No. 82 ARNOLD SCHOENBERG Concerto for Piano and Orchestra Op. 42 G. SCHIRMER NEW YORKEXPLANATORY NOTES (1) The piano, whether it plays a principal or a subordinate part, or even the accompaniment to a principal part, must always be distinctly audible. (2) Principal parts are marked at their beginning P, at their ending. Subordinate parts are less important than principal parts, but more important than the accompaniment. They are marked $—. Both principal and subordinate parts must not be played louder than indicated. But parts marked neither P nor $ must be played in such a manner that the important parts can easily dominate. (3) There are three kinds of detached notes: (a) notes which are not so long as legato notes; i.e. not shortened but only separated from the next notes. (b) staccato, marked +, are notes similar to martellato notes, short, heavy, accented, hard. (c) spiccato, marked + , are short, but light, clastic notes Both v and + are also used in the piano part and should be played with similar discrimination. (4) Notes marked A should be gived a certain degree of importance. (5) Notes marked + should be accented, like a down beat. Notes marked u should be unaccented like an upbeat. (6) ‘The metronome marks need not be taken literally; primarily they should give a fair idea of the tempo in respect to the character of each section in all its changes. (7) Col legno battuto means “tapped with the bow stick.” Col legno tratto means “drawn with the bow stick.” (8) Ponticello, sul ponticello. It is not sufficient to play “near the bridge.” In order to produce the “Immaterial sonority” desired here, the bow (or if col legne, the bow stick) must actually touch the bridge. 44355 ATo Hey Clay Shiver u CONCERTO FOR PIANO 2 AND ORCHESTRA Ua 4-99 Andante(s.244;)=132) — Amold Schoenberg, 2 = a——~ * _ ome e P Piano Yieloncello Contrabass a © MCMXLY, by 6. Schirmer, Ine Internationol Copyright Secured , Printed in the U.S.A, A4355e04435544355Ye. ce. 4435544355 eee nena ene OT TE caceaataaaasaasiasinsiiciieanabeiinmmainapaniatnn —4435544955, 5 a ee 44955a 443554495540355rit.__--—_-- pesante Bi largo( 244) 4435544355o § == = = = ap 7 = ee SSS SS — _ es pare, an gage — x : = = B ta = a == : " 1p) . m= ‘L— (3 = 1S (pace 4) - —— -55--— esc 2 FOC ty 9 sit. - = - ee vm. = z = Sia —" 2 28k Sih ty SS : f a 44355pA | Adagio Jese (Piano tacet till 320) Adagio J=56 jee : ete amen 4035544355eo ass44355* free ce 4) pith largo(4=44) M9 443552 224 molto rit. 505 44355,a | sass (moderate) O=76 oo was4s 435544355Se A eftringende, : 2 — Fey eee? a = n : = jee. ge + e +—- a ish a ee SSS = ; < = =a ado _ SSS SS = “abit + | rae gotnee| Tiere _pratempod=% 31 443552 SS eS 4495550 Se ian 4435552 atempo 4296 eT_ Pree ne oF 1 accel. poco a poco x ——— a =sostenuto 1296 a4 =— molto sostenuty 4=7 rit. TempoT d=76 poco rit, molto sostenuta Jem Fr, 44355 P55 eG 40s44355,#4Tempol ders 445 n if ov. 3g cp) Fe ; as ete | 4495558 4435559 .€ : je gS SB, a = eet Tt aw} Fees Le a qe Step SSS 4435544355ange cals me a accelerando 446 1 Tit, Stretto detzo “ees : 2 = Home Ho ae BT it ¥ e = ge # $ es its vfa 4035544355a é 3 44055[3 4955