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Chapter 2
Perception
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Learning Objectives
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Perception
• Perception is a three-stage process that translates raw stimuli into
meaning.
• Stages of Perception:
i. Exposure
ii. Attention
iii. Interpretation
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Perceptual Process
Figure 3.1 shows how as consumers we are exposed to sensory stimuli
through our sensory receptors. It emphasizes the three key stages of
perception: exposure, attention, and interpretation.
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Sensory Stimuli
• Vision/sight
• Scent/smell
• Sound
• Touch/texture
• Taste
marketers rely heavily on visual elements in advertising, store design, and
packaging.
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• The design of a product is often a key driver of its
success or failure.
• Apart from functionality, consumers also seek for
hedonic value of a product.
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The Coca-Cola bottle illustrates an example of how design can facilitate
product success.
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Vision/sights
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Vision
Table 3.1 Marketing Applications of Colors
Source: Adapted from Leo Widrich, “Why Is Facebook Blue? The Science Behind Colors in Marketing,”
Fast Company (May 6, 2013), fastcompany.com accessed February 23, 2015.
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5-10
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Scents/smell
• Like color, odor can also stir emotions and memory.
• Scent Marketing is a form of sensory marketing that we may see
in perfumes, detergents, and more.
• For instance, Starbucks requires baristas to grind a batch of
coffee each morning to ensure customers have that intense
smell during their Starbucks’ experience.
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For Reflection (1 of 8)
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Sound
• Audio watermarking- Brands can use audio watermarking to
encourage the retention of the message- when producers weave a
sound/motif into a piece of music that acts like an earworm we
compulsively hum.
• Sound symbolism as a way to influence brand image with sound.
Consumers more likely to recognize brand names that begin with a
hard consonant (K or P) like Kellogg’s and Pepsi.
• Phenomes - Vowel and consonant sounds (or phenomes) can be
associated with perceptions of large and small
https://www.youtube.com/watch?v=hfhBSGeA49I
https://www.youtube.com/watch?v=QjrXt-jvWaw
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Touch/texture
• Touch matters for consumers in which they will have a higher
level of attachment to the product. Touch can even influence
sales interactions.
• For instance, Some Japanese companies take this idea a step
farther with their practice of Kansei engineering, a philosophy
that translates customers’ feelings into design elements.
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Taste
• Our taste receptors contribute to our experience of many
products, and people form strong preferences for certain
flavors. Specialized companies (called “flavor houses”) try to
develop new concoctions to please the ever-changing and
demanding palates of consumers.
• Changes in our culture also determine the tastes we find
desirable.
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Sensory Marketing
• Companies think carefully about the impact of sensations
on our product experiences.
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Stage 1: Exposure
• Exposure occurs when a stimulus comes within
the range of someone’s sensory receptors.
• Exposure can occurs within the sensory threshold
and differential threshold.
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Sensory Threshold
Level of strength of a stimuli must reach for it to be
detected.
Key Concepts Definition
Absolute threshold The minimum amount of stimulation a person can
detect.
Psychophysics Quantitatively investigates relationship between
stimuli and the sensations.
Differential Ability of a sensory system to detect changes in
threshold two stimuli.
Just Noticeable Minimum difference we can detect between two
Difference (J.N.D) stimuli.
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Examples of Absolute Threshold
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Examples of Psychophysics
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5-21
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Stage 2: Attention
• Attention is the extent to which processing activity is
devoted to a particular stimulus
• Consumers experience sensory overload
• Marketers need to break through the clutter
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How Do Marketers Get Attention?
Personal Selection Factors
• Experience
• Perceptual filters
– Perceptual vigilance
– Perceptual defense
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Stage 3: Interpretation
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Semiotic Relationships
Semiotics studies the correspondence between signs and symbols and their
roles in how we assign meanings.
• Object - the product that is the focus of the message
• Sign - the sensory image that represents the intended meanings of the
object
• Interpretant - the meaning we derive from the sign
• Icon - a sign that resembles the product in some way
• Index - a sign that connects to a product because they share
• Symbol - a sign that relates to a product by either conventional or agreed-
on associations
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Semiotic Relationships
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5-27
Subliminal Advertising
• Subliminal advertising is a controversial but
largely ineffective way to talk to consumers
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