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FRIEZE ART FAIR WEEKEND 16-17 OCTOBER 2010
In the boom, fairs were awash with explicit art. But now the mood is cooler
LONDON. The first thing visitors
see as they enter the Frieze tent is
a fragment of an ancient city
exposed beneath them. Further
“archaeological digs” dotted
around the fair reveal the tanta-
lising remains of “The Frozen
City”—a brothel, the grave of a
female patron, and a Roman art
market. Cartier Award-winning
artist Simon Fujiwara says the
city was “a world of lavish
excess and decadence [where]
every imaginable desire could be
indulged—at a cost”.
A time-travelling resident
from Fujiwara’s city might be a
bit disappointed by the art fair,
2010-style. This edition of Frieze
appears to be one of the most
asexual in recent memory: quite
a switch from the boom, when
titillation, testosterone and temp-
tation-stocked stands helped fuel
sales. “Normally you see a
wiener in the first 15 minutes at
an art fair,” says Los Angeles
dealer Marc Foxx (B6). “There
is a lack of glitzy-type art at the
fair this year, perhaps a cumula-
tive effect of the recession,” says
Matthew Higgs, the director of
New York’s non-profit White
Columns art space. “Along with
the bling, out goes the sex.”
The nude has been a central
art historical subject since the
Greeks carved buff athletes
4,000 years ago, but even our
permissive society is still ruffled
by images of the flesh. Tate
Britain’s exhibition of 19th-cen-
tury photographs by Eadweard
Muybridge has a notice about the
nudity. “In the last couple
decades museums have been
posting warnings,” says art advi-
sor Allan Schwartzman. “This
helps condition audiences.” But
as the late art historian Kenneth
Johanna Karlsson, Untitled,
2010, sold to a new
European collector for
€7,000 from Magnus
Karlsson (F18)
CONTEMPORARY ART PART I
INAUGURAL AUCTION 8 NOVEMBER 2010 NEW YORK
Does sex really sell?
Soft focus: Tom (Golden Tunnel), 2010, by Ryan McGinley, at Team Gallery (E15)
Clark argued, an erotic response
is innate. “No nude, however
abstract, should fail to arouse in
the spectator some vestige of
erotic feeling…and if it does not
“ Maybe, along
with the bling, out
goes the sex
”
Matthew Higgs, White Columns
do so, it is bad art and false
morals,” he wrote.
This is not to say sex is not
for sale at Frieze. “Sex is in the
eye of the beholder,” says art
advisor Thea Westreich. “It’s
what you bring into the room.”
Reported sales
Jennifer Steinkamp, Orbit 8,
2010, on show with Lehmann
Maupin (B13), sold, priced at
$55,000
LONDON NEW YORK TURIN VENICE MILAN ROME
On view
Westreich observes that the bar- Ryan McGinley, who has shot
rage of images in mainstream nubile nudes for the past five
life have made sexuality in art years. These images were strong
more mundane. “With the inter- sellers at New York’s Team
net, and freedom of expression, Gallery (E15). An edition of
there is not much to annotate three of a thin young man in a
about sexuality,” she says. Her tunnel, suffused with golden
pick of the fair? Tariq Alvi’s
Poster for a Library, depicting a
young man reading a book in a
light, sold out at $35,000 apiece.
Another speedy seller was
Philip-Lorcia diCorcia’s 2008
state of arousal. The screenprint Untitled (From the Series East of
is available from Cabinet (D16) Eden) featuring a pair of elegant,
for £1,200. white dogs glued to a grainy
Much of the sex on display— porn video on a television. Five
and the examples finding buy- out of eight, priced $25,000
ers—tends to be toned-down. apiece, sold by Friday afternoon.
There is nudity, but fewer sexual Then there is work that is a
acts. There are images appropri- harder sell. Three meticulous
ated from porn, but applied from ballpoint drawings at London’s
a safe distance. Among the most Herald St (A5) by Cary Kwok
popular are photographs by are tucked in a small alcove at
the back of the stand. They
depict a priest, a Buddhist monk
and a Hasidic Jew—eyes closed,
aswoon, post-ejaculation. The
work has a loyal following,
according to Herald’s Nicky
Verber, but no sales. At £4,500
Image Courtesy Maureen Paley, London
each, all three were available.
David Zwirner (G12) has
brought a forceful 1964 portrait
by the late American painter
Alice Neel, priced at $160,000.
The middle-aged blonde, Ruth
Wolfgang Tillmans, Your Nude, is seated, legs spread. “We
Dogs, on show with Maureen wanted to bring a really strong
Paley (D6), sold, priced at portrait,” says Zwirner’s Angela
$78,000 Choon. “I’ve been told people
love it, but can’t have it at home
SEE SALES REPORT ON P4 because of kids.”
Tracey Emin’s embroidered
Expert eye
at Frieze
Dark Hole, 2009, at Lehmann
Jean-Christophe Verhaegen/AFP/Getty Images
Maupin (B13), depicts a disem-
bodied female lower half, recall-
ing the wavering line of Egon
Schiele. The composition is
stark: between a pair of spindly
legs on stilettos, bejeweled
hands frame a black orifice.
Priced £115,000, the work had
attracted interest, but no takers.
Younger dealers said there
was plenty of sex lurking at the
fair, but noted that a new genera-
tion of artists is referencing sex
in new, conceptual ways. “If
there is sex, it’s more about using
the theme of sexuality itself as a
topic,” says Zurich dealer Jean-
Claude Freymond-Guth, who is
showing at Sunday, a fair dedi-
cated to emerging artists.
Freymond-Guth’s stand features
Megan Francis Sullivan, a
straight female artist who appro-
priates 1950s gay porn into her Alain Seban, president of
paintings. (Works are priced the Pompidou Centre,
$1,400 to $6,000). “It’s extreme- Paris, picks a work that
ly coded. It’s not about provoca- caught his eye at Frieze.
tion or subjective desire.”
The Frieze stand of Berlin “I chose a piece by Marine
dealer Johann König (E7) Hugonnier, Art for Modern
doesn’t appear sexy at first, but Architecture, Die Welt,
an abstract painting by Nathan Berlin Wall, 2010 (detail
Hylden, with a smear of creamy above, Max Wigram
white drippy paint, suggests bod- Gallery, A11). I like the
ily fluids. “Sex does sell,” says way it brings together the
Konig’s gallery manager Gregor
Hose. “But it has to be visually
attractive and abstracted—a
heroic and the darker side
of modernism, minimalism
and politically engaged
well-educated approach to the art, architecture and the
erotic.” Like Clark, Hose structure of media
believes art is related to sex. discourse, Ellsworth Kelly
“There’s always libidinous in it,” and the Berlin Wall.”
says Hose. “Why do people buy
art? It’s an object of desire.” MORE OBJECTS OF DESIRE, P10
Lindsay Pollock
Hepworth to open with Rothschild
An Eva Rothschild show will
be the inaugural exhibition at
the Hepworth Wakefield
gallery in Yorkshire, the
David Chipperfield-designed
museum due to open in May
2011. Frances Guy, head of
collections and exhibitions at
the gallery, revealed at Frieze
that at least two-thirds of the
work in the show will be new.
Three of the Dublin-born
artist’s latest works can be
seen at The Modern Institute
(B10); 303 Gallery (C13), and
at Stuart Shave/Modern Art
(D13) is her elegant piece
© Sara Ekholm
Repetition & Variation, 2010
(pictured right). J.P.
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2 THE ART NEWSPAPER FRIEZE ART FAIR WEEKEND 16-17 OCTOBER 2010
Diary
Frieze-curated sculpture in Regent’s Park isn’t the
only public art that’s the talk of the town. Down the
road in Marble Arch, Italian sculptor Mauro
Perucchetti is due to unveil Mr and Mrs Candy and
Secret Lives
Monika Sprüth,
co-director Sprüth Magers,
Berlin and London, B9
I have
always been
interested in
football,
even as a
young girl.
While I was
studying architecture, I
even made excuses to
miss lectures, just so that
I could listen to football
matches on the radio.
A good match can be
almost as gratifying as a
great work of art: it has
an aesthetic appeal,
tension and style.
I live in Cologne so I sup-
port the local team. In
the 1960s, the team was
much stronger and there
were some incredible
matches between
Cologne and Liverpool.
Now, I love Arsenal
because of the coach
[Arsène Wenger]. I also
like Chelsea. In fact, I
don't really have any
favourite players but I
really admire coaches
because they focus on
strategy and tactics.
I was fortunate to attend
two wonderful Champions
League matches at
Stamford Bridge when
Chelsea played Liverpool
and Barcelona. The
Liverpool-Chelsea match
[in 2009] was incredi-
ble—with a 4-4 draw. I
took [the US artist] Cindy
Sherman along to the
Liverpool game; it was
her first football outing
and she really enjoyed it.
Interview by Gareth Harris
the kids. “Jelly Baby Family 2010 could easily embody the unity
of family and the multicultural aspect of modern society that is so
prevalent, especially in London,” says Perucchetti. More of his
work can be enjoyed now at the Halcyon Gallery in London.
What a feeling
At the Cartier Award dinner on
Thursday night the
celebrations took a leg-
warmer-esque turn when a
handful of art world revellers,
including Frieze Projects
supremo Sarah McCrory,
descended on what they
thought was an art soirée—
only to discover that they’d
inadvertently stumbled upon
the launch party for
“Flashdance: the Musical”.
Watch out for a few nifty
dance steps—and the odd
leotard—as part of the next
Frieze Projects programme.
Ai bites the dust
Ai Weiwei and his army of
assistants spent this summer
making the 100 million
ceramic sunflower seeds that
now cover the floor of Tate
Modern’s Turbine Hall. Soon
Artoon by Pablo Helguera
after it opened, the museum
was forced to turn it into a
“look, don’t touch”
experience, however, after a
hasty risk assessment. Instead
of walking across the seed
bank, you can only appreciate
it from above now. The risk
of potentially dangerous
levels of dust was the cause
rather than the light-fingered
visitors pocketing the seeds.
Those at the private view on
Monday who couldn’t resist
taking home a souvenir or two
may find the value of their
snitched seeds grows in
rarity, forming a tidy windfall
in the future.
Back from the dead
There were some spooky
goings on this week at the fair
around the Frieze Project
devised by the artist and
Fortean Times contributor
Jeffrey Vallance, who asked
five psychics to channel the
spirits of blockbusting artists
Van Gogh, Frida Kahlo,
Jackson Pollock, Leonardo
da Vinci and Marcel
Duchamp. Before the
mediums—and the artist
phantoms—arrived, the
spiritualists predicted:
“There might be some
problems with electricity.”
Before you could say Doris
Stokes, the internet crashed
during the séance, which
meant that a live web
broadcast had to be scuppered.
It was all to do with
“forcefields”, apparently.
Slash relief
Never mind the booths,
veteran pop conceptualist
Billy Apple found aesthetic
nirvana at Frieze while on a
visit to the men’s room.
Apple, in London from his
native New Zealand for his
show at the Mayor
Gallery, singled out the
“impossibly discreet ‘toilet’
sign” for special attention.
“The white lettering on grey is
worthy of Lawrence Weiner—
or the best work of On
Kawara,” he enthused.
Neither was he short of a
snappy title for these limited
edition works: Need /[slash]
Relief.
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FRIEZE ART FAIR DAILY EDITION
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nippers even match some of the works of art. Gagosian was Email:
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visited by this junior art fashionista with a T-shirt to match
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American continent subscription
“ What’s my
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by the Germans. I
Taste of leather
At the Hix restaurant at Frieze,
Picpus, the single-sheet mini-
enquiries
Tel: +1 888 475 5993
Rest of the world subscription
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© 2010 The Art Newspaper Ltd.
year you have to pick with a special edition All rights reserved. No part of this
emblazoned with a portrait of newspaper may be reproduced without
a favourite nation. Squadron Leader Arthur written consent of copyright proprietor. The
This year it’s the Art Newspaper is not responsible for
statements expressed in the signed articles
Germans for me and interviews. While every care is taken
by the publishers, the contents of
because they’re strong advertisements are the responsibility of the
and good in defence. individual advertisers
Being so dyslexic I
can’t possibly pick out
a single work
”
Writer A.A. Gill speaking at
Frieze—for a selection of
other people’s favourite art
at the fair, see p10
Lushington Vipan which is
impregnated with a custom-
made—and suitably
masculine—perfume mingling Michael Crowe and Lenka Clay ton are the ar tists behind Mysterious Letters,
the smells of leather, tweed a large -scale writing /ar t project . They intend to write to ever yone in the world.
This discount is valid in COS London stores only, from 14th –17th October and does not apply
to external items or COS gif t cards. Please bring this voucher to receive your discount .
and engine oil. Chocs away!
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SEPTEMBER 16 – OCTOBER 30 2010
4 THE ART NEWSPAPER FRIEZE ART FAIR WEEKEND 16-17 OCTOBER 2010
Solid sales point to success for most galleries
Exhibitors pleased by the level of business done with new collectors
LONDON. Half-way through the
Frieze art fair on Friday, most
dealers were declaring it a suc-
cess, with some stands rehanging
completely after the visitor surge
of the first day.
Anthony Wilkinson (D2),
who was pleased after selling
Dara Birnbaum’s video installa-
tion Taking to the Streets…,
1990, ($25,000) to a European
museum, said: “I was a bit ner-
vous before the fair opened—
2008 was terrible, 2009 was just
OK, so this year people couldn’t
quite gauge what would happen;
there’s relief all round.”
The gallerist’s words were
echoed across the floor, with
Thaddaeus Ropac (B11) saying:
“I’ve been surprisingly pleased,
people are making decisions
faster again.” Among his sales
were a big Anselm Kiefer, San
Loretto, 2008, for €520,000 and
a Gilbert and George, Money
Sweat, 1998, for £150,000,
which went to a Belgian collec-
tor. “We did most of our selling
on the first day,” he said. Los
Angeles gallerist Richard Telles
(E20) sold more than half the
works by LA artists that he
brought, including Ivan Morley’s
embroidered A True Tale, 2010,
for $32,000. He said: “the first
day—even the first three
hours—were really important.
It’s a hangover of the boom; the
big collectors are there right at
the beginning.”
Nevertheless, some major
collectors were seen on Friday,
including the collector of
Chinese art Uli Sigg, who was
considering buying some of Cao
Fei’s installation at Vitamin
Frieze auction season ends with strong Sotheby’s performance
Evening sales this week have seen nearly £40m of contemporary art sold
LONDON. Sotheby’s ended the
Frieze evening auction season
last night with a small but strong
sale of £13.3m of contemporary
art (against an estimate of £10m
to £13.6m). In total, the evening
auctions this week have seen
nearly £40m of contemporary
art sold in London. While the
atmosphere has not hit its pre-
recession heights, a little bit of
the sparkle is back.
This was most evident at the
beginning of the auction, which
opened with young, fresh art,
helping to distinguish the Frieze
auction season from the more
heavyweight contemporary
sales coming to its New York
saleroom next month.
Auction newcomer and
Saatchi exhibitor Ahmed
Alsoudani was the second lot on
the block and his Untitled,
2007, which depicts the looting
of the Baghdad Museum, sold
over the phone for £289,250
6 4 E A S T 77 T H S T R E E T N E W Y O R K N Y 1 0 0 7 5
Sales report: Frieze
Creative Space (H5). British col-
lector and dealer Charles Saatchi
headed straight for Sprüth
Magers (B9). Canadian musician
Richie Hawtin admired a David
Adamo sculpture at Ibid Projects
(H17), and the Belgian Mimi
Dusselier sought out Bortolami
(F19).
While some major US collec-
tors visited Frieze, they were less
active in the market than their
European peers: Ropac suggest-
ed this was because of the weak
“ New business
is what makes fairs
worth it, otherwise
we could just stay in
our galleries
”
dollar [against the euro] and
lower morale: “New York still
feels the crisis,” he said.
Maureen Paley (D6) said that
most of her sales had been to
Europeans, citing her newly-
signed Romanian twins Gert and
Uwe Tobias, whose Untitled
woodcut image from 2010, ask-
© Sara Ekholm
ing €30,000 and Wolfgang
Tillmans’ Your Dogs, 2008, ask-
ing $78,000 both sold.
One feature of this year’s fair
was the number of sales made to
new collectors, which pleased
exhibitors. “New business is
what makes fairs worth it, other-
wise we could just stay in our
galleries and work on our
shows,” said Rachel Lehmann
(B13). The gallerist sold only to
new clients, including Jennifer
(est £70,000 to £90,000). Iraqi-
born Alsoudani (who now lives
in the US) is one of five artists
selected to represent Iraq in the
2011 Venice Biennale (the first
time Iraq has had a pavilion
there since 1973). He has
recently been taken on by
MadeIn’s I Love You Passion Fruit Piece (Spread-B053), 2010
Steinkamp’s Orbit 8, 2010 (all (E17) did “amazingly well”, sell-
three editions plus the artist’s ing to “lots of new people” at
proof), for $55,000 each. prices between £1,200 and
Sweden’s Magnus Karlsson £40,000.
(F18) sold Johanna Karlsson’s Other lower-end sales includ-
delicate Untitled, 2010, tree ed Carla Black’s cake sculpture
sculpture to a new European col- Still Moves, 2010, at Gisela
lector for €7,000, while Capitain (C14) for £7,500.
Edinburgh’s Richard Ingleby Eigen+Art (F6) sold half its
Clockwise from left: Andreas
Gursky, Pyongyang IV;
Lucian Freud, Eight Months
Gone; Elizabeth Peyton,
Arsenal (Prince Harry)
Another early hit was
Elizabeth Peyton’s Arsenal
(Prince Harry), 1997, which
attracted much telephone bid-
ding and sold for £481,250 (est
£200,000 to £300,000).
Later bidding was less enthu-
siastic, but among the more
established artists was a group
of six works from the collection
of Jerry Hall, the model and for-
mer wife of Rolling Stones
singer Mick Jagger. Hall, who
Christie’s-owned Haunch of did not attend the auction, had
Venison gallery. “People come previously told the media that
to London in October to find she was selling her art in order
new artists, and that should be to “move on” after her break-up
in the auction rooms as well as from Jagger. The works (whose
at Frieze,” said Alexander total high estimate was £1.8m)
Branczik, Sotheby’s director of collectively sold for £2.3m and
contemporary art, after the sale. included a tiny portrait (10.2cm
booth dedicated to photographer
Ricarda Roggan at prices
between €4,800 and €14,000.
In Frame, Simon Preston (R14)
sold Carlos Bevilacqua sculp-
tures for between $10,000 and
$22,000.
At the market’s mid-level,
Long March Space (E18) had
sold most of its stand of works
by MadeIn, including a plushy
appliquéd fabric I Love You
Passion Fruit Piece (Spread–
BO53), 2010, to collector Guy
Ullens, asking £44,000.
CasaTriângulo (F26) sold
Mariana Palma’s 2010 painting
of silks at $35,000.
At the upper price end, David
Zwirner (G12) reported good
sales, among them Luc
Tuymans’ 2005 Evidence, for
$850,000. “People are not taking
risks but any artist with a strong
museum presence is selling; we
are seeing new clients, particu-
larly Russian and Middle-
Easterners based in London,”
said the gallery’s Ales Ortuzar.
At Gagosian (D8), Stefan
Ratibor said things were slowish
on the first day but picked up
afterwards: “This is supposed to
be a young fair but older artists,
such as Howard Hodgkin, are
finding buyers. The fair has
moved on from the original
Frieze readership,” he said.
Andreas Geiger at Sprüth
Magers (B9) summed up the
overall feeling: “People are
acquiring, but there’s no more
five-minute buying. The market
has found a good pace, it’s not
crazy, but it’s solid.”
Georgina Adam and
Melanie Gerlis
x 15.2cm) of the pregnant Hall
by Lucian Freud, Eight Months
Gone, 1997, which was
described by auctioneer Oliver
Barker as a “little jewel”, and
sold for £601,250. A distorted
portrait, Jerry Hall, 1997, by
Francesco Clemente was esti-
mated at £100,000 to £150,000,
but attracted little interest and
went unsold. Sotheby’s is selling
another eight works from Hall’s
collection at its day sale today.
Sotheby’s has had success
with Andreas Gursky pho-
tographs in the past and last
night was no exception.
Carrying an irrevocable bid
(meaning the work had a third-
party guarantor who would
either purchase the work or
share in the upside should it be
taken higher), Gursky’s
Pyongyang IV, 2007, sold for
£1.3m (est £500,000 to
£700,000).
Melanie Gerlis
O C TOB E R 6 — J A N U A RY 21



Tunis space to open
A North African contemporary
art collector is opening a centre
to display his Middle Eastern
art collection in Tunis.
Financial services entrepreneur
Kamel Lazaar is converting a
former Ottoman palace into a
space for exhibitions, seminars
and workshops in the Tunisian
capital. Artists in his collection
include Mona Hatoum
(Lebanon), Farhad Moshiri
(Iran) and Timo Nasseri
(Iran/Germany). Details of the
foundation will be included in
“Art & Patronage: The Middle
East” published in November
by Thames & Hudson/
TransGlobe Publishing. G.H.
Gulf art talk
The artistic director of the
Sharjah Biennial Jack
Persekian is due to be a speak-
er at the Whitechapel Gallery’s
panel discussion on 16 October
(5pm to 6 pm) about the past
and future of contemporary art
production in the Gulf. Also
due to be on the panel is
Suzanne Cotter, curator of
exhibitions at the Guggenheim
Abu Dhabi. It will be chaired
by writer Shumon Basar. At
the same time, visitors can see
the gallery’s latest exhibition, a
solo show of the Lebanese-
born, US-based artist Walid
Raad (until 2 January 2011).
G.A.
Dubai’s new gallery
Middle-Eastern art specialist
William Lawrie is opening a
new gallery in Dubai, where he
is based. “I’ve been wanting to
do something new for some
time,” said Lawrie, who is
leaving his position as
Christie’s director of Middle
Eastern art at the end of the
year. “I want to work on my
own projects now. I have found
a space in the Al Quoz ware-
house district and will open the
gallery in early 2011.” His
partner in the new venture is
Asmaa Al Shabibi, former
managing director of the Dubai
Art Fair. The gallery will spe-
cialise in Middle Eastern
artists, but will also show some
international names. G.A.
China’s art fraud squad
The Chinese Ministry of
Culture has opened the
Huangcheng Art Trading
Center in Beijing in an attempt
to regulate the country’s art
market. The government says
fraud is a growing problem as
the public’s enthusiasm for
buying art increases. The
centre has an appraisal
committee made up of more
than 300 experts who will
advise collectors on whether an
item is genuine or not. Lü
Lixin, head of the art
evaluation committee with the
Ministry of Culture, is the
director of the centre, which
will combine exhibitions,
advice and trading. S.S.

 


 



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“I can’t imagine life without art around me”

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Dave Benett/Getty Images

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?: @/<C 0+=> '9? =/8=/. C9?
! +8. 09?8. ?1?=>?= >29?12> FH@/ 19> + 29?=/ +8. A+= +<36C8 98<9/ ❏ Bryan Ferry’s new album “Olympia” will
A/</ 6/+<8381 A3>29?> 3> ,/381 928 #3-5/<> +8. >2/ 8//. :3->?</= 09< 3>GE<3>3=2   ( +$)! ,$) ', be released on Virgin Records on 25
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038. C9?H. /B2+?=>/. +66 >2/   ( +' ( &'( +8. &C8.2+7 /A3= '9? >+65 $2/</ +</ 9.. ,3>= 2/</ 38 # # ( &( +$&! Numbers”, will also be available on the same
:9==3,363>3/= 90 !+<3= +8. >2/8 +$& ,$) $)( +,9?> >2/7 +66 38 >2/ =+7/ 98.98 >2+> +</ ;?3>/ .300/</8> '# ,$) +& '()#( # day. The album features musical contribu-
C9?H. 79@/ >9 /A '9<5 +8.

 > A+= ;?3>/ =97/ >37/ ,</+>2 ,?> >2/C +</ @/<C  2+@/ + 69@/6C :3->?</ ,C ( ' tions from Nile Rodgers, Scissor
>2385 F 2 7C 9.
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.3=-9@/<381 +-5=98 !9669-5
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.300/</8> :/9:6/ 38.3@3.?+66C /-36C <9A8 +8. /8830/<
Sisters, Flea and Jonny Greenwood, among
?8-+8 <+8> =>366630/
  ( ((&(' ,$) ($
;?3>/ 0?8 >9 2+@/ >2/7 +66
&C8.2+7 /A3= -9?6.8H> =>+8.
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#>/:2/8 ?-56/C= A29  69@/
=29A= 98 >2/</H= 4?=> =9 7?-2
Anselm Kiefer (b. 1945), “die Ungeborenen” (detail), photograph, collage with lead and fabric,
.300/</8> >H= =9 38 >2/ :?,63- others. It also sees Bryan Ferry reunited on
/C/ 89A >2/</ +</ =9 7+8C record with artist, activist and former Roxy
Music bandmate Brian Eno.
S I N C E 17 0 7
Auctions 23 – 25 November 2010
Contemporary Art
Modern Art, Design
Palais Dorotheum, Dorotheergasse 17, 1010 Vienna, Austria
Tel. +43-1-515 60-570, client.services@dorotheum.at
www.dorotheum.com
123 x 60 cm, € 100,000 – 150,000, auction 24 November 2010
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3?<: 56@  :<;6A<? C612< A<D2? $!)"# 
SELECT IS A MAJOR NEW
CONTEMPORARY ART FAIR
FOR LONDON.
SELECT WILL BE A HIGH-QUALITY, VETTED FAIR
BRINGING TOGETHER ESTABLISHED AND YOUNG
GALLERIES WITH THE MOST INTERESTING
CONTEMPORARY WORK PRICED UNDER £5,000.
GALLERIES WISHING TO APPLY CAN FIND FURTHER
DETAILS AT WWW.SELECTARTFAIR.CO.UK
02?A.6; =<96A60.9 C62D=<6;A@ /F D.F <3 2E6@A6;4 !2D *<?8 ';6C2?@6AF .;1 0<3<B;12? <3 A52
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1B?6;4 A52 ' 42;2?.9 2920A6<; 6; .F 6; . /61
A< ?22920A A52 ./<B? 4<C2?;:2;A 6.: 699608 ❏ Exhibition Making as Activism—Whose Politics? Frieze
.;1 </ .;1 $</2?A. %:6A5 .:<;4 <A52?@ auditorium, Sunday 17 October, 12 noon. With Jeremy Deller (artist,
0?2.A21 . @2?62@ <3 =?<./<B? D<?8@ 3<? . @2?62@ UK), Galit Eilat (writer, curator and founding director of The Israeli
9./29921 I .82 . .?8J ./<B? 9<@A Center for Digital Art, Holon, Israel), Emily Roysdon (artist and writer,
<D2C2? @B05 . 9.08 <3 6:=.0A 6@ 3.? 3?<: USA). Chair: Negar Azimi (senior editor, Bidoun magazine).
11–15 MAY 2011
BUSINESS DESIGN CENTRE
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© SOTHEBY’S, INC. 2010 TOBIAS MEYER, PRINCIPAL AUCTIONEER, #9588677 © 2010 GERHARD RICHTER © 2010 SUCCESSION H.MATISSE/ARTISTS RIGHTS SOCIETY (ARS), NEW YORK© 1998 KATE ROTHKO PRIZEL & CHRISTOPHER ROTHKO / ARTISTS RIGHTS SOCIETY (ARS), NEW YORK © 2010 ANDY WARHOL FOUNDATION FOR THE VISUAL ARTS/ ARTISTS RIGHTS SOCIETY (ARS), NEW YORK © ESTATE OF ROY LICHTENSTEIN

H I G H L I G H TS E X H I B I T I O N I N LO N D O N
O N V I E W U N T I L 1 6 O C TO B E R

PROPERTY OF A PRIVATE
EUROPEAN COLLECTION
Amedeo Modigliani Nu assis
sur un divan (La Belle Romaine)
ESTIMATE UPON REQUEST

PROPERTY SOLD TO BENEFIT

YOUNGARTS, THE CORE PROGRAM
OF THE NATIONAL FOUNDATION FOR
ADVANCEMENT IN THE ARTS
Claude Monet
Le Bassin aux nymphéas
ESTIMATE
$20,000,000 – 30,000,000

Gerhard Richter
Matrosen (Sailors), 1966
ESTIMATE
$12,000,000 – 18,000,000

PROPERTY FROM A PRIVATE

EUROPEAN COLLECTOR
Henri Matisse
Danseuse dans le fauteuil,
sol en damier
ESTIMATE
$12,000,000 – 18,000,000

Mark Rothko
Untitled, 1955
ESTIMATE
$20,000,000 – 30,000,000

Andy Warhol Coca-Cola [4]

Large Coca-Cola, 1962
ESTIMATE
$20,000,000 – 25,000,000

Roy Lichtenstein
Ice Cream Soda, 1962
ESTIMATE
$12,000,000 – 18,000,000

Impressionist & Modern Art and Contemporary Art

AUCTIONS IN NEW YORK 2 & 9 NOVEMBER 2010 I ENQUIRIES +1 212 606 7000 I SOTHEBYS.COM
 10 THE ART NEWSPAPER FRIEZE ART FAIR WEEKEND 16-17 OCTOBER 2010

Objects of desire
It’s hard to see the trees from the wood in an art fair, but if the work of art has a special
quality it will get noticed. At Frieze this year we asked visitors with a discerning eye
to select the piece that made them stop in their tracks and take a second look.
Interviews by Louisa Buck, Rob Curran, Gareth Harris and Anny Shaw

Jefferson Hack, Fiona Banner, artist, on

magazine editor, on Tony Conrad’s Yellow
Ryan Trecartin’s Movie 2/28/73, 1973,
installation at Elizabeth Greene Naftali (B8),
Dee (G16), including sold to a US museum
four c-prints for £8,500 for $150,000
each and a video for
£28,500 “I knew [Conrad] as a film-
maker, but not as an artist.
“Ryan Trecartin is a performance I felt that it immediately stood
and a digital artist. He’s out as speaking another
someone who expresses himself language—I suppose because
in very new ways. He mixes it was from a different time
a lot of references—consumer and so had a different
culture, digital culture, race, communicative frequency.
globalisation and celebrity It’s a picture of an empty
culture. He has a booth to screen, a picture of nothing,
himself at Elizabeth Dee and is where film meets painting, and Russell Tovey, actor, picked
probably one of the more yet it had no other subject and Ricky Swallow’s Plate, 2010,
exciting, fresh voices that I have no other agenda.” Stuart Shave/Modern Art (D13), £8,000
seen here.”
“I really loved the gold colour and the way it looked like
cardboard but was actually bronze. I also like that it looked as if it
had bullet-holes in it. It was just beautiful. It seemed like a found
object but was actually made. Unfortunately, it was sold
but I would have liked to have had it because I’ve got a little
collection growing with some Emin drawings and a couple of
Rebecca Warrens.”
All photos © Sara Ekholm unless credited otherwise

Frank Cohen, collector, chose

Allora & Calzadilla, Petrified Petrol Pump, 2010,
Barbara Gladstone (D7), priced between $100,000
and $200,000
“I love it but I don’t really know why. I guess it’s like the last
days of petrol or something. It’s monumental, like an altar, but it
AP Photo/Jennifer Graylock

looks like it’s decaying. I think I might be doing a deal to buy it

later. I’m also really enjoying all the modern British art in the fair.
It is so undervalued these days, so it’s great to see so much of it
this year.”

Bob & Roberta Smith, Michael Stanley, director of Modern Art Oxford,
artist picked on Torsten Lauschmann’s Digital Clock, (Growing
Spartacus Chetwynd’s Zeros), 2010, at Mary Mary (F28), £12,000
A Tax Haven Run By
Women (In the Style of a “One of my favourite Frieze pieces is a work I’ve seen several
Luna Park Game Show), time before. I never tire of its simple elegance and technical wit.
Frieze Project (P11) With Frieze fair-induced late nights and early mornings—looking
across darkened hotel rooms—I’d be more than grateful for
Lauschmann’s relentless caressing of time bringing me to
“I thought the whole consciousness or happily easing me to sleep.”
Sprüth Magers

performance was so funky.

It was superb, and really
funny to watch; she is a real
genius. I thought it was Peter Doroshenko, “I like this work because it’s a
interesting timing too, because director of Dallas Gursky that has rarely been
of the “Move: Choreographing Contemporary, chose seen. In keeping with his
You” exhibition that is photographic work in North
currently on at the Hayward. Andreas Gursky’s Korea, the use of crowds and
I thought her project really Dortmund, 2009, concept of the present moment
Photo by Linda Nylind

subverted that show, and Sprüth Magers (B9), becomes the focal point in the
undermined it in a really €270,000 work. It’s a contemporary
humorous way.” photograph, yet timeless.”

A RT DUBA I
16 – 19 March 2011
IMAGE: DOORWAY TO HEAVEN BY MAURO PERUCCHETTI
12 THE ART NEWSPAPER FRIEZE ART FAIR WEEKEND EDITION 16-17 OCTOBER 2010

Auction-house fair

Will Multiplied find its niche? In the October

main edition
On our website
Limited edition Hirsts, Blakes and Emins for sale—all with chips Get all the stories deliv-
ered to your desktop.
Online content includes
LONDON. There was less a Some exhibitors are just happy breaking news, inter-
stampede and more of a slow for the exposure Multiplied could views, market analysis
trickle of visitors at the opening bring. “If people are in west and opinion.
of Multiplied on Friday morning, London to spend money, then Subscribers
the fair hosted by Christie’s we’re glad to be here,” says Sam can access our
auction house (until 18 October). Arthur, an associate from the East complete
Held in its swish West End’s Nobrow, who described his archives, while
Kensington showrooms, on sale typical clientele as students and our daily fair
are limited edition prints and design aficionados. Within the reports are
multiples at the stands taken by fair’s opening hours Arthur sold available to
37 UK galleries. a £300 wall hanging by Ellie everyone. The Art
“It’s a real cross-section of Curtis, Andalucian Wildlife Newspaper TV has
public institutions, print-shops, Throw, 2010. interviews with
editions galleries and people like At the other end of the scale, artists, collectors and
us,” says White Cube’s Yves Chlöe Faine at CCA Galleries museum figures, includ-
Blais, who was showing a range also made an early sale—Sir ing some live from Frieze
of works from £200 prints to the Peter Blake’s I Love You White
unique Antony Gormley sculpture Diamond Dust, 2010, for £2,500 www.theartnewspaper.com
MEME, 2010, for £25,000—one to a European collector. “We
of the most expensive works at don’t have a gallery in London, Our current edition On Twitter
the fair. so this is a great way to meet contains 96 pages packed
Enterprising artists Damien people,” says a cheery Faine. with art world news, The Art Newspaper team
Hirst and Tracey Emin have One of the few visitors spotted events, business reports, is tweeting from the fair.
taken their own booths: Other from a museum was Tate interviews—and a smatter- Sign up and follow us
Criteria, which Hirst part-owns, librarian Maria White, who ing of gossip @TheArtNewspaper
© Marisa Mazria Katz

and Emin International. “It’s a bought the limited edition book

chance to show a really important Hard Wood Lesson, 2010, for News Why artists are Coming in November
part of Tracey’s practice, and £45, which was, in her words, rallying to defend New
expose people to her online Pop goes the fair: Peter Blake multiples at CCA Galleries “brilliant for the library”. York’s controversial
shop,” says Alan Murrin of Emin While the opening morning Islamic centre (top) Art Market Chinese
International. Everyone, it seems, new generation of collectors. was slow, exhibitors are hopeful contemporary is back and
could afford an Emin. Art market
virgins could pick up a £10
canvas bag or a £175 print. For
those with deeper pockets, there
is a set of six ceramic plates, You
“ We hope it will
bring in the young
people who might not
“We hope it will bring in the
young people who are interested,
but might not be able to afford a
unique piece by one of our
artists,” says Blais at White Cube.
that the combination of Christie’s
clout and classy West End
address—as well as the free
entry—will lure the weekend
crowds. If nothing else, they
Art Market Three
arrested over €80m
German “forgeries”

Features The scandal of

selling fast

Features Can Oscar

Niemeyer’s arts centre in
Aviles, Spain, reproduce
Know my Heart Is with You, be able to afford a For some, it’s about might be tempted by works on Venice’s huge advertising the Bilbao effect?
unique piece
”
2010, for £10,000. capitalising on the Christie’s display at the Henningham hoardings (above)
But what about the supposed brand and, just as importantly, Family Press. The London-based Artist interview
competition between galleries their clientele. “It’s a chance to institution’s irreverent booth, Artist interview Marina Painter Ged Quinn put
and auction houses? For Tobias spots and butterflies covering a meet new people, improve our decked out like a seaside fish- Abramovic on the physical under the spotlight
Thomas, Other Criteria’s white canvas. The unique, framed mailing list and make a bit of stall, stood out from Multiplied’s rigour of her performances
manager, “in this case, it’s a work costs £21,060. money,” says Mark Hayward mass of 2D, white-walled stands. Media “Self Made”—
friendly rivalry”. Its booth is Most galleries hope the niche from Pratt Contemporary. Hoping to cast a wide net with Books Sex and art Gillian Wearing’s latest
YBA-heavy with works fair will attract specialist This sentiment was echoed by potential patrons, owner David during the Renaissance feature film reviewed
including Sarah Lucas’s sculpture collectors: “It allows people to The Multiple Store’s Nicholas John Henningham sold works for
Love Is a Bird, Love Is a Burden, hone in on something specific,” Sharp: “Christie’s is providing as little as £1 or, in his words, Get your free copy What’s On The Boston
2009, for £3,600 and Hirst’s says Riflemaker’s Robin Mann. a space, its client list, and “cheaper than chips”. from Stand M5 Museum of Fine Arts’ new
Happy, 2008—a snapshot of the “It could be fantastic.” Others are showing its flexibility—I think Marisa Mazria Katz and 53-gallery Americas wing
artist’s greatest hits with pills, seizing the chance to groom a it’s rather inspiring.” Charlotte Burns

CONTEMPORARY ART FAIR

PULSE Miami
Dec 2 – 5, 2010
The Ice Palace
Miami, Florida
PULSE New York
Mar 3 – 6, 2011
New Location
The Metropolitan Pavilion
Chelsea, New York
www.pulse-art.com
 SOTHEBY’S AT CHATSWORTH: A SELLING EXHIBITION
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Yue Minjun ENQUIRIES +44 (0)20 7293 6095

Chatsworth House Trust is a
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dedicated to the long term
Price upon request SOTHEBYS.COM/BEYONDLIMITS preservation of Chatsworth.

Bridget Riley is represented by

Timothy Taylor Gallery, Frieze Art Fair C17
and Karsten Schubert
Frieze talks 2010: Frieze auditorium, Saturday 16 October, 5pm
Bridget Riley in conversation with Michael Bracewell
Bridget Riley Gwangju Biennale 2010, South Korea
Until 7 November 2010
Paintings and Related Work The National Gallery, London
24 November 2010–22 May 2011

15 Carlos Place, London W1K 2EX

T: +44 (0)20 7409 3344
www.timothytaylorgallery.com
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GEN
JAN
2011
BOLOGNA ITALY
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SHOW OFFICE
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When Baby gets to stay up late


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 ' ,*&+ ( .#+-% *, ■ Listings start on p16

SHADOW CATCHERS:
CAMERA-LESS PHOTOGRAPHY
SPONSORED BY

13 OCTOBER 2010 –
20 FEBRUARY 2011
BOOK NOW 020 7907 7073*
www.vam.ac.uk/shadowcatchers
V&A Members go free

HACKEL
Victoria and Albert Museum
GARRY FABIAN MILLER : THE COLOUR OF TIME u South Kensington
Knightsbridge

BURY 1 October 2010 - 29 January 2011

Floris Neusüss, Untitled, (Körperfotogramm),
Berlin, 1962, Collection Christian Diener, Berlin
©Courtesy of Floris Neusüss

*Booking fee applies

HACKELBURY FINE ART LTD 4 LAUNCESTON PLACE, LONDON A retrospective selection of work by Garry Fabian Miller is also featured in Shadow
W8 5RL T: 020 7937 8688 F: 020 7937 8868 www.hackelbury.co.uk Catchers: Camera-less Photography at the Victoria & Albert Museum, London.
 ▼ ▼ ▼ ▼
 What’s On 3 5 7 2

8 6
REGENT’S PARK
Exhibition listings are
arranged alphabetically by
area
▲ Commercial gallery 22a
11
1
Fairs 1 14

1 Frieze Art Fair 32

33
14-16 October, 11am-7pm 5 37 21
6
17 October, 11am-6pm
9 19
Regent’s Park, NW1
5
www.friezeartfair.com 43 17
60 54
42
2 Moniker 8
14 October, 7pm-9pm
15-17 October, 11am-9pm 16 46
35 7 29 44
54 Holywell Lane, Shoreditch, EC2 23 12 28
41 25b 49c 2
www.monikerartfair.com 22b 25a 1327b
20 36
57 52 26 21
4 34 59 53
3 Multiplied 15 11 31
27a 38
3
15 October, 9am-5pm 1 14 47
16-17 October, 11am-5pm HYDE PARK 49a 45 18
4
56 39
49b 51 61 62 13
18 October, 9am-7.30pm 18
Christie’s South Kensington, 30 17
4
85 Old Brompton Road, SW7
www.multipliedartfair.com Serpentine 50 15
Gallery 16
4 Pavilion of Art & Design London
13-17 October, 11am-7pm 10 1
Berkeley Square, W1 24
www.padlondon.net
Houses of
58
5 Sunday Parliament 14
14-15 October, noon-8pm
8
16 October, noon-6pm
Ambika P3, University of Westminster, 7
35 Marylebone Rd, NW1 3
http://sunday-fair.com 48 12
3 55

Exhibitions
EAST 11
1 Artangel
Susan Philipsz: 40
Surround Me
Saturdays and Sundays until 3
January 2011
various locations around London
www.artangel.org.uk

2 Barbican Art Gallery

Damián Ortega Listings compiled by Rob Curran,
15 October-16 January 2011 Ben Tomlinson and Emily Sharpe 10
Barbican Centre, Level 3, Silk
Street, EC2Y
Map designed by Katherine Pentney
▼
www.barbican.org.uk/artgallery
9 ▲Herald St 16 ▲Maureen Paley 22 ▲Seventeen until 31 October 20 Maresfield Gardens, NW3
3 Bloomberg Space Pablo Bronstein Dirk Stewen Susan Collis: Works on Paper Walid Raad www.freud.org.uk
Comma 28: Adrian Paci until 31 October until 14 November until 13 November until 2 January 2011
13 October-4 December 2 Herald Street, E2 21 Herald Street, E2 AIDS-3D & Paul B. Davis This Is Tomorrow 6 Kings Place Gallery
Comma 29: Julien Bismuth www.heraldst.com www.maureenpaley.com until 13 November until 6 March 2011 Sefton Samuels: Jazz Legends
13 October-4 December 17 Kingsland Road, E2 77-82 Whitechapel High Street, E1 15 October-26 November
50 Finsbury Square EC2A 10 ▲Hotel 17 ▲Monika Bobinska www.seventeengallery.com www.whitechapel.org 90 York Way, N1
www.bloombergspace.com Steven Claydon Mudflats and Galaxy www.kingsplace.co.uk
until 30 October until 18 October 23 ▲The Approach 26 ▲Wilkinson Gallery
4 ▲Calvert 22 77A Greenfield Road, E2 242 Cambridge Heath Road, E2 Helene Appel: Chopping Board Anna Parkina 7 Museum of Everything
Alexander Ponomarev: www.generalhotel.org www.monikabobinska.com until 24 October 13 October-21 November Exhibition #3
Sea Stories 47 Approach Road, E2 50-58 Vyner Street, E2 13-24 October
until 21 November 11 ▲Kate MacGarry 18 Old Truman Brewery www.theapproach.co.uk www.wilkinsongallery.com Regents Park Road and
22 Calvert Avenue, E2 Tiago Carneiro Da Cunha Benjamin Cohen Sharpleshall Street, NW1
www.sophiebenjamin.co.uk/ 14 October-21 November until 17 October 24 ▲Vilma Gold NORTH www.museumofeverything.com
7a Vyner Street, E2 Photolounge William Daniels 1 2 Cornwall Terrace
5 Chisenhale Gallery www.katemacgarry.com 15-17 October until 14 November House of the Noble Man 8 ▲Pangolin London
Michael Fullerton Young Masters Revisited 25 Vyner Street, E2 until 20 October David Bailey: Sculpture +
until 24 October 12 ▲Limoncello 15-25 October www.vilmagold.com 2 Cornwall Terrace, NW1 until 16 October
64 Chisenhale Road, E3 James Harrison, Yonatan 91 Brick Lane, E1 www.cornwallterrrace.co.uk/ William Pye: Sculpture
www.chisenhale.org.uk Vinitsky and Jessica Warboys www.trumanbrewery.com 25 Whitechapel Gallery boswallhouse/ until 24 December
until 20 November Claire Barclay Kings Place, 90 York Way, N1
6 ▲Flowers East 15a Cremer Street, E2 19 Raven Row until 2 May 2011 2 176 www.pangolinlondon.com
Nadav Kander www.limoncellogallery.co.uk Polytechnic The D. Daskalopoulos Collection Toby Ziegler
15 October-13 November until 7 November until 5 June 2011 until 12 December 9 Parasol Unit
Edmund Clark: Guantanamo, 13 ▲Lokal 30 56-58 Artillery Lane, E1 The Children’s Art Commission: 176 Prince of Wales Road, NW5 Adel Abdessemed
If the Light Goes Out Easyriders www.ravenrow.org the Chapman Brothers www.projectspace176.com until 21 November
15 October-13 November 15-30 October Exposure 10
82 Kingsland Road, E2 29 Wadeson Street, E2 20 Rivington Place 3 Camden Arts Centre until 17 October
www.flowerseast.com http://lokal30.pl/london Ever Young: James Barnor René Daniëls 14 Wharf Road, N1
until 27 November until 28 November www.parasol-unit.org
7 ▲Fred London Ltd 14 ▲Marsden Woo Gallery The Paris Albums 1900: W.E.B. Arkwright Road, NW3
Godfried Donkor Philip Eglin, Tony Hayward Du Bois www.camdenartscentre.org 10 ▲Victoria Miro Gallery
until 14 November and Karen Ryan until 27 November Isaac Julien:
45 Vyner Street, E2 until 6 November Rivington Place, EC2A 4 Estorick Collection Ten Thousand Waves
www.fred-london.com 17-18 Great Sutton Street, EC1V www.rivingtonplace.org Against Mussolini until 13 November
www.bmgallery.co.uk until 19 December Yayoi Kusama
8 ▲Hales Gallery 21 ▲Rokeby 39a Canonbury Square, N1 until 13 November
Hew Locke 15 ▲Matt’s Gallery Bettina Buck: in Shape www.estorickcollection.com 16 Wharf Road, N1
until 17 October Alison Turnbull in Control www.victoria-miro.com
Tea Building, until 31 October until 13 November 5 Freud Museum
7 Bethnal Green Road, E1 42-44 Copperfield Road, E3 5-9 Hatton Wall, EC1N   / #$$#% The Space of the Unconscious 11 Wellcome Collection
www.halesgallery.com www.mattsgallery.org www.rokebygallery.com &#$* + #$% '$ until 14 November Things
 ▼
4 What’s On 
17 7
12
10 24 26 until 23 October
11
9 6 13 23 Dering Street, W1S
12 23 www.annelyjudafineart.co.uk
22 5

8 ▲Anthony Reynolds Gallery

9 Sturtevant: Elastic Tango
20 4 13 October-20 November
2 8 16 60 Great Marlborough Street,
W1F
www.anthonyreynolds.com
1
18
9 ▲Atlas Gallery
2 3 Floris Neusüss
Whitechapel
Gallery 15 October-27 November
19 49 Dorset Street, W1U
25 www.atlasgallery.com
10
1 15 10 Austrian Cultural Forum
1 Brave New World
until 17 December
Touched
1 1
until 28 November
28 Rutland Gate, SW7
1
www.austria.org.uk/culture
Modern 11 ▲Beaux Arts
Marilene Oliver:
Carne Vale
until 6 November
9 22 Cork Street, W1X
www.beauxartslondon.co.uk

12 ▲Ben Brown Fine Arts

Heinz Mack/Lucio Fontana
until 21 December
6 12 Brook’s Mews, W1K
5 www.benbrownfinearts.com

13 ▲Bernard Jacobson Gallery

Helen Frankenthaler: Paper Is
Painting
13 October-13 November
6 Cork Street, W1S
21 www.jacobsongallery.com

14 ▲Bernheimer Colnaghi
Julian Schnabel Polaroids
until 12 November
2
15 Old Bond Street, W1X
www.colnaghi.co.uk

15 ▲Bischoff / Weiss
Nathaniel Rackowe
until 30 October
South London Gallery 14a Hay Hill, W1J
www.bischoffweiss.com
19
18 16 ▲BlainSouthern
▼ Mat Collishaw: Creation
Condemned
until 22 October Park, SE16 12 ▲Greengrassi until 28 November 3 ▲Alan Cristea Gallery 13 October-17 December
183 Euston Road, NW1 www.cafegalleryprojects.org Stefano Arienti Michal Bundy: Author Eleven 21 Dering Street, W1S
www.wellcome.ac.uk until 23 October until 28 November until 13 November www.blainsouthern.com
6 ▲Coleman Project Space 1a Kempsford Road, SE11 65 Peckham Road, SE5 31 & 34 Cork Street, W1S
12 ▲White Cube Throwing Shapes www.greengrassi.com www.southlondongallery.org www.alancristea.com 17 British Museum
Mark Bradford: the Pistol until 7 November Impressions of Africa: Money,
that Whistles 94 Webster Road, SE16 13 Hayward Gallery 19 Studio Voltaire Medals, Stamps and Seals
13 October-13 November www.colemanprojects.org.uk Move: Choreographing You Keith Farquhar and Dawn Mellor until 6 February 2011
48 Hoxton Square, N1 13 October-9 January 2011 until 4 December Great Russell Street, WC1B
www.whitecube.com 7 ▲Corvi-Mora Ron Terada, Who I Think I Am 1a Nelson’s Row, SW4 www.britishmuseum.org
Brian Calvin until 7 November www.studiovoltaire.org
SOUTH until 23 October Southbank Centre, Belvedere 18 ▲Connaught Brown
1 Alma Enterprises Gallery 1a Kempsford Road, SE11 Road, SE1 20 Tate Modern Geoff Uglow
Alex Baggaley: the Perpetual www.corvi-mora.com www.hayward.org.uk Gauguin until 30 October
© The Art Institute of Chicago

Set-up until 16 January 2011 2 Albemarle Street, W1X

until 17 October 8 ▲Danielle Arnaud Gallery 14 Imperial War Museum Martin Karlsson: London www.connaughtbrown.co.uk
38-40 Glasshill Street, SE1 Karin Kihlberg and Reuben Baghdad, 5 March 2007: until 31 December
www.almaenterprises.com Henry Jeremy Deller The Unilever Series: 19 David Roberts Art Foundation
until 24 October until 31 March 2011 Ai Weiwei +#$ ' ,!,#&1* 
 (#&+ More Pricks than Kicks
2 ▲Auto-Italia 123 Kennington Road, SE11 Lambeth Road, SE1 until 2 May 2011 #&! 




 
 13 October-18 December
From LuckyPDF TV: this Is Auto www.daniellearnaud.com www.iwm.org.uk Bankside Power Station, 25 
 + + ')& 111 Great Titchfield Street, W1W
Italia Live Sumner Street, SE1 www.davidrobertsartfoundation.com
16 October-13 November 9 Design Museum 15 ▲Jerwood Space www.tate.org.uk/modern 4 ▲Alexia Goethe Gallery
1 Glengall Road, SE15 Brit Insurance Designs Jerwood Drawing Prize Alexander de Cadenet: Life-Force 20 ▲Fine Art Society
www.autoitaliasoutheast.org of the Year until 7 November 21 ▲The Agency until 19 November Leonardo Drew
until 17 October 171 Union Street, SE1 Ludovica Gioscia 5-7 Dover Street, W1S until 29 October
3 ▲Beaconsfield 28 Shad Thames, SE1 www.jerwoodfoundation.org until 23 October www.alexiagoethegallery.com Lavery and the Glasgow Boys
Test Bed I www.designmuseum.org 66 Evelyn Street, SE8 13 October-4 November
until 17 October 16 ▲Poppy Sebire www.theagencygallery.co.uk 5 ▲Alison Jacques Gallery 148 New Bond Street, W1S
22 Newport Street, SE11 10 Dulwich Picture Gallery Dark Nature Matt Johnson www.faslondon.com
www.beaconsfield.ltd.uk Salvator Rosa (1615-73): Bandits, until 17 October WEST 13 October-13 November
Wilderness and Magic All Hallows Hall, 6 Copperfield 1 ▲Agnew’s 16-18 Berners Street, W1T 21 ▲Frith Street Gallery
4 BFI Gallery until 28 November Street, SE1 John Kelly: Probe www.alisonjacquesgallery.com Fiona Tan: Cloud Island and
Julian Rosefeldt: American Night Gallery Road, SE21 www.poppysebire.com 13 October-5 November Other New Works
until 7 November www.dulwichpicturegallery.org.uk 35 Albemarle Street, W1S 6 All Visual Arts until 29 October
BFI Southbank Belvedere Road, 17 ▲Purdy Hicks www.agnewsgallery.co.uk Vanitas: the Transience 17-18 Golden Square, W1F
SE1 11 Gasworks Neeta Madahar of Earthly Pleasures www.frithstreetgallery.com
www.bfi.org.uk/gallery Hydrarchy: Power and Resistance until 13 November 2 ▲Aicon Gallery until 17 October
at Sea 65 Hopton Street, SE1 Rasheed Araeen: Before 33 Portland Place, W1B 22a & 22b ▲Gagosian Gallery
5 ▲Cafe Gallery Projects until 7 November www.purdyhicks.com and after Minimalism www.allvisualarts.org a James Turrell
Throwing Shapes 155 Vauxhall Street, The Oval, until 23 October 13 October-10 December
until 7 November SE11 18 South London Gallery 8 Heddon Street, W1B 7 ▲Annely Juda Fine Art 6-24 Britannia Street, WC1X
The Gallery, Centre of Southwark www.gasworks.org.uk Tatiana Trouvé www.aicongallery.com David Nash & Lesley Foxcroft b Damien Hirst

Mat Collishaw
Creation Condemned
21 Dering Street, London W1S 1AL
13 October- 17 December www.blainsouthern.com info@blainsouthern.com
  What’s On     
  
 

   
until 20 November
17-19 Davies Street, W1K
www.gagosian.com
23 ▲Gimpel Fils
Steven Gontarski
until 6 November
30 Davies Street, W1Y
www.gimpelfils.com
24 ▲Hackelbury Fine Art
The Colour of Time
until 27 January 2011
4 Launceston Place, W8
www.hackelbury.co.uk
25a & 25b ▲Halcyon Gallery
a Mauro Perucchetti
until 16 November
24 Bruton Street, W1J
b Figurative Art
until 16 November
29 New Bond Street, W15
www.halcyongallery.com
26 ▲Haunch of Venison
Loud Flash: British Punk
on Paper
until 30 October
6 Burlington Gardens, W1S
www.haunchofvenison.com
27a & 27b ▲Hauser & Wirth
a Jason Rhoades
until 18 December
196A Piccadilly, W1J
b Louise Bourgeois
15 October-18 December
23 Savile Row, W1S
www.hauserwirth.com
28 ▲Helly Nahmad Gallery
Highlights from the Collection
until 3 December
2 Cork Street, W1S
www.hellynahmad.com
29 ▲Imago Art Gallery
Visual Emotions: Bob Krieger
until 18 December
4 Clifford Street, W1S
www.imago-artgallery.com
30 Institute of Contemporary
Arts
Chto Delat? What Is to Be Done?
until 24 October
12 Carlton House Terrace, The
Mall, SW1Y
www.ica.org.uk
© V&A Images
# #   ' #
 !&  
29 & 52-54 Bell Street 56 ▲Thomas Dane
www.lissongallery.com Kelley Walker Weekend highlights
until 13 November 16-17/10/10
34 ▲Marlborough Fine Art 11 Duke Street, SW1
John Virtue www.thomasdane.com Frieze Talks
13 October-13 November Saturday 2.30pm Artist
6 Albemarle Street, W1S 57 ▲Timothy Taylor Gallery Susan Hiller in conversa-
www.marlboroughfineart.com Jessica Jackson Hutchins: tion with John Welchman
Champions from the University of
35 ▲Max Wigram Gallery 13 October-6 November California, San Diego;
Pavel Büchler: Studio Schwitters Ryan McLaughlin: Farley 5pm UK writer Michael
13 October-13 November 13 October-6 November Bracewell talks to artist
© The Estate of Jason RhoadesCourtesy Hauser & Wirth and David Zwirner, New YorkPhoto: Mike Bruce
106 New Bond Street, W1S 15 Carlos Place, W1K Bridget Riley
www.maxwigram.com www.timothytaylorgallery.com Sunday 12noon Exhibition
Making as Activism:
36 ▲Messum’s Fine Art Ltd 58 Victoria and Albert Museum Whose Politics? A panel
Peter Brown Serge Diaghilev and the Golden including artists Jeremy
until 23 October Age of the Ballet Russes 1909-29 Deller and Emily Roysdon
8 Cork Street, W1S until 9 January 2011 discuss art as activism
www.messums.com Raphael: Cartoons and
Tapestries for the Sistine Chapel Frieze Film Programme
37 ▲Mummery + Schnelle until 17 October Saturday and Sunday
The Beholders Share Shadow Catchers: Camera-less 11.30am, 2.30pm,
13 October-18 December Photography 5.30pm Screening of the
83 Great Titchfield Street, W1W 13 October-20 February 2011 Frieze Film Commissions
www.mummeryschnelle.com Cromwell Road, SW7 2pm and 5pm Screening
www.vam.ac.uk of Shahryar Nashat’s
38 National Gallery new video
Venice: Canaletto and His Rivals 59 ▲Waddington Galleries Saturday 12.30pm Indian
13 October-16 January 2011 Jason Rhoades: 1:12 Perfect World Sculpture curator Shanay Jhaveri
Frederick Cayley Robinson: Hauser & Wirth 196A Piccadilly until 30 October selects three films includ-
Acts of Mercy until 18 December 11 Cork Street, W1S ing Lucy Raven’s China
until 17 October www.waddington-galleries.com Town, 2009; 3.30pm
Trafalgar Square, WC2 For the first solo European show of Jason Rhoades’ work since London-based Lux pre-
www.nationalgallery.org.uk his untimely death at the age of 41 in 2006, Hauser & Wirth 60 Wallace Collection sents Monument (2010)
presents a sterling silver 1:12 scale model (above) of the The Wallace Collection by Redmond Entwistle
39 National Portrait Gallery American installation artist’s famed 1999 exhibition “Perfect and the Art Treasures of Spain and Robert Longo’s 1987
Chasing Mirrors: Portraits of the World” at the Deichtorhallen, Hamburg. The original two-storey until 30 November film Arena Brains;
Unseen installation, made from wooden triangles and aluminium bars, From Drawing-board to Display: 6.30pm Screening of
15 October-9 January 2011 took up the Deichtorhallen’s entire gallery space—all 15,000 sq. the Work of the Wallace Spartacus Chetwynd’s
Camille Silvy ft of it. Visitors to the Hamburg gallery used a hydraulic lift to Collection Conservation Hermitos Children, 2009
until 24 October reach the second level and watch Rhoades work in his “perfect Technician Sunday 3.30pm Jhaveri’s
St Martin’s Place, WC2H world” or “Eden”, which was a photographic reproduction of his until 24 October selection includes Subdoh
www.npg.org.uk father’s vegetable patch. In addition to the model, visitors to the Poussin to Seurat: Gupta’s Pure, 2009
Piccadilly gallery can see the 400 drawings Rhoades created French Drawings from the
40 ▲Offer Waterman & Co, Fine during the 1999 project and hear a soundtrack capturing the National Galleries of Scotland Ryan’s Bar at Sunday
Arts cacophony recorded during the Hamburg presentation. until 19 December Ambika P3, University of
Sheila Fell Hertford House, Westminster, 35
until 29 October Manchester Square, W1M Marylebone Rd
11 Langton Street, SW10 47 Royal Academy of Arts 51 ▲Simon Lee Gallery www.wallacecollection.org Australian artist Ryan
www.waterman.co.uk The Brandhorst Museum by Angela Bulloch: Discrete Gander invites artists to
Sauerbruch Hutton Manifold Whatsoever 61¶ ▲White Cube mix cocktails. A mere
41 ▲Osborne Samuel until 7 November 13 October-27 November Christian Marclay: £50 buys a cocktail and
Modern and Contemporary Treasures From Budapest: 12 Berkeley Street, W1 the Clock an artist-signed beer mat
British Art European Masterpieces from www.simonleegallery.com 15 October-13 November Saturday 3pm-4pm Bob
until 6 November Leonardo to Schiele 25-26 Mason’s Yard, SW1Y & Roberta Smith
23A Bruton Street, W1J until 12 December 52 ▲Sprüth Magers www.whitecube.com
www.osbornesamuel.com The Language of Line: John Thomas Scheibitz Live Painting at Moniker
Flaxman’s Illustrations to the until 30 October 62 ▲Whitford Fine Art 54 Holywell Lane,
42 ▲Paul Stolper Gallery Works of Homer and Aeschylus 7A Grafton Street, W1S Kudditji Kngwarreye: Shoreditch, EC2
Damien Hirst: the Souls until 29 October www.spruethmagers.com My Country Saturday from 12 noon
until 13 November Burlington House, Piccadilly, W1J 15 October-5 November German graffiti artist duo
31 Museum Street, WC1A www.royalacademy.org.uk 53 ▲Stephen Friedman 6 Duke Street, SW1Y Herakut paints a wall;
www.paulstolper.com Beatriz Milhazes www.whitfordfineart.com Sunday from 12 noon
48 Saatchi Gallery until 20 November Brazilian street artist Titi-
43 ▲Pilar Corrias Ltd Newspeak: British Art Now, Part I 25-28 Old Burlington Street, W1S ■ For more listings, please see our website: Freak paints a wall; 1pm
Rirkrit Tiravanija until 17 October www.stephenfriedman.com www.theartnewspaper.com/whatson World premiere of graffiti
13 October-1 December Duke of York, King's Road, SW3 documentary Bomb It 2
54 Eastcastle Street, W1W www.saatchi-gallery.co.uk 54 ▲Stuart Shave / Modern Art
www.pilarcorrias.com Bojan Sarcevic: Comme des Serpentine Gallery’s
49a, 49b & 49c ▲Sadie Coles Chiens et des Vagues Map Marathon
44 ▲Riflemaker a Angus Fairhurst 13 October-13 November Royal Geographical

 
Josephine King: Life So Far
  % % 
until 30 October
31 ▲James Hyman Gallery
Made in Italy: Albrecht Tuebke
until 6 November
5 Savile Row, W1S
www.jameshymangallery.com
32 ▲Laura Bartlett Gallery
Nina Beier
until 23 October
10 Northington Street, WC1N
www.laurabartlettgallery.com
33 ▲Lisson Gallery
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Marina Abramovic
until 27 November Nasreen Mohamedi
69 South Audley Street, W1K
79 Beak Street, W1F b Dirk Bell: Made in Germany
www.riflemaker.org until 28 October
9 Balfour Mews, W1
45 ▲Robilant + Voena c Urs Fischer: Douglas Sirk
The Gallant Apparel: Italian Art until 11 December
and the Modern 4 New Burlington Place, W1
until 27 October www.sadiecoles.com
38 Dover Street, W1S
www.robilantvoena.com 50 Serpentine Gallery
Klara Lidén
46 ▲Rossi & Rossi Ltd until 7 November
Jaishri Abichandani: Dirty Jewels Serpentine Gallery Pavilion
14 October-25 November until 31 October
available at:
16 Clifford Street, W1S Kensington Gardens, W2
Society, 1 Kensington
13 October-13 November Gore, SW7
23/25 Eastcastle Street, W1W Saturday and Sunday
www.modernart.net 8pm Fifty non-stop pre-
sentations by leading
55 Tate Britain artists, writers, philoso-
Eadweard Muybridge phers, musicians, archi-
until 16 January 2011 tects, designers and sci-
Tate Britain Duveens entists including Marina
Commission: Fiona Banner Abramovic, David Adjaye,
until 3 January 2011 Gilbert & George, Pancho
© 2010 Klara Lidén
Rachel Whiteread: Drawings Guedes, Mona Hatoum
until 16 January 2011 and Ai Weiwei. Tickets
Turner Prize from £10/£15-£20/£25
until 3 January 2011
Millbank, SW1P  " 
   www.ticketweb.co.uk
13 October-13 November www.rossirossi.com www.serpentinegallery.org www.tate.org.uk/britain 
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 Edgware Road
Project:
Marwan Rechmaoui
in Residence
Anish Kapoor: Until 18 October
Turning the World Centre for Possible Studies,
64 Seymour Street, London W1
Upside Down +44 (0)20 7298 1535
Kensington Gardens Pavilion funded by

28 September–
13 March
An exhibition organised by The Royal
Advisors
Parks and the Serpentine Gallery

Klara Lidén Klara Lidén exhibition

co-produced with

7 October –
7 November
Serpentine Gallery
Kensington Gardens
Serpentine Gallery London W2 3XA
Pavilion 2010 T +44 (0)20 7402 6075
www.serpentinegallery.org
by Jean Nouvel
Open daily 10am–6pm,
10 July–17 October Fridays 10am–10pm until
17 October
Map Marathon
16–17 October Socle du Monde
B I E N N A L E
Between Cultures
Socle du Monde

Keeping It Real
Whitechapel Gallery November 6
2010 -
March 13
2011
Savethedate
The D. Daskalopoulos An Exhibition in Four Acts
Nikos Kessanlis Untitled (Gesture), 1961, ready-made object, tissue, wire, 200 x 21 cm. © Nikos Kessanlis. Courtesy Alpha Delta Gallery, Athens. Photo: Nikos Markou.

10 June 2010–22 May 2011

Collection
Act 2: Subversive Abstraction
Supported by: 17 September–5 December 2010

whitechapelgallery.org

ARTISTS:
Christian Danielewitz
Danh Vo COMPANIES:
Hesselholdt and Mejlvang Aarhus Universitet,
Ismar Cirkinagic Handels- og IngeniørHøjskolen
Jannis Kounellis A Hereford Beefstouw
Jens Haaning Dagbladet Børsen/Cand.Selv
Jette Hye Jin Mortensen C.C. CONTRACTOR A/S Herning
Joachim Hamou egetæpper a/s
Lilibeth Cuenca Rasmussen IB Gruppen – IB&Co, Co3, NewsRoom
Nedko Solakov IT Relation A/S
Thierry Geoffroy Jæger Holding A/S
Marcelo Viguez Montana Møbler A/S
Nordea
SPECIAL PROJECT: Nykredit
Kim Sooja TEKO
agitprop design

socledumonde.dk heartmus.dk
Act 1 Act 2 Act 3 Act 4