Professional Documents
Culture Documents
Working Bibliography
Anonymous 4. Die Musiktraktate des Anonymous 4. Ed. Fritz Reckow. Beihefte zum
Archiv fr Musikwissenschaft 45. Wiesbaden: Franz Steiner, 1967.
Anonymous 4. The music treatise of Anonymous IV: a new translation. Trans. Jeremy
Yudkin. Musicological Studies and Documents 41. [Rome]: American Institute of
Musicology, 1985.
Aurelian of Rme. Musica disciplina. Ed. Lawrence Gushee. CSM 21. N.p.: American
Institute of Musicology, 1975.
Barker, Andrew. Greek musical writings II: Harmonic and acoustic theory. Cambridge:
Cambridge University Press, 1989.
Boethius. De musica. Anicii Manlii Torquati Severini Boetii de institutione arithmetica libri
duo; De institutione musica libri quinque. Ed. Gottfried Friedlein. Leipzig:
Teubner, 1867.
Boethius [Glosses]: Bernhard, Michael, and Calvin Bower, eds. Glossa maior in
institutione musicam Boethii. Bayerische Akademie der Wissenschaften,
Verffentlichungen der Musikhistorische Kommission. Munich: Bayerische
Akademie der Wissenschaften, 19932011.
Coussemaker, Charles Edmond Henri de, ed. Scriptorum de musica medii aevi nova
series. Paris: Durand, 186476.
Gaffurius. Theorica musicae. Trans. Walter K. Kreyszig, ed. Claude V. Palisca. Music
Theory Translation Series. New Haven, CT: Yale University Press, 1993.
Guido of Arezzo. Micrologus. Guidonis Aretini Micrologus. Ed. Joseph Smits van
waesberghe. CSM 5. N.p.: American Institute of Musicology, 1955.
Guido of Arezzo. Micrologus. Hucbald, Guido, and John on music: Three medieval
treatises. Trans. Warren Babb, ed. Claude Palisca. Music Theory Translation
Series, vol. 3. New Haven and London: Yale University Press, 1978.
Hermannus Contractus. Musica Hermanni Contracti. Ed. and trans. Leonard Ellinwood.
Eastman School of Music Studies, vol. 2. Rochester, NY: N.p, 1936.
Hucbald of St. Amand. Hucbald, Guido, and John on music: Three medieval treatises.
Trans. Babb, Warren, ed. Claude Palisca. Music Theory Translation Series, vol.
3. New Haven and London: Yale University Press, 1978.
Isidore of Seville. Isidori Hispalensis episcopi Etymologiarum sive originum libri XX. Ed.
Wallace M. Lindsay. Oxford: Clarendon Press, 1911.
Jacques of Lige. Jacobi Leodiensis Speculum musicae. Ed. Roger Bragard. Corpus
Scriptorum de Musica 3, 17. [Rome]: American Institute of Musicology, 1955
73.
von Jan, Karl, ed. Musici scriptores graeci. Leipzig: Teubner, 1917.
Jerome of Moravia. Tractatus de musica. Ed. Simon C. Cserba. Freiburger Studien zur
Musikwissenschaft. 2. Reihe der Verffentlichungen des Musikwissenschaftlichen
Instituts der Universitt Freiburg. Heft 2. Regensburg: F. Pustet, 1935.
Johannes de Muris. Die Musica speculative des Johannes de Muris: Kommentar zur
berliferung und kritische Edition. Ed. Christoph Falkenroth. Beihefte zum Archiv
fr Musikwissenschaft, vol. 34. Stuttgart: Steiner, 1992.
Johannes de Muris. Jean de Murs, crits sur la musique. Textes en latin, traduction et
commentaire. Ed. Christian Meyer. Paris: CNRS ditions, 2000.
Macrobius, Ambrosius Aurelius Theodosius. Commentary on the Dream of Scipio. Trans.
with an introd. and notes William Harris Stahl. Records of civilization: sources
and studies, no. 48. New York: Columbia University Press, 1952.
Marchetto of Padua. The Lucidarium of Marchetto of Padua. Ed. and trans. Jan W.
Herlinger. Chicago: University of Chicago Press, 1985.
Martianus Capella. Martianus Capella and the seven liberal arts. Trans. William Harris
Stahl and Richard Johnson. Records of Civilization, Sources and studies, 84.
New York: Columbia University Press, 197177.
Philippe de Vitry. Ars nova. Eds. Gilbert Reaney, Andr Gilles, and Jean Maillard.
Corpus Scriptorum de Musica. [Rome]: American Institute of Musicology, 1964.
Philippe de Vitry. Philippe de Vitrys Ars nova: a translation. Trans. Leon Plantinga.
Journal of Music Theory 5 (1961): 20423.
Prosdocimo de' Beldomandi. Prosdocimo de' Beldomandi's Plana musica and Musica
speculativa: New Critical Texts, Translations, Annotations, and Indices. Ed. Jan
W. Herlinger. Urbana and Chicago: University of Illinois Press, 2008.
Rameau, Jean-Philippe. Treatise on Harmony. Trans. Philip Gossett. New York: Dover,
1971.
Regino of Prm. Studien zur 'Epistola de armonica institutione' des Regino von Prm.
Ed. Michael Bernhard. Bayerische Akademie der Wissenschaften,
Verffentlichungen der Musikhistorischen Kommission, vol. 5. Munich:
Bayerische Akademie der Wissenschaften, 1979.
Sectio canonis. The Euclidean division of the canon: Greek and Latin Sources. Ed.
Andr Barbera. Greek and Latin Music Theory 8. Lincoln, NB: University of
Nebraska Press, 1991.
Theinred of Dover. Theinred of Dover's De legitimis ordinibus pentachordorum et
tetrachordorum: a critical text and translation with an introduction. Ed. and trans.
John L. Snyder. Musical theorists in translation 18. Ottawa: Institute of medieval
Music, 2006.
Tinctoris. The art of counterpoint (Liber de arte contrapuncti), trans. Albert Seay.
Musicological Studies and Documents 5. [N.p.]: American Institute of Musicology,
1961.
Atkinson, Charles M. 1990. Harmonia and the modi, quos abusive tonos
dicimus. In Atti del XIV Congresso della Societ Internazionale di Musicologia:
Trasmissione e recezione delle forme di cultura musicale, 485500. Turin: Edizioni
di Torino.
. 2001. The other modus: On the theory and practice of intervals in the
eleventh and twelfth centuries. In The study of medieval chant: Paths and
bridges, east and west: In honor of Kenneth Levy, ed. Peter Jeffery, 23356.
Cambridge: Boydell and Brewer Ltd.
, ed. 1990. Music theory and its sources: Antiquity and the middle ages.
Notre Dame Conferences in Medieval Studies 1. Notre Dame, IN: University of
Notre Dame.
Barker, Andrew. 1981a. Aristotle on perception and ratios. Phronesis 14: 248
66.
Bent, Ian. 1992. History of Music Theory: Margin or Center? Theoria 6: 121.
, ed. 1996. Music theory in the age of Romanticism. Cambridge: Cambridge
University Press.
Berger, Carol. 1981. The hand and the art of memory. Musica disciplina 35: 87
120.
Blasius, Leslie. 1996. Schenkers argument and the claims of music theory.
Cambridge: Cambridge University Press.
Bowen, Alan. 1991. Euclid's Sectio canonis and the history of Pythagoreanism.
In Science and philosophy in classical Greece, ed. A. Bowen, 16487. New York:
Garland.
Bower, Calvin. 1978. Boethius and Nicomachus: an essay concerning the sources
of De institutione musica. Vivarium 16: 145.
. 2002. The transmission of ancient music theory into the Middle Ages.
In The Cambridge history of western music theory, ed. Thomas Christensen, 136
67. The Cambridge History of Music. Cambridge: Cambridge University Press.
Burnett, Charles, Michael Fend, and Penelope M. Gouk, eds. 1991. The second
sense: Studies in hearing and musical judgement from antiquity to the
seventeenth century. Warburg Institute Surveys and Texts 22. London: University
of London.
Busse-Berger, Anna Maria. 1993. Mensuration and proportion signs: origins and
evolution. Oxford: Clarendon Press.
Carey, Norman and David Clampitt. 1996. Regions: a theory of tonal spaces in
early medieval treatises. Journal of Music Theory 40: 113147.
Chadwick, Henry. 1981. Boethius: the consolations of music, logic, theology and
philosophy. New York: Oxford University Press.
Chapin, Keith and Andrew H. Clark, eds. 2013. Speaking of music: addressing the
sonorous. New York: Fordham University Press.
. 1993a. Music theory and its histories. In Music theory and the
exploration of the past, ed. David Bernstein and Christopher Hatch, 2351
.Chicago: University of Chicago Press.
Clark, Suzannah and Alexander Rehding, ed., 2001 Music theory and natural
order from the Renaissance to the early twentieth century. Cambridge:
Cambridge University Press.
. 2002. Notes, scales, and modes in the earlier Middle Ages. In The
Cambridge history of western music theory, ed. Thomas Christensen, 30763. The
Cambridge History of Music. Cambridge: Cambridge University Press.
Cohen, H. Floris. 1984. Quantifying music: the science of music at the first stage
of the scientific revolution, 15801650. The University of Western Ontario Series
in the philosophy of science 23. Dordrecht: D. Reidel.
Cook, Nicholas. 2007. The Schenker project: culture, race, and music theory in fin-
de-sicle Vienna. Oxford: Oxford University Press.
Dahlhaus, Carl. 1984. Die Musiktheorie im 18. Und 19. Jahrhundert: Grundzge
einer Systematik. Geschichte der Musiktheorie 10. Darmstadt: Wissenschaftliche
Buchgesellschaft.
. 1985. Was heit Geschichte der Musiktheorie? In Ideen zu einer
Geschichte der Musiktheorie, ed. Frieder Zaminer. Geschichte der Musiktheorie
1, 839. Darmstadt: Wissenschaftliche Buchgesellschaft.
Darlow, Mark. 2013. Dissonance in the Republic of Letters: The Querelle des
Gluckistes et des Piccinnistes. Oxford: Legenda.
Desmond, Karen. 2015. Did Vitry write an Ars vetus et nova? Journal of
Musicology 32: 441493.
. 2013. Refusal, the look of love, and the beastly woman of Machauts
balades 27 and 38. Early Music History 32: 71118.
Dyer, Joseph. 2009. Speculative musica and the medieval University of Paris.
Music and Letters 90: 177204.
Farmer, Henry George. 1997. Studies in Oriental Music. 2 vols. Ed. Eckhard
Neubauer. The Science of Music in Islam 12. Frankfurt am Main: Institute of the
History of Arabic-Islamic Science.
Giger, Andreas and Thomas Mathiesen, eds. 2002. Music in the mirror: reflections
on the history of music theory and literature for the twenty-first century. Lincoln,
NB: University of Nebraska Press.
Gilles, Andre, and Gilbert Reaney. 1958. A new source for the Ars nova of
Philippe de Vitry. Musica disciplina 12: 5966.
Gjerdingen, Robert. 2007. Music in the Galant style. Oxford: Oxford University
Press.
Gottschalk, H.B. 1968. The De audibilibus and Peripatetic acoustics. Hermes 96:
43560.
. 2014. Beating time and measuring music in the early modern era. Oxford:
Oxford University Press.
Grebe, Sabine. 1993. Die Musiktheorie des Martianus Capella: Eine Betrachtung
der in 9,921935 benutzten Quellen. International Journal of Musicology 2:23
60.
Gnther, Ursula. 1958. The 14th-century motet and its development. Musica
disciplina 12:2758.
Haas, Max. 1984. Die Musiklehre im 13. Jahrhundert von Johannes de Garlandia
bis Franco. In Die mittelalterliche Lehre von der Mehrstimmigkeit, ed. Frieder
Zaminer, 91158. Geschichte der Musiktheorie 5. Darmstadt: Wissenschaftliche
Buchgesellschaft.
Hagel, Stefan. 2010. Ancient Greek music: a new technical history. Cambridge:
Cambridge University Press.
Hatch, Christopher and David Bernstein, eds. 1993. Music theory and the
exploration of the past. Chicago: University of Chicago Press.
Hentschel, Frank, ed. 1998. Musik- und die Geschichte der Philosophie und
Naturwissenschaften im Mittelalter: Fragen zur Wechselwirkung von 'Musica'
und 'Philosophia' im Mittelalter. Studien und texte zur Geistesgeschichte des
Mittelalters, 72. Leiden: Brill.
Hicks, Andrew. 2014. Pythagoras and Pythagoreanism in late antiquity and the
Middle Ages. In A History of Pythagoreanism, ed. C. Huffman, 416434.
Judd, Cristle Collins, ed. 1998. Tonal structures in early music. Criticism and
analysis of early music 1. New York: Garland.
Kieffer, Alexandra. 2015. The Debussyist ear. 19th-Century Music 39: 5679.
. 2006. Sung birds: music, nature, and poetry in the later middle ages.
Ithaca, NY: Cornell University Press.
. 1984. Machauts Rose, lis and the problem of early music analysis. Music
Analysis 3:928.
Lefferts, Peter. 1995. Signature systems and tonal types in the fourteenth-
century French chanson. Plainsong and Medieval Music 4:117147.
Lester, Joel. 1989. Between modes and keys: German theory 15921802.
Stuyvesant, NY: Pendragon Press.
. 2016. On reading music theories from the past. Music Theory and
Analysis 3: 218253.
Manik, Liberty. 1969. Das arabische Tonsystem im Mittelalter. Leiden: E.J. Brill.
. 1999. Apollo's lyre: Greek music and music theory in antiquity and the
Middle Ages. Publications of the Center for the History of Music Theory and
Literature 2. Lincoln, NB: University of Nebraska Press.
McCreless, Patrick. 2000. Music theory and historical awareness. Music Theory
Online 6.3.
http://www.mtosmt.org/issues/mto.00.6.3/mto.00.6.3.mccreless.html.
. 2011. Ownership, in music and music theory. Music Theory Online 17.1.
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Mengozzi, Stefano. 2010. The Renaissance reform of medieval music theory:
Guido of Arezzo between myth and history. Cambridge: Cambridge University
Press.
Morgan, Robert. 2014. Becoming Heinrich Schenker: music theory and ideology.
Cambridge: Cambridge University Press.
Moseley, Roger. 2016. Keys to play: music as a ludic medium from Apollo to
Nintendo. Oakland: University of California Press.
Mutch, Caleb. 2015. Blainville's new mode, or how the plagal cadence came to
be plagal. Eighteenth Century Music 12: 6990.
Nettl, Bruno. 1992. The radif of Persian music: studies of structure and cultural
context. Rev. ed. Champaign, IL: Elephant and Cat.
Neubauer, Eckhard. 1998. Arabische musiktheorie von den anfngen bis zum
6./12. Jahrhundert: Studien, bersetzungen und Texte in Faksimile. The Science
of Music in Islam 3. Frankfurt am Main: Institute for the History of Arabic-Islamic
Science.
Neubauer, Elsbeth Ida and Eckhard Neubauer. 2012. Arab music in western
research: a bibliography of books and articles written in western languages on
the music of Arab countries. Part I: Musical life in past and present. General titles.
Local developments. The Science of Music in Islam 8.1. Frankfurt am Main:
Institute for the History of Arabic-Islamic Science.
Neuwirth, Markus and Pieter Berg. 2015. What is a cadence? Theoretical and
analytical perspectives on cadences in the classical repertoire. Leuven: Leuven
University Press.
Ochoa Gautier, Ana Mara. 2014. Aurality: listening and knowledge in nineteenth-
century Colombia. Durham, NC: Duke University Press.
Page, Christopher. 1989. The owl and the nightingale: musical life and ideas in
France 11001300. Oxford: J.M. Dent & Sons.
Palisca, Claude. 1994. Studies in the history of Italian music and music theory.
Oxford: Clarendon Press.
. 2006. Music and ideas in the sixteenth and seventeenth centuries. Chicago:
University of Chicago Press.
Raz, Carmel. 2014. The expressive organ within us: ether, ethereality, and early
Romantic ideas about music and the nerves. 19th-Century Music 38: 115144.
Redwood, Andr. 2015. "Mersenne and the art of delivery." Journal of Music
Theory 59: 99119.
Rehding, Alexander. 2003. Hugo Riemann and the birth of modern musical
thought. Cambridge: Cambridge University Press.
. 1962. History of music theory, Books I and II: polyphonic theory to the
sixteenth century, trans. Raymond H. Haggh. Lincoln, NB: University of Nebraska
Press.
Roesner, Edward. 1990. The emergence of musica mensurabilis. In Studies in
musical sources and style: essays in honor of Jan LaRue, ed. Eugene K. Wolf and
Edward Roesner, 4174. Madison, WI: A-R Editions.
. 2001. Who made the Magnus Liber? Early Music History 20:227266.
Rothfarb, Lee. 1988. Ernst Kurth as theorist and analyst. Philadelphia: University
of Pennsylvania Press.
. 2009. August Halm: a critical and creative life in music. Rochester, NY:
University Rochester Press.
Sanguinetti, Giorgio. 2012. The art of partimento: history, theory, and practice.
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Schiltz, Katelijne. 2015. Music and riddle culture in the Renaissance. Cambridge:
Cambridge University Press.
Schuijer, Michiel. 2008. Analyzing atonal music: pitch-class set theory and its
contexts. Rochester, NY: University Rochester Press.
Tanay, Dorit. 1992. The transition from the ars antiqua to the ars nova: evolution
or revolution? Musica disciplina 46:79104.
Tresch, John, and Emily I. Dolan. 2013. Toward a new organology: instruments
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Wienpahl, Robert W. 1956. Zarlino, the senario, and tonality. JAMS 12: 2741.
Wittmann, Michael. 1987. Vox atque sonus. Studien zur rezeption der
aristotelischen Schrift De anima und ihre Bedeutung fr die Musiktheorie. 2 vols.
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Wright, Owen. 2014. Music theory in Mamluk Cairo: the yat al-malb f ilm al-
adwr wa-l-urb by Ibn Kurr. London: Ashgate.
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Zayaruznaya, Anna. 2015a. The monstrous new art: divided forms in the late
medieval motet. Cambridge: Cambridge University Press.