STARLIGHT

Words and Music by

MATTHEW BELLAMY

B C m G m E D sus4 D
x x xx x x
4 fr 4 fr 4 fr 6 fr 6 fr

121
Synth. Bass arr. for Guitar
(B)

T
A
B 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

Piano arr. for Gtr.

Fig. 1 End Fig. 1
B C m G m E
5

Synth. Bass arr. for Gtr. Fig. 2 (below)

11 11 12 12 11 11 11 12 12 11
T 12
11
14
13
14 12
13
12
13
14
A
B

9
B C m G m E

1. Far a-way, this ship has tak-en me far a-way, far a-way from the
Synth. Bass arr. for Gtr.
Fig. 2 End Fig. 2

T
A 6 6 6 6 6 6 6 2 2 2 2 2 2 1 2 4
B 2 2 2 2 2 2 2 4 4 4 4 4 4 2 4 6

© 2005 LOOSECHORD LIMITED

WARNER/CHAPPELL MUSIC LTD., London W6 8BS

Authorized for use by Pedro Ferreira

2
13
B C m G m E

me - mo-ries of the peo-ple who care if I live or die. A

T
A 6 6 6 6 6 6 6 2 2 2 2 2 2 1 2 4
B 2 2 2 2 2 2 2 4 4 4 4 4 4 2 4 6

17
B C m G m E

star - light, I will be chas-ing a star - light, un - til the end of my

T
A 6 6 6 6 6 6 6 2 2 2 2 2 2 1 2 4
B 2 2 2 2 2 2 2 4 4 4 4 4 4 2 4 6

21 B C m G m E
3

life. I don’t know if it’s worth it an - y - more.

T
A 6 6 6 6 6 6 6 2 2 2 2 2 2 1 2 4
B 2 2 2 2 2 2 2 4 4 4 4 4 4 2 4 6

25 B C m G m E 3

Hold you in my arms, I just want - ed to

Piano arr. for Gtr. plays Fig. 1

T
A 6 6 6 6 6 6 6 2 2 2 2 2 2 1 2 4
B 2 2 2 2 2 2 2 4 4 4 4 4 4 2 4 6

Authorized for use by Pedro Ferreira

 3

B C m G m E To Coda
29

hold you in my arms.

T
A 6 6 6 6 6 6 6 2 2 2 2 2 2 1 2 4
B 2 2 2 2 2 2 2 4 4 4 4 4 4 2 4 6

33
B C m 3 G m E

2. My life, you el - ec - tri - fy my life. Let’s con-spire to ig -

Elec. Gtr. 1

( ) ( ) ( )

hold bend
overdrive, let ring
1/2 1/2 1/2 1/2
7 7 7 7 7 7 7 7 7 7 7 7
T 7 7 7 5 5 5 5 5 5 4 4 4 4 4 4
A
B

37 B C m G m E
3

nite all the souls that would die just to feel a - live.

( ) ( ) ( )

hold bend
1/2 1/2 1/2 1/2
7 7 7 7 7 7 7 7 7 7 7 7
T 7 7 7 5 5 5 4 4 4 4 4 4 4 4 4
A
B
Gtr. 2

distortion

T X X
A X X
B X X

Authorized for use by Pedro Ferreira

4
41
C 5 F 5 D 5 G 5

I’ll ne - ver let you go if you pro - mise not to

T 8 8 8 8
A 11 11 11 11 11 4 4 4 4 4 4 8 8 8 8 6 6 6 6 6 6 6
B 11
9
11
9
11
9
11
9
11
9
4
2
4
2
4
2
4
2
4
2
4
2
6 6 6 6 6
4
6
4
6
4
6
4
6
4
6
4
6
4

45 A5 E5 A5 D 5

fade a - way, ne-ver fade a - way.

T 9 9 9 9 9 9 8 8 8 8 8 8 8 8
A 7 7 7 7 7 9 9 9 9 9 9 7 7 7 7 7 8 8 8 8 8 8 8 8
B 7
5
7
5
7
5
7
5
7
5
7
0
7
0
7
0 0
7
0
7
0
7
0 0
7
5
7
5
7
5
7
5
7
5
6 6 6 6 6 6 6 6

49 G m D sus4 D E B

And our hopes and ex - pec - ta - - tions,

Elec. Gtr. 1

( )

w/echo, let ring

bracketed note (2° only)
7 7 6 6 7 7 7 2
T (8)
9
8
9
8
9
8
8
8
9
9
9
9
7 7
9 9
A
B

(1° only)

T
A 6
B 6
4

Authorized for use by Pedro Ferreira

 5
1.
53
G m D sus4 D E B

black holes and re - ve - la - - tions.

7 7 6 6 7 7 7
T 8
9
8
9
8
9
8
8
8
9
9
9
9
7 7
9
7
9
A
B

2.
57
E F B

- - tions.
Synth. Bass arr. for Gtr.

7 7 9 9 9 9 9
T 9
9
9
9
7 7
A
B 2 2 2 2 2 2 2 2

60
D.S. al Coda

T
A
B 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

Coda
63
B C m 3 G m E

Far a-way, this ship has tak - en me far a-way, far a-way from the
Elec. Gtr. 1

let ring

T 4
0 0
4
0 0
4 3 3
0 0
3
0
3
0 0
1 1
0 0
1
0
1 1
0
1
0
4
0
A 2 2 2
B

Authorized for use by Pedro Ferreira

6
67
B C m G m E

me - mo-ries of the peo-ple who care if I live or die.

T 4
0 0
4
0 0
4 3 3
0 0
3 3
0
3
0
1
0
1
0
1
0
1 1
0
1
0
4
0
A 2 2 2
B

71
C 5 F 5 D 5 G 5

I’ll ne - ver let you go if you pro - mise not to

Elec. Gtr. 2

overdrive

T 8 8 8 8 8 8 4
A 11 11 11 11 11 11 4 4 4 4 4 4 4 4 8 8 8 8 8 8 6
B 11
9
11 11 11 11 11
9 9 9 9 9
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
6 6 6 6 6 6 6 6 6

75 A5 E5 A5 D 5

fade a - way, ne-ver fade a - way.

T 9 9 9 9 9 9 8 8 8 8 8 8 8 8
A 7 7 7 7 7 7 9 9 9 9 9 9 7 7 7 7 7 7 7 8 8 8 8 8 8 8 8
B 7
5
7
5
7
5
7
5
7
5
7
5
7
0
7
0
7
0 0
7
0
7
0
7
0 0
7
5
7
5
7
5
7
5
7
5
7
5
7
5
6 6 6 6 6 6 6 6

79 G 5 D 5 E5 B5

And our hopes and ex-pec - ta - - tions,

T 8 8 8 8 8 8 8 8 9 9 9 9 9 9 9 9
A 6 6 6 6 6 6 6 6 8 8 8 8 8 8 8 8 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
B 6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7 9
7
9
7
9
7
9
7
9
7
9
7
9
7
9
7

Authorized for use by Pedro Ferreira

 7
1.
83 G 5 D 5 E5 B5

black holes and re - ve - la - - - tions, yeah.

P.S.

T 8 8 8 8 8 8 8 8 9 9 9 9 9 9 9 9
A 6 6 6 6 6 6 6 6 8 8 8 8 8 8 8 8 9 9 9 9 9 9 9 9
B 6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7
X

2.
87 E5 F 5 B C m

- tions. Hold you in my

Synth. Bass arr. for Gtr.

Piano arr. for Gtr. plays Fig. 1

T 9 9 9 9 9 9 9 9 11 11 11 11 11 11 11 11
A 9 9 9 9 9 9 9 9 11 11 11 11 11 11 11 11
B 7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 2 2 2 2 2 2 2 4 4 4 4 4 4 2 4 6

G m E B C m
91 3

arms, I just want - ed to hold

T
A 6 6 6 6 6 6 6 2 2 2 2 2 2 1 2 4
B 2 2 2 2 2 2 2 4

G m E B N.C.
94 3

you in my arms, I just want - ed to hold...

T
A 6 6 6 6 6 6 6
B 4 4 4 4 4 2 4 6 7 7 7 7 7 7 6 7 9
7

Authorized for use by Pedro Ferreira