Professional Documents
Culture Documents
Over the course of second and third term, you will be completing a cohesive thesis-
driven research project related to a topic of your choosing in Modern American
History (post Reconstruction-today). While we will spend time in class working on
related areas such as thesis development and research skills, most of the project will
be completed independently. This project is a requirement to pass Junior-level
history. If you fail the final product, you will not pass the course.
Guidelines:
Product deadlines are firm. Absence from school is not an excuse for a late
product. Each day a product is late, I will detract 1 whole grade from your
paper. To receive credit, hard copies must be handed into me personally. I
will not accept emailed copies or allow you to print during class time.
For the final paper/bibliography: a minimum of TEN sources are required.
o ONE encyclopedia entry is permitted
o You must use THREE books (according to the dictionary: a written
work or composition that has been published and printed on pages
bound together).
o You must use TWO primary sources
o Electronic resources should be online journals, books, articles, etc. If
you are going to use a website, make sure you use the website
evaluation form to analyze the sites’ authenticity.
o Remember all sources must appear paraphrased, quoted and citied in
your paper.
You must communicate with me early and often if you are having trouble
with research. I am willing to spend the time that is necessary to help you
produce a quality product.
Each student will have a different topic in class.
All products must be typed, and in 12 point font.
MLA style citations will be used.
Grading will be based on the Duxbury School Wide Writing Rubric.
I will be providing you with models and examples each step along the way.
DHS Honor Code applies to this project. If there is a doubt in the integrity of
the paper, I have the right to use resources such as “Turnitin”.
TOPICS 2010-2011
Please spend some time researching a handful of topics that are interesting to you.
Narrow down your choices to FOUR. I will assign your final topic based on your
topic information sheet.
Choice 1: ____________________________________________________________________________________
Possible angle_______________________________________________________________________
Potential thesis _____________________________________________________________________
Why this topic?______________________________________________________________________
Choice 2: ____________________________________________________________________________________
Possible angle_______________________________________________________________________
Potential thesis _____________________________________________________________________
Why this topic?______________________________________________________________________
Choice 3: ____________________________________________________________________________________
Possible angle_______________________________________________________________________
Potential thesis _____________________________________________________________________
Why this topic?______________________________________________________________________
Choice 4: ____________________________________________________________________________________
Possible angle_______________________________________________________________________
Potential thesis _____________________________________________________________________
Why this topic?______________________________________________________________________
In order to get familiarized fast with your topic, you will be responsible for reading a
related book and writing a critical review. I will give you a few announced “reading
times” in school, but for the most part, you will be responsible for reading your
selection independently. Please choose your book wisely according to your own
interests and reading level and ability. Your choice must be non-fiction, however,
you may find that memoir or narrative journalistic style may be the most interesting
to you.
I think this is likely a book that you will want to purchase as marking it up will be
hugely helpful to you—check out amazon.com or half.com for cheap used selections.
You shouldn’t have to spend more than $12-15.
Also, the Library can assist you in ordering copies from other libraries. Just ask!
Your book review will be 2-4 pages, 12-point font and will be graded in accordance
with the DHS writing rubric
The distinction between a book report and a critical book review should be kept in
mind. A book report attempts to do little more than summarize the contents of the
book, while a critical book review is a description of a book with commentary on it.
The book review, on the other hand, is an attempt at a critical analysis of a book. The
most important point to remember about a book review is that it is an evaluation or
a commentary, and not a summary. Unless your teacher specifically requests that
you summarize the book’s contents, a book review should spend little time outlining
the material covered by the author. The bulk of your review should be an evaluation
of the way the author handled the subject and a commentary of the book’s
contribution to your understanding of the issues discussed. Your formal, critical
book review should discuss such things as:
THE AUTHOR’S PURPOSE IN WRITING THE BOOK, OR WHAT THE BOOK WAS
DESIGNED TO DO;
Is the book intended as a general survey of a particular historical problem, or is its
purpose the in-depth, detailed analysis of a relatively narrowly defined subject? Is
the author distilling and summarizing accepted conventional wisdom (as found in
monographs, doctoral dissertations, and essay literature) about a subject, or is
he/she attempting to present entirely new material/information and/or
interpretation to the reader?
THE AUTHOR’S DOCUMENTATION AND RESEARCH;
On what evidence does the author base his/her work? Here the careful
reader/historian always consults closely in the footnotes... if any... bibliography, and
a Preface or Forward of the book. What sources, primary, secondary, and/or tertiary
does he/she cite as the underpinning for the work? Has the author published any
other books on similar subjects?
THE AUTHOR’S ORGANIZATION AND COHERENCE OF THE BOOK;
Does the author’s organization of material seem clear and logical? Does his/her
narrative and arguments hang together without “gaps or holes” on the one hand,
and tedious repetition on the other?
THE AUTHOR’S THESIS, INTERPRETATION, OR “POINT”;
What is the principal point(s) made by the author? i.e. is he/she arguing that
economic problems caused this or that revolution? Is the basic point of the book that
the North won the Civil War because of its greater industrial strength? Is the author
arguing that napoleon was the power-hungry and boundlessly ambitious because he
was very short and in general had an unsatisfactory childhood? What is the basic
point of the book?
THE AUTHOR’S CREDENTIALS AND BIAS ON THE SUBJECT;
If possible, try to determine who the author is. Is he/she a professional historian
(possessing a Ph.D. in History), a journalist? a participant in the events about which
he/she writes? Could you innocently pick up a book entitled Sirhan Sirhan: A
Patriotic Life by Leisa Sirhan (his mother) and use it as your basic reference source
for an understanding of Robert Kennedy’s assassin? What reservations might you
mentally make concerning a book about Nazi art written by an eminent art
historian, but one whose parents were executed at the Nazi concentration camp at
Dachau? These are only some of the more obvious demonstrations of the principles
that the perceptive reader/historian attempts to find out something about the
author of any book he/she reads because of the light such information may shed on
the particular prejudices or interests of the author.
THE INTENDED AUDIENCE OF THE BOOK;
For whom was the book written? Was it designed as a general survey for the
information of the average reader, perhaps even as an explicitly commercial,
moneymaking venture? Or was the book intended for a narrower, specialist
audience?
THE STYLE OR LITERARY MERIT OF THE BOOK;
Although history books are not usually written as literature in the narrow sense of
the term, many historians do argue that history is at least a specialized form of
literature (history as story). All historians agree, however, that anything less than
good literary style is unacceptable in historical prose. In your book review then, you
may want to comment at least briefly on the quality and characteristics of the
writing in the book you have read.
You could approach your task in any one of a number of ways. To convince yourself
that this is true, scan either the New York Times or the Atlanta-Journal Constitution
Book Review sections. Read a few of the shorter reviews to get a feel for the way the
reviewer approaches his/her task. It should become quite clear that there is no
exact formula. It should become quite clear that there is no exact formula. It should
also be clear that the reviewer thinks and writes in accordance with what he/she
regards as logical. Admittedly, he/she is usually an authority in his/her field, and
that you are somewhat of a novice. Nevertheless, do not let yourself be intimidated
by this by this. For this requirement no outside reference sources are required but
may be used.
Skeleton Outline
After you have compiled and organized your preliminary research, you will create a
one page skeleton outline that will be handed in and graded. This is an essential step
in the process of writing your final paper. In addition, this will let me know how you
are doing and if you are off track.
Sample:
I. Background Info
a. Reasons for Colonization
i. Expansion of own territory
ii. Trade is easier to conduct within one owns borders
iii. New markets
iv. More resources
b. Problems with Colonization
i. Costs lots of money to keep colonies
ii. Cultures clash and causes the spread of disliking of colonizers in
colonies
c. English colonization
i. 50 Colonies by 1900
ii. Decolonized in 1945
iii. Income from colonies was less than 1/45 of Britain’s overall income.
II. Cultural effects.
a. European Dominance
i. Imposed ideals into other countries
ii. Encouraged defensive modernization that destroyed traditional
cutlrues
iii. Made colonized inferior (racism)
iv. Colonized were educated in European fashion
b. Nationalism
i. Instigates a fervor of nationalism in colonized countries
ii. Very wide gaps in the socioeconomic stratification of the world
c. Very wide gaps in the socioeconomic stratification of the world.
i. Puts colonized countries in a state of disrepair.
ii. Once again makes colonized culture inferiorAlso forces differences
between those colonized and those colonizing.
VI. Conclusion
a. Negative effects are still seen today
i. Example countries
b. Countries that were exploited are still trying to make a come back/and are
still developing
i. Example countries
c. important because globalization today is similar to a cultural imperialism
i. Both exploit weaker countries
ii. Both create stereotypes
iii. Both are much more beneficial to colonizer.
Formal Outlines
The formal outline is a critical piece of the honors research process. This should
represent your best work and you will use it to help you write your paper. If done
correctly, writing the formal paper will be easy!
Guidelines:
You are strictly limited to a maximum of four pages single spaced
Cite ALL quotes, statistics, and any ideas that are not your own in endnote
citing format (we wil go over this in class).
Use proper outline format
o Indent each subheading
o Alternate roman numerals and letter starting with a roman numeral
o No A without a B or 1 without a 2
So, if you find you have a subheading, with only one category
under it, you shouldn’t have a subheading!
When a line caries over, make sure to indent it to the previous line’s heading
so that it will look nice and neat.
Put your topic and thesis statement as well as your name directly on the top
of the first page and put your name on each following page.
Proofread, proofread, proofread!
Annotated Bibliography
Annotations tell your reader/evaluator (ME) about your sources. Accordingly, they not only
give your reader an idea of what the source is like, but also tell your reader how you used
the source and how closely you read it!
Goulart, R. The Great Comic Book Artists, Volume 2. New York: St Martin's Press, 1989.
The alphabetically arranged entries include one page each for the artist biography
and black-and-white reprinted art. The subjective choices for inclusion reflect a
pronounced American, corporate bias. This slant and the blurry comic-book reproductions
render the title a cut below Goulart's usual high standards.
Larkin, C. (Ed.). The Guinness Encyclopedia of Popular Music. London: Guinness, 1992
Very comprehensive reference book of 3,296 pages (more than 10,000 entries)
encompassing all styles of popular music, including jazz. Primarily biographical, but does
contain record label histories. Entries from 150 to 3,000 words, though some important
artists have longer entries. Most artists from UK and US, though additionally many reggae,
Latin, and Afro-pop artists from outside these countries. Most entries include discography.
Schroeder, Susan. Indian Women of Early Mexico. Oklahoma City: University of Oklahoma
Press, 1997.
Schroeder’s book was useful to help tell the story of gender relations in early
Mesoamerica and after the invasion. Most information in the paper on gender is from this
book. It gave useful information that said women were vital contributors in early
Mesoamerica and declined after the invasion. Stated that women were particularly vocal in
the courts. The paper connected this to the rebuttal of certain Chicana authors that say she
was just overcoming her gender roles set by patriarchal Aztec belief.
Remember everything you list in your bibliography should be used and cited in your
paper!
Sources: http://www.sip.uiuc.edu/rromero/latinalit/annotatedbib.htm,
http://library.ucsc.edu/ref/howto/annotated.html
DIRECTIONS: Using the questions below, assess the websites you use in
researching your paper. You MUST assess any website (that is NOT a journal) from
which you obtain information. Answer all the questions for each website, using the
worksheet provided.
Fact: Anyone can put anything on the web for pennies in just a few minutes.
Your task: To distinguish between reliable and questionable websites, and research
accordingly.
Ask yourself:
1. Is it somebody's personal page? (i.e., personal name in URL, or words
"users," "members," or
"people.")
* Personal pages are not necessarily "bad," but you need to investigate the
author very carefully.
2. What type of domain does it come from? What kind of information source do
you think is most
reliable for your topic? (educational, nonprofit, commercial, government, etc.)
* Government sites: look for .gov, .mil, .us, or other country code
* Educational sites: look for .edu
* Nonprofit organizations: look for .org
* If from a foreign country, look at the country code and read the page to be
sure who published
it.
II. AUTHORSHIP
Ask yourself:
1. Who wrote the page?
* Web pages are all created with a purpose in mind by some person or
agency or entity.
3. What are the author's credentials on this subject? Is she qualified? Is the
page merely an
opinion? Is there any reason you should believe its content more than any other
page?
* You should hold the author to the same degree of credentials, authority, and
documentation
that you would expect from something published in a reputable print
resource (book, journal
article, good newspaper).
III. ACCURACY: Where did the author get the information? Is this information
backed up by other
websites, or by documentation that suggests that it is true?
Ask yourself:
1. Are sources documented with footnotes or links?
* As in published scholarly/academic journals and books, you should expect
documentation.
2. If there are links to other sources or pages, are they to reliable sources? Do the
links work?
Ask yourself:
1. Why was the page put on the web? How can you tell?
* Inform, give facts, give data?
* Explain, persuade?
* Sell, entice?
* Share?
* Disclose?
These are some of the reasons to think of. The web is a public place, open to
all. You need to be
aware of the entire range of human possibilities of intentions behind web
pages.
2. Is this as good as resources you could find if you used the library, or some of
the web-based
indexes available through the library, or other print resources?
3. Are you requiring the same degree of "proof" of factual information you would
from a print
publication?
4. Is the site good for some things and not for others? Which ones?
Website URL:
2.
3.
II. AUTHORSHIP
1.
2.
3.
III. ACCURACY: Where did the author get the information? Is this information backed up by other
websites,
or by documentation that suggests that it is true?
1.
2.
1.
2.
3.
4.
5.
Parenthetical Citations
In your paper, you are required to have 4-6 parenthetical citations. These are
references within the text of your paper that indicate the source from which you
obtained either a direct quote, an original idea or argument, uncommon
information or statistics. You include parenthetical citations in order to give
credit to authors and researchers whose work helped you complete your work,
and to avoid plagiarism. Plagiarism is passing off someone else’s words,
ideas/arguments and research as your own. Does this mean that
everything in your paper needs to be cited? No. But here are a few clues as to
what you should cite…
*Citations for Internet sites are the same as for any other source. Include
author’s last name of, if no author is found (and you know the site is
reliable) include a short title for the site.
You do not need to include anything other than author last name or website title
in your parenthetical citations. You will include all of the pertinent information
about the source in your annotated bibliography.
Use the space below to record any information from your note cards that you
might use in your paper with citations.