Ted Greene Bucs, - MELonie BLUES PeogeessiONs Ted Greene, 1977-07-20 ‘These examples are just "skeletons" and should be filled in with tasty melodic lines. Learn these examples in the follo C, A and 2) in D, C, Eb, F, E Then make up similar variations on the 12-bar blues progression. Playing @XOA order: (Q opt Fre « ko? 7 Fet Play with a "ee He" ‘te jazz feeling Key of Bb ae oT oy ea fl tt 39111"Melodic Blues Progressions" -- Ted Greene, 1977-07-20 (p.2) The basie progression above is just the normal I-IV-V type that "everybody" plays, but the difference is that many of the above I7, IV7 and V7 chords are preceded by their own V7 chords. Also the last measures have a common turnaround" of 17-V17-I17-V7. * Turnaround - a chord progression used to fill up space, usually at the end of a phrase.Peay ut AMEE, yg AKANE BRvES (ROGRESSIONS naan Te Plane traaaptee wie fiat ahetilang” tordiahntY bi pled os FBT Da Feb | DIT 67 £67), B67 Ft KT Boze gb7 io ae ea cae a C7 aah 7 ie ul Sfatr ams ee a Ant iy A te en eae : Din F,c,A Asan these trample, tthe pr lowing aeaeaee Aa gcup seins pranitene: m The 12 be (2 ba, bbe. eS Ta! baae bore ie he ft @ het e Zee OL OL ‘ th aoe zw A Gow SHELGE Lobe prt pardatel by Miutncane tke hel 2 Aare a Common, hernereunel 5m rE , nate gifs Pages ot ye cpap, watatly A the