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Self-Accompanied Melody
.qxd 8/1/10 13:30 Page 65 Simple Meter, Rests and Phrases
SELF-ACCOMPANIED MELODY 1.7
1.
DAS01c.qxd 110
Self-Accompanied
8/1/10 Melody
13:30 Page 110 Compound Meters, Ties and Dots; The Minor Mode, Inverted Triads
110 Compound Meters, Ties and Dots; The Minor Mode, Inverted Triads
Self-Accompanied Melody
Simple Meter, Rests and Phrases
DUET
2. 2.3.3
SELF-ACCOMPANIED MELODY 1.9
Chorale Ardently
Moderato
CHORALE 1.10 lightly
Self-AccompaniedLento
Melody
4. 1. Between scale degrees 3 and 5
Facts You Need to Know
2. Between scale degrees 4 and !6
SELF-ACCOMPANIED MELODY 2.3
3.Triads areLento
Between three-note chords.
scale degrees 5 andMajor
4.stable sound.
Between They
scale consist"6ofand
degrees a major
1 third between the root and third, a minor third between the third
5. Between scale degrees "7 and 2
and fifth, and a perfect fifth between the root and fifth.
1.10 Major Triads in Root Position
1.11
EXAMPLE Lento
Improvision
1.10.1 I: Tonic Functionmeaning they have a complex yet pleasing and bright sound.
Major thirds are imperfect consonances,
P5 Know
Facts You Need to
Facts YouM3 Need m3to Know
Triads are three-note chords. Major triads are generally described as having a bright, happy, and
stable Tonic
sound.function is the most
They consist stable third
of a major function in tonal
between themusic.
root The
and desire
third, to returnthird
a minor to tonic is builtthe
between intothird
the
tonalDo Mi
musical system. Sol function is carried by the tonic chord (I in major, i in minor). Sometimes the
Tonic
and fifth,
D and a perfect fifth between the root and fifth.
1 3 5
submediant chord (vi and VI) or the mediant chord (iii and III) act like they carry tonic function. Note
that all of these chords contain scale degree 1, which gives this chord class its stability, and scale degree
EXAMPLE 1.10.1
Major
three, triads occur
which in three
establishes places
major in the modality.
or minor major scale:
When improvising tonic function, focus on singing scale degrees 1, 3, and 5 as your primary tones.
P5
To improvise in tonic, use the following techniques:
5.