The Time Machine Deliverables Chapters 1-12

23/03/2012 CHAPTER 1 Ambience Chapter 1 AMB 1.1 - 3 minutes: The book begins in late 19 th century London, specifically, in the Time Travellers home in Richmond, a borough on the Thames River on the outskirts of London. Would be a modest size home. This is the smoking room, should have a fireplace, clock, sounds of carriages outside on the street (Very occasionally). Night time early spring as heard from inside. http://www.youtube.com/watch?v=8tP9tGAnsCI AMB1.2 - .56 sec: Inside a lab in the Time Travellers house, soft Bunsen burners and bubbling. Still quiet night time sounds but even softer than AMB1.1 Music Chapter 1 MUS 1.1 - .32 sec: Opening introduction should be more subtle as an introduction to the scene, not so epic yet. References: Classical Mahler Symphony No.1 Movt 1. 225 WPM .32 sec including fade. Intensity level 5 out of 10. MUS 1.2 - 1:05 min: This is where the time machine concept is first introduced. Although it is a familiar concept, the time traveller is revealing the possibility that it could be real not fiction. This should be quite an emotive piece one that foreshadows what is to come. Level 3 out of 10 MUS 1.3 - 50 sec: The first time we see a model of the time machine, should be wonder, excitement, curiosity, mistrust, scepticism and carry an element of the unknown. :50 sec Intensity level 4 MUS1.4 - 43 sec: Closing chapter, the Time Traveller declares his intention to explore time. This should have an element of danger, adventure and boldness. Intensity should be level 5 and should build the intensity of the story. Maybe the slightly same feel as the link below: .43 sec This will be coming up against the next music cue immediately which will be quite different. Just something to watch out for. SFX Chapter 1 SFX1.1 Sound of clock chiming half past the hour after dinner they have moved to the smoking room. SFX 1.1a Soft burning sounds of trying to re-light a cigar. SFX1.2 Sound of a large man moving in a leather chair. SFX1.2a Sound of writing on a chalkboard and drawing a line up and down and up again. SFX 1.2b Standing up from a chair SFX 1.3 Soft footsteps on wooden floor fading down a hallway SFX 1.4 Soft footsteps on wooded floor approaching the group SFX 1.5 Scrape of moving a small table SFX 1.6 Placing the table on the floor SFX 1.7 Sound of a metal object being placed on a wooden table SFX 1.8 Small wooden chair scrape and sitting down creak SFX 1.9 Sound of moving in a chair then moving the chair and sitting back down on it

SFX 1.10 Soft cloth movement sounds SFX 1.11 Man getting out of chair then leaning over cloth sound SFX 1.12 Quiet sound of the leaver ticking over SFX 1.13 Soft gusts of wind and fluttering flames SFX 1.14 Soft time travel sound Low humming building up to a whoosh SFX 1.14a Sound of walking, then opening jar and filling pipe. SFX 1.14b Sound of pipe lighting and smoking SFX 1.14c Sound of cigar lighting SFX 1.15a Man walks off at a pace on wood floor SFX 1.15b Slowly opening a door SFX 1.16 Men follow the time traveller 3 mens footsteps

CHAPTER 2 Ambience Chapter 2 AMB2.1 5 min: Drawing room Night, in the Time Travellers house, very soft night birds and insects, occasional movement sounds of the men in the room. VERY soft fireplace. AMB 2.2 1 min: Smoking room, night, soft birds and insects. Louder fire place. Music Chapter 2 MUS 2.1 same as MUS 1.2 MUS 2.2 - 1 min: Shock at seeing the Time Traveller in a dishevelled state. They are used to seeing him composed and they cant recognise the state he is in. Suspenseful, but not too heavy, music intensity level 4 MUS 2.3 - .35 sec: Solo instrument, preferably piano, delicate and suspenseful as we are about to hear the story. SFX Chapter 2 SFX 2.1 - Walking into drawing room wooden floor SFX 2.2 - Slight paper rustle (as if moving paper through air) SFX 2.3 - Soft bell pull for servants SFX 2.3a - Sounds of dinner plates, cutlery etc. SFX 2.4 - Very Quiet door creak and soft foot falls SFX 2.4a - Sounds of forks being dropped onto the plates and moving in chairs SFX 2.4b - Soft limping footsteps SFX 2.5 - Pouring a glass of champagne SFX 2.6 - Picking up the glass and drinking SFX 2.7 - More champagne being poured and drunk SFX 2.8 - Soft Pacing footsteps on wood floor SFX 2.9 - Soft placing of glass on table SFX 2.10 - Soft footsteps SFX 2.11 - Wooden door open SFX 2.12 - Wooden door close SFX 2.13 - Soft muffled footsteps going up stairs. Fading out. SFX 2.14 - Soft bell pull for servants (similar to sfx 2.3) SFX 2.15 - Random Sounds of cutlery on plates, dinner sounds. SFX 2.15.a as above in 2.15 slightly longer. SFX 2.15.b - one man eating SFX 2.16 - Slide of a glass across a table and a tap on the side of it SFX 2.17 - Pouring wine into glass SFX 2.15b - One man eating continued SFX 2.18 - Pushing plate on wood table SFX 2.19 - Picking up a cigar and cutting the end off SFX 2.21 - Soft bell pull for servants (similar to sfx 2.3 and 2.14) SFX 2.20 - Group walk into smoking room SFX 2.22 - The 6 men sit down into armchairs SFX 2.23 - Man settling into his armchair

CHAPTER 3 Ambience Chapter 3 AMB 3.1 Inside a lab in the Time Travellers house, soft Bunsen burners and bubbling. Still quiet day time sounds. AMB 3.1a Time Travel whooshing and flapping with machine noise make it sound like its progressing needs to be quite long. AMB 3.2 Stormy weather, torrents of rain and hail, lots of wind. AMB 3.3 Similar to 3.2 but slowly getting less intense AMB 3.4 Day time, nicer weather, sunshine, heat, birds soft rustle of trees, insects Music Chapter 3 MUS 3.1 Quite an epic theme because this is the first time travel event. Longer 1 min, intensity level 7 Page 13: SFX Chapter 3 SFX 3.2 Sitting heavily down in a chair SFX 3.1 A few soft mechanical sounds SFX 3.3 Soft grabbing of metal levers SFX 3.5 Clunk of gears faster SFX 3.6 Soft time travel sound SFX3.4 Clunk of gears SFX 3.6a sound of whirring and spinning and coming to a stop. SFX 3.8 Mechanical sounds of pulling lever steam hiss, time machine build SFX 3.7 Soft grab of metal lever SFX 3.8a sound of the start of footsteps and then a whoosh. SFX 3.8b sound of lever moving SFX 3.11 Time machine mechanical movement and falling over on the grass SFX 3.10 Mechanical sound of pulling a metal lever SFX 3.12 Soft whoosh and body fall on grass SFX 3.9 Metal creaking and moving (time machine is swaying) SFX 3.12 Loud clap of thunder SFX 3.14 Pushing and grappling with the time machine SFX 3.13 Very soft quick footsteps on grass SFX 3.17 Time machine being righted, on grass SFX 3.16 Vibrating dull strike of metal SFX 3.15 Pushing and grappling with the time machine harder, scuffing sounds on grass SFX 3.18 Page 14: Soft whispers and talking, some soft footsteps. Sounds of soft footsteps and whispers as 3.18

CHAPTER 4 Ambience Chapter 4 AMB 4.1 Inside Eloi building, soft birds outside, movement of Eloi around the room. Large chamber with echo, marble floors AMB 4.1a Eloi at evening, emerging from the hall and entering the evening. AMB 4.2 Soft evening sounds, experiment with futuristic insect and animal sounds. No gnats or mosquitoes. AMB 4.3 Evening. Birds. In forest VERY PEACEFUL AMB 4.4 Night, in forest, more nocturnal sounds experiment with sounds from another time. Music Chapter 4 MUS 4.1 Entrance into Eloi, Should be the main theme of the city and the people. :45 seconds MUS 4.2 Realisation, first impression of the society, solo music reflective. Intensity 3. :45 sec MUS 4.3 Development of MUS 4.2 still first impressions but positive thinking the world has conquered its challenges from the time that he came from. SFX Chapter 4 SFX 4.1 Unscrew squeak and rattle SFX 4.2 Slide Levers into pocket SFX 4.3 Soft whispers and child like murmur SFX 4.4 Group stepping back on grass. SFX 4.5 Child like laugh and skipping towards time traveller SFX 4.7 Group walking on grass SFX 4.8 Group walking on cobbles/stone SFX 4.9 Lots of people sitting down on cushions. SFX 4.10 Sounds of a large group eating fruit...... experiment with a few different sounds SFX 4.6 Lots of children laughing SFX 4.11 Soft patter of walking eloi in the great hall SFX 4.12 Walking out of the hall (opening the door) SFX 4.12a soft walking sounds on grass. SFX 4.12b sounds of people following the odd child laughing. SFX 412.c sitting on grass.

CHAPTER 5 Ambience Chapter 5 AMB 5.1 Inside Eloi building, dulled night time environment. Quiet. AMB 5.2 - Day, outside forest. Very close river. Early morning, birds soft insects. AMB 5.3 Early morning, near forest. Birds soft insects. AMB 5.3a Hot sun layered in AMB 5.4 LAYER. Tunnel sound/echo to show the proximity of the shaft

Music Chapter 5 MUS 5.1 He discovers the Time Machine is missing. Worried, anxious, disbelief level of intensity 6. 1:30 MUS 5.2 first thoughts of the development of the civilization above ground. Should be similar or reminiscent to theme in 4.3 MUS 5.3 Gentle theme for Weena 1:30 intensity level 3 MUS 5.4 Introduction of the Morlocks, new theme, foreboding, dangerous tension building, Intensity level 8 3 mins. SFX Chapter 5 SFX 5.1 Sprinting on grass SFX 5.3 Clambering back onto feet SFX 5.4 Sprinting on grass SFX 5.5 Slowing down footsteps SFX 5.2 Falling on grass and skidding along SFX 5.5a sprinting around the grass and clawing through the bushes to look. SFX 5.5b running around the bushes, sound of a deer bolting away. SFX 5.5c sound of bashing through bushes similar to 5.5a SFX 5.6 Squeak of slipping shoe on stone SFX 5.8 Soft strike of a match SFX 5.7 Falling over stone table SFX 5.9 Fast pace walking on stone SFX 5.10 Soft cloth whoosh SFX 5.11 Very fast paced walking on stone SFX 5.10b Knocking over eloi. Shoulder barge sound then body fall on stone SFX 5.12 Sparrow tweets and soft hopping on grass SFX 5.13a sounds of getting up and walking around. SFX 5.13 Tapping on a hollow large metal object SFX 5.13a sounds of a group of people walking through bushes towards the Time Traveller. SFX 5.14 Grabbing eloi and dragging SFX 5.15 Eloi Running off SFX 5.16 Heavy hitting on large hollow metal object SFX 5.17 Soft muted scuffing on dirt (from inside pedestal) SFX 5.13b Three quick strides on grass SFX 5.18 Very soft muted zombie like chuckle SFX 5.20 Sitting down on grass (heavily as if tired) SFX 5.19 Heavy hitting on large hollow metal object with stone SFX 5.21 Soft aimless footsteps (fade out with environment 3.4) SFX 5.21a sounds of air thudding in a big tunnel and matches being lit. Sound of a paper being sucked through an air shaft

SFX 5.24 Splashing of someone wading and swimming in water SFX 5.22 Soft splashing noises of drowning eloi SFX 5.23 Taking of a jacket SFX 5.25 Delighted child? SFX 5.26 Rustle of small bush SFX 5.27 VERY quiet patter of running on stone (as if heard from a distant hallway SFX 5.28 Cloth noise for getting up and then walking on cobble SFX 5.28a sounds of one animal and then many moving quickly through bushes. SFX 5.30 Climbing and clambering on loose stone and debris SFX 5.29 Walking on stone SFX 5.32 Shoe scuff on stone (like a person stopping suddenly) SFX 5.31 Clambering/walking over stone and stone debris SFX 5.33 One step forward SFX 5.35 Morlock running into stone block with grunt SFX 5.36 Staggering footsteps on stone confused grunt SFX 5.34 Quick patter of running footsteps one stone. Odd apelike/ grunting SFX 5.37 Cautious footsteps on stone SFX 5.39 Odd scuffling down a tunnel shaft. Slowly fading out. Soft apelike grunt SFX 5.38 Soft strike of a match SFX 5.40 Soft strike of a match SFX 5.41 Two people running (almost skipping) on stone, childish laughter SFX 5.42 A few match strikes SFX 5.43 Another match strike

CHAPTER 6 Ambience Chapter 6 AMB 6.1 Tunnel sound. Distant machines with lots of echo and verb. AMB 6.2 Dry Machine layer. Still some echo and reverb but closer to machines now. Music Chapter 6 MUS 6.1 - A sense of mystery, wonder, and an underlying danger here... More ambient in feel/tone than metered or melodic... almost long metallic sounds with a subtle bass drum pattern like a heartbeat (orchestral-amb)... build the suspense in our reader as the Time Traveller feels as he decides what he must now do - which is explore deeper into what hes discovered to be a haunting and unknown underworld of civilization... 1:00 min, 3-4/10 intensity... MUS 6.2 - A similar bass drum heart-beat feel here to add suspense to the scene. Minimal in nature, but should be made intense by some swells of horns or strings that are eerie and add tension as he is roused from sleep by these creatures he fears. :30, 5/10 intensity. MUS 6.3 - Similar to 5.4, the morlock theme - dark and dangerous as he sees this scene unfold before him, and his last match runs out!... :30, 6-8/10... MUS 6.4 - This music should be frightening and full of suspense and danger. Eerie swells/crescendos accompanied by more of a metered faster tempo/feel, repetitive underlying strings, etc... propelling us into his current adventure/nightmare as he is being pursued and nearly captured by the Morlocks. (chase scene!) 1:50 (ish), 9/10 intensity. SFX Chapter 6 SFX 6.1 Very soft padding of footsteps barely discernable SFX 6.2 Soft cloth and scuff sounds SFX 6.3 Feet and hands searching for grip, rock/pebble debris SFX 6.4 Soft cloth sounds pulling someones arm SFX 6.5 Rough cloth movement/body fall? SFX 6.6 Climbing on metal rungs, sometimes using wall (sfx 6.3) SFX 6.7 Soft metal bending sound, sound of rock crumbling and debris falling down tunnel. Also sounds of the time traveller struggling to right himself SFX 6.9 Swing off metal bars onto ground SFX 6.10 Soft body fall, painfully getting to the ground to lie down SFX 6.8 Similar to 6.6 SFX 6.12 Quickly pulling out box of matches SFX 6.11 Frightened movement on gravel or rock debris. SFX 6.14 Patter of the morlocks footsteps on gravel or stone... add some debris SFX 6.13 Lighting a match SFX 6.15 Soft echo footsteps and a hand running along a soft stone wall, more debris SFX 6.16 Strike of a match. Again..... SFX 6.17 rustle of matchbox SFX 6.18 Pat of hand on skin cloth SFX 6.20 More hand touching cloth and skin SFX 6.21 Patter of footsteps away fast... then creeping back SFX 6.19 Morlocks breathing SFX 6.23 Strike of a match SFX 6.22 More morlocks breathing and clutching at the traveller SFX 6.24 Soft cautions footsteps

SFX 6.25 Patter of footsteps and cloth rustling SFX 6.26 Rough pulls on cloth SFX 6.27 Another match strike SFX 6.28 Running down a tunnel SFX 6.29 Getting down onto the stone tunnel floor SFX 6.31 Grasp of feet and dragging sound SFX 6.30 Feeling for ladder rungs SFX 6.32 Strike of a failing match SFX 6.33 Kicking a morlock and it falling over SFX 6.34 Morlock being kicked. IN THE FACE!! SFX 6.36 Climbing over the lip of the well SFX 6.35 Faster climbing and scrambling up the tunnel shaft SFX 6.38 Body fall on grass SFX 6.37 Staggering on a stone floor

CHAPTER 7 Ambience Chapter 7 Music Chapter 7 MUS 7.1 - My brain hears Holsts SATURN movement of The Planets suites... Something sweeping and with both epic beauty swells contrasted by low uncertainty and repetition... Cinematic and sweeping as it takes us through a mental conversation he has with himself, trying to reason whats just happened to him and what he should do next... Should end (or fade out) right as we enter night once again, and our fears (along with Weenas) return... 3:00 min or so, 5/10. MUS 7.2 - Similar in structure and feel to 7.1, but a shorter duration here... He finds some comfort and calm even in the night here as he gazes into the stars... Should have a feeling of vastness to it, calm yet an underlying uncertainty still (as we are in night which is our frightful time in this new strange world). Cinematic once again. 1:15 (ish) - 4-5/10 intensity. MUS 7.3 - Similar to 6.1. This should build up suspense, but not smack us in the face with it. It should be long tones, an underlying heart beat sort of bass drum feel... He is putting 2 and 2 together and realizing that what he saw the Morlocks eating the previous night was actually an Eloi that they captured... His horror... coming upon me should be evident in this build of music that takes us through to the end of Chapter 7. 1:30, 3-4/10 intensity. SFX Chapter 7 SFX 7.2 Hoisting up a child onto shoulder SFX 7.3 Putting child back onto the ground SFX 7.1 walking on grass SFX 7.4 Walking on grass, skipping child SFX 7.5 VERY soft rustle of pocket SFX 7.7 Picking up a child SFX 7.8 Walking on grass SFX 7.10 Tiredly sitting down SFX 7.9 Putting a child down on grass SFX 7.11 Cloth sounds (wrapping someone up in a coat) SFX 7.12 Waling on grass SFX 7.13 Picking fruit off of trees

CHAPTER 8 Ambience Chapter 8 AMB 8.1 INTERIOR Day time, nicer weather, birds soft rustle of trees, large space AMB 8.2 INTERIOR Day time, Afternoon in the ruins AMB 8.3 INTERIOR Evening, in the ruins Music Chapter 8 MUS 8.1 - Broad and sweeping tones, french horn and baritone type swells, not overly metered, more ambient in nature. We are looking in on the vast ruined museum here and imagining all its former glories and what it now must contain. Nothing too big, just something to add intrigue and emotion to this passage. 1:30, 2-3/10 intensity. MUS 8.2 - Similar to (or same as) 6.1 again, hinting at the presence of the Morlocks and the unknown :30sec, 3-4/10 intensity. MUS 8.3 - Moment of triumph as hes found matches which he knows the Morlocks are afraid of when lit. Nothing huge or sweeping here, but a hint of hope... :30, 2-3/10 intensity SFX Chapter 8 SFX 8.1 Fading in footsteps on grass SFX 8.3 A few more steps SFX 8.4 Brushing away dust from a glass case SFX 8.5 Clambering onto a metal machine SFX 8.6 Soft slap of hands on metal SFX 8.9 Child whimpering softly SFX 8.8 Snap of metal bar SFX 8.7 Slow bending of metal SFX 8.10 Slow steps on stone SFX 8.11 Walking up a stone staircase SFX 8.13 Opening of an airtight case SFX 8.12 Walking on stone floor SFX 8.14 Lighting of a match SFX 8.15 Dance SFX, rhythmic foot sounds and cloth rustles SFX 8.16 Picking up a glass jar SFX 8.17 Throwing a jar on the ground and it smashing SFX 8.18 Soft pocket rustle SFX 8.19 Fading footsteps on stone SFX 8.20 Soft scratching sound (of etching his name into stone) SFX 8.21 Walking on stone SFX 8.22 Smashing a glass case

CHAPTER 9 Ambience Chapter 9 AMB 9.1 - Sound of small outside fire catching dry twigs and wood etc. Still birds in the air and daytime outside sounds AMB 9.2 - Roaring forest fire

Music Chapter 9 MUS 9.1 - Similar to 6.1 again, hinting at the presence of the Morlocks before he discovers they are there in the text (musical foreshadowing a bit)... This also hints at the unknown of the fire as it begins to crawl out from where hes lit the first flame and grow and grow, sweeping across the forest... 1:00, 4/10 intensity. MUS 9.2 - Similar to 6.4 - Eerie and more full, metered with heavy low strings or a thumping bass drum (orchestral). We should feel the suspense and despair as he knows they are surrounded, and then towards the end of this cue, they have found him and close in... 1:15-1:30, 8/10 intensity. MUS 9.3 - Full battle type score here, as they have descended on him while he slept - his fire has mostly gone out, and all he has is his iron bar to use against them... which he does with brute force, killing a few Morlocks before they run away from him in fear... 1:00-1:15, 9-10/10 intensity. MUS 9.4 - Again, more epic and full on here, as the fire is engulfing him and any remaining fleeing Morlocks. Either a continuation of cue 9.3 or a new one with similar elements but more crashing and vigorous impacts... :40 sec, 10/10 intensity. MUS 9.5 - Exhausted, after a fight and ordeal, but still with an element of mystery to the sound... Long tones and gradual swells - nothing too big here, but we should feel a sense of mourning for Weena who is lost, and also a sense of exhaustion of The Time Traveler as he tries to figure out what to do next... 1:00-1:15, 5/10 intensity. SFX Chapter 9 SFX 9.2 Picking up firewood (rustle of bush occasionally) SFX 9.3 Dropping a pile of sticks and twigs SFX 9.5 Walking through bush. Footsteps on grass, occasional crack of twigs SFX 9.6 Patter of morlocks running around the pair SFX 9.4 Lighting a fire with a match then a soft crackle of fire that fades out when they walk off SFX 9.7 Putting a child down onto the ground SFX 9.8 Fumbling in pockets SFX 9.9 Lighting a match SFX 9.10 Rustle in pocket SFX 9.11 Sound of a match flaring up SFX 9.12 Picking up weena

SFX 9.13 Putting weena down SFX 9.14 Picking up twigs and wood very fast SFX 9.15 Lighting a match SFX 9.16 Weena dashing away over grass SFX 9.18 Morlock stumbling away, and falling over SFX 9.19 Flaring of camphor SFX 9.17 Time traveller punching a morlock in the face SFX 9.20 Time traveller jumps and breaks of branches SFX 9.21 Sound of a campfire SFX 9.23 Searching in pockets SFX 9.22 Soft struggling sounds SFX 9.25 Rolling over on grass SFX 9.24 Morlocks grabbing and handling the traveler SFX 9.26 Time traveller struggles to stand up SFX 9.27 Swinging the iron bar and fleshy impacts SFX 9.28 Soft sounds of winging a bar back and forward SFX 9.29 Groups of morlocks running away SFX 9.30 One cautious step SFX 9.31 Tree bursting into flame SFX 9.33 Morlock stumbles into fire SFX 9.32 Purposeful walking on grass SFX 9.34 Attacking morlocks with iron bar SFX 9.35 Sitting down on grass Sfx 9.36 Punching a morlock in the face SFX 9.37 Walking around very worried, fidgeting SFX 9.39 Limping footsteps on grass SFX 9.38 Rustle of grass

CHAPTER 10 Ambience Chapter 10 AMB 10.1 - Interior but near large opening .Evening amb. Birds. In forest AMB 10.2 - Interior. Evening amb. Birds. In forest very dulled. Cave like sound.

Music Chapter 10 MUS 10.1 - Solo Piano or something simplistic here, but with a mournful tone and a longing sound.... He is intellectualizing what he has seen, and mourns for the human race and what it has become. This self-dialogue should have this simple accompaniment which gives added weight and some sadness to these words... 1:30 or less, 2-3/10 Intensity. MUS 10.2 - Broad and triumphant, but not happy sounding... He has found the Time Machine, so we need that sense of triumph, but he knows there is still work to do, and he suspects (and is correct in doing so) that there may be a trap around the corner waiting for him :30, 6/10 Intensity MUS 10.3 - Very similar to 9.4 - Violent and emotional as his glee quickly turns to fear and anxiety. The Morlocks are swarming to him again, and he is going to try to escape through the Time Machine... Broad and Big! :35, 10/10 SFX Chapter 10 SFX 10.1 Settling down into grass to sleep SFX 10.2 Footsteps on grass SFX 10.3 Sound of throwing away an iron bar on too grass SFX 10.5 Cautious walking on stone SFX 10.6 Large mechanical doors closing with a big echo clang SFX 10.8 Swinging lever through the air trying to hit something SFX 10.10 Fleshy head-butt impact SFX 10.9 Scrambling to get into time machine morlocks pulling at the traveller SFX 10.12 Quick pull of a lever SFX 10.11 Continued scrambling

CHAPTER 11 Ambience Chapter 11 AMB 11.1 - Time travel AMB but slowing AMB 11.2 - Alien Like ENV. A soft deep drone, VERY QUIET lapping of waves on a shore. AMB 11.3 - Alien Like ENV. A soft deep drone, soft gusts of wind

Music Chapter 11 MUS 11.1 - My ear hears Franz Liszts solo piano piece, Nuages Gris here... Not sure if thats useable, but it would be perfect here. Sense of lost in space, simplistic when the obvious choice here might be to over-do the music with wild big-ness... This piece creates a sense of wonder and mystery and almost asks the question of whether things we are experiencing are real or not... Great fit here. 3:00, 2/10 intensity. MUS 11.2 - Same as 7.1 or very similar - Saturn movement of Holsts Planets Suite. Broad a cinematic, taking us on the time travel journey and into these unknowns with the Time Traveler. 2:30, 5/10 intensity. SFX Chapter 11 SFX 11.1 Odd alien like scream SFX 11.4 Robe being drawn through hand SFX 11.3 Soft grab of rope SFX 11.5 Some sort of odd mouth sound SFX 11.2 GIANT crab moving toward machine SFX 11.6 Pulling a lever SFX 11.7 Quiet movement of giant crabs from a distance SFX 11.8 Wind getting more intense

CHAPTER 12 Ambience Chapter 12 AMB 12.1 Smoking room, Day, soft birds and insects. Music Chapter 12 MUS 12.1 - Same as 11.1 - Franz Liszts Nuages Gris Liszt or something very very similar to it. This will overlap to the end of this chapter and go with the reader through the Epilogue to close out the book. It leaves us by the end of the piece wondering the same thing as the Narrator... was it all real, or not?... 3:00-3:15, 2/10 Intensity. SFX Chapter 12 SFX 12.2 Soft chair scrapes and scuff on wood, people getting up from their chairs SFX 12.1 Soft taps of pipe on metal grate SFX 12.2 Man getting up from chair and taking a few steps SFX 12.3 Sinking head into hands SFX 12.5 Time traveller walking purposefully on wooden floor SFX 12.6 4 people following him SFX 12.7 Placing a lamp and a bench SFX 12.8 Sliding hand across metal rail SFX 12.9 Picking up of a lamp, then 5 people walking a short way SFX 12.10 Fast walking wood floor SFX 12.14 Open wooden door SFX 12 .15 Sound of glass smashing on the wooden floor SFX 12.12 Edit of time travel sound start machine SFX 12.13 Big gust of wind SFX 12.16 Soft approaching footsteps of servant