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Could the Pilandok narrative essay the Filipino ordinary folks’ contempt for authority? But, could
Pilandok also be the ordinary folk’s everyman whose characteristic cleverness and wit could also
be the source of his own faults and weaknesses?
Introduction
Narrative, according to literary and anthropological theorists today is in everything and in the
everyday. The many structures of narratives go beyond literary forms and can now extend to social
organizations, religion and political life [1](Altman, 2008).
There are master narratives and other narratives that give clues to the character of communities.
Novels, essays, dramatic narratives can define communities, polities, nations. And there are many
other narratives that spell cultural attitudes and provide information on how to deal with and
interpret events, peoples, things. [2](Bal, 1997).
For peoples in the Philippines, there is perhaps no other narrative more compelling and effective
than the .master narrative of the formation of the Filipino nation. This narrative as Resil Mojares
claims is achieved in the master works of Jose Rizal, notably his novels, the Noli Me Tangere and
El Filibusterismo. [3] For Mojares, Rizal’s novels and the Filipino nation are “intimately connected
that to trace the history of the Filipino novel is to trace the imaginary body of the Filipino nation
itself. [4] (The novels “gave birth” to and laid down the foundations and trajectory of the modern
Philippine nation.[5]
There exists however up until today, myriad narratives of a pre-colonial past in the indigenous
world of inhabitants of the archipelago. These are narratives of people in the more than one
hundred ethnolinguistic groups in the country.. These narratives continue to excite the
imagination, their wonders have not been fully unraveled and continue to sail the seas, roam the
hinterlands and wander, as it were, like many of the indigenes. These stories are seldom reflected
upon and subjected to critical inquiry and analysis. My paper is centered on a discussion of one
these other narratives or “othered” narratives – that of Pilandok, the Maranao and Magindanao
prankster in different tales and how the thread of the narrative can be related to significant
historical and political conjunctures in the country.
There are three parts to this discussion, first, I will present some transcribed texts of the tale of
Pilandok, then I will analyze the story’s pattern, process or following, and in the third part I
will attempt to interface the Pilandok narrative with significant political events particularly in the
Philippine revolution of 1896 and in the people power revolutions of 1986 and 2001.
In literal terms, Pilandok is a mouse deer known to be the protégé or the best friend of the cobra
or the python. As mouse deer, the pilandok cannot do much harm but with the giant snake, he
can be dreadful and dangerous.
The Maranaos have various stories about Pilandok. Here are some examples.
https://lastquarterstorm.wordpress.com/2014/10/05/thepilandoknarrative/
Naging Sultan si Pilandok
http://teksbok.blogspot.com/2010/09/naging-sultan-si-pilandok.html
Pilandok and the Sumusong-sa-Alongan
( Maranao )
Pilandok was a prankster. He belonged to a poor family. One morning he left his parents to look
for food. He walked and walked until he became tired. He lay down beneath a tree on which
hung a huge beehive, closed one eye, and rested.
Soon a prince called Sumusong-sa-Alongan came by, riding on a horse. On his saddle hung many
bags of gold and other beautiful things that he had won on his conquests. He asked Pilandok
what he was doing under the tree. Without opening his eye, Pilandok answered that he was he
servant of a powerful sultan and that he was guarding a royal gong whom no ordinary man may
beat. And then he pointed up at where the beehive hung.
"Let me beat the gong, Pilandok," Sumusong-sa-Alongan said.
"No, the sultan will be angry with me if I let just any man beat the royal gong," Pilandok said
firmly.
"I am not an ordinary man. I am the son of a sultan myself. Here – I will give you a whole bag of
gold if you will only let me beat the gong."
Pilandok pretended to think. And after a while, he said "I’ll take that bag. But please, beat the
gong only when I am far away, for the sultan might come at the sound of it and chop off my
head."
Pilandok swept up the bag of gold and ran away as fast as he could. When Sumusong-sa-Alongan
could no longer see him, the prince took a big stick from the ground and beat the beehive.
Hundreds of angry bees were upon him in an instant, and if a troop of soldiers had not come his
way and helped him, he would have died.
Pilandok lived happily with his bag of gold.
http://folklore.philsites.net/stories/laughter1.html