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Anthropological Theory
13(4) 370–393
No ordinary ethics ! The Author(s) 2013
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Michael Lempert DOI: 10.1177/1463499613505571
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University of Michigan, USA
Abstract
‘Ordinary ethics’ suggests that everyday discursive interaction – interaction mediated by
actual language use – has tacit ethical dimensions. This line of inquiry is productive for
the anthropology of ethics and has the potential to reframe long-standing language-
based research on everything from conversational turn-taking to politeness displays, but
what does it mean to speak of discursive practice as a locus for ethical life? To what
extent is the ethical inscribed in the ground-rules of interaction, or conditioned from
below (e.g. biologically-based cooperative predispositions) or from without (e.g. cultu-
rally-institutionalized moralities)? The presumption that ethics is immanent in practice
continues to distract from the problem of how to narrate, and theorize, the entangle-
ments of discourse and ethics.
Keywords
Discourse, ethics, Goffman, Habermas, interaction, language, morality, ordinary
language, reflexivity, scale
Corresponding author:
Michael Lempert, University of Michigan, Department of Anthropology, 101 West Hall, 1085 S. University
Avenue, Ann Arbor, MI 48109, USA.
Email: mlemp@umich.edu
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dimension of everyday life. I want to argue that this does not and cannot end the
chase, however, and that we need to examine with more care how the communi-
cative labor used to invoke ethical events does not so much expose a latent dimen-
sion of practice as much as cobble together or ‘assemble’ (cf. Latour 2005) the
ethical from diverse and often far-flung materials, creating entanglements from
which ‘ethics’ can neither be wrested nor said to be anywhere in particular.
In this essay I explore the consequences for ordinary ethics of taking seriously
this communicative labor. I sample discourse-centered literature, ranging from
work on politeness to moral indirectness to ritualization, in order to suggest how
the assumption of ethics’ immanence in discursive practice has come at the expense
of an appreciation of ethical contingency and entanglement. The literature cited
spans fields and is by necessity a very small sampling. I highlight a few tendencies
that are instructive for what they tell us about the state of the problem as a whole
and for where they point in terms of future research in ordinary ethics.
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374 Anthropological Theory 13(4)
tacitly uphold when they interact. The labor of ‘mutual monitoring’ (Goffman
1966) in which speakers in their ‘eye-to-eye ecological huddles’ (Goffman 1966:
95) busily scan their interlocutor’s face and body and speech for signs of attention
and response, and the way hearers, for their part, offer backchannels such as head
nods and minimal responses like ‘uh huh,’ to signal their alleged attunement, sug-
gests a deeply collaborative venture. At root would seem to be a mutual commit-
ment to certain ground rules of interaction, rules designed, as Goffman saw it, for
the protection of something sacred: the self (Goffman 1959, 1967).3 (For Garfinkel,
with whom Goffman is often compared, social interaction is more about the
co-construction of mutual intelligibility than the production of and care for self,
but they converge on their sensitivity to the reciprocal and cooperative nature of
interaction [see, for example, Rawls 2010].)
To what extent does this moral order derive its morality from ‘outside’ inter-
action?4 Some noted that Goffman saw interaction’s obligations more as ‘etiquette’
than ‘ethics’ proper, for he was preoccupied with the way interactants strain to
preserve a semblance of propriety in ‘ceremonial’ fashion, irrespective of whatever
‘substantive’ moral sentiments may – or may not – drive this labor (Bovone 1993).
In The Presentation of Self in Everyday Life (1959), he deemed interactants ‘mer-
chants of morality,’ for, ‘qua performers, individuals are concerned not with the
moral issue of realizing these [moral] standards, but with the amoral issue of engin-
eering a convincing impression that these standards are being realized’ (p. 251).
Ann Rawls (1987) observed that Goffman was neither clear nor consistent here.
At times morality seemed to mean an obligation to institutionally defined roles,
which implied that one’s obligation ultimately was to social structure and that
one’s role inhabitance dutifully served this order, reproducing it in the process.
At other times – arguably more often – these obligations seemed like strictly
‘involvement obligations’ (Rawls 1987) to a sui generis ‘interaction order’
(Goffman 1983). That is, the obligations were to interaction itself and to the
joint labor of face-work that occurs within its fold. The joint labor subserves the
mission of protecting an ever vulnerable sacred self, but all this labor is specific to a
spatiotemporally delimited, diminutively scaled ‘order’.
In this view – and it is one that Rawls (2010, 2011) herself maintains – the
interaction order is its own ‘constitutive’ moral order, and one cannot assume
that this morality reinforces or even has any simple relationship to institutional
moralities outside that of the face-to-face. At one extreme (again, not an extreme
that Goffman himself always occupied), then, the ethics of interaction is specific to
interaction. Interaction is a ‘constitutive’ social order (Rawls 2010) whose ethics
does not depend on institutionalized moralities, even though it may articulate with
those moralities in varying degrees and diverse ways.5
‘Interaction’ is imagined to be hived off, its morality endogenous. Fast forward
to a recent volume on The Morality of Knowledge in Conversation (Stivers et al.
2011) and we can see a similar sensibility toward morality in interaction – at least in
terms of anchoring morality in the interaction order. The volume details how all
sorts of unstated normativities affect the expression of knowledge in conversation,
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376 Anthropological Theory 13(4)
summarily shoots their imagined horse without his consent: ‘An- and we shoo:t
the horse. Ba::ng. He’s dead’ (Sidnell 2011: 144). In crying foul, remedial action
may follow, such as apologies or even reasoning about how one is ‘supposed’ to
play. Again, interactants sometimes reflexively direct attention to and address
breaches in expected sequence organization (cf. Drew 1998; Zigon 2008: 141–2).
In this case the kids sometimes end up citing rules of conduct.
Though Morality of Knowledge in Conversation does not make this distinction,
its findings invite us (minimally) to distinguish between (a) ‘morality’ qua the tacit
normativities of discursive interaction and (b) ‘moralization’ events that occur in
the wake of reflexive engagements with this first-order normativity, engagements
that include the targeting of breaches for repair. (I do not intend this as an all-
encompassing distinction but as a reminder that distinct moments of semiosis are
being collapsed here, a collapse that exaggerates ethics’ immanence by telescoping
events of moralization into the behavior that occasioned it.)
A distinction between tacit, unproblematic normativity and reflexively proble-
matized normativity is a familiar one, paralleling others in the literature. Zigon
(2008, 2009), for instance, wants to distinguish ‘morality’ as enacted normativity
from ‘ethics’ as moral questioning and choice, just as (mutatis mutandis) Robbins
(2007, 2009) contrasts a Durkheimian ‘morality of reproduction’ with a ‘morality
of choice’. As Zigon suggests, these distinctions correlate with two major
approaches to the contemporary anthropology of morality: those who, in a neo-
Aristotelian or Foucauldian vein, approach ethics as embodied in practice, and
those who, in the spirit of Kant, see ethics as acts of standing apart from the world
and reasoning about it, such as from particular to general, as the categorical
imperative would have it. Apart from questions about the utility of these
dichotomies – some say it’s impossible to sustain such a distinction between
ethics and morality – what emerges from these exchanges is the recognition that
reflexivity is a critical parameter of variation.
‘Sometimes we are in the midst of action,’ writes Keane (2010: 69) in his con-
tribution to Ordinary Ethics, and ‘sometimes we seem to stand apart from it’. This
‘standing apart’ – this reflexivity – is indeed vital and is more heterogeneous than
analytic captions like ‘choice’ let on and comes in many more degrees than a trope
like moral ‘breakdown’ (Zigon 2008) allows. In the linguistic anthropology litera-
ture, ‘reflexivity’ tends to be used more expansively to mean ‘activities in which
communicative signs are used to typify other perceivable signs’ (Agha 2007: 16). It
needn’t mean ‘choice’ or require self-consciousness (see also Robbins 2009: 278),
nor is it limited to what people explicitly say ‘about’ language, language use, or
language users. Distinct, denotationally implicit varieties of reflexivity exist, which
can often be more pragmatically important precisely because they are less easily
reportable (Silverstein 1981, 1992; Agha 2007). Indeed, this variation can be sensed
in the Morality of Knowledge volume itself, since its studies illustrate how responses
to breaches vary a lot, from subtle reactions of unease (e.g. dysfluencies like cut-off
speech, markedly long pauses) to conversational repairs in which an interlocutor
calls attention to prior speech as problematic, to in-your-face indictments that spell
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Lempert 377
out what’s wrong. All such responses involve reflexivity but vary along several
dimensions (e.g. degree of denotational ‘explicitness,’ degree of conventionaliza-
tion, range of semiotic modalities used, scope of participants involved and
targeted, etc.).7
In addition to appreciating the heterogeneity of reflexivity, ordinary ethics
should also consider which kinds of violations tend to draw attention in the first
place. The presumption of ethics’ immanence in interaction too often coincides
with a diffuse and underspecified sense of the ethical. As Robbins (2007) recounts,
citing Laidlaw’s (2002) influential essay, Durkheim ironically sounded the death
knell for the study of morality when he made it an object of knowledge in soci-
ology, for in wresting morality from moral philosophy he ended up reducing it to
the social. In a sense Goffman (and Garfinkel) did to the morality of interaction
what Durkheim did to the anthropology of morality: he ‘spread morality too thinly
over society, making it everywhere present but almost invisible in its role in shaping
social life’ (Robbins 2007: 294). This legacy haunts works like The Morality of
Knowledge in Conversation. While admirably faithful to the specificities of inter-
actional normativity, the volume never tells us what makes any of this normativity
distinctly ‘moral’. Morality is left undifferentiated and co-extensive with rights and
responsibilities of knowledge expression tout court. Under certain conditions but
not others, don’t we expect interactants to appeal to and cite cultural discourses on
morality more easily and extensively? Perhaps a controversial issue has been
broached or moral quandary presented.
Consider those normativities felt to cluster into metapragmatic skills, such as,
‘how to listen,’ ‘how to share the floor,’ which are culturally elaborated, inculcated,
and policed through regimes of etiquette and language socialization. In terms of
listenership, say you find yourself a hearer as a speaker shares a self-narrative of
woe. Distracted, you succumb to ‘misinvolvement’ Goffman (1957) and neglect to
emit backchannels and the occasional response cries of empathy or surprise (‘jeeze,’
‘oh my god’) expected at critical narrative junctures; and so on. Or consider an
event in which symmetrical, ‘dialogical’ turn-taking – exchanging speaker and
hearer roles with relative parity – matters a lot, as in some styles of political
debate and conflict mediation. Would violations in turn-taking and floor-sharing
here be just as likely to be targeted for repair as, say, the norms for bodily com-
portment such as how to manage one’s elbows? Clearly some things are more likely
than others to be targets of repair, and figuring out which may allow us to infer
how the moral is distributed in a given context.
The act of reflexively targeting for repair some bit of conduct is but one method
to make moralization happen. A journal issue dedicated to ‘morality in discourse’
(Bergmann and Linell 1998) opened up a discussion of the discursive methods used
to incite moralization. As co-editor Jörg Bergmann remarks in his introduction,
these methods include the obvious – lexical resources, such as names for social
types like drunkard – and the less obvious, including prosody and bodily comport-
ment. It isn’t long before Bergmann (1998: 281) bursts open the proverbial flood
gates: ‘An inconspicuous body twist, a slight rise of the eyebrows, a certain tone of
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378 Anthropological Theory 13(4)
voice will suffice to give a statement a moral tinge’. So widespread and motley are
these signs that Bergmann reaches a conclusion that sounds both familiar and
unsettling: ‘Obviously, morality is omnipresent in everyday life,’ and ‘it is so
deeply intertwined with everyday discourse that the interlocutors hardly ever rec-
ognize their doings as moral business’ (1998: 281). There is a slip by which ethical
omnipresence – the capacity to see ethics everywhere if one looks hard enough –
becomes an ontological claim about ethical immanence in practice, but for now let
me expand on Bergmann’s astute comment that most events featuring moralization
do not call attention to themselves as ‘moral’ (see Drew 1998); they are not, in a
word, denotationally ‘explicit’.
Literature in linguistic anthropology and related fields is replete with illustra-
tions of this point, even if this literature does not always understand itself in these
terms. Keane’s (2011) revisiting of Jane Hill’s (1997) essay on the ‘voices’ of Don
Gabriel, for instance, reminds us well of the implicit work of moralization. When
Don Gabriel tells the poignant story of his son’s death, he makes choices at every
turn. His choices among linguistic variables (e.g. Mexicano versus Spanish, pros-
odic and stylistic contrasts) become ‘moral’ choices, because these variants help
fashion morally weighted figures – images of kinds of people that populate the
storyworld – and express the narrator’s stance toward them. All this occurs without
overt moralizing.
In fact where better to appreciate the labor of moralization than in more
extreme cases of purposeful moral ‘indirectness’ (Lempert 2012b)?8 Consider for
a moment the stealth and care by which moral criticism is quite often aired. So-
called ‘weapons of the weak’ (Scott 1985, 1990), which range from foot-dragging to
backstage griping, do not merely express resistance but also frequently invite others
to infer the source and type of injustice behind the behavior. ‘Teasing’ and
‘shaming’ are familiar methods for shaping moral dispositions through evaluation,
evaluation that is quite often purposely indirect (see, for example, Schieffelin 1987,
1990; Miller 1987; Goodwin 1990, 2006; Lo and Fung 2012; Lempert 2012a, 2012b;
in a different vein, see Foucault 1979; Drinan 2001; Keenan 2004).
Two brief examples. Consider the routinized indirectness of ‘moral irony’ con-
structions in Sakapultek, a Mayan language spoken in highland Guatemala
(Shoaps 2009). These constructions denote stances that are modalized with a non-
factual clitic + t (sometimes with the irrealis ni) and negatively evaluated with xa’.
They translate roughly as ‘as if p,’ where p is not a proposition but a propositional
stance: e.g. ‘as if being a witch didn’t matter’. Expressions like this summon an
unnamed figure, a hypothetical person other than the current speaker, who is
depicted as staking out a morally inappropriate stance – here, that being a witch
doesn’t matter, when, of course, everyone knows (or ought to) that it does! Without
lifting a finger, the Sakapultek stance-taker has seemingly managed to drag moral
truths into plain view. All she has done is invite her interlocutor to recall the moral
system the figure presupposes in order to decipher what stance she – the speaker –
‘actually’ upholds. One interlocutor starts the work of moralization while the other,
through the labor of inference, is made to finish it.
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Lempert 379
Consider a more elaborate case, an entire speech genre featuring moral indir-
ectness. In his classic essay on the Western Apache genre of ‘speaking with names,’
the late Keith Basso (1988) detailed how Apache speakers could pronounce a
placename and people would fall silent as they visited the place in their mind’s
eye. These toponyms are hitched to moral-didactic narratives, stories of what the
ancestors did. In recalling the place, hearers are to recall the associated story and
grasp the allegory. Through parallels between the story and event, placenames
are credited with bringing there-and-then ancestral wisdom to bear on the here-
and-now.
‘Indirectness’ in such cases is but a caption for a deliberately distributed par-
ticipation structure, where one shifts from speaker to hearer the burden of figuring
out that ethics is relevant and who this ethics is ‘for’. All this contingent and
distributed performativity, with its hints and innuendo and inferences, makes it
easy to grasp that ethics is not unproblematically immanent, that interactants work
to invoke and infer the ethical.
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380 Anthropological Theory 13(4)
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Lempert 381
imposition, as Brown and Levinson’s theory would predict. ‘Instead,’ she argued,
‘they provide addressees with the opportunity to express their generosity and solici-
tude for the interlocutor by offering’ (Sifianou 1992: 224). Sifianou linked this
politeness behavior to virtues of hospitality and generosity, and, more deeply, to
morally inflected conceptions of personhood in Greece.
Stronger culturalist accounts of politeness derive ethical content from wholly
outside the interaction order. In his study of interethnic service encounters between
Koreans and African-Americans in Los Angeles, Bailey (2001) suggested that
Korean storeowners and cashiers tended to adopt a taciturn demeanor that was
part of a broader style of ‘negative’ or ‘restraint’ politeness. Much like Sifianou,
Bailey fanned out from his transcript-centered observations. He cited the Korean
pragmatic notion of nunch’i – which may be glossed as ‘perceptiveness,’ ‘studying
one’s face,’ ‘sensitivity with eyes’ – and even suggested that this ‘ideal, of commu-
nicating and understanding without talk, is present in the two most important
religio-philosophical traditions of India – Confucianism and Buddhism’ (Bailey
2001: 128). Bailey saw culture in this taciturnity, and taciturnity in culture, creat-
ing, in effect, a closed circuit of interpretation. His integrative instincts led him to
move across diverse data points and evidence types, but he seems to treat these
materials as if they were all of a piece. Apparent convergence among his materials
(viz. among ‘taciturnicity’ in service encounters, a reportable ethnometapragmatic
norm of ‘perceptiveness,’ institutionalized religio-philosophical frameworks that
valorize silent communication) is read through and taken as evidence of the uni-
fying concept of ‘culture’. So much so that it would seem that beneath discourse
lurks a generative framework of cultural meaning and value – a view of culture that
has been charged as problematic for quite some time in anthropology but persists
in research on ‘crosscultural’ and ‘interethnic’ (mis)communication (Lempert
2012b: 193–5). (Indeed, a limitation of cross-linguistic research on politeness is
that it tends to exaggerate cultural wholeness, boundedness, and internal coherence
and uses this framework to read discursive behavior.) In contrast, most contem-
porary work in sociocultural and linguistic anthropology tries to pry apart such
data points and appreciate the disjunctures. In linguistic anthropology, one follows
this methodology in part by distinguishing among types of reflexive activities and
by situating these reflexive activities in social space (Agha 2007) – which includes
detailing the institutional sites in which reflexive events occur (Silverstein 1998), the
communicative media and modalities used, the categories of social actor involved,
the stakes and fallout of such encounters. Rather than explain discursive behavior
by fashioning synoptic, view-from-nowhere portraits of culturally defined moral
systems, to leap, in other words, from discourse to the abstraction of ‘culture’ – as
if the latter were an independent variable – contemporary anthropology aspires
toward processual accounts of cultural production and circulation.
This problem never even arises in strongly culturalist-styled arguments on
politeness, because they tend to treat group-relative moralities as if they were auto-
matically expressed and reflected in discursive behavior, and tend to speak as if
participants effortlessly noticed all this. Provenance and perception get conflated,
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382 Anthropological Theory 13(4)
in the sense that one fails to distinguish between practices that may have arisen
once-upon-a-time out of ‘ethical’ considerations and those practices whose ethics
are perceived, if only tacitly, as ‘ethical’ in real-time interaction. In Bailey’s work
on service encounters, we wonder, to what extent did the Korean storeowners and
their clients really feel that communicative taciturnity was culturally ethical – that
it instantiated morally inflected norms and perhaps even venerable Buddhist and
Confucian ideals? Or was it just that the ethnometapragmatic notion of nunch’i
(‘perceptiveness’) surfaced during an interview and was then grafted back onto the
service encounters, where it was assumed to have served as a heuristic – a way for
participants (and analysts) to make sense of ‘taciturnicity’? The whole problem of
how some among the many cultural presuppositions become relevant in interaction
tends to get neglected in strongly culturalist readings. Methodological difficulties
aside, the basic hermeneutic is clear: politeness behavior in interaction is read by
tracing it back to a monolithically imagined culture.
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384 Anthropological Theory 13(4)
‘ambiguous’ you prompt hearers to fish for the intention of your departure from
expectations; the floutings are said to be recognized as floutings and used to ferret
out intentions. Despite protests from anthropologists who have argued otherwise,
Grice insisted that his cooperative principle had no positive cultural content, that it
shouldn’t be confused with, say, ‘helpfulness’ or ‘altruism’. Habermas, too, was
keen to keep his core pragmatic presuppositions pristine and insulated from
culture. He didn’t succeed in this, and couldn’t, because if he did then he would
not have then been able to argue that liberal-democratic ideals were inscribed in
tacit presuppositions that inform discursive practice. Through what may seem like
a semiotic sleight-of-hand, Habermas ended up investing the ideal speech situation
with cultural and ideological value.
It is instructive to recall how he did this. Habermas argued that the ideal speech
situation’s cardinal principle was symmetry – symmetry, for instance, in terms of
the speech acts we carry out, the roles we inhabit when we interact, even the telos of
the dialogic event – the shared goal being to arrive at intersubjective consensus.
Instincts dictate that everyone should enjoy being speaker and shouldn’t be stuck in
the role of hearer, for example. And no one type of speech act ought to be allowed
for some but disallowed for others.
Why symmetry? Habermas never tells us why, but it hardly takes a semiotician
to see that mutually reinforcing symmetries might help project ‘equivalences’
between actors, which, in turn, can invite us to imagine them as ‘equals,’ perhaps
even possessed of individual ‘equality’ and ‘rights’. Act out these symmetries in
interaction and the ideal speech situation supplies iconic backing for liberal-
democratic principles, so that Habermas, in effect, could bolster Western liberal
institutions from below, as if these were not ‘mere’ contingent institutions belong-
ing to the West. From the early 1980s Habermas extended his reflections on com-
municative rationality into ‘discourse ethics’. He rejected the monological Kantian
exercise of the categorical imperative, where one deliberates in solitude about
which norms are generalizable to all, in favor of a dialogical exercise of argumen-
tation, where one wrangles with others over competing normative claims
(Habermas 1995, 1999; for a useful critique, see Ferrara 1990).
What Habermas did is not unlike what’s involved in designing a ritual, where
‘poetics’ matters crucially. As the semiotic and linguistic anthropological literature
has shown, emergent poetic structures in discursive interaction, especially ritualized
interaction, can help figurate social relations and imbue them with value. In the
spirit of the Russian Formalist literary critics, Jakobson (1960: 356) defined the
‘poetic function’ as the foregrounding of message form, a ‘focus on the message for
its own sake’. (Think of how rhyme elevates form over content.) Poetic structure
may be most salient in the world’s metrical poetries, but forms of felt repetition and
parallelism crop up in all kinds of discourse, from nursery rhymes to spells to
conversational talk (see Fleming and Lempert, in press). Poetic structures can
function reflexively in discourse, helping parse the stream of speech into like-
and-unlike units that can then motivate pragmatic effects. In ritual contexts,
dense cross-modal poetic structures typically serve as scaffolding for the
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Lempert 385
construction of intricate diagrams of social and cultural order, including those that
exhibit moral ideals.
For example, in Urban’s (1990) discussions of South American ceremonial dia-
logues, poetic patterns of repetition and symmetry helped participants act out a
cultural ideology of solidarity. Of the Shokleng origin-telling myth style of cere-
monial dialogue termed wãñekle`n, Urban (1990: 101–2) described how
. . . two men sit opposite one another in the middle of the plaza, their legs entwined.. . .
One interlocutor leads, uttering the first syllable of the origin myth. The respondent
repeats that syllable, after which the first speaker utters the second syllable, and so
forth, in rapid-fire succession. Speakers move their heads and upper torsos rhythmic-
ally in time with the syllables, which are shouted with extreme laryngeal and pharyn-
geal constriction.
Rituals like this invite participants to act out the desired action, as if through
pantomime (Silverstein 2003b). Through a superabundance of mutually reinforcing
signs –discursive, prosodic, bodily – participants trace out a diagram of what the
ritual as a whole hopes to effectuate. Shokleng speakers, in effect, enact a multi-
dimensional ‘model of and for coordination more generally, this coordination in
turn representing a fundamental building block of social solidarity’ (Urban 1990:
106). The cross-modal poetics of this dialogic ritual helps speakers materialize and
publicly exhibit cultural ideals, and some take this to be a characteristic of ritual in
general. In a recent review Stasch (2011: 162) aptly notes that ritual ‘intensifies
features common to human activity at large’ and is hence parasitic on ‘ordinary’
interaction. Ritual reflexively foregrounds and caricatures lower-order features of
communication and relies on the poetic function to do this.
So observe the fate of largely tacit, everyday interactional patterns, like the way
humans ‘ordinarily’ swap speaker and hearer roles when they converse. These
regularities undergo moralization as they are foregrounded, stylized, and incorpo-
rated into an extra-ordinary ritual genre. Ritualization is one way (not the only
way, to be sure) in which everyday communicative behavior can be sourced and
repurposed. The reflexive sourcing of everyday interaction here creates an entangle-
ment in which distinct orders are thereby distinguished, orders that now seem to
rest on a foundation of ‘ordinary’ interaction.
It’s important to trace out these entanglements. In Ordinary Ethics, Lambek
(2010: 3) writes that the volume’s ‘focus is less on special cases, unusual circum-
stances, new horizons, professional rationalizations, or contested forms of author-
ization than on everyday comportment and understanding’. Such matters are
sometimes broached, but ‘precisely to show how they are drawn into or drawn
from the ordinary’ (2010: 3). In this case of dialogic ritualization, we can say what
it means to be ‘drawn from the ordinary’. Lower-order patterns of discursive-
interactional ‘symmetry’ (e.g. the reciprocal, metricalized alternation of
participant-role inhabitance across turns of talk), which may be informed by
their own normativity, are transfigured into a second-order moral diagram of
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386 Anthropological Theory 13(4)
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‘Where is the ethical located?’ asks Lambek (2010: 39) in the lead line of his essay,
‘Toward an Ethics of the Act’. Musings on the where of ethics can lead us astray.
More than where is the question of when, and how. Apart from moral breakdowns
and self-conscious deliberation and the histrionics of public ritual, it is not always
clear how ethics even matters for interactants (cf. Keane 2011: 169). It takes labor to
make ethics matter in discursive practice, and this labor frequently results in
entanglements, such that ethics cannot be said to be located anywhere in particular.
And yet the chimera of an immanent ethics, of an ethics always already being
there – or at least being traceable to some determinate source – remains. It remains
both an allure and obstacle for ordinary ethics. Perhaps this immanence is the
product of a certain imaginary that is preoccupied with the hoary question of
where ethics comes from, nature or nurture, a transcendent God or contingent
custom. Perhaps it is the result of antinomies that set the unreflective immediacy
of ‘practice’ against self-conscious ‘reflection’. Perhaps this immanence is even
aspirational, in the sense that, as ethical subjects-in-becoming (Faubion 2011), it
surfaces especially when we exaggerate, for purposes of self-cultivation, the breadth
and depth and fluency of our own present moral grounding. Whatever the tangle of
motivations may be, the ‘ordinary’ in ordinary ethics should not beguile us with its
achieved immanence but inspire us to study the communicative methods and labor –
discreet to dramatic, implicit to explicit, improvised to institutionalized – through
which actors make ethics recognizable and effective in discursive interaction.
Acknowledgements
Thanks to Webb Keane and Charles Zuckerman for sharp comments, to the doctoral stu-
dents who participated in a characteristically spirited session of our Linguistic Anthropology
Lab at the University of Michigan, to Ann Rawls for fielding questions, and, last but not
least, to Anthropological Theory’s astute reviewers and editors Jonathan Friedman and Joel
Robbins, who pushed me to hone and clarify my argument.
Notes
1. ‘Everyday’ and ‘ordinary’ do not seem carefully distinguished in this literature, and, for
good or ill, I continue this tendency here. I do not present an intellectual genealogy of this
volume and related work nor do I tease out the differences among its contributors. My
point here is only that ‘ordinary’ is meant to resonate (inter alia) with ordinary language
philosophy, to which a few of the authors, such as Das, appeal.
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