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ārohaṇa : S R2 G3 P N3 S
avarohaṇa : S N3 P G3 R2 S
Compositions
Hamsadhvani rāgam lends itself for elaboration and exploration and has many compositions in both classical music and film music. It
is usually sung at the beginning of a performance.[2] There are many kritis (compositions) in praise of Lord Ganesha set in this
musical scale.
Related rāgas
Graha bhedham
Hamsadhvani's notes when shifted using Graha bhedam, yields another pentatonic rāgam, Nagasvaravali. Graha bhedam is the step
taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For more details and
illustration of this concept referGraha bhedam on Hamsadhvani.
Scale similarities
Mohanam is a rāgam which has chatushruti dhaivatam in place of the nishadam. Structures are shown in second
table.
Amritavarshini is a rāgam which has Prati Madhyamam in place of the rishabham. Structures are shown in first table.
Gambhiranata is a rāgam which has shuddha madhyamam in place of the rishabham. Structures are shown in first
table.
Niroshta is a rāgam which has chatushruti dhaivatam in place of the panchamam. Structures are shown in second
table.
Śruti
Rāgam C D E F G A B C
Tonic
Hamsadhvani C S R2 G3 P N3 S'
Amritavarshini C S G3 M2 P N3 S'
Gambhiranata C S G3 M1 P N3 S'
Śruti
Rāgam C D E F G A B C
Tonic
Hamsadhvani C S R2 G3 P - N3 S'
Mohanam C S R2 G3 P D2 - S'
Niroshta C S R2 G3 - D2 N3 S'
In Hindustani music
Samavadi: Pa
Pakad or Chalan
Re Ga Re Ni Pa Sa Re Sa
The Pakad is the one where one can identify to which raga does the composition belongs.
Time
Second quarter of night.
Important Recordings
Amir Khan, Ragas Hansadhwani and Malkauns, onHMV LP (long-playing record), EMI-EASD1357
Lagi Lagana (Drut – Teental) by A. Kanan inMeghe Dhaka Tara
Ja Tose Nahin Bolun Kanhaiyaby Lata Mangeshkar in Parivar (1956)
References
1. Bor, Joep; Rao, Suvarnalata (1999).The Raga Guide: A Survey of 74 Hindustani Ragas(https://books.google.co.in/b
ooks?id=jCnoMgEACAAJ). Nimbus Records with Rotterdam Conservatory of Music. p. 80.ISBN 9780954397609.
2. Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
3. P.P.Narayanaswami on www.carnatica.net (http://www.carnatica.net/special/rdiksitar.htm)
4. Ragas in Carnatic musicby Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
5. http://tfmpage.com/forum/20068.ros.html
Literature
Bor, Joep (ed). Rao, Suvarnalata; der Meer, Wim van; Harvey, Jane (co-authors) The Raga Guide: A Survey of 74
Hindustani Ragas. Zenith Media, London: 1999.
External links
SRA on Samay and Ragas
SRA on Ragas and Thaats
Rajan Parrikar on Ragas
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