Heather Sellers Hope College (with Anne Hoekstra, research assistant) Bibliography May 3, 2005

The Crafty Writer: Reading and Resources for Creative Writing Students and Teachers
Aesthetics: Thinking About Seeing
Aristotle. On poetry and style. (1958). Translated by G.M.A. Grube. Indianapolis: Hackett Pub. Co., 1989. 110 pp. Armstrong, John. Move closer: an intimate philosophy of art. New York: Farrar, Straus, and Giroux, 2000. 196 pp. Berger, John. Ways of seeing. London: British Broadcasting Company; Harmondsworth: Penguin, 1972. 165 pp. Elkins, James. How to use your eyes. New York: Routledge, 2000. 258 pp. Elkins, James. Why art cannot be taught: a handbook for art students. Urbana: University of Illinois Press, 2001. 213 pp. Franck, Frederick. Zen seeing, Zen drawing: meditation in action. New York: Bantam Books, 1993. 169 pp. London, Peter. No more secondhand art: awakening the artist within. Boston: Shambhala, 1989. 190 pp. Scarry, Elaine. On beauty and being just. Princeton, NJ: Princeton University Press, 1999. 134 pp. Truitt, Anne. Daybook, the journal of an artist. New York: Pantheon Books, 1982. 225 pp.

Blocks & Procrastination: Creating Time to Write

Atchity, Kenneth John. A writers time: making the time to write. (1986). Revised edition. New York: W. W. Norton, 1995. 267 pp Nelson, Victoria. On writers block: a new approach to creativity. Boston: Houghton Mifflin, 1993. 191 pp. Zerubavel, Eviatar. The clockwork muse: a practical guide to writing these, dissertations, and books. Cambridge, MA: Harvard University Press, 1999. 111 pp.

The Business of Writing: Agents, Freelancing, Book Proposals, Publishing

The directory of literary magazines. Annual serial publication. New York: The Coordinating Council of Literary Magazines, 1984-2001. Council of Literary Magazines and Presses. The CLMP directory of literary magazines and presses. 21st edition. __: Manic D Press, 2004. 288 pp. Banks, Michael A. How to become a fulltime freelance writer: a practical guide to setting up a successful writing business at home. Waukesha, WI: Writer Books, 2003. 223 pp. Begley, Adam. Literary agents: a writers guide. 3rd revised edition. New York: Penguin Books, 1993. 192 pp. Herman, Jeff, and Deborah Levine Herman. Write the perfect book proposal: 10 that sold and why. (1993). 2nd edition. New York: Wiley, 2001. 213 pp. Higgins, George V. On writing: advice for those who write to publish (or would like to). (1990). London: Bloomsbury, 1991. 227 pp. Lerner, Betsy. The forest for the tree: an editors advice to writers. New York: Riverhead Books, 2000. 284 pp. Lyon, Elizabeth. Nonfiction book proposals anybody can write: how to get a contract and advance before writing your book. (1995). New York: Perigree Book, 2002. 293 pp. Lyon, Elizabeth. The sell-your-novel toolkit: everything you need to know about queries, synopses, marketing & breaking in. Hillsboro, OR: Blue Heron Publishing, Inc., 1997. __ pp. Maass, Donald. The career novelist: a literary agent offers strategies for success. Portsmouth, NH: Heinemann, 1996. 245 pp. 2

Novel & short story writers market. Annual serial publication since 1989. Cincinnati, OH: Writers Digest Books.

Creativity and Psychology

Ayan, Jordan E. Aha! 10 ways to free your creative spirit and find your great ideas. Ed. Rick Benzel. New York: Crown Trade Paperbacks, 1997. 287 pp. Barron, Frank, Alfonso Montuori, and Anthea Barron, eds. Creators on creating: awakening and cultivating the imaginative mind. New York: Putnam, 1997. 245 pp. Bayles, David, and Ted Orland. Art & fear: observations on the perils (and rewards) of artmaking. Santa Barbara, CA: Capra, 1993. 122 pp. Cassou, Mitchell. Point zero: creativity without limits. New York: Jeremy P. Tarcher/Putnam, 2001. 231 pp. Cassou, Michell, and Stewart Cubley. Life, paint, and passion: reclaiming the magic of spontaneous expression. New York: Putnam, 1995. 186 pp. Gardner, Howard. Creating minds: the anatomy of creativity seen through the lives of Freud, Picasso, Stravinsky, Eliot, Graham, and Gandhi. New York: Basic Books, 1993. 464 pp. Kaulser, Henriette Anne. Writing on both sides of the brain: breakthrough techniques for people who write. San Francisco: Perennial Library, 1986. 143 pp. Keyes, Ralph. The courage to write: how writers transcend fear. (1995). 2nd edition. New York: H. Holt, 2003. 229 pp. Maisel, Eric. Fearless creating: a step-by-step guide to starting and completing your work of art. New York: Putnam, 1995. 267 pp. Palumbo, Dennis. Writing from the inside out: transforming your psychological blocks to release the writer within. New York: Wiley, 2000. 241 pp. Perry, Susan K. Writing in flow: keys to enhanced creativity. Cincinnati, OH: Writers Digest Books, 1999. 274 pp. Rico, Gabriele L. Writing the natural way: using right-brain techniques to release your expressive powers. (1993). Revised edition. New York: Tarcher/Putnam, 2000. 262 Rothenberg, Albert. Creativity and madness: new findings and old stereotypes. Baltimore, MD: Johns Hopkins University Press, 1990. 199 pp. Tharp, Twyla, and Mark Reiter. The creative habit: learn it and use it for life: a practical guide. New York: Simon & Schuster, 2003. 243 pp. 3

Instruction in Specific Genres

Short-short Stories, Flash Fiction Allen, Roberta. Fast fiction: creating fiction in five minutes. Cincinnati, OH: Story Press, 1997. 198 pp. Mills, Mark, ed. Crafting the very short story: an anthology of 100 masterpieces. Upper Saddle River, NJ: Prentice Hall, 2003. 448 pp. Childrens Books Lamb, Nancy, The writers guide to crafting stories for children. Cincinnati, OH: Writers Digest Books, 2001. 232 pp. Romano, Tom. Writing with passion: life stories, multiple genres. Portsmouth, NH: Boynton/Cook, 1995. 238 pp. Trotman, Felicity, and Bicknell, eds. How to write and illustrate childrens books and get them published. Cincinnati: Writers Digest Books, 2000. 144 pp. Prose Poems Baudelaire, Charles. Twenty prose poems by Charles Baudelaire. Trans. Michael Hamburger. Revised English edition. London: Cape, 1968. 64 pp. Multiple Genres Burroway, Janet. Imaginative writing: the elements of craft. New York: Longman, 2003. __ pp. Jason, Philip K., and Allan B. Lefcowitz. Creative writers handbook. 4th edition. Upper Saddle River, NJ: Prentice Hall, 2004. __ pp. Memoirs Ledoux, Denis. Turning memories into memoirs: a handbook for writing life stories. Lisbon Falls, ME: Soleil Press, 1993. 206 pp. Baker, Russell. Inventing the truth: the art and craft of memoir. (1987). Revised and expanded edition. Boston: Houghton Mifflin, 1998. 227 pp. Poetry

Addonizio, Kim, and Dorianne Laux. The poets companion: a guide to the pleasures of writing poetry. New York: W.W. Norton, 1997. 284 pp. Agha, Shahid Ali, ed. Ravishing disunities: real ghazals in English. Middleton, CT: Wesleyan University Press; Hanover, NH: University Press of New England, 2000. 195 pp. Behn, Robert, and Chase Twitchell, eds. The practice of poetry: writing exercises from poets who teach. New York: HarperPerennial, 1992. 299 pp. Bishop, Wendy. Thirteen ways of looking for a poem: a guide to writing poetry. New York: Longman, 2000. 437 pp. Dacey, Philip, and David Jauss. Strong measures: contemporary American poetry in traditional forms. New York: Harper & Row, 1986. 492 pp. Drake, Barbara. Writing poetry. (1983). 2nd edition. Fort Worth: Harcourt Brace College Publishers, 1994. 385 pp. Jerome, Judson. The poets handbook. Cincinnati, OH: Writers Digest Books, 1980. 224 pp. Oliver, Mary. A poetry handbook. San Diego: Harcourt Brace & Co., 1994. 130 pp. Rilke, Rainer Maria. Letters to a young poet. (1934). Translation and commentary by Reginald Snell. Mineola, NY: Dover Publications, 2002. 68 pp. Roberts, Philip Davies. How poetry works: the elements of English poetry. Harmondsworth, Middlesex, England; New York: 1986. 304 pp. Starkey, David. Poetry writing: theme and variations. Lincolnwood, IL: NTC/Contemporary Publishing Group, 2000. 246 pp. Turco, Lewis. The book of forms: a handbook of poetics. 3rd edition. Hanover, NH: University Press of New England, 2000. 337 pp. Valery, Paul. The art of poetry. (1958). Princeton, NJ: Princeton University Press, 1989. 345 pp. Willard, Nancy. Telling time: angels, ancestors, and stories. New York: Harcourt, Brace & Co. 1993. 267 pp. Screenplays, Plays, and Using Archetypes and Myth to Structure Story Field, Syd. Screenplay. New York: MJF Books, 1998. __ pp. Hagen, Uta, and Haskel Frankel. Respect for acting. New York: Macmillan, 1973. 227 pp.

Horton, Andrew. Writing the character-centered screenplay. Berkeley: University of California Press, 1994. 218 pp. McKee, Robert. Story: substance, structure, style, and the principles of screenwriting. New York: ReganBooks, 1997. 466 pp. Stanislavsky, Konstantin. Building a character. (1949). Translated by Elizabeth Reynolds Hapgood. New York: Routledge/Theater Arts Books, 1989. 299 pp. Vogler, Christopher. The writers journey: mythic structure for writers. (1992). 2nd edition. Studio City, CA: M. Wiese Productions, 1998. 326 pp. Voytilla, Stuart. Myth and the movies: discovering the mythic structure of 50 unforgettable films. Studio City, CA: Michael Wiese Productions, 1999. 300 pp. Fiction Bauer, Douglas. The stuff of fiction: advice on craft. Ann Arbor: University of Michigan Press, 2000. 135 pp. Bell, Madison Smartt. Narrative design: a writers guide to structure. New York: W.W. Norton, 1997. 377 pp. Bernays, Anne, and Pamela Painter. What if? Writing exercises for fiction writers. (1990). College, 2nd edition. New York: Pearson Longman, 2004. __ pp, Block, Lawrence. Writing the novel from plot to print. Cincinnati, OH: Writers Digest Books, 1979. 197 pp. Browne, Renni, and Dave King. Self-editing for fiction writers: how to edit yourself into print. (1993). 2nd edition. New York: Harper Resource, 2004. 279 pp. Burnett, Hallie Southgate. On writing the short story. New York: Harper & Row, 1983. 177 pp. Burroway, Janet, and Susan Weinberg. Writing fiction: a guide to narrative craft. (1982). 6th edition. New York: Longman, 2003. 431 pp. Cassill, Ronald Verlin. Writing fiction. (1962). 2nd edition. Englewood Cliffs, NJ: Prentice-Hall, 1975. 174 pp. Delbanco, Nicholas. The sincerest form: writing fiction by imitation. Boston, MA: McGraw-Hill, 2004. 385 pp. Gardner, John. The art of fiction: notes on craft for young writers. (1983). New York: Vintage Books, 1985. 224 pp. 6

Gardner, John. On becoming a novelist. New York: Harper & Row, 1983. 150 pp. Gardner, John. On moral fiction. New York: Basic Books, 1978. 214 pp. Forster, Edward Morgan. Aspects of the novel. (1927). San Diego: Harcourt Brace Jovanovich, 1985. 176 pp. Franklin, Jon. Writing for story: craft secrets of dramatic nonfiction by a two-time Pulitzer prize winner. New York: Atheneum, 1986. 233 pp. Frey, James N. The key: how to write damn good fiction using the power of myth. New York: St. Martins Press, 2000. 260 pp. Hood, Ann. Creating character emotions. Cincinnati, OH: Story Press, 1998. 170 pp. Hills, L. Rust. Writing in general and the short story in particular: an informal textbook. (1977). Revised edition. Boston: Houghton Mifflin, 1987. 197 pp. Knight, Damon Francis. Creating short fiction. (1981). New York: St. Martins Griffin, 1997. 209 pp. Koch, Stephen. The modern library writers workshop: a guide to the craft of fiction. New York: Modern Library, 2003. 246 pp. Le Guin, Ursula K. Steering the craft: exercises and discussions on story writing for the lone navigator or the mutinous crew. Portland, OR: Eighth Mountain Press, 1998. 173 pp. Lodge, David. The art of fiction: illustrated from classic and modern texts. (1992). New York: Viking, 1993. 239 pp. Lodge, David. The practice of writing. 1st American edition. New York: Allen Lane, 1997. 340 pp. Lubbock, Percy. The craft of fiction. (1921). New York: Viking Press, 1957. 274 pp. Lukeman, Noah. The first five pages: a writers guide to staying out of the rejection pile. New York: Simon & Schuster, 2000. 207 pp. Lukeman, Noah. The plot thickens: 8 ways to bring fiction to life. New York: St. Martins Press, 2002. 221 pp. Madden, David. Revising fiction: a handbook for writers. New York: New American Library, 1988. 315 pp.

McCormack, Thomas. The fiction editor. New York: St. Martins Press, 1988. 202 pp. Meredith, Robert C., and John D. Fitzgerald. Structuring your novel: from basic idea to finished manuscript. (1972). New York: HarperPerennial, 1993. 230 pp Newlove, Donald. First paragraphs: inspired openings for writers and readers. New York: St. Martins Press, 1992. 171 pp. Newlove, Donald. Invented voices: inspired dialogue for writers and readers. New York: H. Holt, 1994. 203 pp. Prose, Francine. On writing short stories. Ed. Tom Bailey. New York: Oxford University Press, 2000. 332 pp. Rubie, Peter, and Gary Provost. How to tell a story: the secrets of writing captivating tales. Cincinnati, OH: Writers Digest Books, 1998. 234 pp. Shoup, Barbara, and Margaret Love Denman. Novel ideas: contemporary authors share the creative process. Indianapolis, IN: Alpha Books, 2001. 296 pp. Slesinger, Warren, ed. The whole story: editors on fiction: a collection of essays and stories. Columbia, SC: Bench Press, 1994. __ pp. Sloane, William. The craft of writing. Ed. Julia H. Sloane. New York: Norton, 1979. 123 pp. Stein, Sol. Stein on writing: a master editor of some of the most successful writers of our century shares his craft techniques and strategies. New York: St. Martins Press, 1995. 308 pp. (also treats nonfiction) Stern, Jerome H. Making shapely fiction. New York: Norton, 1991. 270 pp, Tobias, Ron. Theme and strategy. Cincinnati, OH: Writers Digest Books, 1989. 162 pp. Nonfiction Bly, Carol. Beyond the writers workshop: new ways to write creative nonfiction. New York Anchor Books, 2001. 376 pp Gornick, Vivian. The situation and the story: the art of personal narrative. (2001). New edition for writers, teachers, and students. New York: Farrar, Straus, and Giroux, 2002. 174 pp. Nguyen, B. Minh, and Porter Shreve. Contemporary creative nonfiction: I & eye. New York: Pearson/Longman, 2005. 386 pp.

Inside the Writing Life

Allison, Dorothy. Two or three things I know for sure. New York: Dutton, 1995. 94 pp. Baxter, Charles, and Peter Turchi, eds. Bringing the devil to his knees: the craft of fiction and the writing life. Ann Arbor: University of Michigan Press, 2001. 258 pp. Bradbury, Ray. Zen in the art of writing. Santa Barbara, CA: Joshua Odell Editions, 1990. 154 pp. Brown, Kurt, ed. Facing the lion. Boston: Beacon Press, 1996. 181 pp. Burnham, Sophy. For writers only. New York: Ballantine Books, 1994. 208 pp Busch, Frederick. A dangerous profession: a book about the writing life. New York: St. Martins Press, 1998. 245 pp. Busch, Frederick, ed. Letters to a fiction writer. New York: Norton, 1999. 291 pp. Camus, Albert. Notebooks, 1935-1951. New York: Marlowe & Co., 1998. 274 pp Carver, Raymond. A new path to the waterfall: poems. New York: Atlantic Monthly Press, 1989. 126 pp. Cheever, John. The journals of John Cheever. New York: Knopf, 1991. 399 pp. Coles, Robert. The call of stories: teaching and the moral imagination. Boston: Houghton Mifflin, 1989. 212 pp. Conroy, Frank, ed. The eleventh draft: craft and the writing life from the Iowa Writers Workshop. New York: HarperCollins, 1999. 235 pp. Dillard, Annie. For the time being. New York: Knopf, 1999. 205 pp. Dillard, Annie. Holy the firm. New York: Harper & Row, 1977. 76 pp. Dillard, Annie. Living by fiction. New York: Harper & Row, 1982. 192 pp. Dubus, Andre. Broken vessels. Boston: D.R. Godine, 1991. 195 pp. Gilchrist, Ellen. Falling through space: the journals of Ellen Gilchrist. (1987). Jackson: University Press of Mississippi, 2000. 224 pp. Gutkind, Lee, ed. The essayist at work: profiles of creative nonfiction writers. Portsmouth, NH: Heinemann, 1998. 231 pp. 9

Hugo, Richard. The triggering town: lectures and essays on poetry and writing. New York: Norton, 1979. 109 pp. King, Stephen. On writing: a memoir of the craft. New York: Scribner, 2000. 288 pp. Le Guin, Ursula K. Dancing at the edge of the world: thoughts on words, women, places. (1989). New York: Perennial Library, 1990. 306 pp. Mailer, Norman. The spooky art: some thoughts on writing. New York: Random House, 2003. 330 pp. Rhodes, Richard. How to write: advice and reflections. New York: William Morrow and Co., 1995. 229 pp. Sexton, Anne. No evil star: selected essays, interviews, and prose. Ed. Steven E. Colburn. Ann Arbor: University of Michigan Press, 1985. 206 pp. Stafford, William. Writing the Australian crawl: views on the writers vocation. Ann Arbor: University of Michigan Press, 1978. 161 pp. Writers on writing: collected essays from the New York Times. New York: Times Books, 2001. __ pp. Wolitzer, Hilma. The company of writers: fiction workshops and thoughts on the writing life. New York: Penguin Books, 2001. 237 pp.

Inspiration for Writers

Aronie, Nancy Slonim. Writing from the heart: tapping the power of your inner voice. New York: Hyperion, 1998. 238 pp. Audette, Anna Held. The blank canvas: inviting the muse. Boston: Shambhala, 1993. 109 pp. Ayres, Elizabeth. Writing the wave: inspired rides for aspiring writers. New York: Berkley Pub. Book, 2000. 270 pp. Badonsky, Jill Baldwin. The nine modern-day muses (and a bodyguard): 10 guides to creative inspiration for artists, writers, lovers, and other mortals wanting to live a dazzling existence. New York: Gotham Books, 2003. 208 pp. Ballenger, Bruce P., and Barry Lane. Discovering the writer within: 40 days to more imaginative writing. Cincinnati, OH: Writers Digest Books, 1989. 179 pp.

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Berg, Elizabeth. Escaping into the open: the art of writing true. New York: HarperCollins, 1999. 223 pp. Bolker, Joan, ed. The writers home companion: an anthology of the worlds best writing advice, from Keats to Kunitz. New York: H. Holt and Co., 1997. 269 pp. Brande, Dorothea. Becoming a writer. (1934). Los Angeles: J.P. Tarcher; Boston: Houghton Mifflin, 1981. 186 pp. Brown, Kurt, ed. Facing the lion. Boston: Beacon Press, 1996. 181 pp. Brown, Rita Mae. Starting from scratch: a different kind of writers manual. Toronto; New York: Bantam Books, 1988. 254 pp. Cameron, Julie. The right to write: an invitation and initiation into the writing life. New York: Jeremy P. Tarcher/Putnam, 1998. 236 pp. Cameron, Julia, and Michael Toms. The well of creativity. (1997). Carlsbad, CA: Hay House, 2001. 149 pp. Edgarian, Carol, and Tom Jenks, eds. The writers life: intimate thoughts on work, love, inspiration, and fame from the diaries of the worlds great writers. New York: Vintage Books, 1997. 279 pp. Els, Susan McBride. Into the deep: a writers look at creativity. Portsmouth, NH: Heinemann, 1994. 170 pp. Goldberg, Natalie. Wild mind: living the writers life. New York: Bantam Books, 1990. 238 pp. Goldberg, Natalie. Writing down the bones: freeing the writer within. Boston: Shambhala; New York: Random House, 1986. 171 pp Henderson, Bill, ed. Rotten reviews: a literary companion. (1986). New York: Penguin Books, 1987. 93 pp. Joselow, Beth Baruch. Writing without the muse: 50 beginning exercises for the creative writer. Brownsville, OR: Story Line Press, 1995. 85 pp. Lindbergh, Anne Morrow. Gift from the sea. (1955). New York: Pantheon Books, 1992. 132 pp. Lipsett, Suzanne. Surviving a writers life. San Francisco: HarperSanFrancisco, 1994. 220 pp. Maisel, Eric. The creativity book: a years worth of inspiration and guidance. New York: J.P. Tarcher/Putnam, 2000. 290 pp.

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Maisel, Eric. A life in the arts: practical guidance and inspiration for creative and performing artists. New York: Putnam, 1994. 244 pp. Pressfield, Steven. The war of art: break through blocks and win your inner creative battles. (2002). New York: Warner Books, 2003. 165 pp. Safire, William, and Leonard Safir, eds. Good advice on writing: writers past and present on how to write well. New York: Simon & Schuster, 1992. 288 pp. Shaughnessy, Susan. Walking on alligators: a book of meditations for writers. San Francisco, HarperSanFrancisco, 1993. 203 pp. Sher, Gail. The intuitive writer: listening to your own voice. New York: Penguin Compass, 2002. 191 pp. See, Carolyn. Making a literary life: advice for writers and other dreamers. New York: Random House, 2002. 260 pp. Sellers, Heather. Page After Page: how to start writing and keep writing no matter what! Cinninncati: F & W Publications, 2004. Sher, Gail. One continuous mistake: four noble truths for writers. New York: Penguin Arkana, 1999. 204 pp. Ueland, Barbara. If you want to write. (1938). 2nd edition. St. Paul: Graywolf Press, 1987. 179 pp. Walton, Todd, and Mindy Toomay. The writers path: a guidebook for your creative journey: exercises, essays, and examples. Berkeley: Ten Speed Press, 2000. 237 pp. Wooldridge, Susan G. Poemcrazy: freeing your life with words. New York: Clarkson Potter, 1996. 209 pp.

Interviews with Writers

Blythe, Will, ed. Why I write: thoughts on the practice of fiction. Boston: Little, Brown, 1998. 226 pp. Bonetti, Kay, ed. Conversations with American novelists: the best interviews from The Missouri Review and the American Audio Prose Library. Columbia: University of Missouri Press, 1997. 259 pp. Boylan, Clare. The agony and the ego: the art and strategy of fiction writing explored. London; New York: Penguin Books, 1993. 257 pp.

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Gazarian-Gautier, Marie-Lise. Interviews with Latin American writers. Elmwood Park, IL: Dalkey Archive Press, 1989. 359 pp. Iftekharuddin, Farhat, Mary Rohrberger, and Maurice Lee, eds. Speaking of the short story: interviews with contemporary writers. Jackson: University press of Mississippi, 1997. 253 pp. Writers at work: the Paris review interviews. Irregular serial publication since 1958. New York: Viking Press.

Journals, Notebooks, Diaries, Sketchbooks

Adams, Kathleen. Journal to the self: 22 paths to personal growth. New York: Warner Books, 1990. 239 pp. Bender, Sheila, ed. The writers journal: 40 contemporary authors and their journals. New York: Delta, 1997. 380 pp. Bender, Sheila. A year in the life: journaling for self-discovery. Cincinnati, OH: Walking Stick Press, 2000. 224 pp. Ganim, Barbara, and Susan Fox. Visual journaling: going deeper than words. Wheaton, IL: Quest Books, Theosophical Pub. House, 1999. 161 pp. Hinchman, Hannah. A life in hand: creating the illuminated journal. Salt Lake City: Peregrine Smith Books, 1991. 144 pp. Johnson, Alexandra. Leaving a trace: on keeping a journal: the art of transforming a life into stories. Boston: Little, Brown, 2001. 242 pp. Kuusisto, Stephen, Deborah Tall, and David Weiss, eds. The poets notebook: excerpts from the notebooks of contemporary American poets. New York: W.W. Norton, 1995. 306 pp. Progoff, Ira. At a journal workshop: the basic text and guide for using the Intensive Journal process. New York: Dialogue House Library, 1975. 320 pp. Progoff, Ira. At a journal workshop: writing to access the power of the unconscious and evoke creative ability. (1975). Los Angeles: J.P. Tarcher, 1992. 422 pp.

Memory and Writing

Baxter, Charles, ed. The business of memory: the art of remembering in an age of forgetting. Saint Paul, MN: Graywolf Press, 1999. 174 pp. Barry, Lynda. One hundred demons. Seattle: Sasquatch Books, 2002. 216 pp. 13

Conway, Jill Ker. When memory speaks: reflections on autobiography. New York: Alfred A. Knopf, 1998. 205 pp. Gould, June. The writer in all of us: improving your writing through childhood memories. __: Dutton, 1989. 192 pp.

Reading as a Writer
Atwood, Margaret Eleanor. Negotiating with the dead: a writer on writing. Cambridge, UK; New York: Cambridge University Press, 2002. 219 pp. Baxter, Charles. Burning down the house: essays on fiction. (1997). Saint Paul, MN: Graywolf Press, 1998. 245 pp. Brooks, Cleanth, and Robert Penn Warren, eds. Understanding fiction. (1943). 3rd edition. Englewood Cliffs, NJ: Prentice-Hall, 1979. 515 pp. Miller, Henry. Nothing but the marvelous: wisdoms of Henry Miller. (1991). Ed. Blair Fielding. Expanded edition. Santa Barbara, Capra Press, 1999. __ pp. Le Guin, Ursula K. The wave in the mind: talks and essays on the writer, the reader, and the imagination. Boston: Shambhala; New York: Random House, 2004. 304 pp. Milosz, Czeslaw. Miloszs ABCs. Translated by Madeline G. Levine. New York: Farrer, Straus, and Giroux, 2001. 313 pp. Nabokov, Vladimir. Speak, memory. (1951). New York: Knopf, 1994 OConnor, Flannery. Mystery and manners: occasional prose. Ed. Sally and Robert Fitzgerald. New York: Farrar, Straus & Giroux, 1969. 237 pp. OConnor, Frank. The lonely voice: a study of the short story. (1963). Hoboken, NJ: Melville House Pub., 2004. 211 pp. Pound, Ezra. ABC of reading. (1960). New York: New Directions Pub. Corp., 1987. 210 pp. Riffaterre, Michael. Fictional truth. Baltimore: Johns Hopkins University Press, 1990. 137 pp Scholes, Robert E. The crafty reader. New Haven: Yale University Press, 2001. 260 pp. Turchi, Peter, and Andrea Barrett, eds. The story behind the story: 26 writers and how they work. New York: W.W. Norton, 2004. 479 pp. Welty, Eudora. The eye of the story: selected essays and reviews. New York: Random House, 1978. 355 pp.

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Style Manuals and Grammar Handbooks

Williams, John Brindley. Style and grammar: a writers handbook of transformations. New York: Dodd, Mead, 1973. 200 pp.

Teaching Creative Writing

Bizzaro, Patrick. Responding to student poems: application of critical theory. Urbana, IL: National Council of Teachers of English, 1993. 236 pp. Checkoway, Julie, ed. Creating fiction: instruction and insights from teachers of Associated Writing Programs. Cincinnati, OH: Story Press Books, 1999. 294 pp. Johnson, David M. Word weaving: a creative approach to teaching and writing poetry. Urbana, IL: National Council of Teachers of English, 1990. 175 pp. Flynn, Nick, and Shirley McPhillips. A note slipped under the door: teaching from poems we love. York, ME: Stenhouse Publishers, 2000. 241 pp. Koch, Kenneth. Making your own days: the pleasures of reading and writing poetry. New York: Scribner, 1998. 317 pp. Koch, Kenneth, and Kate Farrell. Sleeping on the wing: an anthology of modern poetry, with essays on reading and writing. New York: Random House, 1981. 313 pp. Koch, Kenneth. Wishes, lies and dreams: teaching children to write poetry. (1970). New York: HarperPerennial, 1999. 316 pp. Moxley, Joseph M., ed. Creative writing in America: theory and pedagogy. Urbana, IL: National Council of Teachers of English, 1989. 272 pp. Myers, David Gershom. The elephants teach: creative writing since 1880. Englewood Cliffs, NJ: Prentice Hall, 1996. 224 pp. Schneider, Pat. Writing alone and with others. Oxford, NY: Oxford University Press, 2003. 390 pp. Stafford, William. You must revise your life. Ann Arbor: University of Michigan Press, 1986. 118 pp. Dunning, Stephen, and William Stafford. Getting the knack: 20 poetry exercises. Urbana, IL: National Council of Teachers of English, 1992. 203 pp. Volkmer, Jon. Fiction workshop companion. __: Bendall Books, 1995. 113 pp.

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Writers Retreats, Conferences, and Awards

Grants and awards available to American writers. New York: P.E.N. American Center. Biennial publication. The guide to writers conferences. Coral Gables, FL: Shaw Associates, 1988-1992. 1st 4th editions, annual publication. Malone, Eileen. The complete guide to writers groups, conferences, and workshops. New York: Wiley, 1996. 245 pp.

Writing for Self-Discovery

Cerwinske, Laura. Writing as a healing art: the transforming power of self-expression. New York: Perigree Book, 1999. 222 pp. Epel, Naomi. Writers dreaming. New York: Carol Southern Books, 1993. 292 pp. Field, Joanna. A life of ones own. (1936). Los Angeles: J.P. Tarcher; Boston: Houghton, Mifflin, 1981. 226 pp. Heard, Georgia. Writing toward home: tales and lessons to find your way. Portsmouth, NH: Heinemann, 1995. 145 pp. Hughes, Elaine Farris. Writing from the inner self. New York: HarperCollins College Publishers, 1994. 240 pp. Lee, John H. Writing from the body: for writers, artists, and dreamers who long to free your voice. New York: St. Martins Press, 1994. 144 pp. Metzger, Deena. Writing for your life: a guide and companion to the inner worlds. San Francisco: HarperSanFrancisco, 1992. 260 pp. Rico, Gabriele L. Pain and possibility: writing your way through personal crisis. Los Angeles: J.P. Tarcher; New York: St. Martins Press, 1991. 292 pp. Snow, Kimberley. Writing yourself home: a womans guided journey of self-discovery. Berkeley: Canari Press, 1989. 188 pp.

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