ploce of fhe dqsh when necessory
resl n campai-n
torr n rei n
pai n "n"in
soverei n mali-n
F) AND... HOW'$YOURFORMATION
OF WORDS?
ReadtheGrammar
Capsule
andthendo theexercises:
store-+ storage
UNIT: LANDSCAPE
ANDTHEARTS 173
I ) Turnlhese verbs into nounsby odding -al ol
-dgei mqke qny spelling chqnges you fnd
necessqry(such qs chongngy into i)
whatever -) no matterwhat
whoever --? no matterwho
whichever-+ no matterwhich
wherever -+ at / to anyplace/no matterwhere
whenever at anytimeat all/no matterwhen
however *) in whateve
r waylnomatterhow
Now,translateinto English:
b/ Estdondeest,me gustar.
UNIT: LANDSCAPE
ANDTHEARTS I 75
d,) Hagaslo que hagas,estarbien.
e) Yayacuandovaya,se alegrarn
de verle.
g/ Cuandoquiera
que ibaa la ciudadle traaun regalo.
h,) Llegues
cuandollegues,
llmame.
Relativeclauses:
UNIT: LANDSCAPE
ANDTHEARTS I77
c) Thosearetheories.
I willneverbelieve
in them.
e) That'sthesamedisease.
Lesliesuffered
fromit.
f) lt is a possibility.
I had neverthoughtof it.
strength T
sl i mn ess T
liveliness T
i n te l l igence
creativity T
I
Forexample, Billis stronger thanAlicebutlessstrongthanTom.
M a k e c o mp a ri so nfo
s l l o w i n gth e instr uctions
below as in the
exampres:
E. g . : A l i ce/T o m(stre n g th ).
Aliceis lessstrongthanTom.Aliceisn'tas/sostrongas Tom.
Tom/ Alice(age).
Tomis as old as Alice.
Q Bil / Tom(weight).
c/ Tom/ Bill(liveliness).
d/ Alice/ Tom(height).
f) Tom/ Alice(creativity).
UNIT: LANDSCAPE
ANDTHEARTS 179
Readthe informationin the grammarcapsuleand then do the
exercise:
g) lf you(help)me,| (finish)
in abouthalfan hour.
(phone)hertwiceeverymorning.
b) Herboyfriend
d,) Humanbeings(alter)theirsurroundings
foraesthetic
reasons.
(leave)?
e) At whattimethe trainto Newcastle
UNIT: LANDSCAPE
ANDTHEARTS I8I
She(live)withsomefriendsat the momentbutshe(prefer)
to live
by herself.
g/ | (suppose)
she (notcome)to the partyon Saturday.
h) | (meet)Billtomorrow | (imagine)
evening. we'llgo to thecinema.
H) TANGUAGE
AND LITERATURE:
THECONNECTION
Narrativesof personalexperience(with descriptivestructure)in
literaryworks.
UNIT
: LANDSCAPE
ANDTHEARTS I83
| ) Reqd fhe following norrolve by Mqrk Twclin,
where the norrolion of tr personol experience s
combined with description.As you wll notice, the
firsf fhree psrdgrqphs <rre merely descriplive,
while lhe fourth ond lost one is moinly nsrrative
'#3 ilm*k
#ffi h#ss,{#tr#ffi
H*e.sd#cru'
axm#*rs*mm#
$re
'fu*rs
Frur*m ffi#tr##r#hsEeru
# ffi#a"$#$Frrugwm$
#$*n*ru*#H gheseffiu*s*mrxm
#ffi# here#ffisqry#r
a) Whatis MarkTwainmainlydescribingin the first paragraph?
b) What are the adjectiveshe uses to describe it? Do these
adjectiveshavea positiveor a negativeconnotation?
c) Whatis describedin the secondparagraph?
d) what are the words or expressionsthat Markrwain uses in
orderto makethe landscapevivid to the reader?
e) Wouldyou like to visit the place?Why?
f) Whatkind of imagesdo we find in the third paragraph?
Which
wordsor expressionshelpedyou bestvisualizethe mountain?
&F
In the fourth and last paragraphMarkTwainnarratesthe story of
Fridolin.Broadlyspeaking,narrativesc ontain
a beginning,
a m iddleand
UNIT
: LANDSCAPE
ANDTHEARTS I85
an end,but if we studythemin detail,we shallfindall or someof the
following
elements (Labov,
1972,1997):
1. Abstract(oneor twoclausessummarizing thewholestory)
2. Orientation(identification
of thetime,place,persons, theiractivity
or thesituation)
3. Complicating action(clauses describing
differentevents)
4. Evaluation(themeansusedby the narrator to indicatethe point
of thenarrative:why
it wastold,andwhatthenarrator is aimingat)
5. Resultor resolution(theset of complicating actionsthatfollow
the mostreportable
event)
6. Coda(a freeclauseat the endwhichsignalsthatthe narrative is
finished)
Abstract
"lt is saidthe Fridolin(theold Fridolin),
a newsaint,but formerlya
missionary,gavethe mountain itsgraciousname."
Orientation
"Hewasan lrishman, sonof an lrishking-therewerethirtythousand
kingsreigning
in CountyCorkalonein histime,fifteenhundred
yearsago."
Complicating
action
"lt got so that they couldnot makea living,therewas so much
competition andwagesgotcutso.Someof themwereoutof workmonths
at a time,withwifeandlittlechildrento feed,andnota crustin the place.
At lasta particularlyseverewinterfelluponthe country,and hundreds of
themwerereducedto mendicancy andwereto be seendayafterday in
the bitterestweather,standingbarefootin the snow,holdingout their
crownsfor alms."
l8 STRANDS (Br-pART
oF LANGUAGE t)
Evaluation
"lndeed,theywouldhavebeenobliged
to emigrateor starvebutfor a
fortunateideaof PrinceFridolin's,
whostarteda labor-union,thefirstone
andgotthegreatbulkof themto joinit."
in history,
Resolution
"He thuswon the generalgratitude,
and theywantedto makehim
emperor-emperor overthemall-emperorof CountyCork,buthe said,
No, walkingdelegatewas good enoughfor him. For behold!he was
modestbeyondhisyears,and keenas a whip."
Coda
"Tothisdayin Germany
andSwitzerland, whereSt.Fridolinis revered
and honored,the peasantryspeak of him affectionately
as the first
walkingdelegate."
UNIT: LANDSCAPE
ANDTHEARTS 187
the "GoldenMusic Festival"in 2004,the PopularityAwardat "Radu
SerbanNational.
http://www.youtu
be.com/watch?v=i3RYOawN
lTs&featu
re=related
http://www.youtube.com/watch?v=wM
lzuSLx3kE&feature=relatd
http://www.youtu
be.com/watch
?v=YCZObxeLUSS&featu
re=related
| 88 STRANDS (BI-PART
oF LANGUAGE D
Eelf-EvaluotionUni| 6
3. At firsttheythoughtthe painting
was an originalPicasso,
but it
turnedoutto be a replica.
a) priced b) priceless c) valueless d) value
4. Thisjob experience
willbe forher ;shewill
learna lotandseethingsin a completely
newperspective.
a) valueless b) worthless c) of no value d) invaluable
5. Theseantiquesare extremely ; be careful
notto breakthem.
a) price b) valuable c) valueless d) worthless
UNIT: LANDSCAPE
ANDTHEARTS I89
3) Choosethe correct option lo complele lhe
meqningof fhesesenfences
1. lf she speaksSpanishfluently,she the job.
a) get b) wouldhavegot c) willget d) got
2 . T h i s weekendthey ar e stayingin town, but they us ual l y
to the coast.
a) go b) went c) will be going d) will have
gone
| 90 sTRANDS (Br-IART
oF LANcUAGE r)
TRANSTATION
AND COMPOSITION2
(Unifs4 - 6>
Thesetwo exercisesshould be sent to your Tutorfor correction.
2> Composilion
lmaginefor your vacationyou have bookeda hoterwith a travel
agencyandit is notat allwhatyouexpected;you havepaidtoo muchfor
what you are getting.write a letterof complaint(about150 words)
explaining
whyyouare unhappy withtheserviceyouarerecelving.
UNIT
: LANDSCAPE
ANDTHEARTS I9I
MODELEXAM
The followingis a model of the type of final exam the UNED
studentswill haveto sit for at the end of the course.For the learners
to checktheir performance, the correctanswershave been marked
in red.
I // LENGUAMODERNAI . LENGUA
INGLSINSTRUMENTAL
EXTRANJERA:
INGLS
Gradoen Estudios
Ingleses
ll Gradoen Lenguay Literatura
Espaolas
Name
| - Circlefhe correctoption
A. $pelling:(l point)
1. stor s
a)y b) i c) ie d) ei
2. la-
a) ch b) k c) ct{ d) c
3. fl ing
a) v b) i c) ie d) ei
4. loo_
a) ch b) k c) ck d) c
5. sunn_er
a) v b) i c) ie d) ei
MoDEL
EXAM 195
B. Verbs:(l point)
6. I thinkyoushould the mostof yourtripto
BilbaoandvisittheGuggenheim
Museum.
a) making b) make c) do d) did
(l point)
C. Prepositions:
1 1 . I ca n' tseewithoutglasses night.
a) in b) on c) at d) at the
12. The babywokeup at 4:00 themor ni ng?
a) of b) in c) on d) at
13. I haven'tany money me.Couldyou lend
me some?
a) inside b) in c) at d) on
1 4 . I th i nkther eis a spider theceiling.
a) at b) from c) on d) for
1 5 . Wh o' s r esponsible security in this
b u i l ding?
a) for b) in c) in the d) from
ll - Trunslqlefhe fallowngsnfnefr6m
$panishinto English:(E points)
a) No fuea la fiestani de Juanni de Mara;sequeden casa.
He/Shewentneitherto Juan'snorto Mara'sparty;he stayedAI
home(instead).
He/Shedidn'tgo eitherto Juan'sor Mara'sparty;he stayedat
n o me .
b) Puedequemetengaqueir de viajemaana. preparar
Podras la
comidat mismo?
haveto go on a triptomorrow.
I might/may Couldyouprepare
lunch
yourself
?
c) Juanes el hijomayory el msalto;esinclusomuchomsaltoque
su padre,
Juanis theeldest/oldest
sonandthetallest,he is evenmuchtaller
thanhisfather.
MoDELEXAN/ 197
d) l mismoconduce el cochenuevo,aunqueno deberaporquees
demasiado joven.
He himselfdrivesthe newcar,although
he shouldn't
becausehe
is tooyoung.
answer)
{Semi-open
(Semi-open
answer)
lV - Composifion:(2 points)
foodand drinkin a shortessay(about80-
Writeaboutyourfavourite
100words).
Openanswer.
MODELEXAM I99
KEYTO EXERCI$ES
AND TASKS
A) WARMTNG
UP
withyourtutoror classmates.
Discuss
1) Openanswer.
2) Openanswer.
3) Openanswer.
B) ORALDTSCOUR8E
withyourtutoror classmates.
b) Discuss
1. Openanswer.
2. Openanswer.
3. Openanswer.
4. Openanswer.
5. Openanswer.
c, MULT|-TA$K|NG
ACTtVtTtES
$lep 3
r)
1. b
2 . a
3 . c
4 . c
5 . b
KEYTOEXERCISES - SOLUTIONS
ANDTASKS UNITl: SMlLEll 203
2'
a) Mona Lisa is a mysterybecauseher identityhas long puzzled
scholars.
b) WhileSchwartz wastestinga computerprogramshe compared the
two oictures.
c) She scaledthe two picturesbeforeshe matchedeachone on the
compuler.
d) Sincethe featuresmatchedprecisely
sheconcluded
thatMonaLisa
was Leonardo.
e) AlthoughSchwartz'sexplanationmakes sense many experts
disagree.
Schwartz'sexplanationmakes sense althoughmany experts
disagree.
f/ Leonardo tookthe picturewithhimwherever
he travelled.
g) Manyhistorians believethat Leonardowas probablyhomosexual,
therefore
the MonaLisamayhaverepresented "a sideof himselfthat
he treasured."
h) MonaLisamay be Leonardohimself;yet manyart expertsremain
unconvinced.
3) ORALPRODUCTIOf'|
withyourtutoror classmates.
Discuss
Ooenanswer.
4' WRITTEN
PRODUCTION
withyourtutoror classmates.
Discuss
a) Openanswer.
b) Openanswer.
c) Openanswer.
D) TACKLTHG
VOCABULAnY
r)
a/ obvious c) revealing
b) right d/ famous
2>
a) magazine e,) sensuality
b) nonsense f/ mind
c) identity g/ eatures
d) publisher
3)
a) concluded d) argueo
b) remained e) match
draw 0 carried
4>
a) At the end of e) partwith
b) upsidedown f) a matterof
c) makessense s) privatejokes
d) keepnotes
5)
'1.
a) obvious
b) striking
c) famed
d) apparently
2.
a) famed
b) obvious
al apparently
d) striking
KEYTOEXERCISES - SOLUTIONS
ANDTASKS UNITl: SMlLEll 2O5
)
Down
1. mistress, 6. argue,7. draw,9. publisher,
2. fool,3. conclude, 10.
mind,12.sensuality,14.record,
15.remain, 17.striking,
18.match.
Across
4. selfportrait,5. 11. painting,
famed,B. apparently, 13.duke,16.
features,
18.magazine,19.carry,20.
known,21. identity.
E) NOW HOW'SYOURSPELHNG?
r)
bucket emphatic knock
chemistry plastic psychology
look weak luck
fantastic stock lack
2>
oheled ehenies funnir sunnier
steadily flying worried studying
spies happily stories cries
F) AND...Hoylt'$YOURFORMATION
oFyttoRDs?
r)
difference convenience
efficiency consistence/consistency
dependence annoyance
assurance predominance
G) USINGENGUSHAPPROPRTATELY
AND PUTTING
IT INTOMOTION
1)
a) Charles reign.
theSecond's
b) Tomand Mary'shouse.(lf it belongsto bothof them.)
Tom'sandMary'shouses.(lf eachonehashis/herownhouse.)
c) Milton's works.
andShakespeare's
d) Our neighbours'
backyard.
e) Bismarck's
Germany.
f/ Europe's
difficulties.
g) Bill'sfather's
friend.
h) Oneof John'snephews.
i) My smallsisters'toys.
j) Theladies'clothes.
k) My son-in-law's
bicycle.
/) JimandElisabeth's
children.
KEYTOEXERCISES - SOLUTIONS
ANDTASKS UNITl: SMlLEll 2O7
m) Verdi'sand Puccini's
operas.
n) Mr.Brown'sportrait.
(lf the portraitbelongsto Mr.Brown.)
Theportraitof Mr.Brown.(lf the portraitdepictshim.)
2>
a) A profitable
business.
A lot of business.
b) A glassusedfordrinkingwine.
A glasswithwinein it.
c) A dayon whichoneis paid.
A payof one day.
d) A racein whichhorsesparticipate.
A horsefor racing.
e/ A fieldwheresportsare practised.
Sportspractised
outof doors.
3)
a) for f) in/at k) for
b) on g) in l) atlon
c) for h) of m) on
d) in/at i) in n) atllor
e) on i) at
4>
a) doing f) do k) do
b) doing g) made l) do
c) made h) make m) do/ making
d) makes/made ) did
e) make j) do/ make
5)
Q fhe children quarrelled
neither norfought
b) Theexamwas neithershortnoreasy.
a) himself f) themselves
b) himself g) ourselves
c) myself h) yourself
d) herself i) herself
e) yourself j) themselves
B) ORALDTSCOURSE
withyourtutoror classmates.
b) Discuss
1) Openanswer.
2) Openanswer.
3) Openanswer.
4) Openanswer.
5) Openanswer.
c) MUUT|.TASK|N9
ACTtVtTtES
Step 3
r)
1. c 5 . a
2. a 6 . b
3. b 7. a
4. b B . c
3) ORALPNODUCTIOhI
L Discusswilh your 1u1orot clolssmsles
a) Openanswer.
b) Openanswer.
c) Openanswer.
d) Openanswer.
e) Openanswer.
2, WRITTENPPODUCTION
Ooenanswer.
2'
a) polish/ wipe/ brush/ clean
b) wash
c) brushes
d) vacuum/ clean
e) wipe/ clean
3)
a) maintain g) impressed
b) improve h) mark
c) reserved i) mind
d) presented j) replace
e) intended k) ordered
f) ensured l) informed
4)
a) suitable e) particular
b) mysteriously f) pleasantly
c) accurate g) fashionable
d) charmingly h) strictly
5)
a) turnoff e) wearoff
b) be off f) putoff
c) takeoff g) putheroff
d) getoff
7'
Down
particular,4.
1.skill,2. accurate,6.
mysteriously,
10.improve.
Across
3.fashionable,
5.suitably,
6.mark,7.impress,
8.replace,
9.charming,
11.reserve, 14.present.
12.drop,13.inform,
E) NOU HOW'S
YOURSPEtuNo? #
rryi'
r)
return circus dirt
survive burst flirt
CIJI'V surprise purchase
sFrirt firm furnish
p[Jrpose circle murder
surface thirst birth
:
surgeon birth urgent
ANtr..-FIOW'S
YOURFORMATION
SF WONDS?
a)
NOUN ADJECTIVE ADVERB
2'
a) Sophieis evenmorebeautifulthanMary.
b) Theotherfilmis evenworsethanihisone.
c) Tokyois evenbiggerthan London.
d) Billis eventhinnerthanTom.
e) Trafalgar
Squareis evenlargerthan Piccadilly
Circus.
t)
a) can/ may
b) may/ might
c) May/ can
d) could/ may/ might
e) might/ could
0 might/ could
g) can
h) might(reproach
or irritation)
/ could
i) could
i) may
4'
a) He couldhaveforgotten.
b) He couldhaveguessed.
53
a) forlon h) on
b) on,in i) in, for
c) in i) on
d) for k) in
e) on l) o n ,i n
f) on m) for
g ) I n ,o n
*3
a) Havingwonthefirstprize,I received
a sportscar.
b) Havingfinishedreadingthe book,he gaveit to hissister.
c) Havingstudieduntilverylate,I wentto bed.
d) Havinglostthekeysto hisapartment,
he spentthe nightat a friend's
nouse.
e) Having
finished
lunch,shewentoutfora walk.
F)
a) a, an, a e) a,a
b) the,the f) a
c) the, a g) Ihe, A, the, the
d) the,O, the, a h) a, an, an,@
1) Openanswer.
2) Openanswer.
3) Openanswer.
B) ORALDTSCOURSE
b) Discusswithyourtutoror classmates.
1) Openanswer.
2) Openanswer.
3) Openanswer.
4) Openanswer.
5) Openanswer.
c) MU$|-TASK|NG
ACTtVtTtES
Sfep 3
r)
a) False(seefirstparagraph)
b) False(seefirstparagraph)
c) False(seefirstparagraph)
d) True
KEYTOEXERCISES - SOLUTIONS
ANDTASKS UN|T
3:TEALOVERS219
e) True
f) False(seesecondparagraph)
g) True
h) False(seefifth(last)paragraph)
i) False(seefifth(last)paragraph)
2'
whenyoumustnotrefusea cupof tea.
a) Therearesomeoccasions
b) | do adorea cupof earlymorningtea.
c) Youdefinitely
mustnotfollowmy example.
d) | drinkinnumerable
cupsof blackcoffeeduringtheday.
e) We putthecoffeein the refrigerator
andit froze.
f) | havethe mostunorthodox
andexoticteas.
s, oRArpEoDUcTtoH
Discusswithyourtutoror classmates.
a) Openanswer.
b) Openanswer.
c) Openanswer.
d) Openanswer.
e) Openanswer.
E) TACKUHG
VOCABUTARY
r)
a) deserve d) achieve
b) spoiled e) refuse
c) disturb f) suggested
2'
a) for instance d) thankyouso much
b) feel like o\ n o . . .a t a l l
c) on the contrary f) on theotherhand
4'
a civilisedsociety;civilised
customs,ideas
a smilingwitch,child
a silentsmile,prayer;silentreading
a spitefulsmile,laughter,look,expression
a malignantwitch,smile,look
a gay society,child;gay colours
unorthodoxcustoms,ideas
a wickedwitch,child,smile,look
foreigncustoms
5)
a) let d) drive
b) drops e) asking
c) shut f) ls
E) NOW HOW'SYOURSPELUNG?
r)
achieve prece concerve ceiling
receive belief seize relief
deceive chief thief field
F) AND...HOW'$YOURFOnMATION
OFWORDS?
r'
-less/-ful -less -ful
helpless
/ helpful heartlesss successful
restless/ restful leepless frightful
harmless
/ harmful hairless revengeful
meaningless
/ meaningful penniless
painless
/ painful breathless
colourless
/ colourful
thoughtless
/ thoughtful
222 (Br-pART
oF LANGUAGE
sTRANDS r)
E7
ffik #ffiEru#
ffih$#tuE#ffi
&ppffi#pffiE&YLY
effi# FwSggF#ggffig#ru#39#9.
,73
a) some- any any
b) some any
c) any some
d) some some
e) any any
++$
d) nobody/ no one
b) anybody- everybody/everyone
KEYTOEXERCISES - SOLUTIONS
ANDTASKS UNIT3: TEALOVERS223
c) anywhere/everywhere
d) anything
e) everything
f) nobody- everybody/
everyone
g) anywhere
h) everywhere
3)
a) Sheputon herbestdressandwentto the party.
b) He is thetallestboyin the class.
c) He is the nicestof thethreebrothers.
d) | thinkyouhavechosentheworstpresent.
personin thefamily.
e) Sheis the mostintelligent
0 ls Moscowthecoldestcapitalin Europe/European capital?
g) Whydidyoubuythe mostexpensive suitin theshop?
h) lt'soneof thesmallest
countries
in theworld.
4'
a) into d) in / inside
b) behind/ in frontof e) outof
c) in frontof f) outside
5)
a) He kepton promising
he wouldcomeandseeus buthe neverdid.
b) | oftengo for a walkafterlunchbutMaryhardlyeverdoes.
c) Shelovesgoingto thetheatrebutsheis seldomfreein theevenings.
d) | shallalwaysremember
herbeauty.
e) Haveyoueverwrittena poem?
havelunchat workbuttheygenerally
f) Theysometimes haveit in a
restaurant.
6'
a) l'lltakemy holidays
in September.
b) We aregoingto see Helenthedayaftertomorrow.
1) Openanswer.
2) Openanswer.
3) Openanswer.
4) Openanswer.
B) ORArDTSCOURSE
b) Discusswithyourtutoror classmates.
1) Openanswer.
2) Openanswer.
3) Openanswer.
4) Openanswer.
5) Openanswer.
c) MurTI-TASKTNG
ACTTVTTTES
Step 3
r)
1. b 3.b 5.c 7. a 9 . b
2 . c 4.a 6.c B.c
3) ORAr PRODUCTTON
withyourtutoror classmates.
Discuss
a) Openanswer.
b) Openanswer.
c) Openanswer.
d) Openanswer.
e) Openanswer.
f) Openanswer.
4) WRTTTEN
PRODUCTTON
withyourtutoror classmates.
Discuss
Openanswer.
D) TACKUNGVOCABUTARY
r)
a) disorder e) dispair
b) issue f) powerful
2'
a) in livingmemory
b) accordingto
c) in the nameof
d) in some way or another
e) more and more
3)
a) expressed
b) developed
c) mark
d) observed
e) issuing/ to issue
4>
a) variety e) article
b) youth f) rate
c) area g) dealer
d) lock h) licence
5)
a) mainland d) lock
b) riots e) drop
c) weapons f) despair
6>
a) at least
b) sincethen
c) thanever
d) as a result
e) if not
Across
5. protect,
2. develop, 6. express, 12.arlicle,
7. arm,11.licence,
'16.
14.powerful, observe, 20.hard,21. weapon.
17.drop,18.attack,
E) NOW HOW'SYOURSPELING?
r)
scholar master
beooar flatter
collar oarticular
discsver mustard
vrnegar muscular
grocer wizard
regular plaster
peculiar danger
2>
firearms picking horror
according knife robbed
weapon steal threaten
dealer assistant happen
licence neighbours ironically
issued dropped burgled
middle continually wntrng
attack blood buying
expressed fortress accumulate
obscenity fear developing
ry AND...HOW'SYOURFORMATTON
OFWORDS?
r)
NOUN + NOUN ADJ.+ NOUN ADJ.+ ADJ.
tablecloth shorthand blue-black
lipstick paleface red-hot
toothbrush heavyweighl bittersweet
newspaper loudspeaker
bookcase
2)
unintentional unforgettable
unscientific tnsane
inappropriate unfair
disloyal improper
unwise dislike
incredible unconscious
disobey disfavour
disregard unpack
- SOLUTIONS
AND TASKS
KEYTO EXERCISES UNIT4: CRIMEAND DANGEB 233
h, wApMrNGuP
withyourtutoror classmates.
Discuss
1) Openanswer.
2) Openanswer.
3) Openanswer.
4) Openanswer..-
B) ORAr DSCOURSE
b) Discusswithyourtutoror classmates.
1) Openanswer.
2) Openanswer.
3) Openanswer.
4) Openanswer.
5) Openanswe.
ACTIVIilES
c) MULil-TASKING
Sfep I
Openanswer
Summary:
WRITTENPRODUCTION.
withyourtutoror classmates).
(Discuss
- SOLUTIONS
AND TASKS
KEYTO EXERCISES EXPERIENCE235
UNIT5: WILDLIFE
$tep 3
r,
1. b 3.c 5 . a 7. b 9.c
2 . a 4.b 6.c B . a
2'
a) Thefilmsoftencontainnewbiological
insights.
b) An hour aftertransmission
the switchboard
of the BBC was still
jammedwithcalls.
c) At thetime,it wascertainly
fascinating
forornithologists.
d) Foxeshavealsorevealed
a fewof theirfamilysecrets.
e) Soundandpictureweretransmitted
backto a mobilestudio.
f) Zoologist
Stephen
Harriswaswaiting to describe
whatwasbeingseen.
g) Suchyoungcubsarenotyetableto regulatetheirbodytemperatures.
h) lt wasassumed
thatthevixenwouldstaycloseto them.
3) OpAr pRODUCTTON
Discusswithyourtutoror classmates.
a) Openanswer.
b) Openanswer.
c) Openanswer.
d) Openanswer.
e) Openanswer.
f) Openanswer.
Dt TACKilNGVCABUTARY
r'
a) by andlarge f) gripped
b) soughtto g) glimpse
c) assorted h) task
d) devise i) mobile
e) persuaded j) watch
3)
a) persuaded g) interpret
b) witness h) install
c) jammed i) swallow
d) digeSt j) accept
e) operate k) succeeded
D gripped
4'
a) behaviour D proportion
b) glimpse g) task
c) nests h) public
d) technique i) tunnel
e) qualities j) stage
5)
1.
a) a successthat isn'tprobable.
b) a successthat is incomplete.
2.
programme.
a) a very interesting
broadcastas it takesplace.
b) a programme
3.
a) happyfromtimeto time.
happy.
b) notcompletely
)
a) at thetime D by and large
b) go hungry g) brokeintopieces
c) of keyimportance h) at the back
d) withluck i) at thisstage
e) at the endof j) shota film
7>
Down
2. test,3.cellar,4.unlikely,5. 6. proportion,
witness, 8. swallow,
13.
technique, 15.tunnel.
Across
1. digest,6. partially,
7. task,9. live,10.occasionally,
11. fascinating,
12.watch,14.nest,16.stage.
E) NOW HOW'SYOURSPETLNG?
r)
round powder brow
endow owl sour
sound clown tower
dr-own sour coufllry
amount wound shoulder
account crowd towel
power pound soup
allowed hound crown,
shower shout flower
F3 Ail... F*W'SYSURFORIVIATISN
F lfSRnS?
r>
N O U N+ N O U N + (VERB)
ADJ.iADV. ADJ. + NOUN
G) USINGENGUSHAPPROPRTATETY
AND PUTTING
IT INTOMOTION
r)
a) since g) since
b) for h) for
c) for i) since
d) since j) for
e) for k) since
f) since
2>
consciousof concernedwith/ about convenient
for
qualified
for capableof absentfrom
patientwith graleTutTor differentfrom
familiar
with guiltyof responsible
for:
tiredof fond of disappointed
with
4)
on MSNinsteadof doingherhomework,
a) Maryis alwayschatting that
is whysheis doingso poorlyat school.
beforehe arrives,so I hardlyever
b) I normallyleavethe gymnasium
seehimthere.
becausemy motherdoesn't
c) We alwaysgo out for lunchon Sundays
liketo cook.
d) I neverphonehernowthatsheis abroadbecauseit is tooexpensive.
e) We seldomgo on vacationbecause
we can'taffordit.
f) I didn'twatchthe sciencefictionfilmbecauseI hardlyeverenjoythis
kindof film.
s) I havefrequentlycomplained
to the managerbuthe doesn'tseemto
to solvetheproblem.
be doinganything
h ) Myparents
(nearlyalways/seldom/
hardlyever)cometo myhouseon
whentheyare in town.
Sundayafternoons
5)
a) This is the painting(which)they havepaid so much moneyfor.
b) This is the store(which)| boughtall our furniturein.
c) John is the neighbour(whom)| wenton holidaywith.
d) Mr. Smithis the teacher(whom)I borrowedthe book from.
e) The pub (which)we met in datesfrom 1865.
f) The town (which)he was born in is in the Northof England.
g) The man (who) | spoketo was very helpful.
h) The company(which)we workfor is very small.
- SOLUTIONS
AND TASKS
KEYTO EXERCISES EXPERIENCE241
UNIT5: WILDLIFE
i) The person(whom)he heardthe newsfromwas his sister.
j) The knife(which)he cut himselfwithwas verysharp.
Note: the relativesin brackets are often omitted in spoken English.
)
a) at the time d) in time
b) on time e) at onetime
c) at times
7>
a) for,until h) after,for
b) from i) bv
c) about,from j) with,until
d) for,with k) for,on, about
e) until,with l) about,for
f) with,by m) from,on/for
g) on,with,until
1) Openanswer.
2) Openanswer.
3) Openanswer.
B) ORALDTSCOURSE
b) Discusswithyourtutoror classmates.
1) Openanswer.
2) Openanswer.
3) Openanswer.
4) Openanswer.
5) Openanswe.
ACTTVTTTES
c) MULil-TASKTNG
Step I
WRITTENPRODUCTON.
Ooenanswer
withyourtutoror classmates).
(Discuss
KEYTOEXERCISES - SOLUTIONS
ANDTASKS UNIT: LANDSCAPE
AND.. 243
Slep 3
r)
1. c 3.a 5.a
2 . b 4.c
2>
a) surroundings
/ environment
/ setting.
b) beings;aesthetic.
c) environment
/ setting.
d) crowded;comfortable.
e) view.
3) ORALPRODUCTTON
Openanswers.(DiscusswithyourTutorand/orclassmates)
4) WR|TTENPRODUCTTON
Openanswer.
D) TACKLINGVOCABUL/ARY
r)
a) valuable/ invaluable
b) estimated
c) evaluate
d) valuable
/ invaluable
e) worthless
D valued
g) value
/ priceless
h) valuable
Across
1.setting, 4. forest,7. surroundings, 9. rearrange, 10.landscape,
13.
d e s i g n1, 4 .m e r e1, 5 .s h e l t e 1
r ,7 .e n v i r o n m e n t .
3)
a) deliberately e) obvious
b) incidental f) expense
c) shelter g) seldom
d) distinctive h) profoundly
4>
a) on holiday
b) takeforgranted
c) for instance
d) by no means
e) Apartfrom
f) afterall
s)
a) Shesuddenly turnedaboutandstartedrunning/
to run.
b) | haveseenthemsittingabouton thegrass.
aboutin thepark.
c) We hada nicetimewalking
d) She'stiredof seeingthechildrenhangingaboutthestreetsall day.
e) He'llgetup latetomorrow
andwilllieaboutallday.
f) A groupof peopleare standingaboutat the doorof the shopping
centre.
KEYTOEXERCISES - SOLUTIONS
ANDTASKS AND.. 245
UNIT: LANDSCAPE
E) NOW HOW'SYOURSPEIL|NG?
r)
2>
F) AND... HOW'SYOURFORMATTON
OF WORDS?
r)
marriage breakage
refusal proposal
denial srorage
arrival carriage
passage renewal
trial revival
package approval
recital postage
G) USrNGENGUSHAPPROPRIATELY
T INTOMOTION
AND PUTTING
r)
it is, I won'tbe ableto go.
a) Whenever
it is, l'lllikeit.
b) Wherever
c) Whoeverit was,(s)hedidn'ttellyouthetruth.
youdo,it'llbe all right.
d) Whatever
he goes,they'llbe gladto seehim.
e) Whenever
youbuythecar,it'llbe expensive.
f) Wherever
he wentto town,he broughthera present.
g) Whenever
youarrive,callme up/phone
h) Whenever me.
2>
a) lsn'tthis the bus you are waitingfor?
b) That'sthe lady we have been talkingabout.
c) Thoseare theoriesl'll neverbelievein.
d) ls this the articleyou were interestedin?
e) That'sthe same diseaseLesliesufferedfrom.
f) lt is a possibilityI had neverthoughtof.
g) This is the kind of job I will neverget tired of.
h) Therewere a few thingshe nevergot used to.
KEYTOEXERCISES - SOLUTIONS
ANDTASKS UNIT: LANDSCAPE
AND.,. 247
3)
a) Billis heavierthanTom.
b) Aliceis slimmer
thanBill.
c) Tomis as livelyas Bill.
d) Aliceis as tallas Tom.
e) Tomis as intelligent
as Alice.
f) Tomis lesscreative
thanAlice.
Tomisn'tas creative
as Alice.
g) Tomis younger thanBill.
4)
a) wouldn't
be;didn't
eat
b) drank,wouldfeel
c) took;wouldn't
be
get;weren't
d) wouldn't
e) passed;would
go
f) could;were
g) helped;would
finish
h) wouldn't
turn;kept
i) wouldwalk;didn't
have
5)
a) areyougoing;l'mgoing.
b) phones.
c) areyoustaying;
I'mcomingback;stay.
d) alter.
e) doesthetrainto Newcastle
leave.
f) is living;prefers.
g) suppose; isn'tcoming.
h ) a mm e e t i n g ; i m a g i n e .
i) arehavinglunch;eat.
j) is having;
liesdown.
7'
a) A,A e) @, the
b) the,the f) the,the
c) b,@,a g) O, the,the
d) the,the,the
H) TANGUAGE
AND TITERATURE:
THECONNECTION
KEYTOEXERCISES - SOLUTIONS
ANDTASKS UN|T: LANDSCAPE
AND ,. 249
Orientation:
Complicatingaction:
Musichaschangedherlifeeversincesheturnedsevenwhensheimpressed
a musicteacherand successfully passesan auditionto the musicschool.The
soundsof pianopenetrated her mindand souland madethe girl perceive the
worldtrulydeep.Sheneverhadtimeto playwithherfriendsas shewasalways
nearherpianotryingto playbetter,tryingto feelthe instrument better.Thiswas
the momentwhen everybody realizedthat she is the type that neverleaves
anythingundone,the typethatstruggles and overcomes obstacles thatprevent
herfromachieving hergoal.Shewasalwaystryingto improve andshemanaged
it owingto her originality,
imagination, and persistence.
creativity Playingthe
pianowas not enough- she neededto sing and that is how she got to the
NationalPerforming ArtsSchoolof Bucharest to studyvocalmusic.
Evaluation:
Resolution:
Coda:
KEYTOEXERCISES - SOLUTTONS
ANDTASKS UN|T: LANDSCAPE
AND .. 251
Solutionslo Self-Evslustion(Unit | )
I)
1. f 3.c 5 . b
2 . d 4.9
1. a 3.c 5.a
2 . d 4.b
3)
1. a 3.a 5.c
2. b 4.c
4'
1. d 3.b 5 . d
2 . c 4.c
1. b 3.c 5.d
2 . b 4.b
1. b 3.d 5.a
2 . b 4.a
4>
1. d 3.d 5.b
2 . c 4.c
5.a
1. b 5 . a
2 . c
2>
1. e 3.d 5.9
2 . c 3.a
3)
1. b 3.a 5.d
2 . c 4.b
4)
1. c 3.b 5.a
2 . d 4.b
e . l 5.a
4 . c
A A
KEyTo EXERCTSES
AND TASKS UNITSr - 257
- soLUTroNSTo sELF-EVALUATIoN
Solulions lo Self Evoluofion Unil