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Associate CG Supervisor | ImageMovers Digital | San Francisco Bay Area | +1.415.448.6713 | ryan@rsgalloway.com
Summary
■ Broad knowledge and experience with CG pipeline from motion capture to rendering and stereo,
■ Articulate communicator, highly collaborative and diplomatic leader of high profile projects,
■ Diverse technical skills and knowledge, including web, database, programming and scripting,
■ Balanced attention to detail and the bigger picture; always asks why, not just how,
■ Proactive and adept at finding innovative, intuitive and elegant solutions to complex problems.
Professional Experience
ImageMovers Digital, Novato, CA 2008-Present
Associate CG Supervisor (Mar. 2010–Present)
■ Collaborate with department leads and CG supervisors to solve remaining technical and workflow
issues,
■ Responsible for ensuring the stability of the pipeline through production of Mars Needs Moms,
■ Mitigate risks of pipeline and workflow changes to meet immediate needs of production while
facing high attrition rates and an aggressive production schedule,
■ Oversee the maintenance of dataflow and asset management tools.
Lead Production Engineer (Sept. 2008–Mar. 2010)
■ Production engineering area lead, responsible for overseeing the Dataflow team,
■ Collaborated closely with department leads and CG supervisors daily to
○ Transition each department to the next generation pipeline (Mosaic),
○ Ensure integration high-quality code and systems into production pipeline,
○ Determine technical approaches for integrating new features into the pipeline.
■ Designed, oversaw or lead the development of IMD's
○ Next generation asset and scene management pipeline, Mosaic (aka Pipeline 2.0),
○ Lighting and rendering user-interface, Isotope,
○ Asset management system, Loco.
Senior Technical Director (2007–Sept. 2008)
■ Designed and developed the studio’s dailies system, Omni,
■ Oversaw the integration of third-party applications Scratch, RV and Shotgun into the pipeline,
■ Wrote and integrated several studio-wide production libraries in Python and PyQt,
■ Designed and developed motion capture stage acquisition tool, Mometa,
■ Worked on set with stage departments during the mocap shoot of A Christmas Carol.
Filmography
1 . Pledge, The (2001) (cg technician: ILM)
2 . Jurassic Park III (2001) (cg technician: ILM)
3 . Majestic, The (2001) (cg technician: ILM)
4 . E.T. The Extra-Terrestrial (2002) (cg technician: ILM)
5 . K-19: The Widowmaker (2002) (cg technician: ILM)
6 . Signs (2002) (cg technician: ILM)
7 . Star Wars: Episode II - Attack of the Clones (2002) (digital effects artist)
8 . Hulk (2003) (digital effects artist)
9 . Master and Commander: Far Side of the World (2003) (digital effects artist)
1 0 .THX1138 (2004) (digital effects artist)
1 1 .Van Helsing (2004) (digital effects artist)
1 2 .Star Wars: Episode III - Revenge of the Sith (2005) (digital effects artist)
1 3 .XXX2: State of the Union (2005) (digital effects artist)
1 4 .War of the Worlds (2005) (digital effects artist) (uncredited)
1 5 .Poseidon (2006) (digital effects artist)
1 6 .Pirates of the Caribbean: Dead Man’s Chest (2006) (digital effects artist) (uncredited)
1 7 .The Nightmare Before Christmas in Disney Digital 3-D (2006) (digital effects artist)
1 8 .Pirates of the Caribbean: At World's End (2007) (digital effects artist)
1 9 .The Spiderwick Chronicles (2008) (digital effects artist)
2 0 .A Christmas Carol (2009) (lead production engineer:IMD)
2 1 .Mars Needs Moms (March 2011)
Education
■ B.S. Computer Information Science, The Ohio State University, Columbus, OH (1999)