Professional Documents
Culture Documents
The American Hospital in Paris is a military hospital, and the largest hospital
in Paris, where many prominent Americans are connected with management.
The photograph here shows Miss Vera Baring Arkwright, granddaughter of
the Duke of Cambridge at left, and Mrs. E. Whitney, of New York. WW I
January 12,1915.
Veras birth records and other public records concerning her childhood and
young adulthood are flawed and not exacting, with conflicted and askew
historical data that opposes her legal adoption. To the public, Veras true
father remains a mystery.
Some authors have laboriously investigated labyrinths of paradoxical and
incomplete genealogical archival data in a research attempt to disprove
Veras Teck royal lineage through discrediting her daughter Bridget Bate
Tichenors personal account that Selig documented. All investigations for
research-hire in CHANEL books and otherwise have failed to concretize
legitimate biographies on Vera or her mother Rosa Frederica Baring
Fitzgeorge with substantial and cohesive facts to prove otherwise what
according to Tichenor and Graham Senior-Milne has been well hidden.
Please note copyright attachments and agreements at the end of this
document. The content herein was authorized for Vera Bate Lombardi
reference in SLEEPING WITH THE ENEMY in a formal written agreement
between Selig and Hal Vaughan. Most information regarding Lombardi from
this book was sourced through Seligs Intellectual Properties in agreement.
Note page 257.
There have been other Chanel biographers, who pursued Selig and
shamefully did not uphold their agreements to acknowledge his being their
source with his exacting data on Vera Bate Lombardi.
Clearly, Vera Bate Lombardi is an enigma to archival research.
Note the end of this document for agreements pertaining to the material
herein used for publications.
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used to cry, "Ave Caesar, those who are about to die greet you." So those
poor creatures seem to salute the country for which they have fought, and
surely we can help them as they go.
My lieutenant with the amputated leg in the other ward has gone to-day.
That is four out of that infected ward, and three nurses are sick in bed with
violent fever from it. Yet Vera is going on like a house on fire at her job. The
poor lieutenant died as she was feeding him, and that girl did all the solemn
and dreadful offices for him. She is wonderful.' (pp. 7475)
Extract from a letter of 11 November 1914 to Mrs. Victor Morawetz, New
York.
'Last night, at the end of the hospital day, I brought down with me in a tiny
motor belonging to Vera Arkwright, the head nurse of the hospital, Miss
Devereux, who has charge of the American Hospital in times of peace. She
was so exhausted and worn out with the terrible day that she could hardly
speak. The fresh air and the drive down began to rest her, and when she got
here in my little study, before the fire, so quiet and so sweet, with a good
little dinner, and with Bessie's society and mine to cheer her, she bloomed
out like a flower. She is a New York hospital nurse, and gave me another
picture to remember in the little study, under the war map, all in snow white,
with no cap, and just the gold medal of the New York hospital round her
neck. Such a fine spiritual face; such a strong, dignified woman! We didn't
talk much of the hospital, but we talked, all three of us, of spiritual things,
and it was a wonderful thing to find her one of those simple Christians, full
of the very light of God, strong in the best sense of the word, living by faith.
I don't think I have enjoyed any evening half so much for a long time. I am
sure that you will respond to this note and care too. It is fine to feel that the
hospital there is under the spell of this noble woman who believes in fairies,"
as Barrie's play says who believes in miracles. There wasn't a discordant
second in the long evening and she went back with pink cheeks and bright
eyes to those wards where three were to die that night and she had to go on
her noble watch. She spoke in an especially kindly way of the auxiliaries and
of their extraordinary powers of endurance. She said that she would not have
believed that women of the world unused to discipline or to concentrated
effort, could have been what these women have been at the Ambulance. Vera
Arkwright, for instance, has not missed a single day since she went there.
The dressing carts are so picturesque. You see, I naturally see the notes of
colour that things make I can't help it and when I went out from the
hospital, Vera stood there in her blue dress, with her tiny little cap on her
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head she is faultlessly beautiful, and very celebrated for her looks and
all around her was a pile of the most dreadful bandages you ever saw. (I
won't describe them.) She was gathering them up to destroy them and to
prepare her cart for the next trip. Both she and Madelon are able to do their
dressings themselves.' (pp. 108109)
For her war service Lombardi was awarded the 1914/15 Star, the British War
Medal and the Victory Medal.[11]
Born Sarah Gertrude Baring Arkwright in London, 1885 and died in Rome,
1948. [1) She served as nurse in WW I circa 1915, where she was first
introduced at the American Hospital of Paris to a fellow nurse Coco Chanel
[1] through Comte Leon de Laborde. [2] [3] [4] Vera was the head nurse and
assistant to Dr. Blake at the hospital. [24] Mrs. Benjamin (Bridget) Guinness
and Mrs. William Kissam Vanderbilt served as nurses alongside her and
became lifetime friends. [24]
Vera's daughter Bridget Bate Tichenor described her mother's young
adulthood: "In her early years she followed Hindu philosophy with Sir John
Woodroffe in London and was considered a mystic, advising both luminaries
and bohemians. [4] Vera was involved with the philosophical doctrine of
Spiritism, and organized sances in which she produced figurative drawings
of human and animal spirits [4]. She had the supernatural ability to see and
express things in intimate details in many creative formats. As an inspiring
young adult, her esoteric insight was sought after by friends such as Isadora
Duncan [4] [14], Marchesa Casati [4], Sergei Diaghilev [4], and Jean
Cocteau [4].
She had many other friends that were founders, writers, artists of
Modernism, Surrealism, and Dadaism. One great friend was the writer and
political activist Nancy Cunard. Andre Breton worked at a neurological
hospital in Nantes during WWI, when he first consulted Vera for her
medium ship. She introduced him to the principle mediumistic automatism
that he developed into automatic writing. He collaborated with Philippe
Soupault in 1920 to author The Magnetic Fields (Les Champs Magntiques).
[4]
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Family
Vera Bate Lombardi had the highest connections possible, not only to the
British Royal Family, but also to royals and aristocrats worldwide [2][4][10]
[17][18][19], as she was allegedly the illegitimate daughter of Prince
Adolphus, Duke of Teck. [2][4] Her mother Rosa Frederica Baring
Arkwright Fitzgeorge [1] was a descendent of the famous Sir Francis
Baring[1][15] of the 18th Century English Baring banking family [16] that
had rescued the British Royal Family in hard times. [17] [18] Her maternal
uncle was Thomas Weguelin, partner of Thomson, Bonar, and Company of
London, Director and Governor of the Bank of England. [4]
Veras daughter Bridget Bate Tichenor said, It was understood that Rosa
Baring, after having had one child Esme, while unhappily married to
Captain Frank Wigsell Arkwright [19] at age 32, had an affair with the 17year-old Duke of Teck at the Baring home, Norman Court, Hampshire,
England. [4] [20] Rosa Baring was a notorious nymphomaniac and
seductress by my mothers account, which was apparent in her first
marriage, broken by numerous adulteries that finalized her divorce from
Arkwright. Pedophilia has no boundaries. Vera said it was no surprise to her
circle that she seduced a young boy. Rosa in my opinion was a sociopath
with a scandalous sexual reputation. [4]
Tichenor commented, Many Coco Chanel biographers gilded Chanels
darker periods, marginalizing Vera and making errors such as suggesting
Vera was fathered or adopted by Colonel William Adolphus Fitzgeorge, a
male-line descendent of George III, W. F. Hanover, King of Great Britain.
The morganatic and bastard Fitzgeorge, son of Prince George, Duke of
Cambridge [21] and his mistress Sarah Louisa Fairbrother, in fact became
Veras unregistered stepfather [2] in a controversial, arranged, and hasty
Teck Family cover-up marriage [22] that occurred in Paris prior to her
mothers divorce from Captain Frank Wigsell Arkwright. [23] [24] This
event masked the scandal of Veras true father, Prince Adolphus, younger
brother of Queen Mary of Teck [38] [39]. According to the biographer
Edmonde Charles-Roux, Veras birth certificate stated that her father was a
stonemason [2], which was one of many rumors as there were so many
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15
FitzGeorge, who died in 1907, "gave great offense" to his father, HRH
Prince George, Duke of Cambridge, who was Queen Victoria's first cousin.
King Edward VII bestowed knighthoods on the Duke's two younger sons,
Adolphus and Augustus, but not on George.
This omission was largely due to Colonel FitzGeorge's marriage to Rosa
Baring and his constant financial problems. Rosa did not reveal her first
marriage to Arkwright at the time of her marriage to Colonel FitzGeorge in
France, nor that she had two children, Esme and Vera. Vera Bate Lombardi's
daughter Bridget Bate Tichenor stated, "This bigamy issue was later
magnified by the revelation of Vera's illegitimate birth and the controversy
that surrounded it within the Royal Family."
Rosa was not friendly with the families of her two husbands, and made
plenty of capital in the royal veins as Queen Victoria's niece and daughter inlaw of the Duke of Cambridge [28}, and flourished in New York and
Chicago as Lady Fitzgeorge. [4] [29]
Marriages
Vera Bate Lombardi gave birth to her only daughter, Bridget Bate Tichenor,
[1] [4] in Paris in 1917 through the American Army Mechanical Officer
Frederick Blantford Bate, who she met during WWI in Paris and married in
1916. [1] [5] Bate had been married once before to a Chicago candy heiress,
who divorced him on the grounds of desertion. Bate was instrumental in
establishing The Field Service of American Ambulance, in Paris in 1916 that
became the AFS Intercultural Programs where he and Vera first met. [6] [7]
[8] He was the Secretary General of the Paris Peace Conference. Vera
divorced Bate in 1927. [1] In 1929, Vera married Italian Fascist Colonel
Alberto Lombardi, one of the finest horsemen of his day. [1] [2]
As a result of Bates marriage to Vera, he established a close friendship with
her cousin King Edward VIII, The Duke of Windsor. [9] Bate became the
first NBC news correspondent to receive the story of the Kings abdication
and marriage to Wallis Simpson. [9] Bate contacted his associate Alistair
Cooke in the UK to broadcast it. [9]
A Single Parent
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Career
Vera Bate Lombardi became Coco Chanel's muse and Public Relations
liaison from 1925-1939 to the British Royal Family, and many Royal
families throughout the world. [2] Her demeanor and style created the
'English Look', the very foundation for the House of Chanel. [2]
Bridget Bate Tichenor said, Vera's surrogate mother was Margaret
Cambridge, Marchioness of Cambridge, wife of Veras illegitimate father
Prince Adolphus, Duke of Teck and sister of Hugh Grosvenor, 2nd Duke of
Westminster [24]. BendOr adored Vera. It was Vera, through that close
relationship, that invited Chanel onto the Dukes yacht in Monte Carlo in the
early 1920s that established Chanels and the Dukes long romantic
relationship. Later, Vera invited Coco Chanel on trips to the Duke's estates in
Scotland and France [2], where they dressed-up in the Duke's tweeds
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juxtaposed Vera's aunt Queen Mary of Tecks borrowed jewels. [4] Veras
daughter Bridget Bate Tichenor said, The dress-ups Vera and Chanel
orchestrated on those holidays developed into a Chanel trademark fashion
statement of man-tailored suits accessorized with bold paste jewelry, which
was inspired by the Dukes Riding and Fishing costumes appointed with
Queen Mary of Teck's borrowed jewelry. Vera essentially guided Chanel to
solidify a modern fashion statement in apparel and accessories, designed
from these early trips inside the lives of British royals [2] [4].
Tichenor commented, At the time, Vera began working for Coco Chanel,
she was estranged from her mother and in a vulnerable position financially,
which afforded Coco Chanel an opportunity to use her as a powerful social
instrument into an upper-class world she could never have entered from her
humble origins. [4] [10]
Vera was an indomitable combination of beauty and boldness with close ties
to Royal families throughout the world. [2] [4] [10] [11] Coco Chanel craved
Veras immense popularity and privileged patrician milieu. [12] Chanel
came from an indigent background where she was uneducated. [2] [10] She
looked to Vera as a social advisor, who was responsible for her societal
launch and business triumph. [2] [13] Tichenor said, Chanel absorbed
Veras exotic mannerisms from gestures to stance with Cambridge and
Oxford intonations in a masked identity reinvention of her destitute
background. Vera educated Chanel in British etiquette to not only become
the Dukes courtesan, but to be presentable to any royal. [2] [4]
Lombardi was a flawless British Royal Family Fashion icon to Coco Chanel,
which she used to establish her core fashion-identity-template that became
the legendary Chanel brand. In the end, Vera retaliated against Chanel's
ruthless jealousies and manipulations and exposed her as a Nazi spy with the
"Muddlehut" scheme [2] to her cousin Sir Winston Churchill [2] in Spain
circa 1944, which shattered Coco Chanel's reputation for many years. [14]
Tichenor said, Coco Chanel hid the truth of her tragic and painful family
history, and superimposed a bitter, icy and snobbish version of Veras
glamorous persona throughout her life. Chanel's authentic core self-value
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was never founded, as her personal identity had been tragically dehumanized
and shamed as an orphan. Chanel copied my mother in every aspect and
exploited her. Vera was known for discreetness, honesty, and generous
demeanor; and, was the antithesis of Chanel from aesthetic appearance to
humane character. Marie Van Vorst stated in her war letters of 1916, "Vera
was full of sympathy and kindness."[23]
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Legacy
Until recently, Vera Bate Lombardi has been relatively obscured in fairy tale
Chanel literary and film biographies. [4] Coco Chanel cunningly
perpetuated her adapted character identity, and concealed the truths of her
business cornerstone. [4] Bridget Bate Tichenor said, What had begun as
flattery for Vera from Chanel, terminated in disgust. [4]
Vera Bate Lombardis letters to Sir Winston Churchill are in the Churchill
College, Cambridge, Cambridge, England [4}
References
1. Sarah (Vera) Gertrude Bate Lombardi
http://www.thepeerage.com/p15929.htm
2. Vera Bate Lombardi/Chanel
Chanel by Edmonde Charles Roux, Published by Alfred A. Knopf, Inc.,
Copyright 1975, ISBN 0-394-47613-1.
Text: P. 249, 250, 256, 323 331-43, 355, 359
3. Frederick Blantford Bate
http://www.vlib.us/medical/FriendsFrance/ff07.htm
4. Bridget Bate Tichenor http://bridgetbatetichenor.com/
5. Rosa Frederica Baring Fitzgeorge
http://www.thepeerage.com/p10092.htm
6. Captain Frank Wigsell Arkwright
20
http://www.thepeerage.com/p10854.htm#i108534
7. Frederick Blantford Bate
http://www.thepeerage.com/p15929.htm#i159284
8. Baring Banking Family
^ Drummond, Helga. The Dynamics of Organizational Collapse; The Case
of Barings Bank, New York: Routledge, 2008 ISBN 978-0-415-39961-6.
9. Sir. Winston Leonard Spencer Churchill
http://thepeerage.com/p10620.htm#i106196
10. Vera Bate Lombardi/Co Co Chanel
^ Madsen, Axel. Chanel: A Woman of Her Own. Macmillan, 1991. ISBN
0805016392. p. 4.
http://books.google.com/books?
id=jgJ7jYuXeYsC&pg=PA357&lpg=PA357&dq=Vera+Bate+Lombardi+'Ch
anel'&source=bl&ots=AaHRA2399r&sig=dJtmns0B1tg-JLb5bnf8gqbp5U&hl=en&ei=VM9bS971B4z0sQPQ4WgAw&sa=X&oi=book_result&ct=result&resnum=8&ved=0CBkQ6AEwB
zgK#v=onepage&q=Vera Bate Lombardi 'Chanel'&f=false
11. Vera Bate Lombardi/Co Co Chanel
^ Chanel and the Nazis: what Coco Avant Chanel and other films don't tell
you The Times. 4 April 2009
12. Vera Bate Lombardi/Chanel
^ http://www.internetstones.com/chanel-cuff-bracelet-gabrielle-cocol-finejewelry-artistic-collection-hautecouture-accessories.html
13. Vera Bate Lombardi/Chanel
http://www.forward.com/articles/115561/
14. Isadora Duncan Isadora Duncan, My Life Boni & Liveright 1927,
Reissued Liveright Publishing Corporation 1995. ISBN 0 87140 158 4
http://www.amazon.com/My-Life-Isadora-Duncan/dp/0871401584
15. Vera Bate Lombardi/ Chanel
http://www.detourmagazine.co.uk/2009/03/01/the-life-of-gabriellebonheur-coco-chanel/
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External links
http://www.thepeerage.com/p15929.htm
http://bridgetbatetichenor.com/
23
24
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Dear Zach
Just managed an hour at the computer to determine:
--I failed to (or rather dropped out a graph) in the
acknowledgments. You will have a full and formal apology in the
coming days as soon as I can get back out of bed;
--Alfred A. Knopf, Random House and Senior Editor, Victoria
Wilson had nothing to do with my error. Indeed, the agreement letter
is between you and Hal Vaughan personally; and was drawn long
before I had any arrangement with the publisher;
--I will shortly ask the publisher to add the following
acknowledgment: "Many thanks to Zachary Selig for his material on
Vera Bate Lombardi."
Again, please accept my regrets that your help to me as author
was not acknowledged.
All good wishes,
Hal Vaughan
Author, Sleeping With The Enemy.
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