Epic poetry

An epic (from the Ancient Greek adjective (epikos'pi), [1] from (epos) "word, story, poem" ) is a lengthy narrative poem, ordinarily concerning a serious subject containing details of heroic deeds and events significant to a culture or nation.[2] Oral poetry may qualify as an epic, and Albert Lord and Milman Parry have argued that classical epics were fundamentally an oral poetic form. Nonetheless, epics have been written down at least since the works of Virgil, Dante Alighieri, and John Milton. Many probably would not have survived if not written down. The first epics are known as primary, or original, epics. One such epic is the Old English story Beowulf.[3] Epics that attempt to imitate these like Milton's Paradise Lost are known as literary, or secondary, epics. Another type of epic poetry is epyllion (plural: epyllia), which is a brief narrative poem with a romantic or mythological theme. The term, which means 'little epic', came in use in the nineteenth century. It refers primarily to the type of erotic and mythological long elegy of which Ovid remains the master; to a lesser degree, the term includes some poems of the English Renaissance, particularly those influenced by Ovid. One suggested example of classical epyllion may be seen in the story of Nisus and Euryalus in Book IX of Aeneid.

Novel
From Wikipedia, the free encyclopedia A novel is a book of long narrative in literary prose. The genre has historical roots both in the fields of the medieval and early modern romanceand in the tradition of the novella. The latter supplied the present generic term in the late 18th century. Further definition of the genre is historically difficult. The construction of the narrative, the plot, the way reality is created in the works of fiction, the fascination of the character study, and the use of language are usually discussed to show a novel's artistic merits. Most of these requirements were introduced in the 16th and 17th centuries in order to give fiction a justification outside the field of factual history. Theindividualism of the presentation makes the personal memoir and the autobiography the two closest relatives among the genres of modern histories.

EXAMPLE OF A EPIC STORY

Maragtas Summary The Maragtas Chronicles of Panay is a history of rulers of the island from the time of the Ten Malay Datus (rulers) that settled from Borneo. The "Legend of the Ten Datus (chieftains)" narrates about the forefathers of the Filipinos and the story of ten Bornean chieftains who escaped the cruel regime of Sultan Makatunaw. Datu Puti along with other nine chieftains plans to leave Borneo. Riding their native boats, they ventured into the night and across the wide ocean. At first, the ten rulers and their families were afraid that they might perish in the middle of the sea. Soon, they have reached the islands of Panay and befriended with the natives called Aetas. The Aetas are quite friendly and decides to sell a piece of their land to the ten chieftains. The chieftains gave the Aetas leader, Marikudo a golden Salakot (Native head piece) After this; the chieftains and Aetas lived in peace and harmony. The Haraya is another epic poem from Panay. It is a collection of rules of conduct told in the form of heroic tales. The "Hari sa Bukid" of Negros is a mythical epic of Kanlaon (Kan comes from a Persian word "Khan" meaning "King" and "Laon" from a Malay word meaning "Ancient.") and "Hinilawod" an epic poem made by the early inhabitants of Iloilo, Aklan and Antique also from Panay. The hero of Hinilawod, Humadapnon was of divine ancestry. He had super natural powers and guardian spirits to protect him. His most exciting adventure was his search for Nagmalitong Yawa: A beautiful maiden whom he saw in his dream. He boarded his golden boat, sailed amidst dangerous seas, and was captured by an enchantress/engkantada. Finally, he found and won the love of Nagmalitong Yawa.

EXAMPLE OF A NOVEL

The Time Machine

The book's protagonist is an amateur inventor or scientist living in London who is never named; he is identified simply as The Time Traveller. Having demonstrated to friends using a miniature model that time is a fourth dimension, and that a suitable apparatus can move back and forth in this fourth dimension, he completes the building of a larger machine capable of carrying himself. He then immediately sets off on a journey into the future. The Time Travellerdetails the experience of time travel and the evolution of his surroundings as he moves through time. While travelling through time, his machine allows him to observe the changes of the outside world in fast motion. He observes the sun and moon traversing the sky and the changes to the buildings and landscape around him as he travels through time. His machine produces a sense of disorientation to its occupant, and a blurring or faintness of the surroundings outside the machine. His journey takes him to the year 802,701 A.D., where he finds an apparently peaceful, pastoral, communist,[1] future filled with happy, simple humans who call themselves the Eloi. The Eloi are about four feet tall (~120cm), pink-skinned and frail-looking, with curly hair, small ears and mouths and large eyes. Males and females seem to be quite similar in build and appearance. They have high-pitched, soft voices and speak an unknown language. They appear to be quite unintelligent and child-like and live without quarrels or conflict. Soon after his arrival he rescues Weena, a female Eloi he finds drowning in a river. Much to his surprise she is grateful to him and insists on following him. The Eloi live in small communities within large and futuristic yet dilapidated buildings, doing no work and eating afrugivorous diet. The land around London has become a sort of untended garden filled with unusual fruiting and flowering plants, with futuristic, albeit broken down buildings and other structures dotted around, seemingly of no purpose and disused. There is no evidence of theimplementation of agriculture or technology, of which the Eloi seem incapable. The TimeTraveller is greeted with curiosity and without fear by the Eloi, who seem only vaguely surprised and curious by his appearance and lose interest rapidly. He disables the time machine and follows them to their commune and consumes a meal of fruit while trying to communicate with them. This proves somewhat ineffectual,

as their unknown language and low intelligence hinders the Time Traveller from gaining any useful information. With a slight sense of disdain for his hosts' lack of curiosity and attention to him, the Time Traveller decides to explore the local area. As he explores this landscape, the Time Traveller comments on the factors that have resulted in the Eloi's physical condition and society. He supposes that the lack of intelligence and vitality of the Eloi are the logical result of humankind's past struggle to transform and subjugate nature through technology, politics, art and creativity. With the realisation of this goal, the Eloi had devolved. With no further need for technology and agriculture andinnovations to improve life, they became unimaginative and incurious about the world. With no work to do, they became physically weak and small in stature. Males, generally being breadwinners and workers in former times, have particularly degenerated in physique, explaining the lack of dimorphism between the sexes. The Time Traveller supposes thatpreventive medicine has been achieved, as he saw no sign of disease amongst his hosts. With no work to do and no hardships to overcome, society became nonhierarchical and non-cooperative, with no defined leaders or social classes. The fact that there was no hardship or inequalities in societies meant there was no war and crime. Art and sophisticated culture, often driven by problems and aspirations or a catalyst for solutions and new developments, had waned, as no problems existed and there were no conceivable improvements for humanity. He accounted for their relatively small numbers as being due to the implementation of some form of birth control to eliminate the problems of overpopulation. The abandoned structures around him would suggest that prior to these achievements, the population had been larger and more productive, toiling to find the solution that would make the new utopia a reality. As the sun sets, the Time Traveller muses on where he will sleep. Retracing his steps back to the building where he had eaten with the Eloi, he suddenly realizes that the time machine is missing. He panics and desperately searches for the vehicle. At first, he suspects that the Eloi have moved it to their shelter. He doubts the Eloi would be capable or inclined to do this, but nonetheless rushes back to the shelter and demands to know where his machine is. The Eloi are confused and a little frightened by this. Realising the Eloi don't understand him and he is damaging his position with them, he continues his search in desperation during the night before relenting and falling into an uneasy sleep. The Utopian existence of the Eloi turns out to be deceptive. TheTraveller soon discovers that the class structure of his own time has in fact persisted, and the human race has diverged into two

branches. The wealthy, leisure classes appear to have devolved into the ineffectual, not very bright Eloi he has already seen; but the downtroddenworking classes have evolved into the bestial Morlocks, cannibal hominids resembling human spiders, who toil underground maintaining the machinery that keep the Eloi their flocks docile and plentiful. Both species, having adapted to their routines, are of distinctly sub-human intelligence. After further adventures the Traveller manages to get to his machine, reactivate it as the Morlocks battle him for it, and escape them. He then travels into the far future, roughly 30 million years from his own time. There he sees the last few living things on a dying Earth, the rotation of which has ceased with the site of London viewing a baleful, red sun stuck at the setting position. In his trip forward, he had seen the red sun flare up brightly twice, as if Mercury and then Venus had fallen into it. Menacing reddish crab-like creatures slowly wander the blood-red beaches, and the world is covered in "intensely green vegetation." He continues to make short jumps through time, seeing the red giant of a sun grow redder and dimmer. Finally, the world begins to go dark as snowflakes begin to fall, and all silence falls upon Earth. In the very end of the Earth, all life has ceased, other than the lichens that still grow on rocks, and a kraken-like creature, roughly the size of a soccer ball, that slowly moves onto shore. Feeling giddy and nauseated about the return journey before him, he nevertheless boards his machine and puts it into reverse, arriving back in his laboratory just three hours after he originally left. Entering the dining room, he begins recounting what has just happened to his disbelieving friends and associates, bringing the story back full circle to his entrance in chapter 2. The following day, the unnamed narrator returns to the Time Traveller's house. There, he finds the Time Traveller ready to leave again, this time taking a small knapsack and a camera. Although he promises the narrator he will return in half an hour, three years pass and the TimeTraveller still remains missing. What happened to him, and where he ultimately ventured, remains a mystery.