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MA Ensemble Theatre – Key Reading list

Bral Grzegorz, Gawin Gabriel & Zubrzycki Anna interviewed by Sarah Brigham. ‘In
Conversation’. [printed copy, part of Song of the Goat Theatre’s Macbeth UK tour
2010 Education Resource pack by The Point, Eastleigh], 2010.

Britton, John. Encountering Ensemble. London: Methuen Drama, 2013.

Dowling Niamh, ‘Teatr Piesn Kozla and its integration into Western European theatre
training’, Theatre, Dance and Performance Training, 2, No 2 (October 2011), pp.243-
259.

Heddon Deirdre & Milling Jane. Devising performance: a critical history. New York:
Palgrave Macmillan, 2005.

Hodge, Alison, ed. Actor training. London: Routledge, 2010.

Kumiega, Jennifer. The Theatre of Grotowski. London: Methuen, 1985.

Lehmann, Hans-Thies. Postdramatic theatre. London: Routledge, 2006.

Porubcansky Anna, ‘Song of the Goat Theatre: Artistic Practice as Life Practice’, New
Theatre Quarterly, 26, No3 (2010), pp. 261-272.

Schechner Richard & Wolford Lisa (eds.). The Grotowski Sourcebook, London:
Routledge, 2001.

Schechner, Richard. Performance Studies. New York: Routledge, 2006.

Schino, Mirella. Alchemists of the Stage: Theatre Laboratories in Europe. Wrocław:


Icarus Publishing Enterprise, 2009.

Staniewski, Włodzimierz with Hodge, Alison. Hidden Territories: the Theatre of


Gardzienice/ Włodzimierz Staniewski with Alison Hodge. London: Routledge, 2004.

Zubrzycki Anna and Bral Grzegorz in conversation with Maria Shevtsova, ‘Song of
the Goat Theatre: Finding Flow and Connection’, New Theatre Quarterly, 26, No3
(2010), pp.248-260.

Supportive reading
Allain, Paul. Gardzienice: Polish Theatre in Transition. Contemporary Theatre
Studies, vol. 22, Amsterdam: Harwood Academic Publishers, 1997.

Allain, Paul & Harvie Jen. The Routledge companion to theatre and performance.
London; New York: Routledge, 2006.

Barba, Eugenio. The Paper Canoe: A Guide to Theatre Anthropology. London:


Routledge,1995 (Translated by Richard Fowler).

Barba Eugenio & Savarese Nicola. A dictionary of theatre anthropology: the secret
art of the performer. Abingdon: Routledge, 2006 (Translated by Richard Fowler).
Bral Grzegorz & Zubrzycki, Anna. The actor’s co-ordination. [DVD-ROM] ed.Alison
Hodge, Arts Archive, Exeter: Arts Documentation Unit, 2001.

Cavarero, Adriana. For More than One Voice: Toward a Philosophy of Vocal
Expression. Stanford California: Stanford University Press, 2005.

Cioffi, Kathleen M. Alternative Theatre in Poland 1954-1989. Polish Theatre Archive


vol. 2, series ed. Daniel Gerould, Amsterdam: Harwood Academic Publishers, 1996.

Delgado Maria M. & Rebellato Dan, eds. Contemporary European theatre directors.
London: Routledge, 2010.

Giannachi Gabriella and Luckhurst Mary, eds. On directing: interviews with directors.
London: Faber, 1999.

Goodridge, Janet. Rhythm and Timing of Movement in Performance: Drama, Dance


and Ceremony. London: Jessica Kingsley Publishers Ltd, 1999.

Harvie Jen & Lavender Andy, eds. Making Contemporary Theatre: International
Rehearsal Processes. Manchester: Manchester University Press, 2010.

Mitter, Shomit. Systems of Rehearsal Stanislavsky, Brecht, Grotowski and Peter


Brook. London: Routledge, 1992.

Murray Simon & Keefe John. Physical theatres: a Critical Introduction. London:
Routledge, 2007.

Murray Simon & Keefe John. Physical theatres: a Critical Reader. London:
Routledge, 2007.

Power, Cormac. Presence in Play: a critique of theories of presence in the theatre.


Consciousness, Literature and the Arts series, No.12. Amsterdam: Rodopi, 2008.

Richards, Thomas. At Work with Grotowski on Physical Actions. London: Routledge,


1995.

Tufnell Miranda & Crickmay Chris. Body, Space, Image: notes towards improvisation
And performance. Hampshire, London: Dance Books, 1993.

Turner, Victor. The anthropology of performance. New York: PAJ Publications, 1986.

Wangh, Stephen. An Acrobat of the Heart: a physical approach to acting inspired by


the work of Jerzy Grotowski. New York: Vintage Books, 2000.

Zarrilli, Phillip B., et.al. Theatre histories: an introduction. London: Routledge, 2006.

Zarrilli, Phillip B. Psychophysical acting: an intercultural approach after Stanislavski.


London: Routledge, 2009.
Supportive Reading List for Research Methodologies

Barrett, Estelle & Bolt Barbara. Practice as Research: Approaches to Creative Arts
Enquiry. London: I.B. Tauris, 2010.

Freeman, John. Blood, sweat and theory. [United Kingdom S.I.]: Libri Publishing,
2010.

Kershaw Baz & Nicholson Helen, eds. Research Methods in Theatre and
Performance Studies. Edinburgh: Edinburgh University Press, 2011.

Nelson, Robin. Practice as Research in the Arts: Principles, Protocols, Pedagogies,


Resistancies. Basingstoke: Palgrave Macmillan, 2013.

Riley Shanoon Rose & Hunter Lynne, ed. Mapping landscapes for
performance as research : scholarly acts and creative cartographies. Basingstoke:
Palgrave Macmillan, 2009.

Romanyshyn, Robert D. The Wounded Researcher: Research with Soul in


Mind, New Orleans, LA: Spring Journal Books, 2009.

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