Nocturnal (Guabina)

Guitar Quartet

Jaime Romero

      
Allegro Moderato q=115


      
Guitar I   
mf

      
 
Guitar II        
   
  


mf
      
Guitar III
mp
   
     
  
pizz.
         

Guitar IV 

      
  
    
mp  

            
5

   

mp 
mf
      
    

    

  
mp
   
 mf

         
 
   
mp
   
II
    
          
      

       
  
 
9

       

         
  mf
           
      

        


   
  
 
mf
         
                
   
3 3    
3
mp mp p
 
                
   
     
II

          
pizz.
     
 
           

 
 
 
     
     p

www.LatinGuitarScores.com
2

 
        
16

    
 
mf mf
        
    
     
3


mp
       
     
  
            

mp mf


1
pizz.     
        
         
4

 

sul pont.
 
  
       
        
   
     
               
  
3

   p    
4
mf
3

        
            
To Coda Ø

23

    
p mp mf
espress.


II II

   
  
3

           
    
3 3 p
pp p
II

  
3
  
    
3

       
 3

pp p mp mf

           

      
II II

   
 
II


 
    
      

 
     

 
p

       
 
3

        
30

 
0

  
mp


             
       
0
 
  

 
sul pont.

          


mp
 
3

        
   
 
        
 
 
p p mp p

          

sul pont.

     
 
3

      
    
    
        
 
  p p
 3

 


               
0

37
  

5 5
       
   mp 3 3

          

             
mp

3 3

      
               
   

       
 
3

   

p



3 2
           
        
   3
 p

   
  
            
44

      
      
mp mf

           
              
         

      
mp mf

      
   

             

     
p p

   

            

I III

    
       
    
   
  
    
   p

dolce
f
mf


         
 
52

      
      
mf
   
     

    
   
mp

             

       
   
   
mp

    
    
       
         

    
       
p  3   3  
4

       
        
        
59
 
V

  
 mf
p

    
V
      
              
p
 mf

           

       
   
   
 
 
     
mp
 

  
     
   
    
         
    
   
               
mf mp
 

 
66 
             
     
mp p mf
 
       

             

mp p p

                      3

         

   
mp

         

1

 
    
0



    
     


      


2
    mp
4

    
        
D.C. al Coda

        
73

    
  

            
mp mf

        
 
espress.
  
 
  
     

mp mf

           
  
3
  
  

mp mf
 
      

  

        

I

       
 
   


  
  
mp
 5

    
CodaØ
        

79

 
rit.

II mp
     
3
 
     
espress.
       
3 3
p
II
  
3
      
3
    
  
     

   
3


p mp
  
II

 
      
  

 

 
  
   

          3
83 p

      
mf



II

     
      
      
   
 
p

               
 
mf

   

        
II
   
 
    
          
  

Guitar I

Nocturnal (Guabina)
Guitar Quartet

Jaime Romero

        

Allegro Moderato q=115
 
 

    
mp

          
7

         

         
 mf
mf

      

   
14

      
mf mf

22
        
To Coda Ø         
  
p mp
espress.

 
             
 
27

    
mf

 
               

0

    
33 0
5 5
   
   
mp
   
 
39           
      

mp 3 3

www.LatinGuitarScores.com
2 Guitar I

    
        
45

          

mp mf

        
 
 
51

      
mf

        V        
        
59

    
 mf
p

66
 
           
       
mp p mf

     
     
 
D.C. al Coda
      
73

     
  
mp mf
espress.

      
CodaØ
     

79

 
rit.

mp
espress.

   

83
        
       

mf
Guitar II

Nocturnal (Guabina)
Guitar Quartet

Jaime Romero
mf
     
Allegro Moderato q=115

               

mp
mf

         
7

     

      
     
mf
mf

   
   

   
14

      

    


3 mp

II
To Coda Ø
            
22 3

 
  
3 3
pp p

             
II
27
   
   
    

p

 
              
33 0
 
 
mp


  
            
39

       
mp 3 3
www.LatinGuitarScores.com
2 Guitar II

                   
45

       
      mp mf

51


        

       
mp

  
 
       
59 V

      
 mf
    
p

 
          
66

         

mp p p

    
        
D.C. al Coda

73

  
  
      
 


mp mf

CodaØ II
   
3

79

           
rit.

3 3
p



II

     
      

83

    
   
p
Guitar III

Nocturnal (Guabina)
Guitar Quartet

Jaime Romero


        
Allegro Moderato q=115


 

       
  

mp mp

  
               
9

    
   
3 3 3
mp mp p

      
         
15

        
        
mp

II
To Coda Ø

3
     
21


3

      
    3
mf pp p mp

         

27

             

  
mf p
sul pont.

         

3

     
33


      
      
p mp p

39
    
 
            
  

p
3

www.LatinGuitarScores.com
2 Guitar III

   
                   
45

    
p p

 
   

     
53

        
            
 mp mp
  

                 

61
       
   

           
68

   3
 
       
 
mp 

            

D.C. al Coda
     
73

  
3
 
  

mp mf
 
CodaØ II
  
3
     
 
79


3

  
rit.
 
 3
p mp

      
83

            
mf
Guitar IV

Nocturnal (Guabina)
Guitar Quartet

Jaime Romero
    II
              
Allegro Moderato q=115

   
pizz.

    

                  
 
 
 
mp

 
                        
pizz.  
 
II

    
7
 

    

         
            
  
 
      
sul pont.
      
14

    
        
     
  3 
p p


1 To Coda Ø
pizz.     
                     
4 II

 3        
18

 
              
   
 
4
mf

                 

   

II
II

  
24

    
 
     
        
p   
3

         

sul pont.

     
3

     

31

     
    
  
  
     
p p
www.LatinGuitarScores.com
2 Guitar IV

 
  
          

                    

I

  
39

 
 
3 2

   
  3
      
 p


   
f

 
 
 
   

        
 
 
III

            
       
45
        
 
    
    
      
  
mf
  dolce p

              


52
    

           
          
p  3   3  

                  
  
59

          
               
mf mp   

      
1

                    

65
  0

     


 
   


     
2   mp    
4

                     

I D.C. al Coda

    
72

          
          
mp

         

 

II
79 CodaØ
 
rit.


      
   

 
p 
       
      
3

   
84 II

       
      

  