Professional Documents
Culture Documents
Prologue 1
1 A lonely beach 7
2 Birkenhead 11
3 Wakefield and ‘the Board’ 17
4 Australia 1851: Gold versus wool 25
5 The Scots 33
6 The age of the clippers 43
7 The Ticonderoga 49
8 Emigrants and numbers 53
9 Departure 57
10 Clearances and famine: The tragedy of the Highlands 70
11 Life at sea 82
12 Death at sea 95
13 A lonely encounter 99
14 The Great Circle 104
15 Surgeons at sea 109
16 The first cases 119
17 Typhus takes hold 125
18 The box with the dull pink ribbon 129
19 The Southern Ocean 135
20 Hell Ship 145
21 Arrival 160
22 Protecting the colony 172
23 A colonial crisis 180
24 The Lysander 189
25 Quarantine and outrage 200
26 A Christmas escape 213
27 A visit from the Governor 217
28 The last journey 223
29 The Maitland 227
30 Life goes on 236
31 The aftermath 240
Epilogue 245
Acknowledgements 247
A note on sources 248
Notes 251
Bibliography 259
Prologue
1
HELL SHIP
great black-sided ship before turning for a final glimpse of the home
they were leaving behind. Only one of them, however, knew it was
forever.
****
Like the fragile and feverish ghosts of those who perished within
the wooden tomb of the ship, their story has lingered in my family
for generations. Only in his later decades could my own father
bring himself to utter that strange-sounding name in anything
more than a whisper: Ticonderoga. It was as if what had been seen
all those years ago by the grand old man—the revered doctor, the
hero ancestor, the first and most noble of our clan to bring our
old Scots name to this part of the world—was too terrible to be
contained within a single individual, or even a single generation.
I study Annie’s face in the photograph. In it, I see those
familiar, fine-boned, pleasant features that have graced many of
the women in my family. I imagine her voice soft with the burr
of her native Argyllshire—she came from Tobermory on the Isle of
Mull in the Western Isles of Scotland. Her dark-eyed gaze, like
her husband’s, is fixed on a point a little to their right, where
the man behind the camera has directed them to concentrate
their attention—quite immobile—until the exposure is complete.
Well over a century later, I am immensely grateful for that
unknown photographer’s diligence, as there is something rather
magnificent about his portrait of Dr James William Henry and
Annie Veitch.
They are both dressed in their finest clothes: Annie in the formal
black of a respectable Victorian lady, James wearing his woollen
country gentleman’s garments with ease, his right hand thrust
jauntily into a front trouser pocket. His small pair of steel-rimmed
spectacles appear dwarfed by his large face, which is itself framed
by a ring of white whiskers, despite his head being quite bald.
His cheeks and chin are shaved smooth, revealing a fine and clear
complexion (the Veitch men have always been blessed with good
2
Prologue
skin). His frame is solid but not fat, the mouth set straight and
outwardly expressionless, but as I look I cannot help but detect the
slightest hint of a smile.
It is his eyes, however, that intrigue me most. His gaze is strong
and deliberate, but also welcoming. I am convinced—family bias
aside—that I can see in that steady face a man upon whom count-
less others had long come to rely. Years earlier, in their desperate
and dying hours, many of the wretched passengers on board his
ship may well have arrived at the same conclusion about the kind
and tireless Dr Veitch, and the devotion he showed to them during
the single, calamitous voyage to Australia of the vessel they dubbed
the ‘floating charnel house’, the ‘plague ship’, the ‘Hell Ship’: the
Ticonderoga.
She was a clipper—said to be one of the most magnificent afloat.
While still in port in Birkenhead, crowds from nearby Liverpool
would flock across the Mersey to gaze at this four-masted beauty
with her exotic name: American built, fine-lined like a thoroughbred
and over a thousand tons. Her twin decks, they were told, would
accommodate nearly 800 souls. Imagine that!
They would be mainly Scots, cleared ruthlessly from their ances-
tral homes in the Highlands, then subjected to famine and in terrible
straits: many were crofters, exiled to the edges of their landlords’
estates, struggling to feed their families from tiny, unsustainable
patches of soil, desperate for a better life on the other side of the
world. Many of them spoke no English, others from the small
villages in the glens had not so much as laid eyes upon the ocean in
their entire lives. They stood by the dock, gaping at its vast expanse
in wonder.
As a child, I had been told the story by my father, who in turn
had been told by his, who would have heard it from Henry Veitch,
the youngest son of James William Henry himself. Looking back, I
seem to have come to it slowly, in fragments, and I suspect my father
was disappointed in my response to this, our family’s single truly
dramatic chapter.
3
HELL SHIP
4
Prologue
5
HELL SHIP
6
1
A lonely beach
7
HELL SHIP
full circle, at Point Lonsdale, the opposite jaw of the mouth of this
large and almost landlocked bay.
The lime-burning and fishing leases that Sullivan and Cannon,
along with a number of other pioneering families, had acquired for
their lonely stretch of beach made for a sparse, though not unprofit
able, life. The expanding city hungrily devoured every ounce of the
quicklime their kilns could produce from the piles of aeons-old sea
creatures around them, providing the mortar for the bricks, streets
and lanes of Melbourne. Sullivan had even put down some roots,
constructing a tidy whitewashed three-bedroom cottage using local
stone and wattle and daub walls. Outside, a small well had been
sunk, providing passably fresh water struck just a few feet beneath
the sandy surface. Large expanses of gnarled ancient ti-trees provided
the dense, heavy fuel required to heat the lime kilns as well as the
men’s winter hearths. In the several years these two men and others
had worked their leases, not much had changed along their peaceful
stretch of beach, and this November morning they had no reason
to suspect that their idyllic little world would soon to be consumed
by catastrophe.
In the middle of their regular mid-morning break, the men lit
a pipe and spoke quietly about the afternoon’s work. Suddenly,
Sullivan’s face darkened as something across the water drew his
gaze. ‘Look there,’ he said, his voice low and ominous. His com-
panion looked up, and both men fell into silence as they observed a
magnificent black sailing ship apparently heading straight for them.
For Sullivan and Cannon, the sight of passing ships further out
on the bay was nothing new. In July 1851, Victoria had finally been
carved out of New South Wales and proclaimed a partially self-
governing Crown colony, with a promise that it would become a
full colony in its own right in five years’ time. Then, barely a month
later, the electrifying announcement came: gold— apparently in
unbelievable quantities—had been found at Clunes near the inland
settlement of Ballarat. From that moment, it seemed to Sullivan
and Cannon, the steady trickle of ships became a torrent.
8
A lonely beach
9
HELL SHIP
yards off their peaceful beach. She was, they could tell, an emigrant
vessel—and a big one. Not quite as large as the Marco Polo, but
with finer lines; her darkly painted hull still fresh despite a long sea
voyage; four masts, and the distinctive steep-raked, slicing bow of
the American-built clippers. A beautiful ship indeed, noted her two
lonely observers, but something about her was not right. Where on
earth were her passengers? Particularly on such a fine day as this, the
exhaustion and anxiety of months spent crammed into a few square
feet of dank space below deck alongside hundreds of others would
normally finally give way to joyous relief and celebration. Only now,
gliding up this calm and generous bay, having survived the endless
uncertainties and warded off the haunting visions of rocks splitting
open wooden walls with seas rushing in to rip loved ones from out-
stretched arms, could a future at last be contemplated. Those who
had trunks had them brought up from the lower holds to the upper
deck, where they would select their finest outfit for their arrival.
The ladies in particular would look splendid, adorning the ship like
exotic birds with their red and green satins to mark their arrival at
the dawn of a new life. But this ship, as the men remarked, was ‘like
a ghost ship’: silent.
The dark vessel came to a halt. Only then could some movement
be detected on the deck—just a few figures, moving listlessly,
without pace or conviction. Then from the cathead, the clack-clack-
ing of the capstan could be heard as the anchor chain was released.
The rigging, they saw, looked untidy—even haphazard. The entire
vessel in fact, belying the quality of its construction, had a certain
neglected appearance. Then, with a gasp, Sullivan pointed to the
top of the mainmast, where a small square of yellow just caught
a murmur of breeze. In a moment of horror, they recognised the
dreaded ‘Yellow Jack’, the signal for other ships to stay well clear.
This ship was carrying disease.
10
2
Birkenhead
11
HELL SHIP
12
Birkenhead
spur connected to the main line, from which every part of Britain
could be reached by train. To the amazement of some, gas heating
had been installed, and there was even hot and cold running water.
It was undoubtedly the largest and most impressive building most of
the travellers had ever seen.
Birkenhead was the fourth, last and most important of the
Colonial Land and Emigration Commission’s embarkation depots,
established for those leaving Britain by government-assisted passage.
Others had been set up at the ports of Plymouth, Southampton
and Deptford near London, but these had largely been adapted
from private boarding houses and were relatively small in nature.
Birkenhead was the first properly planned and truly dedicated
facility.1
Birkenhead had, however, been built for another purpose entirely:
it was originally meant to be a series of warehouses, but the build-
ings were never used for that purpose. Like much of the recent
infrastructure along the Birkenhead side of the Mersey River, they
had been constructed as part of the town’s push to carve out for
itself a piece of the massive shipping trade currently passing through
Liverpool—then the busiest port in Britain. The Birkenhead Dock
Commissioners’ ambitions were indeed lofty. Having declared that
they were ready to take on their Goliath neighbour across the water,
they began, in the 1840s, to lobby heavily for dock construction
rights, planned a grand renovation of the city centre and even com-
menced a large-scale expansion of Birkenhead’s local Wallasey Pool,
a stretch of tidal water into which the local Wallasey Creek ran
before emptying into the Mersey River. This modest backwater, it
was proposed, was to be engineered into a large complex of inland
harbours with the somewhat grandiose title ‘The Great Float’, and
would be the keystone in Birkenhead’s revival.
However, it all came to nought. The hard men of Liverpool’s
docking and shipping trade were never going to tolerate a rival—
however nascent—directly across the river, and proceeded to throw
every conceivable obstruction in the way of the ambitious men of
13
HELL SHIP
14
Birkenhead
15
HELL SHIP
recommending one of its clerks and his wife, William and Ann
Smith, to run it. Liverpool was furious, but its protestations were
ignored and, with the paint barely dry, Birkenhead’s first intake of
migrants arrived in January 1852.
16