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Indiana University South Bend ILL ‘Liad rw: 21920 IMAI Borrower: IND {Lending String: “SU )GC.}DUJNC.NB SE Patron Journal Te: utin exture ay, lesan, and ‘ver essays on popular cute? Volume: Montea 805Pages: vi 35 pp aati Author: Crock, Cory K Article Te: Acting ke a Man: Pertrance in My Daring Clementine Imprint: Durham Duke Unversty Press, 1995, ILL Number: 188495791 cans: HO76.2.U5 098 1994 Location; SBEND STACKS ODYSSEY ENABLED charge ‘Maxcoet: 50.001°M Shipping Adare Intra Loan 118 Hostucgh Leary Universiy otrave Dame Notre Dame, Indiana 48556 Unite Site Fax: 676631-8987 Ai. 129747224 Email: nd ec ‘Contents Introduction Coney K. Creckmur and Alexander Doty + Responsbilties fa Gay Film Cre Rabin Wood 12 Lesbians and Film Faith Becher, Michele Citron, Julia Lesage, and B. Ruby Rick 25 The Hypothetical Lesbian Heroine in Narrative Feature Fim Chris Straayer 44 “The Great Escape ALailey 0 There's Something QueerHere Alexander Doty 71 Supporting Character: The Queer Career of Agnes Moorehead Patricia White 91 The Ambiguities of "Lesbian" Viewing Pleasure: The (Ds)arteuatons of Block Widow Kiera Taub 115 fom Represve Tolerance to Erotic Liberation: Mdchen in Unie B. Ruby Rich 137 Acting Like & Mars Masculine Performance in My Daring Osrentine Coney K. Crchomur 167 Dossier on Hitchcock Iuroduetionby Alexander Doty 183 Hacheodk’s Homophobia John Hepworth ith “ter tothe Favor” by Robin Wood and “Response” by John Heprorth) 186 The Murderous Gays Hitchcock’s Homophobia Robin Wood 197 ‘Crsseross: Paranoia and Projection in Suongers ona rin Sabrina Baron "nat the sortof person men marry’ Monsters, Queers, and Htchcock’s Rebecca Rhona J Berensein 2 The Queer Voice n Marnie Lucreria Knapp 262 Flaming Closets Michael Moon 282 Men's Pornography: Gay vs Straight Thomas Waugh 30 Freud’ “Fetahism” and the Lesbian Dildo Debs Heather Findlay 328 Tomof inland: An Appreciation Nayland Blake 343 Visible Lesions Images ofthe PWA. Jan Zita Grover 354 Pee Wee Hernan The Homosexial Subtext Brace La Bruce 382 in Living Color: Toms, Coons, Mamie. Faggots, and Bucs Essex Hemphill 389 Dossier on Popular Music. Intraducton by Corey K: Crecknur 393 In Defense of Disco Richard Dyer 407 Crossover Dreams Lesbians and Popular Music since the 1970 Arlene Sin 316 Immacuite Connection Michael Musto 427 The House the Kids But: The Gay Back Impent on American Dance Music Anthony Thomas 437 Chidken of Paradise: Bret History of Queens Mark Thompson 447 The Poltics of rag. JereyHlilber: 463 Black Macho Revisted: Reflections ofa Srap! Queen Marlon Riges 70 ‘AllDressed Up But No Place to.Go? Style Wars and the New Lesbianism Arle Stein 496 nmodty Lesbianiom Danae Clark $8 Gay, Lesbian, and Queer Popular Culture Bibliography 30% Acknowledgments of Copyright 52s Contributors 528 Index 538 Corey K.Cre sin Culture charts some of Ihave understood andi the disappointments and denials hegemonic structure of mains called compulory heterosexuality Butler), or the straight mind (Mf velop antihomophobic and an ‘major forms of contemporary mj fashion ‘Homosexual men and women] mace culture. Historians such Faderman have argued, in fact arose in tandem with capitals minorities or (subcultures, gay fence and participation constra Which they are e generally ign Certainly, gays and lesbians inways the culture industries nf Historically, however, gays

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