Professional Documents
Culture Documents
Carlisha Bivins
Introduction
In the late 19th century, American was plagued by yellow journalism, “a style of
newspaper reporting that emphasized sensationalism over facts,” which has continued to
influence modern media; particularly with crime coverage by news outlets (United States
Department of State, 2017). As the lines blur between entertainment and education, crime dramas
are also viewed as means of crime reporting. Misconceptions established as a byproduct of both
sources are distorting the general public’s perception of crime and slowly undermining the
criminal justice system as a whole. By examining official crime reports published during the past
half-decade and common myths related to the criminal justice system, I will describe the extent
to which the media has distorted the American perception of these matters and offer rational
Crime Dramas
Crime dramas are one of the most popular American genres of entertainment in the 21st
century with series such as Law & Order, NCSI, and Criminal Minds amassing millions of
Victimization
In their research about character portrayal in crime dramas, Parrot and Parrot (2015b)
discovered that “when compared to other race-gender pairings, White females stood the greatest
chance of being crime victims when they appeared on screen” across all depicted violent crimes.
However, we find an immediate conflict to this genre pattern if we review data provided in the
2016 Crime Report (see Table 1) where Black males (47%) comprised the greatest number of
THE EFFECT OF MEDIA ON CRIME PERCEPTION 3
homicide victims last year (FBI, 2016b). Furthermore, the Department of Justice (2017)
identifies American Indian women to have the greatest risk of becoming sexual assault victims
but plotlines examining the victimization of Natives are almost entirely excluded from the genre.
Arguably then, the genuine effort to portray victim storytelling from a sociologically
representative perspective is absent. Instead, the genre is fostering excessive, unwarrabinted fear
in viewers that represent the bottom totem of victimization (Donovan & Klahm, 2015).
Another interesting find from the same study conducted by Parrot and Parrot (2015b) is
that “Black males and White males […] were no more likely than each other to perpetuate […]
crimes, and Black males were no more likely to commit […] crimes than White women.” These
details suggest that those involved in the writing and casting for crime dramas have also ignored
the real-world intraracial nature of crime when rallying around their poster victims – White
females. Otherwise, Black males would be significantly less likely than their White counterparts
to be depicted committing a crime against White women within the genre. The lack of clarity
here might be a contributing factor to an interracial social strain where Whites experienced
Individuals living with mental illnesses are another group that experience serious
misrepresentations in crime dramas. After coding for 983 characters across 65 episodes, Parrot
and Parrot (2015a) found that 5% were identified to have psychological, behavioral, or mood
disorders with an equal gender distribution and Caucasian majority. If we compare these
numbers to the data compiled by the National Institute of Mental Health (2015), we see that the
demographics most affected are actually multiracial persons and females (see Figure 1). This
comes as no surprise in a society with increased institutional pressures against anyone that is not
a White male. What is missing, however, are factors of encouragement to seek treatment. Instead,
THE EFFECT OF MEDIA ON CRIME PERCEPTION 4
feelings of shame may be invoked because these same characters have poor hygiene and are
Furthermore, most of the mentally ill characters from the study were either depicted as
offenders (51%) or victims (46%) but rarely as mere bystanders (Parrot and Parrot, 2015a).
Although it is difficult to measure the accuracy on behalf of victims, the offender rate falls
terribly short when applied to the real world. Considering there are about 43.8 million mentally
ill persons according to the National Alliance on Mental Health (2017), it would be unreasonable
to claim that 22.3 million (51%) are committing serious crimes when less than 3 million of the
American population are imprisoned (Prison Policy Initiative, 2016). That would mean that
millions of perpetrators have not been caught and pose an alarming threat to our public safety.
But perhaps that is what the media would prefer us to believe. By consistently promoting such a
narrative, it becomes easier to pass off national tragedies like mass shootings and crime sprees as
something other than a manifestation of ineffective crime control policies like weak gun control
laws.
Police Effectiveness
For individuals that have not had an interaction with a police, televised depictions are
there only source of perception regarding officers. Certain shows illustrate them as infallible
agents of the law. In fact, Donovan and Klahm (2015) cited sources claiming that clearance rates
are well above 50% in all crime genre programs. This is problematic because clearance rates for
property crimes are much lower than that of violent crime on an annual basis in the real world
(see Figures 2, 3, and 4). Since each program has a specific niche centralized around either type
of crime, but rarely both, that means on-screen clearances rates are exaggerated. Consequently,
viewers may ascribe unwavering, unconditional support to law enforcement even when presented
THE EFFECT OF MEDIA ON CRIME PERCEPTION 5
evidence of their practical flaws. For example, Michael Slager is still being defended on social
media by active force apologists despite a clear video depicting his unjust murder of Walter Scott
Due to the short time (typically 60 minutes or less) allotted for crime dramas, the process
conviction) is considerably abbreviated – creating an implication that justice is swift and assured.
For victims of crime that refer to these programs to gauge their impending experience, a painful
reality may await them. Televised defense attorneys are encouraged by non-ethical incentives
(e.g. romantic attraction to their client, rivalry with the assigned prosecutor, supporting a
personal ideology) to prove their client innocent. As induced punishment for their lack of
professionalism and for the sake of a victim-friendly ending, failure is almost imminent. In real
life, defense attorneys are more interested in protecting the interest of their clients rather than
proving their innocence. For example, in cases where legal and non-legal factors are likely to
generate a guilty verdict, plea bargains become a rational option to gain reduced sentencing
much to the benefit of the client and the dismay of the victim. Juries are a challenge all on their
own.
A term commonly referenced in intersectional studies of the media and the criminal
justice system is the CSI Effect which describes how the general public determines guilt or
innocence based on the presence of forensic evidence as a result of regularly consuming crime
dramas which often identify DNA as the critical factor in solving an investigation (Rhineberger-
Dunn, Briggs, & Rader, 2016). On the other hand, these programs are nearly silent on the
could either eliminate existing evidence or provide false evidence. An additional issue is that
particularly true for skin cells, hair, and semen. These arguments regarding the validity of DNA
reflect how the miseducation of juries by the media poses a constant threat of misjustice: a
criminal may be acquitted and an innocent person may be convicted. Fortunately, there is some
research that suggests the CSI Effect may be somewhat overestimated but that does not resolve
misperceptions caused by actual crime reporting (Rhineberger-Dunn, Briggs, & Rader, 2016).
Crime Reporting
Crime reporting is distributed in a variety of mediums with the most consumed sources
being local news broadcasts, 24-hour news networks, electronic articles, and published
newspapers. Despite the responsibility of crime reporters to properly inform the public, the
content distributed is frequently re-packaged in a way that is not fair, thorough, accurate, or
balanced.
Sensationalism
Crime occurs every day in nearly every city in America but we only hear about a fraction
of these incidents that are identified as newsworthy. In other words, stories that involve
extraordinary deviance regarding victim-offender relationship, brutality, and status are granted
top priority. One latent byproduct of this sensationalism are copy-cat criminals seeking grandeur
amounts of attention and fame. (There are also social cults that praise specific criminals for their
ruthless but that is an entirely separate intersectional essay.) “Normal-minded” persons, on the
other hand, are falsely conditioned by sensationalism to rely on the news to decrease their
All stories are eventually retired to an archive despite their newsworthiness. Narratives,
however, are recycled. For example, local networks report violence in areas concentrated with
minority housing on a daily basis (Bjornstrom, Kaufman, Peterson, Slater, 2010). Such an
organized effort has done nothing more than reinforce stereotypes and encourage increased
police presence which does not inherently reduce crime. Meanwhile, crime sprees in
predominately White areas are hushed – undermining the “informed” decision making of citizens
Political Agendas
CNN and Fox News among other media outlets have faced increasing scrutiny in the past
few years about their political affiliations. Stations that are left-leaning have been proven to use
arbitrary; fight crime with prevention, community police; reduce racial disparities in sentencing
for drug crimes; [and] strengthen gun control” (On The Issues, 2015a). On the other hand, right-
leaning stations appeal to conservative/Republican ideals about crime: “enforce existing laws;
more victims rights and harsher penalties for certain crimes; [and] no gun licensing” (On The
Issues, 2015b). The remaining political parties also have dedicated sources that utilize the same
propagandized tactics. As a result, viewers and readers are almost always exposed to reports
tainted with biased language that blurs central truths about crime.
In a study reviewing 529 news segments, Frost and Phillips (2011) found that “stories on
street crime, sex offenses, and terrorism accounted for more than 90% of crime coverage.”
Meanwhile, white collar crime accounted for less than 2% putting it well behind pop culture
(10%) as a topic focus but this should not be dismissed as poor prioritization. The avoidance of
THE EFFECT OF MEDIA ON CRIME PERCEPTION 8
white collar crime is a two-fold problem. On the surface, members of the general public struggle
with conceptualizing it. A sample survey conducted by Michel, Cochran, and Heide (2015)
showed 73.5% of the respondents failed a questionnaire measuring their objective knowledge
about the definition, examples, and harmfulness of white collar crime. It is also more difficult to
pre-emptively identify the source of threat because the perpetrators are not random thugs as with
street crime; instead they are clean-cut people and reputable businesses. For individuals not
previously affected, getting robbed as a result of a faulty mortgage agreement seems more
Despite the cost of white collar crime exceeding into the trillions, well beyond the
billions caused by street crime, those committing these dastardly acts against innocent citizens
and unsuspecting consumers are able to avoid scrutiny either due to egotistical power or
associative power in the media sphere (Michel, Cochran & Heide, 2015). Egotistical power
refers to perpetrators that own a considerable share in or other substantial influence over one of
the six corporations (see Figure 5) that have practically monopolized our intake of information
(Lutz, 2012). Associative power, on the other hand, refers to preparators that have close ties to
corporation shareholders. In both cases, a demand trickles down the allied corporation chain of
command to the owned media outlets: stories that could be damaging to a the interests of the
Recommendations
The first change that seems necessary in resolving biased crime coverage is explicitly
focusing on known facts rather than mentioning speculated assumptions to increase accuracy.
Frost and Phillips (2011) found that less than ¼ of guests – including field experts - on crime
reporting broadcasts actually discuss pertinent aspects such as causation, crime control, and
THE EFFECT OF MEDIA ON CRIME PERCEPTION 9
related policies. Family and friends of victims and offenders should only be incorporated
sparingly because introducing emotional elements only further distracts viewers from the closest
version of the truth. Their personal testimonies should be reserved for the court room. Critics of
this solution might argue that limiting information is just as reckless as offering too much
information. I do not agree. People do not un-learn things. Rather, they alter their ways of
thinking about a particular thing in degrees. From that perspective, the general public would
inaccurate one.
Second, news outlets should be fined after disseminating a series of unconfirmed details
that are later identified as false to encourage fact checking prior to information dissemination to
increase thoroughness. Opponents would argue that this violates freedom of speech and freedom
of press and reporters will experience varying levels of stress and intimidation. I reject this
claim, considering the proposed fines to be more in line with libel and slander laws. I should,
however, clarify that the fines would be charged to the media outlet rather than individual
reporters because several eyes (are supposed to) review crime reports before they are released to
the public.
Broadcasts and publications should rely on neutral photos of suspects rather than mugshots.
Otherwise, presumptions about guilt are cultivated. Gutsche (2011) conducted a case study
supplementing this claim with an accompanying focus on how photo composition (e.g. lighting)
also influences the types of messages received about depicted persons. Reporters are likely to
complain that neutral photos may be too difficult to obtain. Admittedly, I would not even
entertain this argument. Based on the number of neutral photos that are conveniently available
THE EFFECT OF MEDIA ON CRIME PERCEPTION 10
for so many White suspects, it is not unreasonable to expect the same dedication for minorities
who also must continue to navigate the communities in which those images will be distributed on
Lastly, crime dramas should assume an obligation to their audiences by providing stills or
end scenes with actual statistics about the crimes that were covered in the episode much like
regular television dramas do for episodes about suicide, sexual assault, and other heavy topics.
There may be some initial apprehension towards this solution due to budgeting and adjustments
in filming but I anticipate that the production teams would gradually approve implementation
based on the public service nature of the request which should increase program reputation.
Notably, there is not a recommendation here about how to address the issue of balanced
reporting. As previously mentioned, political bias and corrupt corporate interests are an ongoing
problem. Addressing these issues would require the complete dismantling and de-monopolization
of American media which I do not anticipate happening in the next 20 years – especially as we
await the vote on Net Neutrality which could will undoubtedly affect the tide.
Conclusion
Modern America is still suffering from the remnants of yellow journalism a century later
as made evident by the juxtaposition of distorted versions of reality championed by news outlets
and crime dramas against an empirical reality guarded by official organizations and watchdog
agencies. Yet, accountability is a societal burden. Reporters and producers should be more
responsible in their actions while the general public should be more proactive in forming a full
scope of crime issues. With that being said, we have a long road ahead of us to making crime
References
Bjornstrom, E., Kaufman, R., Peterson, R., & Slater, M. (2010). Race and ethnic representations
of lawbreakers and victims in crime news: a national study of television coverage. Social
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Donovan, K., & Klahm, C. (2015). The Role of entertainment media in perceptions of police use
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Frost, N., & Phillips, N. (2011). Talking heads: crime reporting on cable news. Justice Quarterly,
28(1), 87-112.
Gutsche, R. (2011). Building boundaries: a case study of the use of news photographs and
cultural narratives in the coverage of local crime and in the creation of urban space.
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http://www.businessinsider.com/these-6-corporations-control-90-of-the-media-in-
america-2012-6
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https://www.nami.org/Learn-More/Mental-Health-By-the-Numbers
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http://www.ontheissues.org/Democratic_Party.htm
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of gender and race on fictional crime dramas. Sex Roles, 73(1), 70-82.
Prison Policy Initative. (2016). Mass incarceration: the whole pie 2016. Retrieved from:
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THE EFFECT OF MEDIA ON CRIME PERCEPTION 13
Rhineberger-Dunn, G., Briggs, S., & Rader, J. (2016). Clearing crime in prime-time: the
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Tables
Figures
Figure 2 | National Alliance on Mental Health. (2017). Mental health by the numbers. Retrieved from:
https://www.nami.org/Learn-More/Mental-Health-By-the-Numbers
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Figure 5 | Lutz, A. (2012). These 6 corporations control 90% of the media in America.
Retrieved from: http://www.businessinsider.com/these-6-corporations-control-90-of-the-
media-in-america-2012-6