Professional Documents
Culture Documents
Guide
Levels 1-3
Irene Bernard
Series Originator
Series Editor and Senior Author
St. Francis Xavier University
FLEXIBLE
In response to the realities of today’s classroom, Acti-Vie offers a unique and flexible
design. The program is packaged in a modular format; each unit is a self-contained
thematic entity. Although six units support a full-year program, there are eight themes
provided per grade level, allowing for Board, school, teacher and student input in
establishing a successful, high-interest program for individual classes. In addition, a
variety of practical program features are included to support the teacher in adapting to
special classroom situations, such as varied backgrounds of students or combined grades.
Through this model of flexibility, Acti-Vie can easily accommodate a four-level
program. By combining units in creative ways, teachers will discover that there is enough
material and linguistic challenge to suit the needs of four years of instruction.
MULTIDIMENSIONAL
Acti-Vie is a program that has its roots in The National Core French Study, which was
founded on the notion of the multidimensional curriculum proposed by H. H. Stern.
Directed by nationally recognized scholars in the field, the Study incorporates input
from provincial representatives, as well as the latest research on second language teaching
and learning. Completed in 1990, the Study revolutionized second language programs
throughout Canada by establishing the need to have students work toward experiential
goals in structured units and by proposing that curriculum models be multidimensional.
NATIONAL
Acti-Vie, a national program, was created after a thorough review of Canada-wide
curriculum documents. Its featured experiential goals, themes and outcomes reflect the
requirements of all provincial guidelines. In addition, its creative team reflects the
national identity – talented teachers and consultants from across the country actively
participate in the authoring and reviewing of all program units.
Beverley Biggar
B everley Biggar began her undergraduate degree at the University of Western Ontario,
where she studied French and Spanish. She obtained a B.A. in French from Laval
University, Quebec City, and a Bachelor of Education from the University of Toronto.
She later taught French as a Second Language with the Halton Board of Education, and
English as a Second Language in both Ontario and Manitoba.
Ms. Biggar has extensive experience in publishing. She began her career at Copp
Clark Pitman, where she was editor of several FSL programs and supplementary items.
She was later a developmental editor of FSL elementary materials at Addison-Wesley
Publishers. Currently, she is the Managing Editor, FSL School department, at Prentice
Hall Ginn.
Beverley Buxton
B everley Buxton began her undergraduate degree at Glendon College where she
studied philosophy in French. She completed her B.A. at the University of Toronto
and holds a Master’s Degree in English Literature from Queen’s University. Her
publishing career began at Prentice Hall as an editor of FSL materials, and she eventually
held the position of Managing Editor of FSL portfolio, travelling frequently across the
country to research provincial curricula and trends.
Contributing Authors
C ontributing authors have been selected from across Canada. Their biographies can
be found on the copyright page of the Teacher Resource Book that accompanies their
respective units.
Module Contents
• Teacher Resource Book (including Evaluation and Supplementary Activities in
reproducible BLM format)
• 30 Student Books
• Language and Strategy Boards in BLM format
• Cassette and CD
• Other items such as videos and posters are included as required in
individual units.
• The Workbooks and Program Guide are available for purchase separately.
Program Guide
• methodology and philosophy of program
• general overview of themes, content and language
• suggested teaching strategies, e.g., cooperative learning, using graphic
organizers, authentic documents, group work, evaluation, portfolios
• student language reference section entitled InfoStructures, in blackline master
(BLM) format, which includes structures drawn from all three levels of Acti-Vie
• bibliography of teacher reference material
• available for purchase separately
Strategy Boards
• support, enhance and facilitate presentation of communication and learning
strategies
• reproducible blackline master (BLM) format
Student Book
• highly visual and motivating
• includes representation of theme’s final task
• rich in authentic student-produced materials
• presentation of language including vocabulary and structures in a clear, highly
visual format
• wide variety of topics reflecting student interests
• opportunities for developing both francophone and international insights into
culture
• cross-curricular
• rich in design: each book has its own “look”
Workbook
• supports the core activities
• rich in fun, authentic tasks
• appropriate balance of skills and individual and group work
• includes a thematic French-English lexique for student reference
• an environmentally-friendly product suitable for recycling
• available for purchase separately
Cassettes/CDs
• a variety of authentic voices
• organized for easy reference, following the sequence of lessons in Teacher
Resource Book
• a combination of authentic and program-specific listening texts
• include listening activities, songs, chants, rhymes, conversations and passages
for Core, Supplementary and Evaluation Activities
• modules available with cassette and CD components
Videocassettes
• enhance, contextualize and facilitate the presentation of unit themes and
final tasks
• a combination of authentic and program-specific video segments
• for each segment, corresponding video “storyboards” are included in the
Student Books, and soundtracks are included on cassette/CD
• four videocassettes are available for select thematic units at Level 1, three at
Level 2 and four at Level 3
Au jeu!
Students will… • leisure • Adapting one of • Je préfère _____; Tu préfères ____; Nous préférons ____. • physical education
• understand instructions for and play • physical four recreational • Évitez _____! (core verbs in plural imperative form) • language arts
Tag. games and • J’aime _____; Tu aimes ____. • music
• comprehend oral directions and play presenting it to the • Je n’aime pas ____; Tu n’aimes pas ____.
Tortillon and Simon dit! class • Touche ____!; Crie _____! Multiple
• chant a comptine and create a clapping Vocabulary: Intelligence:
routine. • body parts and colours • musical/rhythmic
• participate in relay games. • action verbs, e.g., courir, sauter, ramper • body/kinesthetic
• be able to give and follow instructions. • words of encouragement
• ask for, express and graph game • une comptine, une rime, un rythme
preferences.
Logos-animaux
Students will… • social • Creating a class • Qu’est-ce que c’est? C’est + un/une + animal name. • language arts
• conduct a survey. logo and • Je préfère/Tu préfères/X préfère + le/la + animal name. • music
• identify animals, their characteristics presenting it with a • Comment est + animal name? • art
and animal logos. cheer • Tu préfères + le + colour; X préfère + le + colour.
• play an oral relay game. • Le/La + animal name + est + physical characteristic. Multiple
• express and describe colour and • On est + personality trait. Intelligence:
animal preferences. Vocabulary: • logical/
• discover how animal symbols represent • names of various animals and colours mathematical
personal attributes. • adjectives for various physical characteristics (masc. and fem.
• choose a mascot that represents them. forms)
• adjectives for various personality traits (masc. and fem. forms)
Et maintenant... la météo
Students will… • intellectual • Creating weather • Quel temps fait-il? Il fait chaud/frais/froid; Il fait du soleil/vent; • science
• listen to, complete and present a advice posters to Il neige./Il pleut./C’est nuageux. • language arts
weather report. display around the • un/une/des + clothing • art
• identify various weather conditions. school • Portez + clothing! (core verbs in plural imperative form)
• understand how to study weather using • Ne restez pas ___! (core verbs in negative imperative form) Multiple
various instruments. • Tu portes ___? (rising intonation) Intelligence:
• view weather reports and extreme • Je porte + clothing. • logical/
weather conditions on video. Vocabulary: mathematical
• learn about safety in dressing for • weather measurement and advice • naturalist
different weather conditions. • the seasons
• identify the steps for conducting a • various items of clothing
scientific experiment.
Voici ma collection!
Students will... • leisure • Participating in a • J’habite à + city name; en, au, à, dans les + province/territory. • language arts
• discuss different types of collections and display fair or • D’où est ____? Il/Elle est de ____. • math
view a videotaped interview. presenting a • D’où sont ____? Ils/Elles sont de ____. • music
• estimate the size of collections in collection • Combien d’objets est-ce qu’il y a dans la/ta collection? Il y a ___.
numbers from 1 to 100. • Où est-ce que tu ranges ta collection? dans/sur ___. Multiple
• create and present a verse of a song. • Pourquoi est-ce que tu collectionnes? Parce que ___. Intelligence:
• read about and discuss museums. • Qui collectionne ___? • intrapersonal
• discuss and identify storage locations. • Qu’est-ce que tu collectionnes? Je collectionne ___. • logical/mathematical
• learn how to organize information about Vocabulary:
their collection in order to present it. • collectibles (in singular and plural forms) and storage places
• dans, sur
• numbers 1 to 100
• Canadian provinces and territories
Explorons l’univers!
Students will... • intellectual • Creating and • C’est + ____; Il y a ____; Voici ____. • science
• identify elements of a science project. presenting a • superlatives • art
• identify four different kinds of science science fair project • imperatives (plural)
fair projects. on space • Il/Elle fait ____; Ils/Elles font ____. Multiple
• view a video of a class science display. • Il/Elle a ____. Intelligence:
• choose between making a model of the • Il/Elle est ____. • logical/
Solar System; writing a research project • prepositions of place mathematical
on Jupiter; performing a demonstration Vocabulary:
showing the phases of the moon; • planet names
and conducting an experiment on how • science project terms
meteors create craters to determine • other objects in space
why Mars is red. • numbers 100 to 999
Fêtons l’hiver!
Students will... • social • Planning and • On peut + infinitive verb. • social studies
• view a video about the Quebec Winter participating in a • Chantons! (core verbs in first person plural imperative form) (geography, history)
Carnival. class winter festival • Patinez! (core verbs in second person plural imperative form) • art
• read about Canadian winter festivals. • Mettre (infinitive form of core verbs used as imperatives) • music
• discuss winter festival activities. • Je/Tu veux/Je/Tu ne veux pas + infinitive verb. • physical education
• listen to and sing festival songs. • Nous voulons/Nous ne voulons pas + infinitive verb.
• read about ice sculptures and masks • Il/Elle est + adjective; Elles sont + plural adjective. Multiple
and create their own. • J’aime ____ parce qu’il/elle est + adjective. Intelligence:
• invent and participate in races and Vocabulary: • body/kinesthetic
relays. • winter festival activities
• follow a recipe in order to make • verbs used to give instructions
crêpes. • verbs which describe participation in winter activities
• create publicity posters. • adjectives for describing masks and ice sculptures
• verbs and nouns used in recipes
Authentic music
Every unit contains authentic music related to its
theme. Sometimes the songs serve as background
music to be played during activities; other times the
music can be part of a Supplementary Activity that
requires a simple recognition task of the students.
The authentic music complements each theme and
exposes students to music listened to in real-life
situations. The authentic music also helps students
become tolerant of listening to words that they don’t
fully understand. Learning to accept ambiguity is
an important habit to develop as a second language
student.
Dimensions of experience
Acti-Vie offers units based on the five dimensions of experience – physical, social, civic,
leisure, intellectual – proposed by the National Core French Study. It is important to
ensure that, over the course of the three levels of the program, students have had an
opportunity to gain knowledge and experience in each of these dimensions.
At the elementary level, the social dimension takes on a dominant role in the
curriculum, but it must not preclude the other dimensions. For that reason, you may
have a tendency to select more than one unit from the social dimension while still
including units that provide experience in the other dimensions.
To ensure an appropriate balance of dimensions, refer to the Overview Charts on
pages 12-17 of the Program Guide when selecting units.
Skill emphasis
Another factor to consider when carrying out long-term planning is to include final
tasks with varying skill focuses. Although each unit includes lessons that focus on the
different skills, the final tasks are usually based on oral or written work. This is the
nature of a final task: to culminate in the production and/or completion of a project.
In some units, students prepare an oral presentation supported by visual
representations and dramatizations; other units have a writing focus where students
prepare a written document such as a brochure, a scrap book or a magazine. Still other
units stress group oral participation during social activities or games.
A wide range of final tasks helps to motivate students. Remember to include a
certain amount of variety to stimulate student interest and to offer opportunities to
develop the different skills.
Language
Language content can also play a role in the selection of units for the school year.
Certain topics and language structures are required by various school jurisdictions. Acti-
Vie includes most of these required topics and structures. The language outlined in the
Cross-curricular integration
You may wish to choose certain units in cooperation with your colleagues, e.g., a unit
such as Au jeu! may be introduced when the physical education teacher stresses games,
and one such as L’environnement et moi may be introduced when the science teacher
addresses environmental issues. In fact, topics that relate to virtually every subject taught
at the elementary level are explored in Acti-Vie: math; science; language arts; dramatic
arts; social studies, including history, geography and multicultural studies; music;
physical education, art; health and nutrition; technology. To facilitate curriculum
coordination, refer to the Overview Charts on pages 12-17 or to the Unit at a Glance chart
that appears at the beginning of each unit’s Teacher Resource Book.
Seasonal appropriateness
When selecting units, consider the appropriateness of specific times of the year for
certain themes. For example, if it is difficult to obtain the use of the gymnasium in your
school, you may wish to complete Au jeu! in the spring so that students can play
Tag outside. Fêtons l’hiver!, obviously, would work best in the winter months. Et
maintenant la météo might be most effectively taught in a season when a variety of
weather conditions prevail.
Souvenirs de ma famille
L’environnement et moi
Bienvenue chez nous!
Tous des champions!
Voici ma collection!
Explorons l’univers!
Les aventures d’A-V
Bonne fête à tous!
Soyons branchés!
Fêtons l’hiver!
Vive l’amitié!
Au secours!
Au café
Au jeu!
● Core Language
▲ Additional Language
Nouns
Introducing a noun:
C’est/Ce sont ___. ● ● ● ● ● ▲ ● ▲ ▲ ▲ ▲ ▲ ▲ ▲ ▲
Il y a ___. ● ● ● ▲ ▲ ▲ ● ▲ ●
Voici ___. ● ▲ ● ● ▲ ● ▲ ▲ ▲ ▲ ● ▲
Articles
indefinite articles ● ● ▲ ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
definite articles ● ▲ ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
contractions ▲ ▲ ● ● ● ●
partitive articles ▲ ● ▲ ● ▲
Pronouns
pronoun subjects ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
emphatic pronouns ● ● ▲
vous polite form ● ● ●
Adjectives
predicate agreement ● ● ▲ ▲ ▲ ● ● ▲ ▲ ● ● ● ● ●
position of predicate ● ●
possessive adjectives ▲ ● ● ▲ ▲ ● ● ●
demonstrative adjectives ●
comparative & superlative ▲ ● ● ●
cardinals & ordinals ● ● ▲ ▲ ● ● ● ▲ ● ●
Adverbs
adverbs of time ● ●
adverbs of manner ▲ ● ●
Prepositions
preposition + noun ● ● ● ● ▲ ▲ ▲ ● ● ▲ ● ● ● ▲ ●
Conjunctions ● ● ●
Souvenirs de ma famille
L’environnement et moi
Bienvenue chez nous!
Tous des champions!
Voici ma collection!
Explorons l’univers!
Les aventures d’A-V
Bonne fête à tous!
Soyons branchés!
Fêtons l’hiver!
Vive l’amitié!
Au secours!
Au café
Au jeu!
Verbs
Present tense:
-er verbs ● ● ● ● ● ● ● ● ▲ ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
-ir verbs ● ●
-re verbs ● ● ●
avoir ● ● ● ● ▲ ● ▲ ● ● ●
être ● ● ● ● ● ● ● ● ● ▲ ● ●
faire ● ● ● ● ● ● ▲ ●
irregular verbs ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ▲ ● ● ●
reflexive verbs ● ▲ ● ● ● ▲ ▲ ▲ ● ●
aimer/Il faut/pouvoir ● ▲ ● ● ● ● ● ●
/vouloir + infinitive
Past perfect tense:
(avoir/être + past participle) ▲ ▲ ▲ ●
Immediate future tense:
(aller + infinitive) ● ● ●
Imperative
singular form ▲ ● ● ● ▲ ▲
plural form ▲ ● ● ● ● ● ● ● ● ● ▲ ●
infinitive form ● ● ●
Interrogation
rising intonation ▲ ● ● ▲ ▲ ● ● ▲
Est-ce que__? ▲ ● ▲ ● ▲ ●
inversion ● ▲ ● ▲ ▲ ●
interrogative pronouns ● ● ● ● ● ▲ ● ● ● ▲ ▲ ▲ ▲
interrogative adjectives ● ▲ ▲ ● ● ▲ ●
interrogative adverbs ● ● ● ▲ ● ● ● ●
Negation
ne...pas/n’...pas ● ● ▲ ▲ ▲ ▲ ● ● ●
negative imperative/infinitive ● ● ▲
Scheduling
Consider the total amount of time you have to devote to the chosen unit. If it seems too
long for your schedule, you can look at the optional lessons which can quite easily be
eliminated if certain adaptations are made in the unit. These adaptations are identified
in the overview of the unit.
Planning for the amount of time each lesson will take is the next step. This will allow
you to get an overall perspective on how long the whole unit will last. An estimate of the
duration for the core activities is provided at the beginning of each lesson, but you must
adapt each lesson to your particular teaching situation – whether 20, 30 or 40 minutes
a day. Charts in each unit can offer suggestions on how to proceed depending upon the
length of your class.
Once the lessons are planned, consider which Evaluation and Supplementary
Activities best suit your students. Some of the Supplementary Activities may also be
used as warm-ups to begin your class. The activities that you choose and the emphasis
that you place on certain aspects of the unit will help determine which Evaluation
activities you should select.
Materials
When planning a lesson, begin by referring to the materials list located directly under the
outcomes chart. Review the Blackline Masters (BLMs), the Workbook pages, and gather
any additional materials that may be needed for the lesson. Arrange for any audio-visual
equipment that may be required. Determine whether an Evaluation activity is included
in the lesson. Decide which of the program materials you will want to use, and adapt any
that you feel may work better in another way with your students.
Supplementary Activities
Next, look over the Supplementary Activities (Activités supplémentaires). You may
wish to use them where indicated or at any later point in the lesson. Many of these
activities can also work well as warm-up activities. The Supplementary Activities offer
additional opportunities for the students to reuse language from the lesson and provide
further practice in the skill areas.
Evaluation activities
Determine which Evaluation activities you will use and ensure appropriate emphasis
on the material studied. You may even decide to use a content-based Evaluation activity
as an alternate Supplementary Activity.
It is advisable to choose a number of formative Evaluation activities for each unit.
This will give you ample opportunity to monitor students’ progress. After receiving
feedback, you may wish to do more work on a particular topic or language skill before
proceeding with the rest of the unit.
When choosing Evaluation activities, consider the emphasis you are placing on
the particular content to be evaluated. You may expect students to be able to recognize
a certain language element, but not necessarily expect them to reproduce it. Ensuring that
the Evaluation activity has the same expectations you do is essential.
Group Work
Pair and group work, as well as cooperative group work, are key elements in Acti-Vie and
are included as early as the very first unit of the program. Pairing and grouping students
for activities is important in learning a second language: in order to have real
communication, one must have someone to talk to. In real life, one speaks to an individual
or a group of individuals; speaking in a whole-class situation is not representative of
our everyday lives. Besides being more authentic, communicating in pairs or in small
groups allows students to take risks in a non-threatening environment surrounded by
supportive peers.
Grouping students not only helps them learn to communicate in French, it also
helps them learn valuable social skills. Learning to respect and encourage the members
of one’s group, to allow for everyone’s input, to monitor one another and to be responsible
for specific tasks, are all important life skills that students acquire through grouping.
Additional social skills (such as learning to share material, help others, graciously accept
help, praise others, negotiate, listen attentively, speak quietly, follow directions, work
within a group) may also be goals during group activities. The group grid evaluations
provided for teacher use in Acti-Vie always include content evaluation but usually also
include some social interaction outcomes. Group evaluations that provide students with
the opportunity to analyse their own interaction and production are also included with
many cooperative learning activities.
Establishing habits
It is important to establish classroom routines, a French environment and a lesson style
before beginning to group students. As soon as students have a command of some
survival sentences and some communication strategies, you can begin to introduce short
controlled pair activities.
Always begin simply and work toward a more ambitious type of grouping. The first
unit of the program, Découvrons notre école!, gradually introduces the students to pair
and group work and to cooperative learning. Students move through the lessons, learn
communication strategies and the language needed to interact in French in the school
setting, engage in controlled pair and group activities, and then participate in a simple
game using the cooperative learning structure Numbered Heads Together before ending
the unit with the final task game.
Reading Oral
Process Writing Oral Presentation Communication
Strategies Comprehension
Strategies Strategies Strategies
Strategies
Relais • Students will demonstrate • Language Boards, • Divide the class into teams of equal size. The first team
comprehension of vocabulary. cut in half lines up several feet from the blackboard. On a desk
• Students will associate visuals with • stopwatch in front of the team, place a pile of either the word or
written word. the visual halves of the Language Boards, face down.
Place the other halves face up on the ledge of the
blackboard. At the signal, one student turns over a
board on the desk, runs to the blackboard to find its
match, then runs back and tags the next team
member. He/she repeats the process. Stop the time
as soon as all the boards have been matched.
The next team then tries to beat this time.
Trouve ton • Students will demonstrate • Language Boards, • Distribute Language Board halves and have students
partenaire comprehension of vocabulary. cut in half find their matching partner. Encourage students
• Students will associate visuals with to use the expression: Est-ce que tu as ?
written word. The object is to find one’s partner as quickly as possible.
Concentration • Students will demonstrate • Language Boards, • Whole class version: Divide the class into two teams.
comprehension of selected vocabulary. cut in half Create a grid on the blackboard, i.e., with numbers
• Students will use memory skills. • grid on blackboard across the top and letters down the left side, and
• Students will associate visuals with (optional) affix the halves of the Language Boards to the grid,
written word. face down. Members of each team alternate to find
matches by identifying Language Boards according
to their coordinates, e.g., A1 and B4. When a pair
is found, the student must say the word aloud.
The winning team has the most pairs at the end.
• Small group version: Students arrange boards on a
desk, no grid is needed. They take turns turning
over two boards, trying to make a match.
Again, they must say the word aloud to get the point.
Rummy • Students will demonstrate • Language Boards, • Have students work in pairs or groups of four.
comprehension of selected vocabulary. cut in half Select Language Boards with varying topics. Students
• Students will practise categorizing should receive five cards each to begin; the remaining
words and concepts. cards are placed in a pile on the desk. The first
student draws a card from the pile and attempts to
lay down three cards on the same theme. If he/she
cannot, the play passes to the next student who
follows the same procedure. If a student successfully
lays down a set of three related cards, he/she may
draw again and attempt to create another set.
Cards that are laid down must be read aloud.
The game ends once all cards are used up.
Pige! • Students will ask for selected items. • Language Boards, • This game is played like “Go Fish.” Divide students into
• Students will use the expression: cut in half small groups. Each student is dealt five cards, and the
Est-ce que tu as un/une ? remaining cards are placed face down on the desk.
• Students will review selected Player 1 looks for a match to a card in his/her hand
vocabulary. by asking any other player: Est-ce que tu as un/
une ? If Player 2 has the card, he/she gives it to the
first player. Player 1 puts the pair down, and then asks
another person for a card. If the player does not have the
requested card, he/she says: Pige! and Player 1
picks a card from the pile. If Player 1 draws the card
asked for, his/her turn continues. If not, play moves to
the next person.
The player with the most pairs when the cards run out wins.
Loto! • Students will use known vocabulary. • Loto! cards • Students create their own Bingo-style cards by writing
• Students will prepare game cards. • 16 Language Boards Loto! at the top of a piece of paper and then drawing
• 16 counters (pennies or a 16-square grid below it. Place Language Boards on the
Bingo markers) for each blackboard ledge, and have students write one word,
student randomly, in each of their 16 squares. Once this is
done, retrieve the Language Boards and call them out
one by one, in random order. Students put a marker
on each word called out. They call out Loto! when
they get four markers in a row in any direction.
Tic-Tac-To • Students will use known vocabulary. • blackboard and chalk, • Whole-class version: Create a Tic-Tac-Toe grid on the
or blank paper board, putting a number or letter in each square. Then
• visual halves of Language affix the visual half of a Language Board in each
Boards square, face down. Students play in teams. Player 1
identifies a square by its number or letter. Turn over
the visual and have the student identify it. If he/she
is correct, that team puts their mark (X or O) in the
square. Three marks in a row in any direction wins.
• Pairs version: Students create a Tic-Tac-Toe grid on a
piece of paper. Visual halves of Language Boards
are placed in a pile face down between players.
Player 1 turns over the top board and identifies the
visual. If correct, Player 1 puts his/her mark in the
square of his/her choice. Play continues as above.
Pre-Activity
Writing lessons begin like all lessons with personalization, contextualization and
anticipation phases. During the anticipation phase, students brainstorm what should be
included in the type of document they will be producing. Students are often exposed
to several samples of this type of document and can, therefore, observe the components
and sample language that will be required. Once the vital elements of the document are
determined, criteria for successful completion of the product should be established
cooperatively by you and the students.
Activity
During the activity phase, students work through the process of writing. They begin by
deciding on the content of their document, proceed to organizing the material, and then
move on to writing a first draft. During this time you should circulate in the class,
offering assistance when needed and addressing questions and areas of difficulty
experienced by the students.
Students then either pair up, work in small groups, or work in the Pairs-Check
grouping model to read each other’s documents and share ideas and comments. Often,
at the elementary level, this pair- or small-group editing is simply a basic check to
ensure that the required content is present and that language is used correctly. Encourage
students to use resources such as the Language Boards and the lexique in their Workbook,
as well as other classroom reference tools such as dictionaries, to help them in this
process. Students should also be encouraged to use their strategies of communication in
asking for help or additional information.
At this time, you may also want to complete a short language lesson dealing with
student questions and difficulties observed during the first draft stage. Language Boards
are often useful for these types of lessons.
As a final step, students make corrections to their texts and prepare the final
versions. If drawings, illustrations, colours or other elements are to be included with
the document, they are added at this point.
Post-Activity
In this phase of the lesson, students reflect upon the document they have written to
identify its purpose, in which context it is used, how and when to modify it, and the
characteristics of the genre or format. For example, in Bonne fête à tous!, students might
determine that all invitations include specific information like time, date, location, and
honoured guest; or that all birthday cards include birthday wishes and greetings, the
name of the person celebrating the birthday and the name of the person addressing the
birthday wishes.
Evaluating writing
Evaluation of a written product should be based on criteria developed cooperatively
with students. Is the required information found in the document? Is the information
presented clearly and correctly? Are additional required elements, e.g., illustrations,
drawings, graphics, included?
Evaluation is also based on the process of writing. Did the student work
conscientiously on the task? Did the student work through the peer sharing and editing
in French? Did the student use the resources available in the classroom?
Evaluation of written work should examine both product and process. Ensure that
students clearly understand the criteria by which they will be evaluated before they
begin an activity.
Formative Evaluation
F ormative evaluations are carried out on an on-going basis and are used to evaluate
student progress during the course of instruction. They also serve to inform you of
individual student achievement and reflection throughout the unit. The formative
evaluations found in all units of Acti-Vie will alert you if a particular student needs extra
help or if certain content is unclear to your class. By assessing the results of these
evaluations, you will know whether to re-teach certain elements of a lesson or whether
students have a grasp on the required concepts and are prepared to continue to
the next step in the process at hand.
Although several evaluation options are provided for each unit, you are not
required to use them all. If a certain outcome was not stressed in your class, you may
prefer not to evaluate it. Alternatively, you may wish to modify one of the
recommended evaluations to suit what was covered in your class. These are decisions
you will make as you consider the various evaluation activities available to you.
Formative evaluation may take many forms: observation of students and
their participation, progress charts, grids, questionnaires, as well as tasks quite
similar to classroom activities.
Communicative content
Certain evaluations provide feedback related to the
language learned in specific communicative contexts.
These content evaluations include activities similar to
those that students have completed as regular
activities and cover all the skill areas. (See example,
above right). Grids, with suggested evaluation criteria,
are usually provided when oral or written activities
are to be evaluated. (See examples, right.)
Note: Scoring rubrics have been included with selected
activities throughout the Teacher Resource Books in
order to assist you in assessing specific criteria.
Self-evaluation
There are two types of self-evaluation, group (see example, far left) and individual
self-evaluations (see example, left.) These evaluations enable students to reflect on
their own accomplishments several times throughout
the unit. These reflections are useful as reminders of
their progress in the second language. They also
provide an opportunity for students to take charge of
their learning. In addition to these positive learning
features, self-evaluations also give you insight into
students’ feelings about the program material and
will alert you to their successes or failures with certain
activities. All this will help you decide how and when
to adapt strategies, increase work in specific areas,
or eliminate certain activities.
Summative Evaluation
T he National Core French Study describes the
goal of Summative Evaluation as the assessment
of a student’s performance at the end of a course of
study. Acti-Vie provides evaluation tools to evaluate
the final task of each unit (see example, far left). This
evaluation material allows you to assess student
performance, upon completion of the unit, in relation
to each communicative/experiential goal. Acti-Vie
also provides a summative evaluation package as the
last step of every unit (see example, left).
These evaluations resemble the communicative activities seen throughout the unit.
Some are to be completed individually, and others in partners or small groups. The
variety of activity types reflects the distribution of the content of the unit. Once again,
you are invited to select only those suggested activities that are most appropriate for
your class.
Portfolio Assessment
T he portfolio has traditionally been used by artists to offer a sample of the type
of work they feel represents their artistic development best. The portfolio,
when applied to education, is a collection of work done by a student and selected
by that student because he or she feels that it represents his or her progress in a certain
area. Many language arts programs call for the use of portfolios with students. Other
curriculum areas are also beginning to use the portfolio as one measure of student
development over time. Some elementary classes are developing integrated portfolios of
student work in a number of curriculum areas.
With portfolios, the conscious selection of pieces of work by the students makes
them aware of their progress – and this type of reflection is one that Acti-Vie encourages
throughout each unit. For example, each unit in Acti-Vie promotes student awareness of
what students are working on and where they are going with the task. Students are
introduced, in the first lesson, to the final task and the steps leading to this task. The
program’s formative evaluation activities also encourage student reflection by providing
feedback on skill development, content, self- and group participation, and personal
achievement. This type of feedback lends itself well to the notion of portfolio development
as students reflect on their progress. Lastly, the production of the final task and the
summative evaluation activities in Acti-Vie supply students with products to select from
when demonstrating their final achievements.
Portfolio development allows students to select pieces of work that demonstrate their
progress, and allows them to reflect on their work and make some judgments about it.
Two units, in particular, make use of the portfolio as their structural progression: Une
maison pas comme les autres! and Soyons branchés! In the latter, each group
begins by setting up a portfolio and, with each lesson, works cooperatively to add
documents to it. In the final stages of the unit, groups have gathered enough material to
create a class magazine which includes two features selected by each group. In the
former, students work on their design portfolio, including, with each lesson, more
elements centered around the design and construction of their home for aliens.
Portfolios also serve to give students ownership of their learning. If this process is
one that you, or your Board, wish to embrace, Acti-Vie offers a means of including
French as one of the curriculum areas represented in the student portfolios.
On utilise la forme
accentuée pour insister vous quand on parle à une personne plus âgée
sur une ou plusieurs ou quand on ne connaît pas bien la personne :
personnes :
Quel service voulez-vous?
Moi, je veux être un Qu’est-ce que vous choisissez?
Copyright © 1998 Gage Educational Publishing Company
et au féminin :
blanc blanche bleu bleue
blond blonde brun brune
gris grise noir noire
roux rousse vert verte
violet violette
Mais certains adjectifs ont la même forme au
masculin et au féminin :
jaune
orange
rose
rouge
Les adjectifs Info es
St u
r ctur
66
19 dix-neuf 50 cinquante 80 quatre-vingts
20 vingt 51 cinquante et un 81 quatre-vingt-un
7
21 vingt et un 52 cinquante-deux 82 quatre-vingt-deux
23
22 vingt-deux 53 cinquante-trois 83 quatre-vingt-trois
23 vingt-trois 54 cinquante-quatre 84 quatre-vingt-quatre
24 vingt-quatre 55 cinquante-cinq 85 quatre-vingt-cinq
25 vingt-cinq 56 cinquante-six 86 quatre-vingt-six
26
27
28
vingt-six
vingt-sept
vingt-huit
57
58
59
cinquante-sept
cinquante-huit
cinquante-neuf
87
88
89
quatre-vingt-sept
quatre-vingt-huit
quatre-vingt-neuf
18 4 6
29 vingt-neuf 60 soixante 90 quatre-vingt-dix
30 trente
9
Les adverbes Info es
St u
r ctur
L’adverbe est un mot invariable qu’on ajoute à un verbe pour décrire une action.
bruyant ➔ bruyamment
prudent ➔ prudemment
Les noms Info es
St u
r ctur
Pour introduire
un nom…
Les prépositions sont utilisées avec un nom pour • Pour les noms de villes, on utilise
exprimer le lieu, par exemple : à + le nom de la ville :
J’habite à Winnipeg.
dans ➔ Ma collection est dans le bocal.
• Pour les noms de provinces et de pays :
sur ➔ Mon livre est sur l’étagère.
masculin à + le = au Il habite au
sous ➔ Le ballon de basket-ball est sous singulier Nouveau-
la table. commençant Brunswick.
par une
devant ➔ Les empreintes de pattes de chien consonne
sont devant la porte du bureau.
féminin à + la = en Elle habite en
derrière ➔ La feuille de papier froissée est singulier Colombie-
derrière le pupitre. commençant Britannique.
par une
à côté de ➔ La plante est à côté de la table. consonne
Copyright © 1998 Gage Educational Publishing Company
masculin et à + l’ = en Tu habites en
féminin Allemagne.
singulier
commençant
par une voyelle
Les verbes dans Acti-Vie qui se Les verbes dans Acti-Vie qui se
conjuguent comme aimer : conjuguent comme finir : choisir
à notre
Le futur proche groupe Chantons! Choisissons! Répondons!
On utilise le futur proche pour parler de ce qu’on va faire.
La forme négative d’un Ne touche pas la blessure!
On conjugue un verbe au futur proche comme ceci : impératif : Ne paniquons pas!
Ne restez pas dans la rue!
sujet + aller + l’infinitif L’infinitif
Je vais tourner le dos. On utilise l’infinitif...
Il va faire le tour de magie.
• pour donner des instructions écrites (quand on ne parle pas
Copyright © 1998 Gage Educational Publishing Company
? ??
?
avec est-ce que ➔ Est-ce que tu as une radio?
avec l’inversion ➔ As-tu une radio?
avec l’intonation ➔ Tu as une radio?
On peut répondre à ces questions par oui ou par non.
?
• Différents types de questions
QUESTION RÉPONSE
septembre du Canada
octobre
novembre l’Alberta
décembre la Colombie-Britannique
l’Île-du-Prince-Édouard
le Manitoba
Pour exprimer la date le Nouveau-Brunswick
la Nouvelle-Écosse
14 juin 1999 le quatorze juin mille neuf cent l’Ontario
quatre-vingt-dix-neuf le Québec
2001 deux mille un la Saskatchewan
1903 mille neuf cent trois Terre-Neuve
les Territoires du Nord-Ouest
le Yukon