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SubStance.
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RonaldBogue
IN AN AFTERWORDto theEnglishtranslation
of JacquesAttali'sNoise,
Susan McClaryaptlynotesthat
... it is quiteclearto mostlisteners thatmusicmovesthem,thatthey
responddeeplytomusicin a variety ofways,eventhough in oursociety
theyaretoldthattheycannotknowanything aboutmusicwithout having
absorbedthewholetheoretical apparatus formusicspecializa-
necessary
tion.Buttolearnthisapparatus is tolearntorenounce to
one'sresponses,
discover thatthemusicalphenomenon is tobeunderstoodmechanistically,
mathematically. Thusnon-trained listenersare preventedfromtalking
about social and expressivedimensionsof music(fortheylack the
vocabulary torefer
toitsparts)andso aretrained musicians(fortheyhave
beentaught, inlearningthepropervocabulary, thatmusicis strictly
self-
contained structure).
(150)
SubStance#66,1991 85
"encounters"thatgeneratethe unpredictabletheoreticaldevelopmentsof
Milleplateaux.
Musicosmology
SubStance #66,1991
Rhizocosmography
In virtually DeleuzeandGuattari's
everyregard, treatmentofmusicis
theantithesis Platonicapproachto thesubject.In their
ofthetraditional,
view,thecosmoswithwhichmusicis intertwined is nota circumscribed
but
totality an openwhole,whose dimensionscannever be givenas such.6
Theessenceofmusicis tobe foundnotinthemacroscopic orderofcelestial
SubStance#66,1991
SubStance #66,1991
a MilieubyArtistic
Territorializing Activity
A milieu,however, is nota territory,fora territory "is in factan act
thataffects milieusand rhythms, that'territorializes'
them"(MP 386).
Suchan actionis essentially andappropriative,
artistic onewhereby milieu
components as and
emerge qualities, rhythms become expressive.The
brownstagemaker for
dentirostris),example,
(Scenopoi'etes picksleavesfrom
a tree,dropsthemto theground,and thenturnsthemupsidedownto
revealtheirpale underside andthereby demarcate a territory. Eachleafis
a milieucomponent thathasbeenremovedfromitsmilieuand converted
intoa quality,and thestagemaker's actioncomprises a rhythm thatis no
longersimplya function ofa milieu,butone thathas becomeexpressive.
Theleafis likea poster,a formofartbrutthatdeclarestheonenessofthe
birdwithitsproperterritory.
Whatis crucialin theestablishment ofa territoryis theautonomy of
qualitiesand rhythms. In Deleuzo-Guattarian terms, a certain level of
decodingor deterritorialization musttakeplace if a territory is to be
formed.9In thecase of thebrownstagemaker, if leaf-plucking werea
constant periodicactivity, thenall placeswouldbe indifferently littered
withleafdebris;butsinceleaf-plucking has a certainautonomy and in-
one
determinacy, space may be differentiatedfrom all others and estab-
lishedas a territory.
Theestablishment ofa territory,
then,entailsa certain
of or of
degree decoding, "unfixing" qualities and rhythms, and a sub-
sequentrecoding of those qualitiesand rhythms in terms of a specific
domain.
SubStance#66,1991
SubStance #66,1991
Musicorhizonomy
At firstglance,one mightexpectto findlittlein commonbetweena
devoutCatholiccomposerand two Nietzscheanschizoanalysts.Yet
despitetheorthodoxy and thecentralrolehis
of Messiaen'sChristianity
faithplaysin his lifeas a composer, thereis muchin his thought and
practicethatis in accordwiththeremarks aboutmusicin Milleplateaux.
in
Perhaps part thisis becauseof Messiaen'smystical which
proclivities,
SubStance#66,1991
SubStance #66,1991
Ex. 1 a b Ex.2 +
--
+- - -
---
Ex. 3 Ex. 4,
I" --. +-
SubStance 1991
#66,
SubStance #66,1991
A +
Ex. 5 '
. .
1B
SubStance#66,1991
Ornithomusicography
SubStance #66,1991
SubStance#66,1991
SubStance #66,1991
NOTES
SubStance#66,1991
WORKSCITED
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SubStance#66,1991