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Below

is a

sampling ofjust some 0fthe amazing

flms coming

your way at the 2007 tantastic Fest. We've scoured the globe for the best

oftlre best in badass entertainment.

lrl IL IJ

Ihisyear,lookiormoreanimaledfilms,alotmoreinsanityfromJapanandKorea,andanadvancelookatfilmsfromthehottestemerginggenredirectorsintheworld. you ire a movie fan, there is no other place on earth you should be besides the Alamo Drafthouse, Sept 20-27 (Tim League, diredor and to-founder, Fantasti( Fest).

lf

?RI(X'R TfifST
Iongtime asso(iate 0f Brian Singer (and screenwriter 0f
featuringfilmdebut,TRlCl('RTREATforWarnerBrothers.
SUPERMAN RETURNS and X2) is

helming this greatly-anti(ipated

l-

Describedas:imilartoG0butwithtingeiofthesupernatutal, TRI(l('RTREATinterminglesf0urltoriesalltakingplaceonHalloween. MichaelDougherty!cartoonsandhismacabre drawingrhaveahint0fEdwardGorey,atouchof(harlesAddams,adashofTimBurton. Anti(ipateayeryrtylish,beautiful

and all-around

rn

thrilling tide from an up-and-toming new voice in genre (inemai

z
tL

Uil(Lf'S
Terrifred of

PARADISE

falling asleep, Takashi desperately gulps caffeine dlinks and seduces every woman in sight. To heal hirn, hk nephew Haruo must go 0n a trip to the underworld, guided by giant squid... UN(LE'S PARADISE i5 chockerblock full of perfect head+cratrhing moments; giant squids and spiders, sexual aJtault against a snake, and a battle in hell forthe soul of two men decided by a game of rock, paper, scissors - and a soul kiss. lf dire(tol Shinji lma0ka was in charge of produ(ing
all the world's softcore sex movies, this planet would be a much happiet plate.

ZIBAHI(HANA (HTLT5 GROU},IO}

first modern honorflm to be shot in Pakistan! ln the sphit of the E( horror comics of old, the film tells the story offive teens who get lost 0n their way to a rock concert, are menaced by flesh eating mutatlons and then fall into the clutches of a family of backwoods killers. A collaboration between Pakistani diredor omar Ali l(han (a noted hotror buffwho runs
The

the informative Hot 5pot website) and Brithh produ(er Pete T0mbs (author ofthe"Mondo Macabro" book on international horror cinema and owner 0fthe DVD label 0fthe same name).

SPtRAl" - ffi\rcThfr &fiAM 6RffiN

Adam Green

UVfi
SPIRAL

ronfidently proves he iJ n0 one trick pony.

outing

HATCHET

ifit tried

and announres the anival ofa complete all-rounder,

(ouldn't be any mole diffelent than his last splatter'ifit a talented filmmakerwith a brilliant future.

Making almost unbearably tense use 0f its deverly constructed ptemise - dysfunctional office worker Joel David Moore ((o-diledgr/writer) living out a possibly homitidal fantasy alter-ego - SPIRAI is a Hitch-cocktail ofprecision direction, deft padng, startling imagery and clean style. The undercurrent 0f sly suspense nevet subsides in this teasing psychodrama
packing
a

final shock punchJ'(Alan Jones, frightFest)

pfisTnt " fi!ftKr0fr Lt1lft 88Lt- Llvr!

Rafher than (ontinuing to fight hh publk and online image, controversial director Uwe Boll has decided to emblace intentionally elevating the level ofabsurdity and shlock here to never befote seen levels, all in the name ofcreating one of the most (oarse, vulgar and offensive comedies ever put to celluloid. A completely unhinged assault ofa movie, touthing on terrorism, anger management issues, religious (ults, Nazi-(onspiracies and full-fiontal Dave toley nudity.

it

THI 6tRt WEo tEApT Tl{RSU6|{

Tl#r

Winner ofthe Japanese Arademy Awards for Bert Animated tilm!.law-droppingly beautiful animation a(centuatetthis funny, charming story ofa vivarious high-school tomboy who inadvertently masters the alt 0ftime tlavel. An unexpected delight and one of the most arclaimed anime features in te(ent years, THE GlRL WHO TEAPT THROUGH TIME is the flrst animated adaptati0n of a 1965 young adult novel that had been an instant sensation in Japan, spawning countless flms and IV programs over the ensuing derades. A magkal and surprisingly affecting film full of humor, warmth and the bittersweet pangs offirst love, not to mention painstakingly clafted animation.

0tt5(REIN
Nkolas Bro reigns supreme in the role of Nitolas Bto

a man

intent on making a film about himself, Hh fiiend Chilstoffer

Boelendshimacameraandtelhhimto record everything,a remarkwhkh Brotakesa littletooliterally. Hisself-monitoring is so hair-raisingly private (and oeepy) that it be(omes impo5sible to separate fact from fidon. With an unfathomably personal performance that takes you on a rollercoaster ride of emotions, Bro is tragi(, uncomfortable, and swings from incredibly funny to incredibly brutal within se(onds. lmagine MAN BITES DOG (rossed with the gut-wren(hing TV JUNl(IE.

sEX A}ID DEATH 101

Roderick Elank (Simon Baker)isa sucressful modern

man,<ontentwith hispersonal and professional life. However, aweek

before his wedding to a suitably stuffy fiancde, Roderick's perfe(tly planned existen(e is upended by a mystelious e-mail containing the names of every woman he has had sex with and, eerily, evety woman he will have sex with in the future.

guilty of sex crimes against He h stopped in his tra*s when he meets a femme fatale (Winona Rydet) who targets men (ult hit HEATHTRS! women. (o-staring Patt0n oswalt and directed by Daniel Waters, wdter 0fthe

A DIRTY CARNI1IAL
0fthe finest Korean gangster films in retent years, A DIRTY (ARNIVAI follows the rise of a tharismati( lowlevel gangster Kim Byung-Doo in a tense intermingled storyline of brutal violence, touching emotion and unexpeded
Hailed as gne

twistiandturns. "Elegantlyrepurposesbitsandpie(esofvariousmobtlassks,ADlRTY(ARN|VALmightbethisseasonb
must-see for fans ofAsian genre and

raw...

film"- Andrew 0'Hehk, SAL0N.(0M. "Goes deep beneath the skin, where the cut runs bare beautifully bitter and brutally enioyable piece" - Samuel Jamier, K0REAN FILM SOCIETY J0URNAt

THE FERRYMAI'I
a dead calm ocean, in a thickfog, a group oftourists on a pleasure rraft cross pathswith an andent and terrible evil. Sharing the same ocean, a sick, dying old man drifts alone on a stricken yacht - he has been cheating death for countless years, trading btoken bodies for new 0nes over (enturies. But now is the time of leckoning. The Fenyman, the an(ient (onveyor of death and the path to the afterlife is dose and he wants the man. The tourists take the

Outon

?t

&=*,*ffi

z,
{

old man aboard, having no way of knowing how dangerous he is. There will be blood in the water by the time he's finished, but will he escape death agaln at the expense of the lives ofeveryone on boardl

FIVE A(ROSs

TIlI

EYE5

vl
lfi UI -l

0n their way home from a high xhool football game, five teenage girls become hopelessly lost. When they stop to get directions at a desolate store, the girk are involved in a minorfender benderwhith leaves an unattended SUV one headlightshort. lnexperienced andfrightenedthatthey'll get int0 tr0uble, the girlsfleethe scene oftheacridentand
speed away down the datk and unfamiliar roads. As they blindly make their way across an area the lo(als rall "The and

3 n .lt

lyes'i the driver ofthe damaged 5UV begins one terrifying asault after another, the five girls will lose their innocence posibly their lives in thk brutal and shocking thrill ride.

AA(I{lANI} 55IPAI{
An animated

film fiom Korean director Joe 8um-jin about a futuristir world powered entirely by human feres. With the government anxious t0 control this s0le, important source ofenergy, they install special sensors on its <itizens' anuses to monitor production, while controlling the populace by distributing addittive popsitles. As wild as that sounds, it does not even do justice to the insanity that daps you a(rosr the fa(e in thir fieneti(, non-stop assault on
the senses. (ross-dressing, break-dancing, repeated re(tal surgery and abuse, Ssipak not only presses all

decapitationl mind-altering popskles,

as an action

mutant smurf-like drone armies, sexual deviation ofevery varietyand lots and lots 0fpoo. Believe it or not, Arhi and

ofthe right "weird-o" buttons, but it totally delivers on all-cylinders

film.

LA t{ofrft

F*tA

Seven adults and two (hildren live togethet in a few rooms of a huge building that they can't leave. But there is n0t much food and supplies are running shott. Actotding to an old man who lives apart fiom the (ommunity, everything

started dufing the last greatwar: chemical weapons were used that converted most 0fthe population into mindles, sick beings, whose touch alone could be lethal. The infected are cailed "strangers"and they wander around the building, trying to get in. Then there are the"invisibles'i anolher terrible mutation from the war. These seatures ale already in the building - but no one ran see them. When the strangers manage to penetrate the building, the small (ommunity murt fight for their lives.

1#t{KeCI

rrs16/ras

When videogame-loving slacket Miroku vhits a website innocuously advertised 0n a pa*et of tissuel he finds himself drawn into a perplexing game that requires him to grapple with a seemingly endless series of bizarre
questions in a complex, deadly puzzle. As each layer ofthe intricate puzle box is opened, a new world of danger and death is presented.Trapped in a room retalling lean-Paul Sartre's vision ofhell in No Exit and populated by rharacters as strange as any

lewis (anoll ever treated, Miroku helplesly wat(hes as tempen fray and stakes are raised to

increasingly deadly levels.

pntN(E$$
| ,-;..S "t
A gorgeous and starkly brutal tale set in the porn underworld, Anders Morgenthaler's feature debut PR|NCISS is destined for controversy.The film's kinetic explosion ofimages is both titillating and disturbing. Heads get smashed.
Home videos be<ome hot-selling porn. Shops are firebombed. Guns blaze. A dazzling debut and a supe&ly crafted

{., .,#.

it

adievement in adult animation. Leave it to the Danes to craft a poetically beautiful exploitation (arto0n about (hild pornography that is both brutally violent and touches your heart.

tXTt: t{AlR EXTENSI0NS

[xte is transgressive art/horror genius Sion 50n0's entry into big-budget, star-fronted Japanese studio filmmaking,
and neither his signature nor his spirit have been washed away by the influx 0fyen.6rand Guignol sunealism bunows

through the fa(ade 0f normalcy, 5&M undertones abound in circumstances and dialogue, absurdist <omedy sprouts from the most unexpected places and stunning setpieces of body-honor are often a saliva-swallow away. Sono
takes the Japanese supernatural horror genre's now-well-past-done flowing hair iconography to levels so uncharted

they tear straight off the <hart. Beloved character actor Ren 0sugi (Audition, Zebraman, Cure) a Kitano/Kurosawa/ Miike regular, co*tars as a morgue attendant with s0me very peculiar fetishes and deliver the downright freakiest pedormance of his 145-film <areer. (Mit<h Davis)

FINISHII{G THE 6AME

following his groundbreaking indie hit BEITER
GAME, a LUCK ToMORRoW

dire(t0r Justin Lin returns with FlNl5HlN6

THE

rollicking comedy spoof about this egregiously exploitative sear(h for Bruce Lee's stand-in. Do(umentariant (apture the absurd, hilarious and sometimes dkturbingly true-toJife (but decidedly fidonal) audition pro(ess as a motley assortment of candidates vie for the role: a former-TV-star-turned door-to-door salesman, a Bruce lee

kno<koffnamedBreezeLooandsomequyswhodon'tevenlook(hinese,muchlesslikelee. FINISHINGIHEGAME turns out to be less about Bruce Lee than it is a lampoon of Hollywood in the 1970s, poking fun at the behind-thes(enes farces and the rarism-both blatant and subtle-ingrained in the industry. (Iaro Goto)

- from concepti0n to being internationally recognised on the festival circuit within two years. Amazing,eh? Even5upermanonViagraandabottleofvodkarouldntpullitoff,butLeagueandcompanydidjustthat.AndFilmThreatmakesahumbleforecastand statethat itswithin reason that Fantastic Fest will go onto higherand betterthingsto be one ofthe mostacrlaimed genrefestivals in America, ifnotthe world. High praise indeedl"- FILM THREAT
"And what really stands out is Fantastic Fest's groundbreaking stane

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W know

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Open to Kids 7 and under. Max.30 total child care vouchers will be sold; Vor.h"l. must be purchased by 8pm Sept. 1 1 th (the night before Parents Night). more info. available at www.originalalamo.com

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with The Ritz $nder (snstructi0n, we've got ten srreens going full tii'ne, Sut thre arejurt t0 damn many gteat movies coming up that it'5 almost imporsible to play ?nn all, That doesnt mean we won't. The following are some of the msst eagedy anticlpated frlms we're gunni*q fot, ranging front bone-busting daredevil comedics to life-altering video game docurneniaries to blood-curdllng horrcr...
Yeah, eve[

g"
ac

HOT R0D: AUS{ls? 3

This is the type of movie we love. And by

"we'i I mean people that (are about fun. And

by

"fun'i I mean

FUN. Get

this...

it's a (omedy ab0ut a thrill*eeking young stuntrider with a glue-on moustache and an absolutely manic disregard for his personat safety. All "Hot Rod" Kimble (5NL's Andy 5amberg) cares about is making the ultimate motorcycle jump, and nothing (induding gravity and near-fatal injuries) will stand in his way. This one is destined for extta-quotable comedic greatness...5amberg is also 1/3 of all-purpose humor collective The Lonely lsland, and HOT ROD <o*tars up and coming humor wizard Danny McBride, star of THE F00T FIST WAY. Now, it's not offi(ial yet, but thete's talk 0f

l{tt
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nc E

getting some local stuntmania(s t0 perform before the premiere. 0h yeah...don't tell the p0li(e. Stay tuned for more
self-destruction!!

THE BOURtlE IJLTIMATIJM:

AUfrtiST:

Amnesia< superspy Jason Bourne (Matt Damon) puts together the final pie(es not only of his identity, but also of the mysterigusTreadstone projed. Same diredor as B0URNE SUPREMACY (Paul Greengrass)... same screenwriter (Tony Gilroy).... same stars (Matt Damon, Joan Allen)... sign us up already! After the magic they worked with the

last installment, we're more than ready for the (0ntinued shaky-camera, fast-edited, tightly-ffafted espionage escapades ofJason Bourne. lt seems that the BOURNE series just continues to set the bar higher, reliably delivering the goods with no signs of stopping. The ongoing series of rampantly entertaining spy thrillers has sulprised pretty much everyone by becoming an unexpected, across-the-board armrest-gripper. Who knew that Matt Damon would
be so cho(k

full oftricks?

lfiH6

0f

KOilG: SSSu59"l7

I don't think anyone would argue that this incredible documentary absolutely dominated this year's South by Southwest Film Festival. The theater was packed and everyone inside was completely enthralled by this sweeping, larger-than-life tale of good V5. not-as-good in the fleld of battle. Ihe arena? A retro video arcade. And the weapon: D0NKEY K0NG. Two men duke it out for the world title of the classi< arcade game, but along the way, something s0 big...so emotionally involving...so earth-shakingly resonant happens that it almost sent the entire viewing crowd through the roof. I don't want to give too much away, but let's just say that n0thing so trivial has ever affected a crowd so deeply. Easily the best documentary (if not film) of 2007 (if not ever), this one's not re(ommended...it's (ompletely afie(ted by KING 0t K0NG, l'll throw a MANDAToRY. If you come out of the theater without becoming
damn banel at you. PnECE0iD BY AN ACTUAT B0NKEY K0i'16
AI,ID 0N S(REENl THI NK Y0U'VE GOT \|$HAI lT TAKES, BU5TER?
STAN

D-UP

AR{An[ 6AME {01'lpETiTli}l

THI TiIEATIR

e0MP:TE!

SUPtRBA0: &#Sil5T

t7

(era, who played George0n one oftheir last nights as high srhoolers, best friends and s0(ial out(asts Evan (Michael Michel on ARRESTED DEVEL0PMENT) and Seth (Jonah Hill) experience a legendary evening as they attempt to buy booze for a party full of the so-<alled cool kids. This isn't your mama's teen movie...we've got drunk police' armed robbery, pilfered geek virginity, fake identity and tons more. SIJPERBAD is esentially the little brothel of KN0CI(ED UP, the one who will work harder to entertain and/or shock you. But don't expe(t Evan and Seth to expetience a warm and fuzzy mutual rite of passage; Greg Mottola and the white-hot team behind KUt unplanned succes (Judd Apatow produced, Seth Rogen and Evan Goldberg wrote the screenplay) are set to gross-out the and out-gross most teen comedies in recent memory.
1

8-34 demographi<,

Tllt lHVASlSil: AtiS[J5? x7

A mysterious epidemi< is sweeping the world, but it takes Washington DC psychiatrist Carol (Nicole Kidman) to dis(over that the disease is extraterrestrial in origin. When her son becomes infected, she and a colleague must work

together to find a cure, before the entire world is lost... The trailer for this very alteted reimagining of INVASION 0F THE BoDYSNATCHERS has been running before TRAN5F0RMER5, and it seems to grip the audience right off the bat. The alien atta(k isn't thunderous or sweeping, but rather a slow crawl into the minds and lives of everyone on earth. The only way to avoid infection: don't sleep. THE INVASI0N comes from some pretty strong souKes, including the makers of quietly explosive grippers V t0R VENDITTA and DAS EXPERIMENT. Also, evetyone's new favorite James Bond (Daniel (raig) joins in to combat the subversive parasitic mena(e. Repolted to be more intelligent than the
standard space invasion fare (but no less powerful), this may be the first (lassi( horror/sci-fi temake in a long while

that really has audien(es at the ready.

RtsURRf(TING THt CHAMP: &qJ6|J$Y 34

(Samuel L. Searching for his big story, a young newspaper reporter (Josh Hartnett) encountets a homeless man Jackson) he thinks is a former <hampion boxer - a man forgotten by fans and believed to be dead. Despite a series of industry puff pieces, Rod [urie's (HAMP has been deemed more than a sports movie by some ofthe gtouchiest critics atgund. lt logks to be the surprise hit drama ofthe season, and some are saying it's the bext performance in Jackson! entire career. I can',t imagine any new boxing movie beating the last R0c(Y, but l'm game for a match. "RESURRECTING THE (HAMP bobs when you exped it to weave. lt has the markings of an inspiring sports drama, but R0(KY meets ALL THE PRESIDENT'S MEN, perhaps. lt explores multiple relationships, it's also a journalism drama

examines the mindsets of several chararters, and

sucker punches to make us cy...FOUR STARS" -

despite being a heartwarming tear-jerket

doesn't resort to

EFilnhitic.con

1S

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Yes,

31

that is (hristopherWalken. Why is he dressed like that, you ask?Well, clearly he's preparing foran all-out, winnertake-all ping-pong (ompetition. A former champion ping-pong player (Dan Fogler) is re(ruited by an FBI agent (George Lopez)to infiltrate an undergroundtournament in orderto take down the crime bosswho runsthe event, the

dastardly Mr. Feng (walken). who's this Fogler guy? what's with the gekha get-up? How are we 0n the verge ofa major ping pong epic? Don't ask questionslThis may be the most outrageous set-up fora movie we've seen in ages, but that's all the more teason to expect greatness. This blazing tale of tabletop niumph is being brought to us by the creators, (ast and (rew 0f the uproarious REN0 91 I !, so anything is possible. And as if that! not en0ugh, it features one

ofthe

Alamo's favorite comi(s, Mr. Patton oswalt! But this is gonna be a

little more rowdy than his recent RATATOUIILE...from the look ofthings, you might want to prepare forjokes to be served-up hard - and right in your face.

I
I

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lonerwho goes by the name Mr. Smith (CHItDREN 0F MENt Clive Owen) pacts with an unlikely ally (Monica Belluci) to protect a newborn baby from a determined criminal (Paul Giamatti) and his army of gunmen. Advan(e footage
promises an endles anay of bullet-riddled acrobati(s, dark humor and fresh ideas. A lot offolks were expecting that Owen would be the next James Bond, and this may give us the chance to see how he would have done in the role.Thoughyou've gofta admit...some guys looka littletougherwith stubblethana shaken martini. Bigthingsare expected from director Michael Davis after his action/honor favorite MONSTER MAN. Despite the film3 playful title, we heat from the opening sequence onward, the audience will be in for an unusual, hyper-violent experience. ln an age of over-wrought, big budget blasts, a meat-and-potatoes two-fisted knockaround like this is just what the doctor ordered.

1r!

THE BR0THEfiS

50t0lfl0ll: SErTf&St*

A pair of well-meaning but socially inept brothers (Will Forte and Will Arnett) try t0 find their perfect mate! in order to provide their dying father with a grandchild. lf you're expecting another KN0CKID UB this is a whole

diffetent animal. Forte and Arneft have both sharpened their teeth on some real comedy in such places as ARRESTED DEVET0PMENT and SATURDAY NIGHT LIVE, and they?e joined here by MR. 5H0W3 Bob 0denkirk in the director's chair for some huge fish-out-of-water Iaughs. Don't be fooled by the idiot grins on the poster, either...both of these entertainers are smart, multi-fa(eted and merciless with their jokes. The script war written by Forte himself, and
advance screenings have had people rolling in the akles. Whether you love or hate fetuses, this comedy of the fall. and likely to be one of the most slyly hilarious.

k the first

big

HATCHET: StPTEIt{BEf, 7
Easily one ofthe biggest hits 0f last year's Fantasti( Fest, this master! course in good ollfashioned blood-and-guts from wliter/diredor Adam Green finally gets its release! Some swamp-going partiers run a(ross the legendary subhuman Virtor (rowley (played by tenor ultra-legend Kane Hodder), and soon there! more viscera and s(reaming

than you can shake a splintered bone at! tans ofvicious gorewill be doing backflips in theirseat, and everyone else will be throwing up in their lap. ln a good way.

"lfthe original slasher flicks stayed as strong as HAT(HET so definitely is, I suspect that sub-genre would afloat. And ifthe slasher flick manages to make a post-millennium comeback, Adam Green is one of the
thank for

have stayed guys we

(an

itj'- s(ott Weinberg,Cinematital

IASTERI'l PR0Ml5t5: SEpT*ll4S[fi 28

follows the mysterious and ruthles Nikolai (Viggo Mortensen), who is tied t0 one of London! most notorious organized crime families. His carefully maintained existen(e is janed when he (rosses paths with Anna (Naomi Watts), an innocent midwife trying to right a wrong, who arcidentally un(overs potential eviden(e
IASTERN PROMI5ES

against the family. Now Nikolai must put into motion a hanowing chain of murder, deceit, and retribution. The dynamicVin(ent (assel c0-stats, and the cast looks to be made up largely of unknowns and character actors, all likely aiming t0 swipe at any shred of hope that the (haraders may have. The dark and surreal mood created in the trailer makes this look on par with (lTY 0t [05T (HILDREN, and there's quite a few more reasons t0 be excited. Direded

than

by unequalled brain-twister David (ronenberg (DEAD RINGERS, VIDE0DROME), this one is less likely to disappoint a wish-granting genie with a margarita machine. After the janingly brilliant A Hl5T0RY 0t VlotENCE, it seems like a (ronenbetg/Mortensen team-up is destined to be another winner. And also another fascinating look into the hypnotic awfulness ofthe human condition.

tUST,

(AUIl0ll:5f

PTffvlgEfi 2S

Director Ang Lee's new flm, following his Academy Award win for directing BR0KEBAC( MOUNTAIN, is an espionage thriller set in WWlFera (hina. Asian rinema icon Tony Leung (HER0, lN THE M00D FOR [0VI) nars as Mr. Yee, a

powerful political figure in I 940's Shanghai. Tang Wei makes herfeature film debut as Wang Jiazhi, a young woman who gets swept up in a dangerous game of emotional intrigue with the dapper rogue. Not much more than this is known about the film, but anyone who's followed teet career knows that he's capable of making some ofthe most beautiful, subtlely wrenching films around. Well, maybe not THE HULK. But from CR0U(HING TIGER, HIDDtN

\**,# ffi .ffi.

,rei rffif rffix j!ffi:.

DRAG0N to THE His sense

ICE STORM, the writer/dire(tor seems able to take any setting and storyline and draw the viewer in. 0f style has developed over his (areer to make him one of the most visually anesting filmmakers in the

world, and [UST, OUTION looks to (arrythat asped ofhis work to an even higher level. Unfortunately, I anti(ipate a la* of man-man cowboy romance, but you can't have everything.

&l*s*o Sr*fthosrn* {i**ma

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Thefter in Ansri(a"" fnt*$rinmsnt llleekNy{ugust 1005 , www"originalalamo.ro*l

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The new digr: Alamo at

thefiie5lated to

open in late September^ady

odober

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AT

AtAilil0 D0W],|T0WN

TIIT HISTONK Rffi THTATTN!

Renovations began in April and we hope to be open as soon as possible, maybe as early as late September. This theater will prove to be the best Alamo Drafthouse yet. While retaining the intimacy and programming of the original location, the Ritz

willhavetwoscreens,plushVlPseating,state-of-the-artprojectionandsound and the new experience ofa remodeled and renovated landmark Austin movie palace.
Please stay tuned to the Alamo website and blog for progress on the c0nstruction as well as updates on opening week programming and events. Afsheen Nomai, one of the Downtown Alamo projectionists, has been making weekly entries on the status

oftheRitzrenovation. (hecktheblogforthe"4SBR(beforeRitz)"blogentries.
People have been asking about the details of what t0

expe(

in the new space. We

will remain mostly unchanged. We are refurbishing the signage and fabricating a new sign for above the doors, a modernized replica ofthe original sign that hung above the doots .l929. We've also been in touch with local legend Jim Franklin, who ran the Ritz in in 1974. (heck out some past blog entries that reference this period. They were
have applied for a historical designation for the building, so the facade

ffi

amazing times and we like to think that we will be canying on some of the spirit of the Ritz programmming he started more than 30 years ago. ln the lobby spaces and along the stairs we will be featuring photographs of the various incatnations of the Ritz, the Franklin years, Ritz: the Metal Years, the punk years, and of course, it's long tenure as
a

familyWestern theaterfrom 1929 up until the 1960s.

ln early September, we'll be announcing an opening date for the theater as well
as information on the gala opening night festivities. We are so excited about this

project that we can hardly wait t0 get it open. Until then check the Village and Lamar calendars for a very truncated schedule of some of the downtown Alamo
special events!

>, .

BLOODSH0TS may not be the only 48 Hour filmmaking contest in Austin, but it's definitely the best. Other Makef Movie ln AWeekend competitions assign you a random genre, and yourfilmmaking team could get stfuck with something ridiculously lame, like Reese Witherspoon movies, At BLOODSHOTS, every team is assigned a horror subgenre - vampire, backwoods, post.apocalyptic, torture porn . you know, the genres of films we actually like watching. And then yeah, like in other contests we,ll assign you a prop that has to be used in your movie. But we don't assign dinky props like seashells or rubber duckies, We assign WEAPONS, like crossbows and chainsaws. And after your film is made, we even screen the top films at the best genre film festival this side of the Mason.Dixon line, FANTASTIC FEST, where a crew of celebrity judges will choose the top two films, the most educated genre audience on the planet will pick an Audience Award winner, and we'll give away an AMD.powered Dell supercharged PC and $2,000 in cash (or sometimes oversized checks, or a bag full of LOTS of bloody pennies). So you could put a film together for some OTHER 48 Hour contest, but only if you're a coward or an idiot.

f,

Sign ups open on August 6th at www.FilmmakingFrenzy.com, and the shooting weekend will be in early September. Screenings of the full program will be held in the week leading up to FANTASTIC
FEST with the final Awards Ceremony at the festival itself. Space is limited, so don't delay in registering your filmmaking team.

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first LADIE5 0F THE 80s Sing-Along was one of our most popular shows of all time, but it was also one of the most diffi(ult Sing-Alongs t0 put together. After compiling all of the videos we wanted to put into the program, we realized that we were trying to make a Sing-Al0ng show that was almost five hours long. The solution, of (0urse, was t0 put together a whole new show that b u i lt u po n th e awesomeness of the frrst but added even more. This time around we'll right the wrongs we committed by not having ELEfiRI( Y0IJTH in the first show. We'll put in more (yndi Lauper with 5HE B0P and TRUE C0L0RS. 0ur Mondays will be manic and the rain will come again, falling on our heads like a memory. We were initially going to do this show in July, but afterthe hectic pace ofthe closing ofthe Colorado Street location, we needed moretime to puttogethera sequel that will really knock the pants off the original show. We think we've managed to do just that, so let's get physical! Physital! (Henri)

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The final Sing-Alongs at the Alamo Downtown sold out in record time, and when we

talked to people at the show it turned out that it wasn't iust the nostalgia value that made everyone want to be there. The idea of mixing a little bit ofevery show we've ever donetogetherintoonesupershowprovedtobeal0Toffun. Andalso,unsutprisingly, it was diffi(ult to choose which songs would make the (ut and which songs wouldn't. 5o this Septemberweth0ughtwe'd trysomethingtotally different-we?e going to makea different Mix Tape for every show There might be some overlap from week to week, but every show will definitely be a completely different animal. Come out for 0ne week to

ifthat much variety makes your head spin, or come out every week and know that you'll never have the same dance party twke! (Henri)
see

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willtake place at the Alamo riirlitihEohinins o+itre ncilu Alimo at the Rltt' soltf
MITCHEtt iiucusfrMiur,rtGHl FRtt 0tR. ANDR[t4| M{IAGLAN 1975
97 MiN 35r'tM fi
(0LOMB0*tyle cop 5how, stalsthe ex(ellent actorJoe Don Baker, Ihis movie, whkh feels like a pilotfora K0JAK or heroically nonetheles to provide some who seemi to realize that he's caught up in a vety bad movie but strives who is heavierand more southern ente{tainmentvalue in the (lkhe-infested"unorthodox detedive"story. Baker, insult. I like Joe Don and Elvis a ihan any other leading man I can think of, resembles the fat flvis. Ihat's not an though his character is written lot. And Baker has a certain Elvis-like charisma that he plays t0 the hilt here, even quest t0 nail racist scumbag murderer John saxon, he as a variant 0n the eternal "fat bastard" archetype. ln his polke and the mob' Baker (tit.tuily) on tt', toes 0fthe wrong people and ends up in the shitwithboth the

rt,pr

t0 keep a straight face. Thete ls pretty muih the whole show here, as he chugs can after tan of S(hlitz and.tries all look like theyte in a hurry t0 get t0 are competent supporting players like saxon and Martin Balsam but they likable as Mitchell's pothead prostitute the banli before ii iloes ind cash their checks. Linda Evans is surprisingly
squeeze. (Lars)

THE

tIBINTINE

niitUsf r tvtinuGHT FnEE

Dtn. PAQUATE t[$TA (AMFANILi 1s68 94 MlFl35MM fi

stars, the most profi(ient Hollywood movies have always had the biggest budgets, the most well known is how to make good te(h;i(ians et(. But 0ne thing the Amerion fllm industry has never been able t0 figure 'ut aftersexmovie, some ofthem tlassics, sex movies. ln the'60sand'70s European frlmmakersturned outsexmovie pretty goofy in some ways but it tanies a chatg-e where most not, but on the whole pretty h0t stuff. Ihis movie is (Eurosex goddess (athetine Spaak) who discoven it counts, just below waist level. It's the story of a young widow his extramarital frolics. And what an that her sainted late husband had kept a specially outfltted apartment for Thut ifirtmentl l,tinon on every wall, seriet cameras, built-in bondage playscape. She's shocked, but intrigued. Uigini

i l,ti,iour

heiweirdest,

"*al mostdesperaie

(an satisfy odysey. She indulges her every desire until she finally frnds the one man who woit believe it.0riginally distributed by Radley Metzger'sAudubon Films. need.You

Music by Armando Trovajoli.

(lan)

THE

6IRt3 FROMTHUNOEft

STRIP
R

rueuif

rs Mlst'llfiHT FRtt DlR. DAVI0 tltwlTT 19S6 *0 MIN 3$MM

a sadistk motorcyde gang when an all-female moonshining operation, on the run from the law, teams up with agent sent down south t0 shut they set the woods on fire. (asey Kasem is very funny as the constipated federal downthe illegalwhiskeybusiness. Kasem isteamedwith easygoing southern sheriff(andwalkingJukyFruitgum

(lassi(s as RA(E WITH THE DEVIL, THt t05ERS'IHE Dl0N tommercial) iack Srarreit, wh0 later went 0n to dire(t su(h (ould have been a wotldCLiOplfnl l0NtS. We know this sounds crazy, but Kasem and Starrett AR0iHfnS, anA a breakthrough Ort maybe we should all feel grateful that GIRLS tR0M THUNDER STRIP wasn't

,luit,orray r,ur.

WILD ANGtiS-raliber

Scooby hit, ai that might have altered Kasem's career considerably. We might nevet have had proud t0 say that the main scuay biker is played by Doo or America's Top 40. We really dodged a bullet! We?e

legendary Austinite Gary Kent. (Lars)

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Here's

RNTUNil OF BRU(E p6 tturrutcttT FRtt 0lR.lCI$[pt{\JILAs(o1975 es Mlhl 35MM

0F BRU(E, you can bet your a little exploitation fllm rule of thumb: when you see a title like RETURN else named Bruce in the movie, though there numchucks that bruce Lee is n0t in the movie, nor is there anyone (heap kung fu shot in the Philippines and with a ,elief gay dude (is he Bru(e?) lt's old{(hqol iirp.rinq who's endured dodgy dynastic-period martial-arts frlms ,oni l'ZOrt rettini. ihis ls a blesing for anyone a hard-on and a gleam in its withthe same sets, same c'stumes,same plols- yuck.This movie is likethe'70swith great shirts (a trademark of tilipino movies), outrageous dubbing and

ii,

*ri,

rprrry

,ompf.te *itfr ripped-offfunky musii, the kind ofdumbnesiihat makesyoufeel dumberafter

e1l.,

while, which can be a lotoffun, like putting your head

in

banel ofindustrial solvent. (Lars)

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BIATT( DTVIL DOLL FROfuI HEtL Atj6|JST :9 MIilNIGHT F*[$ *lR. {t{t5Tf;n TilftzuSfE 1*S4 ?il tvillt Vfi$ l,iH
"Was it a nightmare? 0r was it for real?" Fi6t things first: every Weird Wednesday offering is on Film. I think sceenings are
as DVD

ffi w
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jacked up as they are commonplace nowadays. tor me, part 0f the adventure and challenge

of

Weitd Wednesday is offering up

thefilms on scratchy, sometimes splkey ordiscolored release prints.That said, BLA(K DEVIt D0Lt tROM HtLl. is presented in its original format -\lH5tape, ltwasshot on camrorder and edited using two

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V(Rs by the mad genius Oester Jurner. Nothing I write here ran prepare you for the experience of watrhing one-of-a-kind movie. lt'sabouta sexuallyrepresed church ladywhobuysa rastalookventriloquistdummyfiom

thk
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junk shop, only to have it tum into a lapacious fuck marhine, who likes it RUFf. This is an inrredibly offensive film, whkh violates the most basic prindples of not only filmmaking, but human dignity itself. 5o you've been warned.
oon't come crying to me if this is more than
you can handle

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I don't have time to listen to pussies. ([als)

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This isanamazinglycheap

man-pulp moviethat lookssuspiciously like an excuseforcastand

va(ation

in Venezuela. A blonde female photogtapher (Ahna (apri) and her rogueish treasure seeking brother anive in Venezuela to "take some pktures of diamonds."They meet up with hard-drinking macho man Peter Brown, who will actas theirguide ontheir motorcyde trip through the wild plains. Atthe end oftheirfrrst day oftravel through the wilds, they run into the greatWilliam 5mith, who's so scary and tough he makes (harles Bronson look like Don
Knotts. At this point the movie beromes
a

k *r*

lad

battle for alpha*upremacy between Smith and Brown in thejungle. First

they have a long, incredible motorryde ra(e through snake and crocodile infested tenain, then they settle in for
the battle over the girl. Along the

wa, Smith

has several great monologues where he expounds on his philosophy

g* ** ;

of killing, and how man is desrended from murderous apes, etr. (which makes for great cinema). Admittedly this movie relies heavily on nature and dorumentary photography to pad out the run-time but it3 m0re than worth for the brain+ipping insanity ofthe legendary man-ape William Smith. (Lars)

ry

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Mtut6AN 't$?ft $;

thrilled to Andy Milligan's warped low budget masterpie(es BI00DTHIRSTY BUT(HIRS and THE B0DY

get ready for his angriest, most sadistic frlm yet. M0$ filmmakers with a $12,000 budget try to keep itsimple and direct, but notAndy Milligan.Virtually all ofhis honorfilmsare period pieces, with alumble of
differentaccentsand
His

adingstyles, heldt0getherbyMilligan's obsessive personalityand bleakoutlookon humanity. films are full ofvenom and hatred, just like the man who made them. Milligan's trademarks are all here: cruel,

iffi &il

unhappy characten who bkker endlesly ab0ut everything, amazing costumes (sewn by Milligan himself), canned musk (you can heat the needle landing on the record), a disgruntled hunchback and ludi<rous gore effects. (heap, shoddy, thoroughly misanthropk and esential! (Lars)

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One

actor I can never get enough 0f is Adam West, who became a self parody even more quickly than William few leads, whkh is unfortunate berause he can be a very entertaining performer. Here he is
as a

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Shatner. And like Shatner, he always approaches a part in the broadest possible way.0utside
West has played

former mercenarywho's trying t0 walk the straight and narrow

nightclub owner until he gets drawn bark into

the killing busines by some unsavory mob types. There's aho an anti-communist, pro-(lA slant t0 the plot whkh feek very'50s, even though this was made during the skk skk sixties. With the beautiful Nancy Kwan, Robert Alda
and
a cast

offamiliar faces. Not to be tonfused with Mario Bava's earlier film ofthe same name. ([ars)

TIII TARHOPS
sf;FT:S hXlilN}SUT rFg[ t]i*. pfiT*ffi LS(K[":*?5 *$ &fii!
lf you've ever wondered about the
sexual pr0divities and appetites
R

of those rollerskating waitresses at old-

fashioned fast food drive ins, you're surely not alone. A lot ofvery smart people have given it a lot ofthought and the result is this groundbreaking motion pkture. (arrying trays full ofburgers and milkshakes keberg, from there giant breasts. (Lan)

isiustthe tip ofthe it gets heavy. (an you handle it? Featuring nudity, comedy, nude comedy, comic nudity and

more! Another dumb sex <omedy from your friends at the Alamo. With Pamela Des Banes, tlsrhi Digard and her

THT MONTY PYTHOI'I AI{D THI HOIY CRAII. QUOTI-AIOI,IT SITUR0AYS lN AUC & SfpT, ALfi!{0 VILLAGI lvllDNlcHTt, S. TU$I*V SlLliAFrl- TlftftY.l0ftH$, 1$?5, $1 fdlll'l

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Fresh

offthe heek ofthe PRlNGSS

AND THE H0LY GRAlt.

ERIDE QU0Tf-AL0NG, the Alam0 presentsthe m05t quoted movie 0fall time - MoNTY PYTH0N We'll be shouting out our favorite lines together, using all sorts of props (Rabbitl foot! (oconuts! Run

Away!), and starting the show

offwith

a (ross the Bridge

0fDeath game.You'd better bevery, very sure ofyourfavorite color.

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(0NAN THE EARBARIAN Master Pancake is celebrating the 25th anniversary of <entury,s worth of razzing
(1

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it deserves. Featuring Arnold Schwanenegger (TERMINATSR, RUNNING MAN) who murdered his parents. James Earl Jones as the iitular Barbarian, who seeks revenge against the man puppy dog eyes and (het wig, (STAR WAR5, FIEtD 0I DREAMS) plays the villainous Thuha Doom, who, with his

confusespeoplesomuchthatthelrlethimchoptheirheadsoff'

(onanisassistedbythefinely<hiseledshe-

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(played by world champion surfet Geny [opez of waniorVileria (Sandahl Bergmanl and agile archer Subotai daughter of King 0srk (played by the excellent NoRTH SH0RE). Together the trio must rescue the beautiful John and help Arnold become govetnor of Kali-fornia. Dire(ted by the always Nietzxhean Max Von Sydow)

miti* (nilj

OnWru). Come

loin Master Pancake in telebratingidesecating

one 0f the m0st entertaining "Sword

and Sandahl"

epia of all-time!

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challenge Everyone had so much fun during our skewering of this movie at the chronide's Kill-A-watt Master Pancake Show back in June, we decided to bring it bark for a full run. And so, by popular demand, movie since Theater gives you THE DAY AFTER TOM0RR0W, the most important environmental action (INNERSPACE, JAWS 3-D) as a prescient but Steven Seagal! 0N DEADLY GRoUND. Featuring Dennis Quaid impending ignored pal-eoclimatologist (a guywho studies old weather) who tries to warn the world about dude, meteorological doom. When no one listens to him he enlists the help of a more modern weather (D0NNlE DARKO, played by tan Holm (Bilbo from toRD oF THE RING5, Ash from ALIIN). Jake Gyllenhaal snowstotm BUBBLE BoY) plays Quaid! brooding son, who gets trapped in NY( during a freak summer 2 S0CIETY) and along with homies guy Glenn Plummer (SPEED 2, SAW 2, G0 FgR BRgKE 2, MENACE joy during the awesgme apglggy a casi of forgettable extras. [iberak and smalt people will cry with attion fans will thrill to scene deliveied by a Dick (heneylookalike asshole Vice President. Hardcore the crappy the excitement oithe chase seen between Jake Gyllenhaal and the told. Nobody will enjoy (John Erler, looking CGI effects or the stilted dialogue, but then, that's what the boys of Master Pancake (hester) are here fot' Joe Parsons, and guest comedian Scott

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theatrical The Dionysium offers a unique, innovative program of debate, letture,_declamation, pr,r,nt.iion and music in a salon-like atmosphere. Audiences enjoy offerings not to be found in a ekewhere in Austin, in(luding the re(itation of famous speeches, parti(ipatory discusion rituals. formal, moderated context, and the opp0rtunity to parti(ipate in the recleati0n of Ancient a film ot live A typiial Dionysium show will feature a lecture, a declamation, a drinking song, performance, an appeal to Dionysus, a fi(tion-writing (gntest, and plenty of strong drink.
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the heart ofevery Dionysium is the debate, pitting two experts against ea(h other in toe-to-toe parliamentary combit. Dionysium debate resolutions have covered everything from Social Security (he(k out www'dionysium.com forfull information reform to the future threat of genocidal robots.
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the most ambitious project ever taken on by Austin's own rightful rabble-rouser govelnment and Alex Jones. The film documents the plan of the global elite to setup a world the exterminate more than 80% of the world's population. Alex Jones explores the mindset of have been average brainwashed westerner and delves deeply into the systems of control, which dosed t0 the realities scient-ifically crafted to imprison the public's minds while keeping their eyes
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tdition: A History 0f Government Sponsored Tenorism, now in an updated and expanded tenor. version containing brand new footage, evidence, and interviews exposing state-sponsored

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From the moment we heard there was going t0 be a Simpsons movie, our imaginations kicked into

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overdrive. lt would be a crime not to offer up a feast of truly Homeri( proportions. That means you can expect such Springfield delicacies as a Homer Simpson sized Pork (hop seasoned to perfertion, Blinky the three eyed fish (non-radioactive by request) and ChiefWiggum's Chili featuring "the merciless peppers of Quetzlzacatenango", which may or may not send you on a spiritual journey through time and space. We might even find room on the menu for a very special donut and a mug or two of Duff beer. lf you mis out
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We have a parti(ular fondness for Food Movies, parti(ularly food movies that take place

behind the scenes of a busy restaurant. This looks to be a fantastic new modern classic among food movies. 0f rourse we'll have lots of beautiful and delicious food on the menu, so you can enjoy fine dining specialties while you watch the film.
Master (hef Kate Armstrong (Catherine Zeta-Jones) lives her life like she runs her kitchen

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at a trendy Manhattan eatery-with a no-nonsense intensity that both captivates and intimidates everyone around her. Katet perfectionist nature is put t0 the test when she "inherits" her nine-year-old niece Zoe (Abigail Breslin, LITTLE Ml55 5UNSHINE), while contending with a brash new sous-chef who joins her staff High-spirited a nd freewheel in g,
Nick Palmer (Aaron Eckhart) couldn't be more different from Kate, yet the chemistry between them is undeniable, Rivalry becomes roman(e, but Kate will have to learn t0 express herself beyond the realm of her kitchen if she wants to connect with Zoe and find true happiness

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masterpie(e BLACK oRPHEUS. But for Round Three we've got M0N500N WEDDING, and this time it's personal. Alamo chef John Eullington has challenged Reggie Ferguson, the <hef who replaced him when he left Mars Restaurant for our kitchen. (an Reggie show John he was a fool to leave?You get t0 de(ide, as

rhefwill be preparing 5 mini-dishes and wine pairings to go with the frlm. Whose food was better? Which items fit the film? Your tastebuds will be the judge.
each ABOUT MONSOON WEDDING:

(ombining traditional ideas of maniage and family with the realities of modern life, M0NS00N WfDDING is a lighthearted film from director Mira Nair (SALAAM BOMBAYI). The majority ofthe frlm takes place
inside the home of an extended Punjabi family living in New Delhi who has gathered together for the arranged wedding of Adita (Vasundhara Das). She is to marry Hemant (Parveen Dabaas), a man who works in the United States. This means leaving her family home to go live with him, and though Adita
says she welcomes the new opportunit, it is clear that she already feels homesick. Also at issue is the fact thatshe isstill in lovewith herformer bos,Vikram (SameerArya), a television producerwho promisesto divorce his wife but never does. A festive film, M0N500N WEDDING is a swirling family comedy.

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Reviewers have warned not t0 view UDON on an empty stomach. Watching bowl after bowl of noodles in your face, and the characters slurping them down with gusto, somehow Ieaves you with an imagined flavor in

yourmouthastheysma(ktheirlips,whileyousmackatnothing. AttheAlamo'slatestsynthesisoffoodand film, however, you will not have this same problem. We are inviting a very seled few t0 ioin us at the home
of Alamo founders Tim and Karrie League for a private and exclusive Alamo signature event: UD0N: A noodle

feast. Half do(umentary and half quirk romedy/drama, the film follows the return of Kosuke to his small hometown of 5anuki after a failing to become a successful stand-up comedian in New York (ity. 0nce home, he (omes to terms with his estranged father, a workaholir who owns an udon restaurant. We are offering 20
seats at

the table to experience an outdoor screening of UD0N with a mat(hing multi-course lapanese feast,

which will of course, feature plenty of Udon served to you during the film.

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farto spokesman of Britain's"angry younq men'i who railed against the iron dad (laire Bloom get an earful. Dire(tor Ri(hardson was

one of the brightest tights of the Brilish screen. His TOM JONE5 was an international smash and he directed several of the key works of postwar British cinema, inrluding A TASTE 0F H0NEY, L0NEtINESS 0t THE L0NG DISIAN(E RUNNER and THE ENTERTAINER.
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Desmond Daviswasa protegeofTonyRichardson and like Richardson hadaneyeforunusualframing andvisual expetimentation. F0rtunately he als0 had the sense to let actors ad and give them the spa(e they need. Peter Finch is as good as he's ever been as
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middle aged writer who frnds inspiration and orcasional frustrati0n at the hands of shop gitl roommates Rita Tushingham and Lynn Redgrave (talk about opposites!). This is an acting tour de force fiom three of the best, and most varied, Eritish film ado6

and Davis does a beautiful job ofhandling the subtleties

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the hugely imp0rtant stage dire(tor, a(tress and impresario Joan Littlewood, whose Theatre Workshop (omedy ab0ut a lough and ready seaman (the revolutionized the face of live drama in Great Britain. Ihis i5 a w0ndelfully aded great and underrated a(tor James Booth) who returns home after being at sea for yeats and flnds his life shattered home
demolished, wife shacked up with another man - and sets out in his own blunt fashion t0 make things right. Barbara Windsot, who Life Magazine called the"funniest dumb blonde sinceJudy Hollidayi'plays thewife in herwinning,vivacious style'

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homosexuals. The always losing everything if exposed. A compelling poli<e proredural with a towering central performance by Bogatde, who can VIOIM was be counted upont0 enact diffrrult roles with subtlety and power. With Sylvia Syms, also very good as Bogarde's wife. banned in the U.5. for merely using the word "homosexuall'

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don't need totell you whoYo laTengo are - their(ontributiontofilm soundtracksand scores speaks for itself (5H0RT BUS, JUNEBUG, AMATEUR and even an episode ofTHE 5IMPSONS!). We are greatly where filmmakers, ado15, composers and honored to have Yo La Tengo as our guests for the continuing CINEMA UNDER THI lNFl-UENCE series, FX artists plesent the films that influenced them.

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Italian honor maestro Dario Argento! third giallo film (and the only one not available on domestic DVD) stars Argento{ookalike Michael Brandon (FM) as a rock drummer who gets framed for murder and finds himself in a bizarre game of cat and mouse with the psychotir person who set him up
and continues to inexpli(ably torment him. (o*taning ltalo-comedy staple Bud Spencer and the quintissential headcase Mimsy Famer (M0RE, PERFUMT 0F THE IADY lN BLACK), and featuring a

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- h had a distinct style that was low-key, a bit jittery, and often suneal. (0(KAB00DY features animated versions of their own children. Later, the older girl, Emily, followed in her parents' footsteps, creating the animated sequences for HEDWIG AND THE ANGRY INCH, and "Georgiej'
the y0unger sister whose tantrum erupts into a green feline beastie, grew up to become Georgia Hubley ofHoboken - the drummerf0rY0 LaTengo!

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Before Kurt Russell was a tough-as-nails action star, he played fun-loving teen inventor Dexter Reilly in a

seriesofwackyfull-tiltDisneycomedies.After(eatingateenagerobotinl969'sTHE(0MPUTIRW0REftNNIS.:: 5H0E5, our hero returns (to the REAI Dexter's laboratory) to hammer out a shockingly potent invisibility formula.Butwhenacash-hungryvillain((esarRomero)getshishandsonthestuff,it'samadcapracetostop, the intangible madman before he tan strike again in this banage of pure hilarity and gonzo science fun.

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