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Background
Competing automakers were building ever bigger cars for growing families with baby boomer
children. Given that World War II had ended only 15 years earlier, it's easy to envision a public
relations nightmare. When the US consumers were obsessed with idea of ‘thinking big’ by having
powerful cars, the classic ‘Think small’ campaign by Doyle Dane Bernbach introduced Americans to
the advantages of a small car and made everyone live the American dream through radical
advertisements.
Automobile Advertising Then
So, what was then happening with the automobile advertising scene in the 1950s? The ongoing concept
for automobile advertisements was to show people, proud owners and passengers evoking great joy
and satisfaction about these new shiny big acquisitions. Commercial photography was then in its
infancy and was not preferred when it came to capturing the ‘essence’ of the automobile; a great deal
of automotive images was multiple illustrated artwork featuring all the exciting features of the vehicle.
The advertisements were visually colorful; you can’t miss them with their hand-lettered headlines, big
illustrations and large logotypes. The inherent message sent out was: “This is the American Dream,
Live it!” – the underlying statement was the definition of those successful individuals who possessed
the ability to afford a big house and a nice car for a quality lifestyle. As mentioned above, during 50s
in USA, big cars were associated with speed and luxury. People use to feel the cars as fashion
statements and testosterone boosters and nor as just a way to get the kids to school. While USA
consumers, literally, they were being urged to “think big”, the “think small” ad came and urged the
consumers to think the opposite (thinkingouttabox, 2009). American cars’ ads were moving along the
same lines, designed with visually bright colors, big headlines and large logos. On the other hand,
beetle’s ad had lots of white space, the car was tiny, the headline was inadequate in terms of
information and worse of all… it was in black and white! (Life in CMYK, 2011)
Figure 1: 1950 Hudson Custom ad
Source: http://www.plan59.com/cars/cars390.htm
As can be seen from figure 1, the ordinary ads were visually colorful in order to attract the reader.
You couldn’t just slide over them as their hand-lettered headlines attracted your eyesight.
By observing more different car ads, figure 2, we could see that in order to advertise a car during 50s,
they used a variety of techniques to attract potential customers. They introduced for example, beautiful
girls with colorful and attractive gowns, provided magnificent landscapes and attractive models along
with jewels. In addition, each automobile ad had a slogan which generally had the same meaning for
all of them. For example, slogans like: “You’ve got to drive it to believe it!”, “Filled with grace and
great new things” and “You can make your ‘someday’ come true now”, had the same main words like:
“New, Shiny, Big and Great Features!” (Life in CMYK, 2011). An article in thinkingouttabox (2009)
mentioning accurately that: “The inherent message sent out was: “This is the American Dream, Live
it!”
Figure 2: Chevrolet, Mercury and Cadillac ads in 1950
Source: http://galleryhip.com/1950s-car-advertisements.html
HISTORY OF BEETLE
The Volkswagen beetle first produced in 1936 and it was known as the peoples’ car. With only 3 years
in production, beetle’s factory became the largest motor factory in Europe capable of producing
150,000 cars per year, and then by 1942 the production rose to 1.5 million cars per year
(Volkswest.co.uk, n.d.). Beetle had dominated the European and African market amazingly fast. By
the end of 1950, Volkswagen decided to do a controversial move. They decided to enter the USA
market. Why controversial? Beetle wasn’t just a simple foreign car. Everyone knew beetle as a car
which developed by Hitler, a Nazi car (Johnson, 2014). Although, beetle became surprisingly
successful car in USA and the reason was its impressive commercialization strategy.
The Volkswagen which in German means “People car”, was a assurance by Adolf Hitler to the
Germans for getting their goodwill in 1930s. Before Hitler’s era, German was suffering the effects of
The Great Depression. The situation was awful, every industry was suffering. The situation was such
that the price of a car was more than the annual earnings of the people. Cars were a sign of royalty and
luxury. So, to gain popularity after he became the Chancellor in 1933, he announced the idea of making
a car which would be small and could be affordable for common people. For this Hitler met the
automotive designer Ferdinand Porsche and this is how Porsche designed Volkswagen was born.
After WW2 United States had become a Superpower. America was geared to achieve heights in
economy. Cars began to be built for the growing economy and growing families with Baby Boomer
children. Americans were fascinated with muscle cars. Big cars were a symbol of achievement. So,
the ongoing trend for car advertisements were to show proud owners, happiness and pride oozing from
the car owners etc. The ads were visually very colorful and gave the message that it could bring colors
and pride to your life. Most of them had the inherent message-‘This is the American dream-Live it’.
Every automobile ad then began saying the same thing: Oldsmobile proudly proclaimed, “You’ve got
to drive it to believe it!” Chevrolet, expounded “Filled with grace and great new things,” while Buick
promised, “You can make your ‘someday’ come true now.” The catch words were: “New, Shiny, Big
and Great Features!”
Marketing Strategy
Throughout the years, Volkswagen managed to build a strong brand name in Europe. Although the
high fame that they had in Europe, in USA Volkswagen was almost unknown. In addition, the WWII
had just finished, and as everyone know USA fight against Germans during the war. As is understood,
under those circumstances, to enter a car to USA market was too risky. In addition, the thing that
aggravated the situation more was that beetle was a car whose development was tied to Adolf Hitler
himself. In other words, was a Nazis’ car. Having this in mind, Volkswagen had to find a way to
promote the car successfully. And they did it!
“Think Small”
The Volkswagen knew that they should found an alternative and innovative way to promote the car to
the potential customers. The way they chose, was to advertise the beetle with a totally novel way. In
order to do that, they collaborated with Doyle Dane Bernbach (DDB) agency. Thus, the DDB team
built a print campaign in 1959 that highlighted beetle’s benefits against its competitors. The campaign
mainly focused on beetle’s frame, which was smaller than most of the cars been sold at the time
(Kabourek, 2014). They designed ads that included a small image of beetle with a lot of whitespace
around it. With this way, they wanted to show the contradiction with the existing traditional cars which
were mainly associated with luxury. Their principal objective was to attract the attention to beetle, by
converting the smallness of beetle into strength instead of a weakness (Fowler, 2011). As for the name
of the campaign, should had been a name that reflected beetle design and at the same time been
attractive. DDB teams came up with the “Think small” as a name/slogan. They tried to find a name
which was meant to emphasize beetle simplicity and minimalism in order to shift people’s perspective
of small cars.
types of innovation give profitability at different point in the life cycle (Moore, 2004, pp. 86--92). As
the beetle was at marketing point, they came up with brilliant and innovative marketing strategy, which
eventually led beetle’s sales to unpredictable numbers. Particularly, Doyle Dane Bernbach (DDB)
team and Volkswagen decided to completely destroy the status quo for automobile ads with the “Think
Small” campaign (Johnson, 2014).Unlike with the trend of those times, Beetle ad had a simple concept.
Just a small picture of the car with the headline "Think small". At the bottom, there was a text listed
the advantages of driving a small car versus a big car (Kabourek, 2014).
Figure 3: Volkswagen Beetle first ad.
Source: http://0-six-5-eight.blogspot.co.uk/2010/09/pink-gk-jersey.html
Figure 3 illustrates the first two ads of Volkswagen beetle in USA. Unlike other cars’ ads which mainly
focused on providing as much information as possible to the reader, beetle’s ads were breathtakingly
simple (Odgen, 2014). Then, how did they manage to attract the consumers? The answer is brilliant
from a marketing perspective. They forced reader’s eyes to focus on the car using an empty white
background trick. With this way, they wanted from reader to see the car from the designers view and
not as an ugly different car in a sea of American beauties. They aimed to show beetle uniqueness in
terms of design and style. Literally, they wanted to confuse the reader. “If you woke up to find this ad
in your newspaper in the 1960s, you were thoroughly confused and just had to read it. At this point,
they’ve already won”, Johnson (2014) said.
Nevertheless, beetle’s ad still seemed to lags behind other ads. However, the biggest secret of ad
success was into the text at the bottom of the poster.
Figure 5: Lemon Ad
In this ad depicted a black and white picture of Beetle with the word “Lemon” in bold font. At the
bottom the text starts: “This Volkswagen missed the boat. The chrome strip on the glove compartment
is blemished and must be replaced”. As the text goes on, describes the beetle inspection process. At
some point in the text, mentioned that there are more inspectors in Volkswagen factory than cars.
Continuing, it reports that each car runs through 189 check points, and one beetle out of fifty rejected.
At the end it says: “This preoccupation with detail means the VW lasts longer and requires less
maintenance, by and large, than other cars” and concluding with the astonishing phrase “We pluck the
lemons; you get the plums.” The way the composed the text it’s amazing. The reader’s first impression
is to questioning why Volkswagen calling their own car a lemon. Automatically reader becomes
curious and wants to read further to see eventually that it is about the strict inspection process that
beetle goes through (Coleman, 2009).
In addition, except the radical and innovative ads Volkswagen proceeded to another innovative
movement. They changed their own name for the sake of better promotion. Beetle is usually referred
as “VW” instead of a Volkswagen. Volkswagen doesn’t sound American. On the other hand, VW is
cool, fresh, simple and friendly (Johnson, 2014).
Next Steps
After beetle’s ad success, on 1965, DDB team and Volkswagen decided to advertise the car on
television. And guess what? The Beetle ad campaign stood out for its use of television. The beetle
commercial highlighted the emotional relationship between car and consumer. The content was quite
pioneering. The commercial presented a funeral procession as the voice of the deceased bequeaths his
fortune. He decided to leaves nothing to his wife and sons and especially to business partners who
were wasteful with money. But to the tearful young man in a VW Beetle at the end of line, he says:
"To my nephew, Harold, who of times said `A penny saved is a penny earned ... and it sure pays to
own a Volkswagen' ... I leave my entire fortune of one hundred billion dollars", (Heath, 2012). They
literally planted beetle in consumers’ head without even realizing it!
Critical Appreciation
It was not a big car, it was not a car that boasted about the great “American Dream”, it was not a car
that people would have wanted to get associated with, it was not a car whose advertisement appeared
colorful and flashy, it was a car whose ad did not figure any female characters in them, it was a car
that was originally inspired by a leader whom the entire world loathed and it was not the most
opportune time to launch a car that was so loud in recalling the name of the leader who inflicted
bountiful of painful memories on people from almost across the globe.
Am sure by this time any logical and rational car maker as well as ad maker would have given up. But
that was not the case with the manufacturers of the most popular car Beetle by Volkswagen and the
makers of the most impressive ad campaign, “Think Small” by Doyle Dane Bernbach (DDB). The
odds were heavily stacked against not only the car makers but also the ad makers. Beetle was a car that
could be termed as the most offbeat car of that era (1950s) when the notion of the American Dream
had engulfed practically most of the US citizens. Their possessions were making them proud or their
pride erupted from their possessions was a question, the answer to which even Hercules would find
difficult to provide. Beetle was small, somewhat ugly and yes, slow too – all the features that an
American could possibly abhor. Volkswagen, at that time, took a risk which by any standards could
not be termed as calculative or thoughtful. It was a complete foreign territory on which VW had
decided to tread.
Ditto applies for the numerous ads that appeared for the Beetle. It was, in essence trying to transform
the “think big” Americans to “think small” ones. The agency DDB initially flatly refused to advertise
a campaign for the Beetle because they had not done anything like that before. Beetle was positioned
to cater to a handful of people in USA who knew the benefits of owning a small car. This changed the
entire approach. The marketing strategy it employed was simply amazing. They designed a series of
amazing ads targeting entire public in general. They harped on the safety and engine excellence of the
car. The car ads prior to that era were mostly featuring all the exciting features, they were visually
colorful, and involved girls too in ads. Ads before it were either information-based and lacking in
persuasion, more fantasy than reality, or relied on the medium's ability to deliver repeated exposure.
Beetle ads, though, connected with consumers on an emotional level, yet also conveyed a product
benefit in a way in which consumers could relate to. Text highlighted the advantages of driving the
small Beetle versus a big car. The ads were mostly in black and white and almost 1/3rd of the ad space
in newspapers were selectively left blank in order to attract attention. Very soon the ad campaign was
able to build a supreme emotional connect. Year after year, the VW Beetle ad campaign conveyed its
message of frugality and sensibility with a clarity and emotion the ad world had never seen before.
The emotional connect soon reflected in numbers and the sales figures skyrocketed.
DDB had pioneered the concept of art directors and copywriters working together through this ad
campaign. Many great ad campaigns have come along since 1900. However, none made a greater
lasting impact than the Beetle ad campaign. The industry trade publication, Advertising Age, named
it No. 1.
This ad campaign did much more than a boost in sales, it built a lifetime of brand loyalty and became
a household brand and a global icon.
References
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http://www.writingfordesigners.com/?p=1731
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