A Tveitis sceninvio set ina by prowk Fifer
e Hornbleonely Housein the WoodsThis adventure is set in northern Min, where the forests are
rambling, ancient, and funereal, The small setlements are scattered
Tie tiny dots amidst the huge expanses of North America’s forest.
primeval. Nature looks on indifferently at man's small gestures of
defiance, narrow rads cuting through the woods’ murky twilight
Nevertheless, vast swaths ofthis wild, gygian wilderness remain,
‘untouched by te pressure ofhuman civlaton,
Approximately 709% of Maine's surfaces forested withthe only
‘open anda stip alongthe coast. The oesed regions ofMaineare
also hilly to mountainous, whichis to say quite inaccessible and
remote. Der and moose cll them home, d lack bears. Coton
tail rabbits, squires, raccoons, and skunks share the woods with
them, Beavers ui thei dams inthe vers which low down out
of the mountain, and muskrat live along the iver banks.
“Te forbidding pyeaance of Manes woods is heightened by
the many fir tres and their dark shadows. Fully two thirds ofthe
woods ae composed of pine and spruce; decdous teesae prime
rly represented by black-cherry tres and whit ash
(Our story begins in those enormous, primordial forests where
‘aman can cover hundreds of miles without runningacrossa single
sign of civilization,
tis lat summer, 1926. The characters ae driving through
Main ina ct. Why they're driving along the rate, bumpy roads
re Mane tha 18208
between theltle hamlets and backwoods ilages that rarely consist
of more than a dozen houses huddled around a ite church and
general stor ist important for our ale
‘Consequently, the Keeperhas the opportunity to iterate this
scenario into his own campaign a tangential adventure ifthe char
acters happen tobe traveling through the backcountry of Maine
‘The House inthe Woods is equally good asa stand-alone adven
‘te. n this case the Keeper has to come up with reason forthe
characters tbe driving through the forest of Maine at ight. Perhaps
the characters were invited toa wedding ina small town and are
returning to Boston Nev York. Perhaps theyresekingoutasuriy
‘ld man in hist shack in the woods, having heard that he was
guarding some old books containing occult knowledge or they're
‘on the way back fom such trp. neither ofthese are congenial,
pethaps they have visited rend who's taking the cue ina san
torium in this que, secluded are. Even simple courtesy callon
an acquaintance o a bithday party would work.
Inother words, the Keepers hand is completely re in sting
up the adventure.
However ithappens, the characters stout onthe trip back as
darkness is ling. Theyre ving thei on caro, if they do not
‘own one a borrowed or rented vehicle or conceivably a hired car
with a diver Inthe last case the Keeper must be ready to play the
taxi ot limo driver as anon-player characte.
there are alarge number of characters they necessarily take
‘wocars, whichis unproblematic forthe adventure. Mre than two
cas however, should not be permitted, because he ecient which
2006will soon befall them presumably won't fet ll ofthe cars anda
fantoning vehice wl ikl vert the adventure’ intended couse,
TInany case,the Keeper should have the players describe where
they‘ siting in the car, Le, divers seat, passenger seat, back sat,
or conceivably even arumbleseat-In order toarouse as litle susp
ion as possible inthe players, i’s perhaps judicious to schedule some
adventuring before The Horible Lonely Housein the Woods, sothat
theyre caught unawares,
‘ight hasten nthe meantime, the moons high nthe night
shy, and scattered clouds sed past, concealing it The characters?
«ar rattles happily over the bad Maine oads. The expect tobe at
their destination in afew hous. This could be home, o conceiy-
ably they'e hoping to find hotel in the net town since they could
"find lodging inthe rea they were visting,
This section can either be read drety tothe players or described
in the Keeper’ own words
Atthe Beginning of our drive, lively conversation mixed with
raucous laughter and silly jokes. Since then, sence has descended,
You al sump in your seats, exhausted, staring into space. The car
‘rumbles oer theratted roads bouncing through potholes and over
‘ost heaves. Mostly youre diving through heavy frets in which
deep darkness eign, lottng ou the moonlight. ly yourhead-
lights cut a wedge of light out ofthe Blackness. Your diver stares
‘nto the night, concentrating on avoiding the deepest potholes-and
ot alvayssucceding
The dullhum ofthe motor keeps aerating with high whine
when the car gamely temps yt another steep climb, rom the back
seat, ot much more than ray, ting shadows canbe distinguished
‘rom the blackness of te night. Who can say what might Be urk-
ing out therein theimpenerabe dark ofthe ens woods this
very moment, watching you?
events Inte Thar Course
‘The characters have been diving though the night inthe Maine
‘wood for quit along ime tired and staring into space. The road
0es up and down again ad agai, il afer illon the often unpaved
roads. But then somethinghappens, abruptly snapping the monat-
ony of the dive
The characters cr has just climbed hill ands coming round
itsside. The driver, concentrating o the section of oad aheadilu-
‘inated bythe headlights has failed to sete gue lurching rom
the pitch-black woods onto the street towards the cat. Aman in a