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DODD, MEAD & COMPANY

Fourth Aven'^^ a;i4 30th Streol
Publishers €>
G)pyright, 1913, by E. G. Lirtz

All rights reserved

Printed is U. S. A.
J lH-\
^szo^J^

PROPERTY OF TH£:

INSTRUCTIONS
In drawing from this book, copy the last diagram, or finished picture, of the particular series
before you.

The other diagrams — beginning with number one, then —

number two, and so on show how to
go on with your drawing. They give the order in which to make the various strokes of the pencil
that together form the completed picture. The dotted lines indicate where light lines are drawn that-

help in construction —that is; getting proportions correctly, outlining the general form, or marking
details in their proper places. Do not press ftaid on' the pencil in making these construction lines,

then they can be erased afterwards. '.':'. :i''. * '

Use pencil compasses for the circles, or mark theto Off with buttons or disks.

7
A.-

1? 1

THE NEXT AND 60 ON TO THE LAST

AT EQUAL mVANCES LINE FROM IN THIS i WITH PRACTISE THE AH) OF CIRCLE
ON A CIRCLE ^
LEFT To RmT WAY 1 AND P01NT6 WILL NOT BE NEEDED
 ^y^ "^-^ ^Syrf

LigKtl\pu&e.

Cepyrisht.l9l3.t»C.6LuU
10
 A 1 i 3. ^ 4. ^
Cube-

\_\ \
B 1

Copyright, 1913. by E.Q.Lutz

11
 Toy HorsG.

12
 C=5

W—^ —^^1 ^
Toys
Copyrisht.l9l3,byE.Glut2

13
1 i

C reefed C rV3kne
^... ^
14
 TKinjs to npiice ^^eIv drawing a cati face MAKE AN OUTLINE
THE SAME
SHAPE OFeARf) |^ X EYES WIDE APART
A FXWLONCt
HAIRS Above r^*4kv/.('Pt... EYES -PUPILS
CHANCRE IN SIZE
T1(^ER-LIKE .^ AND SHAPE
MARKINGS ,.--" ^
IN BRJ&HT DAYl.l(}HT AROUNP-'''
EYES LONQ
PUPILS OF EYES WHI5KER5
ARE LIKE THIS

16
 B 1
^^^
iryiry

yV\ioe^

Copyrl8MI9l3>C.G.Lutt
^^
17
 CUF^IOUS F^ISHeS Angel Fisb

IC^..rt<.l3«.t,tJi.U1,

18
 Fi5he5 1 B

Co()ynslrt.l9l3.
by e.ftUtz

19
Cai+ail plan-t

20
CownsM.ISlJ

21
"Rabbit Runnin.^
<L>
^^^
22
 Ft&hbii:^

Copyright. 1913, by E.&.Lutz

23
24
 1 3.

°6 ?^a#
Heiy And Clval^

Copyright. ISia. I» E.Q Utz

25
4 . . S

^fe •C^

26
Cet)yright, I9l3,by E.6.Lutz

27
28
 God^t

Coffrijihi l?l3t)yE&Lu^z

29
 Bulldog

@ (i) ® ! (§) '(§)VA-/(§)'

(SD

'®VA_/®

30
 A 1

1 ^ '^O
Cowrisht,l9l3,b^EQ.Uh
'Q-:^
Ir^
31
FIRST DRAW A TRIANQ-LE ifor>se.
WITH 5 IDES EQUAL

32
 A /'
I »

Tui^l^ev'

Co|;yn^M.I9l3.byE.Q.Lutt

33
34
Copyright. l9l5.byE:.&.Lurz

35
^w2vllow5

36
 Flyii^ Dirdfe

Copyright. l?l3.ty£,&Lutz

37
38
39
40
 A I
_^ 2. ^_^ 3

Parrakeet
and Parrot

Copyright. I9t3. by t & Lut ^

41
42
 Y\Z\CCOOT\^

"Copyfi<;Kt,l9l3.byES.t.tftz

43
1.
—N
y^ ^

44
45
FIRST DRAW /
A
RHOMBOID /'

46
 A I

ror\

Ci Birds Tm<de

Adjutant

Copyri9ht.l913 byEQ.Utz
>«^

47
48
 Camel
3 freight Line.
Dra.wiri<?S

A 1

B 1

Copyright. 1913, by E.&.Lutz

49
60
 A 1

Face5 - Easily drawn

Copynjht.Bl^bytKfLutz

51
 i
4
:

1
'-**-^
1 I'll

52
Fi^upcj -Merv- DraWn witK straight lii>e5

5 h _
1 ' P
—
-

CoiyTiJ».l9li.l)yE.^Ltt<I

53
 / "\
iB 3 4 's
2,
r

C '.
- ^ ,ri ir^s

/\ [/1^ u ^
54
A 1

Copyr.<lht,19l5,bvE.&Lutz

56
Droll
Face

56
 A 1

DrAwintf F^ices
in. &t\ Amuf>in<5 Wav

Co|)yri«;Vt . I9li by E O.Luti

67
58
 Profile.^ ' Ea5y te draw

Coprigm,l9l3byE&ttfft

59
 Ligktly drawi|

above
^^pr* e^^j o£v>£-
lines like

will help in

sketcKw

60
C(i[Yri<fM.\9l}.byE.QLuH _

«1
62
63
64
66
 R^Ufvd Pi d ti re^

To draw iKey® fi^utes , fir^t

n\h,U^ circle^ a^ 5K«>Wrvi»> Ai. &£>!

66
 An odd
way of-
bejinuinf

B 1

Copyright, 1SI3 by E&U^z

87
A _L_ t^—. B ^
1

1 ^^

A A -1
\

-^..
IWI\•
^>i^^
I
1 \!^^ 1

68
 MeiJ\/i7g an, Ovetl w^ithfhe. Confp^3S&S
>r«Tr

WITH A WITH DA5 CENTER

DRAW TWO UNE5 AS CEffTER. DESCRIBE FROM BanoC DRAW FROM BandC as
CROSSING AT CIRCLE WITH DIAMETER LINES THROUGH CENTERS DESCRIBE E AND r BY AN
CON N ECT
RKtHT ANQLES WIDTH OF OVAL VMNTEP AND BEYOND D ARCS TO EanoF ARC COMPLETING OVAL

DRAWING OVALS AND ELLIPSES

Take note, first of all, of the difference between an ellipse and an oval.

The large plate explains the construction of an ellipse. It shows how to find the points where
the three pins are placed that determine the size of the looped string. Be sure and make measure-
ments accurately. Use a string that will not give, cotton thread is good for small ellipses, silk is too
elastic. A suggestion to amateur gardeners: make elliptical flower beds this way.

The caution in regard to accuracy also applies to the making of the oval.

70
 DRAW TWO UNE5 CROSSINQ-
How to mh,ke a/? Ellipse: AT RIQHTANQLES IN CENTER.

/ ROV<^HiySKETCH
I
ELLIPSE WANTED \ \
I

\ /
V^ i<
\
WITH CENTER C AND AT POINTS OF INTERSECTION
DISTANCE BA AS T.AND F PLACE P/NS
RADIU5 IKTERSECT C
^ LINEBD
\1

\
\
\,
LOOP A STRIN<} TAKE OUT PIN
AROUND ALL AT C AND
THREE P/NS REPLACE WITH I// PENCIL POINT

71
n
 -

SUGGESTIONS FOR WATER-COLOR PAINTING

Here is a good list of colors for practical work. The
-A Useful List first eight are enough for every purpose; but add, if you
OF VVATER-COLORS
wish, purple and orange. Moist colors in pans are best.
COLOR5' •WHAT -TO ASK
_______^ rORIN-THE-5HOP There are many different kinds of red, green, blue and
;y^i;i.bw:-| YELLOW OCHRE brown paints; and as you may be puzzled and not know
what names
H Br-igh-t GAMBOGE to get, the
colors are also given.
of the best hues of these particular
The most useful paints in this list
3|
light red are yellow ochre, light red, Vandyke brown and Payne's

gray. Learn to work with them, use them often and see
CrimsomIcrimson lake
the beautiful effects they produce. Delicate tints are made
VANDYKE BROWN with thin washes of yellow ochre and light red. Vandyke
NEW BLUE OR brown makes a variety of pleasing tints.
ULTRAMARINE
Oreiein HOOKER'S GREEN NoJ Use the bright colors sparingly.

Mjim.M PAYNE'6 qRAY You do not need a black paint. Payne's gray with

sS-«jppl^"\erv.t^r>j^ — either brown, blue, crimson or green gives rich dark tones.
Payne's gray is also useful in shadows and shading other
MAUVE colors. For the different kinds of greens, mix yellow ochre,
blue or brown with Hooker's green. Use thin washes of
-^n O RVERMILION
10: -7:^:7-^7—
;UP{.ANG£:
ANQE
I
light red and blue for the gray of distances and clouds.

73
74
 / ^ E<ii-

7S
76
 77
^ZXOS3^-/>iO^
THE NEW YORK PUBLIC LIBRARY
CIRCULATION DEPARTMENT
NATHAN STRAUS BRANCH 348 EAST 32nd STSSFt

78
WHAT TO DRAW and HOW TO DRAW
THIS
which
is really a remarkable book in
made a good rea$on for
tine ia
©T.O that fixet the object in memory and 6
ops naturally a physical skill and a m
form. The youngest child may grasp knowledge of proportion and form.
the magic progress of this way of working Foreshortening and perspective, t
knd he will draw the picture naturally and bugbears to young artists, are overcom
Mrell. the simplest progressive examples.
INSTRUCTIONS are very brief, for the REMEMBERING THE KEY LINE o
key line* of each object tell their own story the way to the completed object T
uid the child is entranced by the results are hundreds of pictures to draw and all
toon gained. There is no stupid tracing in those most fascinating to the child, wh
this book, for tracing accomplishes at most thrilled by the "magic" that makes dra>i
Bnly a little muscular controL easy and delightfully interesting.
The book provides a step-by-step system *'Ju*t remember the KEY LINE, that't

\ AN IDEAL GIFT FOR CHILDREN )

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