Professional Documents
Culture Documents
We are very proud that we have redefined the standard tools and quality of
delivery for professional film makers with our advanced monitor, recorder,
playback and edit line.
IN THE FIELD
Every camera records, however the internal the calibrated screens using the built in waveform,
recording often is too compressed for professional focus peaking, false color and other scopes.
applications where post production editing and Playback the recorded footage on screen or out to
grading is required. Preserve the quality by recording larger monitors for instant collaboration with clients
from the sensor at up to 3.2 Gbps Raw or 1.8 Gbps and directors and start the editing decision-making
Video direct to 422 10-bit ProRes or DNxHR. At the by tagging favorites that are carried forward
same time confidently monitor in Rec709 or HDR on to editing.
The
4 ATOMOS
IN THE STUDIO
The visually lossless edit friendly nature of the The Sumo / Inferno / Flame series are also an
recorded footage means that files can be simply incredibly affordable solution for HDR grading with
docked and dropped onto the timeline of your NLE of input from your Mac/PC, color calibration capability
choice. Tagged footage from the field (favorite/reject/ using X-Rites i1DisplayPro and 10-bit HDR
color correct etc) appears as XML files as do in/out capability.
cue points.
Workflow
6 ATOMOS
HDR MONITORING
To stay ahead of the curve, creative professionals need to
capture HDR for delivery of SDR/HDR today and archiving Log
for HDR delivery in the future. The challenge is that the limited
HDR monitoring solutions on the market for in-field and in-
studio are priced much higher.
Patent pending HDR slider and waveform
Atomos deliver the simplest, most cost effective & technically
superior HDR workflow - just set your camera to Log, enable
the powerful AtomHDR engine to expose vibrant natural HDR
video and then grade and edit with confidence on Mac or PC
using Atomos products with PQ/HLG input as your portable
monitor for grading.
All monitors drift in color over time, which is why all high end
monitors have calibration. To overcome this weve partnered with
calibration leader X-Rite to allow their i1DisplayPro to calibrate
our monitor-recorder range.
With peace of mind on the color front, simply tap the screen to
bring up focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame
guides, SMPTE Safe Area, Waveform, RGB parade, Vectorscope,
Anamorphic de-squeeze and a flexible 3D LUT implementation
to upload your own LUTs as .cube files.
8 ATOMOS
WHICH PRODUCT IS RIGHT FOR YOU?
SUMO
19" 1200nit 12bit RAW, 10bit ProRes/
Quadlink SDI & On set shot review/proxy
10-bit HDR DNxHR up to 4Kp60 & 10
HDMI 2.0 record & in studio grading
panel HDp240
SHOGUN INFERNO
7" 1500nit 12bit RAW, 10bit ProRes/
Quadlink SDI & High frame rate sports,
10-bit HDR DNxHR up to 4Kp60 & 12
HDMI 2.0 music video and cinema
panel HDp240
SHOGUN FLAME
7" 1500nit 12bit RAW, 10bit ProRes/ Corporate & documentary
12G SDI & HDMI
10-bit HDR DNxHR up to 4Kp30 & filmmakers with SDI video 14
1.4b
panel HDp120 cameras
NINJA INFERNO
7" 1500nit
10bit ProRes/DNxHR up to High frame rate DSLR
HDMI 2.0 10-bit HDR 16
4Kp60 & HDp240 (GH5) and game recording
panel
NINJA FLAME
7" 1500nit 4K DSLR filmmaking for
10bit ProRes/DNxHR up to
HDMI 1.4b 10-bit HDR wedding and corporate 18
4Kp30 & HDp120
panel applications
SAMURAI BLADE
SDI cameras (Indie /
5" 400nit 8-bit 10bit ProRes/DNxHR up to
HD-SDI Documentary) that only 20
HDR panel HDp30
required HD resolution
SHOGUN STUDIO
Dual 7" 400nit 12bit RAW, 10bit ProRes/ Rack mount dual channel
12G SDI & HDMI
8-bit HDR DNxHR up to 4Kp30 & for Live event and 24
1.4b
panel HDp120 broadcast
10 ATOMOS
SUMO
Sumo is the worlds most advanced Production, Studio
Monitor recorder ever built. It combines a 19 HDR 1200nit
10.2 Stop panel with 4K 12bit Raw or 10bit 422 ProRes/
DNxHR recording and playback.
It gives clients and crew on set instant access to review recorded content in HDR
quality and doubles as a grading and editing monitor for laptops in the field.
Atomos patent pending continuous power system using Anton bauer or V-lock
batteries means your never without juice. Loadable 3D LUTs, market leading HDR
viewing, high bright daylight viewing and all the assist tools the pros require.
This is a true on set and in studio revolution.
Go HDR! In the field & the studio Live Switch and Record of up to High Bright 1200nit 19
Sumos 19 1920x1080 10-bit LCD panel four 1080/60p channels, 4 x ISO calibrated 1920x1080 monitor
is driven by the AtomHDR engine which record and playback The extremely bright 1200 nits display
precisely maps Log/PQ/HLG from every Switching and mixing of a live record and means you can accurately monitor, even
popular camera/game console or TV stream with the option of ISO recording of when outside in full daylight. All monitors
maker to perfectly resolve 10+ stops of 4xHD channels. Switch between feeds on drift in color and brightness over time,
HDR in real time. HDR comes to life on screen with cueing, cross fade and hard which is why all high end monitors have
this incredible monitor or out to larger cuts. The switching revolution has begun. calibration, Sumo gives you
displays or TVs for affordable HDR studio this reliability for free. Use X-Rites
grading from any NLE or grading suite. i1DisplayPro, the professionals choice
Balanced XLR Monitor
for ongoing accurate HDR and Rec709
& Record with 48V Phantom
12-bit Raw, 10-bit ProRes/ monitoring.
Eliminate the need for a separate
DNxHR up to 4Kp60
audio recorder by using the full size
Capture the RAW output from Sony FS5/ Quad SDI & HDMI 2.0 in/out
XLR connections to connect and power
FS7/FS700, Canon C300MKII/ C500 or Seamlessly connect any SDI or HDMI
external microphones for balanced
Panasonic Varicam LT over SDI up to device and convert between HDMI 2.0 &
analogue audio with dedicated meters
12-bit 4Kp30 as CDNG or up to 10-bit 3G Quadlink/6G/12G in any combination.
and adjustments for frame delay and
ProRes 4Kp60 / 2Kp240 depending on Quad SDI inputs connect cameras with
gain. 48V phantom mics or line level audio
the cameras capability. Pristine quality is multiple 1.5 or 3G SDI outputs without the
are all seamlessly synchronized for the
preserved at amazing data rates of up to need for converters. HDMI 2.0 supports up
most advanced audio features in-built in a
3.2 Gbps. Video is captured as either Apple to 4Kp60 I/O and the full suite of Atomos
monitor today.
ProRes or DNxHR in 10-bit 4:2:2 quality. latest open protocol 3.0 supporting HDR
automation and camera control.
Calibration/
Lanc control
Headphone
monitoring SuperAtom IPS 19 touch
screen monitor Quadlink Professional
XLR Audio
Go HDR for the most vibrant, Balanced XLR Monitor & Quad SDI & HDMI 2.0 in/out
natural images Record Seamlessly connect any SDI or
Keep up with the HDR revolution by Eliminate the need for a separate HDMI device and even convert
upgrading to our AtomHDR panel audio recorder by using the optional from one signal to the other. Quad
with 10+ stops of dynamic range 48V stereo XLR breakout cable SDI inputs connects cameras with
resolved in real time from Log/ to connect and power external multiple 1.5/3/6/12G SDI outputs
PQ/HLG camera signals on the microphones for balanced analogue without the need for converters and
calibrated 10-bit 1500nit screen to audio with dedicated meters and HDMI 2.0 in/out connects 4Kp60
see the vibrancy and true-to-life adjustments for frame delay HDMI sources & plays out to HDR or
images that HDR delivers. and gain. Rec709 monitors.
4K HDMI
in/out
See HDR in real time Balanced XLR Monitor Flexible SDI and HDMI
Stay ahead of your competitors & & Record connection
Go HDR!! Upgrading to HDR is as Eliminate the need for a separate 1.5/3/6/12G SDI and HDMI in/
easy setting your camera to Log, audio recorder by using the optional out with bi-directional conversion
enabling the powerful AtomHDR 48V stereo XLR breakout cable allows for hassle free connection to
engine to expose vibrant natural to connect and power external cameras/PC/Mac/game consoles,
HDR video & then grade & edit with microphones for balanced analogue output to larger monitors & TVs
confidence on any Mac or PC using audio with dedicated meters and as well as signal switching to bring
the Shogun Flame as your portable adjustments for frame delay HDMI products into SDI workflows
grading monitor. and gain. and vice versa
4K HDMI
in/out
Go HDR for the most vibrant, XLR for your DSLR HDMI 2.0 in/out
natural images Bypass the limited audio on your HDMI 2.0 in/out for connection from
Keep up with the HDR revolution by HDMI cameras and upgrade to HDMI sources such as the latest
upgrading to our AtomHDR panel professional levels with the optional 4Kp60 HDR Log cameras and for
with 10+ stops of dynamic range 48V stereo XLR breakout cable play out to HDR & Rec709 monitors.
resolved in real time from Log/ to connect and power external
PQ/HLG camera signals on the microphones for balanced analogue HDR in / out
calibrated 10-bit 1500nit screen to audio with dedicated meters and Playout HDR as PQ or HLG to larger
see the vibrancy and true-to-life adjustments for frame delay HDR compatible screens or feed
images that HDR delivers. and gain. HDR in as a PQ or HLG signal for
mobile HDR grading.
High resolution, High frame High Bright 1500nit 7
rate recording Calibrated Monitor
Record and play out pristine high The worlds most advanced 7 field
bit rate Apple ProRes/DNxHR in 4K monitor, with 1500nits brightness
resolution, 24/25/30/50/60p frame for outdoor shooting, native Full HD
rates, 10-bit color resolution & 4:2:2 resolution & optional calibration to
color accuracy. ensure natural LCD color drift can
be corrected over time.
Dual battery
Built in armor protection continuous power
system
4Kp60
HDMI
in/out
4K HDMI
in/out
SAMURAI BLADE
Record ProRes or DNxHD directly from your professional
SDI camera and monitor using the calibrated 5 screen with
waveform and focus peaking. Record high-resolution proxies
from ARRI or RED and edit inside a responsive timeline until you
are ready to swap out the proxies for final delivery.
Headphone monitoring
NINJA BLADE
Ninja Blade adds professional video capability to HDMI DSLR
cameras. Monitor on a larger 5 calibrated screen with
waveform and focus assist tools and bypass the internal lossy
MPEG recording by capturing up to HDp30 at up to 10-bit 4:2:2
ProRes or DNxHD quality direct to affordable SSD/HDD drives.
Calibration/
Lanc control
SHOGUN STUDIO
Record, Play, Monitor, Edit - all in a rack. Harnessing the
latest 4K/HD recorder, monitor and playback technologies the
Shogun Studio enhances existing HD workflows and provides an
affordable rack mount solution for creating 4K Masters.
HDR in the Rack on between HDMI and SDI (both ways) Rack ready with redundant
Calibrated Screens and downscale from 4K to HD on power & remote control
Shogun Studio brings vivid post the outputs. The 3RU dual channel Shogun
production HDR images into Studio features redundant dual auto
the rack. Preview HDR on the Balanced XLR Monitor load balancing power supplies, SDI
7 1920x1200 8-bit, 400nit panel & Record & HDMI Rec Start / Stop triggers
which can be calibrated for ongoing Supports up to 12 tracks 24-bit 48k that can be cascaded across
color accuracy using the X-Rite audio on SDI, 2 channels XLR in at multiple devices and the ability
i1DisplayPro. mic or line level, 48V phantom and to be remotely controlled via 9pin
audio delay as well as 2 XLR outputs RS422 Machine control or AMP
Flexible SDI and HDMI per recorder. over Ethernet.
connection
Shogun Studio has both HDMI and High bit rate 4K & HD ISO Dual channel recording
12G SDI in/out (back compatible recording Put the Shogun Studios dual
with 1.5/3/6G SDI). You can convert Record camera ISO feeds directly channels to work with continuous
from the sensor via HDMI or SDI 4K/HD recording that automatically
turning any camera into a studio records to the 2nd drive when the
head. Record high bit rate pristine first is full, dual codec recording to
Apple ProRes or AVID DNxHR/HD in capture high bit rate masters & low
4:2:2 10-bit quality with file naming bit rate proxies, record a 4K Master/
& Metadata. HD deliverable or even dailies with
burnt in LUTs.
Headphone monitoring Calibration/Lanc control Dual Power backup RS422 Control AMP Control
CALIBRATION
Every brand of monitor in the field and in the editing suite
naturally drifts in color over time. Atomos have partnered
with calibration leader X-Rite to open up professional monitor
calibration to all filmmakers.
26 ATOMOS
HDMI CABLES
4K HDMI CABLES
HDMI cables need bandwidth for the high data rates of 4:2:2 10-bit
4Kp60 ProRes. On the test bench we see this with the eye pattern
test - the smaller the eye the smaller the data pipeline with more
chance of signal drop outs or deterioration.
PART NO. DESCRIPTION LENGTH (COILED) LENGTH (EXTENDED) PART NO. DESCRIPTION LENGTH (COILED) LENGTH (EXTENDED)
ATOM4K60C1 HDMI Full to Micro Die Cast Metal 30cm (12) 60cm (24) ATOMCAB007 HDMI Full to Micro (right angle) PVC Overmold 30cm (12") 45cm (18")
ATOM4K60C2 HDMI Full to Micro Die Cast Metal 40cm (16) 80cm (32) ATOMCAB008 HDMI Full to Mini PVC Overmold 30cm (12") 45cm (18")
ATOM4K60C3 HDMI Full to Mini Die Cast Metal 30cm (12) 60cm (24) ATOMCAB009 HDMI Full to Mini PVC Overmold 50cm (20") 65cm (26")
ATOM4K60C4 HDMI Full to Mini Die Cast Metal 40cm (16) 80cm (32) ATOMCAB010 HDMI Full to Full PVC Overmold 30cm (12") 45cm (18")
ATOM4K60C5 HDMI Full to Full Die Cast Metal 30cm (12) 60cm (24) ATOMCAB011 HDMI Full to Full PVC Overmold 50cm (20") 65cm (26")
ATOM4K60C6 HDMI Full to Full Die Cast Metal 40cm (16) 80cm (32) ATOMCAB012 HDMI Micro to Micro PVC Overmold 50cm (20") 65cm (26")
ATOMCAB013 HDMI Full to Micro (right angle) PVC Overmold 50cm (20") 65cm (26")
ATOMCAB014 HDMI Full to Micro PVC Overmold 50cm (20") 65cm (26")
ATOMCAB015 HDMI Full to Micro PVC Overmold 30cm (12") 45cm (18")
ANGELBIRD
Master Caddy 4K RAW by Angelbird
is a custom designed SSD for Atomos
products that integrates our Master
Caddy rails into a rock solid aluminum
body, quick grip release and unique
Angelbird Stable Stream design for
recording high data rate CDNG Raw
and 4Kp60 video recordings.
Angelbird 4K RAW
500GB / 1TB / 2TB SSD
Ready to use in Atomos recorders
Inserts directly into Atomos USB dock
Up to 560 MB/s
28 ATOMOS
G-TECHNOLOGY
G-TECHNOLOGY
Master Caddy drives by G-Technology streamlines
the Atomos workflow with rock solid recording in the
field that docks directly into G-Technologys evSeries
of desktop and RAID solutions in the studio for hassle
free footage transfer & backup creation.
30 ATOMOS
POWERSTATION
POWER STATION
Power Station by Atomos is a hot swappable continuous power system
that extends the run time of your camera and doubles as a fast charger for
the provided NP-F batteries. Connect your camera over USB or using the
provided dummy batteries and never be without power in the field.
POWER
WEIGHT
BATTERY DIMENSIONS
EDUCATION
D I S C O U N T
For students just starting out on their filmmaking career, Atomos offer a generous 10% discount off product
over US$500 MSRP. The education discount is available to students and institutions alike and can be claimed
directly from authorized Atomos education resellers. Institution with more complex needs are welcome to
contact their local Atomos office (atomos.com/contact) to design a customized Atomos bundle.
32 ATOMOS
Hard Case USB to serial cable Docking Station
Hard carry case and replacements Calibration cable to connect with optional Dock SSD/HDD to Mac/PC
foams available X-Rite calibration unit
ATOMDCK003
ATOMCAS005 5 BLADE SERIES ATOMCAB004
ATOMCAS007 7 MODELS (YELLOW)
3 YEAR WARRANTY
R E G I S T E R E D P R O D U C T S
Registering your Atomosproduct is easy and rewarding. Youll be the first to knowabout new features and
firmware and your warranty will be tripled from thestandard 1 year to 3 years warranty (extended warranty
applies toAtomos product greater than $500 MSRP on products registered within 1 year of purchase)
Without batteries & media 5.6kg / 12.3lb 709g / 25.0oz 650g / 22.9oz
Power
Battery time (based on 7.4V) Depends on Watt Hours specification of battery used - -
- 5200mAh - up to 1.5hrs (monitor & record 4K 30p) 5200mAh - up to 1.5hrs (monitor & record 4K 30p)
- 7800mAh - up to 2.2hrs (monitor & record 4K 30p) 7800mAh - up to 2.2hrs (monitor & record 4K 30p)
Touchscreen
Resolution / PPI 1920 x 1080 / 120PPI 1920 x 1200 / 325PPI 1920 x 1200 / 325PPI
Look up table (LUT) support 3D LUT (.cube format) 3D LUT (.cube format) 3D LUT (.cube le format)
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3 2x, 1.5x, 1.33x, Panasonic 8:3 2x, 1.5x, 1.33x, Panasonic 8:3
SuperAtom IPS panel (capacitive touch), calibration to SuperAtom IPS panel (capacitive touch), calibration to SuperAtom IPS panel (capacitive touch), calibration to
Technology
Rec.709 with optional calibration unit Rec.709 with optional calibration unit Rec.709 with optional calibration unit
HDR
Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Supported Log formats
Panasonic Vlog, JVC JLog, Red LogFilm Panasonic Vlog, JVC JLog, Red LogFilm Panasonic Vlog, JVC JLog, Red LogFilm
Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema
Supported Gamuts / BT2020 / DCI P3 / DCI P3+, Panasonic V Gamut, Arri / BT2020 / DCI P3 / DCI P3+, Panasonic V Gamut, Arri / BT2020 / DCI P3 / DCI P3+, Panasonic V Gamut, Arri
Alexa Wide Gamut Alexa Wide Gamut Alexa Wide Gamut
Bit depth 10-bit (8+2 FRC) 10-bit (8+2 FRC) 10-bit (8+2 FRC)
Brightness 1200nit (+/- 10%) 1500nit (+/- 10%) 1500nit (+/- 10%)
SDI Quad link 4 x 3G SDI* or up to 12G single link SDI Quad link 4 x 3G SDI* or up to 12G single link SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE)
Uncompressed true 10-bit or 8-bit 422 (camera Uncompressed true 10-bit or 8-bit 422 (camera Uncompressed true 10-bit or 8-bit 422 (camera
Signal
dependent) dependent) dependent)
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
Uncompressed true 10-bit or 8-bit 422 (playback file Uncompressed true 10-bit or 8-bit 422 (playback file Uncompressed true 10-bit or 8-bit 422 (playback file
Signal
dependent) dependent) dependent)
720p 50/60, 1080i 50/60, 720p 50/60, 1080i 50/60, 720p 50/60, 1080i 50/60,
HDMI to HDMI 1080p 24/25/30/50/60/100/120 1080p 24/25/30/50/60/100/120 1080p 24/25/30/50/60/120
2160p 24/25/30/50/60 2160p 24/25/30/50/60 2160p 24/25/30
720p 50/60, 1080i 50/60 720p 50/60, 1080i 50/60 720p 50/60, 1080i 50/60
1080pSF 24/25/30 1080pSF 24/25/30 1080pSF 24/25/30
SDI to SDI
1080p 24/25/30/50/60/100/120 1080p 24/25/30/50/60/100/120 1080p 24/25/30/50/60/120
2160p 24/25/30/50/60 2160p 24/25/30/50/60 2160p 24/25/30
214 x 127 x 45mm, 8.4 x 5 x 1.8 214 x 127 x 45mm, 8.4 x 5 x 1.8 153 x 87 x 48mm, 6.0 x 3.4 x 1.9 136 x 87 x 48mm, 5.4 x 3.4 x 1.9
High quality lightweight ABS Polycarbonate for durability High quality lightweight ABS Polycarbonate for durability
Aircraft-grade Aluminum for durability & portability Aircraft-grade Aluminum for durability & portability
& portability. Built-in armor protection & portability. Built-in armor protection
1/4-20 UNC screw mount; 1 x top, 1 x bottom 1/4-20 UNC screw mount; 1 x top, 1 x bottom 1/4-20 UNC screw mount; 1 x top, 1 x bottom 1/4-20 UNC screw mount; 1 x top, 1 x bottom
10 - 33W 10 - 24W 3.3W (monitoring only) / 6.8W (Rec, Mon, Play) 3.3W (monitoring only) / 6.8W (Rec, Mon, Play)
NP-F series and supporting accessories NP-F series and supporting accessories NP-F series, D-Tap and supporting accessories NP-F series, D-Tap and supporting accessories
5200mAh - up to 1.5hrs (monitor & record 4K 30p) 5200mAh - up to 1.5hrs (monitor & record 4K 30p) 5200mAh - up to 8hrs 5200mAh - up to 8hrs
7800mAh - up to 2.2hrs (monitor & record 4K 30p) 7800mAh - up to 2.2hrs (monitor & record 4K 30p) 7800mAh - up to 12hrs 7800mAh - up to 12hrs
Primary-secondary battery system Primary-secondary battery system Primary-secondary battery system Primary-secondary battery system
Change batteries without losing power Change batteries without losing power Change batteries without losing power Change batteries without losing power
Loop batteries continuously. Loop batteries continuously. Loop batteries continuously. Loop batteries continuously.
7" 7" 5 5
1920 x 1200 / 325PPI 1920 x 1200 / 325PPI 1280 x 720 / 325PPI 1280 x 720 / 325PPI
16:9 native 16:9 native 16:9 native / 4:3 Letterbox 16:9 native / 4:3 Letterbox
2x, 1.5x, 1.33x, Panasonic 8:3 2x, 1.5x, 1.33x, Panasonic 8:3 - -
SuperAtom IPS panel (capacitive touch), calibration to SuperAtom IPS panel (capacitive touch), calibration to SuperAtom IPS panel (capacitive touch), calibration to SuperAtom IPS panel (capacitive touch), calibration to
Rec.709 with optional calibration unit Rec.709 with optional calibration unit Rec.709 with optional calibration unit Rec.709 with optional calibration unit
Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm Panasonic Vlog, JVC JLog, Red LogFilm Panasonic Vlog, JVC JLog, Red LogFilm Panasonic Vlog, JVC JLog, Red LogFilm
Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema
/ BT2020 / DCI P3 / DCI P3+, Panasonic V Gamut, Arri / BT2020 / DCI P3 / DCI P3+, Panasonic V Gamut, Arri Native gamut (no conversion) Native gamut (no conversion)
Alexa Wide Gamut Alexa Wide Gamut
- - 1 x HD/SD-SDI (SMPTE) -
Uncompressed true 10-bit or 8-bit 422 (camera Uncompressed true 10-bit or 8-bit 422 (camera Uncompressed true 10-bit or 8-bit 422 (camera Uncompressed true 10-bit or 8-bit 422 (camera
dependent) dependent) dependent) dependent)
- - 1 x HD/SD-SDI -
Uncompressed true 10-bit or 8-bit 422 (playback file Uncompressed true 10-bit or 8-bit 422 (playback file Uncompressed true 10-bit or 8-bit 422 (playback file Uncompressed true 10-bit or 8-bit 422 (playback file
dependent) dependent) dependent) dependent)
SD 480i, 576i
720p 50/60, 1080i 50/60, 720p 50/60, 1080i 50/60, 720p 50/60,
1080p 24/25/30/50/60/100/120 1080p 24/25/30/50/60/120, - 1080i 50/60
2160p 24/25/30/50/60 2160p 24/25/30 1080pSF 24/25/30
1080p 24/25/30
SD 480i, 576i
720p 50/60,
- - 1080i 50/60 -
1080pSF 24/25/30
1080p 24/25/30
- - - -
Brand / Model / Codec Resolution / Frame rate Resolution / Frame rate Resolution / Frame rate
Onboard Processing
24/25/30pSF > 24/25/30p (2:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown)
Pulldown removal
60i > 24p (3:2 pulldown) 60i > 24p (3:2 pulldown) 60i > 24p (3:2 pulldown)
4K UHD downscaling Yes - Loop-out and playback (Not available in RAW) Yes - Loop-out and playback (Not available in RAW) Yes - Loop-out and playback (Not available in RAW)
HDMI 2 or 8ch 24-bit, camera dependent 2 or 8ch 24-bit, camera dependent 2 or 8ch 24-bit, camera dependent
SDI 12ch 48kHz 24-bit 12ch 48kHz 24-bit 12ch 48kHz 24-bit
2ch balanced XLR analog in/out (Breakout XLR 2ch balanced XLR analog in/out (Breakout XLR
2ch balanced XLR analog in/out (direct XLR connection)
connection) connection)
Dynamic range >90dB
Dynamic range >90dB Dynamic range >90dB
Audio Max signal level +24dBu
Max signal level +24dBu Max signal level +24dBu
Max analog gain +52dB
Max analog gain +52dB Max analog gain +52dB
48V Phantom Power for Mic
48V Phantom Power for Mic 48V Phantom Power for Mic
Remote Start/Stop
Auto HDMI Trigger Auto HDMI Trigger Auto HDMI Trigger
HDMI Supported Protocols - Canon, Sony, Atomos Open Supported Protocols - Canon, Sony, Atomos Open Supported Protocols - Canon, Sony, Atomos Open
Standard Standard Standard
SDI SDI trigger camera selectable SDI trigger camera selectable SDI trigger camera selectable
Other LANC control - Slave LANC control - Slave LANC control - Slave
Playback
All recorded files can playback. Playback in slow motion All recorded files can playback. Playback in slow motion All recorded files can playback. Playback in slow motion
ProRes (recorded content)
>= 100fps >= 100fps >= 100fps
All recorded files can playback. Playback in slow motion All recorded files can playback. Playback in slow motion All recorded files can playback at native rate except
DNxHR / DNxHD (recorded content) >= 100fps >= 100fps 4K DCI which plays back at 24p only. Playback in slow
motion >= 100fps
Resolution / Frame rate Resolution / Frame rate Resolution / Frame rate Resolution / Frame rate
Resolution / Frame rate Resolution / Frame rate Resolution / Frame rate Resolution / Frame rate
- - - -
Resolution / Frame rate Resolution / Frame rate Resolution / Frame rate Resolution / Frame rate
4K DCI; 24/25/30/50/60p 4K DCI; -
4K UHD; 24/25/30/50/60p 4K UHD; 24/25/30 1080p; 24/SF24/25/SF25/30/SF30 1080p; 24/SF24/25/SF25/30/SF30
2K; not supported in camera** 2K; not supported in camera** 1080i; 50/60i 1080i; 50/60i
1080p; 24/25/30/50/60/100^/120^ 1080p; 24/25/30/50/60/100^/120p^ 720p; 50/60p 720p; 50/60p
1080i; 50/60i 1080i; 50/60i SD 480i, 576i SD 480i, 576i
720p; 50/60p 720p; 50/60p
24/25/30pSF > 24/25/30p (2:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown) 60i > 24p (3:2 pulldown) 60i > 24p (3:2 pulldown) 60i > 24p (3:2 pulldown)
2 or 8ch 24-bit, camera dependent 2 or 8ch 24-bit, camera dependent - 2ch 48kHz 16-bit
LANC control - Slave LANC control - Slave LANC control - Slave LANC control - Slave
Yes Yes - -
All recorded files can playback. Playback in slow motion All recorded files can playback. Playback in slow motion
All recorded files can playback. All recorded files can playback.
>= 100fps >= 100fps
All recorded files can playback. Playback in slow motion All recorded files can playback. Playback in slow motion
All recorded files can playback. All recorded files can playback.
>= 100fps >= 100fps
Recording
Pre-roll record Yes (HD 8s, 4K 2s) Yes (HD 8s, 4K 2s) Yes (HD 8s, 4K 2s)
Meta data tagging Yes (10 tags available) Yes (10 tags available) Yes (10 tags available)
2.5 SSD/HDD compatibility depends on recording for- 2.5 SSD/HDD compatibility depends on recording for- 2.5 SSD/HDD compatibility depends on recording for-
Supported media mat, resolution and frame rate. Visit atomos.com/drives mat, resolution and frame rate. Visit atomos.com/drives mat, resolution and frame rate. Visit atomos.com/drives
for list of tested and approved drives for list of tested and approved drives for list of tested and approved drives
Master Caddy II (included) Master Caddy II (included) Master Caddy II (included)
Master caddy case
75mm x 105mm x 12mm 75mm x 105mm x 12mm 75mm x 105mm x 12mm
Master caddy dock 2.5 SATA to USB 2.0/3.0 2.5 SATA to USB 2.0/3.0 2.5 SATA to USB 2.0/3.0
Supported Applications FCPX/FCP7+ / Media Composer Supported Applications FCPX/FCP7+ / Media Composer Supported Applications FCPX/FCP7+ / Media Composer
Supported applications 5.0+ / Premiere 5.5 / EDIUS 6.0+ / Vegas Pro 10+ / Light- 5.0+ / Premiere 5.5 / EDIUS 6.0+ / Vegas Pro 10+ / Light- 5.0+ / Premiere 5.5 / EDIUS 6.0+ / Vegas Pro 10+ / Light-
works / Autodesk Smoke 2015 works / Autodesk Smoke 2015 works / Autodesk Smoke 2015
FCPX XML native, FCPX/Adobe limited supported with FCPX XML native, FCPX/Adobe limited supported with FCPX XML native, FCPX/Adobe limited supported with
XML support
3rd party conversion tools 3rd party conversion tools 3rd party conversion tools
Shogun Inferno unit, Master Caddy II x 1,12V-3A AC Shogun Flame unit, Master Caddy II x 1,12V-3A AC
Accessories included Sumo unit, Master Caddy II x 1,AC power supply
power supply, XLR breakout cable power supply, XLR breakout cable
Accessory Kit:2 x battery,1 x charger, 1 x power supply, Accessory Kit:2 x battery,1 x charger, 1 x power supply,
HPRC case,USB dock, control cable, Dtap cable,Master HPRC case,USB dock, control cable, Dtap cable,Master
Sunhood, VESA battery adapter plate, Atomos HDMI Caddy x 4, Power supply, Sun hood Caddy x 4, Power supply, Sun hood
Optional extras
cable,X-Rite i1DisplayPro calibration Power Kit:2 x battery,1 x charger, 1 x power supply Power Kit:2 x battery,1 x charger, 1 x power supply
Other:Atomos HDMI cable,X-Rite i1DisplayPro Other:Atomos HDMI cable,X-Rite i1DisplayPro
calibration calibration
Warranty 1 year. Extended to 3 years on product registration 1 year. Extended to 3 years on product registration 1 year. Extended to 3 years on product registration
SHOGUN STUDIO
Rack height 3Ru SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G per channel
Rack mounting Removable rack ears Uncompressed true 10-bit or 8-bit 422 (playback file depen-
Signal
dent)
447 x 152 x 251mm, 17.6 x 6.0 x 9.9 (without rack ears)
Dimensions (W x H x D mm)
490 x 152 x 251mm, 19.3 x 6.0 x 9.9 (with rack ears) Supported Loop Out Formats
Construction Steel construction for durability 720p 50/60, 1080i 50/60,
Cooling Actively controlled fan with heat sinks HDMI to HDMI 1080p 24/25/30/50/60/120
2160p 24/25/30
Power 720p 50/60, 1080i 50/60
1080pSF 24/25/30
Operating power (including SSD) 20 - 60W SDI to SDI
1080p 24/25/30/50/60/120
Redundant PSU Yes 2160p 24/25/30
Aspect ratio 16:9 native Supported Codecs & Frame Rates (Record & Playback)
Color Gamut REC709 HDTV
Raw Record
Look up table (LUT) support 3D LUT (.cube format) 4K DCI; 24/25/30p
SuperAtom IPS panel (capacitive touch), calibration to Rec.709 4K UHD;not supported in camera
Technology Sony FS5/FS7/FS700 CDNG^^
with optional X-Rite unit 2K; 24/25/30/50*/60*/100*/120p*
1080;not supported in camera
Video analysis tools Luma waveform, RGB parade, Vectorscope, Vectorscope zoom
4K DCI; 24/25/30p
HDR 4K UHD; 24/25/30p
Canon C300MKII/C500 CDNG
2K;not supported in camera
AtomHDR Yes 1080;not supported in camera
Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panaso- 4K DCI; 24/25/30p
Supported Log formats 4K UHD; 24/25/30p
nic Vlog, JVC JLog, Red LogFilm
Panasonic VaricamLT CDNG
2K;not supported in camera
Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema /
1080;not supported in camera
Supported Gamuts BT2020 / DCI P3 / DCI P3+, Panasonic V Gamut, Arri Alexa
Wide Gamut Arri Alexa Mini .ARI*
HDMI 1 x HDMI (1.4b) per channel ProRes (HQ, 422, LT) 4K UHD; 24/25/30p
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) per channel DNxHR (HQX, HQ, SQ, LB) 2K;not supported in camera - 1080;not supported in camera
Yes Yes - -
Yes (10 tags available) Yes (10 tags available) Yes (Favorite, Reject) Yes (Favorite, Reject)
2.5 SSD/HDD compatibility depends on recording for- 2.5 SSD/HDD compatibility depends on recording for- 2.5 SSD/HDD compatibility depends on recording for- 2.5 SSD/HDD compatibility depends on recording for-
mat, resolution and frame rate. Visit atomos.com/drives mat, resolution and frame rate. Visit atomos.com/drives mat, resolution and frame rate. Visit atomos.com/drives mat, resolution and frame rate. Visit atomos.com/drives
for list of tested and approved drives for list of tested and approved drives for list of tested and approved drives for list of tested and approved drives
Master Caddy II (included) Master Caddy II (included) Master Caddy I (included) Master Caddy I (included)
75mm x 105mm x 12mm 75mm x 105mm x 12mm 75mm x 105mm x 12mm 75mm x 105mm x 12mm
2.5 SATA to USB 2.0/3.0 2.5 SATA to USB 2.0/3.0 2.5 SATA to USB 2.0/3.0 USB 2.0/3.0 CFast card reader
Supported Applications FCPX/FCP7+ / Media Composer Supported Applications FCPX/FCP7+ / Media Composer Supported Applications FCPX/FCP7+ / Media Composer Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5 / EDIUS 6.0+ / Vegas Pro 10+ / Light- 5.0+ / Premiere 5.5 / EDIUS 6.0+ / Vegas Pro 10+ / Light- 5.0+ / Premiere 5.5 / EDIUS 6.0+ / Vegas Pro 10+ / Light- 5.0+ / Premiere 5.5 / EDIUS 6.0+ / Vegas Pro 10+ / Light-
works / Autodesk Smoke 2015 works / Autodesk Smoke 2015 works / Autodesk Smoke 2015 works / Autodesk Smoke 2015
FCPX XML native, FCPX/Adobe limited supported with 3rd FCPX XML native, FCPX/Adobe limited supported with FCPX XML native, FCPX/Adobe limited supported with FCPX XML native, FCPX/Adobe limited supported with
party conversion tools 3rd party conversion tools 3rd party conversion tools 3rd party conversion tools
Samurai Blade unit, Universal battery charger 110- 240V, Ninja Blade unit, Universal battery charger 110-240V, AC
AC adapter & car charger, docking station & leads, 2 adapter & car charger, docking station & leads, 2 x mas-
Ninja Inferno unit, Master Caddy II x 1,12V-3A AC power Ninja Flame unit, Master Caddy II x 1,12V-3A AC power
x master caddy cases, 1 x Atomos 2600mAh battery, ter caddy cases, 1 x Atomos 2600mAh battery, Rugged
supply supply
Rugged carry case, D-Tap adapter, 2.5mm Y adapter carry case, Canon & Nikon adapter plates, 2.5mm Y
cable for LANC adapter cable for LANC
Accessory Kit:2 x battery,1 x charger, 1 x power supply, Accessory Kit:2 x battery,1 x charger, 1 x power supply,
HPRC case,USB dock, control cable, Dtap cable,Master HPRC case,USB dock, control cable, Dtap cable,Master
5 x Master caddy cases, Sunhood, D-Tap adapter,
Caddy x 4, Power supply, Sun hood Caddy x 4, Power supply, Sun hood 5 x Master caddy cases, Sunhood, Carry cases, Canon &
Carry cases, Atomos HDMI cable,X-Rite i1DisplayPro
Power Kit:2 x battery,1 x charger, 1 x power supply Power Kit:2 x battery,1 x charger, 1 x power supply Nikon adapter plates, X-Rite i1DisplayPro calibration
calibration
Other:Atomos HDMI cable,X-Rite i1DisplayPro Other:Atomos HDMI cable,X-Rite i1DisplayPro
calibration calibration
1 year. Extended to 3 years on product registration 1 year. Extended to 3 years on product registration 1 year 1 year
(DNx utilizes a .MOV wrapper) 4K DCI; - Playlist Yes (run down or reverse order) for selected, favorite or all clips
Apple ProRes HQ, 422, LT 1080p; 24/25/30/50/60/100^/120^ All recorded files can playback. Playback in slow motion >=
ProRes (Recorded content)
100fps
1080i; 50/60i
AVID DNxHR HQX. HQ, SQ, LB All recorded files can playback at native rate except 4K DCI
720p; 50/60p
DNxHR / DNxHD (recorded content) which plays back at 24p only. Playback in slow motion >=
Onboard Processing 100fps
SDI 12ch 48kHz 24-bit Meta data tagging Yes (10 tags available)
2 x XLR in & 2 x XLR out on rear per record channel. Select SSD: CDNG (4Kp30)
Analogue audio Supported media
Mic or line level with phantom 48V Select SSD: Video (4Kp30, HDp120)
(Approved List at atomos.com/drives)
Select SSD/HDD: Video (1080 30p, 720 60p)
Processing Gain control on line in & headphone output
Drive slots 2 (1 per record channel)
Maximum audio quality 24-bit, 48kHz
Drive connection types SATA
Audio delay Delay setting +1 to 99 frames
Master Caddy II (included)
Master caddy case
75mm x 105mm x 12mm
Remote Control
Auto HDMI Trigger
Master caddy dock 2.5 SATA to USB 2.0/3.0
HDMI
Supported Protocols - Canon, Sony, Atomos Open Standard Supported Applications FCPX/FCP7+ / Media Composer 5.0+
Supported applications / Premiere 5.5 / EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
SDI SDI trigger camera selectable
Autodesk Smoke 2015
RS422 RS422 machine control FCPX XML native, FCPX/Adobe limited supported with 3rd party
XML support
AMP via Ethernet RJ45 10/100 conversion tools
SDI Embedded timecode from camera or video device Optional extras Master Caddy II x 5, X-Rite calibration, Atomos HDMI cables
LTC In Yes (LTC loop back) Warranty 1 year. Extended to 3 years on product registration
ATOMOS (HQ)
29 Nott Street, Port Melbourne Email sales@atomos.com
VIC 3207 Australia Tel +61 3 9999 5908
40 ATOMOS