I Won't Leave You Alone

Chris Orton

     
 
Tenderly, with feeling

Voice        
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
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 


Do you re - mem - ber all the
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           
           


bril - liant times we've shared? Like the times I fol - lowed you home and you did - n't re - al - ise I was there, Or like the

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    
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                             


time in that ca - fé when you stood up and I went o - ver and sniffedthe chair on which you sat, Oh it's times
F‹ F‹/E F‹7/E¨ DØ7 B¨‹7
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


like that. That make it o - kay you caught me with your purse, try- ing to co py all your keys, Or the
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Copyright © Chris Orton 2012
Transcribed by Joe Davison for Auburn Jam Music
2

   3  
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   
          


face you'd round up a pos - se of men who would dis - lo - cate both my knees, Or the

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     3
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                              
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
fact you'd take time out of your bus y day to go to the trou - ble of cal - ling the p'lice just o - ver me, Oh it's times

F‹ F‹/E F‹7/E¨ DØ7 B¨‹7

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       
     


like these. I love you so much I could just punch you in the face. Would you give me your heart

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
so I can keep it at my place? If I could just hold your hand a - gainst a throb - bing gland. Do you re

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          
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        
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       


mem- ber when I would watch you ex - er - cise? And you catch me in your bush - es and you'd

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  
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                               


pep - per spray my eyes. Do you re - mem - ber the wom - an who taught you self de - fence? Well that was me in dis - guise!

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   
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        


I love you so much it al - most is a sin. Give me the chance to buy you clothes made from oth - er peo - ple's skin.

A¨ E¨ D¨ E¨ A¨ E¨ D¨ E¨
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accel.
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          


If I could just rub your feet with te - ri - ya - ki and mes - quite.

F‹ F‹/E¨ D¨ D¨/E¨ E¨
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Più mosso

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         
Let me take you out, I know a nice se- clu - ded place, And we can may- be have a chat when you've used up all your


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             
mace.Ig - nore the ham - mer, tape and spade I have there in my bag. Just let your - self re - lax and breathe in to this


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     
       


rag. My heart goes gid- dy, when you look at me that way. Through the glass par-ti- tioned win- dow in the room

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                               
3 3


where I now stay. Wheth - er it be with the cray- ons or the blood from my arms, I'll write to you ev -'ry day,Don't wor - ry I

D¨/F E¨/G F‹ F‹/E F‹7/E¨ DØ7

    
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
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                


won't leave you a - lone. No, I won't go a -

B¨‹7 D¨/E¨ F‹ F‹/E¨ B¨‹7 D¨/E¨


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a tempo
              
58

    
 


way. Oh, chlo - ro - form chlo - ro - form for you.

A¨ C‹7/G D¨/F E¨/G A¨Œ„Š7

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