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(Curtains open to reveal the dancers facing upstage towards the mirrors)
ZACH: Again!
Let’s do the whole combination facing away from the mirror. From the top,
(Dance sequence)
Okay, I’m going to put you into your groups now. When I call out your number, I’ll
ZACH: Right, when I find a number without a person, it’s you. Okay, girls first. Number
Two, downstage. Number Nine, upstage. Number Ten, downstage. And number Twenty-
JUDY: Twenty-three.
TRICIA: I really need this job. Please God, I need this job. I’ve got to get this job.
seven, downstage.
VICKI: No.
Boys! And!
ROY: No.
ZACH: The arms are second, down, fourth. I wanna see it. Again.
ZACH: Girl in brown, much better but still too much tension face, neck and shoulders. Relax.
ZACH: (music stops) Listen, that’s really great but stay in the formation and tone it down.
Okay?
VICKI: No.
first.
Boys.
Thank you.
(applause segue)
Every head, arm, body angle, exactly the same. You must blend.
This is one of those numbers where you back the star – you’re her frame.
Walk, walk,
Point, point,
Step, brush, with the arm, step, brush, back, arm down,
GIRLS: She walks into the room and you know, she’s uncommonly rare very unique.
She walks into the room and you know, from her maddening poise, effortless whirl,
She walks into the room and you know, you must shuffle along, join the parade,
(The dancers move into the pyramid formation for the final chorus)
(Kick line until curtains shut and music cut by stage manager)