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Leo Tolstoys short novel, The Death of Ivan Ilyich, provides a great
introduction to connection between death and the meaning of life. It
tells the story of a forty-five year old lawyer who is self-interested,
opportunistic, and busy with mundane affairs. He has never considered his
own death until disease strikes. Now, as he confronts his mortality, he
wonders what his life has meant, whether he has made the right choices,
and what will become of him. For the first time he is becoming
conscious.
The novel then takes us back thirty years to the prime of Ivans life.
He lives a life of mediocrity, studies law, and becomes a judge. Along the
way he expels all personal emotions from his life, doing his work
objectively and coldly. He is a strict disciplinarian and father figure, the
quintessential Russian head of the household. Jealous and obsessed with
social status, he is happy to get a job in the city where he buys and
decorates a large house. While decorating he falls and hits his side, an
accident that will facilitate the illness that eventually kills him. He
becomes bad tempered and bitter, refusing to come to terms with his own
death. As his illness progresses a peasant named Gerasim stays by his
bedside, becoming his friend and confidant.
Ivan first dreams of the deep black sack and he imagines himself
being thrust further and further into it. He wants to fall into the bag, yet
he fears it at the same time. He resists being pushed into it, yet he also
cooperates. If the bag is understood as a symbol of death, Ivan's
ambivalence becomes clear. He both longs for the reprieve of death and
fears having to relinquish life. The fact that Ivan breaks through the bag
anticipates Ivan's escape from the power of death. It seems reasonable,
however, that the symbol of the bag, much like the story itself, operates
on two levels. As well as its function as a symbol of death, the bag also
symbolizes a womb, the source of life. The pain and suffering that Ivan
experiences while passing through the bag into the light refer to the
trauma of birth into new life. The duality of the symbol holds a key to the
story. In Ivan's life, what appears like physical death is actually spiritual
rebirth, while his old life was the cause of spiritual death. Things are not
what they seem, and the action must be understood in light of the motif of
reversal. Ivan's life was his death, and his death brings new life.
Ivan's illness, then, can be seen as a curative influence. By forcing
Ivan to confront the prospect of his death, it brings him face to face with
his own isolation. That isolation terrifies Ivan, provoking serious existential
reflection. And as Ivan begins to examine his life, as he questions his
existence and the rationale behind his suffering, he slowly begins to see
that his life was not as it should have been. Ivan's illness reveals to him
the true nature of life. At the climactic moment of the novel, when Ivan
passes into the presence of the light and realizes that compassion and
love are the true life values by which to live, the incalculable joy that he
experiences is proof of the quality of such a life.
Gerasim possesses the qualities that, more than any other, produce
a joyful existence: a sense of compassion for and empathy with fellow
human beings. Unlike the other characters in the novel, Gerasim interacts
with people in an authentic and reflective way. Because the well-being of
others is a matter of deep personal importance to him, Gerasim is able to
connect with people in a way that breaks down isolation and creates
meaningful bonds. It is not surprising that Gerasim is the only character
capable of confronting death with equanimity and courage. He accepts
death, and dirt, and illness as inevitable parts of life. Given the task of
helping Ivan with his excretions and comforting him at night, Gerasim
sees his duties as aid to a dying man. While Praskovya and Lisa, because
of their self-interested natures, can only exacerbate Ivan's condition,
Gerasim can both comfort and heal the dying man. When he supports
Ivan's legs, Gerasim bridges the gap, both physically and spiritually,
between Ivan and the world. It is not a coincidence that Ivan first realizes
the error of his past life while staring at Gerasim's face. Gerasim is a truly
spiritual character. He exemplifies the right way to live, and his contact
with Ivan eases the man along the road to spiritual health.