In Greek mythology, Ares is the son of Zeus and Hera.

Though often referred to as the Olympian god of

warfare, he is more accurately the god of savage warfare, bloodlust, or slaughter personified.
Rather than a brave soldier, he is often depicted as somewhat cowardly, although he is already an
important Olympian god in the epic tradition represented by the Iliad. The reading of his character
remains ambiguous, as in a late sixth-century funerary inscription from Attica: "Stay and mourn at the
tomb of dead Kroisos/ Whom raging Ares destroyed one day, fighting in the foremost ranks".
The Romans identified him as Mars, the god of war and agriculture, whom they had inherited from the
Etruscans; but, among them, Mars stood in much higher esteem.
Among the Hellenes, Ares was always distrusted. Although Ares' half-sister Athena was also
considered a war deity, her stance was that of strategic warfare, whereas Ares's tended to be one of
unpredictable violence. His birthplace and true home was placed far off, among the barbarous and
warlike Thracians, to whom he withdrew after his affair with Aphrodite was revealed.
"Ares" remained an adjective and epithet in Classical times, which could be applied to the war-like
aspects of other gods: Zeus Areios, Athena Areia, even Aphrodite Areia. In Mycenaean times,
inscriptions attest to Enyalios, a name that survived into Classical times as an epithet of Ares. Vultures
and dogs, both of which prey upon carrion in the battlefield, are sacred to him.

Ares' symbols
Ares had a quadriga drawn by four gold-bridled (Iliad v.352) fire-breathing immortal stallions. Among
the gods, Ares was recognized by his bronze armor; he brandished a spear in battle. His keen and
sacred birds were the barn owl, woodpecker, the eagle owl and, especially in the south, the vulture.
According to Argonautica, the birds of Ares (Ornithes Areioi) were a flock of feather-dart-dropping
birds that guarded the Amazons' shrine of the god on a coastal island in the Black Sea. In Sparta, the
chthonic night-time sacrifice of a dog to Enyalios became assimilated to the cult of Ares. Sacrifice
might be made to Ares on the eve of battle to enlist his support.
It is said Ares rode into battle and when he was wounded he went back to Mt. Olympus where Zeus
healed him. Then Ares went straight back to battle.

Ares in cult
Although important in poetry, Ares was rarely included in cult in ancient Greece, save at Sparta, where
he was propitiated before battle, and, though involved in the founding myth of Thebes, he appeared in
few myths.
At Sparta there was a statue of the god in chains, to show that the spirit of war and victory was never to
leave the city. The temple to Ares in the agora of Athens that Pausanias saw in the second century AD
had only been moved and rededicated there during the time of Augustus; in essence it was a Roman
temple to Mars. The Areopagus, the "mount of Ares" where Paul of Tarsus preached, is sited at some
distance from the Acropolis; from archaic times it was a site of trials. Its connection with Ares, perhaps
based on a false etymology, is purely etiological. A second temple has also been located at the
archaeological site of Metropolis in Western Turkey.

Attendants
Deimos, "terror", and Phobos "fear", were his companions in war children, born by Aphrodite
according to Hesiod. The sister and companion of murderous Ares was Eris, goddess of discord or
Enyo, goddess of war, bloodshed and violence. He was also attended by the minor war-god Enyalius,
his son by Enyo, whose name ("warlike", the same meaning as the name Enyo) also served as a title for
Ares himself. The presence of Ares was accompanied by Kydoimos, the demon of the din of battle, as
well as the Makhai (Battles), the Hysminai (Manslaughters), Polemos (a minor spirit of war; probably
an epithet of Ares, as he had no specific dominion), and Polemos' daughter, Alala,
goddess/personification of the Greek war-cry, whose name Ares used as his own war-cry.

The founding of Thebes

One of the roles of Ares that was sited in mainland Greece itself was in the founding myth of Thebes:
Ares was the progenitor of the water-dragon slain by Cadmus, and hence the ancestor of the Spartans,
for the dragon's teeth were sown into the ground as if a crop and sprung up as the fully armored
autochthonic Spartans, a race of fighting men, the descendants of Ares. To propitiate Ares, Cadmus
took as a bride Harmonia, daughter of Ares' union with Aphrodite, thus harmonizing all strife and
founding the city of Thebes.

Consorts and children

There are accounts of a son of Ares, Cycnus of Macedonia, who was so murderous that he tried to build
a temple with the skulls and the bones of travelers. Heracles slaughtered this abominable monstrosity,
engendering the wrath of Ares, whom Heracles wounded.

Ares in myth
In the tale sung by the bard in the hall of Alcinous, the Sun-God Helios once spied Ares and Aphrodite
enjoying each other secretly in the hall of Hephaestus, and he promptly reported the incident to
Aphrodite's Olympian consort. Hephaestus contrived to catch the couple in the act, and so he fashioned
a net with which to snare the illicit lovers. At the appropriate time, this net was sprung, and trapped
Ares and Aphrodite locked in very private embrace. But Hephaestus was not yet satisfied with his
revenge — he invited the Olympian gods and goddesses to view the unfortunate pair. For the sake of
modesty, the goddesses demurred, but the male gods went to witness the sight. Some commented on
the beauty of Aphrodite, others remarked that they would eagerly trade places with Ares, but all
mocked the two. Once the couple were loosed, Ares, embarrassed, sped away to his homeland, Thrace.
In a much later interpolated detail, Ares put the youth Alectryon by his door to warn them of Helios'
arrival, as Helios would tell Hephaestus of Aphrodite's infidelity if the two were discovered, but
Alectryon fell asleep. Helios discovered the two and alerted Hephaestus. Ares was furious and turned
Alectryon into a rooster, which now never forgets to announce the arrival of the sun in the morning.

Ares and the giants

In one obscure archaic myth related in the Iliad by the goddess Dione to her daughter Aphrodite, two
chthonic giants, the Aloadae, named Otus and Ephialtes, threw Ares into chains and put him in a bronze
urn, where he remained for thirteen months, a lunar year. "And that would have been the end of Ares
and his appetite for war, if the beautiful Eriboea, the young giants' stepmother, had not told Hermes
what they had done," she related (Iliad 5.385–391). "In this one suspects a festival of licence which is
unleashed in the thirteenth month." Ares remained screaming and howling in the urn until Hermes
rescued him and Artemis tricked the Aloadae into slaying each other. In Nonnus' Dionysiaca Ares also
killed Ekhidnades, the giant son of Echidna and a great enemy of the gods; it is not clear whether the
nameless Ekhidnades ("of Echidna's lineage") was entirely Nonnus' invention or not.

The Iliad
In the Iliad, Homer represented Ares as having no fixed allegiances nor respect for Themis, the right
ordering of things: he promised Athena and Hera that he would fight on the side of the Achaeans, but
Aphrodite was able to persuade Ares to side with the Trojans (Iliad V.699). During the war, Diomedes
fought with Hector and saw Ares fighting on the Trojans' side. Diomedes called for his soldiers to fall
back slowly. Hera, Ares's mother, saw his interference and asked Zeus, his father, for permission to
drive Ares away from the battlefield. Hera encouraged Diomedes to attack Ares, so he threw a spear at
Ares and his cries made Achaeans and Trojans alike tremble. Athena then drove the spear into Ares's
body, who bellowed in pain and fled to Mt. Olympus, forcing the Trojans to fall back (XXI.391). Later
when Zeus allowed the gods to fight in the war again, Ares tried to fight Athena to avenge himself for
his previous injury, but was once again badly injured when she tossed a huge boulder on him. However,
when Hera during a conversation with Zeus mentioned that Ares' son Ascalaphus was killed, Ares burst
into tears and wanted to join the fight on the side of the Achaeans discarding Zeus' order that no
Olympic god should enter the battle. Athena stopped Ares and helped him take his armor off.

Ares in the Renaissance

In Renaissance and Neoclassical works of art, Ares' symbols are a spear and helmet, his animal is a
dog, and his bird is the vulture. In literary works of these eras, Ares appears as cruel, aggressive, and
blood-thirsty, reviled by both gods and humans, much as he was in the ancient Greek myths.