Professional Documents
Culture Documents
Written by
(CONT’D)
(CONT’D)
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(CONT’D)
TEASER
ROSS WALKS IN THE FRONT DOOR AND MAKES HIS WAY TO THE COUCHES
WHERE THE GANG IS HANGING OUT.
ROSS
Heyo guys!
JOEY
ROSS SITS BETWEEN RACHEL AND PHOEBE AND THEY SLOWLY SCOOT
AWAY FROM HIM TO THEIR RESPECTIVE ENDS ON THE COUCH.
PHOEBE
ROSS
JOEY
ROSS
PHOEBE
RACHEL, WITH HER SHIRT COVERING HER NOSE AND MOUTH GRABS THE
STRAW OUT OF JOEY’S DRINK AND USES IT TO PUSH A TISSUE BOX ON
THE COFFEE TABLE TOWARDS ROSS.
ROSS
RACHEL
JOEY
MONICA
PHOEBE
MONICA
be a guest chef!
JOEY
PHOEBE
RACHEL
making?
MONICA
ROSS
MONICA
JOEY AND PHOEBE LOOK AT EACH OTHER AND SHRUG. ROSS, COUGHING,
STANDS UP. MONICA AVOIDS HIM.
ROSS
MONICA
ROSS
MONICA
ROSS
Wait! Don't!
MONICA
What?
JOEY
RACHEL
MONICA
ROSS
AS WE:
FADE OUT:
END TEASER
Lina - Henrik 5.
ACT ONE
SCENE A
RACHEL
MONICA
CHANDLER
RACHEL
MONICA
CHANDLER
promotion.
MONICA
That’s great!
Lina - Henrik 6.
CHANDLER
RACHEL
speaking.
MONICA
RACHEL
CHANDLER
advertising copywriting.
RACHEL
CHANDLER
RACHEL
CHANDLER
What?
CHANDLER (CONT’D)
RACHEL
CHANDLER
MONICA
CHANDLER
RACHEL
MONICA
CHANDLER
MONICA
RACHEL
RACHEL (CONT’D)
CHANDLER
RACHEL
CHANDLER
RACHEL
So is that a yes?
CHANDLER
AS WE:
CUT TO:
Lina - Henrik 9.
SCENE B
JOEY
JOEY (CONT’D)
Excuse me.
JOEY LOOKS OVER AT THE DOOR. HE ANSWERS IT. AN OLD WOMAN WITH
A HUNCHBACK STANDS IN FRONT OF HIM.
JOEY (CONT’D)
OLD WOMAN
apartment.
THE OLD WOMAN’S EYES WIDEN AS SHE LOOKS AROUND. SHE PUSHES
HER WAY THROUGH THE DOOR, COMPLETELY IGNORING HIM.
JOEY
OLD WOMAN
JOEY
least 200!
OLD WOMAN
JOEY
OLD WOMAN
THE OLD LADY POINTS TO HIS BEDROOM. JOEY STEPS BACK, ALARMED.
JOEY
keep my food...
Lina - Henrik 11.
OLD WOMAN
JOEY
OLD WOMAN
JOEY
alone!
AS WE:
CUT TO:
Lina - Henrik 12.
SCENE C
MONICA
Coming!
PHOEBE ENTERS.
PHOEBE
MONICA
PHOEBE
are.
Lina - Henrik 13.
ROSS
Hey guys!
PHOEBE
ROSS
I’m great!
MONICA
Oh screw you!
ROSS
What?
PHOEBE
ROSS
ROSS (CONT’D)
MONICA
ROSS
PHOEBE
MONICA
PHOEBE
to the pound.
ROSS
The pound?
PHOEBE
ROSS
be fine.
MONICA
PHOEBE
MONICA
from?
PHOEBE
ROSS
PHOEBE SITS DOWN NEXT TO MONICA, TAKES HER HAND AND LOOKS HER
IN THE EYE.
PHOEBE
ROSS
MONICA
MONICA, PHOEBE, AND ROSS ALL GRAB THEIR BELONGINGS AND EXIT.
AND WE:
CUT TO:
Lina - Henrik 16.
SCENE D
JOEY
CHANDLER
Yes Joey...
JOEY CRACKS OPEN THE BATHROOM DOOR AND STICKS HIS HEAD OUT.
JOEY
CHANDLER
pack.
JOEY
CHANDLER
JOEY
CHANDLER
Obviously.
JOEY
CHANDLER
country.
JOEY
have in common.
CHANDLER
JOEY
JOEY (CONT’D)
CHANDLER
AND WE:
CUT TO:
Lina - Henrik 19.
SCENE E
ROSS
PHOEBE
ROSS
MONICA
PHOEBE
colors!
Lina - Henrik 20.
ROSS
PHOEBE
ROSS
MONICA
THEY ALL LOOK AROUND UNTIL ROSS SPOTS A STOIC CHINESE MAN
SITTING STILL IN THE CORNER.
ROSS
ROSS (CONT’D)
MONICA
PHOEBE
ROSS
CHINESE HERBALIST
(grunts)
MONICA
CHINESE HERBALIST
(grunts)
MONICA
MONICA (CONT’D)
CHINESE HERBALIST
(grunts)
PHOEBE
ROSS
MONICA
CHINESE HERBALIST
(grunts)
MONICA
Should we go there?
CHINESE HERBALIST
(grunts harder)
ROSS
PHOEBE
CHINESE HERBALIST
your hands!
MONICA
MONICA OPENS THE LID AND ROSS IMMEDIATELY COVERS HIS NOSE.
ROSS
AND WE:
CUT TO:
Lina - Henrik 23.
SCENE F
(CHANDLER)
CHANDLER
CHANDLER (CONT’D)
CHANDLER (CONT’D)
AS WE:
FADE OUT:
ACT TWO
SCENE G
(JOEY, CHANDLER)
JOEY
baby!
CHANDLER
JOY
CHANDLER
removal?!
JOEY
audition.
(MORE)
Lina - Henrik 25.
JOEY (CONT'D)
CHANDLER
JOEY
JOEY GRABS AN ELVIS WIG FROM HIS CLOSET AND A BOTTLE OF WATER-
BASED ADHESIVE.
CHANDLER
JOEY
CHANDLER
JOEY
CHANDLER
What is that?
JOEY
CHANDLER
I hate my life.
JOEY
Try it on!
JOEY (CONT’D)
CHANDLER
JOEY
AND WE:
CUT TO:
Lina - Henrik 27.
SCENE H
PHOEBE AND MONICA BOIL THE TEA. ROSS, COVERING HIS NOSE AND
GAGGING, STANDS ON THE OPPOSITE SIDE OF THE ROOM.
ROSS
MONICA
ROSS
as bug pesticide.
PHOEBE
ROSS
MONICA
ROSS
ROSS TAKES OUT A PILL BOTTLE FROM HIS JACKET POCKET AND
PLACES IT ON THE KITCHEN COUNTER. ROSS, GAGGING, EXITS.
PHOEBE
MONICA
pill.
PHOEBE
about to die?
PHOEBE (CONT’D)
MONICA
AS WE:
CUT TO:
Lina - Henrik 29.
SCENE I
JOEY
Be a butterfly. Be a butterfly. Be a
JOEY (CONT’D)
JOEY (CONT’D)
AS WE:
CUT TO:
Lina - Henrik 30.
SCENE J
CHANDLER
Ewww.
MONICA
Ewww!
CHANDLER
MONICA
CHANDLER
MONICA
CHANDLER
It’s hip.
JOEY
MONICA
JOEY
MONICA
JOEY DIVES ONTO THE COUCH AND BURROWS INTO THE CUSHIONS.
JOEY
MONICA TURNS AWAY AND NOTICES ROSS’ PILLS. SHE TAKES ONE.
MONICA
Screw it.
AS WE:
CUT TO:
Lina - Henrik 32.
SCENE K
PHOEBE
ROSS
ROSS (CONT’D)
PHOEBE
ROSS
PHOEBE
than I thought!
ROSS
extensions!
PHOEBE
ROSS
PHOEBE
have worked!
ROSS
PHOEBE
ROSS
reality.
Lina - Henrik 34.
PHOEBE
ROSS
totally over!
PHOEBE
(You’re recording this right?
PHOEBE (CONT’D)
moment!
ROSS
PHOEBE
AND WE:
CUT TO:
Lina - Henrik 35.
SCENE L
SECRETARY
MR. MORRISON
CHANDLER
What a game.
MR. MORRISON
CHANDLER
MR. MORRISON
CHANDLER
CHANDLER (CONT’D)
MR. MORRISON
CHANDLER
MR. MORRISON
piece?
CHANDLER
MR. MORRISON
CHANDLER
MR. MORRISON
CHANDLER
MR. MORRISON
CHANDLER
What?
MR. MORRISON
AS WE:
CUT TO:
Lina - Henrik 38.
SCENE M
THE LIVING ROOM IS DIMLY LIT AND JOEY AND PHOEBE SIT ON THE
GROUND HOLDING HANDS OVER A SMALL CAULDRON SURROUNDED BY FIVE
CANDLES.
PHOEBE
JOEY
PHOEBE
PHOEBE (CONT’D)
mood.
JOEY
(HUMS)
PHOEBE
THE FRONT DOOR KNOCKS. PHOEBE AND JOEY FREEZE AND LOOK AT
EACH OTHER IN FEAR. JOEY SLOWLY GETS UP AND HESITANTLY
REACHES FOR THE DOOR HANDLE AND SLOWLY TURNS IT. HE SWINGS
OPEN THE DOOR AND HE AND PHOEBE SCREAM.
RACHEL
PHOEBE
seeking Elmer.
JOEY
side.
RACHEL
PHOEBE
PHOEBE (CONT’D)
RACHEL
JOEY
PHOEBE
JOEY
PHOEBE
SUDDENLY A RAT CRAWLS OUT OF THE VENT BELOW AND RUNS ACROSS
THE ROOM AND OUT THE OPEN FRONT DOOR. RACHEL RUSHES TO CLOSE
THE DOOR AFTER THE RAT EXITS. ALL THREE SCREAM.
JOEY
Gross!
RACHEL
ghosts!
PHOEBE
RACHEL
AND WE:
CUT TO:
Lina - Henrik 41.
SCENE N
REPORTER
MONICA
better!
MONICA (CONT’D)
Oh hello friends!
PHOEBE
MONICA
believe it?
(MORE)
Lina - Henrik 42.
MONICA (CONT'D)
all day!
ROSS
Oh no...
MONICA
Whats wrong?
ROSS
chemical interaction.
MONICA
ROSS
PHOEBE
MONICA
Turn it off!
MONICA (CONT’D)
MONICA (CONT’D)
ROSS
PHOEBE
ROSS
PHOEBE
Oh, okay.
ROSS
forgive us.
MONICA
SFX:PHONE RINGS
MONICA (CONT’D)
Oh no.
MONICA (CONT’D)
yes. Goodbye.
PHOEBE
Well?!
MONICA
ROSS
MONICA
PHOEBE PULLS OUT THE ZIP LOCK BAG OF TEA FROM HER POCKET.
PHOEBE
More tea?
AS WE:
CUT TO:
TAG
CHANDLER SITS AT THE END OF HIS BED WITH HIS WIG LYING IN HIS
LAP. HIS BALD HEAD ILLUMINATES FROM THE OVERHEAD CEILING
LIGHT. HE TAKES OUT A BRUSH AND BRUSHES HIS WIG. HE SMILES
AND STARTS TO HUM. MONICA ENTERS AND CATCHES HIM IN THE ACT.
HE FREEZES AS THEY MAKE EYE CONTACT.
CHANDLER
Hello.
AN AWKWARD BEAT.
CHANDLER (CONT’D)
uh...
MONICA
therapy.
AS WE:
FADE TO BLACK.