Professional Documents
Culture Documents
Definitions
Confluence of African and European Music Traditions
Jazz is a musical art form which originated at the beginning of the 20 th
century in African American communities in the Southern United States
from a mingling of African and European music traditions. The styles
West African influence is evident in its use of blue notes, improvisation,
polyrhythms, syncopation and the swung note. (Wikipedia)
http://www.youtube.com/watch?v=wE2CtJ3hgvU
http://www.youtube.com/watch?v=LVEoUkf-gN4
Word Origins
The word jazz began as a West Coast slang
term of uncertain derivation. The earliest known
references to jazz are in the sports pages of
various West Coast newspapers covering the
Pacific Coast League, a baseball minor league:
Ben Henderson, Portland Beavers, 1912. BEN'S
JAZZ CURVE. "I got a new curve this year," softly
murmured Henderson yesterday, "and I'm goin' to
pitch one or two of them tomorrow. I call it the Jazz
ball because it wobbles and you simply can't do
anything with it."
African/American Roots
African
Drumming Ensemble
http://www.youtube.com/watch?v=-xQtpLU-NvI
1890s to 1910s
The abolition of slavery in 1865 led to new opportunities for the
education of freed African-Americans, though strict segregation
limited employment opportunities for most blacks. However, blacks
were able to find work as entertainmers in dances, minstrel shows,
and in vaudeville. Black pianists also played in bars, clubs, and
brothels, as ragtime developed.
Ragtime
Blues
New Orleans Dixieland
Ragtime
Origins and Style
Ragtime (alternately spelled Ragged-time) is an originally
American musical genre which enjoyed its peak popularity
between 1897 and 1918.
Its main characteristic trait is its syncopated, or "ragged",
rhythm.
It began as dance music in the red-light districts of American
cities such as St. Louis and New Orleans years before being
published as popular sheet music for piano.
Ragtime fell out of favor as Jazz claimed the public's imagination
after 1917, but there have been numerous revivals since as the
music has been re-discovered.
http://www.youtube.com/watch?v=pMAtL7n_-rc
Player Roll
Blues
Form
The blues form is characterized by
the use of specific chord progressions the
twelve-bar chord progressions being the most
frequently encountered
blue notes sung or played for expressive purposes
and distinguished by the use of the flattened third,
fifth and seventh of the associated major scale.
Chords played over a twelve-bar
scheme:
I or IV
I7
C or
F
C7
IV
IV
I7
C7
V or
IV
I or V
G or
F
C or
G
Lyrics
The traditional blues verse was probably a
single line, repeated four times.
It was only later that the current, most
common structure of a line, repeated once
and then followed by a single line conclusion,
became standard, the so-called AAB pattern.
Proponents:
Jelly Roll Morton, Robert Johnson, Blind Boy
Fuller, Gertrude Ma Rainey, Bessie Smith
Bessie Smith
(1892 1937)
The Empress of the
Blues
Major influence on
subsequent jazz
vocalists
Baby Wont You
Please Come Home
http://www.youtube.com/watch?v=zCrtErmipXE
All-Star Band
Hello Dolly
http://www.youtube.com/watch?v=kmfeKUNDDYs
Jazz
Swing
Origins
Prohibition in the United States (from 1920 to 1933)
banned the sale of alcoholic drinks, resulting in illicit
speakeasies becoming lively venues of the Jazz
Age.
Jazz started to get a reputation as being immoral and
many members of the older generations saw it as
threatening the old values in culture and promoting
the new decadent values of the Roaring 20s.
While New Orleans remained an important jazz
center, Chicago became the main center during this
timeframe.
(1903-1991)
The Wolverines
(1901-1971)
Fletcher Henderson
Dance Band
Variety Stomp
http://www.youtube.com/watch?v=hcYBwRjMqjg&list=PL4BD19972C5BB458E
Jelly Roll Morton recorded with the New Orleans Rhythm Kings
in an early mixed-race collaboration, then in 1926 formed his
Red Hot Peppers.
(1890 1941)
(1890 1967)
Duke Ellington
(1899 1974)
Cotton Club
New York City
Earl Hines
(1903 1983)
Style
The 1930s belonged to popular swing big bands, in which some
virtuoso soloists became as famous as the band leaders.
Swing was also dance music. It was broadcast on the radio 'live'
nightly across America for many years especially by Hines and
his Grand Terrace Cafe Orchestra broadcasting coast-to-coast
from Chicago. Although it was a collective sound, swing also
offered individual musicians a chance to 'solo' and improvise
melodic, thematic solos which could at times be very complex.
Over time, social strictures regarding racial segregation began to
relax in America: white bandleaders began to recruit black
musicians and black bandleaders white ones.
Proponents:
Count Basie, Cab Calloway, Jimmy Dorsey and Tommy Dorsey,
Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines,
Glenn Miller, Artie Shaw and Louis Armstrong
Harry James
(1916 1983)
Artie Shaw
(1910 2004)
Moonglow
http://www.youtube.com/watch?v=AKQ7v3S9atM
Glenn Miller
(1904 1944)
In the Mood
http://www.youtube.com/watch?v=_CI-0E_jses
Dark Eyes
http://www.youtube.com/watch?v=3WHQ0twHQgo
Revival
Bebop
Cool
Jazz
Hard Bop
Modal Jazz
Free Jazz
Dixieland Revival
Bob Crosby
(1913 1993)
Jazz Me Blues
http://www.youtube.com/watch?v=oQWEMXyEAS8
Lu Watters
(1911 1989)
Lu Watters Band
Love Me or Leave Me
http://www.youtube.com/watch?v=ed9p5XLGZn0
Bebop
Charlie Parker
Dizzie Gillespie
Thelonious Monk
(1917 1982)
Blue Monk
http://www.youtube.com/watch?v=cWOz9mILqbA
Bud Powell
(1924 1966)
A Night in
Tunisia
http://www.youtube.com/watch?v=pthRYbt3JCE
Max Roach
(1924 2007)
Mr. Hi Hat
http://www.youtube.com/watch?v=H8syiOwwVyY
Cool Jazz
Origins and Style
By the end of the 1940s, the nervous energy and tension of
bebop was replaced with a tendency towards calm and
smoothness, with the sounds of cool jazz, which favored long,
linear melodic lines. It emerged in New York City, as a result of
the mixture of the styles of predominantly white jazz musicians
and black bebop musicians, and it dominated jazz in the first half
of the 1950s.
Proponents:
Chet Baker, Dave Brubeck, Bill Evans, Gil Evans, Stan Getz, the
Modern Jazz Quartet. An important recording was trumpeter Miles
Davis Birth of Cool (tracks originally recorded in 1949 and 1950 and
collected as an LP in 1957).
Miles Davis
(1926 1991)
Jeru from
Birth of the
Cool
http://www.youtube.com/watch?v=GXARxrB
ozOs
Cool Jazz
http://www.youtube.com/watch?v=1P5xZyK4cFw
Dave Brubeck
(1920 - 2009)
Take Five
http://www.youtube.com/watch?v=PQLMFNC2Awo
Hard Bop
Origins and Style
Hard bop is an extension of bebop (or "bop") music that
incorporates influences from rhythm and blues, gospel music,
and blues, especially in the saxophone and piano playing.
Hard bop was developed in the mid-1950s, partly in response to
the vogue for cool jazz in the early 1950s.
The hard bop style coalesced in 1953 and 1954, paralleling the
rise of rhythm and blues.
Proponents
Miles Davis' performance of "Walkin'" the title track of his album
of announced the style to the jazz world.
The quintet Art Blakey and the Jazz Messengers, fronted by
Blakey and featuring pianist Horace Silver and trumpeter Clifford
Brown, were also leaders in the hard bop movement.
Miles Davis
(1926 1991)
Walkin
http://www.youtube.com/watch?v=JhVnWRqQ8sA
Art Blakey
(1919 1990)
Buhainas
Delight
http://www.youtube.com/watch?v=Ah68wqyYcRs
Modal Jazz
Origins and Style
Modal jazz is a development beginning in the later 1950s which
takes the mode, or musical scale, as the basis of musical
structure and improvisation.
Previously, the goal of the soloist was to play a solo that fit into a
given chord progression. However, with modal jazz, the soloist
creates a melody using one or a small number of modes. The
emphasis in this approach shifts from harmony to melody.
Proponents:
Miles Davis recorded the best selling jazz album of all time in the
modal framework: Kind of Blue
Other innovators in this style include John Coltrane (1926
1967) and Herbie Hancock (b. 1940).
All Blues
http://www.youtube.com/watch?v=rFuHKvEuFbU
Free Jazz
Origins and Style
Free jazz broke through into an open space of "free tonality" in
which meter, beat, and formal symmetry all disappeared, and a
range of world music from India, Africa, and Arabia were melded
into an intense, even religiously ecstatic style of playing.
While rooted in bebop, free jazz tunes gave players much more
latitude; the loose harmony and tempo was deemed
controversial when this approach was first developed.
Proponents:
Ornette Coleman, Cecil Taylor. John Coltrane, Archie Shepp,
Sun Ra, Albert Ayler and Pharoah Sanders
John Coltrane
(1926 1967)
A Love
Supreme
http://www.youtube.com/watch?v=WbbLP4vSe9k
Thembi
http://www.youtube.com/watch?v=lyirrcT5a6Q&list=PLEC920898469FB539
Sun Ra
(1914 1993)
Jazz
Post Bop
Soul Jazz
Fusion
Latin Jazz
Origins and Style
Latin jazz combines rhythms from African and
Latin American countries, often played on
instruments such as conga, timbale, guiro,
and claves, with jazz and classical harmonies
played on typical jazz instruments (piano,
double bass, etc.)
There are two main varieties: Afro-Cuban jazz
and Brazilian jazz
Xavier Cugat
(1900 1990)
Tico Taco
http://www.youtube.com/watch?v=G8LEnGmnF3o
Tito Puente
(1923 2000)
Oye Como Va
http://www.youtube.com/watch?v=zZQh4IL7unM
Brazilian Jazz
Brazilian jazz became more popular in the 1960s
Brazilian jazz such as bossa nova is derived from
samba, with influences from jazz and other 20th century
classical and popular music styles
Bossa is generally moderately paced, with melodies
sung in Portuguese or English. This style was pioneered
by Brazilians Joao Gilberto and Antonio Carlos Jobim.
The related term jazz-samba describes an adaptation of
bossa nova compositions to the jazz idiom by American
performers such as Stan Getz and Charlie Byrd.
Joao Gilberto
(b. 1931)
Desafinado
http://www.youtube.com/watch?v=ZuNEuzMzryA
Stan Getz
(1927 1991)
Post Bop
Origins and Style
Post-bop is a term for a form of small-combo jazz music that
evolved in the early-to-mid sixties from earlier bop styles.
Generally, the term post-bop is taken to mean jazz from the midsixties onward that assimilates influence from hard bop, modal
jazz, avant-garde jazz, and free jazz, without necessarily being
immediately identifiable as any of the above.
By the early seventies, most of the major post-bop artists had
moved on to jazz fusion of one form or another.
Proponents:
John Coltrane, Miles Davis, Bill Evans, Charles Mingus, Wayne
Shorter and Herbie Hancock
Wayne Shorter
(b. 1933)
Fee Fi Fo Fum
http://www.youtube.com/watch?v=hEzAJJfTtBE
Herbie Hancock
(b. 1940)
Dolphin Dance
from Maiden
Voyage
http://www.youtube.com/watch?v=iB2Z2DY17yQ
Soul Jazz
Origins and Style
Soul jazz was a development of hard bop which incorporated
strong influences from blues, gospel and rhythm and blues in
music for small groups, often the organ trio which featured the
Hammond organ. Tenor saxophone and guitar were also
important in soul jazz
Soul jazz was developed in the late 1950s and was perhaps most
popular in the mid-to-late 1960s,
Although the term "soul jazz" contains the word "soul," soul jazz
is only a distant cousin to soul music, with its origins in gospel
and R&B rather than jazz.
Unlike hard bop, soul jazz generally emphasized repetitive
grooves, melodies, and melodic hooks. The kinds of rhythms
used tend to vary as well.
Lee Morgan
(1938 1972)
The Sidewinder
http://www.youtube.com/watch?v=5a4n6yZIXxI
Herbie Hancock
(b. 1940)
Cantaloupe Island
http://www.youtube.com/watch?v=cqwmDNPegnM
Fusion
Miles Davis
(1926 1991)
Black Comedy
from Miles in the
Sky
http://www.youtube.com/watch?v=1aXx_CkSzfo
1980s to 2010
In the 1980s, the jazz community shrank dramatically and split.
A mainly older audience retained an interest in traditional and
straight-ahead jazz styles.
Pop
Fusion
Hip-Hop
Straight Ahead
Experimental
Pop Fusion
Origins, Style and Proponents
In the early 1980s, a lighter commercial form of jazz
fusion called pop fusion or smooth jazz" became
successful.
A smooth jazz track is downtempo, layering a lead,
melody-playing instrument over a backdrop that
typically consists of programmed rhythms and various
pads and/or samples radio airplay.
Proponents include Grover Washington, Jr., Kenny
G, Najee and Michael Lington.
Sentimental
http://www.youtube.com/watch?v=ro_dQ6cb09E
Baby G
http://www.youtube.com/watch?v=tNAeQQdR7ls
Hip Hop
Public Enemy
Dont Believe
the Hype from
It Takes a
Nation of
Millions to Hold
Us Back
http://www.youtube.com/watch?v=gWna0J27Mw&feature=PlayList&p=BBE920EB875C4A1B
&playnext=1&playnext_from=PL&index=19
KRS-One
[Lawrence Krishna Parker]
(b. 1965)
Straight Ahead
In the 2000s, straight ahead jazz continues to appeal to
a core group of listeners.
Well-established jazz musicians, such as Dave Brubeck,
Wynton Marsalis, Wayne Shorter and Jessican Williams
continue to perform and record.
In the 1990s and 2000s, a number of young musicians
emerged, including US pianists Brad Mehldau, Jason
Moran, and Vijay Iyer, guitarist Kurt Rosenwinkel,
vibrophonist Stefon Harris, trumpeters Roy Hargrove and
Terence Blanchard, and saxophonists Chris Potter and
Joshua Redman.
Joshua Redman
(b. 1969)
Live in Lausanne
2008
http://www.youtube.com/watch?v=9xQZRDpDJhE
Experimental
The more experimental end of the
spectrum has included US trumpeters
Dave Douglas and Rob Mazurek,
saxophonist Ken Vandemark, Norwegian
pianist Bugge Wesseltoft, the Swedish
group E.S.T, and US bassist Christian
McBride.
Christian McBride
(b. 1972)
Bye-Bye Blackbird
http://www.youtube.com/watch?v=UHu7ow9Kepw
St. Germain
[Ludovic Navarre]
Pseudodementia
from Boulevard
http://www.youtube.com/watch?
v=p7NTuwX6v6c&feature=PlayList&p=5585FE6930591AA2&playnext=1&playnext_from=
PL&index=4
Jamie Cullum
(b. 1979)
What a
Difference a Day
Made
http://www.youtube.com/watch?v=F1r6GcPqFSo
Postlude
In 1987, the US House of Representatives and
Senate passed a bill proposed by Democratic
Representative John Conyers, Jr. to define jazz
as a unique form of American music stating,
among other things, "...that jazz is hereby
designated as a rare and valuable national
American treasure to which we should devote
our attention, support and resources to make
certain it is preserved, understood and
promulgated."